GS-150VR VR tracking tripod

This compact and more economic CNC processed tripod works in VR shooting. Max 15kg payload, 100mm bowl size, the digital module is well built-in, with no independent electric box and wires, that makes the setup

time quicker and easier. The tracking head can be powered by both the camera or a charger, deliver out stable tracking data via both LAN and serial mode. It can directly read digital Fujinon and Cannon lens data, or from outside lens encoders. A three-way lens motors together with a control handle allow cameramen to manage different lens by one hand.

GS-RR2 Rail Robotics

This is a modular-designed camera moving robotic on tracks. Stage or studio, fast or slow, narrow or wide, wet or dry, this equipment can easily adapt to these tough shooting situations still with excellent picture quality.The rail robotic can be setup on-the-floor or under-the-ceiling by travelling on straight and curved rails.Operators can mount as the head-to-dolly mode or head-pole-dolly mode to meet diversified needs. There are couple of remote heads available such as a L type 25kg payload 2 axis head controlling Cannon or Fujinon lens studio cameras and cine cameras, or a U type 24 inch teleprompter remote head, or a same brand 20kg payload gyro-stabilized 3 axis head or any other a third party remote heads. The robot works well in unmanned shooting large studio and stage, can team up with more camera shooting equipment for a multi-camera production system , making video production more efficient and reliable. Optional features such as AI body capture technologies, lens motors, and the VR tracking model too.

GS-RC3 Robotic Camera Cran

A robotic camera crane with 3 to 6 meter long arm length can be controlled remotely, under auto shooting mode or by two operating handles like the usual cameraman control way. This is a crane system with very diversified features such as different arm length, programable long picture shot, AI body capture technologies, lens motors, anti-collision radars, VR tracking , repeating on manual

controlled shooting , backup control panels, electric elevating column etc. are available. The ceiling setup mode and rail robotic crane mode are under development. A U type 30kg payload 2 axis head, can control Cannon or Fujinon lens studio cameras and cine cameras. Optional 24 inch teleprompter remote head, underslung or overslung setup, would meet more request for broadcast environment. The robot works well in unmanned shooting large studio and stage, can team up with more camera shooting equipment for a multi-camera production system , making video production more efficient and reliable.

Robotic Camera Crane

A robotic camera crane with 4 meter long arm length can be controlled remotely or under auto shooting mode.Simply designed system on a swift dolly, with a U type 25kg payload 2 axis head, can control Cannon or Fujinon lens studio cameras and cine cameras. The robot works well in unmanned shooting studios, can team up with more camera shooting equipment for a multi-camera production system. Optional features such as AI body capture technologies, lens motors, anti-collision radars, VR tracking are available.

Light Robotic Camera Crane

A light robotic crane with an adjustable 2.08-2.68 meter arm length can be controlled remotely or under auto shooting mode. Total weight of 23kg , packed in a nylon case with wheels for easy transport. The 2 axis foldable head has a max of 5kg payload, however, more choices such as Panasonic UE and Sony FR PTZ heads can be directly setup on crane for moving control too. The robot runs with even no noise, can work with more camera shooting equipment to come up with an unmanned multi-camera production system. Optional features such as AI body capture technologies, lens motors are available, and the VR tracking model would allow small cameras shoot VR production by Free-D protocol too.

Inflo

Meet inflo – your new best mate in the control room. Techtel’s inflo content management software is a game-changer in the world of broadcast technology. Awarded for ‘Innovation in News Production Technology’, inflo leverages decades of broadcast experience combined with the latest technology to deliver a flexible yet robust platform that’s ready to go in any high-end production environment.

Designed for seamless control room management and digital content handling, inflo excels in capturing, organising, creating, storing, and viewing media content with unparalleled reliability and dynamic capabilities. inflo is a real stand-out with recent innovations like support for IP content, advanced AI features, Automatic Speech Recognition (ASR), and a powerful Dashboard module.

The all-new inflo Dashboard is a real-time data powerhouse. It provides detailed metrics with configurable visual panels, allowing system administrators to monitor and manage resources effectively. The highly customisable interface, including a dark mode and quick filter options, ensures a user-friendly experience tailored to your needs.

inflo’s ASR, powered by OpenAI’s Whisper, is incredibly accurate, even with multiple dialects and background noise. This makes content indexing and keyword searching a breeze. Plus, you can export transcription files to third-party systems, making your content management seamless.

Now featuring live transcription capabilities, inflo allows users to generate transcripts in real time from ongoing feeds – perfect for fast-turnaround news, legal records, and live events where immediacy is key. Transcripts can be edited, searched, and published instantly, streamlining workflows and increasing editorial speed.

inflo also includes direct Adobe Premiere Pro integration, allowing users to move assets effortlessly between the platform and their editing environment. Editors can access media, cuts, and metadata straight from inflo within Premiere Pro, enabling faster turnaround without duplication or media wrangling.

inflo leverages the latest online technologies, making it a versatile solution for any network environment. It includes a browser-based cuts edit tool, allowing users to trim and repurpose content without needing complex software. This non-destructive editing keeps your original media safe while letting you make quick modifications on the go.

It’s perfect for high-value production video from live feeds, supporting various formats from compact MP4 to full-quality DNxHD or Apple ProRes. You can access and collaborate on your video content through a web browser, add comments, and export media as needed.

Content management is a breeze with inflo. Automatic file naming, advanced search filters, and seamless legacy content import make it easy to keep track of everything. Whether you’re migrating data from existing platforms or integrating a substantial content library, inflo ensures all your media is accessible and manageable from one user-friendly interface.

So, get to know inflo – Techtel’s award-winning, cutting-edge platform for optimal media management and broadcasting.

inflo.tv | inflo@techtel.tv | +61 2 9906 1488

Telycam Wireless Speakerphone SONO

SONO is designed to improve the way participants experience audio in video conferences in personal workspaces, small and medium-sized rooms. SONO incorporates a high-performance 1.75-inch speaker and eight advanced omni-directional microphones, with its direction-of-arrival recognition algorithm dynamically adjusting pickup towards the current speaker. The SONO built-in Telycam AI noise reduction algorithm, can effectively filter out keyboard, knock, air conditioning, and other environmental noise, but also can turn off AI noise reduction, and restore the most realistic scene sound. It also integrates traditional 3A(AGC, AEC, ANC) algorithms and combines engineering tuning with real-world scenarios.

Smart sound EQ

  • Music mode intelligent switching: Telycam SONO can intelligently switch music mode according to the currently used scene, making the music effect more shocking and the voice effect clearer.
  • Long-lasting battery for worry-free travel without frequent charging : Telycam SONO can intelligently switch music mode according to the currently used scene, making the music effect more shocking and the voice effect clearer

Gold Ear Pickup Technology

  • AI noise reduction algorithm implantation:  Telycam SONO ‘s AI noise reduction can effectively filter out non-voice noise such as keyboards, chairs, and knocks, making the call feel like a face-to-face.
  • DOA automatic speech direction recognition:  Telycam SONO has 8 high-quality microphones, which can effectively identify sounds in all directions, and with the DOA algorithm, it can accurately determine the direction of the current speaker and dynamically adjust the pickup direction.

BOSMA G1 Pro

BOSMA 8K G1 Pro Native Miniaturization Advantages,The network live streaming solution is highly flexible and adaptable, making it not only ideal for demonstrating 8K in ultra-high-definition industrial parks but also highly practical for use in media convergence centers and studios.

BOSMA B1

The BOSMA 8K Full-Frame B1 camera features a 35mm full-frame CMOS sensor with an effective pixel count of 47 million. It is equipped with a PL-Mount lens interface and supports 4-channel 12G-SDI uncompressed signal transmission. The camera offers a dynamic range of up to 14 stops and supports recording resolutions of 8K, 6K, 4K, and 2K. Frame rates range from a maximum of 240fps to a minimum of 25fps. The system can be integrated with or paired with an external CCU channel control system. Additionally, it supports the broadcast-standard BT2020 wide color gamut and HLG curve.

BOSMA B1 8K Full Frame Camera

The BOSMA 8K Full-Frame Camera B1 features a 35mm full-frame CMOS sensor with an effective pixel count of 47 million. It is equipped with a PL-Mount lens mount and supports uncompressed transmission via four 12G-SDI baseband signals. The camera boasts a dynamic range of up to 14 stops and offers recording resolutions of 8K, 6K, 4K, and 2K. It supports frame rates ranging from a maximum of 240fps to a minimum of 25fps. The B1 can be integrated with or paired with an external CCU channel control system and supports the broadcast standard BT2020 wide color gamut and HLG curve.