France Télévisions once again chooses the French Open to test the innovations of the television of the future. During this fall edition, France Televisions, in partnership with the French Tennis Federation, shares its vision of tomorrow’s uses materialized by spectacular and unprecedented experiments around “Augmented Tennis” within the RGLAB on the site of the international tournament from September 27 to October 11, 2020.
The ESB Group of Alabama’s comprehensive infrastructure upgrade strengthens technical capacities for in-house AV and live broadcast, including streaming services for the social distancing era and beyond
Video compression is widely regarded as an incredibly fast-moving topic. Rapid technological developments and unforeseen innovations can vastly alter the future of compression for OTT and streaming service providers, as well as hardware manufacturers. It’s a never-ending race to the top, where the prize is efficiency, quality and accessibility.
Glodina Lostanlen, CMO, Imagine Communications Glodina discusses how the new vehicle will provide tpc with a standards-based mobile production unit capable of simultaneously supporting HD and UHD production requirements. [maxbutton id="100" ] [maxbutton id="101" ]
IABM conducts an End-user survey twice a year – at NAB Show and IBC. In our 2017 editions of these surveys, we asked respondents what their likely timeline was for the launch of UHD offerings.
London, United Kingdom, June 1, 2016: NEP Visions, one of the world’s most distinguished outside broadcast service providers, chose a Leader LV5940 4K multi-format waveform monitor as the master reference instrument during the recent UHD capture of Martin McDonagh’s play, Hangman. Performed at the Wyndham Theatre in London’s West End, the production has received very positive reviews including an accolade from The Telegraph as ‘the best new play of the year’. “The LV5940 proved very useful both for initial lineup and during the stage production,” says Chris Cannon, Head of Vision & VT at NEP Visions. “It enabled us to ensure precise phase alignment between the four HD-SDI channels that carry the UHD signal stream. We also used the LV5490 to check the colorimetry of the six Sony PMW-F55 cameras we used for for the project. It performed very well and has the further advantage of being extremely compact.” The resultant 173 minute production, starring David Morrissey, Andy Nyman and Johnny Flynn, has been delivered to Vue Cinema audiences around the UK as a 4K Digital Cinema Package. It was created by National Theatre Live in partnership with the Royal Court and Playful Productions. “Leader was the first manufacturer to...