Television has used the same color primaries and gamma for decades. The world of HDR and WCG has brought confusion due to multiple color spaces and gamma functions. In this webinar, IABM’s CTO, Stan Moote, grills SRI Sarnoff’s Norm Hurst on what you need to know on both the production and the technical side.
High Dynamic Range and Wide Color Gamut – Technical Training
This 2-Day Course Will Cover:
High Dynamic Range (HDR)
- Dolby PQ approach to HDR
- BBC/NHK Hybrid Log-Gamma (HLG) approach to HDR
- SMPTE 2084, 2086 & 2094 HDR standards
- ITU-R BT.2100 HDR production and international programme exchange standard
- HDR deliverables – Dolby Vision, HLG, HDR10, HDR10+, SL-HDR1
- HDR workflows
- HDR tone mapping
- HDR compatibility with standard dynamic range (SDR) equipment
- HDR capture
- HDR displays
Wide Color Gamut (WCG)
- Why wide color gamut is an intrinsic part of HDR
- The WCG color spaces
- The WCG standard – ITU-R BT.2020
- WCG primaries, white point and color matrix
- WCG workflows
- The WCG Academy Color Encoding Space (ACES)
- Moving between color spaces
- WCG capture
- WCG displays
