PTZ Pro w/Blue Pill Inside

PTZ Pro w/Blue Pill Inside is a full featured PTZ controller for robotic cameras. Together with PTZ Fly this is our most popular controller. With dedicated buttons and knobs for all settings and actions, it’s easy and quick to use. You will enjoy all the same benefits as found on PTZ Fly while having a larger hand rest and faster, direct access.

This product comes with Blue Pill Inside. Blue Pill Inside means that the hardware of a Blue Pill is moved into your controller instead of combining a stand-alone Blue Pill with a UniSketch panel. The net result is the same, but with some twists: The advantage of Blue Pill Inside is that at the same cost you have everything in one unit – but you can’t enjoy the features from UniSketch anymore.

Features

  • Blue Pill Inside
  • Universal control of multiple 3rd party devices
  • Flexible user configuration
  • IP-based remote control, can be powered with PoE
  • Encoders for settings in large menu display
  • Dedicated Numbered keys for camera 3-axis joystick
  • Focus knob or preset selection
  • Menu selector keys with user banks
  • Camera selection or labeled preset with RGB backlit keys
  • Navigation keys for paging
  • Ethernet with PoE (IEEE802.3af/t)
  • Designed and built in Denmark

PTZ Pro w/Blue Pill Inside

PTZ Pro w/Blue Pill Inside is a full featured PTZ controller for robotic cameras. Together with PTZ Fly this is our most popular controller. With dedicated buttons and knobs for all settings and actions, it’s easy and quick to use. You will enjoy all the same benefits as found on PTZ Fly while having a larger hand rest and faster, direct access.

This product comes with Blue Pill Inside. Blue Pill Inside means that the hardware of a Blue Pill is moved into your controller instead of combining a stand-alone Blue Pill with a UniSketch panel. The net result is the same, but with some twists: The advantage of Blue Pill Inside is that at the same cost you have everything in one unit – but you can’t enjoy the features from UniSketch anymore.

Features

  • Blue Pill Inside
  • Universal control of multiple 3rd party devices
  • Flexible user configuration
  • IP-based remote control, can be powered with PoE
  • Encoders for settings in large menu display
  • Dedicated Numbered keys for camera 3-axis joystick
  • Focus knob or preset selection
  • Menu selector keys with user banks
  • Camera selection or labeled preset with RGB backlit keys
  • Navigation keys for paging
  • Ethernet with PoE (IEEE802.3af/t)
  • Designed and built in Denmark

VP Pro XR

Break free of the restrictions and compromises generally incurred by XR stages – VP Pro XR enables the use of traditional shooting techniques within virtual productions.

Unreal Engine editor interface

VP Pro XR further builds upon Mo-Sys’ trusted VP Pro software, which integrates directly into the Unreal Engine Editor interface. The complete suite of real-time compositing tools can also record data for camera tracking, lens focus and zoom plus camera setting data for Arri Alexa and Sony Venice cameras.

nDisplay-enabled

VP Pro XR contains the full VP Pro feature set with additional XR tools, new unique capabilities and it is also nDisplay-enabled for large LED screens. Designed to have the minimum system delay possible, typically 6-7 frames, it ensures that XR shoots requiring real talent to interact with mocap AR avatars, are possible.

The Cinematic XR Initiative

Mo-Sys will deliver Cinematic XR capabilities on VP Pro XR. The Cinematic XR initiative focusses on four key aspects of XR: to improve pixel and composite image fidelity, introduce established cinematic shooting techniques to XR, provide seamless interaction between virtual and real elements, and enable hybrid workflows combining final pixel and non-real-time compositing.

Cinematic XR Focus

The first unique capability released for VP Pro XR is the recently announced Cinematic XR Focus, a collaboration with Preston Cinema Systems, the first product to enable seamless interaction between virtual and real worlds. Mo-Sys will release additional unique features aimed at Cinematographers and Focus Pullers over the coming months.

Multi-Cam

Multi-Cam for VP Pro XR orchestrates the 5-6 frame delay between switching two or more cameras and updating the LED volume with the new camera’s correct perspective graphics. Importantly, it allows switching at full resolution up to UHD4K.

VP Pro XR feature set

The Cinematic XR Focus feature is a taste of the kind of developments from Mo-Sys’ Cinematic XR initiative, with two key software releases due in the coming months. Mo-Sys is also working alongside LED tile and processor experts, developing unique Cinematic capabilities, as well as offering a single supplier solution.

VP Pro XR

Break free of the restrictions and compromises generally incurred by XR stages – VP Pro XR enables the use of traditional shooting techniques within virtual productions.

Unreal Engine editor interface

VP Pro XR further builds upon Mo-Sys’ trusted VP Pro software, which integrates directly into the Unreal Engine Editor interface. The complete suite of real-time compositing tools can also record data for camera tracking, lens focus and zoom plus camera setting data for Arri Alexa and Sony Venice cameras.

nDisplay-enabled

VP Pro XR contains the full VP Pro feature set with additional XR tools, new unique capabilities and it is also nDisplay-enabled for large LED screens. Designed to have the minimum system delay possible, typically 6-7 frames, it ensures that XR shoots requiring real talent to interact with mocap AR avatars, are possible.

The Cinematic XR Initiative

Mo-Sys will deliver Cinematic XR capabilities on VP Pro XR. The Cinematic XR initiative focusses on four key aspects of XR: to improve pixel and composite image fidelity, introduce established cinematic shooting techniques to XR, provide seamless interaction between virtual and real elements, and enable hybrid workflows combining final pixel and non-real-time compositing.

Cinematic XR Focus

The first unique capability released for VP Pro XR is the recently announced Cinematic XR Focus, a collaboration with Preston Cinema Systems, the first product to enable seamless interaction between virtual and real worlds. Mo-Sys will release additional unique features aimed at Cinematographers and Focus Pullers over the coming months.

Multi-Cam

Multi-Cam for VP Pro XR orchestrates the 5-6 frame delay between switching two or more cameras and updating the LED volume with the new camera’s correct perspective graphics. Importantly, it allows switching at full resolution up to UHD4K.

VP Pro XR feature set

The Cinematic XR Focus feature is a taste of the kind of developments from Mo-Sys’ Cinematic XR initiative, with two key software releases due in the coming months. Mo-Sys is also working alongside LED tile and processor experts, developing unique Cinematic capabilities, as well as offering a single supplier solution.

G30

The next generation in gyro-stabilized remote heads, the heavy-duty G30 delivers precision in movement as well as superior image stabilization.

Novel 45 Degree Frame Geometry

The G30’s unique oversized frame geometry provides easy access to all the camera connections and accessories, making camera loading fast and simple. Its shorter and stiffer frame delivers better extended crane performance, ensuring the smoothest looking images. The unique frame geometry combined with a re-ordered axis priority (pan, roll, tilt) means that even when the mounted camera is pointing directly down, there is no gimbal lock and all 3 axis of movement and stability are active.

Oversize Direct Drive Motors

The G30’s high torque output oversize motors makes for crisp and precise camera movement, with optimum stabilization. Its built-in axis encoders are designed for virtual production and green screen use, meaning the G30 can be used for VFX shots without the need for re-rigging or additional external encoders.

Designed for Large Camera/Lens Packages

The oversized frame of the G30 means there’s no need to use counterweights with large camera payloads to compensate for a gyro frame that is too short. The unique frame design, combined with powerful motors and semi-automatic balancing system, helps to balance a heavy payload.

High Payload

With a weight of 24kg (27.3Kg with wire isolator) and a 30kg/66lbs optimum rated payload, the G30 provides the fastest stabilized acceleration of camera payload in its class. The oversize motors and stub-frame design ensure that the G30 can provide stabilized movement for any camera and lens package chosen by the DP.

Smart Cable Management

The G30’s drive motors all contain ‘through holes’, eliminating the need for slip rings and specialized cables. As a result, standard cables and connectors can be used to connect camera and lens packages, giving the DP a wide choice of equipment.

Assisted balancing

On the back of the G30 are controls for Pan, Tilt, Roll. Pressing each button in turn enables the operator to adjust the axis chosen whilst the G30 holds the camera package in the other two axes. This dramatically reduces the time taken to balance the camera package across all three axes.

New Touch/Dial console

The Touch/Dial console for the G30 takes its design from the automotive industry. It comprises a shallow menu structure, a display showing the operator current parameter settings, and physical controls for direct, tactile, intuitive operation. This is the optimum interface for stressed production environments, where changes need to be fast and delays minimised.

Simple Tuning

Using a combination of the G30’s assisted balancing, simple cage adjustment, and touch/dial console, tuning a camera package for optimum performance is simple and fast compared to traditional gyro-stabilised heads. This process is further accelerated by smart features available through the Touch/Dial console: Auto inertia measurement – auto-sensing of camera payloads; Factory pre-sets – a library of camera/lens weight presets; Console pre-set buttons – recall of previously used camera settings.

G30

The next generation in gyro-stabilized remote heads, the heavy-duty G30 delivers precision in movement as well as superior image stabilization.

Novel 45 Degree Frame Geometry

The G30’s unique oversized frame geometry provides easy access to all the camera connections and accessories, making camera loading fast and simple. Its shorter and stiffer frame delivers better extended crane performance, ensuring the smoothest looking images. The unique frame geometry combined with a re-ordered axis priority (pan, roll, tilt) means that even when the mounted camera is pointing directly down, there is no gimbal lock and all 3 axis of movement and stability are active.

Oversize Direct Drive Motors

The G30’s high torque output oversize motors makes for crisp and precise camera movement, with optimum stabilization. Its built-in axis encoders are designed for virtual production and green screen use, meaning the G30 can be used for VFX shots without the need for re-rigging or additional external encoders.

Designed for Large Camera/Lens Packages

The oversized frame of the G30 means there’s no need to use counterweights with large camera payloads to compensate for a gyro frame that is too short. The unique frame design, combined with powerful motors and semi-automatic balancing system, helps to balance a heavy payload.

High Payload

With a weight of 24kg (27.3Kg with wire isolator) and a 30kg/66lbs optimum rated payload, the G30 provides the fastest stabilized acceleration of camera payload in its class. The oversize motors and stub-frame design ensure that the G30 can provide stabilized movement for any camera and lens package chosen by the DP.

Smart Cable Management

The G30’s drive motors all contain ‘through holes’, eliminating the need for slip rings and specialized cables. As a result, standard cables and connectors can be used to connect camera and lens packages, giving the DP a wide choice of equipment.

Assisted balancing

On the back of the G30 are controls for Pan, Tilt, Roll. Pressing each button in turn enables the operator to adjust the axis chosen whilst the G30 holds the camera package in the other two axes. This dramatically reduces the time taken to balance the camera package across all three axes.

New Touch/Dial console

The Touch/Dial console for the G30 takes its design from the automotive industry. It comprises a shallow menu structure, a display showing the operator current parameter settings, and physical controls for direct, tactile, intuitive operation. This is the optimum interface for stressed production environments, where changes need to be fast and delays minimised.

Simple Tuning

Using a combination of the G30’s assisted balancing, simple cage adjustment, and touch/dial console, tuning a camera package for optimum performance is simple and fast compared to traditional gyro-stabilised heads. This process is further accelerated by smart features available through the Touch/Dial console: Auto inertia measurement – auto-sensing of camera payloads; Factory pre-sets – a library of camera/lens weight presets; Console pre-set buttons – recall of previously used camera settings.

StarTracker Mini

Track to professional standards with Mo-Sys StarTracker Mini. StarTracker Mini delivers best-in-class performance professional-grade optical camera tracking in a new, ground-breaking accessible package.

Calling all YouTubers – unleash your creativity!

Optimized for studios of up to 10x10m and ceiling heights up to 3.5m, StarTracker Mini has been developed by the team who invented ‘simple-to-use’ marker-based optical camera tracking. StarTracker Mini has been designed specifically to unleash the imaginative possibilities of YouTubers, Streamers and creative industries taking their first steps into Virtual Production.

Best in class

Track to professional standards with Mo-Sys StarTracker Mini. Delivering best-in-class performance professional-grade optical camera tracking in a new, ground-breaking accessible package, StarTracker Mini incorporates a robust wide-angle IR camera which is immune to powerful studio lighting. Mo-Sys’ trusted 6-axis 3D camera tracking technology is combined with its precision lens calibration system, to provide tier 1 precision tracking at a highly attractive price-point.

Powerful processing integrated with miniature design

StarTracker Mini provides the ideal solution for ‘office-environment’ Virtual Production such as testing and conceptualizing, pre & post-production experimentation, object tracking and education, where smaller green screens, smaller LED walls, and rear projectors are typically deployed. A powerful processing unit is integrated within the all-new miniature design for maximum freedom of unintrusive mounting to cameras, pedestals, jibs and gimbals.

Maximum versatility

StarTracker Mini is optimized for use in studio spaces up to 10x10m with ceiling heights to 3.5m, ideal for YouTubers, smaller indie projects, basement studios, and office-environment Virtual Production.

One-time calibration

Once set-up, StarTracker Mini is fully autonomous with no need for time consuming daily re-calibration.

Unrivalled pedigree

It’s a StarTracker! Designed and manufactured in the UK, to the same exacting standards as all of our world-leading Virtual Production solutions.

Upgrade/Exchange program to StarTracker Max

Loyalty program to exchange a StarTracker Mini to a StarTracker Max with preferential pricing.