The IP video ecosystem is filled with vocabularies we must know to migrate into the all-IP studio. Andrew Jones (IABM Head of Training) provides an overview of the IP terms such as SMPTE ST 2110, IEEE 1588 and NMOS IS-04/05 to get you up to speed and how they all work together in the IP and IP/SDI hybrid environment. [bc_video video_id="5768705749001" account_id="4229317768001" player_id="BkgkXSCcOM" embed="in-page" padding_top="56%" autoplay="autoplay" min_width="0px" max_width="640px" width="100%" height="100%"]
Methodology for Integrating Specialty Cameras within IP Infrastructures using SMPTE ST 2110
Beyond having standard cameras for live sporting events, specialty cameras such as super slo-mo cameras or UHD cameras in an HD broadcast provide unique story-telling capabilities. Some of these cameras capture data at a data rate that can exceed the port bandwidth of one’s IP switch. In this presentation, Mike Cronk (VP of Core Technology, Grass Valley) introduces a methodology for supporting high-data rate specialty cameras with switches provisioned for standard broadcast data rates and SMPTE ST 2110. This method can also be used to achieve a more cost-effective and better bandwidth utilisation of one’s existing switch when migrating to next generation formats with higher resolution or frame rates. [maxbutton id="136" url="https://theiabm.org/wp-content/uploads/2017/10/MikeCronk.pdf"]
Time Compensated Remote Production in the All-IP World
In this presentation Ed Calverley (Product Director, Suitcase TV) looks at how the current standards work is enabling true end-to-end IP-based production and how standards such as SMPTE ST 2110 enable systems to interoperate in a much more flexible way than was possible with SDI. The options for extending the IP studio architecture to support remote production are discussed including the issues of latency and how new architectures can successfully compensate for any delays ensuring frame accurate production regardless of the distances between sources and operators. The presentation ends by looking at a real-world example where a time compensated 2-stage switching solution was used during the Euro 2016 football tournament to provide frame accurate switching over a limited-bandwidth link. [maxbutton id="136" url="https://theiabm.org/wp-content/uploads/2017/10/EdCalverley.pdf"]
BCE at RTL City – Video Over IP Infrastructure
Having a really tight schedule, BCE had to implement SMPTE ST 2022-6 to go on air beginning of 2017, utilising 100% network infrastructure. Costas Colombus (Special Projects Manager, BCE) presents the details, benefits and issues. [maxbutton id="136" url="https://theiabm.org/wp-content/uploads/2017/10/CostasColombus.pdf"]
A Basic Guide for Real Time IP Video
Andrew Jones (Head of Training, IABM) provides an overview of the IP terms like SMPTE ST 2110, IEEE 1588 and NMOS IS-04 to get you up to speed and how they all work together in the IP and IP/SDI hybrid environment. [maxbutton id="136" url="https://theiabm.org/wp-content/uploads/2017/10/AndyJones.pdf"]
The needle in the compass – navigating the journey to All-IP
Matthew Goldman (SVP Technology, MediaKind and SMPTE President) gives an overview of the challenges that broadcasters face, the benefits of transforming to “All-IP” and a high-level overview of what exactly is meant by “All-IP”.
IABM Detailed Report From the SMPTE September 2017 Standards Meetings
This SMPTE Standards meeting round was hosted by Sky Television in London, England 20-23 September 2017. The IABM’s detailed report from this meeting round can be found on this IABM Technology website page. If you would prefer just an executive summary, there is one on the same page.
