• Reduce bandwidth and power consumption to process more pixels from the sensor.


• Handle higher resolution, high frame rate and high dynamic range easily : to capture  to record, to transmit, to edit, to analyze.


• Reduce the bandwidth of memory during the ISP process and RAW data analysis.


• Get the lowest latency (\"pixel-line\")  to transmit RAW data over your network, infrastructures, interfaces.


• Efficiently decrease the stored RAW image data on the storage media (TICO-RAW is the new RAW at the size of a regular JPEG file).


• Increase the editing, rendering, analytics speed and while retaining the sensor data needed for a complete control of the RAW processing pipeline.

Polymotion Stage is the world’s first multi-solution mobile volumetric capture studio. For the very first time, content creators can easily capture volumetric assets at any location. The unique mobile studio environment that Polymotion Stage provides allows the creation of volumetric video, volumetric stills and avatars in any given surroundings, and in effect can be transported to where it’s needed, such as a broadcast studio or movie set. It has been developed by world leaders in camera robotics and automated broadcast solutions, MRMC, a Nikon Group company, in partnership with Dimension, leaders in volumetric capture and advanced virtual humans.

Our capture solutions can be deployed quickly to wherever the talent is on location. Our flight-ready Dome can be flat-packed and sent to any location with crew to allow volumetric capturing in remote locations or on set. The Truck, available from Autumn 2019, transforms and expands into a secure and private capture space in a matter of hours.

The state-of-the-art capture stage is comprised of 106 video cameras, capturing video at either 2k or 4k resolution. The cameras are positioned with 96 around the capture volume facing inwards, and 10 above pointing down. With multi-directional microphones, we can capture spatial audio or reference tracks to be sent to sound design.

When you shoot in the Polymotion Stage, the clients project is being managed and created by a specialist team who have worked with some of the biggest companies and names in the world. The resulting output are MP4 (which are small and flexible) and OBJ files meaning they can be used in a variety of traditional media, including broadcast, or 2D video, or in augmented, and virtual reality applications without unnecessary strain on your devices.

VOLUMETRIC IMAGES

For an efficient way to produce exciting 2D and 3D renders from the same capture, our circular array of high-resolution cameras provide incredible detail at the press of a button. You can take the raw data and work with your preferred post-production team, or we can polish the assets to have them ready to go.

VOLUMETRIC VIDEOS

Volumetric video allows you to pause, rotate and get closer to the talent. This exciting format provides you with a 3D video of the performance that can be used augmented into live broadcast, immersive, and traditional media formats.

For sports broadcasts, this could create new ways to provide analysis and commentary on performance. For live entertainment, this opens up new creative camera angles to delight your audience. The possibilities are endless.

AVATARS

Our multi-purpose Polymotion stages allow you to quickly capture your talent in static poses. Once captured, their digital models are taken through our avatar pipeline, making them ready to be animated or driven by mocap data.

There is increasing demand for small "Box"-type or "Point-Of -View" cameras with the flexibility to shoot from almost anywhere while still delivering highest quality full-HD pictures for use standalone or in seamless integration with content from full-size cameras. The HDC-P1 delivers unprecedented picture quality thanks to its full use of the technologies from Sony's flagship HDC Series studio cameras.

Key Features:

• 2/3" full HD "Power HAD FX" CCDs


• Compact and Lightweight Design


• Two remote control optical filters


• Equivalent picture quality and control system as standard Sony HD camera system

The Sony HXC-P70 is a point-of-view “POV” camera developed for a wide range of more affordable applications than the HDC-P1, thanks to a longer cable distance extension and a higher sensitivity, in addition to its compact size, light weight and lower power consumption.

It allows direct connection to the HXCU-FB70 camera control unit by optical fibre cable, in addition to two HD/SD-SDI outputs. The hybrid type fibre cable can extend the distance from the CCU up to 500 m, while supplying the required power. If a single-mode fibre cable is connected, the distance can extend up to 10 km with a local power supply.

Key Features:

• 2/3" 3 CMOS HD Imagers, "Exmor"


• Optical Fiber Transmission with Direct Cable Connection


• Up to 500m by the Sony CCFN hybrid type optical fiber cableincluding power supply from CCU.


• Up to 10km by the single-mode fiber cable with local power supply


• Connect to the current CCU, HXCU-FB70


• Integrated Motorized ND Filter and Electrical CC filter


• Slow Shutter with 64 Frame Accumulation, and +48dB Gain Up >> very bright even with dark condition


• Total Level Control System


• For Auto Gain, Auto Iris, and Auto Shutter


• 2x/4x Digital Extender


• Low Power Consumption, 17W

6K Full-Frame “Exmor R” sensor for stunning picture quality. FX9 is the world's first professional camcorder with Sony's world-leading eye-tracking technology. High-speed, high-precision image processing maintains a pin-sharp focus. The PXW-FX9 features a full-frame, oversampled 6K Exmor R CMOS sensor that allows you to capture 4K images with cinematic depth of field. The camera's E-mount is machined from stainless steel and allows you to use E-mount lenses. Sony Fx9 Price is very good in UBMS Dubai Showroom. Come and experience the Sony FX9 camera at UBMS showroom and get the best price. We can ship Sony Fx9 to all GCC countries (Bahrain, Kuwait, Oman, Qatar, Saudi Arabia ) & African Countries

The fx9 full-frame 6K sensor provides superb recording in DCI 4K*, Ultra HD and HD resolutions. Powerful image processing with debayering and oversampling ensures image quality beyond the limits of conventional Super 35mm sensors. The back-illuminated CMOS image sensor also uses Sony’s Exmor R technology for improved sensitivity and noise reduction. Compared to a 4K Super 35mm sensor, the FX9’s 6K sensor has over twice the surface area while providing a wider angle of view and shallower depth of field.*DCI 4K (4096 x 2160 at 17:9 recording) will be available with future firmware release.

With the release of the FX9, a new video look “S-Cinetone” is introduced. Installed in the FX9 “S-Cinetone” expresses the cinematic look cultivated from the Color Science in VENICE but tailored for the video world. Whereas VENICE and s709 provides images close to the film color found in movie and drama productions, “S-Cinetone” provides images with a more cinematic look in tone and color for the video world. As a result, you can create richer content compared to conventional processing.

Realize beautiful 4K imagery with the creative freedom made possible by oversampling a huge high resolution full-frame sensor. Capture every detail from the scene with shallow depth of field and stunning bokeh for a truly cinematic look. 15+ stops of dynamic range and Dual Base ISO enable you to capture every nuance, from subtle shadow detail to specular highlights, with an immaculate color palette. To know more about sony FX9 camera contact UBMS.

Using the FX9 you can make sure your story’s always clear with enhanced Fast Hybrid AF that tracks your subject with unprecedented speed, smoothness, and precision. Its impact is transformative for premium documentary, commercial, and event applications. Your ability to precisely capture your subject’s expression is further enhanced with Sony’s unique Eye AF.**Ver2.0 is required.

The FX9 revolutionizes full-frame cinematography with peerless ergonomics and advanced technology for on-the-go shooting. The world’s first full-frame electronic variable ND filter* transforms possibilities for shooting in variable lighting conditions. Built-in Wi-Fi and 12G-SDI support advanced workflows while the optional XDCA-FX9 extension unit further expands the operational possibilities of the PXW-FX9. Ver.2.0 firmware adds HLG, User 3D LUTs, and more with yet more advanced features still to come. Shop sony FX9 camera from UBMS Dubai.

The FX9camera’s full-frame 6K sensor provides superb recording in DCI 4K*, Ultra HD, and HD resolutions. Powerful image processing with debayering and oversampling ensures image quality beyond the limits of conventional Super 35-mm sensors. The back-illuminated CMOS image sensor also uses Sony’s Exmor R technology for improved sensitivity and noise reduction. Compared to a 4K Super 35-mm sensor, the FX9’s 6K sensor has over twice the surface area while providing a wider angle of view and shallower depth of field.*DCI 4K (4096 x 2160 at 17:9 recording) requires Ver.2.0 or higher firmware.

The FX9 offers an exceptional 15+ stops of dynamic range—beyond the normal range of human perception—allowing for unprecedented creative freedom in color grading and post. Camera operators can concentrate on framing the scene they want while relying upon the FX9 to capture every nuance and detail using either 4K 4:2:2 10-bit internal recording or 16-bit RAW external recording.* In grading, colorists can find color and detail beyond the normal viewing abilities of the camera operator to create a final image that exactly portrays the mood of the scene. To know more about the FX9 please contact UBMS Dubai.

The FX9 features a base sensitivity of ISO 800, providing the optimal dynamic range for typical documentary applications such as shooting outside or in brightly lit interiors. A secondary High Base sensitivity of ISO 4000 excels in low-light conditions such as early morning and evening shoots while maintaining superb image quality. ISO 4000 is also ideal when using slow lenses. Combining Dual Base ISO with the camera’s electronic variable ND Filter provides superb creative control in almost any shooting environment, with truly next-generation responsiveness to changing conditions. The FX9 can be purchased from UBMS Dubai Showroom .

S-Cinetone is the default look of FX9 that’s tuned to meet the requirements of today’s content creators with rich mid-range colors, alluring facial tones and a softer tonal look—developed with the same expertise as Sony’s world-leading VENICE digital cinematography camera. S-Cinetone means your content looks fresh and vivid straight out of the camera, with subjects that really stand out while retaining plenty of latitude in post-production thanks to the high-performance full-frame image sensor.

User Created 3D LUTs make it easy to customize FX9’s look to your preferences. It is possible to import LUTs files from an SD card and store up to 16 files on the FX9’s internal memory and switch between them as needed. This is particularly useful for shooting in S-Log3, allowing you to preview on camera whatever custom look you create.FX9 can record HDR using S-Log3 or Hybrid Log Gamma (HLG)*.•S-Log3 is optimized for premium applications, capturing the maximum dynamic range from a sensor and providing ultimate creative freedom when color grading.•HLG* delivers content quickly without additional color grading making it an ideal choice for day-to-day shooting, viewing, and editing workflows.

Choose your desired frame rate from 1fps up to 180fps* for impressive quick- and slow-motion footage. FX9 creates an immersive image with a wide-angle look and shallower depth of field provided by its full-frame sensor in combination with quick and slow motion. Engage your audience with this new creative look. FX9 also offers a Quality priority setting** that maximizes full HD image quality using full-frame 6K scan mode or Super 35 4K scan mode with advanced oversampling technology.

Super 35 2K imager scan mode prioritizes frame rates, so image quality may be reduced depending on the shooting environment. In this instance, the settings below are recommended.

Effortlessly track fast-moving subjects with pin-sharp focus, even when using wide-lens aperture settings to maintain a shallow depth of field with the camera’s full-frame sensor. Developed by Sony’s α camera engineers, enhanced Fast Hybrid AF combines phase detection AF for fast, accurate subject tracking with contrast AF for exceptional focus accuracy. In addition, Face Detection intelligently recognizes and locks on to human faces.

The dedicated 561-point phase detection AF sensor covers approximately 94% of the whole image area width and 96% of height, allowing consistently accurate, responsive AF tracking, even with fast-moving subjects.

FX9 is the world’s first professional camcorder with Sony’s world-leading eye-tracking technology**. High-speed, high-precision image processing maintains a pin-sharp focus. During an interview or portraiture shoot, you can rely upon Eye AF to capture your subject’s most subtle expressions while you concentrate on the interview and framing.

Focus Touch Control allows you to precisely set the camera’s specific focus area by simply touching the LCD viewfinder. It’s fast and intuitive—ensuring your full creative control of FX9’s powerful AF technology. Buy Sony PXW-FX9 FULL-FRAME CAMERA From UBMS

The Sony HXC-FB75 is a high-performance, yet affordable, HD camera system that inherits Sony’s proven field-proven operability from the highly regarded DXC-D Series of system cameras. The camera is equipped with three 2/3-inch Full HD Exmor CMOS sensors to provide excellent sensitivity (F12 at 1080i/60) with a low noise ratio for clear images. Those sensors are common to the HXC-P70, HXC-D70 and PXW-X400, and enable perfect integration with those cameras which gives you more flexibility. In addition, a wide range of output formats are available, including 1080i/59.94,50, 1080PsF/29.97,25, 720p/59.94,50, 480i/59.94 and 576i/50.

Key Features:

• Full HDExmor CMOS sensors


• Captures a variety of HD images


• SD down-converter


• Hybrid-type optical fibre cable connection to CCU extends signal transmission with power supply to 350m


• Long-distance transmission up to 10km with single-mode fibre cable


• HDVF interface for connecting a variety of viewfinders


• Wide range of image control functions


• HXC-FB75KC variant of this model includes a digital HD viewfinder, HD lens and Monaural microphone

Introducing a stabilizer with quick responsiveness, brand new touch screen and advanced operation logic. WEEBILL 2 - A stabilizer strives to create a better experience for users in filmmaking with its classic structure, powerful Infineon chip, upgraded algorithm and new image transmission experience. Buy WEEBILL 2 from UBMS Dubai.

Unique Robust Build

WEEBILL 2 combines well-crafted lines with artistic structure to bring the new stabilizer into life. A creative rotatable flip-out touch screen to make every feature and operation easier.

Classic & Effort-saving Design

With the classic structure and sling grip design in WEEBILL series, An effort-saving sling mode is within reach with no extensions added and structure altering. Easy to switch modes and works great when shooting low angles. UBMS can offer best price and fast delivery for WEEBILL 2 .

Powerful Chip

"Powerful chip with dynamic stabilization. Two-filter interruption vector-splitting sensor"

Introducing the revolutionary Infineon two-filter interruption vector-splitting sensor in WEEBILL 2. The sensor will analyze the complex interruptions, improve stability with its core algorithm and precisely compensate any micro-jittery, providing a smoother follow and a quicker response for the stabilizer.

Screen and control

"2.88"" Full-color Touch Screen. Various features and footage monitoring in a few taps"

Integrated 2.88" touch screen with the retractable & flip-out design. Parameter adjustment and monitoring in all shooting angles with just a few taps. All-new UI design, Tap to adjust parameters and other settings at any time. Use with TransMount Video Transmission Transmitter (AI) for high-quality monitoring and image transmission.

Timelapse & motionlapse - Set and done via the touch screen without using the app.

"A bigger screen for a high-quality wide vision and easier control. Activate SmartFollow with a single press.

*This feature needs to be used with TransMount Video Transmission Transmitter (AI)."

Compatibility

Flexible Compatibility

Compatible with DSLR and mirrorless cameras (Check camera compatibility list for details)

Strong structure with upgraded motor torque and performance. Compatible with lens combos of mirrorless cameras and DSLR cameras. Supports extensions of professional accessories. Buy WEEBIL 2 from UBMS Dubai.

Add live streaming to the internet to your video production setup using the Web Presenter 4K from Blackmagic Design. The Web Presenter 4K is a compact desktop device that allows you to connect any SDI video input and stream it live onto the Internet, using Ethernet or tethering via USB to your smartphone using a 5G or 4G connection. The SDI and HDMI monitor outputs allow you to see a wide range of live status information along with your broadcast.

The USB Type-C port allows you to connect any USB video source such as a webcam or computer, so it's capable of broadcasting 4K video and audio on any webcam-compatible platform and software such as Skype, YouTube Live, Facebook Live, Twitch, Periscope, Teams, and more on Mac, Windows, Linux, and Chrome OS systems. It supports the H.264 codec and streams via RTMP and can stream in resolutions up to UHD 4K.

The SDI and HDMI monitor ports provide detailed status information on your feed, so you can monitor whether you are ON AIR as well as input status such as bit depth and stream quality, embedded audio input status, video and audio history, trend graphs, and video and audio meters. You can also see basic status information on the bright LCD screen on the front of the unit. There is also an SDI loop output for monitoring the original feed and sending it to a switcher or router.

The compact form factor allows you to fit it right into your broadcast setup, and it is compatible with optional rack shelfs in case you want to install it in a 1 RU rack. Its dual AC/DC redundant power input is handy in case you lose mains power and you can utilize the 4-pin XLR input for DC power. The Web Presenter 4K is also compatible with the Blackmagic ATEM Streaming Bridge to decode the streams back into HDMI or SDI signals for additional routing options.

Key Features

Input any SDI Signal

The Web Presenter allows you to input any 12G/6G/3G/HD-SDI video source up to UHD 4K.

4K Output

The program and USB Type-C outputs supports UHD 4K video. The unit will downconvert 4K video if you are streaming in HD. When streaming 4K, it will pass 4K video as well as upscale HD to 4K video.

Live Streaming Options

You can stream H.264 video via RTMP streaming protocols to the internet via Ethernet or tether a 5G or 4G phone to use mobile data.

USB Source as Webcam

The built-in USB Type-C input works like a webcam, so you can connect a computer and use any streaming software, or even Skype or Zoom. Stream in 4K over the USB Type-C connector, if your software supports 4K).

Monitor Outputs

SDI and HDMI monitor outputs allow you to see the input video as well as display accurate audio levels, on air status, data rate, and cache levels.

Built-In Technical Monitoring

Feature-Rich Program Status

The graphics-based monitoring output includes a video view, audio meters with accurate ballistics, trend graphs for codec data rates, and cache fill, plus a summary of the streaming settings and detailed SDI technical information.

Streaming Status

There's a very-large ON AIR indicator on the top left of the monitor output, so it's always clear when you are online and streaming. Plus all your current streaming settings are displayed clearly.

Video Input Status

The SDI input technical details are displayed, such as video standard and ancillary data. The bit activity indicators let you see the quality and bit depth of video before H.264 encoding.

Audio Input Status

Audio is de-embedded from the SDI input and the channel status is displayed. The bit activity indicator lets you check for 16-, 20-, or 24-bit audio. You can even see which audio channels are present.

Video and Audio History

The audio and video technical displays also include a 6-second history display, so you can see the recent video input history. This ensures you can instantly see what's been happening.

Trend Graphs

The trend graphs below the video display let you see the last 60 seconds of codec data rate and cache fill. Plus, codec data rate is critical for ensuring you have enough internet speed from your ISP.

Video and Audio Meters

A large area is dedicated to the video input display, and the large multi-segment audio meter with accurate ballistics. You can even change the type of audio meter from VU, PPM, and more.

Buy Blackmagic Design Web Presenter 4K from UBMS Dubai.

The new Blackmagic URSA Broadcast G2 is an incredibly powerful camera designed for both traditional and online broadcasters. The 3 cameras in 1 design allows it to work as a 4K production camera, a 4K studio camera or a 6K digital film camera! It's a perfect solution for broadcasters because it uses the lenses and batteries you already own! You can record to common SD cards, UHS-II cards, CFast 2.0 cards or external USB disks, using common file formats such as H.265, ProRes and Blackmagic RAW. This means it's compatible with all video software and broadcast media management systems. You can even change the lens mount! No other broadcast camera is so flexible! Buy Blackmagic Design URSA Broadcast G2 Camera from UBMS Dubai.

Blackmagic URSA Broadcast G2 (CINEURSAMWC6KG2), a next generation professional broadcast camera with 6K digital film sensor that brings digital film quality to both traditional and online broadcasters. The advanced 6144 x 3456 digital film sensor provides exceptional low light performance with dual gain ISO of up to +36dB as well as 13 stops of dynamic range. Blackmagic URSA Broadcast G2 also includes H.265 and Blackmagic RAW file formats, Blackmagic generation 5 color science, as well as a USB-C expansion port for external disk recording, and more! Looking for price of URSA Broadcast G2, UBMS can provide best price and fast delivery for Blackmagic URSA Broadcast G2.

Broadcast Production Camera

The perfect solution for broadcasters, URSA Broadcast G2 includes ENG camera controls positioned around the camera so you can locate them by feel. It also features a low light sensor so you get amazing images using natural light. That's the perfect combination for broadcast news and programming.

Live Studio Camera

URSA Broadcast includes an advanced YRGB color corrector built in and full remote camera control. You can use B4 ENG lenses, large studio box lenses, or even change the lens mount and use any lens! Plus the optional Blackmagic focus and zoom demands let you control the lens from the tripod handles.

Digital Cinema Camera

URSA Broadcast G2 includes an advanced 6K digital film sensor, and you can change the lens mount! Use a PL mount for digital film lenses or EF for photo lenses. Plus the high dynamic range, great low light performance and Blackmagic RAW means you get a true "Hollywood" quality digital film camera. Buy CINEURSAMWC6KG from UBMS Dubai.

Digital Film Quality for Broadcast

The large 6K sensor combined with Blackmagic generation 5 color science gives you the same imaging technology used in digital film cameras. This means broadcasters can now use digital cinema quality in broadcast! The 6K sensor features a resolution of 6144 x 3456 so it's flexible enough for broadcast and digital film work. When using B4 lenses, you get a 4K window of the sensor for Ultra HD broadcast use. Then if you change to a PL or EF lens mount, you can use the full 6K resolution of the sensor for digital film! With 13 stops of dynamic range, you get darker blacks and brighter whites, so it's perfect for color correction. Using digital film in broadcast is a revolution in image quality!

Low-Light Performance

The new URSA Broadcast features incredible low-light performance, so you can shoot using ambient light or even under moonlight. In advanced cameras, ISO is a measurement of the image sensor's sensitivity to light. The Blackmagic URSA Broadcast G2 features gain from -12dB (100 ISO) up to +36dB (25,600 ISO), so it's optimized to reduce grain and noise in images while maintaining the full dynamic range of the sensor. The primary native ISO is 400, which is ideal for use under studio lighting. Then the secondary high base ISO of 3200 is perfect when shooting in dimly lit environments. The gain can be set via a camera switch, the LCD menu, or remotely using the SDI remote camera control protocol.

Compatible with B4 Broadcast Lenses

The URSA Broadcast G2 features a B4 broadcast lens mount that includes optics specifically designed to match the camera's sensor. The B4 lens mount lets you use modern UHD lenses or lower-cost HD lenses. Older HD lenses often feature resolutions well beyond HD, so you get great quality at a low cost. B4 lenses are fantastic because they are par-focal, so the image stays in focus as you zoom in and out, so you don't need to constantly chase focus as you shoot. That lets you work much faster. You also get full electronic lens control to adjust focus, iris, and zoom using the camera's controls or remotely. Plus, if you want to use alternative lenses, you can change the mount to PL, EF, and more.

Built-In Optical ND Filters

URSA Broadcast G2 features high-quality neutral density (ND) filters that let you quickly reduce the amount of light entering the camera. The 1/4, 1/16th and 1/64th stop filters have been specifically designed to match the image sensor and color science of URSA Broadcast G2, providing you with additional latitude and better colorimetry. This lets you use different combinations of aperture and shutter angles in a wider range of situations. The IR filters have been designed to evenly filter both optical and IR wavelengths, eliminating IR contamination. Plus, the filter status on the LCD can be displayed as a fraction, number, or stop reduction.

Common Media and File Formats

URSA Broadcast is designed to work with standard file formats used by all broadcast systems and editing software. You can record in ProRes 422 HQ and ProRes 422 into QuickTime files. The new Blackmagic URSA Broadcast G2 model can even record into H.265 for incredibly small files at 60:1 to 285:1 compression ratios, in 10-bit broadcast quality. Plus. you can record to Blackmagic RAW files, a revolutionary new format designed to capture and preserve the quality of the sensor data from the camera. That means you get the perfect range of file formats designed for all types of workflows.

Dual Media Slots for Nonstop Recording

With dual CFast 2.0 recorders and dual SD/UHS-II card recorders, you can choose the media that's best for you. Both types of media are standard, inexpensive, and readily available at computer and camera stores. Plus, with dual media slots, URSA Broadcast gives you nonstop recording. When a card is full, recording automatically continues onto the next card, so you can swap a full card while recording continues. You get enough speed to record high-quality ProRes and H.265 video file formats, even when working in Ultra HD at high frame rates. That means URSA Broadcast G2 is easy to integrate into your existing broadcast systems. You can even record 12-bit Blackmagic RAW cinema files.

USB Type-C for Recording Direct to External Media Disks

The Blackmagic URSA Broadcast G2 features a high-speed USB Type-C expansion port on the rear of the camera that allows you to record to external disks or connect to a wide range of accessories. If you plug in a large and low-cost external USB flash disk, you can record ProRes, H.265, or even high-quality 12-bit Blackmagic RAW files for later editing and color correction. That means you can just move the disk to a computer to work, and you don't need to waste time with file copying. Plus, the USB port will power the disk that's plugged in. You can even plug in optional focus and zoom demands to allow full lens control.

Strong and Lightweight Magnesium Design

URSA Broadcast G2 features a super-strong, lightweight magnesium alloy body that's perfectly balanced and designed to be comfortable to use all day. It features familiar, externally mounted switches and controls that give you direct access to the most important camera settings. The controls are laid out logically, making them easy to locate by feel, so you can adjust settings without having to look at the buttons. You also get a foldout touchscreen for monitoring, viewing camera status, and changing settings using on-screen menus. URSA Broadcast G2 also includes standard 12G-SDI connections, XLR audio inputs, USB Type-C, and an industry-standard 4-pin XLR broadcast 12 VDC connection.

Built-In LCD with Touch Controls

With a built-in LCD that folds out, you can both monitor and control the camera. While URSA Broadcast G2 features lots of physical buttons and knobs, using the LCD, you also get on-screen status and touchscreen controls. The built-in touchscreen also includes a heads-up display with the most important shooting information, as well as menus for all camera settings, LUTs, and custom presets. Behind the LCD, there are extra buttons, as well as knobs for audio levels. There are even programmable function buttons that can have functions assigned to them, such as zebra, false color, focus peaking, LUTs, and more. Plus, you can change the function assigned to each button in the on-screen menus.

External Status Display

The status display is a high-visibility LCD screen designed to be easily seen, even in bright light. The status display shows record, locked, and reference timecodes, along with the current shooting frame rate, shutter angle, aperture, white balance, gain, and iris. It also features a battery indicator, card recording status, and audio meters for monitoring levels. The screen's backlight can be turned on when you are shooting in dimly lit locations and off when you are shooting outdoors and in bright light to increase contrast, making it easy to read under any condition.

Program Video Monitoring

If you're doing live production, sometimes you need to monitor program video back from the switcher. Simply press the camera's PGM button and the viewfinder will switch from the camera display to the program return feed from the switcher. A built-in speaker also lets you monitor the switcher audio as well. Program return is a fantastic feature, as sometimes on large live shows, camera operators can be left waiting a long time for their camera to be used, so program return lets them watch the show while they wait. This means that even if the camera operator is a large distance away from the switcher, they can still keep up with what is happening and remain alert.

Load Custom 3D LUTs to Recreate Film Looks

Digital film cameras shoot logarithmic color space to preserve the dynamic range, which is great for later post-production. However, when these files are viewed on a monitor, they can look flat and washed out. 3D LUTs solve this problem as they allow you to apply a "look" to the monitor so you get an idea of how the finished images will look when editing. LUTs can be applied temporarily for monitoring only, or they can be recorded into the Blackmagic RAW files for use in post-production. The URSA Broadcast G2 works with industry-standard 17- and 33-point 3D LUT files or you can work with the built-in LUTs such as Extended Video, Film to Video, Film to Rec.2020, and more. Visit Our UBMS Dubai showroom, and Get bestprice For Blackmagic URSA Broadcast G2

The BOSMA 8K Full-Frame B1 camera features a 35mm full-frame CMOS sensor with an effective pixel count of 47 million. It is equipped with a PL-Mount lens interface and supports 4-channel 12G-SDI uncompressed signal transmission. The camera offers a dynamic range of up to 14 stops and supports recording resolutions of 8K, 6K, 4K, and 2K. Frame rates range from a maximum of 240fps to a minimum of 25fps. The system can be integrated with or paired with an external CCU channel control system. Additionally, it supports the broadcast-standard BT2020 wide color gamut and HLG curve.

RouteMaster uses Rascular’s proven router control and emulation technology to form a powerful yet flexible router control system. Built on tried and tested software modules, RouteMaster can be used with a wide range of video and audio routers  from all major manufacturers.

It’s equally suitable for new router installations or increasing the capabilities – and lifetime – of existing systems. You can add third-party hardware panels to existing systems, add IP connectivity to older serial routers, or simply increase the number of control ports available.

The integrated web server means operators can control routers from any web browser, using custom control panels built with Helm Designer. And because it’s built on HTML5 standards, there’s no need for browser plugins.

RouteMaster Lite brings familiar video routing capabilities to Newtek’s NDI® video. Based on our proven RouteMaster system, it gives operators a range of familiar control interfaces for controlling video switching.

Switching is suitable for all live, on-air applications, making RouteMaster Lite ideal for fast manual intervention.

No video streams are passed through the router system, instead traffic is redirected at the network level.  This means only minimal bandwidth and processor requirements are needed, regardless of the number of video streams and resolution. There’s also no additional video delay through the system. Additionally, RouteMaster Lite does not become a central point of failure: If the router system fails for any reason, video continues to flow from sources to destinations uninterrupted.

RouteMaster Lite is ideal for OB and production environments, supporting up to 20 sources and 20 destinations. For larger systems with more complex requirements, the same NDI switching technology is available in the full-featured RouteMaster system.

The built-in GUI is ideal for preset and take switching, showing resizeable video previews and audio metering  of the current video and the chosen source.

While control from the built-in GUI is fast and easy, it’s not ideal for all situations. Therefore RouteMaster lite supports external control from:

• Web Panels served by the integrated web server


• Familiar hardware panels like Blackmagic Design Smart Control


• Or, third-party software which uses the Blackmagic VideoHub protocol

You can use all these control methods simultaneously, with router status immediately visible to all users.

• 1.1" format CMOS sensor w. 5120 x 5120 resolution



• 2.5µm square pixels with charge domain global shutter technology



• Up to 41 fps output at full resolution with 8/10/12-bit format



• Monochrome and color models available



• CoaXPress 1.1 video interface with single/dual -link configurations up to 2x 6.25Gbps



• C-mount or optional Active EF-mount with remote focus and iris control



• Compact size: 33.0 x 44.0 x 53.7 mm (WxHxD), 140g (without lens



• Fanless design with <4W power consumption

In combination with the Protech HDF viewfinder,the return video confirmation function is very convenient for multi-camera recording.This function can be realized without relying on the functions of the camera body.For example, even in one-man multi-camera recording with two professional camcorders,you can operate the other camera while checking and controlling the fixed-point camera image. It becomes possible to do.