Providing audio production services for outside broadcast events and sports has slowly been moving away from the traditional OB truck scenario as the industry battles with reduced budgets and – more recently – with the need to reduce engineers physically being in attendance. This has resulted in new solutions to manage audio productions: ‘remote’ and ‘at home’ production.
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Shure has received many requests for recommendations on the best ways to clean and disinfect our products. Please note that Shure cannot provide advice regarding what disinfectant methods are effective against the Covid-19 virus; any such question should be directed to appropriate disease control experts. The information on this site relates solely to general information for cleaning methods for microphones. Please note that the observations below do not imply any guarantee against damage to the product, but are based on the best information we have at this time.
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Shure has received many requests for recommendations on the best ways to clean and disinfect our products. Please note that Shure cannot provide advice regarding what disinfectant methods are effective against the Covid-19 virus; any such question should be directed to appropriate disease control experts. The information on this site relates solely to general information for cleaning methods for microphones. Please note that the observations below do not imply any guarantee against damage to the product, but are based on the best information we have at this time.
When cleaning bodypack transmitters and receivers, and lavalier microphones, there are two main considerations to keep in mind. Typically, most lavaliers risk potential damage from excess liquid ingress but can tolerate a variety of chemicals. Conversely, bodypacks are fairly resistant to liquid ingress but can react poorly with certain chemicals. For this reason, you will see a shorter list of chemicals recommended for cleaning bodypacks than for lavaliers.
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To prepare for the official launch of Genelec’s new GLM 4 loudspeaker manager software, this series of 6 tutorials will guide you through every stage required to setup, calibrate and control a studio monitoring system so that it provides a true ‘Sonic Reference’, helping you produce mixes that translate consistently to other rooms and playback systems.
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Genelec was founded in Finland back in 1978, by childhood friends Ilpo Martikainen and Topi Partanen, who shared a love of music and then a passion for acoustics.
The catalyst for the formation of the company was an acoustician called Juhani Borenius, who worked for the Finnish national broadcaster YLE, and in 1976 was searching for an active monitoring loudspeaker for their new radio house. Juhani had a very clear idea of what YLE needed from a speaker, which included consistent performance, total reliability, easy serviceability, and the ability to adapt to the acoustic environment they were placed in.
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