Virtual Booth – New Product Launches
New to 2020, this page showcases all the latest products and services in the Broadcast & Media Industry.
Want to showcase your latest product launches? Submit your products here.
Click the links below to search via Content Chain® Category. By clicking on one of the 9 elements of the chain, you can drill down through sub categories to find the products or services you are looking for.
Alternatively, using the search bar below, you can do a free search to find what you are looking for.
Telstra Global Media Network
Telstra Global Media Network
The Telstra Global Media Network is a video contribution and distribution platform that supports permanent and occasional use services on a consumption-based business model and offers point-to-point and point-to-multipoint connectivity across fibre, satellite, internet, data and partnership networks.
The Telstra Global Media Network is a purpose-built video contribution and distribution network integrating underlying media fibre networks, satellite capabilities, and partnerships, connecting 2500+ OnNet endpoint, including 1000+ customer sites and more than 1500 venues and stadiums. The addition of a new secure cloud gateway to and from the network will allow high-quality video transport to and from markets with little to no infrastructure, as well as incident prone areas.
Brightcove Beacon
Brightcove Beacon
Brightcove Beacon is a SaaS-based OTT platform for live and on demand content. Brightcove Beacon empowers customers to deliver captivating OTT experiences on a breadth of devices, with the flexibility of multiple monetization models to fit any business need.
Voices
Voices
Video dubbing
Voice overs for dubbing videos.Multimedia localization, such as international voice-over dubbing studio, video dubbing, voice over recordings for business. Dubbing samples in English, dubbing samples in French, dubbing studio in Italian and Portuguese, dubbing samples in Spanish.
Video Quality Estimator
Video Quality Estimator
Video Quality measurement tool designed to compare quality of encoded streams based on objective metrics, such as PSNR, APSNR, SSIM, DELTA, MSE, MSAD, VQM, NQI, VMAF and VMAF phone.
Video Logging for Sports with AthenasOwl Smart Catalog
Video Logging for Sports with AthenasOwl Smart Catalog
The way fans wish to view and interact with sport content is changing. Explore how AI-enabled smart systems and applications can empower global sport broadcasters, clubs and leagues to improve fan engagement, reduce manually reliant time-consuming processes, and increase ROI by leveraging existing content.AthenasOwl Smart Catalog for Sports is an AI-based solution that generates rich content metadata to enable better search and retrieval within sport media archives. With media domain contextualised machine learning models, sport organizations can track and generate granular metadata such as player faces, emotions, football pitch locales, custom entities (such as yellow/red card, league trophy, etc) and more.
Benefits:
- Enable quick search and discovery - Unleash the hidden values in your videos by generating time-coded granular metadata across assets, tracking player faces, emotions, age, gender, locales, camera shot-angles, and more.
- Maximize your ROI - Drive better ROI with smarter and faster searches for repackaging existing video content.
- Boost operational efficiency - Replace manual tagging with a self-learning model that improves over time when new entities are introduced.
- Accelerate turnaround times - Utilize cloud infrastructure for flexible load handling that enables both horizontal and vertical scaling.
Video Logging for News AthenasOwl Smart Catalog
Video Logging for News AthenasOwl Smart Catalog
With this solution, news organizations can employ AI to generate rich content metadata which can empower faster and more accurate search and retrieval across the news content archives. With it's custom machine learning model, news companies can detect and analyze visual elements like:
- Personality/anchor/reporter identification
- Production aspects: Telecast format, split-screen, graphics assist, logistics (locale)
- Story information: Story, sub-story, genres, format
Ven.ue Supply Chain
Ven.ue OTT
Trance
Trance
Digital Nirvana's Trance opens door to AI-empowered transcription, captioning, translation; anytime and anywhere. Trance is an enterprise-level, cloud-based web application from Digital Nirvana integrated with cutting edge STT technology and cloud-based architecture, leading to significant efficiency gains. Honoring our long term commitment to provide services to the media industry, Digital Nirvana created the platform as an internal tool for providing customers with exceptional closed-captioning, metadata generation, and transcription services.
TimelessUI Universe
TimelessUI Universe
TimelessUI Universe is a cutting-edge user interface embedding a resolutely innovative design, voice control and content-centric navigation. It provides a complete catalogue of features operators can choose from, offering the best user experience for their subscribers. It is also an entirely cross-platform solution, delivering a single code for all types of devices (set-top box, smartTV, console, mobile and tablet): future developments are therefore facilitated and the UI will evolve over time with new trends. This flexible and global approach reduces development costs and time-to-market challenges all the same.
TeleSight
TeleSight
TeleSight is a real-time video quality monitoring solution, which delivers awareness of system information, ancillary data, and conformance results. With its multiviewer capabilities, TeleSight couples confidence monitoring with full testing and analysis of video streams for cable, satellite, telco, IPTV, and over-the-top (OTT) services. Our solution provides an operator with a comprehensive display of signal statistics and conditions, such as QoS, QoE, closed-captions, alarms, and visible impairment, all within a single glance. It offers high performance and scalability for quality and compliance across different geographical locations or a centralized location.
TeleSight allows operators to monitor and analyze their video services with confidence. It offers real-time decode, display, and stream analysis, including TR-101-290, video black and freeze, video codec conformance, and audio level tests. Its multiviewer display is highly configurable with on-screen alarms and notifications.
StreamingPix
StreamingPix
The Ideal Solution for Today’s Live Streaming World StreamingPix is a complete yet easy to use live production and streaming solution that provides a powerful tool set enabling users to create engaging video content with a polished, professional look.
Ideal for companies from Aquariums to Zoo’s; Churches, Corporations, Events, Schools, Universities, and all users who want to take streaming to the next level, StreamingPix is an affordable turnkey solution that is easy to set up and ready to go right out of the box. It comes with a remotely controlled RoboPix PTZ camera, a Lenovo Tiny server, a high-quality LAV microphone, SDI, HDMI, IP and NDI™ inputs and an IP switch.
StreamingPix also makes it easy to start creating compelling content, with a ready-to-use video clip library, extensive graphic templates, pre-built automated macros to simplify common tasks and a plug and play approach to integrating PowerPoint, videoconferencing systems and social media feeds through integration with the CASTUS Stream platform, which avoids complex Firewall Configurations or Port Forwarding.
With simultaneous streaming and recording capabilities, StreamingPix can stream to popular streaming and video conferencing services, such as Facebook Live, YouTube Live, IBM Cloud, Livestream, Zoom, Skype, GoToMeeting and more. Utilizing native integration to Switchboards’ Cloud platform, live video content can be streamed to up to five destinations at once after a quick and easy one-time set up.
StreamingPix provides a simple, extremely accessible and easily automated solution to event, meeting, lecture, and worship streaming - enabling non-technologists to create professional looking content quickly and easily. Start producing and streaming more compelling live content with StreamingPix - THE turnkey streaming solution for today's live streaming world.
StreamEye Studio
StreamEye Studio
Elecard StreamEye Studio are powerful and incredibly useful software tools to view and analyze syntax of encoded media streams, validating streams against ETSI TR 101 290 standard, computing quality metrics like VMAF, PSNR, SSIM, and others. HEVC, H.264/AVC, AV1, VP9, and MPEG-2 video formats are supported. VVC is coming soon.
StreamEye
StreamEye is a poverful tool for in-depth video analysis capable of analysing the stream structure and down to macroblock structure for inspection of codec parameters. Video quality test software.
Streamava
Streamava
Streamava is the world leading cloud gaming platform. This multi-screen solution is designed to be easily integrated into the operator’s existing environment and connected to its billing system. Its technology provides a high-quality experience ready for commercial deployment. With more than 300 video games, operators offer to their end-users top publishers and string references for casual gamers. SFR and Orange already trust this solution for deployment in the field since 2010.
Stream Analyser
Stream Analyser
Elecard Stream Analyzer is a professional tool for syntax analysis of encoded media streams.
StormGeo Studio
StormGeo Studio
StormGeo Studio provides a low-cost and flexible solution for media outlets to create custom weather content. Developed with award-winning Singular.Live technology, the platform is cloud and subscription-based.
Key features and benefits:
- Access to world class weather forecasting and data intelligence.
- A cloud and subscription based software built with award-winning graphics from Singular.Live.
- Requires no dedicated hardware or upfront investments.
- Easily integrates into your existing SDI, NDI or streaming media workflows.
Workflow and easily accessible:
- Built on common web standards.
- StormGeo Studio API’s for interaction, templates and rendering capabilities are easily integrated into your workflow.
- StormGeo Studio runs across all bowser enabled devices without the need for 3rd party plugins.
StormGeo Studio opens a lot of possibilities for publishers, such as on-demand weather data for over the top (OTT) playouts, adaptive graphics across different devices and the possibility to offer regionalized weather data to their users and viewers.
Leslie Kajomovitz
Product Manager Consultant for Media Production tools
Singula® Subscriber Intelligence
Singula® Subscriber Intelligence
At Singula Decisions we are passionate about driving subscriber growth. Our 20+ years’ experience managing over 30 million subscribers for leading TV subscription businesses means we see the world differently.
We see hidden energy, a tension, a flow, a pulse between the way your service is delivered and the way that your subscribers react. Its power is to discern where your subscribers are right now, how they got there and where they are going; and what action is needed to change their behaviour. We call it subscriber intelligence.
Our award-winning Subscriber Intelligence Platform combines our team’s extensive domain knowledge and practical experience with artificial intelligence and machine learning techniques that turn your subscriber data into something so tangible that it will transform the way you engage with your subscribers.
We help you deliver sustainable subscriber growth through Brilliant Decisions and Intelligent Actions.
For more information, please visit our website and follow us on LinkedIn, Twitter, Facebook and Instagram.
SFP-H-7 Series
SFP-H-7 Series
SFP-317-H-7 series supports 3G SMPTE ST 2110 signals across 10 GigE and it features 2x 10 GbE SFP+ cages complying with SMPTE ST 2022-7
- Supports ST-2022-7
- Ember+ control system compliant
- Decode ST-2110 and ST-2022
- IP – 10G/s SFP+
- Fiber – 3Gb/s SFP
- Coaxial SFP 3Gb/s
- Direct BNC 3Gb/s I/O
SFP-H-7 is the ONLY monitor series in the market that can support 3G SMPTE ST 2110 signals across 10 GigE and it features 2x 10 GbE SFP+ cages complying with SMPTE ST 2022-7, providing redundancy protection for critical distribution and monitoring applications “hitless switching”.
SFP-H-7 monitor series offers Ember+ compliant control system capabilities, i.e. can be controlled by Lawo-VSM, BFE-Core or any other Ember+ compliant control system.
RouteMaster Lite
RouteMaster Lite brings familiar video routing capabilities to Newtek’s NDI® video. Based on our proven RouteMaster system, it gives operators a range of familiar control interfaces for controlling video switching.
Switching is suitable for all live, on-air applications, making RouteMaster Lite ideal for fast manual intervention.
No video streams are passed through the router system, instead traffic is redirected at the network level. This means only minimal bandwidth and processor requirements are needed, regardless of the number of video streams and resolution. There’s also no additional video delay through the system. Additionally, RouteMaster Lite does not become a central point of failure: If the router system fails for any reason, video continues to flow from sources to destinations uninterrupted.
RouteMaster Lite is ideal for OB and production environments, supporting up to 20 sources and 20 destinations. For larger systems with more complex requirements, the same NDI switching technology is available in the full-featured RouteMaster system.
The built-in GUI is ideal for preset and take switching, showing resizeable video previews and audio metering of the current video and the chosen source.
External Control
While control from the built-in GUI is fast and easy, it’s not ideal for all situations. Therefore RouteMaster lite supports external control from:
- Web Panels served by the integrated web server
- Familiar hardware panels like Blackmagic Design Smart Control
- Or, third-party software which uses the Blackmagic VideoHub protocol
You can use all these control methods simultaneously, with router status immediately visible to all users.
Video Player00:0000:15
RL Monitor Series
RL Monitor Series
A 1U 19inch rack mounted AoIP monitoring and mixing unit.4 models are available the RL64, RL128, RL192 and RL256 and each unit can be configured at time of purchase to be Dante or RavennaRL Series units allows two modes of operation a mixing mode which can mix up to 256 channels at 48kHz (128 channels at 96kHz) plus microphone input (via headphone connector) and AES input to create a 259 into 2 mixer. Alternatively, it can be set into a simple Listen mode where touching a channel instantly routes to the LR output and cancels any previous selection.The outputs of the LR bus are presented to the user via the inbuilt 4mm x 9mm full range speakers or via the 3.5mm headphone jack. The speakers are automatically muted when a headphone jack is inserted. Simultaneous outputs are also available in the form of the stereo balanced line outputs and AES output accessed via XLR connectors on the rear of the RL Series Unit. The mix output is also routed to the AoIP output.The RL Series units are operated and controlled via the large letterbox 6.6” diagonal (168mm) 1440 x 240 24-bit colour LCD and capacitive touch panel.A simple and elegant menu system has been designed to be intuitive to navigate allowing the user to access all the features of the RL Series unit very quickly.The high-resolution screen is easy to read presenting comprehensive metering, routing and status information to the user.Firmware updates of the RL Series unit are achieved via a dedicated USB micro AB connector on the front panel. There is also a dedicated 3.5mm jack socket for the headphone outputOn the rear of the RL Series unit there are 4x Primary and Secondary ports for up to 4x AoIP inputs. 2x balanced line outputs on 3 pin male XLRs and AES output also on 3 pin male XLR. These outputs can be configured to follow the main volume settings of the speakers/headphones or they can also be set to follow the main Mute control.Additionally, there is an AES input via 3 pin female XLR connectorThe RL Series unit can be powered via either of the two 2.5mm DC input connectors requiring 24V @ 2A. These inputs also have a screw lock to prevent accidental unplugging. Using both inputs provides redundancy.The optional NIX00629 can be used to power the RL256
Ripley Plus
Ripley Plus
Ripley - A full-featured server incorporated into replay console
"Ripley" is a unique new system which combines the replay server and the remote controller within the dimensions of the replay console.
It comes in 2 models: Ripley 442 and Ripley Plus.
The 442 model provides:
- HD: 4 recording + 4 search + 2 playback channels + FX
The Plus provides:
- 3G: 6 recording + 6 search + 2 playback channels + FX
- HD: 6 recording + 6 search + 2 playback channels + FX
The server has 2 graphical interfaces for the Main Interface and Multiviewer. If necessary, a single monitor using MultiSkin switching function can display both of them.
For integration with mixers and other equipment, "Ripley" has LTC and GPO interfaces, as well as RS232/422 port.
It also supports networking with other slomo.tv servers for exchange of clips and playlists (Free "Transfer" option) via 1GbE interface.
As all slomo.tv servers, Ripley is integrated with high-speed cameras of various manufacturers. Ripley Plus can support two 3x or three 2x Super Slow Motion cameras. Thanks to the "Transfer" (networking) option, clips from Super Motion cameras are available for creating Summary/Highlights on other servers without additional hardware or software options.
As any other slomo.tv server, Ripley provides for automatic clips creation, wide abilities for playlists’ editing, simultaneous search on all channels, instant slow motion replays, networking, etc. The basic configuration includes free 'Transfer' (networking) and 'Game Analyzer' (telestrator) options, reflecting the company's policy aimed at increased functionality without raising prices.
Keyboard, mouse and other external devices are connected via USB 2.0 and USB 3.0.
The unique feature of "Ripley" is the presence of 4 SDHC standard memory card slots on the side panel. The cards can be used for export and import of video materials, as well as for recording of incoming video signals in H.264 or AVC-Intra 50Mbit.
"Ripley" has 51 RGB illuminated push buttons, Jog Shuttle and T-Bar, providing up to 1024 values of the lever position.
The system has SSD storage subsystem of 66 hours of 100Mbit HD.
"Ripley" is powered by 110-220 V and weighs less than 4 kg.
Options
· Free Transfer option – networks servers for joint operation.
· Free Game Analyzer – provides possibility of applying simple graphics on video.
3G-SDI support – ability to work with 3G-SDi signals in 662 mode: 6 recording + 6 search + 2 playback channels + FX.
· SuperMo – allows working with 2x, 3x, 4x cameras.
· Export – allows exporting recorded video for non-linear editing with different codecs.
· 4-channel video judging – perfectly suitted for basketball, fencing and wrestling.
8-channel video judging – enough for many sports.
Areas of use
"Ripley" is a compact system the size of a replay console perfectly suited for field work. Two systems can be placed in one carry-on case.
The system is perfect for TV companies that do not use large servers. It makes it easier to service various event venues.
The 3G-SDI option allows it to be used for broadcasting eSports events, for which 3G signals support is a key factor.
"Ripley Plus" with 8-camera video-refereeing option, can be used in many sports.
Revedia
Revedia
Symphony MediaAI is the leading provider of revenue optimization solutions exclusive to the media and entertainment sector. Their Revedia AI platform scales subscriber, content, and financial insight throughout the enterprise. The result of more than a decade of DARPA-funded Stanford University research, Revedia delivers data-driven intelligence at scale. Organizations rely on Revedia to tackle the greatest challenges facing media and entertainment today including subscriber churn, fragmented monetization models, disparate data sets, market uncertainty, and intense competition. Having analyzed billions of transactions on behalf of their clients over thirty years, Symphony MediaAI has cultivated a deep operational understanding of the industry and earned a trusted reputation among clients such as NBC Universal, Hearst, and Scripps. Learn more at www.symphonymedia.com.
RESOLVE
RESOLVE
Complete Integration
RESOLVE allows multiple processes to come together as one integrated workflow, including processes managed in other systems.The RESOLVE Framework provides the following ‘Features and Functionality’ available in all modules.
- Multiple field types, relationships and validation dependency options
- Configurable modules and templates
- Each ticket can have its own workflow and/or be part of a system wide workflow involving inter- relationships
- Enforce security by tiered, group access control across all ticket types
- Notification settings – automated E-mail to individuals or groups
- Comments and attachments for all documents – stored centrally
- Group inheritance allowing for different levels of users (basic up to super user)
- 3rd party accessibility (and access control in line with security policy)
- Multiple user interfaces
- Geo-data presentation of information
- Graphical reporting dashboards
- Extensive data querying and reporting options
- Export to multiple file types or formats including XLS, PDF, XML, PDF, CSV or custom format
- Audit logs track all changes to your data Highly configurable status workflow engine Validation rule setsAPI gateway access
RadioPix
RadioPix
New RadioPix™ systems come complete with everything radio stations need to start creating dynamic visual radio content. It enables any radio station to create compelling visual programming and generate new revenue streams through an easy-to-install, user-friendly system based on proven technology, all at an affordable price of $15,000.
Each RadioPix system includes behavioral intelligence to automatically switch the included robotic cameras to whoever is talking, and automatically insert titles, graphics, and ads.
On startup, the system is ready to go, but two hours of dial-in consulting is included to help create the station look and feel; for example, import and position the station ID, choose suitable video clips and graphics elements and finally program the behavioral intelligence. The host can also override the behavioral intelligence from optional touch screen panels, MIDI interfaces or even footswitches. Compatible with radio automation software, Axia, AEQ and Wheatstone consoles, anyone can start streaming great pix of their radio show in minutes with RadioPix - the new voice-automated, integrated visual radio production solution from Broadcast Pix.
PlaylistImporter
PlaylistImporter
A specialized software module for importing playlists from 3rd party playout automation into the AutoPlay system. Provides integration with external systems, and migration of existing content when transitioning to AutoPlay.
Features:
- Automated 3rd party playlist ingest into the AutoPlay enterprise media workflow system
- Separate import settings for each source folder
- Comprehensive playlist format support
- Automatic creation of new AutoPlay MAM objects if none existed previously
- Configurable autoupdate of existing AutoPlay playlists when importing new versions – including playlists currently set on-air
PBM-4K-H
PBM-4K-H
The Plura PBM-4K-H is a comprehensive tool for all UHD/4K, 3G broadcast systems. The PBM-4K-H Series supports Ember+ compliant control system capabilities, i.e. can be controlled by Lawo-VSM, BFE-Core or any other Ember+ compliant control system.
PBM-324-4K
PBM-324-4K
24″ 1000 nit 4K – UHD panel with TRUE HDR (High Dynamic Range) capabilities !.
PBM-324-4K supports up to 4096 x 2160 resolutions, focuses on delivering the highly detailed, accurate color representation and stunning picture consistency that high-end production applications require.
PBM-4K monitor series supports ST-2082, ST-2110, ST-2022 and other earlier industry standards, 2 x 12G/3G/HD/SD-SDI or 1 x Quad 3G-SDI (2SI / SQ) inputs with active loop, 2 x SFP+ inputs & HDMI 2.0.
The PBM-4K series offers Ember+ compliant control system capabilities, i.e. can be controlled by Lawo-VSM, BFE-Core or any other Ember+ compliant control system.
PBM-4K series offers HDR Display capabilities supporting PQ (ST-2084) & HGL standards. The PBM-4K series also adopts the exceptionally slim form factor that Plura customers enjoy, ensuring that even the largest 4K monitors in the portfolio demand a modest slice of real estate.
PBM-224-4K-Dual
PBM-224-4K-Dual
PBM-224-4K-Dual customized system was designed specifically to retrofit current HD/SD OB trucks with UHD system. Replacing aging HD/SD monitors with the new PBM-224-4K-Dual which is a great space management solution for the entire video wall. It is also ideal solution for many video & computer workstation applications such as video editing systems or alike.PBM-224-4K, Dual 24″ monitor supports up to 4096 x 2160 resolutions, ST-2082, ST-2110, ST-2022 and other earlier industry standards, 4 x 12G/3G/HD/SD-SDI inputs with active loop, 4 x SFP+ inputs & HDMI 2.0. In addition, HDR Display capabilities supporting PQ (ST-2084) & HGL standards.
The PBM-4K series offers Ember+ compliant control system capabilities, i.e. can be controlled by Lawo-VSM, BFE-Core or any other Ember+ compliant control system.The PBM-4K series also adopts the exceptionally slim form factor that Plura customers enjoy, ensuring that even the largest 4K monitors in the portfolio demand a modest slice of real estate.
OWC Thunderbolt™ 3 mini Dock
OWC Thunderbolt™ 3 mini Dock
The OWC Thunderbolt 3 mini Dock harnesses the full potential of your Mac or PC’s Thunderbolt 3 port, with fast data transfers, dual 4K display support, and small device charging power creating a hub of powerful connections. Built by the world’s largest producer of Thunderbolt devices, OWC follows the highest standards in engineering and manufacturing, so you can use the Thunderbolt 3 mini Dock with full confidence in its compatibility and precision performance.
The OWC Thunderbolt 3 mini Dock effectively utilizes your computer’s Thunderbolt 3 40Gb/s capability to provide support for two displays up to 4096 x 2160 4K @ 60Hz without impacting performance. Transform your notebook’s single display into a three-screen viewing space or instantly support two displays on your desktop and increase work productivity with extended or mirrored modes. Experience crystal-clear, vibrant 4K video and high-fidelity audio in gaming and uncompressed video streaming of high action sports and movies. Whatever your display desire, the OWC Thunderbolt 3 mini Dock helps you see what you’ve been missing.
On-the-go or on a desktop, the OWC Thunderbolt 3 mini Dock is the ultimate all-in-one portable dock. Compact-sized like a smartphone and with no AC adapter needed, this “kitchen sink of connectivity” expands port-limited Thunderbolt 3 Macs and PCs with five additional ports.
A must-have for the mobile professional, the OWC Thunderbolt 3 mini Dock offers a Gigabit Ethernet port for a faster and more reliable internet connection. Users will relish a speedy server connection, uninterrupted downloads, and reliable file transfers while saying goodbye to aggravating, low-quality public Wi-Fi connections.
The OWC Thunderbolt 3 mini Dock is available to order now.
OWC ThunderBay Flex 8
OWC ThunderBay Flex 8
The award-winning ThunderBay Flex 8 is a groundbreaking 3-in-1 solution that accelerates performance, capacity, and efficiency in digital imaging, VFX, video production, and video editing workflows. Bringing unrivaled potential and convenience, ThunderBay Flex 8 trailblazes through the biggest projects and deadlines. Its eight drive bays support a mix of SATA/SAS1 and U.2/M.22 NVMe drives for up to 128TB of storage capacity, and that’s only the beginning. You can saturate the Thunderbolt 3 speed threshold with real-world read/write speeds up to 2750MB/s. Connect A/V mixers, digital cameras, and desktop essentials, while charging mobile devices via Thunderbolt 3, USB-C and USB-A ports. Ingest hi-res video and photo files at speeds up to 985MB/s with front-side SD 4.0 and CFexpress card readers. Or add a video or audio card to the PCIe slot to ingest multi-stream large format footage or record high-quality tracks.
OWC Rover Pro
OWC Rover Pro
OWC Rover Pro is a toolless, patent-pending made in the USA design that allows users to add wheels to the 2019 Mac Pro in under two minutes. Factory-finish, matching stainless-steel housings feature 360-degree articulating wheels with non-marring soft rubber tread install and include stops to keep your Mac Pro in place and offer the freedom of mobility when needed.
The OWC Rover Pro is the innovative mobility solution for the 2019 Mac Pro. The patent-pending design enables your Mac Pro to go “wheels on/wheels off” in under two minutes while saving time and money vs the factory wheel kit.
No tools, no hassle, no worry: simply place your Mac Pro’s factory feet into the Rover Pro’s polished stainless-steel housings and secure with a few hand twists. When you’re done moving your Mac Pro around, the Rover Pro allows quick and easy conversion back to the factory feet for stationary use.
Industrial-strength soft rubber tread wheels with 360-degree articulating rotation and low friction bearings let you move your 2019 Mac Pro silently and effortlessly on any surface. Pull it across the studio, rotate it under your desk for convenient port access… the Rover Pro lets you easily put your Mac Pro where you want it while safely preserving your floor’s finish.
The Rover Pro includes wheel stops that prevent any unintended movement. When not in use, the stops conveniently clip to the casters so they’re immediately ready to help get the job done wherever you need to with a wheel kit built for rolling and securing a 2019 Mac Pro on any surface.
The OWC Rover Pro is available to order now .
OWC Mercury Elite Pro Dual – USB-C
OWC Mercury Elite Pro Dual – USB-C
Designed to handle diverse workflows, the Mercury Elite Pro Dual - USB-C offers up to 32TB of storage capacity plus built-in hub for accessory connectivity and device charging, easily making it the foundation of your digital desktop.
The Mercury Elite Pro Dual - USB-C gives you nearly infinite options for your workspace. Dual hardware RAID controlled drive bays utilize 2.5-inch SSDs and/or 3.5-inch HDDs for up to 32TB of storage capacity. Two USB-C ports with real world speed up to 1026MB/s* rip through full system and Time Machine backups, archive projects, and transfers of HD photos and large format video footage. Two USB Type-A ports let you connect a universe of USB 3.0/2.0 peripherals plus provide charging power for your phone, camera, and tablet. And a whisper-quiet fan, front panel drive status LEDs, and included USB-C and USB-A cables make the Pro Dual the convenient do-it-all desktop solution.
You can configure the Mercury Elite Pro Dual - USB-C to seamlessly integrate with any work environment, from your home office up to high-demand production studios. Install your choice of 2.5-inch or 3.5-inch SSDs or HDDs, even combine the speed of an SSD with the cost-effective storage capacity of an HDD. With built-in hardware RAID, you have four drive set-up choices:
*Independent (JBOD) keeps the drives as two separate and independent volumes
*RAID 0 (stripe) for optimal performance and maximum speed use
*RAID 1 (mirror) for the security and peace of mind of mirrored data
*Span combines the drive capacities to create one extra-large storage volume
Done with the drives but need the hub connectivity? Eject the Mercury Elite Pro Dual’s drives and any additional external drives connected to it from your computer in a single click with OWC’s free Dock Ejector app. You’ll be certain that all data has been written before any drive is unmounted, protecting against data loss.
At 5.8” high x 3.3” wide and weighing under four pounds with two SSDs installed, the Mercury Elite Pro Dual - USB-C can be taken anywhere you need an all-in-one storage and connectivity solution. It connects to USB-C or Thunderbolt 3 computers and can work cross-platform with Macs and PCs using OWC's MacDrive software (sold separately).
OWC Envoy Express
OWC Envoy Express
For the first time ever in the history of Thunderbolt™, users can buy a bus-powered Thunderbolt™ certified enclosure and install their own drive in it. Finally, a DIY kit that allows users to break free of pre-configured choice limits in order to build a pocket-sized storage solution that meets their specific needs. And rebuild it anytime those needs change. Equally revolutionary is the included slide mount. This surface-safe removable drive holder allows the user to slide the Envoy Express onto the back of a laptop screen for out-of-the-way mobile use convenience.
Build the Envoy Express with a brand-new drive for a fast boot drive. Retask an existing drive replaced during an upgrade for added storage and backup capacity. Or, use Envoy Express to regain access to files on a drive removed from an inoperable machine. Whatever the reason for building a bus-powered Thunderbolt™ enclosure, Envoy Express has the power to make it happen.
Designed to support any 2280 M.2 NVMe SSD, the Envoy Express gives users the freedom of flexibility to use any drive today - including OWC Aura SSDs up to 4.0TB capacity - as well as being ready for tomorrow’s 8.0TB, 16TB and future capacities without limit.
Whether you want to backup your growing photo and music libraries, share files, play your favorite games and movies anywhere, or even want to capture and edit up to 8K video, the Envoy Express can do it all. And it’s built to support super-fast sustained data transfer rates up to 1553MB/s…often faster than a machine’s internal drive performance!
When working space is limited, the Envoy Express mounting system is the solution. Today’s office is where you make it - a cramped airplane seat, a tiny coffeeshop table, on your lap in a remote location. There’s no power outlet and not enough room for an external drive. Besides being the industry’s first Thunderbolt™ 3 bus-powered (no power adapter required) enclosure, the Envoy Express is the first to include a laptop mounting system.
Super-strong, removable adhesive gel and a lightweight yet durable plastic holder secure the Envoy Express to the back of a Thunderbolt™ 3-equipped Mac or PC laptop screen.
nxtedition
nxtedition
The existing paradigm in TV production of using different ‘appliance’ based products from multiple manufacturers creates layers of complexity which are expensive to purchase, difficult to maintain, hard to integrate and need specialist staff to operate. What if, instead of having to navigate different systems for different parts of the workflow, you could consolidate these all into one, efficient toolkit?
nxtedition is a complete production solution for video and audio - used by broadcasters, publishers, corporates and other industries to create video channels for broadcast and streaming, as well as audio for radio broadcasting, streaming and podcasting.
Being first, fast and accurate with the story is critical to the brand and recognition of the news outlet.
nxtedition encapsulates all the following activities into a single user interface offering to be first, fast and accurate with the stories people want and need to know - be that news, sport, entertainment, or production.
- Channel Playout (TV and Radio)
- Graphics
- Ingest Recording
- Live Streaming In And Out
- Media Asset Management
- Metadata Management
- Music Rotation
- Production Planning
- Prompter
- Publishing To Web, App And Social Media
- Reporting
- Rundown Creation
- Scriptwriting
- Studio Automation (TV and Radio)
- Subtitling
- Transcoding
NexGuard ClipMark
NexGuard ClipMark
Protect pre-release assets - including dailies, proxy deliveries of full features and TV series, and trailers - with NexGuard ClipMark, an industry-first solution that allows content owners and post-production houses to detect any source of pre-release leaks on very short video clips, down to thirty seconds in duration. NexGuard ClipMark can be seamlessly deployed in existing workflows with content owners and post-production houses thanks to partnerships with industry-leading transcoder vendors.
Msight
Msight
MSight is a file-based media analyzer software solution that provides the most in-depth testing and analysis of media streams at all levels of encoded data to achieve optimum video quality. The depth and reliability of testing and speed at which errors are detected allow organizations to address these errors quickly, thereby reducing the cost of errors.
MSight provides users with the ability to “see it all” with instant access to the lowest level syntax present in the compression standard. MSight is the industry`s most optimized analyzer, which is crucial for dealing with HD content and the volumes of digital media being produced. Optimized performance means that hours’ worth of video and audio can be processed very quickly and problems can be identified, debugged, and fixed in the shortest possible timeframe.
MonitorIQ
MonitorIQ
Equipped with the technological power of AI, Digital Nirvana’s MonitorIQ 7.0 provides new capabilities for compliance logging and monitoring. Known as the industry’s most reliable, secure, and easy-to-use broadcast monitoring and compliance logging platform that allows operators to record, store, monitor, analyze, and repurpose content quickly and efficiently with a minimum of clicks. MonitorIQ enables broadcasters to collect and use knowledge about their broadcast content to meet a wide range of regulatory and compliance requirements. Version 7 of the Digital Nirvana platform gives broadcasters access to valuable next-generation content processing and analysis tools.
MetadataIQ
MetadataIQ
Digital Nirvana’s MetadataIQ is known for accelerating the speed of content creation while simplifying and automating the metadata generation process. MetadatorIQ is a secure, scalable platform to automate the process of metadata generation for production, pre-production, and live content residing in AVID. It aids in a secure and efficient generation of metadata Avid based assets. The 100% automatic generation and ingestion of relevant metadata along with locators into AVID helps editors to accurately identify relevant content, thereby saving time and effort.
MediaServicesIQ
MediaServicesIQ contains a suite of machine learning (ML) applications. These microservices can be applied to speech-to-text, video intelligence, closed caption conformance, and content classification in media workflows. The microservices in MediaServicesIQ integrate easily with media workflows used by broadcasters and media houses, helping them leverage AI/ML technologies within existing workflows.
Media ServicesIQ provides an easy-to-access portal to cloud-based AI/ML services through custom-developed workflows.
KEY FEATURES & CAPABILITIES
Metadata Generation
Cloud-based collection of speech-to-text and video intelligence applications automating the generation of speech and video-based metadata Provides off-the-shelf integration with the Avid system Easily interfaces with existing workflows using REST API Video intelligence metadata for face, logo, ad, number, on-screen text, object, and shot change detection Metadata with timecodes for tagging, enabling search and faster content retrieval.
Automatic Closed Caption/Subtitle Generation
Machine-generated, time-synced outputs in various sidecar formats for further processing Faster, scalable, reliable, and secure generation of preliminary outputs Easily ingest sidecar files into workflows for repurposing.
CC Quality Conformance for Multi-Platform publishing
Generate reports on non-conformance parameters within a CC sidecar file Automatically compares against predefined style guides standards from platforms such as Netflix Time coded error reports for easy navigation and correction Ability to ingest multiple sidecar formats.
Auto classify content for better value
Automatically create a classification for content Classify advertisements using various labels to automatically identify and ingest Automatic classification of high-points in a feature-length video Easily integrate and ingest labels into existing workflows.
MediaPower NextGen OTT
MediaPower NextGen OTT
MediaPower Next Gen OTT is an end-to-end solution for managing, producing and distributing Live and On Demand Video over the Internet.The platform, extremely flexible and modular, has been designed to meet the needs of the digital content market in which it has become imperative to reduce production costs, optimize distribution to millions of possible users, leverage data and monetize the content either directly, through subscription, or indirectly, through advertising.
MEDIAPOWER TECHNOLOGY PLATFORM
CONTENT PRODUCTION
NewsAppNewsApp is a technology that assists OTT Media Services to collect the content generated by the users in order to utilize them as part of the client’s editorial stream. It enables two-way communication between publisher and users increasing the involvement and engagement of the latter.
- Receives User-Generated Content (UGC) and related feedback
- Analysis of user experience and user profiling
- Publishing of targeted video and advertising
- Could be used for video contests, marketing campaigns, or crowdfunding
ARKKI Media Asset Manager (MAM)Arkki is our Media Asset Manager used to collect any kind of video files and provides more functions to manage each stage of the asset.
- Ingestion and management of digital content, video and more
- Transcoding and video file modeling
- Addition of descriptive metadata
- Creation of playlists, catalogs, and projects
- Editing and sharing
DISTRIBUTION PLATFORM
ASTRO Flexible & Scalable Distribution ModuleMediaPower Astro is the delivery module to distribuite feeds to the Internet.
- Publication of streams in multiple formats
- On-demand and live
- Adaptive bitrate with bandwidth control
- Load balancing and user traffic control
- Integration with proprietary networks or third-party CDNs
Service Delivery Platform (SDP)Service Delivery Platform is the solution to manage users, group policy and paid subscription. We implement complex business logic around various payment models.
- Secure Join-In and Log-In
- Devices registration
- Subscription workflow and integration with the commons payments gateway
- Assets protection through IP GEO-block, User-block e Traffic-shaping
- CRM, ERP and 3rd party software integration via standard API REST
Boost and Security LayerThe Boost & Security Layer guarantees stability and security to the platform.
- Real time analysis and capacity auto-scaling
- Traffic monitoring
- Log management
- DNS geo distribution
- Redundant Data centers
- Network quality control and NOC support
MONETIZATION
LET’S SHOW Discovery EngineLet’s Show! is the powerful discovery engine to deploy contents towards any kind of device and web-browsers. Usable, professional-looking UIs for a variety of screens and devices.
- Compatible with any web-browser and iOS/Android device
- Bandwidth and screen optimization
- Enable the video browsing through categories, galleries and catalogs
- Watch-list and bookmarks per single user
- Recommendation engine and powerful full-text search engine
- Embedded Video Player cross-platform
- Share the VoD to Facebook and Youtube
OTT INSIGHT AnalyticsMediaPower OTT Insight is a powerful data collecting engine which analyses and understand user behavior. The engine provides useful aggregate data to perform business intelligence.
- Big data analysis (audience/usage metrics) and custom integration with common machine learning systems and business intelligence software
- Users profiling
- Monetization scenarios
- Ad Server and programmatic Ads Engine integration
- External e-commerce and marketplace alliance
MediaPower NewsTouch
MediaPower NewsApp
MediaPower Arkki EVO
MediaPower Arkki EVO
In this digital age, where the sheer amount and demand for content are unprecedented, and content access requires ubiquity, every organization faces the challenge of addressing explosive content growth while effectively managing libraries and adding value to their digital assets by making them available anywhere. Simply put, the proliferation of content necessitates better ways to store and manage digital content—whether that be media files, branded materials, or documentation.
MediaPower takes asset management to new heights with Arkki EVO, a powerful and innovative digital asset manager that enables you to store, catalog, share, edit, retrieve, and distribute digital assets quickly and efficiently. Arkki EVO is a global content platform that lets you manage all types of assets and asset correlations effectively.Built on a dynamic and scalable architecture, Arkki EVO lets you take control of your digital content through its data-driven and user-centered features, so that you can focus on your core business and less time on searching and managing the right digital asset.Arkki EVO provides an online proxy library of digital content with enterprise-level features and powerful tools accessible from any web browser or mobile device. Users can upload, process, edit, download and share multiple assets and projects, proofed with version history that enables monitoring and analysis of a digital asset’s updates and duplications. It is also fully integrated with blockchain standards (Merkle Tree concept) for extending security and content ownership.
Powerful and Dynamic Features
Arkki EVO incorporates a robust set of features from the types of file it supports, to unique and powerful data structures, built-in video editing capabilities, and OTT streaming capability:
- Asset Collections- Create, edit, and share collections of assets between users.
- Different File Types Supported - Full range of multimedia files, images, and documents, with OCR support.
- Graph Database and Link Object - Deep graph structures with unique Link Object for asset correlation.
- Storage Management - Store assets in different storage and archive tiers for optimal balance.
- Standalone or Cloud-based - Hosted on a single Virtual Machine for standalone or scalable cloud system.
- Semantic Search Engine - Semantic algorithm to contextualize data and find asset correlations.
- Built-in Video Editing and Transcoding - Built-in video editing and transcoding tools to handle and process videos.
- Digital Asset Management Workflows - Create workflows – from importing to delivery, with automation triggers.
- Collaboration Tools - Collaborative tools for asset creation, licensing, marketing, to distribution.
- Multi-user - Complete user management system for managing users, groups, & access.
- Sharing-friendly - Share links to projects or individual assets to internal & external users.
- Rights Management Plugin - Built-in rights management support to ensure control over licensed assets.
- Multi-tenancy - Share or distribute digital assets to user groups and external parties.
- Resource Optimization - System resources are balanced and made available for all services.
- GDPR compliant - Supports GDPR with tokenization, cryptography & advanced data management.
- OTT delivery - Deliver video assets via OTT connector to IPTV, Web TV, or Social Networks.
- A.I. Integration - Integrates with Google, AWS, Microsoft and IBM A.I. infrastructures.
- Flexible and Configurable - Customize and control to a simple MAM, large DAM, or archive libraries.
From DAM to Archive Manager
Arkki EVO’s graph database, Link Object, advanced tagging and the robust processing engine work in tandem to create complex nested data collections and customize and control the entire platform as appropriate—from a simple MAM, or large DAM, to archive libraries.
M-WEBKEY web page keyer
M-WEBKEY web page keyer
The M-WEBKEY IP/SDI web page keyer provides a cost-effective alternative to a full graphics system. It's ideal for channel branding as well as providing news, weather, advert and emergency information overlays for both IP and SDI infrastructures.
The M-WEBKEY is unique because it can key a web page on to a video input. With traditional keying, the external key and fill have to be created and output as video which requires expensive dedicated character generator hardware, whereas keying a web page means that the key and fill source never become video.
The M-WEBKEY allows Flow 1 or a matte to be set as the background source, with the overlaid foreground source and key signal (which defines the graphic's location and transparency) coming from the URL that is entered. The M-WEBKEY plus a web designer and web server could provide all the graphics for a channel.
The M-WEBKEY can be used with IP (ST 2022 and ST 2110 video), with SDI or with both IP and SDI at the same time for hybrid systems. This gives you the easiest possible SDI to IP upgrade, while also making it perfect for mixed SDI and IP installations as well as fully IP or fully SDI environments. It works with 31 different video standards, including 1080p.
Features include the ability to fade the key up and down, crops to force areas of background or foreground, a framestore synchroniser plus ten frames of video delay to help with system integration and extensive signal monitoring.
The M-WEBKEY is a software app that runs on the MARBLE-V1 media processor. A card that fits in the Vision 3 frame, MARBLE-V1 features a powerful CPU/GPU processor, six bi-directional SDI connections and four 10GbE SFP+ network interface ports and allows different apps to be installed when needs change.
M-VIVID video delays
M-VIVID video delays
How much video delay do you need?
Providing up to 800 frames of video delay, Crystal Vision's four variable video delay lines are ideal for matching any short or long delays in your IP or SDI system.
These video delays can be used with IP (ST 2022 and ST 2110 video), with SDI or with both IP and SDI at the same time for hybrid systems. This gives you the easiest possible SDI to IP upgrade, while also making them perfect for mixed SDI and IP installations as well as fully IP or fully SDI environments. They work with 31 different SDI video standards, including 1080p.
All include a framestore synchroniser and support PTP in addition to analogue references as a timing source.
The delay is adjustable in steps of frames. The amount of delay available in seconds depends on the video format.
The triple channel M-VIVID100-3 provides up to 100 frames of video delay per channel (four seconds in 1080i50).
The dual channel M-VIVID200-2 provides up to 200 frames of video delay per channel (eight seconds in 1080i50).
The dual channel M-VIVID400-2 offers up to 400 frames of video delay per channel (16 seconds in 1080i50).
The single channel M-VIVID800 provides up to 800 frames of video delay (32 seconds in 1080i50).
The M-VIVID range are software apps that run on the MARBLE-V1 media processor. A card that fits in the Vision 3 frame, MARBLE-V1 features a powerful CPU/GPU processor, six bi-directional SDI connections and four 10GbE SFP+ network interface ports and allows different apps to be installed when needs change.
M-PIP picture-in-picture device
M-PIP picture-in-picture device
The M-PIP has been designed for IP or SDI playout applications that need one or two picture-in-picture boxes to be inset on the main programme or a coloured background.
Picture-in-picture functionality has previously only been available as part of some production mixers, channel-in-a-box systems and master control mixers. As a dedicated double box generator, the M-PIP therefore provides a cost-effective solution for those who only require picture-in-picture functionality, while it can also be used to add extra capability to a standard playout or studio system.
Up to two boxes can be inset on the programme or matte background when required, either by selecting the required foreground flow source or by using preset recall. Controls are available to independently size and position the two boxes on the screen, as well as to manipulate the size and position of the images inside those boxes. A coloured border, as well as edge softness, can be applied to each box if required. The boxes can be faded up and down, while the background can be faded out to black. The M-PIP provides 16 presets which can be used to create and store different looks for the boxes and then be recalled by using Crystal Vision's ASCII or JSON protocols in conjunction with the broadcaster's own control system, or alternatively by using the company's VisionWeb control software.
The M-PIP can be used with IP (ST 2022 and ST 2110 video), with SDI or with both IP and SDI at the same time for hybrid systems. This gives you the easiest possible SDI to IP upgrade, while also making it perfect for mixed SDI and IP installations as well as fully IP or fully SDI environments. It works with 31 different video standards, including 1080p.
The M-PIP is a software app that runs on the MARBLE-V1 media processor. A card that fits in the Vision 3 frame, MARBLE-V1 features a powerful CPU/GPU processor, six bi-directional SDI connections and four 10GbE SFP+ network interface ports and allows different apps to be installed when needs change.
M-COCO-2 colour corrector and legaliser
M-COCO-2 colour corrector and legaliser
The M-COCO-2 colour corrector and legaliser is ideal for manipulating colours to correct for camera or lighting problems or to standardise pictures shot at different times.
The dual channel M-COCO-2 can be used with IP (ST 2022 and ST 2110 video), with SDI or with both IP and SDI at the same time for hybrid systems. This gives you the easiest possible SDI to IP upgrade, while also making it perfect for mixed SDI and IP installations as well as fully IP or fully SDI environments. It works with 31 different video standards, including 1080p.
The M-COCO-2's colour correction tools include RGB gain, RGB lift, YUV gain, YUV lift, Video gain, Chroma gain, Chroma hue and both overall and individual RGB Gamma adjustment - as well as Black Stretch and Highlight Stretch, which are particularly useful for correcting in shot picture monitors. The excellent legaliser uses RGB and Y/C clipping to create a legal and natural-looking picture.
Features making life easier include the ability to wipe horizontally or vertically between the processed and unprocessed signal for a ‘before’ and ‘after’ comparison and the ability to highlight pixels containing illegal signal values to help locate the problem. The inclusion of a built-in test pattern generator also makes for an easier workflow.
The M-COCO-2 is a software app that runs on the MARBLE-V1 media processor. A card that fits in the Vision 3 frame, MARBLE-V1 features a powerful CPU/GPU processor, six bi-directional SDI connections and four 10GbE SFP+ network interface ports and allows different apps to be installed when needs change.
Crystal Vision also offers a card-based SDI colour corrector in its Indigo frame system.
Logitek mixIT-6 Radio Console
LiveScrypt
LiveScrypt
Epiphan LiveScrypt is a dedicated automatic live transcription device powered by advanced speech recognition technology. Leveraging LiveScrypt, organizations can make their live events more accessible and engaging with automatic, accurate, and affordable real-time transcription.
LiveScrypt’s built-in professional audio inputs make it easier to achieve high-quality audio for accurate AI-based transcription. With a low initial hardware cost and minimal per-hour transcription fees, LiveScrypt is a cost-effective alternative to traditional live transcription services. It’s the perfect automatic transcription solution for conferences, company town hall meetings, lectures, sermons, and other live events.
KAIROS
KAIROS achieves high performance by fully utilizing the power and flexibility of its CPU and GPU and frees from the constraints of a traditional hardware-based system. KAIROS offers unrestricted flexibility of input, output and operation for efficient production of live video that captivates audiences.
IQ Sports Producer/IQSP
IQ Sports Producer/IQSP
The IQ Sports Producer is an all-in-one multi camera production suite operated by just one person. Its simple and intuitive interface allows anyone to produce and stream a game anywhere.
The IQ Sports Producer makes live and on-demand web broadcasting available without the hassle of hiring an entire camera crew. The system provides an automated video broadcast production with up to 3 180-degree cameras, which makes it possible to upgrade from a single camera to a multi camera production. The superb de-warping and stitching technology provides a natural-looking corrected image with straight line-markings.
With this technology, cost-effective cameras can be used for complete coverage of the playing field. A pan and zoomed image is automatically created by special developed game tracking technology. With extra features such as live streaming, game replay generator, commentary, scoreboard options and automatic summaries and highlights, the IQ Sports Producer enables clubs to capture, stream and re-publish their field games easily and cost-effectively.
ILLUMINATOR
ILLUMINATOR
Gaining control
Information is your greatest asset. ILLUMINATOR gives access to the key data that is vital to your business performance, presented in a way that is easy to visualise and interpret. Users access data through a client customisable control layer, known as a workspace, which sits on top of the core ILLUMINATOR framework. This allows the software to be tailored to exact client’s needs. The workspace provides users access to any data, whether mastered within ILLUMINATOR’S extensible database, or resident externally in other systems.
ILLUMINATOR allows users to view and manage data from legacy or difficult to maintain datasets, in a single environment. It can consume data in many formats reducing the need for multiple, disparate ‘data islands’ often constructed in spreadsheets, Access or bespoke SQL database solutions.
Work Together
In addition to the user defined Workspaces, the ILLUMINATOR core framework facilitates pre-built or custom functional module plugin capability. Existing modules can be adapted, or new and specially tailored modules can be created with Graphical Data’s support, to ensure you get the solution you need. These functional modules are designed to enhance the power of ILLUMINATOR, improving how users view and work with their data, on a daily basis.
All parts of the business can contribute; suppliers, contractors and customers can also engage if required. Each user has their part to play and every team member's input contributes to overall success. ILLUMINATOR’s communication features allow quick, consistent input and feedback to and from all.
Complete Integration
ILLUMINATOR allows multiple processes to come together in a single integrated workflow tool. These can include processes managed in other systems and if unified with Graphical Data’s RESOLVE software - exceptional end to end project performance improvements can be realised. ILLUMINATOR and its comprehensive toolkit are designed to manage large volumes of complex data. This can include systems procured from scratch, the re-structuring of existing databases, or the unification of data mastered elsewhere in multiple discrete repositories to provide a ‘single view of the truth’, ILLUMINATOR can deliver it all. ILLUMINATOR facilitates exceptional levels of software configuration to meet unique/specific data management requirements but can also realise these very rapidly.
Asset management databases and configuration management databases are numerous. However, ILLUMINATOR’s power is that in addition to these standard functions, it can be configured to be capable of much more. This includes integration of very unique data sets not normally managed in broad enterprise level applications.
Hypertagging for Entertainment with AthenasOwl Smart Catalog
Hypertagging for Entertainment with AthenasOwl Smart Catalog
Enable quick search and discovery of video content. Smart Catalog helps broadcasters & media professionals automate video tagging processes, produces instantaneous content that increases ROI and unlocks new age advertising opportunities like contextual ad placement.
How Smart Catalog can Benefit media companies:
- Enable quick search and discovery - Unleash the hidden value within your video content by generating time coded granular metadata across your assets and track faces, emotions, age, gender, locales, camera shot-angles and more.
- Maximize your ROI - Drive better ROI for existing content with smarter and faster searches for repackaging existing video content.
- Unlock new revenue opportunities - Tap into latent monetisation opportunities by making use of new-age use cases such as contextual ad placement.
- Boost operational efficiency - Reduce manually-reliant tagging tasks with a self-learning model that improves over time as new entities are introduced.
- Accelerate turnaround times - Utilize cloud infrastructure for flexible load handling that enables both horizontal and vertical scaling.
- Achieve consistent accuracy levels - Media-specific contextualization ensures consistent, accurate, and useful outputs to solve the business needs specifically in the media domain.
HyperStore Xtreme
HyperStore Xtreme
Data center space is expensive and in short supply. Efficient use of that space is critical. The new Cloudian HyperStore Xtreme, Powered by Seagate, offers the industry’s highest storage density, letting you make the most of your space and your budget.
At 1.5 petabytes in just 4U of rack height, this new system is 83% more dense than Cloudian’s earlier offerings. And it’s 2X the density of what some big-name competitors offer. Furthermore, because it’s an s3-compatible object storage system — not just a drive array — there’s no additional space needed for controllers.
If you’re in a colo, this reduces rack-inches needed by over 70%. If you’re in your own data center, you can delay expansions and do more with the space you have. Either way, you save cost and can do more with the precious space you have.
The HyperStore Xtreme is made possible by combining two next-gen technologies:
- Super-dense hardware platform: Seagate supplies a major part of the hyperscaler infrastructure. Now, the most cutting-edge technology is available to you at the same time the hyperscalers get it.
- Scale-out object storage technology: All hyperscalers rely on scale-out object storage to power their scalable storage environment. The same technology can be part of your shop as well.
The combination give you the benefits previously enjoyed only by the largest cloud providers.
The first 16TB HDDs, and the first 1.5PB 4U
Your competitive advantage is space and cost efficiency. With this design, Seagate has streamlined drive and system integration to accelerate time to market by at least 6 months. This helps you get more efficient gear and get it sooner. This is the first platform with 16TB HDDs in a super-dense 96 drive chassis. Delivering 1.5PB capacity in just 4U of rack height, it also features 1.9TB SSDs for fast metadata access, dual Xeon Silver-based controllers, and eight 10Gb ports.
Cloudian scale-out S3-compatible object storage software
Running on the Seagate chassis is Cloudian’s award-winning software that delivers S3-compatible scale-out enterprise storage. This proven platform offers the industry’s most compatible S3-API, exabyte scalability, exceptional data durability, policy-based data management, and built-in cloud integration with AWS, GCP, and Azure.
Build your private cloud
Private cloud is the fastest growing segment of IT, exceeding the growth of public cloud over the next three years, according to IDC. Shared services are the path to efficiency, whether at your own facility, at a colocation facility, or at an MSP. Cloudian HyperStore Xtreme offers a rich feature set that make it the ultimate environment for building your private cloud.
HyperStore Xtreme
HyperStore Xtreme
At 1.5PB in a 4U-high chassis, the HyperStore Xtreme provides 79% more storage density. Pack up to 18PB in a data center rack.
The dual controller design includes two independent cluster nodes in a single enclosure. Three appliances provide six independent nodes.
Fully redundant power and cooling, plus hot-swappable components.
Performance features include four 1.92TB SSDs for metadata, four Intel Xeon Silver processors, and eight 10Gb Ethernet ports.
HyperIQ
HyperIQ
Gain operational insights with Cloudian HyperIQ, a monitoring and predictive analysis tool. View data from across your Cloudian environment, including storage and networking. Set thresholds and alerts to highlight potential issues and identify corrective action. Within a single site or across multiple locations, HyperIQ gives you real-time insights.
HERO 4K PLAYOUT
HERO 4K PLAYOUT
Hero Playout is designed for 24/7 automated video/live playout. Automated design allows scheduling live events from different source and durations.
Its easy-to-use interface designed for both monitoring and managing playout operation. Operators can easily manage daily and backup playlists. Customized playlist transfer tool could adopt any equipment and system. In the user interface, operators can preview audio & video live source before playout.
Hero Playout also supports multi layer image logo, text title and ticker. This self-developed system can integrate with main stream broadcasting equipment.
Hero Playout could be perfectly integrated with Hero Scheduling as an efficient media Channel in Box system.
Specification:
◎ Support 4K/HD /SD playout.
◎ Compatible with AJA / Blackmagic capture card.
◎ SDI output.
◎ Format: MP4, MPEG2, MXF, GXF, AVI, H.264, H.265.
◎ Audio sample rate: 48K / 44.1K.
◎ Optional 1CH or more Live input.
◎ Support 6 logo overlay, 2 titles and 2 tickers simultaneously.
◎ Support multi files of Targa and PNG.
◎ Support Timecode RP188-VITC-LTC
◎ Support Audio codec: AAC / MPG1 &2
◎ Support GPI/ Cue ton
Feature:
◎ Support LOOP / 24HR playlist, seamless playout mechanism.
◎ Can appoint real time for playout, complete 24HR playlist is not necessary.
◎ Preview window for next clip.
◎ Can swap program or Ad while broadcasting.
◎ Support “back-up playlist” in case video not exist.
◎ Support pre-download function; download required video to local HDD from video archive base on daily playlist.
◎ Support remote playout function; when video not in local HDD, system will play the video in video archive.
◎ Support auto-delete function; while local HDD is full, system will check the oldest video is not in daily playlist and delete it,
◎ Can connect to video archive for metadata, ex: program, episode, ID, length, SOM, in/out point.
◎ When the file/ subtitle/ logo in archive is updated, playout system can detect and update automatically.
◎ Warming area for video not existing, click warming area to edit the warming program.
◎ 6 logo and 2 program titles overlay simultaneously, manual or scheduled control every logo/title.
◎ 24Hour ticker schedule.
◎ Can edit font, size, location, color of title/ ticker
◎ Audio volume control bar.
◎ Playout log, including playlist load time/start time/ end time/ every clip playing time
◎ Video log, recording auto-download and delete every clip.
◎ System log, including 1. AS run log 2. System debug log
◎ Integrated with 3rd party routing switcher
◎ English/ Traditional Chinese user interface.
HERO 4K PLAYOUT
HERO 4K PLAYOUT
Hero Playout is designed for 24/7 automated video/live playout. Automated design allows scheduling live events from different source and durations.
Its easy-to-use interface designed for both monitoring and managing playout operation. Operators can easily manage daily and backup playlists. Customized playlist transfer tool could adopt any equipment and system. In the user interface, operators can preview audio & video live source before playout.
Hero Playout also supports multi layer image logo, text title and ticker. This self-developed system can integrate with main stream broadcasting equipment.
Hero Playout could be perfectly integrated with Hero Scheduling as an efficient media Channel in Box system.
Specification:
◎ Support 4K/HD /SD playout.
◎ Compatible with AJA / Blackmagic capture card.
◎ SDI output.
◎ Format: MP4, MPEG2, MXF, GXF, AVI, H.264, H.265.
◎ Audio sample rate: 48K / 44.1K.
◎ Optional 1CH or more Live input.
◎ Support 6 logo overlay, 2 titles and 2 tickers simultaneously.
◎ Support multi files of Targa and PNG.
◎ Support Timecode RP188-VITC-LTC
◎ Support Audio codec: AAC / MPG1 &2
◎ Support GPI/ Cue ton
Feature:
◎ Support LOOP / 24HR playlist, seamless playout mechanism.
◎ Can appoint real time for playout, complete 24HR playlist is not necessary.
◎ Preview window for next clip.
◎ Can swap program or Ad while broadcasting.
◎ Support “back-up playlist” in case video not exist.
◎ Support pre-download function; download required video to local HDD from video archive base on daily playlist.
◎ Support remote playout function; when video not in local HDD, system will play the video in video archive.
◎ Support auto-delete function; while local HDD is full, system will check the oldest video is not in daily playlist and delete it,
◎ Can connect to video archive for metadata, ex: program, episode, ID, length, SOM, in/out point.
◎ When the file/ subtitle/ logo in archive is updated, playout system can detect and update automatically.
◎ Warming area for video not existing, click warming area to edit the warming program.
◎ 6 logo and 2 program titles overlay simultaneously, manual or scheduled control every logo/title.
◎ 24Hour ticker schedule.
◎ Can edit font, size, location, color of title/ ticker
◎ Audio volume control bar.
◎ Playout log, including playlist load time/start time/ end time/ every clip playing time
◎ Video log, recording auto-download and delete every clip.
◎ System log, including 1. AS run log 2. System debug log
◎ Integrated with 3rd party routing switcher
◎ English/ Traditional Chinese user interface.
Harmonic’s VOS®360 Channel Origination & Distribution Platform
Harmonic’s VOS®360 Channel Origination & Distribution Platform
Harmonic’s VOS®360 Channel Origination & Distribution Platform is an advanced, fully managed, channel origination and distribution platform for total content control. The schedule-based delivery solution enables the creation of linear channels, live events and streams, direct to consumers or syndication partners, at lightning speed, through one simple platform, without deploying complex infrastructure.
Through the platform, users have creative control over sources, assets, schedules, monitoring and metrics, with real-time agility. The platform ensures fast channel origination by allowing users to fine-tune the output for each channel, including graphics, animations, captions, subtitles and embedded signaling.
Adapting and creating channel playlists is simple with the VOS360 platform. Users can build a playlist for clips and graphics manually, use built-in scheduling, or import from an external traffic system. The VOS API also gives users the freedom to create and manage with their choice of external playout control.
All in the cloud, the platform is built around docker containers and microservices using Kubernetes orchestration. With the VOS360 Channel Origination & Distribution Platform, all live streaming channels are fully managed by Harmonic’s advanced DevOps team to ensure high availability and reliability.
Using the platform, customers can seize every opportunity to create value, including creating pop-up channels based on major events, testing new markets and launch new brands, leveraging the internet to optimize syndication distribution and repurposing content to increase ROI.
Harmonic’s advanced DevOps team guarantees the highest levels of availability and reliability. All IT infrastructures, media processing and delivery applications are always fully functional, with maximum uptime. This takes the guesswork out of system upgrades and enhancements.
Harmonic’s VOS® Cloud-Native Software
Harmonic’s VOS® Cloud-Native Software
Harmonic’s VOS® Cloud-Native Software is the most advanced media processing and delivery software for private data centers. It runs on a wide range of COTS hardware and virtualization layers to power demanding and complex playout, broadcast and OTT systems. Through the VOS Hub connection users can move an entire video platform from a private data center to public cloud and vice versa, with ease.
VOS software makes it simple and fast to launch and manage end-to-end professional media workflows in private data centers, as well as ingest live or file-based content, including uncompressed video over IP. With VOS software, users can create schedules, play out channels and process all content for OTT streaming and broadcast delivery, with ease.
Advanced orchestration capabilities allow users to connect and synchronize all microservices for every workflow. VOS software abstracts and manages IT infrastructures using load-balancing mechanisms to optimize the use of resources and manage redundancy with minimum overhead, eliminating the need for siloed systems.
The software is infrastructure neutral, supporting a wide range of COTS hardware and virtualization layers such as Kubernetes, OpenStack, Openshift, and other bare metal configurations. This neutrality ensures complete compatibility, making it easy to align IT and business preferences. With VOS software, on-premises deployments can be backed up in a public cloud environment in just minutes.
Built-in, AI-enabled and globally deployed VOS core compression technology reduces the typical bandwidth needed for OTT delivery by about half. VOS software is built for agile, hybrid video service delivery, with capabilities for satellite broadcasting, full statmux and OTT streaming. It supports a wide range of use cases, including live streaming, time-shifting, network DVR, targeted ad insertion, packaging and origin on the fly, from one simple platform.
Harmonic VOS®360 Live Streaming Platform
Harmonic VOS®360 Live Streaming Platform
Harmonic’s VOS®360 Live Streaming Platform leverages the flexibility of cloud infrastructures to meet the demanding and complex requirements of live video streaming. The fully managed solution is cloud-neutral and runs on a wide range of public cloud platforms, efficiently handling all stages of the media processing and delivery chain.
The platform is built around docker containers and microservices using Kubernetes orchestration. It offers a rich API and a range of easy to use features accessible at any time. Live streaming channels are fully managed by Harmonic’s DevOps team to ensure the highest level of availability and reliability.
The VOS360 Live Streaming Platform optimizes live video delivery with flexible and real-time scaling to handle peaks in viewership, which is extremely useful for live sports. The platform uses a range of technologies to dynamically select the best available paths between content delivery networks and caching clusters.
Supporting a range of functionalities, including live and file transcoding, packaging and origin, dynamic real-time CDN selection, targeted advertising, VOD, SVOD, time-shift and network DVR, the VOS360 platform simplifies delivery from source to screen and accelerates time to market for new revenue-generating streaming services. The platform ensures high-quality streaming through exceptional encoding efficiency and by delivering low latency, utilizing advanced compression engines to reduce bandwidth by an average of 50% along with the latest developments in artificial intelligence.
Harmonic’s advanced DevOps team guarantees the highest levels of availability and reliability. All IT infrastructures, media processing and delivery applications are always fully functional, with maximum uptime. This takes the guesswork out of system upgrades and enhancements.
Today, the VOS360 Live Streaming Platform powers millions of simultaneous streams, thousands of live channels, countless VOD requests and hundreds of petabytes of storage and delivery.
Handle Power Battery PH70
Handle Power Battery PH70
SOONWELL 70Wh Rechargeable Battery Pack Handle with D-TAP,DC and USB Output Quick Release Handle Top Handle Side Handle for BMPCC 4K 6K /Canon 5D 6D DSLR Camera Cage Rig - PH70 Grey color with LP-E6 Dummy battery
Generate Sport Highlights Quickly with AthenasOwl Smart Catalog
Generate Sport Highlights Quickly with AthenasOwl Smart Catalog
AthenasOwl's AI-powered auto-highlights solution empowers content operation teams at football organizations, clubs and leagues to generate near real-time production of highlights packages based on match highpoints such as goals, red cards, yellow cards, players, brands and more.
Benefits:
- Optimizes current processes and drives more efficient results acro the entire content workflow, contrary to ones solely reliant on manual techniques.
- Enhances turnaround times and efficiency of the processes during peak times.
- Empowers easy repurposing and targeting of content for diverse geographies.
- Eases the task of content production and delivery through multiple platforms.
- Unlock latent content monetization potential through deep search and retrieval enabled by a metadata-enriched content library.
Fuse Metadata Manager
Managing metadata is hard
It “lives” in lots of different places. making quality a real problem. Fixing quality issues takes time and money.
Fuse Metadata Manager tackles those issues head-on
It’s a single store for all of your metadata. Automation consolidates data and eliminates duplicate records. It can help you turn metadata into better data.
Fuse Metadata Manager can help you manage, monetise and maximise the value of your metadata
Create a single source of truth for your metadata, Turn raw data into decision-making power. Cut the amount of time and money spent on manual tasks. Empower a slicker, more rewarding customer experience and get future-ready with a reliable, scalable metadata platform
Fuse IQ
Fuse IQ is a suite of machine learning services that helps the Broadcast & Media industry analyse and prepare content for distribution. It reduces post-production costs and gets content to market faster by automating labour intensive, time consuming tasks.
Fulcrum ATM/12G – New generation 4K/3G/HD recording and replay server
Fulcrum ATM/12G – New generation 4K/3G/HD recording and replay server
Slomo.tv has improved its basic model of 4K multi-channel recording, Slow Motion and Instant Replay servers and significantly boosted its performance when working with 3G/HD video.
Fulcrum ATM/12G's flexible architecture, large number of channels and affordable price make it a good choice in the current economic situation.
In its basic configuration, the system has SSD-based storage, four Graphiс ports for Main interface and Multiviever, 4 Toolless/Trayless DMR™ Racks for 3.5” SATA drives, two 10GbE and 12G SAS ports. The Networking option for transferring clips and Playlists between servers and Telestrator are also included. Fulcrum ATM/12G prodives:
- Replay mode: 11Rec+2Play+11Search+FX for 3G/HD;
- Recording for NLE: Up to 12 HD channels.
Support of 4K mode is a software option that can be connected remotely when really needed. 4K license opens a 4 Rec + 2 Play + 4 Search + FX configuration in Replay mode and up to 6 recording channels for NLE.
The proprietary DMR™ technology - Recording in NLE native video files is the strong point of all slomo.tv servers. In this mode, the Fulcrum ATM/12G records the incoming video with the selected codec on its internal SSD storage in proprietary reliable format and in NLE native files on standard 3.5" SATA hard drives or to NAS.This allows achieving the highest safety, maximum convenience and production speed. The server also supports Growing files technology.
A wide range of options (Support of SuperMo, HiMo cameras; work with ProRes, XDCAM50, AVID DNxHD, AVC Intra, XAVC, DVCPro; VAR; Second Workplace, etc.) available also as Remote upgrade, allows the user save money on purchase and expand the capabilities of his server as the tasks become more complex.
The high performance of the system and its small size and weight (4U - 56cm, 20kg) make Fulcrum ATM/12G a perfect system for studio and OBvan environment.
Flexible LED Light Panel Kit Bi- Color FB-21
Flexible LED Light Panel Kit Bi- Color FB-21
SOONWELL TECH CO., LTD.There our products includes Flexible LED Light , Li-Ion Bateries and other Accessories
SOONWELL is a designer and manufacture of cinematography & photography equipment, headquartered in Shenzhen since 2009. Soonwell Factroy is based in Nanjin which covers an area of 3,000 square meters. Welcome to visit us after COVID-19.
Any questions or needs pls just contact with me, Looking forwarder to have cooperations with u. Hope u and ur family are all well with COVID-19.
Thanks & Best regards,
May
Mob/Whatsapp/Wechat: +86 15820763325
Email: mayzeng@soonwell.com
FileImporter
FileImporter
A specialized software module for automated watchfolder import of mediafiles into the AutoPlay system. The watchfolders can be located on any server or workstation anywhere on the the production network. Dedicated render and copy servers can be added for high performance, and the progress and error control of file operations is available in the Copy Monitor module from any workplace.
Features:
- Automated mediafile ingest into the AutoPlay enterprise media workflow system
- Parallel processing of multiple incoming/source watchfolders
- Separate mediafile processing settings for each incoming/source folder
- Comprehensive file type support: video, audio, graphics, subtitles
- Automatic creation of new AutoPlay MAM clips if none existed previously
- Additional video processing during import: re-incoding, standard conversion, aspect change with support for vertical formats
- Additional audio processing during import: level limiting, boosting or normalization, customizable equalizer, RMS, ITU R-128, track mapping
- Preview, playout and editing support for growing files during import
DVG (Digital Video Gateway)
DVG (Digital Video Gateway)
DVG is a multitool software platform that delivers reliable video, over any IP network, connecting any service, to and from any cloud.
It’s the first all-in-one gateway product enabling smooth connectivity between legacy and IP interfaces, video delivery over IP protocols (DVP, RIST, ZiXi, SRT, and SMPTE 2022-1), and a variety of media streaming protocols MPEG TS, RTMP, HLS, and DASH. Clients can use DVG to connect to a service in AWS over RIST or to service in Microsoft Azure over SRT or they can leverage DVG to connect between services using different video streaming or delivery protocols.
The DVG offers the six essential ingredients for reliable broadcast over IP ecosystems: Quality, Reliability, Connectivity, Security, Operational Efficiency, Versatility, and Future Proof. It can run on any hardware platform in a Doker container, as a virtual machine, or a downloadable ISO.
DejaEdit
DejaEdit is a ground-breaking film tool that allows editors and operators to collaborate between multiple remote Avid editing platforms. It ensures that media and timelines created or imported in one connected system are shared and mirrored to the local or network storage of other connected systems. This takes place automatically, quickly and securely in the background, using an internet connection. Although it is not necessary to be online continuously.
DataBase
DataBase
Media asset management software module for the AutoPlay system. MAM operator's workspace.
Features
- Multiuser network access to basic and derived AutoPlay objects
- Clip search and preview in a software player with graphics and subtitles from any AutoPlay workstation on the network
- Editing of stock and custom AM fields and markers of multiple types
- Manual and automatic mediafile operations: import, export, copy, move, delete, QC, process audio, transcode, rewrap, archive
- EDL export to popular NLEs: Adobe Premiere, Apple FinalCut Pro, Azimuth NewsBase, GV Edius
DATA VIZ
DATA VIZ
Visual Analytics Use The Power Of Graphical Dashboards And Visualisation Tools, Connected To Any Of Your Data Sources, To Deliver Actionable Business Insights You Can See Clearly.Actionable InsightsRESOLVE software tool kit will giveyou a strategic advantage in knowinghow things are running and where tofocus energy for improvement - extractmeaningful insights, identify trends andperform data analysis.Instant UnderstandingUse the output of graphical data analytics to inform your customers, board, shareholders, stakeholders, team and individuals. A picture can instantly allow faster and more aligned understanding of complex data.Streamlined ReportingSoftware tools designed to be intuitive and user friendly, giving you a fast and consistent method of publishing, accessing and maintaining key data sets. This means less time looking for lost information.
CX-4
CX-4
CX-4 Transport stream converter.
The CX-4 is a flexible 1U unit containing four independent transport stream converters, each of which can be user configured to convert between Transport Streams over IP to Asynchronous Serial Interface (TSoIP to ASI) or Asynchronous Serial Interface to Transport Streams over IP (ASI to IP). This flexibility ensures your capital costs to a minimum as you can be sure you always have the correct converter to hand.
Complying with both the DVB and SMPTE2022 standards the TSoIP interface supports Transport stream encapsulation, forward error correction and UDP/RTP de-encapsulation as defined by the SMPTE 2022 specification. Hence allowing you to match the resilience of your stream to the performance of your network.
This professional product is designed for easy and reliable operation. It is controlled via a GUI using the onboard web server which is on a separate IP interface to the TSoIP signals. The chassis is fitted with dual power supplies and adequate ventilation to ensure for reliable service in the broadcast environment.
For added flexibility the unit can be configure at manufacture with any combination of one to four converters.
Applications: For use in Terrestrial, Cable and Satellite broadcast systems.
Creative Cloud
Creative Cloud
What is Creative Cloud?
Creative Cloud is a collection of 20+ desktop and mobile apps and services for photography, design, video, web, UX and more. Now you can take your ideas to new places with Photoshop on the iPad, draw and paint with Fresco, and design for 3D and AR. Join our global creative community — and make something better together.
Content Migration to Cloud with AthenasOwl Smart Workflows
Content Migration to Cloud with AthenasOwl Smart Workflows
This AI enabled application by AthenasOwl enables content operation teams to reduce cloud migration costs by leveraging a self learning solution that automatically detects and remove duplicate videos from large media archives.
Features:
Archive Optimization - Automatically identify duplicate versions of the entire video asset or parts of the asset and retain only the master copy for archiving purposes. This will help in reducing cloud migration costs
CODEX Media Vault
CODEX Media Vault
Bring Your Team Together
At the centre of your workflow, Media Vault delivers what you demand - performance that is sustained, shared, and scalable across different production departments.
With four 10GbE ports as standard, and options to add four more or even additional 25/50/100GbE ports, Media Vault can be configured to fit seamlessly into any network infrastructure.
Available as a stand alone NAS configuration with 12 drives providing a maximum 168TB or in a 2RU and 4RU rack mount design scaling up to 504TB with optional expansion capabilities. Learn more at https://mediavault.codex.online/
CodecWorks
Elecard CodecWorks software platform to encode and transcode in real-time mode into HEVC, H.264/AVC, and MPEG-2 video that outputs packaged HLS/DASH files for distribution.
Cloudian HyperStore
Cloudian HyperStore
Cloudian® HyperStore® object storage solves your biggest storage challenges. Deploy HyperStore nodes wherever you need capacity storage, then scale seamlessly. Simplicity is built in. Nodes form a global data fabric that you manage within a single framework. With the industry’s most compatible S3 API and a proven, hyperscale architecture, Cloudian HyperStore is the antidote to storage complexity.
CLEAR Vision Cloud AI Platform
CLEAR Vision Cloud AI Platform
At PFT, we believe that if AI has to work for M&E players, then it has to deliver accurate and actionable data which can solve unique business challenges. For this to happen, solution providers have to be open and committed to work with any AI/ML engine, have the data science talent pool to interpret the data and its subtle nuances, and tweak it to suit the needs of the enterprise’s content.
Hence, we offer a combination of Technology and Consulting to deliver accurate and actionable data that can solve specific M&E challenges seamlessly.
- Accurate Data – This is the only expectation from the industry currently
- Actionable Data – We have gone beyond the current expectation to create Action Toolkits
We make AI work for you. And that is our promise.
PFT’s CLEAR Vision Cloud is a Media Recognition AI platform that integrates best-of-breed AI engines like Microsoft, Google, Amazon Web Services, IBM Watson, and home-grown AI models along with a unique Machine Wisdom layer that is focused on harnessing the best quality data. Along with Technology, PFT offers bespoke strategic Consulting services to ensure AI works for the customer, taking into consideration their specific business challenges and unique content.
CLEAR Vision Cloud comprises of
- Data
- Action Toolkits
Modular Data Packs include those for Basic Metadata, Advanced Metadata, Premium Metadata, Video Comparison, Compliance and Transcripts.
Action Toolkits, as the name suggests, are ready-to-use to address specific M&E use cases. The Action Toolkits include – Discovery, Segmentation, Content Moderator, Language Tools and Video Comparator.
These are enveloped by PFT’s unique Machine Wisdom layer that imparts cognitive benefits to CLEAR Vision Cloud. Think of it as an AI platform with a human brain!
CLEAR Vision Cloud does not just produce accurate data but also actionable data.
Making AI Work For You
With a decade of experience in the M&E industry, nobody understands the unique business requirements of content enterprises – broadcasters, studios, production houses and D2C players – like we do. PFT is working round the clock to solve real world M&E business problems and build additional use cases to showcase how it can deliver AI-led business outcomes.
Accurate data and Actionable data are the hallmarks of CLEAR Vision Cloud. While other AI models available today in the market can offer data accuracy to some extend, none are capable of presenting accurate data that is actionable too.
CLEAR Vision Cloud. Making AI work for you.
ChurchPix
ChurchPix
ChurchPix is the all-in-one video production solution that enables any church to easily stream its worship services online. Designed with volunteer operators in mind, the ChurchPix system is easy to set-up and simple to use. It provides an affordable turnkey solution for churches and comes complete with dedicated content and easy-to-use controls.
Ready to go, right out of the box, the ChurchPix systems come complete with:
- Two RoboPix PTZ IP cameras with 20x optical zoom, integrated remote control and mounting brackets
- PC hardware and IP switch
- Royalty free library of suitable clips, stills and graphic templates
- Instant streaming and recording
- Audio inputs that support any Windows Audio Device including NDI™, Dante and external USB convertors from the house sound system
- Easy to use software control interface that automates many common production tasks
Discover how you can easily produce and share your worship message online with a Broadcast Pix ChurchPix system. To learn more, or to request a free online demo, click here.
Chroma-Q® Space Force twobyfour™
Chroma-Q® Space Force twobyfour™
The Chroma-Q® Space Force twobyfour™ is a cost-effective, bright, high-quality variable white LED soft light panel that is a modern replacement for traditional soft sources used in TV studios, live broadcast, film, green screen, backdrop, and photographic applications.
Key Features
- High quality, pure, diffused soft lighting
- Variable white - 2,800K - 6,000K
- Smooth, soft uniform beam
- Up to 55,000 lumens
- 8 individually control zones
- Convection cooling for quiet operation
- Lightweight (21.4kg / 47lbs) with built-in power & dimming
- Standard 24.6” x 48.5” size, 1:2 ratio (fits in a drop ceiling tile)
- Variable PWM flicker-free operation
- Wireless DMX (optional) / RDM
- Chroma-Q’s proven LED performance
The panel's 2x4 ratio and compact dimensions enable it to be mounted side-by-side, overhead or on a wall, to create a huge volume of light in a standard room ceiling height studio or a small space. A dual sliding slots system allows for various beam control options to be mounted on the fixture.
Highly efficient and natively single-source, the twobyfour is CCT variable between 2,800K and 6,000K, with an output of up to 55,000 lumens. The fixture provides high colour rendering indexes, which are requirements for light sources used in the film and TV industry to ensure accurate colour rendering.
The twobyfour allows for individual control of 2, 4 or 8 sections’ intensity and CCT – creating various shades and effects.
Convection cooling provides quiet operation for studios, and its low consumption provides a cooler working environment, reducing air conditioning needs to further boost energy savings.
With manual & remotely controllable LED frequency up to 96,000Hz, the twobyfour ensures flicker-free operation. Extensive DMX / RDM functionality is provided through wired, or the optional LumenRadio CRMX, connections.
The fixture's built-in power & control electronics make it quick and easy to set up. Built to last, the twobyfour requires minimal maintenance and retains colour consistency between units owing to our LED emitter inspection and proprietary ColorSure™ LED calibration system.
Chimera-RM Professional Video Encoder / Satellite Modulator
Chimera-RM Professional Video Encoder / Satellite Modulator
More than twenty years of terrestrial and satellite broadcasting experience went into the design of the Chimera-RM video encoder. Chimera-RM addresses the need for a flexible and easy to use video encoder that meets the changing requirements of TV broadcasters. It contains all the features necessary to stream to Facebook Live or YouTube live one day, transmit a RF modulated carrier in a satellite fly-away pack supporting a remote shot the next, while at the same time providing peace of mind that it can be used in an emergency to get your ATSC station back on the air – with dynamic PSIP – if needed. Chimera-RM is a powerful and flexible encoder in a compact, portable form factor that allows two encoders to be mounted side by side in just 1RU with optional rack mount kit. Licenses are available to support Dynamic PSIP, AC3 & AAC Audio, BISS encryption, Recording, Decoding, and Transcoding. Chimera-RM is small enough to fit into a backpack, yet powerful enough to encode, decode, transcode, record and stream via IP and satellite simultaneously.
Capture
Capture
Video feed and VTR software module for the AutoPlay MAM system. Ingest operator ‘s workstation.
Features
- Scheduled or crash (manual) recording with VTR transport control.
- Unlimited TimeDelay loop recording.
- Manual QC, logging and metadata fill-in during ingest.
- Processing and migration of video files while recording.
- Near-instant availability of video being recorded for proxy creation, preview, editing, playout to all AutoPlay services and users.
broadcast intercom system
broadcast intercom system
Each TF-2400 can carry four BK-1200 wireless belt packs.
Max 4 sets of TF-2400 (16pcs BK-1200) can work together.
Or max 5 pieces BK-1200 can make a small wireless group as well.
The wireless cover range is 200m. （from the wireless belt pack BK-1200 to wireless interface TF-2400 distance ）
From the master station to wireless interface distance connected by a cable , can through the wall , can be 500 meters long , flexible .
4-wire and 2-wire connector to communicate with other system.
We recommend FM-804/FT-800 as master control. The cable connection between FM-804 and TF-2400 can be up to 500m.
You can easily through the wall.
TECHNICAL SPECIFICATIONS
Operating Frequency:
2.4GHz (433M is optional)
Maximum Transmit Power:
20dBm
Beltpack Battery:
3 x AA size battery
Beltpack Current:
TX: max 130mA RX: max 50mA
Dimensions:
111mm x 46mm x 126mm(W x H x D)
Weight:
TF-2400: 1.2KG BK-1200 Belt Pack 0.22kg
BPM4media
BPM4Media is a solution oriented towards managing business processes in the M&E industry, unifying its many audiovisual production systems around a business standpoint, and consequently it integrates agnostic applications. This way the entire lifecycle of audiovisual content can be administered.
BPM4Media orchestrates manual tasks to help operators manage their tasks and integrates them with automated tasks common to the industry (transcoders, QC, MAM, BMS, video servers, automations, etc...) What’s more, traceability is employed in all actions, guaranteeing the security of these operations.
Boro
Boro
Elecard Boro is a multifunctional solution to monitor UDP, RTP, HTTP and HLS streams and measure a spectrum of QoS and QoE parameters with signaling on issues. A flexible software architecture concept allows integration with an already existing fault management system or creating your optimal monitoring solution tailored to your needs.
BaishanCloud Cloud Shield
BaishanCloud Cloud Shield
Overview
In the process of digital transformation, an increasing number of enterprises are devoting more resources to building their web applications and APIs to meet their growing business needs. While it may provide users with the ability and flexibility to interact with their sites, enterprises often fall victim to malicious cyber-attacks which could lead to such devastating results as server downtime, user data breach, compromised database, and more. Baishan Cloud Shield security solution fully addresses the security issues of customers and provides them with comprehensive security protection on the edge. Baishan’s Cloud Shield security solution provides broad protection for websites and applications against all types of sophisticated attacks, including DDoS, web application, and direct to origin attacks, leveraging its high-bandwidth, globally distributed network with multiple tiered architectures. It is deployed across Baishan’s edge platform, which has more than 600 points-of-presence (PoP) globally across all major continents, so customers do not need to sacrifice performance for protection.
Product Highlights
Security at the edge with 50+Tbps capacity globally. The AI-powered solution to provide up-to-date threat mitigation. Tight integration with cloud acceleration service. Self-configurable rulesets with real-time logging. Dedicated security research team to identify threats
Always-on DDoS Protection
Each PoP in Baishan’s globally distributed network is built with proprietary DDoS mitigation technologies. With 50+ Terabits-per-second (and growing) capacity, it is a safety net to absorb DDoS attacks on Layer 3 and Layer 4 while allowing the good traffic to pass through. It protects against distributed attacks such as Ping floods, ICMP floods, web sockets attack, transaction floods, resource exhaustion, and UDP abuse. Baishan also works closely with local Internet Service Providers to strategically deploy three-tiered scrubbing centers around the world for more substantial distributed attacks. Each location within the three-tiered scrubbing center can scrub up to 1 Terabits-per-second of DDoS traffic. For application level (Layer 7) attacks, Baishan offers customizable edge rules to protect the network. Our distributed edges will inspect the entire HTTP/HTTPS requests and filter them based on request attributes such as IP addresses, cookies, or headers.
Web Application Firewall at the Edge
Baishan's Cloud Shield WAF protects applications from malicious attacks designed to compromise web servers. It is built on Baishan's globally distributed network with an AI-powered analytical engine to automatically and continuously detect and categorize new threats and vulnerabilities as they emerge (including the zero-day exploits) and to create new WAF rules to mitigate the attack. On top of the rulesets created and maintained by Baishan, this product also incorporates rulesets from open source communities such as OWASP, Common Vulnerabilities and Exposures (CVE), and Chinese National Vulnerability Database (CNVD). The WAF protects against common attacks including injection attacks, cross-site scripting, sensitive data exposure, website tempering, directory traversal attack, and more. Baishan’s WAF also offers keyword flagging features, specifically for websites and applications with user-generated content, so customers can detect and replace any keyword to provide necessary content regulation and to avoid censorship. WAF rules can be customized and managed in real-time via Portal or API based on customers’ unique request scenarios. All traffic going through WAF is logged and analyzed for customers to have 100% visibility into their traffic.
TLS Termination at Edge
Protecting the identity and the integrity of a website requires strong encryption. Baishan supports Transport Layer Security (TLS) to enables end-to-end HTTPS connections between clients and origin server, preventing man-in-the-middle attacks, packet sniffing, and more. TLS connections are encrypted and terminated at Baishan’s globally distributed edge, closer to the end-users, which reduces the latency. Baishan supports TLS 1.1, TLS 1.2, and the latest TLS1.3 with customizable cipher suites.
Bot Management
Undetected malicious bots can damage a website's reputation, steal sensitive information, and negatively impact business revenue. Baishan’s Cloud Shield offers comprehensive bot management built with a machine-learning engine to dynamically detect and block malicious bots. It protects the application against web scrappers, malicious API connections, content tampering, user-specific information stuffing, and more. At the same time, it has a configurable whitelist to allow good bots, such as those belonging to search engines, to pass through to the site. Cloud Shield is built with a sophisticated mechanism to automatically detect malicious bots from the good bots and also allows the customer to customize mechanisms, such as CAPTCHA and JavaScript challenge, to filter away the requests from malicious bots, as an additional layer of protection.
Real-time Logging and Analysis
Baishan’s Cloud Shield gives customer full insight into their request profiles, security events, and provide real-time analysis and notifications. Customers can monitor threats and attacks with trend analysis in Portal or consume the statistical data via API to understand the traffic in order to take the most appropriate security measures to protect the websites. Near real-time logging is available and can be pushed to any log analysis platform customer prefers.
24/7 Global Support with Security Monitoring
Baishan’s Global Support is available 24/7 to assist customers with mitigating an existing attack or implementing preventative measures for future attacks. Baishan’s security experts conduct daily threat monitoring with vulnerability analyses of new threats, monitor industry bulletin boards for new threats and vulnerabilities, and creates new security rules that provide the most up-to-date web application protection.
AVN-PM8 8 Mic/Line Inputs, 8 Stereo Analogue Line Outputs, AES67 Portal
AVN-PM8 8 Mic/Line Inputs, 8 Stereo Analogue Line Outputs, AES67 Portal
The AVN-Portal series is a group of three powerful audio mix engine interfaces (AVN-PA8, AVN-PD8 & AVN-PM8) capable of audio routing, metering and equalisation. They have both physical audio I/O and AES67 stream I/O and can mix and route freely from any input to any output, useful for a multitude of applications.
Communication between products is via RAVENNA/AES67 AoIP allowing simple CAT 5 cabling and expansion. They advertise streams using Avahi/Bonjour and SAP so can be used for Dante™ AES67 enabled streams too.
Applications:
- 8 channel microphone input mixer, with individual output gain control, input/output metering and AES67 stream generation.
- 8 channel clean-feed generator, with input mixing and gain control on inputs and outputs.
- Distribute 8 microphone channels of audio over an SFP fibre connection.
- IFB generator to send 64 x AES67 streams to individual belt-packs.
- 8 output headphone distribution system, with separate input mix for each headphone output and individual gain control.
- Input mixer with input/output metering and stream AES67 generation.
Webserver Software
A built-in responsive web server provides complete remote configuration & control of the unit including matrix mixing and routing, and also allows for firmware updates and configuration backup. Complete product configurations can be saved and loaded for use in different situations and system logs can be saved for device information.
Mix Matrix
The key to the success of the AVN-PM8 is the mix matrix where physical inputs can be freely mixed and routed with AES67 streams, in a simple and intuitive way to both physical outputs and AES67 streams.
The unit can stream RAVENNA & AES67 AoIP streams or AES67-enabled Dante® flows (discovered using SAP). It can receive AoIP streams from 16 additional AES67 sources and can send to 64 additional AoIP destinations.
Input and output AES67 streams can be individually added/modified and the SDP of each stream can be checked and edited.
DSP functions, such as gain and filtering, can be added at inputs, outputs and cross-points. There is an adjustable input and output gain/trim and an additional mic pre-amp gain adjustment for each mic input.
The unit can act as a PTP masterclock or slave clock and supports IEEE1588-2008 PTPv2 media and default profiles.
Front Panel Displays, Metering & Controls
The AVN-PM8 can be supplied with different front and rear panels. As standard it has a front panel display to show product information and it uses XLRs and RJ45s for rear panel connectivity.
Using an OLED display, the front panel provides detailed status information on device name, network addresses, PTP clocking info, power status/voltages and version information. The display and navigation controls allow editing of certain functions, limited to networking (IP addresses, friendly name, etc) and display (brightness and contrast). The front panel controls also include user configurable buttons which can be set-up to perform actions such as activating a GPIO or as a shortcut button to jump to a specified menu on the OLED display.
Front panel LEDs show the AoIP network status, synchronisation status and the status of the AC and DC power supply inputs. The brightness of the OLED display and LED indicators can be continuously adjusted for low or high lighting conditions.
A front panel power button is available to turn the unit on and off. The power button is disabled by default but can be enabled through the ‘Display Settings’ web page.
Detailed Metering Option
The ‘D’ version of the portal (e.g. AVN-PM8D) has two bright TFT meter displays which provide a live display of the levels of the physical inputs and outputs respectively. A rotary navigation control can be used to select a single input or output and view its metering data in a more detailed horizontal view.
The metering scale used is user configurable to one of 9 different metering scales, with relevant ballistics. The metering scales available are: Dual PPM + Standard VU, EBU PPM, BBC PPM, Nordic PPM, AES Digital PPM, DIN PPM, German PPM, SMPTE RP.0155, Standard VU & Extended VU.
Metering can be set to be either ‘Discrete’ or ‘Continuous’, which changes the appearance of the meter bar.
Phase metering can be displayed per stereo output channel and channel idents can be shown either above or below the metering to identify each input/output.
On devices without a meter display, a smaller set of monochrome meters are shown on the main OLED display.
Physical Inputs & Outputs
For the microphone audio, the AVN-PM8 uses 8 x mic/line XLR sockets for the inputs and 8 x RJ45 connectors using StudioHub® pinout for the stereo analogue line outputs. +48V phantom power is available for each microphone input with a red LED presence indication.
The ‘T’ version (e.g. AVN-PM8T) uses rear panel terminal block connectors for all physical inputs and outputs.
The rear panel contains IEC mains and secondary DC power inputs which provide power redundancy to the product.
There are two Ethernet RJ45 connections (control and AoIP) and there is an Ethernet SFP module that, when used, replaces the AoIP RJ45 connection, e.g. for a 1Gbit/s copper or optical SFP transceiver. When an SFP is used, this replaces the AoIP RJ45 connection.
A rear panel GPIO connector provides 10 local ports which can be user configured as inputs or outputs and provide software-controlled functionality. A voltage free relay contact can be used to operate external equipment. There are virtual GPIO ports which can be used to trigger events over the network between devices.
For remote operation and monitoring, SNMP V2 is supported and the units can be controlled using Ember+ commands.
8 Way Analogue Headphone Distribution System
The AVN-PM8 can be combined with multiple AVN-HA1 headphone amplifiers to provide a headphone distribution system – the portal output connections can supply analogue power to satellite headphone amplifiers.
AVN-PD8, 8 Stereo AES3 Digital Inputs & 8 Stereo AES3 Digital Outputs, AES67 Portal
AVN-PD8, 8 Stereo AES3 Digital Inputs & 8 Stereo AES3 Digital Outputs, AES67 Portal
The AVN-Portal series is a group of three powerful audio mix engine interfaces (AVN-PA8, AVN-PD8 & AVN-PM8) capable of audio routing, metering and equalisation. They have both physical audio I/O and AES67 stream I/O and can mix and route freely from any input to any output, useful for a multitude of applications.
Communication between products is via RAVENNA/AES67 AoIP allowing simple CAT 5 cabling and expansion. They advertise streams using Avahi/Bonjour and SAP so can be used for Dante™ AES67 enabled streams too.
Applications:
- 8 channel digital mixer,
- 64 channel AES67 stream distribution amplifier from digital sources,
- Distribute 8 stereo channels of audio over an SFP fibre connection.
- IFB generator to send 64 x AES67 streams to individual belt-packs.
- 8 output headphone distribution system, with separate input mix for each headphone output and individual gain control.
- Input mixer with input/output metering and AES67 stream generation.
Webserver Software
A built-in responsive web server provides complete remote configuration & control of the unit including matrix mixing and routing, and also allows for firmware updates and configuration backup. Complete product configurations can be saved and loaded for use in different situations and system logs can be saved for device information.
Mix Matrix
The key to the success of the AVN-PA8 is the mix matrix where physical inputs can be freely mixed and routed with AES67 streams, in a simple and intuitive way to both physical outputs and AES67 streams.
The unit can stream RAVENNA & AES67 AoIP streams or AES67-enabled Dante® flows (discovered using SAP). It can receive AoIP streams from 16 additional AES67 sources and can send to 64 additional AoIP destinations.
Input and output AES67 streams can be individually added/modified and the SDP of each stream can be checked and edited.
DSP functions, such as gain and filtering, can be added at inputs, outputs and cross-points.
The unit can act as a PTP masterclock or slave clock and supports IEEE1588-2008 PTPv2 media and default profiles.
Front Panel Displays, Metering & Controls
The AVN-PD8 can be supplied with different front and rear panels. As standard it has a front panel display to show product information and it uses XLRs and D-types for rear panel connectivity.
Using an OLED display, the front panel provides detailed status information on device name, network addresses, PTP clocking info, power status/voltages and version information. The display and navigation controls allow editing of certain functions, limited to networking (IP addresses, friendly name, etc) and display (brightness and contrast). The front panel controls also include user configurable buttons which can be set-up to perform actions such as activating a GPIO or as a shortcut button to jump to a specified menu on the OLED display.
Front panel LEDs show the AoIP network status, synchronisation status and the status of the AC and DC power supply inputs. The brightness of the OLED display and LED indicators can be continuously adjusted for low or high lighting conditions.
A front panel power button is available to turn the unit on and off. The power button is disabled by default but can be enabled through the ‘Display Settings’ web page.
Detailed Metering Option
The ‘D’ version of the portal (e.g. AVN-PD8D) has two bright TFT meter displays which provide a live display of the levels of the physical inputs and outputs respectively. A rotary navigation control can be used to select a single input or output and view its metering data in a more detailed horizontal view.
The metering scale used is user configurable to one of 9 different metering scales, with relevant ballistics. The metering scales available are: Dual PPM + Standard VU, EBU PPM, BBC PPM, Nordic PPM, AES Digital PPM, DIN PPM, German PPM, SMPTE RP.0155, Standard VU & Extended VU.
Metering can be set to be either ‘Discrete’ or ‘Continuous’, which changes the appearance of the meter bar.
Physical Inputs & Outputs
For the digital audio, the AVN-PD8 uses D-type sockets with AES59 digital pinout, paralleled with 8 x RJ45 connectors using StudioHub® pinout. There is individual sample rate conversion on each input.
The ‘T’ version (e.g. AVN-PD8T) uses rear panel terminal block connectors for all physical inputs and outputs.
The rear panel contains IEC mains and secondary DC power inputs which provide power redundancy to the product.
There are two Ethernet RJ45 connections (control and AoIP) and there is an Ethernet SFP module that, when used, replaces the AoIP RJ45 connection, e.g. for a 1Gbit/s copper or optical SFP transceiver. When an SFP is used, this replaces the AoIP RJ45 connection.
A rear panel GPIO connector provides 10 local ports which can be user configured as inputs or outputs and provide software-controlled functionality. A voltage free relay contact can be used to operate external equipment. There are virtual GPIO ports which can be used to trigger events over the network between devices.
For remote operation and monitoring, SNMP V2 is supported and the units can be controlled using Ember+ commands.
8 Way AES3 Headphone Distribution System
The AVN-PD8 can be combined with multiple AVN-HD1 headphone amplifiers to provide a headphone distribution system – the portal output connections can supply analogue power to satellite headphone amplifiers.
AVN-PA8, 8 Stereo Analogue Line Inputs & 8 Stereo Analogue Line Outputs, AES67 Portal
AVN-PA8, 8 Stereo Analogue Line Inputs & 8 Stereo Analogue Line Outputs, AES67 Portal
The AVN-Portal series is a group of three powerful audio mix engine interfaces (AVN-PA8, AVN-PD8 & AVN-PM8) capable of audio routing, metering and equalisation. They have both physical audio I/O and AES67 stream I/O and can mix and route freely from any input to any output, useful for a multitude of applications.
Communication between products is via RAVENNA/AES67 AoIP allowing simple CAT 5 cabling and expansion. They advertise streams using Avahi/Bonjour and SAP so can be used for Dante™ AES67 enabled streams too.
Applications:
- 8 output analogue zone mixer, with individual output gain control.
- 8 channel clean-feed generator, with input mixing and gain control on inputs and outputs.
- Distribute 8 stereo channels of audio over an SFP fibre connection.
- IFB generator to send 64 x AES67 streams to individual belt-packs.
- 8 output headphone distribution system, with separate input mix for each headphone output and individual gain control.
- Input mixer with input/output metering and AES67 stream generation.
Webserver Software
A built-in responsive web server provides complete remote configuration & control of the unit including matrix mixing and routing, and also allows for firmware updates and configuration backup. Complete product configurations can be saved and loaded for use in different situations and system logs can be saved for device information.
Mix Matrix
The key to the success of the AVN-PA8 is the mix matrix where physical inputs can be freely mixed and routed with AES67 streams, in a simple and intuitive way to both physical outputs and AES67 streams.
The unit can stream RAVENNA & AES67 AoIP streams or AES67-enabled Dante® flows (discovered using SAP). It can receive AoIP streams from 16 additional AES67 sources and can send to 64 additional AoIP destinations.
Input and output AES67 streams can be individually added/modified and the SDP of each stream can be checked and edited.
DSP functions, such as gain and filtering, can be added at inputs, outputs and cross-points.
The unit can act as a PTP masterclock or slave clock and supports IEEE1588-2008 PTPv2 media and default profiles.
Front Panel Displays, Metering & Controls
The AVN-PA8 can be supplied with different front and rear panels. As standard it has a front panel display to show product information and it uses XLRs and D-types for rear panel connectivity.
Using an OLED display, the front panel provides detailed status information on device name, network addresses, PTP clocking info, power status/voltages and version information. The display and navigation controls allow editing of certain functions, limited to networking (IP addresses, friendly name, etc) and display (brightness and contrast). The front panel controls also include user configurable buttons which can be set-up to perform actions such as activating a GPIO or as a shortcut button to jump to a specified menu on the OLED display.
Front panel LEDs show the AoIP network status, synchronisation status and the status of the AC and DC power supply inputs. The brightness of the OLED display and LED indicators can be continuously adjusted for low or high lighting conditions.
A front panel power button is available to turn the unit on and off. The power button is disabled by default but can be enabled through the ‘Display Settings’ web page.
Detailed Metering Option
The ‘D’ version of the portal (e.g. AVN-PA8D) has two bright TFT meter displays which provide a live display of the levels of the physical inputs and outputs respectively. A rotary navigation control can be used to select a single input or output and view its metering data in a more detailed horizontal view.
The metering scale used is user configurable to one of 9 different metering scales, with relevant ballistics. The metering scales available are: Dual PPM + Standard VU, EBU PPM, BBC PPM, Nordic PPM, AES Digital PPM, DIN PPM, German PPM, SMPTE RP.0155, Standard VU & Extended VU.
Metering can be set to be either ‘Discrete’ or ‘Continuous’, which changes the appearance of the meter bar.
Phase metering can be displayed per stereo channel and channel idents can be shown either above or below the metering to identify each input/output.
On devices without a meter display, a smaller set of monochrome meters are shown on the main OLED display.
Physical Inputs & Outputs
For the analogue audio, the AVN-PA8 uses D-type sockets with AES59 analogue pinout, paralleled with 8 x RJ45 connectors using StudioHub® pinout.
The ‘T’ version (e.g. AVN-PA8T) uses rear panel terminal block connectors for all physical inputs and outputs.
The rear panel contains IEC mains and secondary DC power inputs which provide power redundancy to the product.
There are two Ethernet RJ45 connections (control and AoIP) and there is an Ethernet SFP module that, when used, replaces the AoIP RJ45 connection, e.g. for a 1Gbit/s copper or optical SFP transceiver. When an SFP is used, this replaces the AoIP RJ45 connection.
A rear panel GPIO connector provides 10 local ports which can be user configured as inputs or outputs and provide software-controlled functionality. A voltage free relay contact can be used to operate external equipment. There are virtual GPIO ports which can be used to trigger events over the network between devices.
For remote operation and monitoring, SNMP V2 is supported and the units can be controlled using Ember+ commands.
8 Way Analogue Headphone Distribution System
The AVN-PA8 can be combined with multiple AVN-HA1 headphone amplifiers to provide a headphone distribution system – the portal output connections can supply analogue power to satellite headphone amplifiers.
AVN-HD1 Digital Headphone Amp for AVN-PD8/D Portal
AVN-HD1 Digital Headphone Amp for AVN-PD8/D Portal
The AVN-PD8/D Portal can be combined with multiple AVN-HD1 headphone amplifiers to provide a headphone distribution system – the portal output connections can supply analogue power to satellite headphone amplifiers and the unit can be mounted using the CM-MNT1 desk mount panel.
The AVN-PD8/D can be combined with multiple Sonifex AVN-HD1 headphone amplifiers to provide 8 separate headphone signals where each headphone amplifier can be sent a separate feed, mixed from any physical or stream inputs.
- Front panel 6.35mm (1/4”) headphone socket and volume control knob.
- Front panel Mute/GPO push button.
- AES3 digital input on RJ45 (the connector provides power to the unit and a GPO back to the portal).
- AES3 digital output on RJ45 (power and GPO signal are not connected).
- Locking DC power connector if a portal is not being used to supply the unit with power.
Note: The AVN-HD1 is an AES3 digital input product taking an AES3 audio feed from the AVN portals. It can be used independently of the portals by using the separate DC input for power and a separate AES3 audio input.
AVN-HA1 Analogue Headphone Amp for AVN-PA8/D & AVN-PM8/D Portals
AVN-HA1 Analogue Headphone Amp for AVN-PA8/D & AVN-PM8/D Portals
The AVN-PA8/D and the AVN-PM8/D Portals can be combined with multiple AVN-HA1 headphone amplifiers to provide a headphone distribution system – the portal output connections can supply analogue power to satellite headphone amplifiers and the unit can be mounted using the CM-MNT1 desk mount panel.
The AVN-PA8/D and AVN-PM8/D can be combined with multiple Sonifex AVN-HA1 headphone amplifiers to provide 8 separate headphone signals where each headphone amplifier can be sent a separate feed, mixed from any physical or stream inputs.
- Front panel 6.35mm (1/4”) headphone socket and volume control knob.
- Front panel Mute/GPO push button.
- Analogue audio input on RJ45 (the connector provides power to the unit and a GPO back to the portal).
- Loop through audio output on RJ45 (power and GPO signal are not connected).
- Locking DC power connector (if a portal is not being used to supply the unit with power).
Note: The AVN-HA1 is an analogue input product taking an analogue audio feed from the AVN portals. It can be used independently of the portals by using the separate DC input for power and a separate analogue input.
AVN-DIO10 Dante® to 3G/HD/SD-SDI Embedder/De-Embedder
AVN-DIO10 Dante® to 3G/HD/SD-SDI Embedder/De-Embedder
The AVN-DIO10 is a 3G/HD/SD-SDI to Dante® Embedder/De-Embedder in a single product solution. This is a simple plug and play audio/video interface that provides a convenient and elegant method of connecting legacy 3G/HD/SD-SDI equipment to the Dante® AoIP audio network.
The AVN-DIO10 takes any SDI feed, de-embeds the 16 audio channels and places them on channels 1-16 of the Dante network, mapped using Dante Controller. It simultaneously takes the 16 input channels mapped to the device on Dante Controller and re-embeds them onto the SDI output, with an embed enable switch for each channel pair.
It has a single 3G/HD/SD-SDI input and a reclocked output, with dual redundant Primary and Secondary Dante network ports, using Neutrik EtherCon® Ethernet connectors and is powered by PoE. It is a fully Dante compliant and AES67 compatible device that uses Dante Controller for configuration and supports the full range of Dante sample rates.
AVN-DIO01 Dante to Analogue XLR Stereo Output
AVN-DIO01 Dante to Analogue XLR Stereo Output
The AVN-DIO01 is a Dante AoIP network to analogue XLR stereo output converter in the Sonifex DIO range of Dante input/output devices. It features two balanced analogue XLR outputs and one Neutrik EtherCon® connector for direct connection to a Dante AoIP network.
All Sonifex DIO interfaces provide a simple, convenient, and elegant plug and play method of connecting legacy analogue and digital audio equipment to the Dante AoIP audio network.
The A/D and D/A circuitry offers 120dB of dynamic range - ten times better than similar competing products. All DIO products use Dante Controller for configuration and are powered by PoE (Power over Ethernet). They use rugged aluminium boxes with side slots for screw-mounting and contain superior audio circuitry for optimal audio performance. All feature rugged Neutrik EtherCon® connectors and Neutrik lockable audio connectors for ultra-reliable connectivity.
- 2 x balanced XLR analogue outputs.
- Neutrik EtherCon® Ethernet connection.
- Fully Dante compliant device.
- AES67 compatible.
- Dante Domain Manager compliant.
- Ultra-high quality, wide dynamic range D/A conversion.
- Powered via PoE (Power over Ethernet).
AVN-AO16R 16 Output Dual Dante®Interface, PoE
AVN-AO16R 16 Output Dual Dante®Interface, PoE
The AVN-AO16R audio converter and interface converts up to sixteen analogue outputs from the Dante Audio-over-IP networking standard. Dual Ethernet ports allow the unit to operate in redundant mode, ensuring audio routing is maintained in the event of loss of link on either of the network connections.
This cost effective 1U rack-mount unit offers an easy solution for AV professionals and system integrators. It is simple to configure and operate, with all set-up, except line-up levels, done via the standard Dante Controller software and power via PoE (Power Over Ethernet).
All analogue outputs are on high-quality Neutrik XLR connectors and there are front panel status/confidence LEDs for PoE, Link, and Clock. Global 0dBFS line-up can be set to +12dBu, +18dBu or +24dBu to meet your specific requirement via the front panel recessed toggle switch.
- 16 x balanced analogue outputs on XLR.
- Adjustable global 0dBFS line up selection (+12dBu/+18dBu/+24dBu).
- 2 x RJ45 Dante connectors (1Gb/s Ethernet Port) allowing the unit to operate in redundant or switched modes.
- PoE and Link LED status indicators for each Ethernet port.
- Clock LED status indicator.
- Configuration using Dante Controller.
- AES67 operation & Dante Domain Manager compliant.
- Powered by PoE on either (or both) Ethernet ports, offering power supply redundancy.
- 1U 19" rack-mount form factor.
(The AVN-AO16 is available with a single Ethernet port).
AVN-AO16 16 Output Dante® Interface, PoE
AVN-AO16 16 Output Dante® Interface, PoE
The AVN-AO16 audio converter and interface converts up to sixteen analogue outputs from the Dante Audio-over-IP networking standard. This cost effective 1U rack-mount unit offers an easy solution for AV professionals and system integrators. It is simple to configure and operate, with all set-up, except line-up levels, done via the standard Dante Controller software and power via PoE (Power Over Ethernet).
All analogue outputs are on high-quality Neutrik XLR connectors and there are front panel status/confidence LEDs for PoE, Link, and Clock. Global 0dBFS line-up can be set to +12dBu, +18dBu or +24dBu to meet your specific requirement via the front panel recessed toggle switch.
- 16 x balanced analogue outputs on XLR.
- Adjustable global 0dBFS line up selection (+12dBu/+18dBu/+24dBu).
- 1 x RJ45 Dante connector (1 Gb/s Ethernet Port).
- PoE, Link, and Clock LED status indicators.
- Configuration using Dante Controller.
- AES67 operation & Dante Domain Manager compliant.
- Powered by PoE.
- 1U 19" rack-mount form factor.
(The AVN-AO16R is available with dual redundant Ethernet ports).
AVN-AIO8R 8 Input, 8 Output, Dual Dante® Interface, PoE
AVN-AIO8R 8 Input, 8 Output, Dual Dante® Interface, PoE
The AVN-AIO8R audio converter and interface converts up to eight analogue inputs and eight analogue outputs to and from the Dante Audio-over-IP networking standard. Dual Ethernet ports allow the unit to operate in redundant mode, ensuring audio routing is maintained in the event of loss of link on either of the network connections.
This cost effective 1U rack-mount unit offers an easy solution for AV professionals and system integrators. It is simple to configure and operate, with all set-up, except line-up levels, done via the standard Dante Controller software and power via PoE (Power Over Ethernet).
All analogue inputs and outputs are on high-quality Neutrik XLR connectors and there are front panel status/confidence LEDs for PoE, Link, and Clock. Global 0dBFS line-up can be set to +12dBu, +18dBu or +24dBu to meet your specific requirement via the front panel recessed toggle switch.
- 8 x balanced analogue inputs on XLR.
- 8 x balanced analogue outputs on XLR.
- Adjustable global 0dBFS line up selection (+12dBu/+18dBu/+24dBu).
- 2 x RJ45 Dante connectors (1Gb/s Ethernet Port) allowing the unit to operate in redundant or switched modes.
- PoE and Link LED status indicators for each Ethernet port.
- Clock LED status indicator.
- Configuration using Dante Controller.
- AES67 operation & Dante Domain Manager compliant.
- Powered by PoE on either (or both) Ethernet ports, offering power supply redundancy.
- 1U 19” rack-mount form factor.
(The AVN-AIO8 is available with a single Ethernet port).
AVN-AIO8 8 Input, 8 Output Dante® Interface, PoE
AVN-AIO8 8 Input, 8 Output Dante® Interface, PoE
The AVN-AIO8 audio converter and interface converts up to eight analogue inputs and eight analogue outputs to and from the Dante Audio-over-IP networking standard. This cost effective 1U rack-mount unit offers an easy solution for AV professionals and system integrators. It is simple to configure and operate, with all set-up, except line-up levels, done via the standard Dante Controller software and power via PoE (Power Over Ethernet).
All analogue inputs and outputs are on high-quality Neutrik XLR connectors and there are front panel status/confidence LEDs for PoE, Link, and Clock. Global 0dBFS line-up can be set to +12dBu, +18dBu or +24dBu to meet your specific requirement via the front panel recessed toggle switch.
- 8 x balanced analogue inputs on XLR.
- 8 x balanced analogue outputs on XLR.
- Adjustable global 0dBFS line up selection (+12dBu/+18dBu/+24dBu).
- 1 x RJ45 Dante connector (1Gb/s Ethernet Port).
- PoE, Link, and Clock LED status indicators.
- Configuration using Dante Controller.
- AES67 operation & Dante Domain Manager compliant.
- Powered by PoE.
- 1U 19” rack-mount form factor.
(The AVN-AIO8R is available with dual redundant Ethernet ports).
AVN-AIO4 4 Input, 4 Output Dante® Interface, PoE
AVN-AIO4 4 Input, 4 Output Dante® Interface, PoE
The AVN-AIO4 audio converter and interface converts up to four analogue inputs and four analogue outputs to and from the Dante Audio-over-IP networking standard. This cost effective 1U rack-mount unit offers an easy solution for AV professionals and system integrators. It is simple to configure and operate, with all set-up done via the standard Dante Controller software and power via POE (Power Over Ethernet).
All analogue inputs and outputs are on high-quality Neutrik XLR connectors and there are front panel status/confidence LEDs for PoE, Link, and Clock.
- 4 x balanced analogue inputs on XLR.
- 4 x balanced analogue outputs on XLR.
- 1 x RJ45 Dante connector (100Mb/s Ethernet Port).
- POE, Link, and Clock LED status indicators.
- Configuration using Dante Controller.
- AES67 operation & Dante Domain Manager compliant.
- Powered by PoE.
- 1U 19" rack-mount form factor.
AVN-AI16R 16 Input Dual Dante® Interface, PoE
AVN-AI16R 16 Input Dual Dante® Interface, PoE
The AVN-AI16R audio converter and interface converts up to sixteen analogue inputs to the Dante Audio-over-IP networking standard. Dual Ethernet ports allow the unit to operate in redundant mode, ensuring audio routing is maintained in the event of loss of link on either of the network connections.
This cost effective 1U rack-mount unit offers an easy solution for AV professionals and system integrators. It is simple to configure and operate, with all set-up, except line-up levels, done via the standard Dante Controller software and power via PoE (Power Over Ethernet).
All analogue inputs are on high-quality Neutrik XLR connectors and there are front panel status/confidence LEDs for PoE, Link, and Clock. Global 0dBFS line-up can be set to +12dBu, +18dBu or +24dBu to meet your specific requirement via the front panel recessed toggle switch.
- 16 x balanced analogue inputs on XLR.
- Adjustable global 0dBFS line up selection (+12dBu/+18dBu/+24dBu).
- 2 x RJ45 Dante connector (1Gb/s Ethernet Port) allowing the unit to operate in redundant or switched modes.
- PoE and Link LED status indicators for each Ethernet port.
- Clock LED status indicator.
- Configuration using Dante Controller.
- AES67 operation & Dante Domain Manager compliant.
- Powered by PoE on either (or both) Ethernet ports, offering power supply redundancy.
- 1U 19" rack-mount form factor.
(The AVN-AI16 is available with a single Ethernet port).
AVN-AI16 16 Input Dante® Interface, PoE
AVN-AI16 16 Input Dante® Interface, PoE
The AVN-AI16 audio converter and interface converts up to sixteen analogue inputs to the Dante Audio-over-IP networking standard. This cost effective 1U rack-mount unit offers an easy solution for AV professionals and system integrators. It is simple to configure and operate, with all set-up, except line-up levels, done via the standard Dante Controller software and power via PoE (Power Over Ethernet).
All analogue inputs are on high-quality Neutrik XLR connectors and there are front panel status/confidence LEDs for PoE, Link, and Clock. Global 0dBFS line-up can be set to +12dBu, +18dBu or +24dBu to meet your specific requirement via the front panel recessed toggle switch.
- 16 x balanced analogue inputs on XLR.
- Adjustable global 0dBFS line up selection (+12dBu/+18dBu/+24dBu).
- 1 x RJ45 Dante connector (1 Gb/s Ethernet Port).
- PoE, Link, and Clock LED status indicators.
- Configuration using Dante Controller.
- AES67 operation & Dante Domain Manager compliant.
- Powered by PoE.
- 1U 19" rack-mount form factor.
(The AVN-AI16R is available with dual redundant Ethernet ports).
AVN-AESIO8R 8 AES3 Input, 8 AES3 Output Dual Dante® Interface, PoE
AVN-AESIO8R 8 AES3 Input, 8 AES3 Output Dual Dante® Interface, PoE
The AVN-AESIO8R audio converter and interface converts up to eight digital stereo AES3 inputs and eight digital stereo AES3 outputs to and from the Dante Audio-over-IP networking standard. Each input can accept sample rates from 32kHz to 192kHz, which will be sample rate converted to the Dante system sample rate. A valid input signal is confirmed by front panel AES3 lock LEDs for each input. All outputs follow the Dante system sample rate.
Dual Ethernet ports allow the unit to operate in redundant mode, ensuring audio routing is maintained in the event of loss of link on either of the network connections. This cost effective 1U rack-mount unit offers an easy solution for AV professionals and system integrators. It is simple to configure and operate, with all set-up done via the standard Dante Controller software and power via PoE (Power Over Ethernet).
All digital AES3 inputs and outputs are on high-quality Neutrik XLR connectors and there are front panel status/confidence LEDs for PoE, Link and Clock.
- 8 x balanced digital stereo AES3 inputs on XLR, supporting input rates of 32kHz – 192kHz.
- Sample rate conversion on physical inputs to Dante system sample rate.
- 8 x balanced digital stereo AES3 outputs on XLR, output rate matches Dante system sample rate.
- 2 x RJ45 Dante connectors (1Gb/s Ethernet Port) allowing the unit to operate in redundant or switched modes.
- PoE and Link LED status indicators for each Ethernet port.
- Clock LED status indicator.
- AES3 Lock LED status indicators for each input.
- Configuration using Dante Controller.
- AES67 operation & Dante Domain Manager compliant.
- Powered by PoE on either (or both) Ethernet ports, offering power supply redundancy.
- 1U 19” rack-mount form factor.
(The AVN-AESIO8 is available with a single Ethernet port).
AVN-AESIO8 8 AES3 Input, 8 AES3 Output Dante® Interface, PoE
AVN-AESIO8 8 AES3 Input, 8 AES3 Output Dante® Interface, PoE
The AVN-AESIO8 audio converter and interface converts up to eight digital stereo AES3 inputs and eight digital stereo AES3 outputs to and from the Dante Audio-over-IP networking standard. Each input can accept sample rates from 32kHz to 192kHz, which will be sample rate converted to the Dante system sample rate. A valid input signal is confirmed by front panel AES3 lock LEDs for each input. All outputs follow the Dante system sample rate.
This cost effective 1U rack-mount unit offers an easy solution for AV professionals and system integrators. It is simple to configure and operate, with all set-up done via the standard Dante Controller software and power via PoE (Power Over Ethernet).
All digital AES3 inputs and outputs are on high-quality Neutrik XLR connectors and there are front panel status/confidence LEDs for PoE, Link and Clock.
- 8 x balanced digital stereo AES3 inputs on XLR, supporting input rates of 32kHz – 192kHz.
- Sample rate conversion on physical inputs to Dante system sample rate.
- 8 x balanced digital stereo AES3 outputs on XLR, output rate matches Dante system sample rate.
- 1 x RJ45 Dante connector (1Gb/s Ethernet Port).
- PoE, Link, and Clock LED status indicators.
- AES3 Lock LED status indicators for each input.
- Configuration using Dante Controller.
- AES67 operation & Dante Domain Manager compliant.
- Powered by PoE.
- 1U 19” rack-mount form factor.
(The AVN-AESIO8R is available with dual redundant Ethernet ports).
AutoPlay 7.10
AutoPlay 7.10
AutoPlay is a Media Workflow Platform, an integrated playout solution, which enable you to automate the workflow environment, maximize the value of media assets efficiently and leverage technology in line with your business plans. Ingest, quality control, editing, broadcast, graphics insert, subtitles, archive – all within a single workflow.
Features
- Playout Automation
- Workflow Process Orchestration for media content movement to video servers and other file storages
- Rundown Management
- Immediate Content Access whatever it is stored
- Automatic Files Transfers to meet Users requests and Channel Schedules
- Sophisticated Quick Search
- Manual & Automatic Media Content Archiving & Extraction
- Different Access Rights for Multiuser workflow
- Proxy Files Generation
- File Transfer Bandwidth Control
- Distributed Media Storage with quick Content Search and Access
- Advanced Embeded Cut Editor for Multiuser Network Environment
- Export XML editing projects to third party NLE systems
- Production Storage Filename Translation for NLEs
- As-Run & User activity Logs for TV Traffic management system integration
- Report Export
- Facility Monitoring and Control from any workstation on the network
- Multichannel Playout configuration with full redundancy capabilities
- Media Editing and Playout while Ingest
- Clip Quick-Cut in On-Air Rundown
- “Time-Delay” Recording, Editing&Playout
- TimeDelay Server Redundancy
- DTMF/Х31/SCTE/GPI Signal Detection&Insertion
- SCTE-104 Playout Support
- VBI in TimeDelay and Pass-Through
- Advanced Subtitling/Teletext Processing with proprietary or third party devices
- A completely New Subtitle Engine
- Proprietary .asb subtitle file format with full text formatting
- Multilingual Subtitle Support in AutoPlay Playout
- Automatic Subtitle Import and Full Logging of Subtitle Operations
- Multifeed Ingest capabilities
- Media Quality Control Option
- Broadcast Graphics Creation with Azimuth Servers or External Systems
- Integration with Carrot Broadcast CG Solutions
- Customizable Graphics Layouts
- Dynamic data manipulation (temperature sensor option, images, time/date, videos, text data)
- Digital/analog Clock Insertion
- Fill+Key Out or internal graphics DSK overlay support with Azimuth servers
- Proxy Files Preview with graphics and subtitles
- Video Processing: codecs, formats, aspect ratio conversion
- Audio Processing: normalizer (LUFS), track mapping, noise reducer, compressor/limiter
- Parallel Video and Sound Processing when Importing Media Files
- Various Studio Equipment control, inc. VTR
- Modern 64 Bit Software Architecture
- User-Friendly Intuitive Interface
ASUS ProArt PA148CTV Display
ASUS ProArt PA148CTV is a 14-inch FHD portable monitor designed for creators. PA148CTV delivers exceptional color thanks to 100% sRGB and 100% Rec. 709 color spaces, and it is world’s 1st portable monitor that reach Calman Verified certification and factory pre-calibrated to provide a Delta E < 2 color difference. The anti-glare IPS panel features wide viewing angles with minimal color shift, even when viewed from off-center positions.
ASUS ProArt Display PQ22UC
ASUS ProArt Display PQ22UC
ASUS ProArt™ PQ22UC is the world's first 21.6-inch 4K HDR monitor with OLED technology and pure RGB stripes, delivering incredible color saturation and purity as well as highly accurate color reproduction with 99% DCI-P3 gamut coverage. It also features true 10-bit color depth, achieving a contrast ratio of 1,000,000:1 for darker blacks and brighter whites. With a response time of up to 0.1ms, ProArt™ PQ22UC is the fastest monitor on the market and delivers outstanding, blur-free performance when displaying videos and other animated content with fast action. And with HDR support for multiple HDR formats, including Dolby Vision™, HLG and HDR-10, PQ22UC ensures HDR content can be created and displayed with consistently high quality, providing an unprecedented viewing experience.
An innovative detachable stand can be folded completely flat for easy transport, and the monitor can be set up in seconds without any tools. ProArt™ PQ22UC comes with a foldable smart case to protect it from dust and scratches. The case can also be folded into a stand to prop the monitor up in either portrait or landscape orientation.
ASUS ProArt Display PA32UCX-P
ASUS ProArt Display PA32UCX-P
ASUS ProArt PA32UCX-P is a 32-inch 4K HDR monitor with peak brightness of 1,200 nits and mini-LED backlighting, enabling 1,152 zones of local dimming control and support for multiple HDR formats, including Dolby Vision™, HLG and HDR-10.
ASUS ProArt PA32UCX-P features new Off-Axis Contrast Optimization (OCO) technology that reduces backlight bleed when viewing the screen from the wide angle, ensuring on-screen content is displayed accurately to all viewers.
With true 10-bit color and Quantum Dot technology, support for the DCI-P3, Rec. 709, Rec. 2020 and Adobe RGB color spaces, together with a rich selection of connectivity, ProArt PA32UCX-P takes the viewing experience to the next level.
ASUS ProArt Display PA32UCX
ASUS ProArt Display PA32UCX
The ASUS ProArt Display PA32UCX is the world's first 32-inch 4K HDR monitor with peak brightness of 1,200 nits and mini-LED backlighting, enabling 1,152 zones of local dimming control and support for multiple HDR formats, including Dolby Vision™, HLG and HDR-10.
The PA32UCX's impressive panel reproduces the brightest whites and the deepest blacks with sharper, more detailed visuals. ASUS ProArt PA32UCX supports multiple HDR curves, including PQ Hard Clip, PQ Optimized and PQ Basic which can cover all content creators' needs.
With true 10-bit color and Quantum Dot technology, support for DCI-P3, Rec. 709, Rec. 2020, and Adobe RGB color spaces, together with a rich selection of connectivity, the PA32UCX is primed to take on any studio workflow.
ASUS ProArt Display PA32UCG
ASUS ProArt Display PA32UCG
ASUS ProArt PA32UCG is World's 1st HDR 1600 & 120 Hz Variable-refresh-rate Display. A 32-inch 4K HDR Mini LED monitor with peak brightness of 1,600 nits and an industry-leading 1,000 nits of full-screen sustained brightness. This can deliver outstanding contrast between the deepest blacks and brightest whites. Enabling 1,152 zones of local dimming control and support for multiple HDR formats, including Dolby Vision, HLG and HDR-10.
ProArt Display PA32UCG also features variable refresh rate from 48 to 120Hz. It allows game developers to easily create game content and do quality checks on one display!
With true 10-bit color and Quantum Dot technology, support for the DCI-P3, Rec. 709, Rec. 2020 and Adobe RGB color spaces, together with Rich connectivity include dual Thunderbolt™ 3, one DisplayPort, three HDMI ports, and a built-in USB hub.
ASUS ProArt Display PA27UCX
ASUS ProArt Display PA27UCX
ASUS ProArt PA27UCX is a 27-inch 4K HDR monitor with peak brightness of 1,000 nits and mini-LED backlighting, enabling 576 zones of local dimming control and support for multiple HDR formats, including Dolby Vision™, HLG and HDR-10.
ASUS ProArt PA27UCX features new Off-Axis Contrast Optimization (OCO) technology that reduces backlight bleed when viewing the screen from the wide angle, ensuring on-screen content is displayed accurately to all viewers.
With true 10-bit color and Quantum Dot technology, support for the DCI-P3, Rec. 709, Rec. 2020 and Adobe RGB color spaces, together with a rich selection of connectivity, ProArt PA27UCX takes the viewing experience to the next level.
ASUS ProArt Display PA278QV
ASUS ProArt Display PA278QV
ProArt Display PA278QV is a 27-inch monitor designed to satisfy the needs of creative professionals, from photo and video editing to graphic design.
ProArt Display PA278QV is factory calibrated and Calman Verified to deliver superb color accuracy (∆E < 2). It also provides industry-standard 100% sRGB / 100% Rec. 709 color space coverage.
With ASUS-exclusive features, such as ProArt Preset and ProArt Palette with six-axis color, black-level and brightness adjustments, PA278QV makes it easy to achieve the exact look you desire quickly, easily and precisely.
ASUS ProArt Display PA248QV
ASUS ProArt Display PA248QV
ProArt Display PA248QV is a 24.1-inch monitor designed to satisfy the needs of creative professionals, from photo and video editing to graphic design.
ProArt Display PA248QV is factory calibrated and Calman Verified to deliver superb color accuracy (∆E < 2). It also provides industry-standard 100% sRGB / 100% Rec. 709 color space coverage.
With ASUS-exclusive features, such as ProArt Preset and ProArt Palette with six-axis color, black-level and brightness adjustments, PA248QV makes it easy to achieve the exact look you desire quickly, easily and precisely.
ASUS ESC4000 DHD G4
ASUS ESC4000 DHD G4 Supports Up to 4 Double Deck GPU Cards in 1U.
All NVMe 8 SSD Featuring Maximum High Density and Minimum Low Latency in Upcoming 5G Network Ear.
Dual 10G On Board Plus 2 Networking Card for Upgrade.
1. Dual Processors, High Density, Maximum GPU in 1U
- Supports up to 4 double-deck active & passive GPUs in 1U
- Single Root for Maximum GPU utilizations on AI application
- High memory capacity for cache server usage
2. High Speed Transmission & Low Latency
- Onboard Dual 10G Base-T LAN ports
- Support Dual up to 100Gbps LAN cards (option)
- 4x 2.5” NVMe SSD & 4x M.2 22110 NVME SSD
- All NVME Low latency for Telecom on 5G application
3. Mechanism Innovation Design – Revolving Storage
- The first model with 4 front side HDD in 1U 4GPU
( Patent under applying process)
4. Scalable Expansion Capability
- 4* PCI-E Gen3 x16 slots for FH/FL add-on cards
- 2 * PCI-E Gen3 x16 slots for LP/HL add-on cards
5.Smart Thermal Radar design for energy efficiency
- HDD, CPU, GPU, PSU, Front panel
6. Target Market: Telecom, HPC, Deep Learning, Scientific & Research.
Anti-piracy infringement Takedown services
Air
Air
Playlist preparation and scheduled playout control software module for the AutoPlay automation system. Director’s/playout operator’s workstation.
Features
- Network-based, multi-user preparation and editing of playlists containing clips, blocks, live feeds, TimeDelay cyclic files, graphics, subtitles and equipment control commands.
- Preview of playlist items (including secondary events like graphics and subtitles) in a software player from any workstation on the AutoPlay system’s network.
- Automatic propagation of changes in the on-air schedule to the playlists of 3rd party trafic/planning systems.
- Automated scheduled playout with graphics, teletext/subtitle insertion, sound level normalization, 3rd party equipment control.
- Ability to change any property of any event in the on-air schedule at any moment.
- Logging of all system and operator activity.
AI Powered Solution for International Distribution
AI Powered Solution for International Distribution
Smart Workflows is designed to help broadcasters across the media supply chain accelerate content transformation processes This scalable solution is based on active learning workflows which enables media companies to adapt to changing demands in media production, boosts speed to market and accelerates readiness for international distribution.
Features
Detect Textless Elements - Identify shots with overlaid text & subtitles in a video and map those to their corresponding textless counterparts. These are commonly present after the end credits in a video asset"
Benefits:
- Increased Time for Creativity - Free up employee bandwidth for creative/subjective tasks by eliminating manual & redundant editing tasks.
- Faster Content Localization - Enable automation of various QC processes in post-production to accelerate international distribution
- Pay per Use Model - Exercise greater control on workflow expenditure by paying only for the assets processed, devoid of committed costs.
- Reduction in costs and effort involved in manual quality control and editing processes.
AI Powered Content Performance Analysis
AI Powered Content Performance Analysis
Smart Analytics is a customised AI offering which extracts deep content features and matches it with content performance parameters to allow media organisations to take more data-driven decision around their content. Media companies have realised that they need to move beyond analysing content performance solely on the basis of 3rd part viewership data or user metrics on platforms. This approach leads to a one-dimensional understanding of a program's performance without giving much insights about the content itself - Genre, emotions, character duration and specific objects of interests.
Gain insight into audience preferences - Enables broadcasters to comprehend if their efforts in giving a direction to the show resonate with a positive impact on viewership for diverse target customer segments.
Unlock Competitive Analysis - Get an in-depth comparative viewership analysis for your programme or slot against those of your competitors.
AI Powered Brand Visibility Measurement
AI Powered Brand Visibility Measurement
Smart Analytics is an AI-powered solution which allows media companies to track and measure the true ROI for brand sponsorships at live sporting events. It enables data-driven decision-making for sponsors by retrospective analysis of past content to devise effective brand placement and investment strategies for digital branding & promotion.
Unlock New Revenue Opportunities - Enable content monetization opportunities by creating brand-specific highlights through video footage and pictures used in media reports."
ADN PLAY ADVANCE
ADN PLAY ADVANCE
ADN PLAY ADVANCE offers you a turnkey solution to view all of your videos with precision, listen Dolby E and edit subtitles.
Frame accurate
It has been studied to offer the highest fluidity possible, while keeping frame accuracy.
To navigate, you can use both the native timecode information from the video or set a CTL (frame counter).
Variable speed playback (from -16 to 16 times real-time speed), including several slow-motion speeds and direct access to any frame of the video file lets you view efficiently large quantities of programs in record time.
AES stereo and Dolby E compliant
with a single click, you may select the audio channel (up to 8 channels) to listen to stereo or Dolby E channel.
Option: ADN DASHBOARD solution let you create or modify audio versions (Dolby E from AES Stereo, AES Stereo from Dolby E, audio mapping…).
HD SDI
With the HD SDI interface, you can view your media on an external broadcast monitor. You thus benefit from optimal HD/SD rendering and may then insert the signal in any existing technical infrastructure.
Selection and export
ClipList module allows you to mark the relevant segments with a few clicks as well as identify them.
Project module extends this function to let you create a full post-production project, entering its key features (title, author, comment). You can then manage rushes from separate videos within this project.
Subtitling
With the Subtitling module, ADN PLAY Advance becomes a multi-format subtitles editor. ADN PLAY Advance will display subtitles synchronized with video, whether these come from an MXF file with embedded subtitles in OP47 format or from external subtitle files in STL/PAC format.
Each of the existing subtitles can be edited. You can easily amend content and correct any defects found within your subtitle (synchronization with video, content and color of text, vertical position, text size and alignment, adding or removing items).
Once all corrections have been made, a new STL file can be produced by the application.
When handling OP47 subtitles, an STL file can be extracted or conversely sent to the ADN ENGINE platform to produce a new MXF OP1a file.
This module also works in HD SDI mode.
In résumé… ADN PLAY ADVANCE is a unique NLE solution to:
- - view content (DNX HD, ProRes, XDCAM HD, IMX50, H264…)
- - listen DOLBY E,
- - select and export segment,
- - manage and edit subtitling.
- - Fully integrated to your workflow,
- - JSON, XML, webservice, deeplink compliant
ADN PLAY
ADN PLAY
NLE for remote production
ADN PLAY relies on DASH to offer a full remote experience. Access to your content from local or public network: video bandwidth adapts itself in accordance with the available network bandwidth.
Easy to use
For an efficient experience, ADN Play combines linear and non-linear navigation with its online storyboard. Audio waveforms make segment selection easy.
Frame Accurate
ADN PLAY offers a frame accurate solution: timecode used in adaptative formats is the same as HR original timecode. That allows ADN Play to export frame accurate EDL to post-production environment when consolidated work is necessary.
Integrated solution
ADN PLAY is fully integrated to its environment and allows to send segments, or a list of segments, to any post-production platform available on the market.
Operative solution
In production since 2019
Awarded by French broadcast community in 2019 (Trophées du Satis)
Accelerate OTT Distribution with Smart Workflows
Accelerate OTT Distribution with Smart Workflows
Smart Workflows designed to help broadcasters, production houses and content aggregators across the media supply chain accelerate content transformation and QC processes This scalable solution is based on active learning workflows which enables media companies to dapt to changing demands in media production, boosts speed to market and accelerates readiness for OTT and international distribution.
Features:
Audio Conformance -Aligning the high-res master video with audio tracks of low-res proxy derivatives to automatically generate a single video asset with multiple audio versions
Subtitle Conformance - Aligning the subtitles in different languages to the corresponding scenes to automatically generate a conformed asset complying with standard Netflix/OTT rules"
Benefits:
- Ready-to-onboard repository of accurately conformed master video feeds, audio feeds and subtitles for OTT platforms like Amazon Prime, Hulu and Netflix, enabling accelerated content distribution.
- Enhance Resource Flexibility - Free up manual bandwidth for creative/subjective tasks by eliminating redundant tasks."
- Boosts Post-Production Efficiency - Reduce redundant content transformation and quality control (QC) processes in the content supply chain."
- Pay per Use Model - Exercise greater control on workflow expenditure by paying only for the assets processed, devoid of committed costs."
98Wh V-Mount Li-ion Battery B-98V
98Wh V-Mount Li-ion Battery B-98V
SOONWELL TECH CO., LTD.There our products includes Flexible LED Light , Li-Ion Bateries and other Accessories
SOONWELL is a designer and manufacture of cinematography & photography equipment, headquartered in Shenzhen since 2009. Soonwell Factroy is based in Nanjin which covers an area of 3,000 square meters. Welcome to visit us after COVID-19.
Any questions or needs pls just contact with me, Looking forwarder to have cooperations with u. Hope u and ur family are all well with COVID-19.
Thanks & Best regards,
May
Mob/Whatsapp/Wechat: +86 15820763325
Email: mayzeng@soonwell.com
98Wh V-Mount Li-ion Battery B-98V
98Wh V-Mount Li-ion Battery B-98V
SOONWELL TECH CO., LTD.There our products includes Flexible LED Light , Li-Ion Bateries and other Accessories
SOONWELL is a designer and manufacture of cinematography & photography equipment, headquartered in Shenzhen since 2009. Soonwell Factroy is based in Nanjin which covers an area of 3,000 square meters. Welcome to visit us after COVID-19.
Any questions or needs pls just contact with me, Looking forwarder to have cooperations with u. Hope u and ur family are all well with COVID-19.
Thanks & Best regards,
May
Mob/Whatsapp/Wechat: +86 15820763325
Email: mayzeng@soonwell.com
4T2 Content analyser
4T2 Content analyser
The 4T2 Content-Analyser supports DVB, ATSC, ISDB, and DVB T2-MI extensions.
- Terrestrial DVB-T/T2, Satellite DVB-S/S2, ASI, IP and file input.
- Analysis of DVB-T MIP Megaframe Initialisation Packets.
- Visualisation of PID Packet Identifiers, associated bit-rates, and packet stuffing.
- Raw data analysis with smart trigger function allows the unattended checking of streams for specified fault conditions.
- Smart Packet trigger with expression editor.
- Visualisation of repetition intervals of tables as defined in TR.101.290.
- TR.101.290 analysis and visualisation of first, second, and third priority Errors.
- Measurement of PCR Program Clock Reference repetition, jitter, and Delta.
- DVB-Teletext & DVB-Subtitles display.
- Multi-Viewer content decoding, including H.264 and H.265 material.
- Loudness measurement for each audio services.
- Black/freeze detection on services in the transport stream.
- Detection of audio mute condition on services in the transport stream.
- Comprehensive logging features with powerful sorting capabilities.
- Saving of Transport Stream to disk in presence of errors (with a pre and post buffer).
- Multiple instances of the program can run at the same time, supporting multiple inputs at the same time.
JUMP Retention
JUMP Retention
JUMP Retention is a churn management solution, based on machine learning technology, that allows video service providers to predict how likely their audience is to leave the service and why, and impact the at-risk audience in ways that influence their future behaviour.- Understand when your audience is at risk and why
Sometimes users just have to – or want to – leave a video service. It is important to understand in advance when this happens, and if there is a trend.
Even more importantly, understand why they are about to leave, so retention campaigns can be launched.
- Churn risk scoringTop risk users, High risk users, Low risk users
- Main Churn influencers identification
- Segmented churn analysis to make smart decisionsMain device, Audience Cluster, Geographical Region, Trial or Paying Users.
- - Make an impact using the right multichannel marketing campaign
Multi-channel marketing automation lets you make an impact on users with retention marketing actions, such as:
- Engagement promotional campaigns
- Retention promotional campaigns
- Win back campaigns
- - Track campaign performance to measure effectiveness
Once the marketing team actions have reached the audience, it is crucial to track their performance to learn what the most effective actions are for each business scenario.
JUMP Deep Recommender
JUMP Deep Recommender
Content Recommendation EngineJUMP Deep Recommender is a personalization tool for video content that provides your audience highly accurate recommendations after tracking and analyzing user patterns in content consumption and content similarity- Configure the recommendations in the way that best fits your personalization strategy
Easily fine-tune the recommendation engine according to your personalization goals.
- Genre weight
- Content type weight
- Overwrite recommendations
- Include editorial content
- Generate content black lists
- Create and customize recommendation grids
- Create and customize In-player overlay recommendations
- Provide recommendations to your audience tailored to their consumption habits
Your audience will not just receive individual recommendations; recommendations will also be adjusted to their different consumptions scenarios.
- Type of dayweek day, weekend day
- Time-framemorning, midday, afternoon, night
- DeviceMobile, Smart TV, Web, etc.
- Content-typemovies, series, etc.
- Track recommendation performance to measure effectiveness
Once the recommendations have reached the audience, it is crucial to track their performance.
- Recommendation impressions
- Recommendation Impressions CTR
- Recommendation Plays
- Recommendation plays conversion rate
JUMP Deep Insights
JUMP Deep Insights
JUMP Deep Insights is a all-in-one business intelligence tool that provides insights about your service’s overall business performance, audience activity, content watched, and the experience provided
-
Understand your service’s business performance and audience activity to better define acquisition, retention and engagement strategies
An agile analysis of overall video service business performance is crucial to be able to take immediate action in order to increase conversion, retention, and engagement.
- Service discovery
- Service acquisition
- Service monetization
- Audience activity
- Service cancellations
-
Understand your content catalogue performance to make better editorialization and content acquisition/production
Gaining insights into how content is watched and what the most successful content and consumption types are is a core part of daily video service management.
- Consumption type performance
- Content type performance
- Content genre performance
- Top performing content
- Low performing content
- Content providers performance
- Improve your service user experience on every screen identifying blockers and adjusting the user experience
Gaining insights into how the user experience is performing is a core part of video service product management. It drives actions like product feature prioritization, and changes in user experience that impact overall customer engagement.
- User flow performance
- Identification of the blockers in the user journey
- Content catalogue performance vs UX sections and components
JUMP Actionable Segments
JUMP Actionable Segments
JUMP Actionable Segments is a clustering tool that identifies user behavior relationships and breaks them into segments to trigger targeted marketing activities for each of them.- Identify segments by engagement, content type, content genre and CLTV
Understand user behavior relationships across the user base and cluster them for segmentation purposes.
- Identifying relevant user engagement clusters
- Identifying relevant user consumption type clusters
- Identifying relevant genre consumption clusters
- - Make an impact using the right multichannel marketing campaign
Launch multi-channel marketing campaigns to each identified audience segment to impact users with marketing actions, such as:
- Engagement promotional campaigns
- Content campaigns by genre segments
- Content campaigns by content type
- Low spender upselling opportunities
- - Track campaign performance to measure effectiveness
Once the marketing team actions have reached the audience, it is crucial to track their performance to learn what the most effective actions are for each business scenario.
Boon AI Machine Learning Integration Platform
Boon AI Machine Learning Integration Platform
The Boon AI machine learning (ML) integration platform breaks down the ML adoption barrier for media technologists looking to automate digital asset management at scale. It provides a no-code/low-code workflow for users without ML expertise to run their unstructured media assets against a suite of computer vision APIs from Google, AWS, and Azure with just a few clicks.
Run agile ML experiments to validate business use cases and start automating manual tasks like metadata tagging, image classification, speech transcription, and content moderation with Boon's GUI-driven workflow.
- Multi-vendor ML APIs: Easily access image, text, and logo detection, content moderation, speech to text APIs from GCP, AWS, and Azure
- No-code workflow: Select the APIs, run the analysis, manage and evaluate results with a point-and-click workflow
- Vendor orchestration: Eliminate ML API vendor account setup, API documentation, billing.
- Data prep: Boon AI transcodes raw images, video, and PDF documents to vendor-ready format at scale
- Data visualization: Run faceted searches and view the ML results in JSON and human-readable format, compare ML model confidence levels
- Metadata integration via API: integrate resulting metadata into custom or third party app with Python and REST APIs
Why engage with Boon AI?
Boon AI breaks down the AI/ML adoption barrier by enabling agile ML experimentation and implementation not supported by traditional AI/ML workflows. The platform enables media tech teams to:
- Stand up an ML pipeline without a dedicated team
- Modernize media management workflows through ML-automated media management
- Integrate ML features into apps you're already using with minimal code
- Enable agile ML experimentation and rapid cycle innovation
- Compress a 12-month development cycle down to an hour
Boon AI provides a modern, no-code ML implementation for innovation teams in media and entertainment, broadcast, ecommerce, CPG, advertising, and UGC-driven industries. Boon AI is a product of Zorroa.
250 W Peak V-Band, Liquid-Cooled TWTA
250 W Peak V-Band, Liquid-Cooled TWTA
CPI products generally have the following available options:
*LifeExtender/LifePredictor - extend TWT life by as much as 50%
*Uplink Power Control - automatically maintains the same signal strength no matter the weather condition
*L-Band BUC - some have dual or multiband capability, enabling 1000 MHz transmission over different frequencies within the overall frequency band.
*Air cooled or liquid cooled capability
*Ethernet interface in addition to serial interface
*MCC technology is standard on our new GaNLink SSPAs, enabling you to meet your link budget as planned.
*Integral linearizer
*Remote control unit
Please contact CPI if you are unsure of whether the amplifier that you are interested in has any of these options.
Xilinx Real-Time Video Servers
Xilinx Real-Time Video Servers
The demand for live video streaming has become a critical business need. Video service providers are faced with delivering high-quality user experiences, while managing their infrastructure and operating costs. Given the computational intensity of converting video, transcoding has prompted the need for an adaptable hardware acceleration platform.
Introducing the Xilinx Real-Time Video Server appliance reference architectures. Powered by Alveo™ accelerator cards, Xilinx delivers breakthrough live video streaming performance at the lowest cost per channel for significant TCO savings over fixed-architecture approaches, without altering existing infrastructure.
- Up to 5X Faster Than CPUs
- 6X Lower Cost
- Up to 5X Lower Power
Bitrate Optimized Appliance (Alveo U50)
For broadcasters delivering a small number of streams to large viewerships that demand high-quality video transcoding. For live streaming video service providers, OEMs, and Content Delivery Networks, the Alveo bitrate-optimized, and live transcoding solution enables service providers to reduce bandwidth costs (OPEX) by replacing less efficient software-based (CPU) transcoders.
High Channel Density Appliance (Alveo U30)
Optimized for a high volume of broadcasters with a smaller number of viewers demands high-density transcoding. For video service providers faced with the challenge of managing infrastructure costs while simultaneously improving customer quality of experience (QoE), the Alveo high-density video transcoding solution provides optimized cost per channels (reduce CAPEX).
Xchange Media Cloud
Xchange Media Cloud
With Primestream’s all-new Xchange Media Cloud, your remote collaborators and editors can access and collaborate on content, projects, and creative tools as easily as if they were sitting in the office. The typical roadblocks of remote workflows disappear, and your media supply chain continues without interruption.
Xchange
Manage all your content regardless of where it’s stored with Xchange, a web based, enterprise-ready software platform that offers single and multi-site operations global access to their content and workflows. When combined with the rest of Primestream’s suite of products, it seamlessly integrates file-based workflows with signal-based infrastructures.
Touchstream VirtualNOC
Touchstream VirtualNOC
VirtualNOC - a holistic approach to your live video infrastructure
Our end-to-end monitoring solution VirtualNOC collects data from all endpoints of the video delivery chain and monitors it 24/7. This allows operators to visualize issues clearly and take action before they affect viewers.
Stop finger-pointing, start fixing immediately:
Our real time, direct data sharing with CDNs removes arguments with your technology providers. Keep everyone focused on where the problem lies and solving it as quickly as possible.
Always stay in control, no matter where you are:
With a connection to the internet, operate from anywhere with cloud based VirtualNOC. Give your operations team the visibility tool they need for their complex workflows no matter where they are.
Replay and increase video ops efficiency:
Virtual NOC's Incident Playback System (IPS) enables comprehensive root cause analysis. Replay errors from the past to pinpoint root causes and prevent future issues to improve long term QoS.
Review Hub
Securely share and collect feedback on media across your organization and with external collaborators using extensive privacy controls by way of watermarking, password protection and time specific expiration of shared links with the new Review Hub platform.
Media IO
Primestream Media IO™ is an advanced solution for video production and distribution, enabling recording from sources such as HLS, RTSP, SDI and NDI. Media IO uses the power of IP to record from almost any source including bonded cellular devices and encoders. Transcode virtually any IP stream, camera, or broadcast source to ProRes, XDCAM, HEVC, AVC and DNxHD for fast integration into production and distribution workflows. Media IO also enables editors to preview live sources and edit them while capturing. The application is seamlessly integrated with Primestream Xchange Asset Management platform for fast and easy access and control over all your assets.
ME10/MPA1000 Launch Kit
ME10/MPA1000 Launch Kit
Everything you need to begin developing 4K AV-over-IP products with IPMX interoperability, all preconfigured so you can begin using it right away.
Use the Launch Kit to evaluate how standards-based video will work with your current products, to develop new products, and as a reference to the connections and configurations you will need as you go into production.
ME10 SoC
ME10 SoC
The ME10 SoC is Macnica’s full-stack AV over IP system on a chip (SoC), transporting HDMI 2.0 4K 4:4:4 video, audio and control data over 1GbE networks in a small, 23 x 23 mm BGA package. The ME10 allows manufacturers to include IPMX interoperability in any video product with a minimal investment in engineering. The ME10 is ideal for larger production runs or for use in more compact products. It features Low-latency synchronized transport based on AIMS IPMX open standard combining SMPTE ST 2110, AMWA NMOS and JPEG-XS compression standards, AES128 Encryption, RESTful API and Lua scripting environment as well as a customizable Web User Interface.
Iris Anywhere
Iris Anywhere
Iris Anywhere is the next generation of GrayMeta's popular Iris Desktop, which provides true, frame-accurate playback of mastered and encoded content with the broadest range of support for audio / video formats and codecs.
Iris Anywhere allows playback and QC of master assets stored in the cloud or on-premise via a browser. It provides real time QC scopes and monitoring tools.
Accessing the master and source files directly means we are removing the need to create proxy files and are delivering direct access, playback and QC of the master and original files directly to your browser. No need for additional browser plug-ins or server middleware.
IP NOC (Network Operations Center)
IP NOC (Network Operations Center)
As IP continues to go mainstream for video production, producers have identified key requirements. They’re looking to move away from bulky, expensive hardware to more flexible software and cloud-based solutions as well as more lightweight field gear like bonded cellular backpacks. They need IP streaming solutions that can be incorporated easily into production workflows, with the ability to ingest non-baseband sources. Broadcast Operations need to be able to use the entire gamut of IP-based protocols, and sometimes several of them during the same production. Likewise, they need fast, frictionless ways to transcode feeds and files into multiple video house formats for asset management and distribution.
The concept of an IP network operations center (IP-NOC) addresses all of these requirements by bringing together the state of the art in IP-based signal acquisition and cloud-based media asset management (MAM). Driven by these enabling technologies, the IP NOC offers a paradigm shift from traditional broadcast operation centers and satellite trucks to smaller and more nimble transmission gear, cameras, and capture devices.
GRID
GRID
GRID encompasses a technology and a methodology to enable guaranteed data flows with effectively-enforced QoS in any IP network: a studio network, a post-production network, a data center network, etc.
GRID’s software transforms the IP network and the data flows to be fully predictable, non-blocking and 100% reliable. As a result, your network will be used much more cost-efficiently. GRID also provides several wizards to make configuration and management of the network easy and intuitive. The software enables a 100% service guarantee with a specific bandwidth, low latency and no packet-loss per service or flow.
GRID is compatible with the hardware of multiple vendors.
FreeSpeak Edge
FreeSpeak Edge
FreeSpeak Edge works in the 5GHz bandwidth – beyond what you know about wireless intercom. It extends the entire FreeSpeak™ range, giving you the freedom to think bigger.
FreeSpeak Edge
FreeSpeak Edge
FreeSpeak Edge works in the 5GHz bandwidth – beyond what you know about wireless intercom. It extends the entire FreeSpeak™ range, giving you the freedom to think bigger.
Elastic Data Viewer
Elastic Data Viewer
Primestream is taking AI workflow to the next level with our new AI DataViewer module built into Xchange. Now through a powerful and simple interface, users can view and modify AI data such as speech to text transcription, or facial and object recognition from popular AI solutions like Microsoft’s Video Indexer.
Creative Bridge
Creative Bridge
As an add-on to Primestream’s Xchange web-based media management platform, Creative Bridge allows all members of the content creation team to access any creative tool — Adobe Creative Cloud, Apple Final Cut Pro X, DaVinci Resolve, and Avid Pro Tools.
Zixi Software-Defined Video Platform
Zixi Software-Defined Video Platform
Zixi provides a cloud based and on-premise Software-Defined Video Platform that enables reliable broadcast-quality video delivery over any IP network, any protocol, any cloud provider and any edge device. The company offers technologies for broadcasters, enterprises, over-the-top video providers, and mobile service providers around the world. The Zixi Platform makes it easy and economical for media companies to source, manage, localize, and distribute live events and 24/7 live linear channels in broadcast QoS, securely and at scale, using any form of IP network or Hybrid IP environments. Zixi provides enhanced control in large complex networks with ZEN Master, a live video orchestration and telemetry control plane that provides visual tools to configure, orchestrate, and monitor live broadcast channels and events across industry protocols. Over 10+ years, the Zixi Enabled Network (ZEN) has grown to over 170 OEM and service providers and serves well over 600 customers representing most of the top media brands around the world with 10,000+ channels delivered daily.
Zhiyun-Tech CRANE 2S Handheld Gimbal Stabilizer
Zhiyun-Tech CRANE 2S Handheld Gimbal Stabilizer
Introducing the CRANE 2S. Widely recognized as the exemplar of 3-axis handheld gimbals for professional filmmakers, the CRANE 2 series is proud to present you a newest masterpiece that witnessed numerous hardworking days and nights of ZHIYUN R&D team—CRANE 2S. Featuring high load capacity and modular design, the CRANE 2S is keen on delivering reliable and excellent performance, even in the most challenging environments. ZHIYUN Official Crane 2S 3-Axis Handheld Gimbal Camera Stabilizer for All DSLR Canon BMPCC Sony Panasonic Cameras
Key Features
- 9th Instune Algorithm with high axis responsiveness
- Support for large cameras such as the Blackmagic Pocket 6K, Panasonic S1H, and Canon EOS 1DX Mark II
- Six modes: pan follow, lock, follow, full-range POV, vortex, and Go modes
- Dedicated mounting points for attaching an optional Zhiyun-Tech TransMount transmitter
- FlexMount camera mounting system with a double safety mechanism
- Vertical quick release camera mount
- Quick release plate compatible with many tripod heads and sliders
- Two-phase axis locking mechanism for balancing a camera and for storage/travel
- Carbon fiber handle
- Low-delay handwheel performance when used with optional lens motors
- Up to 12-hour runtime on three included removable batteries
- 360° pan motion
- 0.96\" OLED screen
- Panorama, time-lapse, motion-lapse, and long exposure time-lapse via the companion app
- 1/4\"-20 thread on the bottom
The right tool for the job
Videographers have to constantly switch between different cameras to ensure they are using the optimal tools for the task at hand. CRANE 2S is ready to embrace this challenge. With highly optimized motors, CRANE 2S handles larger cameras such as the BMPCC 6K, Panasonic S1H, EOS 1DX Mark II with ease. The new generation 9th Instune Algorithm ensures smooth, reliable performance even in time-sensitive tasks.
Ensuring you won\'t miss any critical shots, CRANE 2S features FlexMount System which greatly simplifies the setup process while at the same time securing your valuable camera gear with a double safety mechanism. For the first time in the industry, CRANE 2S comes with a quick release mount along with a safety knob on tilt axis which allows users to switch to vertical shooting in a snap without need of additional accessory installation. Buy all Zhiyun Gimbals from UBMS for best price.
The lightweight but strong carbon fiber handle of the CRANE 2S is another key feature that makes this a reliable and sturdy workhorse while offering more secure hand feel.
Ease of use, versatility, and gear safety
CRANE 2S is built on the classic design of CRANE 2 while reinvented in details. The new 0.96-inch OLED screen in the CRANE 2S offers a wider view that enable you to navigate through the entire menu system and switch between modes swiftly. CRANE 2S will be available in UBMS Dubai showroom soon .
Brand new axis lock system is introduced to CRANE 2S. Once locked, the axis will stay absolutely still without any swinging, rest assure your camera equipment is 100% safe on the gimbal while traveling or in storage.
For boost real-life filming efficiency, CRANE 2S is equipped with multiple mounting points: a 1/4\" screw hole on the back of the quick release base plate for the camera to shift between different devices such as sliders and tripods; Two 1/4\" screw holes with crown gear and a 3/8\" screw hole on the gimbal for creative adaptation. The TransMount Image transmitter can directly slide into the bottom of quick release base plate without screws. Buy Zhiyun CRANE 2S from UBMS Dubai for best price . We can provide free delivery inside UAE . We can ship CRANE 2S to all GCC countries (Bahrain, Kuwait, Oman, Qatar, Saudi Arabia ) & African Countries .
Outstanding features for ultimate results
CRANE 2S also pushes boundaries with its film grade focus control ability. With a built-in focus control wheel and servo follow focus motor that realizes next level precision control, Crane 2S is ambitioned to escort your ultimate creative journey.
Zhiyun’s CRANE 2S provides six gimbal modes with buttery smooth movement, satisfying all demands from basic to advanced: pan following, locking, following, full-range POV, Vortex mode, and Go mode. Advanced cinematic effects such as Panorama, Timelapse, Motionlapse, and Long Exposure Timelapse are easy to achieve with the CRANE 2S.
The TransMount ecosystem of accessories serves videographers with the TransMount image transmission system, monopod, mini dual grip, dual handle and more.
The CRANE 2S uses three removable 18650 Li-ion batteries, providing a standard 12-hour runtime. Videographers can easily extend the runtime with backup batteries.
Crafted for Perfection
To meet the needs of different work tasks, videographers have to constantly switch among different cameras and CRANE 2S is ready to embrace the challenge. Highly optimized in motor control algorithms and motor power, CRANE 2S handles large cameras such as the BMPCC 6K, Panasonic S1H, Canon EOS 1DX Mark II, Nikon D850 with total ease. More than that, you can also mount multiple accessories on it.
On-Site Efficiency Matters
To make sure that you won\'t miss any decisive shots, CRANE 2S features brand new FlexMount System which greatly simplifies the setup process while at the same time secures your camera with a double safety mechanism.You can even adjust the tightness of the safety lock to suit your specific needs.
Vertical Shooting Made Easy
With mobile traffic gaining the upper hand, it\'s foreseeable that videographers will receive more work requests on vertical content. CRANE 2S comes standard with a vertical quick release mount and a safety knob for high-quality vertical shooting.
Expand for Limitless Possibilities
Designed for high-efficiency team collaboration, CRANE 2S is equipped with a dedicated slot for installing image transmission transmitter.
Multiple mounting points are available on the gimbal for creative adaptation: One 1/4\" screw hole on the back of the quick release plate for the camera to shift between different devices such as sliders and tripods; Two 1/4\" screw holes with crown gear and one 3/8\" screw hole.
VSNExplorer MAM
VSN’s Media Asset Management software, VSNExplorer MAM, offers all the necessary tools to manage the entire media life-cycle. Its GUI is based on HTML5, allowing users to manage media files within different storage units, also in the Cloud, and to access the platform from any browser and operating system. In addition, its highly scalable and open architecture enables the integration of VSNExplorer MAM with any software and hardware available in the market. This solution is available on-premise or in the Cloud, as pay-per-use in SaaS platforms such as Windows Azure, Amazon or Private Cloud. This model grants higher speed and more flexibility, reducing costs and time-to-market rates.
VSNExplorer MAM has also been integrated with the Artificial Intelligence systems of IBM, Google, Microsoft Azure and Etiqmedia for automatic metadata detection and content cataloging. This systems can also be “trained” (known as machine learning) to automatically detect informacion adapted to user’s needs, such as people first unknown to the system who will be automatically recognized from that moment on. Apart from facial recognition and objects analysis, thanks to AI systems VSNExplorer MAM can also perform advanced searches relying on metadata, automatic speech-to-text, translation and subtitling, advanced Cloud transcoding to different formats or even help on content moderation processes through the detection of sensitive or adult content, among others.
VSNExplorer MAM now includes Wedit, the web video editor integrated within VSNExplorer platform, to boost collaborative work and increase efficiency in media management and video editing through its cloud-based functionalities, whether assets are stored in deep archive, nearline or online files. 100% HTML5, Wedit allows journalists and editors to easily locate and edit media files within a single interface, without necessary changing to an NLE.
Main features:
- Open and scalable architecture: It easily integrates with existing or newly installed third-party systems, becoming the "orchestra conductor" of all workflows and ensuring a seamless transfer of files and information between systems. Its scalability allows the system to grow as the business grows, reducing the risk of quick replacement or obsolescence in the future.
- Ingest & Transcoding: VSNExplorer MAM organizes and manages all the media and content of a company, controlling all files from the ingest. Users can change the files' format (transcoding) depending on their needs and the system that they plan to use later, during the production, editing, delivery and broadcast or publishing of content.
- Advanced metadata structures: Create complex custom metadata structures, ideal for the most demanding needs in media cataloging and management. The hierarchy of areas and classes of metadata with inheritable properties allows for a totally versatile system, boosting collaborative work between several departments or multiple companies.
- Segment and layer cataloging: Segment cataloging allows for fast and easy access to relevant parts of a media file. This is specially useful for creating sport event highlights, press conferences, automatic transcriptions, quality check results, etc. Moreover, layer cataloging (strata logging), allows you to assign different thematic metadata layers (technical, documentation, marketing, etc.) to the same asset.
- Advanced content searches: For any media and broadcast company, it is essential to locate in a fast and easy way all its media assets. VSNExplorer MAM offers a tool for quick and advanced searching, which allows users to save time and to access any asset whenever is needed. You can also classify your content in different areas and add metadata layers depending on the type of asset.
- Thesaurus management: The correct integration and management of a thesaurus is essential for the archivists’ work. Create a list of standard terms for different usages to achieve terminological coherence when cataloging your content. In addition, the system allows for the validation of the proposed terms by the users depending on their permisssions.
Finally, VSNExplorer MAM is completely integrated with the main social media platforms, such as Facebook, YouTube and Twitter, allowing users to share content directly from their MAM interface, automatically converting media files into MP4 and completing the metadata required by these platforms with the metadata detected from each media file.
Latest product update (09/2020): The VSNExplorer platform has a new functionality for users to create dashboards from which to operate all the tools and functionalities of the system in a centralized way. Each user can create their own control and operation panels from the top menu of VSNExplorer and easily customize them by combining different widgets that allow to use and operate all the tools and functions of the VSNExplorer system from the panel itself and without having to open each one of them.
VSNCrea
VSNCrea
VSNCrea is the company’s new software for TV, radio and second-screen traffic and scheduling. It enables the management of a company’s content production catalog, either owned or acquired from third parties, as well as its advertising, production workflows, programming and broadcast planning — all from a single user interface.
VSNCrea has been completely redesigned to offer broadcasters a brand-new, modern and user-friendly web interface that allows them to make quick and accurate decisions about when to broadcast a certain piece of content, thanks to its unified functionalities and workflows in one single interface.
It also provides useful extra information such as analytical data about the actual profitability of the content. As it is HTML5-based, the software will be accessible anytime anywhere from any web browser and device by multiple users simultaneously. Also, the possibility of running this software in the cloud will enhance the ability of users and departments to work together on a more collaborative basis.
The system can be used specifically within TV channels, radio stations or web TV platforms for traffic and scheduling, programming planning, advertising management and control of third-party TV rights acquired for broadcast, among others.
The system also includes a Smart Ads module that simplifies the management of campaigns in an automatic and intelligent way. It allows you to establish broadcast rules by time slots (e.g. children's content slots) to have greater control over the advertising that is broadcast and even manage different price ranges depending on the time slot and channel.
Other features include the ability to change language within the user interface, the consolidation of the final broadcast and the analysis of the programming and content return on investment (ROI) through analytical reports.
The VSNCrea traffic and scheduling system now also includes a content scheduling module for non-linear channels that allows for easy integration with any non-linear environment (Vod, OTT, Web TV, etc.), as well as a SaaS contracting option.
VSN NewsConnect
VSN NewsConnect
Meet VSN NewsConnect, the first web plugin for Newsroom Computer Systems (NRCS) that allows users to interconnect all the third-party systems necessary to create their news production environment with complete freedom of choice. Improve the speed in news production and delivery by accessing all the journalist's tools from a single and centralized interface.
Main features:
Access from a single interface: Journalists and editors can access their NRCS, CG, NLE, studio playout and MAM systems from a single window, the NRCS system interface of their choice, without installing any additional software or hardware. This breakthrough allows them to make the most of their time and become more competitive in the execution of their tasks.
Cloud solution: VSN NewsConnect can be implemented in 100% Cloud environments thanks to its HTML5 development. This is a great added value to enhance collaborative work and remote production, allowing multiple users to create and produce news and live shows simultaneously from any geographical location.
Maximum compatibility: VSN NewsConnect is compatible via MOS with most NRCS and CG systems available in the market to allow reading the graphics template catalog and synchronizing the search and editing of graphics and media in a unified way. The system also features advanced integrations with most of the studio automation systems and Non-Linear Editors.
Remote interoperability: This plugin provides journalists with maximum freedom when creating a news story for any broadcast studio, since it is capable of adapting the media format and distribute it automatically to the different available receiving systems, even when these systems are from different brands or vendors.
Improved user experience: VSN offers broadcast and media companies the possibility to design their news production environment their way, so that users have at their disposal the best working tools that perfectly adapt to their needs from a single centralized environment. In this way, they can improve their efficiency and meet tight deadlines.
Access to an advanced MAM: With VSN NewsConnect, users have at their disposal one of the most complete MAM systems in the market within the interface of their NRCS, including powerful Artificial Intelligence (AI) tools for cataloging and advanced content searches, as well as one of the most agile web video editors available on the market, Wedit.
Latest updates (09/2020): Support for growing files for remote work environments. This development allows users to visualize the low resolution of a recording and start editing and working with it instantly, while it is still being ingested into the system. That is, they can simultaneously select video fragments of their interest, add them to the editing timeline, make quick video edits and consolidate the final piece in low resolution to send it to FTP or any destination for broadcast or publication.
VoCaption, Automated Live Captioning
VoCaption, Automated Live Captioning
VoCaption is a new, best of breed, solution that uses artificial intelligence to deliver accurate, real-time, speech-to-text processing across a diverse and expanding language base to assist with emergency captioning and subtitling for breaking news, remotes, files needing last minute subtitles and support so your human captioner can take a break periodically.
As part of a larger solution, VoCaption empowers you to deliver automatic subtitling across the most comprehensive range of linear, OTT and file-based formats on the market today. It can be stand-alone with 3rd party subtitling but it’s full benefits are felt when used in conjunction with BroadStream’s market-leading Polistream captioning encoder and OASYS Integrated Playout.
Vimond VIA
Vimond VIA
Vimond VIA is a cloud based , modular and scalable Video Content Management system (Video CMS) that grows with your needs, to serve your OTT audiences wherever they are. Content can be streamed from local or external and remote sources.From media ingestion, through asset management, content curation and distribution, VIA ensures a great viewer experience and efficient workflows for your users and editorial teams at a global scale. Vimond VIA scales automatically to accommodate peak viewing volumes, keeping infrastructure costs efficient.
VICO-4L
VICO-4L
VICO-4L is powering 4:1 (and 8:1 optional) visually loss-less and ultra-low delay TICO compression, achieving 4K 50/60p quality transport over single 3G-SDI, HD-SDI, SFP+, ST-2110 and ST-2022-6.
Key features:
- Low latency 32 video lines fixed delay, or according to Genlock/FrameSync
- Compression ratio 4:1(4K3G-SDI), 8:1(4KHD-SDI)
- High image quality high peak signal to noise ratio (PSNR)
- Standardized SMPTE RDD 35 (TICO Alliance)
- 1 RU rack mount size (max dual channel)
Application areas
- Contribution
- Storage cost reduction to storage 1/4. 1/8
- OEM board can be provided
Technical specifications
SDI input BNC 75Ω 3G-SDI Level A 2SI, 12G-SDI Chroma 4:2:2 Bit Depth 10Bits Frame rate 50P(4:1 only), 59.94P, 60P Encoder input 4K (4 x 3G-SDI), 4K(1x12G-SDI) Decoder output 4K (4 x 3G-SDI)、4K(1x12G-SDI) Signal split mode INTER(2SI: 2 sample interleave division) Dimensions (ｍｍ) 435W x 260D x 44.5H Power supply AC 100～240V Power consumption 30VA Weight About 3.0Kg Operation temperature ０～35℃ Operation humidity 20 to 80% RH * No condensation
VIA profiles
When you know who your OTT viewers are, and they login, VIA Profiles enables you to create richer personal experiences to keep audiences watching, engaged, and coming back for more.VIA Profiles helps you manage your viewer journeys and experiences. Connect with Vimond Identity Access and Management, or external authentication providers, to enable access and control for viewers logging into your service, and enable set up of sub-profiles for family members.Define data and build profile information to better understand each individual viewer. Track their subscription, billing and transaction history, and segment users by attributes, devices and location to better target relevant content to keep them connected.Email communication paths make it easy to automate sign-ups, renewals, purchase confirmations and password resets.
VIA Orchestrate
VIA Orchestrate is a workflow engine to help you manage your video pipeline from ingest through transcoding and DRM encryption, to playout. VIA Orchestrate makes video workflow management simple, and does not require editorial staff to be video processing experts. Video can be ingested from live and VOD content and transcoded.
VIA Monetise
VIA Monetise
VIA Monetise enables you to create and manage compelling commercial packages of content and subscriptions tailored for your audiences to develop and grow revenue per viewer. Set flexible rules for video monetisation, pricing, payment plans, recurring billing, and stimulate content purchases. Use vouchers to re-engage and reward audiences, encourage viewer upgrade and downgrade of product packages in line with demand or risk of churn. Automate renewals and payments for active subscriptions.VIA Monetise enables integration with a range of third party payment providers, or use a Vimond packaged integration out of the box.
VIA Live
VIA Live
VIA Live allows you to manage linear and event based live streams, automating the creation of VOD assets for distribution to OTT platforms and multimedia services. This significantly reduces the amount of manual work, making the process more efficient and cost effective.By combining the broadcasters' channels and electronic program guide (EPG) data, VIA Live is a one stop shop for channel planning and monitoring. Monitor inbound live feeds on a streamlined timeline, and use imported EPGs as a basis for program creation, complete with content ingest and scheduling.
VF-SMON
Features and performance
- High-performance monitoring complying with TR101 290 standards
- PID / service rate monitoring (maximum / minimum rate) correspondence
- TOT / TDT time monitoring
- Up to 8 TS can be monitored by 1 U server
- TS monitoring supported by RF input
- Monitor log management per TS
- Simple synchronous recording for a certain period of time
- External failure notification function by XML format
- Time calibration by NTP
Applications
- Multi-channel multi-TS monitoring at low cost
- Built-in monitoring function in the digital broadcasting system
- Inexpensive TS logging / TS monitoring for independent broadcasting
- Since it is fully developed in-house, it can be customized development
Monitoring Specifications
- Monitoring Standard: TR101 290（P1、P2、P3）Rate
- PCR: PID rate monitoring
- TOT,TDT : TOT, TDT time monitoring function
- DATA Broadcasting: DSM-CC, DDB, DIII, DL compatible
Example of system achievement
- Multi-channel TS monitoring system
- Multi-channel TS registration system
- Adopted as oversea TS monitoring
Vela Luna
Capture proxy content 24x7 with live-multiviewer, QoS monitoring/logging/alerting and Transport Stream analytics, integrated with As-Run logs for internal air-check and ad-verification. Based on an affordable workstation that delivers powerful tools for less.
Vela Encompass
Vela Encompass
A comprehensive original and proxy quality 24/7 capture solution with live-multiviewer, QoS monitoring/logging/alerting and Transport Stream analytics, integrated with As-Run logs for internal air-check and ad-verification and a host of features and tools for clipping and repurposing back-to-air or OTT/Social, competition monitoring, ratings graphing, HLS packaging, and competitor-aired ad-identification with lead-list generation for sales.
VEDA
VEDA
VEDA Automation is the broadcast TV playout automation software solution for robust multi-channels playout already used by hundreds of channels in the world.
Based on 30 years experience, the VEDA Automation platform manages local, thematic and premium channels as well as multi-channel playout centers. Its flat design, innovative, friendly, and fully configurable user interface and proven reliability make VEDA one of the best and most versatile broadcast TV video playout automation solution.
VB330
VB330
The VB330 probe is the flagship in Bridge Technologies product offering towards broadband and media operators. With dual 10G Ethernet connectivity and a massive multiprocessor architecture, the VB330 can deliver monitoring and analytics of thousands of streams and a multitude of technologies in real-time and in parallel. The VB330 is deployed either on dedicated embedded hardware, as a pre-configured and pre-installed appliance or as a software-only solution.
This gives operators greater flexibility when it comes to tailoring the monitoring solution towards the underlying system architecture in the best possible manner. Feature parity is ensured across the various deployment options, varying only in factors such as scalability, power consumption and longevity. The web-based user experience and feature availability stays the same across all the deployment alternatives.
The VB330 is aimed at monitoring the full cross section of services commonly found in media related network operations. As such the VB330 is very much a multi-use tool to monitor network performance involving signal formats and areas as diverse as video IP multicast, video OTT/ABR streaming, voice trunks, video-on-demand unicast, Ethernet packet micro bursts, PCAP recording and general traffic protocol inspection.
USB Capture SDI Gen 2 capture dongle
Input Interfaces:
MCX
SD/HD/3G SDI
Host Interface:
USB 3.0
compatible with USB 2.0
compatible with USB 3.1 Gen 1
Input features:
Support for up to 2048x1080 input resolution
SDI Specific Features:
Integrated cable equalizer extending the cable length as follows:
up to 330m for SD-SDI signals
up to 190m for HD-SDI signals
up to 150m for 3G-SDI signals
Support for SD/HD/3Ga/3Gb/3Gb-DL/3Gb-DS standards
Support for 2K (2048x1080) mode
Support for RGB 4:4:4, YCbCr 4:4:4, YCbCr 4:2:2 color sampling
Support for 10/12-bit color depth
Support for extraction of SMPTE 352 payload identifier
Support for up to 2 (mono) audio channels at 48KHz
Support for extraction of audio formation information & channel status data
Limited support of 3Gb-DS: only the first stream can be captured
Limited support for capture of the first link of dual link interfaces:
YCbCr 4:2:2 10-bit 1080p 50/59.94/60: captured as 1080i 50/59.94/60
YCbCr 4:4:4 10-bit: captured as 4:2:2
RGB 4:4:4: R/B sub-sampled
Video Capture format:
Support for capture resolutions up to 2048x1080
Support for capture frame rates up to 120fps
SDK:
The USB Capture SDK provide functions including signal status extraction, capture configuration and real-time audio & video capture, etc.
Accessories:
USB 3.0 cable
MCX to SDI cable
USB Capture SDI 4K Plus capture dongle
Input Interfaces:
BNC
SD/HD/3G/6G SDI
3.5mm audio jack
unbalanced Line In interface
Host Interface:
USB 3.0
compatible with USB 2.0
compatible with USB 3.1 Gen 1
Output Interface:
3.5mm audio jack
unbalanced Line Out interface
Loop-through Interface:
BNC
SD/HD/3G/6G SDI
Input features:
Support for up to 4096x2160 input resolution
SDI Specific Features:
Integrated cable equalizer extending the cable length as follows:
up to 330m for SD-SDI signals
up to 190m for HD-SDI signals
up to 150m for 3G-SDI signals
up to 75m for 6G-SDI signals
Support for SD/HD/3Ga/3Gb/3Gb-DL/3Gb-DS/6G (SMPTE 2081) standards
Support for 2K (2048x1080) & 4K (4096x2160) mode
Support for RGB 4:4:4, YCbCr 4:4:4, YCbCr 4:2:2 color sampling
Support for 10/12-bit color depth
Support for extraction of SMPTE 352 payload identifier
Support for up to 2 (mono) audio channels at 48KHz
Support for extraction of audio formation information & channel status data
Limited support of 3Gb-DS: only the first stream can be captured
Limited support for capture of the first link of dual link interfaces:
YCbCr 4:2:2 10-bit 1080p 50/59.94/60: captured as 1080i 50/59.94/60
YCbCr 4:4:4 10-bit: captured as 4:2:2
RGB 4:4:4: R/B sub-sampled
Video Capture format:
Support for capture resolutions up to 4096x2160
Support for capture frame rates up to 120fps
SDK:
The USB Capture SDK provide functions including signal status extraction, capture configuration and real-time audio & video capture, etc.
Accessories:
USB3.0 cable
USB Capture HDMI Gen 2 capture dongle
Input Interfaces:
HDMI
DVI-D 1.0
HDMI 1.4a
Host Interface:
USB 3.0
compatible with USB 2.0
compatible with USB 3.1 Gen 1
Input features:
Support for input video resolutions up to 2048x2160
HDMI Specific Features:
165MHz HDMI receiver
Adaptive HDMI equalizer support for cables lengths up to 30M
Support for customized EDID
Support for extraction of AVI/Audio/SPD/MS/VS/ACP/ISRC1/ISRC2/Gamut InfoFrames
Full colorimetry support
Support for 8/10/12-bit color depth
Support for RGB 4:4:4，YCbCr 4:4:4，YCbCr 4:2:2 color sampling
Support for 2 channel IEC60958 audio streams
Support for extraction of audio formation information & channel status data
Support for extraction of video timing information
Support for extraction of 3D format information
Support for Side-by-Side Half, Top-and-Bottom, Frame Packing 3D mode.
Video Capture format:
Support for capture resolutions up to 2048x2160
Support for capture frame rates up to 120fps
SDK:
The USB Capture SDK provide functions including signal status extraction, capture configuration and real-time audio & video capture, etc.
Accessories:
USB 3.0 cable
USB Capture HDMI 4K Plus capture dongle
Input Interfaces:
HDMI
DVI-D 1.0
HDMI 1.4
HDMI 2.0
3.5mm audio jack
Microphone interface
Host Interface:
USB 3.0
compatible with USB 2.0
compatible with USB 3.1 Gen 1
Output Interface:
3.5mm audio jack
headphones interface
Loop-through Interface:
HDMI
DVI-D 1.0
HDMI 1.4
HDMI 2.0
Input feature:
Support for input video resolutions up to 4096x2160
HDMI Specific Features:
600MHz HDMI receiver
Adaptive HDMI equalizer
Support for customized EDID
Support for extraction of AVI/Audio/SPD/MS/VS/ACP/ISRC1/ISRC2/Gamut InfoFrames
Full colorimetry support
Support for up to 4096x2160 4:4:4 60fps input signals
Support for 2 channel IEC60958 audio streams
Support for extraction of audio formation information & channel status data
Support for extraction of video timing information
Support for extraction of 3D format information
Support for Side-by-Side Half, Top-and-Bottom, Frame Packing 3D mode.
Video Capture format:
Support for capture resolutions up to 4096x2160
Support for capture frame rates up to 120fps
SDK:
The USB Capture SDK provide functions including signal status extraction, capture configuration and real-time audio & video capture, etc.
USB Capture AIO capture box
Input Interfaces:
DVI-I
DVI 1.0
HDMI 1.4a (via breakout cable)
VGA (via DVI-to-VGA convertor)
Component (via breakout cable)
DB9
YC (S-Video)
Composite video
Analog audio (L+R)
Component video
BNC
SD/HD/3G SDI
Host Interface:
USB 3.0
compatible with USB 2.0
compatible with USB 3.1 Gen 1
Input features:
Auto scan of video input sources when there is no signal input to the currently selected input source
Manual selection of video input source
Auto selection of linked (embedded) audio input source when the video input source changes
Manual selection of audio input source
Support for input video resolutions up to 2048x2160
HDMI Specific Features:
225MHz HDMI receiver
Adaptive HDMI equalizer support for cables lengths up to 30M
Support for customized EDID
Support for extraction of AVI/Audio/SPD/MS/VS/ACP/ISRC1/ISRC2/Gamut InfoFrames
Full colorimetry support
Support for 8/10/12-bit color depths
Support for RGB 4:4:4, YCbCr 4:4:4, YCbCr 4:2:2 color sampling
Support for up to 2-channel IEC60958 audio streams
Support for extraction of audio formation information & channel status data
Support for extraction of video timing information
Support for extraction of 3D format information
Support for Side-by-Side Half, Top-and-Bottom, Frame Packing 3D mode.
SDI Specific Features:
Integrated cable equalizer extending the cable length as follows:
up to 330m for SD-SDI signals
up to 190m for HD-SDI signals
up to 150m for 3G-SDI signals
Support for SD/HD/3Ga/3Gb/3Gb-DL/3Gb-DS standards
Support for 2K (2048x1080) mode
Support for RGB 4:4:4, YCbCr 4:4:4, YCbCr 4:2:2 color sampling
Support for 10/12-bit color depth
Support for extraction of SMPTE 352 payload identifier
Support for up to 2 (mono) audio channels at 48KHz
Support for extraction of audio formation information & channel status data
Limited support of 3Gb-DS: only the first stream can be captured
Limited support for capture of the first link of dual link interfaces:
YCbCr 4:2:2 10-bit 1080p 50/59.94/60: captured as 1080i 50/59.94/60
YCbCr 4:4:4 10-bit: captured as 4:2:2
RGB 4:4:4: R/B sub-sampled
Video Capture format:
Support for capture resolutions up to 2048x2160
Support for capture frame rates up to 120fps
SDK:
The USB Capture SDK provide functions including signal status extraction, capture configuration and real-time audio & video capture, etc.
Accessories:
USB 3.0 cable
DVI to VGA connector
DVI-I to HDMI + Component breakout
DB9 to YC + Composite + Analog Audio + Component breakout
UReady 2RU Control Surface Ethernet Connectivity, ARM Platform – 1 Row Buttons
UReady 2RU Control Surface Ethernet Connectivity, ARM Platform – 1 Row Buttons
Densitron’s modular design of HMI control surface is suitable for applications in Broadcast, Telecommunications, and other networked control and monitoring systems.
This universal touchscreen control surface is 2RU rack mountable, with an embedded ARM platform and Ethernet connectivity.
Tactile-touch is a Densitron proprietary technology* that provides the mechanical feeling of a button, combined with optical transparency, and interaction with a touchscreen display. Tactile control surfaces provide sensory feedback for operators, which touchscreens alone cannot easily do. This category of human-machine interaction allows operators to not have to look at the spatial location of their fingers, thus freeing them up to look at the associated control and monitoring tasks.
The visible active area through the transparent button allows text, graphics, images, even video thumbnails to be seen. This version of the tactile control surface has a single-row of 16 buttons on the lower-third. The upper two-thirds is a display and touchscreen area for display and interaction.
The display has 1920 x 285 pixels and an optically bonded capacitive touchscreen providing optimum optical quality. The display features wide-angle symmetric viewing making it easier to be used in many operational applications.
The embedded ARM platform is Densitron’s Aurora SBX™ single board computer based on NXP i.MX6 utilising Quad core ARM® Cortex-A9 2GHz. The APU paired with onboard DDR3 RAM provides the performance to support contemporary multi-media requirements, and rich User Interfaces.
The embedded Aurora Software Ecosystem (ASE) allows for rapid development of user’s HMI applications.
* Patent granted in Taiwan. Patent applied for in USA and EPO
UReady 2RU Control Surface Ethernet Connectivity, ARM Platform -Triple Row Buttons
UReady 2RU Control Surface Ethernet Connectivity, ARM Platform -Triple Row Buttons
Densitron’s modular design of HMI control surface is suitable for applications in Broadcast, Telecommunications, and other networked control and monitoring systems.
This universal touchscreen control surface is 2RU rack mountable, with an embedded ARM platform and Ethernet connectivity.
Tactile-touch is a Densitron proprietary technology* that provides the mechanical feeling of a button, combined with optical transparency, and interaction with a touchscreen display. Tactile control surfaces provide sensory feedback for operators, which touchscreens alone cannot easily do. This category of human-machine interaction allows operators to not have to look at the spatial location of their fingers, thus freeing them up to look at the associated control and monitoring tasks.
The visible active area through the transparent button allows text, graphics, images, even video thumbnails to be seen. This version of the tactile control surface has three rows of 16 buttons.
The embedded ARM platform is Densitron’s Aurora SBX™ single board computer based on NXP i.MX6 utilising Quad core ARM® Cortex-A9 2GHz. The APU paired with onboard DDR3 RAM provides the performance to support contemporary multi-media requirements, and rich User Interfaces.
The embedded Aurora Software Ecosystem (ASE) allows for rapid development of user’s HMI applications.
* Patent granted in Taiwan. Patent applied for in USA and EPO
UReady 2RU Control Surface Ethernet Connectivity, ARM Platform
UReady 2RU Control Surface Ethernet Connectivity, ARM Platform
This universal touchscreen control surface is 2RU rack mountable, with an embedded ARM platform and Ethernet connectivity.
Densitron’s modular design of HMI control surface is suitable for applications in Broadcast, Telecommunications, and other networked control and monitoring systems.
This universal touchscreen control surface is 2RU rack mountable, with an embedded ARM platform and Ethernet connectivity.
The display has 1920 x 285 pixels and an optically bonded capacitive touchscreen providing optimum optical quality. The display features wide-angle symmetric viewing making it easier to be used in many operational applications.
The embedded ARM platform is Densitron’s Aurora SBX™ single board computer based on NXP i.MX6 utilising Quad core ARM® Cortex-A9 2GHz. The APU paired with onboard DDR3 RAM provides the performance to support contemporary multi-media requirements, and rich User Interfaces.
The embedded Aurora Software Ecosystem (ASE) allows for rapid development of user’s HMI applications.
Ultra Stream SDI encoder
Input Interfaces:
BNC
SD/HD/3G SDI
3.5mm audio jack
Microphone interface
Output Interfaces:
BNC
SD/HD/3G SDI
USB
USB 2.0
3.5mm audio jack
Headphone interface
Network Interfaces:
Wired Ethernet
10/100/1000Mbps Ethernet
Wi-Fi
IEEE 802.11 a/b/g/n/ac
USB
USB 3G/4G Modem (not included)
Bluetooth:
Bluetooth 4.0 BLE
SDI Specific Features:
Support for SD/HD/3Ga/3Gb/3Gb-DL/3Gb-DS standards
Support for 2K (2048x1080) input and loopthrough signals
Support for 8/10/12-bit color depths
Support for 60p, 60i, 50p, 50i, 30p, 25p signal formats
Limited support for the first stream of 3Gb-DS
Limited support for the first link of dual link interfaces
YCbCr 4:2:2 10-bit 1080p 50/59.94/60: output as 1080i 50/59.94/60
YCbCr 4:4:4 10-bit: output as 4:2:2
RGB 4:4:4: R/B sub-sampled
Accessories:
AC adapter
Ultra Stream HDMI encoder
Input Interfaces:
HDMI
HDMI 1.4a
3.5mm audio jack
Microphone interface
Output Interfaces:
HDMI
HDMI loop-through
USB
USB 2.0
3.5mm audio jack
Headphone interface
Network Interfaces:
Wired Ethernet
10/100/1000Mbps Ethernet
Wi-Fi
IEEE 802.11 a/b/g/n/ac
USB
USB 3G/4G Modem (not included)
Bluetooth:
Bluetooth 4.0 BLE
HDMI Specific Features:
Support for up to 4096x2160 4:4:4/4:2:2 30fps or 4096x2160 4:2:0 60fps input and loopthrough signals
Support for 8/10/12-bit color depths
Support for 60p, 60i, 50p, 50i, 30p, 25p signal formats
For 4:2:0 input signals, the horizontal and vertical resolution will be reduced to 1/2 for capturing
For 4:4:4/4:2:2 input signal at more than 170MHz, the horizontal and vertical resolution will be reduced to 1/2 for capturing.
Accessories:
AC adapter
UE-4/8-II
UE-4/8-II
The UE Series includes Multiviewers that support either 4 or 8 4K/UHD HDMI 2.0 inputs as well as HDMI 2.0 and 12G outputs. Models are available with or without KVM Functions. As with all TAHOMA Multiviewers, the UE Series if fully featured,Apantac now announces its second generation of UE multiviewers, which include a cascading feature, are more compact (almost half the depth) and consume less power. The UE series now also includes the UE-4-DP, which offers Display Port inputs instead of HDMI 2.0.The UE-4-II and UE-4-K-II models can be cascaded together as well as cascaded with the Apantac Mi-8 12G-UHD, an 8x1 UHD multiviewer with inputs up to 12G SDI. The cascade feature ensures users can combine more source inputs as well as mix input formats on the same display - all without extra latency. For example, user can cascade one UE-4K-II with one UE-4-II and one Mi-8 12G-UHD, thereby displaying up to 8x HDMI plus 8x 12G SDI signals on the monitor and control up to four HDMI computers from a single keyboard and mouse. The maximum number of units in a cascade is four, with a maximum of four UE-4-II, two UE-4-K-II and one SDI multiviewer.The KVM function allows multiple computers connected to the Multiviewer to be controlled via a single mouse and keyboard. Users simply move the mouse from window to window (on their display) to switch the control from one computer to another one. A single operator can visually monitor and control up to eight computers on a single console with a UHD or HD monitor. Via the single console, the user can easily switch between Multiviewer layouts using predefined keyboard shortcuts.
Three Media XEN:Pipeline
Three Media's XEN:Pipeline is a new generation Business Content Management System that will drive transformational change across the content supply chain.
Sitting at the heart of operations, its automated workflows and business processes are designed to discover, transform, curate and manage your metadata and content throughout its lifecycle, from concept through to distribution.
Strawberry
Strawberry
Strawberry is an award-winning Production Asset Management Suite (PAM), designed to keep productions organized and collaboration flexible. Strawberry solves key storage and workflow management issues that plague every media production house. For a PAM to be effective, it must integrate tightly with key creative applications, accelerate production workflows, and manage the underlying production storage. Strawberry does this and more, so that you can utilize your creative talent more effectively. Its unique approach balances the needs of the technical team and creative team for producing content seamlessly. If you have tired of constantly adding storage and see that a smarter workflow is the solution, have a closer look.
StorEDIT
storEDIT is a dedicated hardware container with up to 120 TB capacity for your media files with high-performance reliability. MOG network shared storage is equipped with SSD and HDD drives that provide versatility and high-capacity storage. It is ultra-compact and lightweight and it features an enterprise RAID controller.
Collaborative Workspace
- Virtual Workspaces
- Quota Management
- User Management
Client OS Compatibility
- Microsoft Windows
- Apple Mac OS
- Linux
Advanced features
- Growing-files
- Load Balancing
- Dynamic Workspace Quota
NLE Compatibility Workflows
- Blackmagic Davinci Resolve
- AVID Media Composer
- Adobe Premiere
StarTracker Studio
StarTracker Studio
The world’s first pre-configured complete virtual studio system. All the flexibility and creativity virtual sets offer without the complexity or cost.
This state-of-the-art virtual studio system provides unlimited creative freedom to generate visually impactful digital studios for every video type.
Create all your video content with a single studio
- 3-camera 4K virtual studio system – expandable to 16 cameras.
- Pre-confi gured system with pre-calibrated lenses.
- 1 vendor for supply, installation, training, and support.
- 1 day installation.
- No additional virtual studio compositing software required.
- Works with LED wall studios or green studios.
- 4K recorders included – shoot live to air, or record for post-production.
- Includes Mo-Sys Beam In technology – include remote guests in a virtual studio.
- Uses Unreal Engine 4 (UE4) - the market leader in photo-realistic graphics engines.
- Suitable for live broadcast/streaming, real-time film workflows, and rapid reaction social media video
StarTracker
StarTracker
StarTracker is an absolute system that always knows where it is that is suitable for both AR and VR. With no technician required, StarTracker could be the perfect tracking technology for your next project.
Features and capabilities
The system looks at “stars”; which are small, identical retro-reflective stickers – the same reflective material that could be found on emergency vehicles. These stickers are randomly applied to the studio ceiling or the lighting grid. No additional structure is required. They do not have to conform to any pattern and can vary in height. The “stars” are hardly visible to the naked eye. A small LED sensor, mounted on the studio camera, shines light on the stars. This defines the star map, which allows the StarTracker to report the position and orientation of the studio camera in real time to the rendering engine.
Freedom of movement
StarTracker offers unlimited freedom of movement and gives accurate position, rotation and lens data in real-time - this makes it ideal for Steadicam and handheld. You can rotate the studio camera 360 degrees, and move it to any position in the studio, even right to the edge, as long as enough “stars” are in sight of the tracking camera. Other systems are often restricted in their tracking volume. StarTracker can track in 3m to 20m high studios. Since the tracking sensor points up rather than looking into the scene, the tracking is unaffected by studio conditions, such as moving objects, set changes, lighting configurations, reflections and plain green screen environments.
No lighting restriction
As the “stars” can be applied randomly, in no certain pattern, above the lighting grid, they do not restrict the studio lights in any way. Despite being optical, StarTracker is unaffected by studio lighting, giving you complete freedom to install and adjust lights as needed. This is unique to StarTracker.
Ease of use
The initial set-up and calibration is quick and simple. Once you have applied the "stars" to the ceiling, a major part of the installation is done. A brief mapping and calibration process only need to be performed once for each studio. Multiple cameras in the studio can track off the star map. Once calibrated, the system is fully automatic and starts tracking after being powered on. No extra technician is required for day-to-day operation.
Absolute tracking
StarTracker does not drift, unlike mechanical encoded pedestals that work on dead-reckoning and accumulate error with distance travelled. This excludes them from almost all AR applications. Because StarTracker is always referencing itself to its star map, its position is absolute and drift-free.
Cost-effective solution
StarTracker is the most cost-effective choice for tracking of free moving cameras. In fact, it is often the only viable option to track cameras in large areas. Having just one tracking sensor camera and lots of inexpensive “stars”, instead of having an array of expensive tracking cameras, makes it cost-efficient. By adding more stars to the ceiling, the tracking volume can be easily extended at a very low extra cost. You can even employ a single StarTracker system in several studios.
Support and maintenance
StarTracker does not require a tracking operator. Once it is set up, it just tracks, and maintenance is minimal. In case of a problem we can offer fast support, remote or on-site, and training.
SPORT 200 Heavy Duty Tripod
SPORT 200 Heavy Duty Tripod
The new SPORT 200 Heavy Duty Tripod is ideal for videographers shooting sports in all possible large camera/lens configuration.
The S200 is a game changer. It features an extremely innovative profile and angular structure, which gives it a sturdiness you simply cannot get from standard tripod tubes.
The rigidity allows camera operators to be extremely precise in their movements – from whip pans to tracking players or objects.
It is built with Duraluminium as used in the aircraft industry and offers outstanding torsional rigidity with camera packages, up to 200 kg (441 pounds), in all possible large camera/lens configuration.
The S200 accepts classic Mitchell flat base heads and standard Vinten 4 bolts attachment.
Its innovative profile is angled and shaped to ensure maximum strength while weighing only 10.5 kg (23 lbs).
Designed to withstand even the harshest weather conditions, the S200 can endure rain, dust, moisture and extreme temperatures.
The center brace drives a telescopic mid-level spreader for a truss structure stable in any environment.
Sony FX6 Full Frame 4K Cinema camera with FE PZ 28-135mm f/4 G OSS Lens
Sony FX6 Full Frame 4K Cinema camera with FE PZ 28-135mm f/4 G OSS Lens
Sony FX6 is a full-frame 4k E-mount camcorder & it will be the smallest member of the Sony cinema line family that includes FX9 & Sony Venice. Sony PXW-FX6 is the successor to the popular Sony PXW-FS5 (handheld camcorder with Super 35 Exmor® sensor, lightweight and robust). FX6 will be launched at end of the year. For Sony FX6 Price or availability you can contact UBMS. UBMS is the authorized dealer for Sony Professional & Cinema line cameras
Sony FX6 overview
FX6 Combines the Best of Sony’s Industry-leading Digital Cinema Technology with Advanced Imaging Features from Alpha™ Mirrorless Cameras
- 4K 10.2 megapixel full-frame back-illuminated CMOS Exmor R™ sensor
- Compact and lightweight body design for on-the-go shooting
- Ultra-high sensitivity with ISO expandable up to 409,600 for very low light conditions
- 15+ stops of dynamic range
- S-CinetoneTM look profile, also used in FX9 and inspired by VENICE colorimetry
- BIONZ XR™ image processing engine, first used in Alpha 7S III
- Fast Hybrid Auto Focus, also used in Alpha cameras and FX9
- Recording up to 4K 120p / HD 240p, 10-bit 4:2:2 color depth in full-frame
- Support for up to 12G-SDI and 4K at up to 60p 16-bit SDI RAW output
- Compatible with more than 50 native E-mount lenses
Full-frame Cinematic Image Quality
The new camera features a 10.2 MP full-frame back-illuminated Exmor R™ CMOS sensor that delivers a 15+ stop wide dynamic range with high sensitivity and low noise. FX6’s base sensitivity is ISO 800 with an enhanced sensitivity setting of ISO 12,800- expandable up to 409,600[iv] - for shooting in low and very low light conditions. It is capable of recording in XAVC All Intra 4:2:2 10-bit depth with stunning image quality in DCI 4K (4096 x 2160 – up to 60p), QFHD 4K (3840 x 2160 – up to 120p[v]) and FHD (1920x1080 – up to 240p) for incredibly detailed slow motion. When more convenient file sizes are needed, FX6 can record in XAVC Long GOP 4:2:0 8-bit QFHD 4K (3840 x 2160 – up to 120pvii) and 4:2:2 10-bit FHD (1920x1080 – up to 240p). FX6 also includes a BIONZ XR™ image processing engine, first used in the new Sony Alpha 7S III camera, providing up to four times faster processing performance compared to the FS5 II.
Developed with the same expertise as Sony’s world-leading VENICE cinema camera, FX6 offers advanced cinematic color science including S-CinetoneTM for richer tonal reproduction right out of the box as well as S-Log3, S-Gamut3, and S-Gamut3.Cine for post-production flexibility. FX6’s cinematic color science is optimized for premium applications by capturing the maximum dynamic range from the sensor and providing creative freedom. Leveraging the color science of VENICE, FX6 also allows productions to easily match footage with other cameras in the Cinema Line.
Advanced Video Features
Pulling from Sony Alpha’s impressive AF features, FX6 offers Fast Hybrid AF by combining 627-point[vi] focal-plane phase-detection AF with advanced Face Detection and Real-time Eye AF in high frame rates with continuous AF, allowing camera operators to effortlessly and precisely track fast-moving subjects in slow motion without losing focus. Fast Hybrid AF works with over 50 native E-mount lenses. The camera can also capture up to five times slow-motion with 4K (QFHD) 120fps.
The new FX6 also offers internal electronic variable ND filters for easy and seamless control of the camera’s filter density. Users can set variable ND to auto or adjust the filter density manually in smooth increments from 1/4 to 1/128 for perfectly exposed images without affecting the depth of field or shutter angle, even during changing lighting conditions. Combined with the camera’s ultra-high sensitivity, the electronic variable ND filter provides users with outstanding creative control in almost any shooting environment.
Made for Content Creators on the Go
Outstanding Mobility and Operability
Built with a durable magnesium alloy chassis, measuring just 4.6 inches x 6 inches x 4.5 inches (116 millimeters x 153 millimeters x 114 millimeters) and weighing just 1.96 pounds (0.89 kilograms), FX6 has a compact and lightweight design making it easy for users to grab and shoot at any time. The new camera includes a heat-dissipating structure to keep the camera’s components within their normal operating ranges to prevent overheating, even during extended recording times. FX6 also features a modular design allowing users to easily pair accessories, such as grips and viewfinders, or attach the camera to other mechanisms, such as gimbals and drones.
FX6’s 3.5-inch LCD Viewfinder can be attached to multiple locations of the camera body for added freedom and easy menu control with touch operation. Using a quick-access control menu for commonly accessed features, camera operators can change key settings with a single touch - including Codec, Imager Scan Mode, Picture Size and Frequency, Base ISO and Sensitivity, Shooting Mode, and Audio Levels.
Professional-level Reliability
In line with professional workflows, FX6 includes a 12G-SDI output that also supports 16-bit RAW, HDMI output, timecode in/out, built-in Wi-Fi, and four channel audio recording (via XLR Interface, Multi-Interface Shoe, and built-in Stereo Mic). The new camera also features two media slots compatible with CFexpress Type A cards for higher overall capacity and faster read and write speeds in addition to SDXC UHS-II/UHS-I cards.
Additionally, Sony’s Catalyst Browse/Prepare[ii] software facilitates fast and easy editing. Users can import FX6’s image stabilization metadata into Catalyst Browse/Prepare to transform handheld footage into incredibly smooth and stable visuals. FX6 also has a dedicated Clip Flag button to easily filter and locate preferred takes using Catalyst Browse/Prepare. This software also reflects metadata indicating when FX6 is rotated or in its normal position, eliminating the need to rotate footage beforehand. FX6 is also compatible with Sony’s Content Browser Mobile App to easily monitor and control focus, iris, and zoom remotely
FX6 other details
The FX6 Full-Frame Camera from Sony was developed to offer versatile, cine-style imaging in a truly compact form. With the ability to capture up to 15+ stops of dynamic range, Sony's S-Cinetone gamma for filmlike skin tones, and up to 10-bit, 4:2:2 XAVC-I recording, the FX6 is poised to both supplement your FX9 or VENICE capture and to nimbly take on the documentary, gimbal, and drone shoots on its own. The FX6 camera combines a 4K full-frame Exmor R sensor with a BIONX XR engine for extremely sensitive capture in a range of settings using a base ISO of 800 as well as an ISO 12800 high-sensitivity mode for nuanced low-light scenes.
Weighing just under 2 lb, the FX6 body is a full 2 lb lighter than the FX9 and measuring 6 x 4.6", it packs a full-frame sensor into a body comparable to the S35-sensor Sony FS5. While the FX6 fits seamlessly into a pro-cine on-set workflow, it also offers several features that are a boon for a single-operator user. These include fast and accurate phase-detection autofocus with both Face Detection and real-time Eye autofocus, both auto and manual ND filter settings for quick exposure compensation, and a 3.5" LCD monitor that boasts timesaving touchscreen access to key menu settings and versatile positioning for comfortable operating.
Fx6 Main Features
- 4K 10.2 megapixel full-frame back-illuminated CMOS Exmor R™ sensor, 15+ stops dynamic range, ISO expandable to 409,600 for low light conditions
- 627 points phase-detection AF, Real-time Eye AF
- 4K (QFHD) high-frame-rate 120fps recording
- XAVC-I 4:2:2 10-bit class 300 internal recording, DCI 4K/QFHD 16bit RAW output with 12G-SDI
- BIONZ XR™ image processing engine optimized for mobile movie shooting style
- S-Log3/S-Gamut3, S-Gamut3.Cine for post-production flexibility
- Built-in electronic Variable ND Filter controlled from 1/4ND to 1/128ND linearly or set to auto
- Magnesium body and frame for high durability with lightweight
- The Sony Cinematic Look: Full-frame 4K recording at up to 120p with S-CINETONE picture profile
- Outstanding 4K Expression: 4K 120p, 10-bit 4:2:2 recording, up to 15+ stops dynamic range, Variable ND filter, LUTs input
- Fast, Precise and Customisable Autofocus System: Fast Hybrid AutoFocus, Real-time Eye AF, Touch tracking Autofocus, Customisable Autofocus sensitive
- Designed for Professional Workflow: 890g compact and lightweight modular body gives you outstanding mobility, reliability, and expandability
- High Connectivity: 16bit RAW output, 12G SDI, HDMI, USB-C, WiFi, LANC, 2x XLR, Mi-Shoe, E mount
FX6 & FX9 Similarities
- It matches the FX9's video capture up to DCI 4K60
- Has the same S-Cinetone, S-Log3, and HLG gamma choices
- Outputs 16-bit raw like the FX9
- Sony E lens mount
- Offers the same 1/4 to 1/128 ND options
- Also provides 2-channel XLR audio inputs
FX6 & FX9 Difference
- 4K capture vs 6K
- Has a single 12G/6G/3G-SDI BNC port, trimming the FX9's additional 3G-SDI port
- Incorporates a timecode port but lacks the FX9's genlock connector
Existing products in the Sony range forming part of the Cinema Line include VENICE andFX9. VENICE has become the first choice for digital movie production, and the FX9 has an outstanding track record in documentary production. The next step is a new model that will appeal to a wide spectrum of visual creators. Sony will be releasing and shipping this next addition to the range, the FX6 camera by the end of 2020. Sony FX6 is released on 17th November 2020.
Sony Cinema Line
Sony's wide range of camera lines from high-end cinema cameras to affordable professional cameras, including VENICE, FX9, FX6, etc. Cinema Line will deliver not only the coveted cinematographic look cultivated through extensive experience in digital cinema production but also the enhanced operability and reliability that meet discerning creators’ various needs. The new series will extend beyond basic cinema camera and professional camcorder form factors.
- Sony Venice
- Sony FX9
- Sony FX6
Buy Sony FX6 Full Frame 4K Cinema camera with FE PZ 28-135mm f/4 G OSS Lens From UBMS Dubai.
Sony FX6 Full Frame 4K
Sony FX6 Full Frame 4K
Sony FX6 is full-frame 4k E-mount camcorder & it will be smallest member of Sony cinema line family that include FX9 & Sony Venice . Sony PXW-FX6 is the successor to the popular Sony PXW-FS5 (handheld camcorder with Super 35 Exmor® sensor, lightweight and robust). FX6 will be launched on end of the year . For Sony FX6 Price or availability you can contact UBMS. UBMS is the authorized dealer for Sony Professional & Cinema line cameras
Sony FX6 overview
FX6 Combines the Best of Sony’s Industry-leading Digital Cinema Technology with Advanced Imaging Features from Alpha™ Mirrorless Cameras
- 4K 10.2 megapixel full-frame back-illuminated CMOS Exmor R™ sensor
- Compact and lightweight body design for on-the-go shooting
- Ultra-high sensitivity with ISO expandable up to 409,600 for very low light conditions
- 15+ stops of dynamic range
- S-CinetoneTM look profile, also used in FX9 and inspired by VENICE colorimetry
- BIONZ XR™ image processing engine, first used in Alpha 7S III
- Fast Hybrid Auto Focus, also used in Alpha cameras and FX9
- Recording up to 4K 120p / HD 240p, 10-bit 4:2:2 color depth in full-frame
- Support for up to 12G-SDI and 4K at up to 60p 16-bit SDI RAW output
- Compatible with more than 50 native E-mount lenses
Full-frame Cinematic Image Quality
The new camera features a 10.2 MP full-frame back-illuminated Exmor R™ CMOS sensor that delivers a 15+ stop wide dynamic range with high sensitivity and low noise. FX6’s base sensitivity is ISO 800 with an enhanced sensitivity setting of ISO 12,800- expandable up to 409,600[iv] - for shooting in low and very low light conditions. It is capable of recording in XAVC All Intra 4:2:2 10-bit depth with stunning image quality in DCI 4K (4096 x 2160 – up to 60p), QFHD 4K (3840 x 2160 – up to 120p[v]) and FHD (1920x1080 – up to 240p) for incredibly detailed slow motion. When more convenient file sizes are needed, FX6 can record in XAVC Long GOP 4:2:0 8-bit QFHD 4K (3840 x 2160 – up to 120pvii) and 4:2:2 10-bit FHD (1920x1080 – up to 240p). FX6 also includes a BIONZ XR™ image processing engine, first used in the new Sony Alpha 7S III camera, providing up to four times faster processing performance compared to the FS5 II.
Developed with the same expertise as Sony’s world-leading VENICE cinema camera, FX6 offers advanced cinematic color science including S-CinetoneTM for richer tonal reproduction right out of the box as well as S-Log3, S-Gamut3 and S-Gamut3.Cine for post-production flexibility. FX6’s cinematic color science is optimized for premium applications by capturing the maximum dynamic range from the sensor and providing creative freedom. Leveraging the color science of VENICE, FX6 also allows productions to easily match footage with other cameras in the Cinema Line.
Advanced Video Features
Pulling from Sony Alpha’s impressive AF features, FX6 offers Fast Hybrid AF by combining 627-point[vi] focal plane phase-detection AF with advanced Face Detection and Real-time Eye AF in high frame rates with continuous AF, allowing camera operators to effortlessly and precisely track fast-moving subjects in slow motion without losing focus. Fast Hybrid AF works with over 50 native E-mount lenses. The camera can also capture up to five times slow-motion with 4K (QFHD) 120fps.
The new FX6 also offers internal electronic variable ND filters for easy and seamless control of the camera’s filter density. Users can set variable ND to auto or adjust the filter density manually in smooth increments from 1/4 to 1/128 for perfectly exposed images without affecting the depth of field or shutter angle, even during changing lighting conditions. Combined with the camera’s ultra-high sensitivity, the electronic variable ND filter provides users with outstanding creative control in almost any shooting environment.
Made for Content Creators on the Go
Outstanding Mobility and Operability
Built with a durable magnesium alloy chassis, measuring just 4.6 inches x 6 inches x 4.5 inches (116 millimeters x 153 millimeters x 114 millimeters) and weighing just 1.96 pounds (0.89 kilograms), FX6 has a compact and lightweight design making it easy for users to grab and shoot at any time. The new camera includes a heat dissipating structure to keep the camera’s components within their normal operating ranges to prevent overheating, even during extended recording times. FX6 also features a modular design allowing users to easily pair accessories, such as grips and viewfinders, or attach the camera to other mechanisms, such as gimbals and drones.
FX6’s 3.5-inch LCD Viewfinder can be attached on multiple locations of the camera body for added freedom and easy menu control with touch operation. Using a quick access control menu for commonly accessed features, camera operators can change key settings with a single touch - including Codec, Imager Scan Mode, Picture Size and Frequency, Base ISO and Sensitivity, Shooting Mode and Audio Levels.
Professional-level Reliability
In line with professional workflows, FX6 includes a 12G-SDI output that also supports 16-bit RAW, HDMI output, timecode in/out, built-in Wi-Fi and four channel audio recording (via XLR Interface, Multi-Interface Shoe and built-in Stereo Mic). The new camera also features two media slots compatible with CFexpress Type A cards for higher overall capacity and faster read and write speeds in addition to SDXC UHS-II/UHS-I cards.
Additionally, Sony’s Catalyst Browse/Prepare[ii] software facilitates fast and easy editing. Users can import FX6’s image stabilization metadata into Catalyst Browse/Prepare to transform handheld footage into incredibly smooth and stable visuals. FX6 also has a dedicated Clip Flag button to easily filter and locate preferred takes using Catalyst Browse/Prepare. This software also reflects metadata indicating when FX6 is rotated or in its normal position, eliminating the need to rotate footage beforehand. FX6 is also compatible with Sony’s Content Browser Mobile App to easily monitor and control focus, iris, and zoom remotely
FX6 other details
The FX6 Full-Frame Camera from Sony was developed to offer versatile, cine-style imaging in a truly compact form. With the ability to capture up to 15+ stops of dynamic range, Sony's S-Cinetone gamma for filmlike skin tones, and up to 10-bit, 4:2:2 XAVC-I recording, the FX6 is poised to both supplement your FX9 or VENICE capture and to nimbly take on documentary, gimbal, and drone shoots on its own. The FX6 camera combines a 4K full-frame Exmor R sensor with a BIONX XR engine for extremely sensitive capture in a range of settings using a base ISO of 800 as well as an ISO 12800 high-sensitivity mode for nuanced low-light scenes.
Weighing just under 2 lb, the FX6 body is a full 2 lb lighter than the FX9 and measuring 6 x 4.6", it packs a full-frame sensor into a body comparable to the S35-sensor Sony FS5. While the FX6 fits seamlessly into a pro-cine on-set workflow, it also offers several features that are a boon for a single-operator user. These include fast and accurate phase-detection autofocus with both Face Detection and real-time Eye autofocus, both auto and manual ND filter settings for quick exposure compensation, and a 3.5" LCD monitor that boasts timesaving touchscreen access to key menu settings and versatile positioning for comfortable operating.
Fx6 Main Features
- 4K 10.2 megapixel full-frame back-illuminated CMOS Exmor R™ sensor , 15+ stop dynamic range, ISO expandable to 409,600 for low light conditions
- 627 points phase-detection AF, Real-time Eye AF
- 4K (QFHD) high-frame-rate 120fps recording
- XAVC-I 4:2:2 10-bit class 300 internal recording, DCI 4K/QFHD 16bit RAW output with 12G-SDI
- BIONZ XR™ image processing engine optimised for mobile movie shooting style
- S-Log3/S-Gamut3, S-Gamut3.Cine for post production flexibility
- Built-in electronic Variable ND Filter controlled from 1/4ND to 1/128ND linearly, or set to auto
- Magnesium body and frame for high durability with light weight
- The Sony Cinematic Look: Full-frame 4K recording at up to 120p with S-CINETONE picture profile
- Outstanding 4K Expression: 4K 120p, 10-bit 4:2:2 recording, up to 15+ stops dynamic range, Variable ND filter, LUTs input
- Fast, Precise and Customisable Autofocus System: Fast Hybrid AutoFocus , Real-time Eye AF, Touch tracking Autofocus, Customisable Autofocus sensitivy
- Designed for Professional Workflow: 890g compact and light weight modular body gives you outstanding mobility, reliability and expandability
- High Connectivity: 16bit RAW output, 12G SDI, HDMI, USB-C, WiFi, LANC, 2x XLR, Mi-Shoe, E mount
FX6 & FX9 Similarities
- It matches the FX9's video capture up to DCI 4K60
- Has the same S-Cinetone, S-Log3, and HLG gamma choices
- Outputs 16-bit raw like the FX9
- Sony E lens mount
- Offers the same 1/4 to 1/128 ND options
- Also provides 2-channel XLR audio inputs
FX6 & FX9 Difference
- 4K capture vs 6K
- Has a single 12G/6G/3G-SDI BNC port, trimming the FX9's additional 3G-SDI port
- Incorporates a timecode port but lacks the FX9's genlock connector
Existing products in the Sony range forming part of the Cinema Line include VENICE andFX9. VENICE has become a first choice for digital movie production, and the FX9 has an outstanding track record in documentary production. The next step is a new model that will appeal to a wide spectrum of visual creators. Sony will be releasing and shipping this next addition to the range, the FX6 camera by the end of 2020. Sony FX6 is released in 17th November 2020 .
Sony Cinema Line
Sony's wide range of camera line from high-end cinema cameras to affordable professional cameras, including VENICE, FX9, FX6, etc. Cinema Line will deliver not only the coveted cinematographic look cultivated through extensive experience in digital cinema production, but also the enhanced operability and reliability that meet discerning creators’ various needs. The new series will extend beyond basic cinema camera and professional camcorder form factors
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Sony FE 50mm f/1.2 GM Lens
Sony FE 50mm f/1.2 GM Lens
Excellent resolution. Beautiful bokeh. (Introducing our 60th E-mount lens, the all-new 50mm F1.2 G Master lens). Exceptional expression from a compact F1.2 prime E-mount lens, FE 50mm F1.2 GM.
New speed and resolution in an F1.2 lens
This 50‑mm F1.2 G Master prime lens is a creator's dream, with an F1.2 maximum aperture that not only allows shooting in a wider range of lighting conditions, but also provides an extraordinary combination of high resolution, luscious G Master bokeh, and blazing autofocus. It is also remarkably compact and lightweight—for new creative freedom.
G Master resolution without compromise
The compact, lightweight FE 50 mm F1.2 GM is an ideal choice for dedicated creators. XA (extreme aspherical) elements and other advanced technologies combine to achieve extraordinary resolution and contrast from the image center right out to the edges. Sony Nano AR Coating II subdues flare and ghosting, while a floating focus mechanism ensures optimum sharpness at any focusing distance. Buy Sony FE 50mm f/1.2 GM Lens from UBMS Dubai.
Smooth, refined G Master bokeh
XA elements plus painstaking spherical aberration control at the design and manufacturing stages contribute to gorgeous G Master bokeh that can really make portrait and other subjects stand out, especially with the shallow depth of field available at the lens's maximum F1.2 aperture. An 11-blade circular aperture mechanism contributes to beautifully circular bokeh. SEL50F12GM will be alible in UBMS Dubai showroom soon.
Fast, precise, quiet AF and tracking
Fast, accurate focus is assured, even with extremely shallow 50 mm F1.2 depth of field. Four XD (extreme dynamic) Linear Motors smoothly deliver high thrust to position the large, heavy focus groups for fast, accurate AF. Original Sony E-mount lens technology ensures that you get maximum performance from E-mount bodies—for both stills and movies.
Professional mobility
3.5" (87 mm) in diameter, 4.38" (108 mm) long, and weighing just 27.5 oz (778 g), the FE 50 mm F1.2 GM complements compact, high-performance E-mount bodies to create a system that gives serious shooters the mobility and handling. Three XA elements and four XD Linear Motors in a large-aperture lens that is surprisingly compact offer extraordinary creative potential.
Professional control and reliability
Two focus hold buttons, a focus mode switch, a focus ring, an aperture ring with switchable click stops and other controls support smooth operation. The focus hold buttons can be assigned to other functions via a camera menu. Linear Response MF ensures that the focus ring responds linearly to manual focus control. Effective dust and moisture resistance and a fluorine front element coating enhance reliability.
- As part of Sony's esteemed G Master series, this lens is designed to achieve notably high resolution and sharpness through the correction of a wide variety of spherical and chromatic aberrations. Additionally, these lenses feature robust and intuitive-to-handle physical designs to benefit both photography and cine applications.
- Normal perspective 50mm lens is designed for full-frame Sony E-mount mirrorless cameras; however, it can also be used with APS-C models where it provides a 75mm equivalent focal length.
- Notably fast f/1.2 maximum aperture benefits working in difficult lighting conditions and also affords increased control over depth of field.
- Three XA (eXtreme Aspherical) elements are incorporated into the optical design and feature superior surface precision for effective control over astigmatism, field curvature, coma, distortion, and other spherical aberrations for a high degree of sharpness and accurate rendering.
- Nano AR Coating II has been applied to reduce surface reflections, flare, and ghosting for increased contrast and color rendering in strong lighting conditions. This updated coating is better suited for larger, curved elements and is especially adept at minimizing internal reflections.
- Four XD Linear Motors, along with an internal focusing design, provides quick, quiet, and precise autofocus performance. This design also contributes to more natural, intuitive Linear Response manual focus control and an AF/MF switch is located on the lens barrel for tactile control over this setting.
- A focus hold button is featured on the lens barrel for intuitive tactile control and rapid access to select settings.
- Physical aperture ring can be de-clicked for smooth, silent aperture switching to benefit video applications.
- Dust- and moisture-sealed design better permits working in inclement conditions and rubberized control rings benefit handling in colder temperatures.
- Fluorine-coated front element resists dust, moisture, and fingerprints and is easy to clean.
- Rounded 11-blade diaphragm contributes to a pleasing bokeh quality when employing selective focus techniques.
Sony FE 14mm f/1.8 GM Lens
Sony FE 14mm f/1.8 GM Lens
A dynamic ultra wide-angle focal length with an especially bright design, the FE 14mm f/1.8 GM from Sony is a fast, versatile lens well-suited to landscape, nature, architectural, and astrophotography applications. Its extremely wide-but-usable perspective is complemented by the f/1.8 maximum aperture for excellent performance in low-light conditions and increased control over depth of field. The optical design incorporates two extra-low dispersion elements and one super ED element to reduce chromatic aberrations, plus two XA (extreme aspherical) elements that significantly control spherical aberrations for a high degree of image sharpness and clarity. A Nano AR II coating has been applied to limit ghosting and lens flare for increased contrast and color fidelity when working in strong lighting conditions.
An XD Linear Motor system uses two separate motors to provide quick and quiet focus, and also lends more responsive control for manual focus operation. A minimum focus of just 9.8" and an ultra-wide field of view opens a new world of deep perspective close-up photography. Also, the lens features a dust- and moisture-sealed design and fluorine-coated outer elements to support shooting in inclement conditions.
- A focus hold button is present on the lens barrel for intuitive tactile control and rapid access to select programmable settings.
- Physical aperture ring can be de-clicked for smooth, silent aperture switching to benefit video applications. The ring also incorporates a locking "A" position for use in automated exposure modes.
- Dust- and moisture-sealed design better permits working in inclement conditions and rubberized control rings benefit handling in colder temperatures.
- Fluorine-coated front and rear elements resist dust, moisture, and fingerprints and are easy to clean.
- Filter holder is incorporated at the rear of the lens, within the lens mount, and accepts cut gel filters and a filter cutting template is included.
- Integrated petal-shaped lens hood helps to block stray light from causing lens flare and also affords some physical protection to the front element.
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SONY ALPHA 1 MIRRORLESS DIGITAL CAMERA (BODY ONLY)
SONY ALPHA 1 MIRRORLESS DIGITAL CAMERA (BODY ONLY)
α1 - The One
Sony continues to challenge the limits of conventional imaging tools with innovative technology that delivers an unprecedented combination of resolution and speed plus intuitive operation. The α1 offers new dimensions of imaging performance as well as efficient workflow, giving the user new creative freedom. The α mission is to give creators the power to realize their dreams. The α1 is its most potent expression to date.
The Alpha 1 offers an extraordinary combination of high resolution and blazing speed. Ultra-fast readout from the 50.1 MP sensor allows continuous bursts at up to 30 fps with AF and AE tracking using the electronic shutter. Perfect for any situation where the critical action is over in an instant.
50.1 megapixel Exmor RS™ image sensor
The α1 features a full-frame stacked back-illuminated CMOS Exmor RS™ sensor with 50.1 effective megapixels and integrated memory. In addition to delivering outstanding image quality, this allows the α1 to shoot continuously at up 30 frames per second while offering fast, precise phase-detection AF and top-quality 8K movies with full-frame 8.6K oversampling for the first time in the α series. Unprecedented performance for a new era of image making. Looking for to buy Sony Alpha 1 contact UBMS Dubai. We can give best price and fast delivery for all sony professional products . Buy new ILCE-1 from UBMS .
Advanced BIONZ XR engine boosts speed by up to 8x
The α1 features a revised system architecture with greatly enhanced processing performance from image capture through all signal processing stages. Processing latency is minimised while image processing power is dramatically increased for extraordinary image quality. User interface, network, and file management processing is distributed so that fast, stress-free control response is maintained regardless of real-time processing load. Looking for Sony Alpha store in Dubai ? UBMS have the largest collection of Alpha cameras in UAE.
Continuous shooting at up to 30 fps
High speed readout from the 50.1-megapixel image sensor and a large buffer memory make it possible to shoot up to approximately 165 full-frame JPEG images or 155 full-frame compressed RAW images at up to 30 frames per second with the electronic shutter while maintaining full AF and AE tracking performance. This can be a huge confidence-booster when timing is critical for sports and other moving subjects.
Silent, vibration-free electronic shutter
The electronic shutter operates silently, without mechanical noise that can be disruptive when shooting sports or events in a quiet environment. The electronic shutter is also vibration-free, minimising the likelihood of vibration-induced blur and further contributing to superior image quality. And since it has no moving components the electronic shutter is much more durable than any mechanical counterpart.
Anti-flicker shooting with electronic shutter
High-speed readout from the new image sensor has made it possible to provide Anti-flicker Shooting with an electronic shutter for the first time. This enables blackout-free shooting, up to 120 AF/AE tracking calculations per second, up to 30 fps continuous shooting, silent shooting, and other advantages of the electronic shutter without flicker issues when shooting under fluorescent, LED or other flicker-prone types of artificial light. Anti-flicker [1] ON [2] OFF
Blackout-free shooting
The α1 viewfinder does not black out when an exposure is made, so you have an uninterrupted view that allows smooth, seamless framing and tracking even during continuous shooting. High readout speed from the new image sensor makes it possible to refresh the live-view EVF display 240 times per second while shooting continuous bursts, overcoming the distracting time lag that is usually associated with EVF viewing. (A) Blackout-free Shooting (B) Shooting with blackouts . ILCE1 will available in UBMS Dubai Showroom Soon .
High resolution and sensitivity with 15-stop dynamic range
The α1 employs highly efficient noise reduction processing to deliver extraordinary resolution from its 50.1 effective megapixel image sensor. That resolution is complemented by high sensitivity with low noise, plus approximately 15 stops of dynamic range at lower sensitivities for smooth, natural gradations from shadows to highlights.
Wide sensitivity range
Even with this sensor’s high pixel count, its back-illuminated structure, gapless on-chip lenses, AR-coated seal glass and other original imaging technologies work with the new BIONZ XR image processing engine to deliver high resolution and low noise throughout a wide sensitivity range: ISO100~32000 standard, expandable to ISO50~102400
Electronic shutter flash sync + high-speed mechanical sync
For the first time in an α camera, electronic shutter flash sync is possible thanks to high readout speed from the stacked CMOS sensor. All electronic shutter advantages are available at up to 1/200 sec. If you need even more speed a new mechanical shutter system allows flash sync up to 1/400 sec. (1/500 sec. APS-C), making it easier to capture dynamic action and opening the door to new creative possibilities.
Body Design
- An impressive QXGA OLED Tru-Finder EVF features a high 9.44m-dot resolution and 0.9x magnification for exceptionally bright, clear, and detailed eye-level viewing. This viewfinder has a dedicated 240 fps High Quality+ setting for smooth motion rendering and the finder's physical design has a long 25mm eye point, 41° field of view, and features a fluorine coating on the outermost viewfinder element to benefit cleaning.
- A 3.0" 1.44m-dot tilting screen benefits working from high and low angles. This LCD is a touchscreen, too, for intuitive shooting control and menu navigation.
- Dual memory card slots both accept either CFexpress Type A or SD-type memory cards. The dual slot design allows for flexible file saving and handling and can be configured to partition file types or can be used for overflow recording. Additionally, both of the card slots are rated to support UHS-II memory cards for faster transfer speeds.
- Updated menu structure is more intuitive and complements having different workflows and settings selections for movie recording and stills shooting. The menu system also works in conjunction with the touchscreen design of the rear LCD.
- Magnesium alloy chassis assures rigidity, durability, and stability while remaining lightweight. The lens mount has also been improved to better support heavy lenses, and the grip rigidity has been improved for more comfortable hand-holding.
- Extensive weather-sealing, including enhanced sealing around the battery cover, terminal cover, and chassis joints, has been employed to resist dust and moisture for reliable operation in harsh weather conditions.
- Accepts the high-capacity NP-FZ100 rechargeable lithium-ion battery, which provides approximately 430 shots/90 minutes of recording per charge when using the viewfinder or 530 shots/95 minutes of recording per charge when using the rear LCD.
- Full-size HDMI A port offers a more reliable connection when working with external recorders.
- A USB 3.2 Gen 1 Type-C port has been added, in addition to a micro-USB port, for faster, more reliable tethering support. The USB Type-C connection allows the camera to be charged or powered from the host power source while connected.
- PC sync terminal for wired flash sync with strobe packs or wireless radio remotes.
- Both 3.5mm headphone and external microphone ports facilitate greater control over audio recording.
- Multi Interface Shoe supports working with the optional ECM-B1M Shotgun Microphone or XLR-K3M XLR Adapter Kit, which provide improved, clear audio recording sound by sending a digital audio signal to the camera, opposed to an analog signal.
- Built-in Wi-Fi enables the remote camera control and instant sharing of imagery to mobile devices for direct sharing online, and support for both 2.4 and 5 GHz bands also enables wireless tethered shooting support. This connectivity also provides remote camera control
- USB Type-C port can be paired with an optional Ethernet wired LAN adapter to provide 1000BASE-T connectivity, wired remote shooting, or FTP transferring.
Connectivity
- Built-in Wi-Fi enables the a1 to instantly share imagery to mobile devices for direct sharing online, and support for both 2.4 and 5.0 GHz bands also enables wireless tethered shooting support. Also, the 5.0 GHz band supports 2x2 MIMO for fast communication speeds and dual antennas ensure a reliable connection.
- NFC (Near Field Communication) allows for one-touch connection between the camera and compatible mobile devices; no complex set-up is required. Once connected, the linked mobile device can also display a live view image on its screen and remotely control the camera's shutter.
- Bluetooth connectivity allows for location data acquisition.
- Ethernet port offers up to 1000BASE-T speeds for quick wired LAN sharing and remote operation.
- When working over a wired LAN, the Remote Camera Tool 2.1 app now has been enhanced for a reduced release time lag and live view delays as well as support for remote SD card formatting, FTP server switching, and changes to the still image storage destination. Wired or wireless LAN transfers can also occur in the background, while continuing to shoot.
- Imaging Edge Remote for desktop supports PC Remote shooting via the Wi-Fi connection or tethered by the wired USB Type-C port. An updated data transfer control also makes it possible to transfer files from an SD card over Wi-Fi using the Imaging Edge Mobile app even when the camera is powered off.
- Transfer & Tagging add-on app can send FTP setting parameters from your mobile device to the camera, offers automatic data upload to an FTP server with attached metadata, and can perform automatic voice-to-text conversion.
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Sony a7C Compact Full- Frame Camera (Body Only)
Sony a7C Compact Full- Frame Camera (Body Only)
The a7C is the smallest and lightest full-frame digital interchangeable-lens camera with optical in-body image stabilisation. Breakthroughs in mechanical packaging and structural design have brought no-compromise full-frame camera performance to a new size and weight class that’s made for powerfully simple still and movie content creation.
Compact Size, Full-frame Power
In combination with an FE 28-60mm F4-5.6 lens, the α7C achieves uncompromising full-frame quality with the world's smallest and lightest camera and lens system. Compact in size but meeting high expectations for image quality, AF and speed, it's truly an all-round performer, ready to enhance your creativity wherever you go.
Express yourself to the fullest degreePowerful performance and extraordinary image quality
Despite the compact size of the camera body, which is the world's smallest and lightest, the α7C delivers the spectacular image quality for both stills and movies that you'd expect from a full-frame camera. Fast, wide and steadfast AF, rapid-fire continuous shooting and a handy vari-angle LCD monitor help capture the action whenever it happens. Buy Sony Sony a7C Compact Full- Frame Camera from UBMS Dubai.
Full-frame imaging in a compact body (Sony Alpaha 7c)Superior light collection means high-quality, low-noise images
Bigger sensors create better images, and the α7C's (alpha 7 c) full-frame sensor is much larger than the sensors in smartphones, compact digital cameras and similar-sized APS-C interchangeable-lens cameras. The resulting increased light collection allows for professional-quality images with reduced noise, and more retained detail in both shadows and highlights.
Make a difference with a larger sensor
With a full-frame sensor it’s possible to take shots and achieve impressive images that are unique to this format. The α7C’s (Alpaha 7c) sensor is more than twice the size of the sensors found in APS-C cameras of similar body size, and up to 30 times larger than a smartphone sensor, for stunning images with greater depth and detail.
Compact size, easy operation
The α7C was fashioned to be compact, lightweight and portable without compromising genuine full-frame camera performance. This goal was accomplished by developing new mechanical components, such as a space-saving shutter and optical stabilisation unit, along with layout and structural enhancements. UBMS can provide best price for Sony alpha cameras .
Enjoy the full-frame advantage
The α7C's full-frame sensor does more than just capture more light. Enhanced image depth, dynamic range and detail are all possible thanks to the large sensor and pixel size.
Capture all the beauty of the world
The 24.2MP10 Exmor R™ CMOS sensor works with Sony's BIONZ X™ engine to deliver superb colour reproduction along with a wide 15-stop dynamic range, and it helps capture details and smooth transitions across all lighting conditions in both stills and movies.
Stunning images, even at fast shutter speeds and in dim light
The alpha 7 c have the larger pixel sizes on the sensor allow for an increased signal-to-noise ratio, for beautiful images with more detail in textures and shadow areas. Noise reduction is particularly effective at the medium- and high-ISO sensitivities required for fast-moving or poorly lit subjects. Standard ISO100-51200 is extendable to ISO50-204800
Lenses to match your stylevast E-mount lens line-up, from wide to telephoto, video and specialised
Whether you're an amateur or a professional, a photographer or a movie creator, a diverse range of over 50 E-mount lenses is available to elevate your creativity. Compact full-frame lenses provide exceptional low-distortion images, even at wide focal lengths, and allow for beautiful image depth and bokeh. Visit UBMS Dubai Showroom to get more details about Sony alpaha cameras
Expand your movie-making options
Achieve truly artistic movie-making with the superb control, image quality and dimensionality of full-frame.
4K recording for beautiful movie imagery
Shallow depth of field enables bokeh effects, one of the strengths of full-frame cameras. Full-pixel readout without pixel binning allows oversampling equivalent to 6K recording, for clean images with less moiré and jaggies.
Widen your expression with S-Log, HLG15 and Picture Profile options
S-Log3 support captures a wide dynamic range of 14 stops, revealing fine detail in both shadows and highlights in post-production. HLG (Hybrid Log-Gamma)15 facilitates direct HDR playback and workflow, and Picture Profile provides various settings options for capturing images. UBMS is one of the best Sony camera store in Dubai, UAE.
Capture the action as it happens, in beautiful detail
State-of-the-art AF and speedy continuous shooting capability help ensure you won't miss that important split-second shot. The α7C's optical image stabilisation unit keeps it steady and blur-free whether you're shooting stills or movies.
Super-accurate AF finds the subject quickly and keeps it in steady focus
The α7C takes advantage of the same AF advancements as our acclaimed α9, with unique 4D FOCUS for fast subject acquisition and steadfast tracking over a wide area. A total of 693 phase-detection AF points cover approx. 93% of the image area.
Never miss a moment, even with fast-moving subjects
To better capture subjects in motion, the α7C shoots in continuous bursts at up to 10fps16 with AF/AE tracking, and up to 8fps in live-view mode. It also supports silent shooting at up to 10fps with AF/AE tracking.
Depend on persistent subject trackingSony's smart AI-based Real-time Tracking18 and Real-time Eye AF
Reliable subject tracking translates into more successful portraits. As with previous models, you can aim at the subject and half-press the preconfigured shutter button to start Real-time Eye AF. The α7C also has a new feature that lets you press the AF-ON button to activate Real-time Tracking even when not in AF-C mode, allowing you to use Real-time Tracking immediately. Focus is maintained even when the face is partially obstructed or when the subject is wearing glasses. UBMS can provide best price for Sony Alpha a7C Mirrorless Digital Camera & can ship Sony a7C to all GCC countries (Bahrain, Kuwait, Oman, Qatar, Saudi Arabia ) & African Countries .
Animal portraits in perfect focusReal-time Eye AF for Animals19 tracks and focuses on animals' eyes
Taking successful still shots of pets and other animals is much easier with Sony's cutting-edge algorithm-based AF. Fast, precise automatic detection and tracking of an animal's eyes, rather than the tip of the nose or the whiskers, keeps everything in clear focus – simply leave it up to the camera. It works dependably even when an obstacle comes into view or when the camera's horizontal/vertical orientation changes.
Reliable handheld still shots and moviesZoom in, grab close-ups and capture night scenes with greater clarity
The α7C's optical 5-axis image stabilisation unit compensates for five types of camera shake with no loss of image quality, even when shooting without a gimbal or when shooting in the dark. These are [1, 2] angular shake (pitch and yaw) that tends to occur with a telephoto lens, [3, 4] shift shake (X and Y axes), noticeable as magnification increases, and [5] rotational shake (roll on Z axis), which affects nighttime shots and video
Full-frame image quality for movie creators
The α7C's side-opening vari-angle monitor can be easily viewed, for example, even when a mic is attached, a gimbal is used, or when shooting from various positions. In addition, headphone and mic jacks allow you to use your favourite equipment. Plus, the large-capacity battery allows for extended shoots. All in all, the α7C is perfectly suited for vloggers and other creators.
Movie production made easyCompact, lightweight and portable even with optional grip accessories
The side-opening LCD monitor makes self-vlogging easy, an optional grip and mic combination21 is perfect for cable-free vlogging, and digital mic support provides extra-clear sound. Popular vertical-format video is also supported, using metadata to allow vertically recorded footage to be replayed and edited in the vertical position without needing to rotate it first.
Grip accessories for a quick, high-level vlog setup
The optional GP-VPT2BT Bluetooth® grip controls recording and zoom operations, and doubles as a tripod for hands-free shooting. A customisable button and easy camera angle adjustment make it perfect for efficient shooting.
Clear 2x zoom for flexible shooting options
Sony's Clear Image Zoom maintains subject resolution with almost no deterioration of image quality. Even single-focus lenses can be used as zoom lenses, with up to 2x zoom magnification.
Digital audio interface for clear sound recording
When using Sony's ECM-B1M Shotgun Microphone or XLR-K3M Adaptor Kit via the MI (Multi Interface) shoe, audio is transmitted as a digital signal, for high-quality sound recording without deterioration or extra audio cables.
Fine-tune AF Subject Shift Sensitivity to maintain steady focus or allow focus shift
AF sensitivity is adjustable for situations with multiple subjects in motion. Levels range from "1. Persistent" to maintain stable focus on the original subject, to "5. Sensitive" to switch easily to other subjects.
Use AF Transition Speed to control how fast the focus shifts
When autofocus does shift from one subject to another, you can specify the speed of the transition. Seven levels are available, from smooth, leisurely transitions to fast shifts in focus.
Slow-motion and fast-motion shootingIn-camera recording up to 5x slower or 60x faster than real time
Varying the pace of footage is an extra creative element you can add to movies, and the α7C's S&Q mode24 makes it easy. It supports high-speed full HD recording at 120fps, and both slow-motion and fast-motion effects are possible in camera, with frame rates ranging from 1-120fps . The resulting footage is up to 5x slower or 60x faster than real-time action.
Easy visual effects for movies
Picture Effect, Creative Style and Picture Profile features are a simple way to widen your creative expression when shooting movies. They provide a wide variety of visual effects and settings, from entry-level to professional. Picture Effect and Creative Style let you leave things to the camera, so there's no need for post-production grading.
Side-opening LCD monitor for flexible operation
The 921-thousand-dot 3.0-type touch panel rotates 176° horizontally and 270° vertically. Use Touch Focus to shift focus instantly, or Touch Shutter to focus and capture still images with a single touch to the screen.
Easy battery charging even when shooting
The large-capacity Z battery tucked into the α7C's compact body can take advantage of a USB power supply. A USB Type-C® cable is all you need for charging, and you can shoot while you're charging.
Sturdy dust- and moisture-resistant construction
Lightweight, high-rigidity magnesium alloy is used for the camera's top, front and rear covers, and sealing is provided throughout the body to minimise dust and moisture entry.
Remote shooting from mobile devices and PCs
The α7C's Wi-Fi® capability makes it easy to set up remote shooting. Set up your camera at a distance and take selfies or vlog footage, using a PC, smartphone or tablet to preview, adjust settings, and operate the shutter.
Quick data transfer to mobile devices for social-media sharing
Photos and videos can be transferred directly to smartphones and tablets on the spot, for easy viewing, sharing and storage via 2.4 or 5GHz Wi-Fi®. One-touch transfer is possible for certain devices, with QR-code connections for others.
Imaging Edge Desktop
Elevate your photography with Imaging Edge Desktop applications. Use the "Edit" function to develop RAW data into high-quality photos for delivery. Get the best from Sony RAW files, and manage your productions more efficiently
Imaging Edge Mobile™ app and Movie Edit add-on for more convenient movie-making
Using the α7C's built-in Wi-Fi®, shutter release and movie recording can be controlled from a smartphone or tablet, and image data can be transferred wirelessly. The Movie Edit add-on corrects camera shake after shooting
Buy Sony a7C Compact Full- Frame Camera (Body Only) From UBMS Dubai.
SMARTLIVE
SMARTLIVE
Fan engagement is sure to increase for broadcasters when they can deliver better, more vivid graphics resulting from the new integration between SMARTLIVE and Singular’s cloud-based technology for live graphic overlays. Graphics can be inserted into the SMARTLIVE auto-generated EDL, reviewed in the player and then burned in when the EDL is flattened. This major development gives broadcasters the capability to enhance storytelling by layering graphics on top of highlights.
SMARTLIVE has also incorporated AI Cloud technology that detects replays in LIVE feeds allowing the solution to automatically complete a story, action or highlight with action replays.
In addition, SMARTLIVE can now create sophisticated transitions between EDL segments, such as fade in/fade out, adding a dynamic element to highlights.
Smart-telecaster Zao-S
Smart-telecaster Zao-S
H.265 IP Video Transmission
The Zao-S is a portable video H.265 HEVC encoder that compresses video in real-time, enabling full HD live video streaming to anywhere from anywhere, all while on the move. The equipped H.265 video compression is the most efficient standard for encoding and compression on the market today. As a result, the Zao-S enables constant HD video quality, low latency, and the freedom to transmit live video from across the globe. The Zao-S is made in Japan and features the high quality craftsmanship that Japanese products are known for. The Zao-S is constantly being improved as our engineers develop new features and increase its capabilities.
Sophisticated Multi-Network Bonding Technology - RASCOW
The Zao-S allows up to 3 external USB modems to be bonded together to form a single connection via 4G, 5G, Wi-Fi, and/or satellite. When transmitting video live over the mobile network, many factors such as the carriers being used, cell tower locations, and varying bandwidth levels affect video quality. Our proprietary protocol, RASCOW, monitors these factors along with the changing mobile signal strength in real-time and adapts the most optimum bonded combination of the network connections. The Zao-S, with the RASCOW protocol, continues to reliably send high quality video even when signal strengths become low or fluctuate rapidly.
Sleek. Compact. Mobile.
The Zao-S maximizes mobility without sacrificing quality. Due to its lightness (about 350g) and portability, the Zao-S can be carried with a body strap or be mounted on a camera. The compact design, and one hour internal battery, make the Zao-S an excellent choice for drone applications as well.
Shotoku TR-XT Control System
Shotoku TR-XT Control System
The TR-XT Control System with multiple enhancements further expands the capabilities of this already powerful and intuitive control system.
LiveView
The TR-XT, the flagship control system of the Shotoku platform, offers a new LiveView option that uses a secondary IP video camera to provide a wide-angle scene view for each camera. LiveView enables operators to command heads to new positions simply by touching on a wide-angled live video view of the studio, smoothly repositioning the head towards the selected presenter, guest or other area of interest.
Studio Zones
Studio zones easily define areas within a studio into which cameras may or may not travel. Zones have a dynamic understanding of studio equipment to avoid no-go areas and potential collisions. In addition to each SmartPed’s unique on-board collision avoidance system, Studio Zones offers a higher level of control for the operator to ensure smooth and safe operation within the environment.
Full Automation
Shotoku also features its enhanced automation interfaces allowing not just pre-set shot recall but full camera adjustment on-the-fly from external systems, even including face-recognition and tracking systems. This advanced technology brings the concept of operator-less control into reality!
Shotoku TG-18i Integrated Pan/Tilt Head
Shotoku TG-18i Integrated Pan/Tilt Head
The TG-18i, the latest version of the hugely successful TG-18 studio pan/tilt head, provides a fully integrated head with high payload and simple connectivity. All the key features which have made the TG-18 so successful remain - such as perfect motion and full manual override with fluid damping - all in a new self-contained package.
Shotoku SX200 and SX260 ENG/EFP systems
Shotoku SX200 and SX260 ENG/EFP systems
Raising the bar on movement quality and shot framing control, the recently launched Shotoku SX200 and SX260 pan and tilt heads incorporate a brand-new design featuring Shotoku’s “Truebalance” for perfect counterbalance that is also easy to adjust throughout the range and has an intuitive display to indicate the current setting. The drag system uses Shotoku’s well known Viscam design but adds a new actuation system that combines the convenience and speed of selection of a stepped system, with the fine tuning and on-shot adjustment of a continuously variable design. The SX200 has a max payload of 44Lbs (20Kg) and the SX260 55Lbs (25Kg). The systems come standard with 2 stage ENG Carbon Fibre legs and is one of the lightest on the market at these payloads.
WHAT’S NEW - With these SX200/SX260 heads crossing over to the EFP application, the new TTH1002C 100mm carbon fibre EFP tripod has been added to provide an extremely rigid solution, useful when using longer lenses for sports and documentary production.
Shotoku SmartPed Fully Robotic Pedestal – Absolutely Brilliant Navigation
Shotoku SmartPed Fully Robotic Pedestal – Absolutely Brilliant Navigation
Shotoku’s SmartPed now features Absolute Navigation, perfect for applications where referencing the fully robotic pedestal is inconvenient or the design of the studio leaves no scope for a fixed reference position. SmartPed now comes with two optional additions depending on the environment:
· AN-I is an IP interface within SmartPed enabling it to interface to existing external optical tracking systems such as Mosys StarTracker™ or Stype RedSpy™ using the absolute tracking information to reference and adjust the pedestals own internal navigation systems.
· AN-S provides a fully integrated solution, including a built-in optical tracking system for situations where customers do not already have installed optical tracking.
SatRack
SatRack
The 19" SatRack represents a leap forward in 19" portable rack design that allows high levels of protection for the transportation of 19" equipment as checked airline luggage. This novel design rack case is available in standard sizes of 3U, 4U and 5U versions with a 480 or 610mm deep, lightweight welded aluminium frame, which is fully compatible with UK or US 19-inch rack-mountable equipment.
Specially designed for satellite uplinks and other applications where 19-inch electronic equipment needs to be transported and deployed without damage. This ultra-light 19" SatRack weighs just 8Kg for the 4U version and allows secure transportation of mobile electronics systems as checked baggage whilst providing high levels of protection from shock and vibration.
Conforms to IATA guidelines for checked-in baggage.
SAM-Q-SDI
SAM-Q-SDI
Built on the SAM-Q platform, the SAM-Q-SDI brings the freedom to monitor SDI, AES and Analogue audio sources with maximum operational efficiency, offering multiple modes and up-gradable licences within one unit, ensuring that you get the most value out of your investment.
- Configured specifically to address the needs of different applications, skillets and workflows.
- Engineers and supervisors can restrict sources, modes and front panel functions to streamline operation and reduce user error.
- A feature set that can change with your requirements, including optional MADI support or Loudness Monitoring.
The latest release includes the brand-new audio phase metering mode included as standard, plus additional functions that can be purchased separately and installed as a licenses.
- Loudness Monitoring Mode - 8 independent loudness probes, providing Short-Term, Momentary and Loudness Monitoring.
- MADI License - customers will be able to Mix, Monitor and Measure up to 128 MADI sources on the SAM-Q-SDI.
S4Streaming
S4Streaming
S4Streaming, a revolutionary technology that gives video service providers more control over streaming quality and bandwidth usage.
Through a unique combination of server-side technologies, S4Streaming assesses and selects the appropriate quality for video streaming, ultimately reducing the latency of live streams, enabling higher bitrates for on-demand content delivery and decreasing video quality changes when network conditions vary. Using S4Streaming, service providers can deliver a superior quality of experience (QoE) for their video streaming service on any device and increase the control over the network.
Rights Out
Rights Out
With Rights Out, MEDIAGENIX extends rights management to content distribution and licensing. Integrated with WHATS’ON this cloud-native solution completes your overview on the consumption of rights across scheduling and sales. Rights Out cuts through the complexity and pitfalls of selling rights, eliminates time consuming chores, and leaves more time to optimise a key revenue stream.
Rights Out supports the complete sales workflow, enabling your commercial department or distribution unit to
- manage a catalogue of saleable rights;
- ensure that rights can be shared across scheduling and sales departments;
- make a proposal to the market, or at request of a potential customer, and define clearly the licensed rights, conditions, pricing;
- be warned about conflicts with your own exploitation right and the already sold rights;
- process the actions to be performed in order to conclude a deal: clearing rights with actors, archives, rights owners;
- finalize the deal via a deal memo document that will officialise the agreement;
- manage the costs and revenue distribution to the various parties involved.
The sales catalogue lists the titles that can be sold as well as the distribution rights, which describe where, when and how these titles can be sold.
Supporting offers and deals
Offers and Deals in Rights Out support the sales workflow with (potential) buyers. Additional information about the proposal will be stored according as the offer converts into a deal. Throughout this entire workflow the licence rights capture the rights information you are selling to the buyer. On the licence right you will, for instance, specify that the deal concerns a TVOD right in Australia for three months, in English, for 10,000 euros and that the buyer has exclusive rights within the first month.
Rights Out also supports the sales of holdbacks, which grant additional exclusivity to the buyer.
Keeping track of tasks
In order to finalise the deal, additional clearing for a music piece might be needed, or additional subtitles need to be produced. You can keep track of all this work to avoid that the deal is jeopardized because crucial steps have been skipped.
Suppliers, Rights Holders and Revenue Distribution further help to ensure that the negotiated price covers all of the costs and fees of a proposal to a customer.
Scheduling and distribution in perfect synch
Once the deal with the customer is finalised, the rights information will impact the scheduling department, which might have to reschedule your top-running show, because it has been sold exclusively. All of this information is synchronised seamlessly between both systems and both the scheduling and distribution departments will be kept up to date of any upcoming changes.
Dashboards in Rights Out can help to ensure that deadlines are met or help to better understand which titles are most profitable.
Cutting through complexity and eliminating time consuming and error-prone chores, you will find more time to close more deals with optimum efficiency.
Rights Out
Rights Out
With Rights Out, MEDIAGENIX extends rights management to content distribution and licensing. Integrated with WHATS’ON this cloud-native solution completes your overview on the consumption of rights across scheduling and sales. Rights Out cuts through the complexity and pitfalls of selling rights, eliminates time consuming chores, and leaves more time to optimise a key revenue stream.
Rights Out supports the complete sales workflow, enabling your commercial department or distribution unit to
- manage a catalogue of saleable rights;
- ensure that rights can be shared across scheduling and sales departments;
- make a proposal to the market, or at request of a potential customer, and define clearly the licensed rights, conditions, pricing;
- be warned about conflicts with your own exploitation right and the already sold rights;
- process the actions to be performed in order to conclude a deal: clearing rights with actors, archives, rights owners;
- finalize the deal via a deal memo document that will officialise the agreement;
- manage the costs and revenue distribution to the various parties involved.
The sales catalogue lists the titles that can be sold as well as the distribution rights, which describe where, when and how these titles can be sold.
Supporting offers and deals
Offers and Deals in Rights Out support the sales workflow with (potential) buyers. Additional information about the proposal will be stored according as the offer converts into a deal. Throughout this entire workflow the licence rights capture the rights information you are selling to the buyer. On the licence right you will, for instance, specify that the deal concerns a TVOD right in Australia for three months, in English, for 10,000 euros and that the buyer has exclusive rights within the first month.
Rights Out also supports the sales of holdbacks, which grant additional exclusivity to the buyer.
Keeping track of tasks
In order to finalise the deal, additional clearing for a music piece might be needed, or additional subtitles need to be produced. You can keep track of all this work to avoid that the deal is jeopardized because crucial steps have been skipped.
Suppliers, Rights Holders and Revenue Distribution further help to ensure that the negotiated price covers all of the costs and fees of a proposal to a customer.
Scheduling and distribution in perfect synch
Once the deal with the customer is finalised, the rights information will impact the scheduling department, which might have to reschedule your top-running show, because it has been sold exclusively. All of this information is synchronised seamlessly between both systems and both the scheduling and distribution departments will be kept up to date of any upcoming changes.
Dashboards in Rights Out can help to ensure that deadlines are met or help to better understand which titles are most profitable.
Cutting through complexity and eliminating time consuming and error-prone chores, you will find more time to close more deals with optimum efficiency.
RemoteAccess-GATE
The ability to link company sites around the world and access computer systems at different locations from anywhere is becoming more important than ever.With their new product RemoteAccess-GATE, KVM manufacturers Guntermann & Drunck (G&D) enable their customers to remotely operate KVM systems via LAN, WAN and the Internet. A stand-alone device that links the two worlds of KVM systems and the networks, the RemoteAccess-GATE provides unblocked, BIOS-level access to connected computers worldwide. Thus, the RemoteAccess-GATE opens up completely new ways for remote operation from remote locations and also improves the ways of providing IT support and collaboration between employees.
RemoteAccess-CPU
RemoteAccess-CPU
Guntermann & Drunck GmbH (G&D), leading manufacturer of KVM systems for broadcast applications, presents its newest KVM product – the RemoteAccess-CPU. The device lets operators seamlessly integrate virtual machines into KVM installations to create hybrid infrastructures. Cloud computing and virtualisation are becoming increasingly important in broadcasting. The physical hardware available on site can be optimally supplemented by virtual machines and computers, which can be remotely accessed via network protocols.
Creating hybrid infrastructures using G&D’s RemoteAccess-CPUThe new modules establish a connection between matrix systems and computers or virtual machines, which can be remotely accessed via network protocols (RDP, VNC, and SSH). This way, hybrid systems with real and virtual computer infrastructure can be optimally implemented. The RemoteAccess-CPU supports video resolutions up to 2560 × 1600 @ 60 Hz (or 3840 × 2160 @ 30 Hz) as well as USB HID and embedded audio. After appropriate configuration, users can access any number of virtual sources and computers accessible via network protocols directly via KVM matrix system – uniformly and exactly as producers would access computers under their desk. Via G&D's KVM system, multiple operators can use the same RemoteAccess-CPU to simultaneously connect to and operate the same virtual machine.
The bridge between cloud computing and KVM With the RemoteAccess-CPU, users get a maximum comfortable solution with a high level of user friendliness. Producers can simply select the desired source from a standardised select menu (target list) on the on-screen display – regardless of whether the computer is available in the server room, via network protocol or in the cloud. G&D’s KVM matrix controls the logic and takes over user administration. All connection data is forwarded encrypted.
Thanks to its integrated thin client functionality, the RemoteAccess-CPU offers a platform with integrated thin client functionality, the solution is highly integrative when it comes to establishing connections. Currently, the network protocols RDP, VNC and SSH are supported. Support of further protocols will follow soon.
More information on this topic is available on https://www.gdsys.de/en/ra-cpu/
Remote Lab
Remote Lab
VisualOn's Remote Lab allows real-time remote testing, monitoring and device control of connected devices at 30+ frames per second under real-world conditions. It includes test automation to help QA process in the actual consumer environment and to help reproduce difficult to catch intermittent issues
RED LOCK SYSTEM
RED LOCK SYSTEM
Available in three different systems, the Focus 8, Focus 10 and the Focus 12, the Red Lock System is one of the most affordable on the market without compromising quality. Fast, lightweight and robust, the Red Lock System comes with a dual stage spreader allowing it go ultra-low.
The sleek Red Lock Tripod has ergonomically-designed, user-friendly red lock levers that allow you to set up quickly. Unlike other budget-friendly systems, the Red Lock System also features Cartoni’s patented Smart Lock Mid-Level Spreader.
Dual extendable sections allow the tripod legs to spread wide for super low shots and folds up in a moment without binding of the legs for fast transport. Lightweight, fast, and robust, the three new Cartoni Systems are one of the most affordable packages on the market without compromising quality and performance.
The best option for most broadcast and digital cinema cameras.
Quicklink STS410
An easy-to-use, all-in-one complete solution combining the power of the cloud and the cost-effectiveness of a single hardware unit.
Achieve a full production workflow with the STS410, an all-in-one hybrid switcher. Pre-screen, control and manage guest participants in a conferencing room with additional participants that can view and listen to the live program in a virtual waiting room. This powerful hybrid switcher also includes the power of the cloud with custom overlays, as well as streaming and professional hardware broadcast outputs.
- Guest participants in a mix-minus Conference room with independent outputs, plus program and preview as NDI/RTMP/SRT
- HD-SDI and HDMI input and output
- Additional streaming outputs with independent configuration and simultaneous program output recording
- Cloud-based controller for easy production management with scene and source selection
- Supports ability to use your own external hardware controllers
- Software-based tally return and overlay text to contributors
- Presentation or screen sharing in full-frame rate HD resolution
- Independent HD recording for each guest participant
- Third-party integration with Singular.live
- Support for macros to record, store, edit and automate commands
- Supports NDI, Dante, Livewire+ AES67 network audio
- Genlock input SDI / Analogue XLR / AES and 1/4 Jack
- Guest participants can connect using own personal devices or Quicklink’s custom broadcast hardware for optimal quality and control
- End-to-end encrypted AV streams
QDCAM
QDCAM
QDCAM is a $7,000 High-Speed Box Camera developed by MEDIAEDGE
MEDIAEDGE was established in 2012 being separated from Grass Valley’s video distribution division.
We MEDIAEDGE develop reliable and affordable video products for broadcasters and public institutions in Japan.
With QDCAM, customers will be able to configure high-speed camera systems at an affordable price.
The features of QDCAM
・High-Speed shooting : 1920×1080/239.8p, 200p
・High resolution shooting : 4096×2160/24p, 3840×2160/60p,50p
・Micro four thirds lens mount
・Global shutter CMOS image sensor
・A new synchronization system
・Fan-less quiet camera.
・Optical transmission option using SMTPE opt-camera cable
We have also developed QDVS, which is a low-cost recording / playback switching slow server.
QDVS also helps customers to build high speed camera systems at an affordable price.
We have developed the system according to the needs of our customers.
If you have anything you would like to achieve with a high-speed camera, please feel free to contact us.
Here is the contact information.
Mail : osinfo@mediaedge.co.jp
URL：https://www.mediaedge-corp.com/products-list/
URL( in Japanese)：https://www.mediaedge.co.jp/
Pro Convert SDI 4K Plus converter
Input Interfaces:
BNC
SD/HD/3G/6G SDI
Loop-through Interface:
BNC
SD/HD/3G/6G SDI
Storage Interface:
SD Card (functions to be developed)
PTZ + TALLY Control:
Mini-DIN–8 jack
Screw Mounting Hole:
¼–20 mounting hole
Network Interfaces:
10/100/1000Mbps Ethernet
IEEE 802.3af PoE
USB Interface:
USB2.0 Type B
5V/2.1A power supply
USB RNDIS/ECM
Input feature:
Support for up to 4096x2160 30fps input resolution
SDI Specific Features:
Integrated cable equalizer extending the cable length as follows:
up to 180m for SD-SDI signals
up to 180m for HD-SDI signals
up to 150m for 3G-SDI signals
up to 100m for 6G-SDI signals
Support for SD/HD/3Ga/3Gb/3Gb-DL/3Gb-DS/6G (SMPTE 2081) standards
Support for 2K (2048x1080) & 4K (4096x2160) mode
Support for RGB 4:4:4, YCbCr 4:4:4, YCbCr 4:2:2 color sampling
Support for 10/12-bit color depth
Support for extraction of SMPTE 352 payload identifier
Support for up to 16 (mono) audio channels
Support for extraction of audio formation information & channel status data
Limited support of 3Gb-DS: only the first stream can be captured
Limited support for capture of the first link of dual link interfaces:
YCbCr 4:2:2 10-bit 1080p 50/59.94/60: captured as 1080i 50/59.94/60
YCbCr 4:4:4 10-bit: captured as 4:2:2
RGB 4:4:4: R/B sub-sampled
NDI® Output Format:
Support for 4:2:2 8-bit output
Support for up to 4096x2160 60fps output resolution
Support for NDI 4.1
Accessories:
USB 2.0 A to B Cable
5V/2.1A power adaptor
Mini-DIN–8 (PTZ + TALLY) to RS232 (PTZ) + Mini-DIN–8 (TALLY)
L-bracket
LED matrix panel (optional)
Pro Convert HDMI 4K Plus converter
Input Interfaces:
HDMI
DVI-D 1.0
HDMI 1.4
HDMI 2.0
Loop-through Interface:
HDMI
DVI-D 1.0
HDMI 1.4
HDMI 2.0
Storage Interface:
SD Card (functions to be developed)
PTZ + TALLY Control:
Mini-DIN–8 jack
Screw Mounting Hole:
¼–20 mounting hole
Network Interfaces:
10/100/1000Mbps Ethernet
IEEE 802.3af PoE
USB Interface:
USB2.0 Type B
5V/2.1A power supply
USB RNDIS/ECM
Input feature:
Support for input video resolutions up to 4:4:4 8-bit 4096x2160 60fps
HDMI Specific Features:
600MHz HDMI receiver
Adaptive HDMI equalizer
Support for customized EDID
Support for extraction of AVI/Audio InfoFrames
Full colorimetry support
Support for up to 4096x2160 4:4:4 60fps input signals
Support for 8 channel IEC60958 audio streams
Support for extraction of audio formation information & channel status data
Support for extraction of video timing information
Support for extraction of 3D format information
Support for Side-by-Side Half, Top-and-Bottom, Frame Packing 3D mode.
NDI® Output Format:
Support for 4:2:2 8-bit output
Support for up to 4096x2160 60fps or 1920x1080 240fps
Support for NDI 4.1
Accessories:
USB 2.0 A to B Cable
5V/2.1A power adaptor
Mini-DIN–8 (PTZ + TALLY) to RS232 (PTZ) + Mini-DIN–8 (TALLY)
L-bracket
LED matrix panel (optional)
Pro Convert H.26x to HDMI 4K decoder
Output Interfaces:
HDMI
HDMI 1.4
HDMI 2.0
Storage Interface:
SD Card (functions to be developed)
Screw Mounting Hole
¼–20 mounting hole
Network Interfaces:
10/100/1000Mbps Ethernet
IEEE 802.3af PoE
USB Interface:
USB2.0 Type B
5V/2.1A power supply
USB RNDIS/ECM
USB3.0 Type A
Support for connecting peripherals (keyboard and/or mouse) to customize the video and audio settings
HDMI Output Features:
Support for up to 4:4:4 8 bit 4096x2160 60fps HDMI output
Support for 96KHz 16bits 8-channel audio streams
Support for delivering videos at the preferred video format according to the EDID of the connected monitor
Accessories:
USB 2.0 A to B Cable
5V/2.1A power adaptor
L-bracket
Pro Convert for NDI® to HDMI 4K decoder
Pro Convert for NDI® to HDMI 4K decoder
Output Interfaces:
HDMI
HDMI 1.4
HDMI 2.0
Storage Interface:
SD Card (functions to be developed)
Screw Mounting Hole:
¼–20 mounting hole
Network Interfaces:
10/100/1000Mbps Ethernet
IEEE 802.3af PoE
USB Interface:
USB2.0 Type B
5V/2.1A power supply
USB RNDIS/ECM
USB3.0 Type A
Support for connecting peripherals (keyboard and/or mouse) to customize the video and audio settings
HDMI Output Features:
Support for up to 4:4:4 8-bit 4096x2160 60fps output HDMI resolutions
Support for 96KHz 16bits 8-channel audio streams
Support for delivering videos at the preferred video format according to the EDID of the connected monitor
Accessories:
USB 2.0 A to B cable
5V/2.1A power adaptor
L-bracket
Pro Capture SDI 4K Plus capture card
Input Interfaces:
HD-BNC x4
Two connectors are compatible with SD/HD/3G SDI
One connecter is compatible with SD/HD/3G/6G SDI
One connecter is compatible with SD/HD/3G/6G/12G SDI
Support for input of Single Link, Dual Link, Quad Link
Host Interfaces:
PCIe Gen2 x4
Input Features:
Support for input video resolutions up to 4096x2160 pixels
Auto detection of Single Link, Dual Link, Quad Link
SDI Specific Features:
Integrated cable equalizer extending the cable length as follows:
up to 330m for SD-SDI signals
up to 190m for HD-SDI signals
up to 150m for 3G-SDI signals
up to 75m for 6G-SDI signals
up to 40m for 12G-SDI signals
Support for SD/HD/3Ga/3Gb/3Gb-DL/3Gb-DS/6G/12G
Support for 2K (2048x1080) & 4K (4096x2160) mode
Support for RGB 4:4:4, YCbCr 4:4:4, YCbCr 4:2:2 color sampling
Support for 10/12-bit color depth
Support for extraction of SMPTE 352 payload identifier
Support for up to 8 (mono) audio channels at 48KHz
Support for extraction of audio formation information & channel status data
Support for Closed Caption via SDK
Video Capture Formats:
Support for capture image resolutions up to 4096x2160 pixels
Support for capture frame rates up to 144fps
SDK:
Magewell Capture SDK for easy integration, maximum flexibility and performance
Pro Capture HDMI 4K Plus capture card
Input Interfaces:
HDMI
DVI-D 1.0
HDMI 2.0
Host Interface:
PCIe Gen2 x4
Input Features:
video resolutions up to 4096x2160 pixels
HDMI Specific Features:
594MHz HDMI receiver
Adaptive HDMI equalizer
Support for customized EDID
Support for extraction of AVI/Audio/SPD/MS/VS/ACP/ISRC1/ISRC2/Gamut/HDR/VBI InfoFrames
Full colorimetry support
Support for 8/10/12-bit color depths
Support for RGB 4:4:4, YCbCr 4:4:4, YCbCr 4:2:2 color sampling
Support for up to 8-channel IEC60958/IEC61937 audio streams via SDK
Support for extraction of audio formation information & channel status data
Support for extraction of video timing information
Support for extraction of 3D format information
Support for extraction of Sony/Canon DSLR time code
Support for Side-by-Side Half, Top-and-Bottom, Frame Packing 3D mode.
Support for HDR10
Video Capture Formats:
Support for capture image resolutions up to 4096x2160 pixels
Support for capture frame rates up to 144fps
SDK:
Magewell Capture SDK for easy integration, maximum flexibility and performance
Pro Capture HDMI 4K capture card
Input Interfaces:
HDMI
DVI-D 1.0
HDMI 1.4
Host Interface:
PCIe Gen2 x4
Input Features:
Support for input video resolutions up to 4096x2160 pixels
HDMI Specific Features:
297MHz HDMI receiver
Adaptive HDMI equalizer
Support for customized EDID
Support for extraction of AVI/Audio/SPD/MS/VS/ACP/ISRC1/ISRC2/Gamut InfoFrames
Full colorimetry support
Support for 8-bit signals that use RGB/YUV 4:4:4 color sampling at pixel rate no more than 297MHz
Support for 12-bit signals that use YUV 4:2:2 color sampling at pixel rate no more than 297MHz
Support for 10/12-bit signals that use RGB/YUV 4:4:4 color sampling at pixel rate no more than 170MHz
Support for extraction of audio formation information & channel status data
Support for extraction of video timing information
Support for extraction of 3D format information
Support for extraction of Sony/Canon DSLR time code
Support for Side-by-Side Half, Top-and-Bottom, Frame Packing 3D mode.
Video Capture Formats:
Support for capture image resolutions up to 4096x2160 pixels
Support for capture frame rates up to 144fps
SDK:
Magewell Capture SDK for easy integration, maximum flexibility and performance
Pro Capture DVI 4K capture card
Input Interfaces:
DVI
DVI-D 1.0 (Single or dual link)
HDMI 1.4
Host Interface:
PCIe Gen2 x4
Input Features:
Support for input video resolutions up to 4096x2160 pixels
HDMI Specific Features:
Dual 165MHz HDMI receiver
Adaptive HDMI equalizer
Support for customized EDID
Support for extraction of AVI/Audio/SPD/MS/VS/ACP/ISRC1/ISRC2/Gamut InfoFrames
Full colorimetry support
Support for single link DVI or HDMI signals at pixel rate no more than 165MHz
Support for dual link DVI signals at pixel rate no more than 330MHz
Support for extraction of audio formation information & channel status data
Support for extraction of video timing information
Support for extraction of 3D format information
Support for extraction of Sony/Canon DSLR time code
Support for Side-by-Side Half, Top-and-Bottom, Frame Packing 3D mode.
Video Capture Formats:
Support for capture image resolutions up to 4096x2160 pixels
Support for capture frame rates up to 144fps
SDK:
Magewell Capture SDK for easy integration, maximum flexibility and performance
Pro Capture AIO 4K Plus capture card
Input Interfaces:
HDMI
DVI-D 1.0
HDMI 2.0
BNC
SD/HD/3G/6G SDI
Host Interface:
PCIe Gen2 x4
Input Features:
Auto scan of video input sources when there is no signal input to the currently selected input source
Manual selection of video input source
Auto selection of linked (embedded) audio input source when the video input source changes
Manual selection of audio input source
Support for standard crossbar based on video input source selection
Support for input video resolutions up to 4096x2160 pixels
HDMI Specific Features:
594MHz HDMI receiver
Adaptive HDMI equalizer
Support for customized EDID
Support for extraction of AVI/Audio/SPD/MS/VS/ACP/ISRC1/ISRC2/Gamut/HDR/VBI InfoFrames
Full colorimetry support
Support for 8/10/12-bit color depths
Support for RGB 4:4:4, YCbCr 4:4:4, YCbCr 4:2:2 color sampling
Support for up to 8-channel IEC60958/IEC61937 audio streams via SDK
Support for extraction of audio formation information & channel status data
Support for extraction of video timing information
Support for extraction of 3D format information
Support for extraction of Sony/Canon DSLR time code
Support for Side-by-Side Half, Top-and-Bottom, Frame Packing 3D mode.
Support for HDR10
SDI Specific Features:
Integrated cable equalizer extending the cable length as follows:
up to 330m for SD-SDI signals
up to 190m for HD-SDI signals
up to 150m for 3G-SDI signals
up to 75m for 6G-SDI signals
Support for SD/HD/3Ga/3Gb/3Gb-DL/3Gb-DS/6G (SMPTE 2081) standards
Support for 2K (2048x1080) & 4K (4096x2160) mode
Support for RGB 4:4:4, YCbCr 4:4:4, YCbCr 4:2:2 color sampling
Support for 10/12-bit color depth
Support for extraction of SMPTE 352 payload identifier
Support for up to 8 (mono) audio channels at 48KHz (channels 1–8 from the 16 available in the SDI spec)
Support for extraction of audio formation information & channel status data
Limited support of 3Gb-DS: only the first stream can be captured
Limited support for capture of the first link of dual link interfaces:
YCbCr 4:2:2 10-bit 1080p 50/59.94/60: captured as 1080i 50/59.94/60
YCbCr 4:4:4 10-bit: captured as 4:2:2
RGB 4:4:4: R/B sub-sampled
Support for Closed Caption via SDK
Video Capture Formats:
Support for capture image resolutions up to 4096x2160 pixels
Support for capture frame rates up to 144fps
SDK:
Magewell Capture SDK for easy integration, maximum flexibility and performance
Pro Capture AIO 4K capture card
Input Interfaces:
HDMI
DVI-D 1.0
HDMI 1.4
BNC
SD/HD/3G/6G SDI
Host Interfaces:
PCIe Gen2 x2
Input Features:
Support for input video resolutions up to 4096x2160 pixels
HDMI Specific Features:
297MHz HDMI receiver
Adaptive HDMI equalizer
Support for customized EDID
Support for extraction of AVI/Audio/SPD/MS/VS/ACP/ISRC1/ISRC2/Gamut InfoFrames
Full colorimetry support
Support for 8-bit signals that use RGB/YUV 4:4:4 color sampling at pixel rate no more than 297MHz
Support for 12-bit signals that use YUV 4:2:2 color sampling at pixel rate no more than 297MHz
Support for 10/12-bit signals that use RGB/YUV 4:4:4 color sampling at pixel rate no more than 170MHz
Support for extraction of audio formation information & channel status data
Support for extraction of video timing information
Support for extraction of 3D format information
Support for extraction of Sony/Canon DSLR time code
Support for Side-by-Side Half, Top-and-Bottom, Frame Packing 3D mode.
SDI Specific Features:
Integrated cable equalizer extending the cable length as follows:
up to 330m for SD-SDI signals
up to 190m for HD-SDI signals
up to 150m for 3G-SDI signals
up to 75m for 6G-SDI signals
Support for SD/HD/3Ga/3Gb/3Gb-DL/3Gb-DS/6G (SMPTE 2081) standards
Support for 2K (2048x1080) & 4K (4096x2160) mode
Support for RGB 4:4:4, YCbCr 4:4:4, YCbCr 4:2:2 color sampling
Support for 10/12-bit color depth
Support for extraction of SMPTE 352 payload identifier
Support for up to 8 (mono) audio channels at 48KHz (channels 1–8 from the 16 available in the SDI spec)
Support for extraction of audio formation information & channel status data
Limited support of 3Gb-DS: only the first stream can be captured
Limited support for capture of the first link of dual link interfaces:
YCbCr 4:2:2 10-bit 1080p 50/59.94/60: captured as 1080i 50/59.94/60
YCbCr 4:4:4 10-bit: captured as 4:2:2
RGB 4:4:4: R/B sub-sampled
Support for Closed Caption via SDK
Video Capture Formats:
Support for capture image resolutions up to 4096x2160 pixels
Support for capture frame rates up to 144fps
SDK:
Magewell Capture SDK for easy integration, maximum flexibility and performance
Polymotion Chat
Polymotion Chat
Polymotion Chat is an easily deployable studio solution that allows an operator to automate up to six presenter and guest camera positions. Using limb and face detection software Polymotion Chat tracks their movements and provides stable and natural-looking content.
SIMPLY YOUR WORKFLOW
Polymotion Chat is a camera solution for small studios. Controlling up to 6 robotic heads from one operator stadium, Chat can be used as a flexible broadcast solution.
ADAPTABLE, AUTOMATED SYSTEM
Whether your requirements are traditional newsroom, standing presenter-led, or magazine format show, Polymotion Chat can help streamline this work-flow.
REPLICATE NATURAL MOVEMENT
An operator has several tools inside Polymotion Chat to replicate a natural camera movement. For example, after framing their subject, a ‘static zone’ can be set to control how far the subject can move before the camera starts to follow it. The speed of this move can also be controlled in line with the production requirements.
FLEXIBLE AND EASY TO USE
Polymotion Chat can utilise presets to help locate and frame subjects. This can include off frame positions for graphics insertions for news or sports programming or set camera positions for intros or interviews.
Additionally, for the pop-up studio, a remote production workflow can be used with the operator managing the Polymotion Chat system over IP from the main production facility.
USE YOUR EXISTING CAMERAS
Any combination of the MRMC Robotics range can be used with Polymotion Chat.
For customers who already have chosen their cameras they can simply add them to our AFC100 platform. This will turn the camera into a fully automated robotic head with pan, tilt, zoom and focus. This delivers the same consistent ‘look and feel’ in production with the added benefit of precision.
ONE OPERATOR
The Polymotion Chat solution comes in either a 1U Polymotion Server (which supports up to 3 tracking heads) or a 2U Polymotion Server (which supports up to 6). Simply use your existing cameras on one of MRMC Robotic heads and connect. The interface has been designed to work with either a touchscreen or a standard keyboard and mouse. One operator can easily control Polymotion Chat and additional operators’ consoles can be added.
SIMPLE UI
With Polymotion Chat software, automatic zones can be set per camera to ensure the subject is framed correctly and if they move beyond a set radius the camera automatically follows them. Limits can also be set so that if the subject moves out of the studio space the camera simply stops following and returns to it’s default position.
Play-out
Play-out
Levira runs one of the largest independent play-out centres in Northern Europe. We have experienced and trained staff, and state-of-the-art technical capabilities to offer any kind of TV play-out and media management from basic simple SD service to a complex HD service with live programming, dynamic graphics, translation and many other features that today’s end-users may require. We apply high quality standards and respond to situations quickly and flexibly.
Play-out services– Incoming content management– Capturing content from file, tape or live feed– Basic non-linear editing and repurposing– Automated and visual quality control– Content archiving– Scheduling– TV play-out in HD or SD or HD&SD– Opt-out (ad insertion)– Automatically created on-screen menus– On-screen graphics, texts, banners, etc.– Automated live insertion from XML/RSS/SMS feeds– Live broadcasts insertion– Numerous audio tracks, Dolby surround– Open, teletext, DVB and/or OP47 subtitles in different languages– 24/7 control and monitoring– Compliance recording– Transcoding, NLE, VoD encoding– Streaming to web, mobile or OTT platforms
Platform – Dizplai
Platform – Dizplai
Cloud data display platform, supporting content creators with the tools to simplify workflows, drive engagement, increase reach and enhance monetization opportunities.
Content sourcing - Access a world of content
Access all the major social media platforms, popular messaging apps, data feeds, and trending topics.
Engagement tools - Activate your audience
Utilize tools to create apps, polls, competitions, feature posts, or generate QR codes for call-to-actions. Give viewers a purpose to interact with your broadcast and feature live reactions.
Display & Graphics - Bring your production to life
Operate Dizplai’s native cloud graphics engine, or integrate third-party solutions into your workflow and redisplay sourced content across any creative output.
P.Link
In video production and contribution, V-Nova’s VC-6 (SMPTE ST 2117) encoding processing efficiency enables up to 70% cost savings per channel, while at the same time unlocking the promises of low-latency UHD sports contribution, HDR, remote production, IP production and software-defined workflows, including virtualisation and cloud.
Osiris
Osiris
Osiris is a lightweight client software that enables Avid™ editors to collaborate on Media Composer projects simultaneously. It provides Avid-style bin locking for Windows & MacOS clients and on nearly any storage system!
Opt-out
Opt-out
Opt-out (content/ad-insertion) services allow broadcasters to launch local versions of their international or regional feeds, either by adding local promos and commercials or even changing a part of the channel’s content in order to meet the viewers’ expectations on a certain market. The service follows triggers (cue-tones) from the original feed or schedules of the original channel and switches to local content when instructed. In the absence of triggers, the same can be done on the basis of play-out. A combination of full play-out and opt-out service can be tailored on request.
OASYS Integrated Playout
OASYS Integrated Playout
OASYS Integrated Playout is designed for broadcasters of all sizes from one or two channel facilities to mid-size operations with 3 to 12 channels or service providers with 50 or more channels.
OASYS eliminates the need for purpose-built devices and maximizes your investment in C.O.T.S, consumer-off-the-shelf hardware, making it easier to support and maintain. This approach also reduces your overall requirement for hardware and multiple support contracts.
The OASYS software modules provide flexibility to design a system, regardless of size, that meets your specific needs for today and the future, making OASYS fully scalable and feature rich and future-proof.
OASYS is a fully scalable, feature-rich playout solution that combines:
· SDI, IP and UHD
· Ingest and recording
· Program Preparation
· Captioning and Subtitling
· Traffic and Scheduling
· Switching
· Playout and Graphics
· Secondary Recording
· Logging and Reporting
· Redundancy & Archiving
· Remote Access & Control
nanoCDN multicast ABR
nanoCDN multicast ABR
Broadpeak’s nanoCDN resolves the two principal issues explaining why HTTP Adaptive bitrate (ABR) still struggles to replace Broadcast TV: scalability and quality of experience. By adding the efficiency of multicast to the new multiscreen and personalized experience of ABR format, the solution offers a unique opportunity to elevate IPTV to the next level. With this new full-ABR generation of IPTV, viewers can seamlessly navigate between Live and Time-shift, from their main screen to any mobile devices and get personalized content, all this with no compromise on the quality of their experience and at no extra cost for the operator.
nanoCDN has been specifically designed to avoid any kind of regression compared to traditional Broadcast. In particular, it implements optimizations for ultra-low latency such as HTTP chunked transfer encoding and CMAF chunking, bringing down the latency after encoding to a negligible amount.
In summary, nanoCDN is the opportunity for TV operators to finally unify delivery to the main screen and to all other screens into one single full-ABR IPTV system.
MoIN
MoIN
2wcom’s MoIN multi-format, multi-channel multimedia over IP Network Server (hardware, software or cloud): provides professional IP-based audio network technologies for real-time streaming, transcoding, protocol transforming, routing and mixing.
FLEXIBLE IN APPLICATION: designed for studio to studio and studio to transmitter links, as well as cross-media tasks. Multipurpose usage – e.g. audio routing, managing, levelling, loudness, monitoring and mixing between different protocols and environments. Audio streams are combinable to multichannel streams. PTPv2 provides accurate synchronization. The Easy2connect feature is a SIP phonebook that allows for an uncomplicated connection set-up. The number of channels can scale easiliy depending on your needs with permanent or temporary licenses.
HIGH COMPATIBILITY: MoIN supports all currently established standards and protocols like AES67, RAVENNA, Livewire+, Dante, SMPTE ST 2110, SRT, Ember+, SIP, SAP, PTPv2 and RTSP, as well as transcoding from one format into the other.
MULTI-FORMAT AUDIO CODING: The device provides a wide range of codec algorithms – e.g. MPEG Layer 2, MPEG Layer 3, most AAC profiles including the new xHEAAC and AAC-ELDv2, OPUS, Vorbis, Enhanced aptX, AC3 and more.
TRANSMISSION ROBUSTNESS: Dual Streaming and Pro-MPEG FEC ensure rock-solid IP transmission or go beyond with Stream4Sure. The Reliable User Datagram Protocol (RUDP) ensures highest packet recovery with minimum bandwidth and low latency.
SMART MANAGEMENT: configuration set-up via an easy to use web interface for general settings as well as for backup or fallback options. Remote control via HTTP/HTTPS, FTP, Telnet/SSH, NMS, SNMP, JSON, Ember+. Configuration for transcoding in 15 seconds. PTPv2 synchronization and latency control. Control via centralized Network Management System offering individual settings for e.g. adjustable silence detection, IP buffer and jitter check and PLL control. Sophisticated and elaborated alarm concept: forwarding of alarm messages (e.g. via SNMP, Ember+, HTTP/HTTPS…), optional source switching and event logging for documentation.
Meta Connect
Meta Connect
Meta Connect is a beautiful, simple and cutting edge platform that allows you to share Meta titles with your customers that are available for preview, sales or syndication. With a consumer-facing styled interface, Connect dramatically simplifies the process of sharing content and maximising the value of your catalogue.
Meta
Meta
Meta enables customers to store identification, editorial, technical, rights, discovery and AI-generated content metadata for media and entertainment catalogues. It also stores additional metadata assets like images and videos that are required to complete a dynamic and compelling user experience.
Media transport
Media transport
For delivery of linear channels as well as non-linear content to required destinations Levira has developed a dedicated fibre-optic Media Delivery Network connecting all major locations in Europe and beyond. Additionally, we provide satellite-based delivery. Our competencies are used mainly for the transport of linear TV channels from the point of origin to the location of TV providers, who deliver services to end-users.
Media Delivery NetworkConnections: Riga (Latvia), Vilnius (Lithuania), Helsinki (Finland), Stockholm (Sweden), Oslo (Norway), Copenhagen (Denmark), Bratislava (Slovakia), Sofia (Bulgaria), Budapest (Hungary), Bucharest (Romania), Frankfurt (Germany) and London (UK). Client specific hand-off points are set up at OSN in Dubai and D-Smart in Istanbul. We offer live content in all these destinations and extend the network consistently.
Point of origin of TV channelsThe primary point of origin of TV channels is Levira’s play-out centre, where we transmit the channels to various destinations, for instance cable television, satellite television, terrestrial broadcasting networks, data and internet service providers.
Optimal solutionsWe transmit signals in formats that allow operators to include the signals in their technical chains with minimum additional processing.
– Uncompressed signals: SDI; HD SDI– Single or multi-program MPEG transport streams through an Asynchronous Serial Interface (ASI) or similar transport streams through IP layer
Quality controlOur service includes real-time monitoring of the quality and status of signals, while storing the necessary parameters for further analysis. All connections are fully reserved to ensure the uninterrupted functioning of the service.
MatchBox Glass
MatchBox Glass
The newest member of Hitomi's MatchBox family of solutions for lip-sync, MatchBox Glass is a sophisticated app that is essentially a highly portable version of MatchBox Generator.
MatchBox Glass is powerful and, like MatchBox Generator, works with MatchBox Analyser to replace the need for human intervention to test audio and video links. MatchBox Glass ensures that whatever is in front of the camera looks and sounds like it should on screen.
Making the measurement is simple and fast. The user holds an iPhone or iPad running the FREE iOS app in front of up to four cameras. At the other end, the MatchBox Analyser, which has four inputs, when enabled with the licence for Glass, can exactly measure video and audio timing differences – if any – across all four cameras.
The remote MatchBox Analyser in the MCR or OB truck looks and listens for a unique flash and audio tone generated onsite by MatchBox Glass and in approximately two seconds returns video and audio alignment and adjustment data that thus vastly accelerates the process of onsite synchronisation. This is especially useful for remote productions because it provides the ability to swiftly and accurately catch any synchronisation issues before they leave the site.
MAGIC ACX Dante™ WAN Bridge
MAGIC ACX Dante™ WAN Bridge
The multi-channel PCM system MAGIC ACX Dante™ WAN Bridge enables the transmission of up to 32 uncompressed audio signals via wide area networks (WAN).
The audio connection for the audio inputs/outputs is provided by the integrated 32-channel Dante™ interface, which has redundant GbE interfaces and of course also supports AES67.
The comfortable operating software allows the management of up to 10 systems including graphic surveillance and can be operated from up to 5 workplaces simultaneously.
The front display of the system also shows essential information on the status of the transmission.
The coding is done via PCM16 / PCM24 / PCM32.
Since the limited maximum latency of Dante in wide area networks, high jitter and possible clock differences between sender and receiver prevent a reliable transmission, the MAGIC ACX Dante™ Wan Bridge solves these problems with a jitter buffer including automatic mode and intelligent sample rate adaption (SRA).
Lumo
Lumo
Lumo aims at bringing radio closer to its audience.
It is an all-in-one virtual radio studio including Playout (playlist & jingles players), a Mixing Console with DSP & automixer, a VoIP SIP phone, and an AoIP transmission codec.
Lumo runs on a simple laptop. It is web-native and touch-friendly, you can control your studio with a fingertip from any device (including iPad and Android tablets).
Lumo makes remote operations much easier by reducing to a minimum the amount of gear to deploy and offering intuitive yet powerful user interfaces for technical and non-technical operators.
Licenses can be purchased for temporary use as for yearly contracts, making sure you don't pay for resources that you don't use.
LiveU LU600 HEVC – UBMS
LiveU LU600 HEVC – UBMS
Exceptional performance, exceptional speed
The LU600 is LiveU’s flagship portable transmission unit for global newsgathering, live sports and events coverage. Combined with the 4K HEVC Pro Card, the LU600 delivers unparalleled video performance with extreme bandwidth efficiency – in one of the smallest portable cellular bonding units in the market.
ULTIMATE VIDEO QUALITY
The LU600 HEVC delivers the highest video quality and bitrate in the market (up to 20Mbps), fastest file transfer (60Mbps) and lowest delay.
Using the LU600 HEVC, broadcasters can provide the same video quality as H.264 while using about half the bandwidth, or offering greatly improved video quality wherever original H.264 bitrate is maintained.
BUILT FOR YOUR NEEDS
Tailored to the needs of mobile journalists, the LU600 HEVC product suite offers three configurations, including: HD, 4K-HDMI and 4K-SDI.
The unit comes in a specially designed smart backpack, with improved usability, remote control functionality and easy access to display, controls and interfaces.
ADVANTAGES
- Superior 1080/4K video quality based on broadcast-grade hardware encoding – supporting VR and 360 degree applications
- Very low power consumption, with 4 hours of battery time
- Dynamic bitrate and resolution changes on the fly
- HEVC and H.264 file encoding capability for production workflows
- ‘Live & Store‘, allowing broadcasters to go live under any network conditions while simultaneously saving a high-quality copy of the live video for future purposes.
- High speed bonded internet capabilities
- 5” LCD with ultra-responsive capacitive touchscreen
Livelink
Livelink is a robust IP delivery solution for transporting live linear and OTT content from point to single-point or multi-point. It allows users to self-manage their live content for delivery to any destination worldwide by utilizing cloud environments available in every region. Livelink is cloud agnostic and compatible with any transport protocol including Zixi, RIST, SRT, HLS and RTMP.
Livelink’s expand on demand infrastructure ensures that teams can quickly scale their requirements within minutes. This flexible approach enables stakeholders managing live broadcasts and events to adapt to changing circumstances. Livelink does not rely on traditional infrastructure which makes it extremely cost-effective. Its intuitive self-service interface enables users to easily transport, manage and extract value from live content. The platform integrates rights management, automatic booking updates and customisable monitoring and alerts so that customers retain control of all aspects of delivery.
Livelink offers broadcasters the ability to deploy and deliver live feeds with minimal on-site presence. The platform offers global reach and is the ideal solution to reduce live event overheads and also supports current social distancing measures which the broadcasting industry has implemented. The self-management interface monitors availability, routing and scheduling for all feeds, as well as tracking cloud environment costs. Cerberus Tech can fulfil hardware requirements, direct to the end user if required. However, in many instances no additional hardware is required for set-up, just an internet connection.
latakoo Manifest
latakoo Manifest
Manifest brings stations and stories across organizations under a single smart repository for efficient collaboration. Users can create assignments as well as discover, follow, and request stories happening in other markets. Its powerful indexing engine makes it simple for multiple stations to locate and repurpose a single story without having to create their own.
Stations can create, designate, and update assignments right in Manifest. Dynamic notifications inform crew members exactly when the story is dispatched, when the finished story arrives, and when the file is automatically delivered to your newsroom systems.
Smart indexing allows stations to search for stories by topic, location, or category and request them for their own market. Once a story is requested, it will be automatically delivered to that workflow as soon as the file is available.
Manifest integrates with other newsroom systems including AP ENP where information related to that assignment is automatically updated across both systems.
Stations can deliver media in the desired codec and wrapper right into their asset manager. latakoo is fully integrated with asset managers made by Avid, Grass Valley, bitcentral and Dalet.
latakoo end-to-end solution
latakoo end-to-end solution
latakoo is a cloud-based platform that is the fastest, easiest and most secure way to get video from anywhere to anywhere, regardless of connectivity or file size.
Using the latakoo Flight mobile or desktop application, broadcasters and post-production companies can select video from editing programs, professional cameras, or phones and send files from anywhere in the world wherever they need to go. Files arrive in the latakoo cloud, for viewing, sharing, and transcription. Depending on the workflow selected, files may be automatically downloaded to the broadcast center, to content management systems, or social media platforms.
latakoo securely complies with corporate firewall and security standards and integrates seamlessly with asset managers such as Avid, Dalet, Grass Valley and bitcentral systems.
Customizable metadata collection and transcription are part of the integrated solution. This means any metadata associated with the file travels with it - to the cloud for sharing and ingested into the asset manager.
Through its flexible and easy-to-use system, latakoo can be configured to meet your unique video workflow. latakoo delivers video wherever it’s needed with seamless integrations to CMS providers, social media platforms and more.
Closed captioning can be implemented for both broadcast and social media workflows.
latakoo is now launching Manifest, which will track an assignments from concept to delivery, with notifications when files are ready to share or send to playout.
latakoo is packed with the most sophisticated technology and supported 24/7 by people who live and breathe on your broadcast deadlines, just like you. latakoo is Avid Platform Certified and an Avid Alliance Partner.
latakoo cloud editor
latakoo cloud editor
All Your Video Workflow Tools in One Place. Transfer to Editing to Playout or Publishing.
Our professional video editor reduces the time it takes to get video to your team and viewers.
Work smarter in the cloud.
Whether you need a quick edit or a complex compilation, you can edit video using professional tools straight from your browser. Trim clips, rearrange scenes and add other media elements. Intuitive controls let you get exactly the look, sound, and feel you want.
- Frame by frame control
- Trim, crop, and rearrange scenes
- Insert audio, graphics or text
- Pick from a library of text fonts
- Add transitions, animations and effects
- Support for up to 8 channels of audio
- Embed SRT for captions
- Customizable graphics that are shareable with team members
Work, manage and edit faster in the cloud.
Eliminate the need to export, upload and download media when editing. Import and publish media straight from and to your latakoo cloud library where collaborators can easily locate your work.
Uploading content for the first time? latakoo is the fastest, easiest, most secure way to get video to the cloud from anywhere regardless of file size or Internet connection.
- Save time by working directly in the cloud
- Import videos, photos and audio from any location or device in record time
- Publish media to latakoo networks featuring unique permission sets
- Share videos via email or to your social media channels straight from your cloud library
Distribute media to your asset manager, automagically
Powered by a latakoo HUB, deliver media in the desired codec and wrapper right into your asset manager.
latakoo HUB is fully integrated with Avid Interplay, Grass Valley Stratus, bitcentral Core and Dalet Galaxy.
KYBIO Media
KYBIO Media
KYBIO Media is an end-to-end, vendor-agnostic monitoring and control (M&C) platform serving TV, radio, satellite, telco, and other vertical marketing in the media and broadcast world. This award-winning solutions helps meet the critical challenges of ensuring operational continuity and efficiency across the entire value chain from media acquisition, production, and down to distribution in an increasingly digital and IP-based environment.
Across KYBIO's unified, intuitive, and easy-to-use web interface, users can oversee the real-time status of large and complex ecosystems, centralize data and streamline the management of a wide variety of products and platforms - both locally and remotely.
Thanks to a unique combination of modules, users benefit from real-time supervision, along with multiple management and control capabilities. Users can visualize and analyze large data sets, then break them down into comprehensible, dynamic insights and reports. They are also equipped with a built-in ticket & incident tracking platform tied to a powerful analytics & reporting engine.
Leveraging its advanced auto-pilot configuration engine, KYBIO Media is incredibly fast to deploy. Following the automated scan, KYBIO Media identifies and starts monitoring all your devices within minutes if not seconds. It can be installed on any physical or virtual host that matches our specifications. It can be run on-premises, in the cloud or in a hybrid environment.
With KYBIO Media, we help you ensure operational continuity across your end-to-end value chain from media acquisition, production, and distribution in an increasingly digital and IP-environment.
KVM over IP Extenders & Matrices
KVM over IP Extenders & Matrices
CLICK HERE for our KVM over IP PRESENTATION
KVM has been the backbone of control rooms and command control centers for many years whereby KVM solutions have allowed users to control multiple computers from multiple locations. The KVM product family from Apantac consists of KVM over IP extension & matrix solutions as well as multiviewers with built-in KVM functionality. When both sets of products are used in combination, they create a seamless workflow for a modern-day enterprise level command and control center.
KVM over IP Extenders & Matrices:
- KVM over IP (DVI/VGA) Extender / Receiver set supporting resolutions up to 1920x1200 @60 Hz (models: KVM-IP-Tx / Rx)
- Dual-Head KVM over IP (DVI/VGA) Extender / Receiver set supporting resolutions up to 1920x1200 @60 Hz (models: KVM-IP-Tx2 / Rx2)
- KVM over IP (HDMI) Extender / Receiver set with HDMI input loop for Tx, POE and supporting resolutions up to 3840 x 2160 @ 30 Hz (models: KVM-IP-Tx-PL / Rx-P)
- KVM over IP (DVI/VGA) Extender / Receiver set with Ethernet LAN over fiber - up to 10Km for singlemode ad 550 m for multimode fiber (models: KVM-IP-Tx-F / Rx-F)
- KVM over IP Transmitter for openGear Platform (model: OG-KVM-IP-Tx)
KVM over IP Extenders can be configured as a KVM over IP Matrix
- Several Tx and Rx modules are connected to a GigE Switch
- A source (Tx) can be controlled by one or more consoles (Rx) and configured for multicast
The Apantac KVM over IP Ecosystem
- All the various Tx and Rx modules can be configured and mixed for a single configuration
- Point-to-point KVM over IP extension for unicast
- KVM over IP matrix for multicast
- Extend/switch video, keyboard, mouse, USB 2.0, audio (analog/embedded), RS-232 and IR
- Pristine picture quality and minimal latency
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KUNO Multi-CDN
KUNO Multi-CDN
KUNO Multi-CDN offers everything needed to launch and manage a professional network of networks. Access top tier-1 and regional CDN providers in a fully integrated turn-key service. The intelligently load-balanced service ensures that users connect to the healthiest data source every time. Enjoy competitive global flat-rate pricing and simple integration. A great fit for a wide variety of content types. If you use a CDN now, consider the KUNO multi-CDN for you distribution needs!
KATHREIN Smart Monitoring
KATHREIN Smart Monitoring
Kathrein Smart Monitoring is an innovative monitoring system for radio and TV transmitter stations. Using special sensors, the system, which Kathrein is developing together with the Swiss company “DAC System SA”, measures all important operating parameters of the transmitter station components in real time and compares them with the target values of the controlled operation. All measured data are fully recorded and can be an early indication of possible degradations. The station operator can easily access the measurement results over an IP network at any time. Critical changes in conditions and violations of threshold values release an alarm which is reported via app, text message or email.
The system leads to a significant decrease in the time and costs normally required for the maintenance, as routine checks on transmitter stations can be avoided or reduced. The Kathrein Smart Monitoring system can be integrated into new antenna systems as well as be retrofitted into an existing system.
KATHREIN Signal Analyzer
KATHREIN Signal Analyzer
Kathrein is presenting a high-performance solution to analyse your broadcasting networks. The measurement and investigation tool for analogue and digital broadcasting (Kathrein Signal Analyser) is a powerful and complete system to assist you through any phase of radio network planning, realisation and maintenance as well as in the quality assurance of your broadcasting networks.
KATHREIN Dual Polarized UHF Plug & Play Omni Antenna
KATHREIN Dual Polarized UHF Plug & Play Omni Antenna
UHF Broadband Omni Antenna for all kinds of polarization with dual inputs V-Pol and H-Pol.
JVC CL-S600 6 Mega Pixel 30″ Color Monitor
JVC CL-S600 6 Mega Pixel 30″ Color Monitor
Introducing the new JVC CL-S600 6 Mega Pixel 30" Color Monitor
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6MP for multi modality diagnosis: Providing optimal functions for diagnostic viewing such as DR, CT, MRI and pathology, CL-S600 with seamless and wide screen improves your workflow efficiency while reducing eye strain and ensuring space and energy saving. Buy JVC CL-S600 from UBMS Medical.
Dynamic gamma: Color images automatically recognized to provide optimized contrast, brightness and gamma. No user interventions is required Improved visibility: The Turbo Luminance function can boost the brightness and contrast to maximum for 30s to magnify identifiable grayscale gradations, contributing to finding out low contrast lesions. Focus on details: Using Visual Point Mode, you can focus on the detail where you want to see. It can also be used in combination with the Turbo Luminance funcition. Advanced features :
- Reading Light
- LED Indicator / Front Buttons
- Built-in Sensor
- Space saving
- Wire management / DisplayPort Daisy Chains
- DICOM conformance check
نقدم لكم الشاشة الملونة الجديدة JVC CL-S600 6 ميجا بكسل 30 بوصة . توفير الوظائف المثلى للمشاهدة التشخيصية مثل DR و CT و MRI وعلم الأمراض ، يعمل CL-S600 مع شاشة سلسة وعريضة على تحسين كفاءة سير العمل مع تقليل إجهاد العين وضمان المساحة وتوفير الطاقة. اشترِ JVC CL-S600 من UBMS Medical.
iVAM2-2
iVAM2-2
The new iVAM2-2 is a well featured, easy to use, competitively priced 16 channel video and audio monitor which comes standard with 3G-SDI and Analog inputs and includes Loudness measurement and phase status. License other signal formats and processing options, including AoIP, Toslink and 8 channel Analog, as and when needed, either initially or after purchase. With touch screen operation and two 4.3” screens, the iVAM2-2 is the perfect solution for any application that requires a compact product for simple-to-complex monitoring of an evolving range of professional signals. Flexible.
Adaptable. Future Proof
iVAM2-2 is designed to be easy to operate, providing fast access to video, meters, menus and presets. Options for additional signals, including AES3, MADI64, DanteTM, RavennaTM, SMPTE-2110 and SMPTE-2022-7. Features/Benefits:
• Video and audio monitoring (up to 16 channels) from multiple sources • Up to 64 presets
• 2 x 3G-SDI Inputs on BNC; 1 x 3G-SDI Output of selected video source on BNC + 1 pair Analog in/out on XLR
• Optional Output routing enables the flexibility to route input signals to various outputs
• Optional I/O for AES3 on HD-15 (incl selected audio source converted to AES3 out), MADI on BNC (looped out), and SMPTE 2110 or SMPTE 2022 via SFP.
• HDMI Output of the monitored video source included
• Measure Audio Loudness using ITU-R BS.1770 or EBU R128 standards • Option cards for AoIP or an additional 8 channels of analog inputs and outputs
• Software upgradeable via USB or network
• APIs for remote management
iVAM1-3
iVAM1-3
The new iVAM1-3 is a well featured, easy to use, competitively priced 16 channel video and audio monitor which comes standard with 3G-SDI and Analog inputs and includes Loudness measurement and phase status. License other signal formats and processing options, including AoIP, Toslink and 8 channel Analog, as and when needed, either initially or after purchase. With touch screen operation and three 2.4” screens, the iVAM1-3 is the perfect solution for any application that requires a compact product for simple-to-complex monitoring of an evolving range of professional signals.
Flexible.Adaptable. Future Proof
iVAM1-3 is designed to be easy to operate, providing fast access to video, meters, menus and presets. Options for additional signals, including AES3, MADI64, DanteTM, RavennaTM, SMPTE-2110 and SMPTE-2022-7.
Features/Benefits:
• Video and audio monitoring (up to 16 channels) from multiple sources • Up to 64 presets
• 2 x 3G-SDI Inputs on BNC; 1 x 3G-SDI Output of selected video source on BNC + 1 pair Analog in/out on XLR
• Optional Output routing enables the flexibility to route input signals to various outputs
• Optional I/O for AES3 on HD-15 (incl selected audio source converted to AES3 out), MADI on BNC (looped out), and SMPTE 2110 or SMPTE 2022 via SFP.
• HDMI Output of the monitored video source included
• Measure Audio Loudness using ITU-R BS.1770 or EBU R128 standards • Option cards for AoIP or an additional 8 channels of analog inputs and outputs
• Software upgradeable via USB or network
• APIs for remote management
IO
IO
IO from Cerberus Tech is a software-based live IP video switching platform. Operating point-to-point, or point-to-multipoint, the IP broadcast application allows for seamless switching between; RTP, UDP, RIST, SRT, RTMP and HLS delivery protocols. It can be scaled to unlimited outputs and used within a device, data centre or cloud environment.
IO utilises industry standard IP methods, for secure, reliable open delivery. It enables automatic switching between open video transport stream protocols, for in/out video and audio contribution and distribution. This allows users to seamlessly convert on-premises video traffic to cloud facing protocols. Featuring full management and monitoring capabilities via a simple and intuitive user interface.
IO was built using the application tool Docker, which accelerates development workflows with an integrated pipeline and consolidated application components. IO defines the environment in which the software runs, without limiting the user to specific operating systems or hardware. This allows for greater flexibility for users to deliver content securely to partner services, in any format including Remote Production, Channel Partners, Broadcasters, and CDN's as well as global head ends.
Compatible with any other device using the same standards, IO offers interoperability without the need for proprietary software. IO can be installed as a container on hardware, virtual machine or cloud environments, as well as behind organisational firewalls. IO can be used as either a sending or receiving device. Or it can sit in-between broadcasting devices, acting as a central hub for content distribution.
IN2IT social
IN2IT social
A single tool to search across multiple opens sources
Search posts, videos and photos across different social networks in the powerful nunki.co search engine, and find the most relevant content to create your story.
Check out the latest news about an event using keywords and locations, or create your custom lists or Twitter users to follow. Don't miss any update with the saved searches, and get instant view on trending topics.
Add content to your story and share it with your team
Preview and select content from every social network. Simply drag and srop your selection into the basket to save your favorite media or quickly copy and paste the URL to automatically save content.
Content metadata is preserved and delivered to your favorite newsroom or media asset management system.
IN2IT social ensures efficient cataloging and organization of content to get news on-air, faster than ever.
Pick and choose the best content, without leaving current page
IN2IT social extension for Google Chrome is your new time saver.
At a glance, find out if the website you are navigating on is supported by IN2IT social, and process the content in one click.
You can add metadata and monitor the process from end to end.
- Advanced keyword search
- Laction search
- Fact-checking with reverse search
- Support of file sharing platforms (Google Drive, Dropbox, Wetransfer)
- Web-browser extension
- End to end metadata processing
- MAM and Newsroom integrations
IN2IT live
Managing the capture of live feeds has never been easier.
IN2IT live is the ultimate solution to capture live events and deliver them to your users for logging and editing. You can finally handle SDI, NDI and web sources with a single tool!
Live streams, remote interviews, screen capture are ingested to your central storage and referenced into your Media Asset management platform in optimal quality and in a short amount of time.
IN2IT live is an open solution. It integrates with mos of the popular post production solutions on the market including Avid MediaCentral, Dalet Galexy or Grass Valley Stratus.
Record, schedule and collaborate, even remotely
Multiple operators can collaborate from any location thanks to the IN2IT live web-bases user interface. IN2IT live manages crash recording and tasks scheduling, across multiple physisal or virtual video servers.
Operators can enrich the assets with additional metadata. They get real-time monitoring of recording and transfers to the central production environment.
Multiple ingest profiles can be create to enable various workflows witht the same infrastructure.
Remote interviews and web streams ingest drastically simplified
IN2IT live supports natively Newtek's NDI protocol. It enables recording from network cameras, mobile apps and remote interviews. Skype and Teams support NDI output and allow you to record any participant feed in one click.
IN2IT live also supports a wide range of streaming protocols. It makes it really easy to get any web live stream available for your editing teams!
IN2IT exchange
Content comes first on social networks. Get it on-air, faster than ever!Auto
Automate ingest and outgest workflows
IN2IT excahnge excecutes import, export and transfer tasks from and to any local, remote or cloud-bass environment.
Configure sophisticated workflows, easily. Deliver to multiple targets simultaneously.
Get and accurate view on the ongoing processes anf tasks. IN2IT excchange notifies you when you need and where you need.
Make your content available to any user or viewer
IN2IT exchange is already integrated, with numerour MAM platforms, storages solutions, filesystems, transfer accelerators and social networks.
Implement your own business rules and rely on a powerful media and metadata processing engine.
Your content is available on time and in the right place.
Gear up for the future
Build a reliable infrastructure you can trust. Scale it as your needs grow.
IN2IT exchange is designed to manage 24/7 operations and high volumes of processed content.
Use the API to build your own integration and get more from you IN2IT platform.
- Multiple PAM/MAM/NRCS integrations
- advanced media and metadata processing engine
- Cloud watchfolders and delivery
- Scalability and high availability
- REST API
- Smooth integration with IN2IT access and IN2IT social for sophisticated workflows
- Avid MediaCentral integration for ingest and outgtes
IN2IT access
Everyone can ingest with full autonomy
IN2IT access has been designed for all users. It brings file and camera ingest operations to an unprecedented level of intuitiveness, thanks to a highly configurable web-based UI.
Journalists and ingest operators can browse, preview and selct their content in a few clicks. Technical decisions are made automatically in the background, avoiding mistakes.
Your ingest is triggered in a few clicks, making media and metadata available for everyone in the production environment.
Enrich and organize your content from the first step
IN2IT access is the entry point of your workflow. It's a crucial step where you want to ensure everything is in order for the next steps.
Custome metadata, naming convention and organization rules are defined by administrators in ingest profiles, and smoothly integrated in the user interface.
The content is easy to find in the MAM or on the central storage. This is a time saver for editors, journalists, Media managers and support teams.
The workflow is under control, and users fell it easy even in rush situations.
Enable remote workflows in minutes
Working from home, from the fiels or in another office does not make any difference. Your content needs to get on-air.
IN2IT access allows you to ingest from anywhere and on any device including your iOS or Android smartphone.
Transfers to production environments (cloud or on-premises) are accelerated, devices and profiles are centrally managed by administrators. Don't spend time configuring your device, just send what you have shot.
Raw footage or edited stories are available faster for editing and broadcast.
- Hundreds of supported source formats
- Automatic detection of camera cards
- Partial ingest, clips stitching
- Enbedded transcoding engine
- Multiple delivery protocols
- MAM and PAM integration
- Automated card backup
- Advanced notifications
IHSE MULTIVIEW 4K60 COMBINED 4-INPUT KVM SWITCH AND MULTIVIEWER
IHSE MULTIVIEW 4K60 COMBINED 4-INPUT KVM SWITCH AND MULTIVIEWER
Based on the same switching and video processing used in its renowned KVM and video matrix switches, the 4K Multiviewer offers single-box switching and display selection of up to four single- or dual-head inputs onto two or four 4K displays.
The multiviewer is designed for installations that require simultaneous interactive control of several computers using keyboard and mouse or other HID devices. Typical applications include broadcast installations and production suites.
- Combined 4:2 KVM switch and flexible multiviewer
- 4:2 KVM switch - 4 inputs, 2 outputs
- 4K60Hz 4:4:4 input and output
- Variety of multiviewing operation modes
- Single-and dual-head operation
- Low latency image transmission
- Combined audio and acoustic alarms
- De-embedding to 8-channel digital and stereo analog audio
- 8-channel digital audio via video interface
- Redundant PSU
- Intuitive shared keyboard and mouse control
- GPIO interface
- USB2.0 support
- Blockable USB2.0 transparent and switching
- SNMP monitoring and reporting
- 1U Rack mount
- Integrates into Draco tera infrastructure
Inputs and outputs are handled at 4K resolution with sub-100ms propagation delay, allowing the Multiviewer to meet the demanding requirements of control and incident rooms in all sectors whilst offering instant interactive control from operators. Outputs are suitable for multi-screen workstation applications as well as multi-window large screen videowalls.
Internal image processing provides display splitting (dual and quadscreen modes) as well as adaptable scaling, tiling and picture-in-picture display.Video synchronisation between input and output channels eliminates image flickering and allows images of greater than 8K and above to be handled and displayed.
A single keyboard and mouse can be used to interact with all source images displayed on an output screen. This reduces the desktop clutter and operator confusion associated with multiple keyboards and mice on a desktop. Simply rolling the mouse over a different source activates that control path.
A simple keyboard GUI control, also derived from the Draco tera KVM control methodology enables user source and preset selection.In addition integrated 8-point GPIO module and IP control enable external switching by network or push-button mechanisms as well as LED indication of active status and sources.
As with all IHSE products, the 4K multiviewer incorporates extensive redundancy and backup features and SNMP options to meet every operational reliability scenario.
IHSE DRACO TERA FLEX KVM SWITCH
IHSE DRACO TERA FLEX KVM SWITCH
Along with compact design and low cost the Draco tera flex family incorporates features from the Draco tera enterprise series of switches; including SNMPv3, LDAPS, multilingual on-screen display, encrypted communication for maximum security (for API, Draco tera configuration tool and Matrix Grid) and fast booting. Draco tera flex devices can now be interconnected easily in a decentralized matrix system using matrix grid technology.
Freely configurable devices
The Draco tera flex is available in three housing variants (1, 2 and 4 U) with between 16 and 160 ports. All ports can be used flexibly as inputs or outputs. 8-port expansion modules can be mixed between Cat and fiber optic types, with either 1 Gbit/s or 3 Gbit/s bandwidth; thus almost all customer-specific requirements can be achieved. The Draco tera flex is equipped with integrated power supply and redundant network connection as standard.
Scalable and future-proof
The modular structure permits simple interchange of individual components and prepares for future expansion. The Draco tera flex series is fully compatible with all Draco extenders and Draco tera KVM switches. It is ideal for cost-effective expansion of an existing Draco tera enterprise system or as an upgrade to existing Draco tera compact installations.
Key features
- High-density KVM-Matrix platform
- Cat X, Fiber and Hybrid 1G/3G models
- Scales from 16-Port (1RU) to 160-Port (4RU)
- Custom design for highest flexibility
- Enterprise feature set (SSL, Dual NIC, SNMPv3)
- Field-expandable / repairable
- Supports complete Draco extender line
- Options with integrated Grid interface
- Multilingual OSD support
- Offline configuration
IDSaaS
IDSaaS
IDSaaS is a fully managed service encompassing design, implementation, hardware, software, and ongoing support and backup. Customers can sign up for a determined time period, with two years expected to be the normal duration, while they will also be able to scale their use of the IDS platform in response to evolving demands. It can be difficult to predict how business will change over the course of 12 months, so we have designed IDSaaS to be flexible, affordable, and supportive of users managing their cashflow. The new service also takes advantage of recent updates to the IDS platform that allow it to be used more flexibly – whether part of a hybrid approach or on-premise, at someone’s home, or in the cloud. In the wake of Covid-19 there is evidently a stronger pull towards more remote working, and users of IDSaaS will be able to benefit from this increased versatility.
HYBRID-CLOUD System
HYBRID-CLOUD System
Tedial’s solution architecture, based on the Company’s innovative aSTORM storage management solution, easily and seamlessly migrates from an on-premises system into a Hybrid-Cloud system to enable remote production – critically important in today’s production environment. Leveraging a mixed computing storage and services strategy that combines the privacy and security of a private Cloud with the scalability of a public Cloud, it enhances orchestration among the various platforms and multiple sites. A HYBRID-CLOUD architecture offers broadcasters the ability to meet business objectives quickly while maintaining full control of media archives and costs and ensuring a low-risk transition into the cloud by moving the operation in-line with the business needs. Sensitive data and valuable content can be secured on-premises under company control in a safe IT environment with multiple security layers. Other benefits include lower CAPEX because the upfront investment is based on nominal usage, higher scalability permitting smooth adaptation to peak demand periods and lower costs, agility to quickly adapt to new business requirements, increased operations flexibility, and improved quality via optimized bandwidth and lower latency.
In addition to the HYBRID -CLOUD model, Tedial’s Evolution is deployed on the Public Cloud (Amazon Web Services (AWS) or Microsoft Azure), on Private Cloud infrastructure and on-premise physical or virtualized systems.
Hollyland LARK 150
Hollyland LARK 150
It reduces post-stage noise cancellation processing and improves the efficiency of content output. The tiny and super-light transmitter is well designed so it can easily be clipped-on to your collar or used with the included lavalier microphone, basically, anywhere you’d like to attach it to. The charging case provides portability and convenience to this microphone system. Besides that, it charges the whole system about 2.5 times in addition to the 4.5-hour battery life on the transmitter and 7.5-hour life on the receiver. (UBMS has a huge collection of hollyland products ). It auto pairs the transmitters and the receiver serves as the storage box and the platform to upgrade the whole system. It has 100m transmission, two-way mute, safety track audio mode, real-time audio monitoring, and so many more user-friendly features make the system a perfect wireless microphone solution for different types of content creation.
LARK 150 is a compact 2.4 GHz digital wireless microphone system. 2 TX & 1 RX Combo, it is widely using by videographers, bloggers, and mobile journalists. Plug and play, the system can make you focus on getting the shot. The transmitter designed with a built-in omnidirectional microphone and also can use it as a lavalier mic. The receiver Equipped with an OLED display shows battery status, audio level, signal strength, and more. LARK 150 is delivering professional-grade sound quality of a range up to 100m with a 5ms ultra-low latency. Buy LARK 150 from UBMS Dubai. We can provide the best price and fast delivery for LARK 150. It provides 3 recording modes, mono, stereo, and safety mode. The receiver's 3.5mm TRS output sends a mic-level signal, making it compatible with an array of devices such as DSLRs, portable audio recorders, computers,s and so on. And the charging case design serves easy charging, auto-pairing, upgrade, and storage for the whole system.
- 5ms Latency with up to 100m Range
- 2 TX & 1 RX Combo
- 2.4GHz Digital Wireless Transmission with Clear Sound Under Any Conditions
- Mini Size with Lightweight
- Professional-Grade Sound Quality
- Built-In Lithium Batteries, with an Ultra Long Run Time
- 21-Stage Digital Gain Adjustment
- Contact Charging Case
- Built-in Mic and Lav Mic Switching Automatically
- Multiple Systems Using in One Location
Buy Hollyland LARK 150 from UBMS Dubai
FlexViewer
FlexViewer
Features and performance
- Display of various signal inputs such as ASI, IP, SD / HD / 3G-SDI on one screen
- Supports HLS, RF (DVB, ISDBT, QAM) input with additional options
- Convert different input resolution and frame rate, display in a unified output format
- Maximum 45 CH input support for 1 enclosure
- By using multiple chassis, more than 45 CH / 1 screen display is possible
- Input signal loss, black screen, etc detected as an error, notification to the screen
- By voice signal bar, voice input of each input CH can be confirmed
- The size of each signal screen can be freely changed by setting
Application areas
- Monitoring multiple TS, SDI, OTT signals at low-cost monitor monitoring
- Construction of mobile multiviewer using notebook PC
Advanced options
- 4K resolution output
- Cascade processing, input signals of 45 channels or more, 1 screen output supported
- Video output to multiple screens
- Output video signal to other multi viewers TS TS streaming delivery
- Penalty box
- Error notification by SNMP output
- Multilingual voice input support
- Dolby voice codec input support
- Supports HEVC (H.265) input
- 4: 2: 2 Video input support
- Dynamic layout change by the user interface
- Input bit rate display function
FileCatalyst Workflow
FileCatalyst Workflow
FileCatalyst Workflow is a web portal that that allows users to submit, distribute and share large media files to any email address using any browser. Recipients are provided links that allow them to download sent files. Users may submit files to your organization for processing, with full tracking at every stage, or they may securely distribute files to anyone with an email address. Additionally, file areas allow users to store files in your organization’s private cloud for collaboration, with online access from anywhere.
Etere OTT Delivery
Etere OTT Delivery
A business-class OTT delivery solution to expand broadcasters' and TV operators' multi-platform product.
The invasion of Over-the-Top (OTT) services has begun, it is time for media operators to prepare their positions and choose their weapons to win the battles for media, mobile and cloud services.
Etere OTT Delivery is the solution that enables you to get a quick and easy way to export your content to over-the-top platform provider, meet all contract terms and media formatting requirements while ensuring the protection of your premium assets.
The broadcasting industry is well known for being a rapidly-evolving landscape, Etere's strong grasp of industry's trends and innovative technologies enables you to keep up the pace. Etere OTT Delivery is the innovative and revolutionary solution to enrich your broadcasting and make you the next generation media winner.
Key Features
Etere OTT Delivery module enables content providers to manage the distribution of their OTT content over a variety of media platforms. Delivery orders managed in this module have:
■ Facilitated order compilation and multi-change capabilities
■ OTT Ad Insertion: Create multiple sub-playlists to be generated from the main playlist
■ Exclusive relation to a specific platform
■ Easy duplication of orders to extend platforms
■ Multi-platform delivery of assets through different orders
■ Custom XML headers per order/platform
■ Automatic workflow preparation and export of files
■ Track and consult all delivered assets through accurate reports
■ Defines the rights agreement that determines the platforms through which the delivered content can be transmitted through diffusion of Rights
■ Real-time payment tracking of delivered content
■ "ToDo Notifications" tool allows easy creation of reminders to be automatically delivered via e-mail at specific times, for example, to remind the accountancy department to perform the payment of the sold rights
■ Search delivery orders easily via search filters
■ Distribute content over a variety of media platforms including Netflix, Hulu Plus, Amazon Prime, Redbox Instant, Vudu, Vodafone TV, CanalSat, Orange Nouvelle TV
■ Specify all delivery conditions such as licensee, platform, metadata, asset(s) and workflow to be executed
ELIA UNITY
ELIA UNITY
ELIA Unity is our channel in a box TV playout solution base on 30 years experience on broadcast.
Conscious of the need for the broadcasters to reduce constantly the operational costs while keeping a high quality level, we show with the ELIA range of SGT Channel in a Box TV playout solutions our know-how regarding reliability and flexibility which few systems can supply and nevertheless essential for a 24/7 operation.ELIA Unity is the very latest generation of Channel in a Box, a cost effective TV playout system offering playout automation, ingest, branding and media asset management features, in an all in one robust video server.ELIA Unity includes an off the shelf video server, with RAID redundant storage and expandability capability, in a low cost IT standard environment. Combined with the power of our brand new playout automation software PLAY along with FLOW software for acquisition and the preparation of the contents, both profiting from SGT’s long expertise, it is one of the most powerful & hassle free channel in a box in the market.We have indeed integrated the very latest technologies to stick to the market trends and needs; the “Full IP”, while you can choose to keep the good old SDI connections for a smooth transition, with ELIA Unity as well as the choice of virtualisation with ELIA Air.
EditShare’s EFSv
EditShare’s EFSv
EditShare is making collaborative cloud-based media production possible with its virtualized video editing and storage platform - EFSv. Initially running on Amazon Web Services (AWS) infrastructure, the open EFSv platform supports industry-standard third-party creative tools for editing, audio mixing, and grading with best-in-class security capabilities such as file auditing to propel secure, end-to-end editorial workflows in the cloud. EFSv native drivers eliminate traditional IT bottlenecks and deliver superior performance in virtual environments. And, by leveraging the EditShare RESTful API, customers and technology partners can easily automate advanced storage management workflows.
EFSv packages include workstation and GPU resources required to support teams of all sizes. The EFSv packages also include EditShare’s Flow media management and remote production workflow tools. Flow adds a control layer to virtualized storage pools, with tools to scan, log, search, and organize media, assemble story packages, and move content between object and block tiers of storage and also between cloud and on-premise tiers. Flow’s automation capabilities let users orchestrate redundant tasks and complex workflows, optimizing workflow efficiencies.
The flexible EditShare pricing structure provides customers transparency with options to purchase the EFSv subscription alone or inclusive of cloud services.
Edison PRO – AR/VR real-time presentations made easy
Edison PRO – AR/VR real-time presentations made easy
Edison PRO is an innovative, template-based playout application that seeks to transform any live, online presentation or conference into an immersive experience through AR and virtual environments, allowing users to enhance their speech and storytelling with real-time 3D graphics and other visual aids, including immersing themselves in the presentation.
Based on Brainstorm’s 25 years of broadcast experience in virtual sets and AR, Edison PRO substantially improves the impact of any presentation. Users do not require any experience in graphics, video, image or 3D, as the starting point for their sessions is a PPT of PDF document.
Based on 25 years of the broadcast experience of Brainstorm in virtual sets and AR, Edison PRO substantially improves the quality and impact of your presentations without requiring specific knowledge in 3D, virtual studios or video.
Edison PRO is a standalone product that includes a future-proof hardware to ensure the ease of operation, compatibility and performance. Installation, training and support are straight-forward, ensuring a rock-solid operation even in highly demanding, live production environments.
Compatible with standard presentation tools
Edison PRO can import standard PPT and PDF files so the slides or pages can be displayed and controlled by the presenter by using Edison’s interface. The presentation can also be controlled using standard clicker devices, smartphones or tablets.
Easy to use and control
Running a presentation is as easy as loading a template and importing the slides. Once a template is loaded, Edison PRO can key out and insert the presenter inside the 3D Virtual Reality scene, which can be further customized.
TrackFree virtual cameras that turn your virtual set limitless
Using Brainstorm’s patented TrackFree™ technology, Edison PRO takes the video feed of your fixed camera and creates virtual camera views from it. These are flexible, independent from the live feed, and can move freely in 3D space, as pedestals or cranes do in live production environments. This feature expands the virtual environment far beyond the limits of the physical chroma set. Users can change the camera view or create a new one at any time, instantly, with just a click!
Unreal Engine compatible
Edison PRO is compatible with UE scenes, which can be used as 3D backgrounds for the presentation. This improves your presentations with the ability to use hyper realistic background scenes in real-time.
Also, the optional Edison UC (Edison Unreal Control) plugin allows for controlling and editing the UE scene’s blueprints, objects and properties directly from Edison’s own, user-friendly interface.
Eco Capture SDI 4K Plus M.2 capture card
Input Interfaces:
MMCX
SD/HD/3G/6G/12G SDI
Loop-through Interfaces:
MMCX
SD/HD/3G/6G/12G SDI
Host Interface:
M.2 2280 Type M (PCIe Gen2 x4)
Input Features:
Support for input video resolutions up to 4096x2160 pixels
SDI Specific Features:
Integrated cable equalizer extending the cable length as follows:
up to 430m for SD-SDI signals
up to 200m for HD-SDI signals
up to 110m for 3G-SDI signals
up to 50m for 6G-SDI signals
up to 30m for 12G-SDI signals
Support for SD/HD/3Ga/3Gb/3Gb-DL/3Gb-DS/6G/12G standards
Support for 4K (4096x2160) mode
Support for RGB 4:4:4, YCbCr 4:4:4, YCbCr 4:2:2 color sampling
Support for 10/12-bit color depth
Support for extraction of SMPTE 352 payload identifier
Support for up to 8 (mono) audio channels at 48KHz
Support for extraction of audio formation information & channel status data
Support for Closed Caption via SDK
Video Capture Formats:
Support for capture image resolutions up to 4096x2160 pixels
Support for capture frame rates up to 144fps
SDK:
Magewell Capture SDK for DirectShow (Windows) or V4L2 (Linux) for easy integration
Magewell Capture SDK for DirectKS (Windows) or ioctl (Linux) for maximum flexibility & performance
Accessories:
MMCX to BNC cable
Eco Capture QL-SDI 4K M.2 capture card
Input Interfaces:
1-channel SD/HD/3G SDI
1 dual-link HD/3G, supporting 2SI mode only
1 quad-link 3G, supporting 2SI mode only
Host Interfaces:
M.2 2280 Type M (PCIe Gen2 x4)
Input features:
1 Single-link SD/HD/3G SDI mode:
Support for input video resolutions up to 2048x1080 pixels, only one stream can be captured
1 Dual-link HD/3G SDI Mode:
Support for input video resolutions up to 4096x2160 pixels
1 Quad-link 3G SDI Mode:
Support for input video resolutions up to 4096x2160 pixels
SDI Specific Features:
Integrated cable equalizer extending the cable length as follows:
up to 330m for SD-SDI signals
up to 190m for HD-SDI signals
up to 150m for 3G-SDI signals
Support for SD/HD/3Ga/3Gb/3Gb-DL/3Gb-DS/3Ga-QL/3Gb-QL standards
Support for 2K (2048x1080) and 4K (4096x2160) mode
Support for RGB 4:4:4, YCbCr 4:4:4, YCbCr 4:2:2 color sampling
Support for 10/12-bit color depth
Support for extraction of SMPTE 352 payload identifier
Support for up to 8 (mono) audio channels at 48KHz
Support for extraction of audio formation information & channel status data
Limited support of 3Gb-DS: only the first stream can be captured
Support for Closed Caption via the SDK
Video Capture Formats:
Support for capture image resolutions up to 2048x1080 pixels in single link mode
Support for capture image resolutions up to 4096x2160 pixels in dual and quad link mode
Support for capture frame rates up to 144fps
SDK:
Magewell Capture SDK for DirectShow (Windows) or V4L2 (Linux) for easy integration
Magewell Capture SDK for DirectKS (Windows) or ioctl (Linux) for maximum flexibility & performance
Accessories:
4 X MMCX to BNC cables
Eco Capture HDMI 4K M.2 capture card
Input Interfaces:
JST SHD 20-Pin socket
DVI-D 1.0
HDMI 1.4
FPC 20-Pin socket
DVI-D 1.0
HDMI 1.4
Host Interfaces:
M.2 2280 Type M (PCIe Gen2 x4)
Input features:
Support for input video resolutions up to 4096x2160 pixels
HDMI Specific Features:
297MHz HDMI receiver
Adaptive HDMI equalizer
Support for customized EDID
Support for extraction of AVI/Audio/SPD/MS/VS/ACP/ISRC1/ISRC2/Gamut InfoFrames
Full colorimetry support
Support for RGB/YUV 4: 4: 4 8-bit format signals with a pixel frequency of no more than 297MHz
Support for YUV 4:2:2 12-bit format signals with a pixel frequency of no more than 297MHz
Support for RGB/YUV 4:4:4 10/12-bit format signals with a pixel frequency of no more than 170MHz
Support for up to 8-channel IEC60958/IEC61937 audio streams via SDK
Support for extraction of audio formation information & channel status data
Support for extraction of video timing information
Support for extraction of 3D format information
Support for extraction of Sony/Canon DSLR time code
Support for Side-by-Side Half, Top-and-Bottom, Frame Packing 3D mode
Video Capture Formats:
Support for capture image resolutions up to 4096x2160 pixels
Support for capture frame rates up to 144fps
SDK:
Magewell Capture SDK for DirectShow (Windows) or V4L2 (Linux) for easy integration
Magewell Capture SDK for DirectKS (Windows) or ioctl (Linux) for maximum flexibility & performance
Accessories:
SHD to HDMI type A cables
FPC ribbon cable
FPC to HDMI type A adapter
Dymos(TM) Event Driven Monitoring
Dymos(TM) Event Driven Monitoring
Qligent’s Dymos(TM) Monitoring solution packages all of the QoS, QoE and Compliance Monitoring benefits of Qligent’s flagship Vision system for temporary services in the cloud, giving service providers a friendly pricing model and lightweight monitoring infrastructure that turns on and off as needed.
The dynamically-fashioned instance enables the support of events with minimal notice, connecting the service provider’s infrastructure with a Qligent Vision system in the cloud through a secure URL. Customers get the same benefits as 24/7 Vision users, monitoring QoS-related transport and physical streams, QoE-related issues (lack of signal, video freeze, missing audio) and compliance-related matters, such as audio loudness and closed captioning.
The instantly deployable system provides all the same standard Vision components, including aggregation servers and networked probes for gathering performance data across the delivery chain. Measurement and compliance results and recordings are still available for the customer after the event for a defined period of time – with no additional costs associated as the probing cloud instances have been turned off.
DJI RSC 2 Gimbal Stabilizer Pro Combo
DJI RSC 2 Gimbal Stabilizer Pro Combo
Professional-level results are effortless with DJI RSC 2. This compact stabilizer for mirrorless and DSLR cameras features a foldable design and intuitive features, empowering filmmakers, one-man crews, and content creators everywhere. Buy DJI RSC 2 Gimbal Stabilizer Pro Combo from UBMS Dubai. We can provide best price & fast delivery for DJI RSC 2 pro combo
Key Faetures
- Foldable Design
- 1.2kg Weight / 3kg Tested Payload
- Quick Switch to Vertical Shooting
- 1'' OLED Screen
- Max 14hr Fast-Charge Batteries
- Titan Stabilization Algorithm
Faetures
- RSC 2 gimbal with the RavenEye 1080p transmitter, a focus motor, phone holder, two focus gears, and three HDMI cables
- Designed for mirrorless and DSLR cameras
- 6.6 lb payload for camera and accessories
- Foldable into underslung mode
- 1" OLED black-and-white display
- DJI Titan stabilization algorithm
- SuperSmooth stabilization feature for long zoom lenses
- Two NATO mounts for dedicated accessories such as a briefcase handle
- Integrated grip handle with built-in 14-hour batteries
- iOS 11+/Android 7.0+ companion app
- Time-lapse, panorama, Roll 360, and other creative functions
- Dual-layer Manfrotto plus Arca-Swiss camera mounting system
- Single-tap switching to portrait mode
Buy DJI RSC 2 Gimbal Stabilizer Pro Combo From UBMS Dubai.
DJI RS 2 Gimbal Stabilizer Pro Combo
DJI RS 2 Gimbal Stabilizer Pro Combo
The DJI RS 2 Pro Combo packs several additional accessories with the RS 2 gimbal to provide for a more comprehensive workflow. A key addition is the DJI Ronin RavenEye Image Transmission System, which allows for 330' 1080p video transmission from the gimbal with a latency of only 50ms for on-set collaboration. The other extra accessories are a focus motor, phone holder, two focus gears, and three HDMI cables.
DJI RS 2 pro combo isn’t just a gimbal – it is an unparalleled solution for dynamic cinematography. Every design element and feature is made to deliver industry-leading camera stabilization. Simply put, DJI RS 2 is crafted for you to master filmmaking. Buy DJI RS 2 Pro combo from UBMS.
The RS 2 gimbal is a redesigned follow-up to the Ronin-S gimbal with a payload of up to 10 lb. It's about 25% lighter and more compact thanks to monocoque carbon fiber axis arms and a shorter grip handle with a smaller battery cartridge, although still with a 12-hour runtime. The motors are about 20% more powerful and support camera and lens combinations including the Sony a7S III with a 24-70mm f/2.8 GM lens, Blackmagic Pocket 6K with a 24-70mm f/2.8 lens, Canon 1D X Mark III with a 24-70mm lens, and ALEXA Mini LF with a 35mm lens.
The RS 2 also has a 1.4" full-color LCD touchscreen that allows you to access gimbal settings as well as features such as time-lapse and hyperlapse, which were previously accessible only via the companion mobile app.
The RS 2 uses the DJI Titan stabilization algorithm to provide improved stabilization with increased smoothness. In applications with up to 100mm zoom lenses, a built-in feature called SuperSmooth complements the algorithm by compensating for micromovements and increasing torque to achieve fluid motion (an optional lens support is required).
There are also two RSA ports with electrical contacts for dedicated accessories, and each port has a NATO mount for quick release attachment of these optional accessories. One RSA port is provided on the left and one on the right side of the gimbal. Supported accessories include a focus wheel, a twist-grip dual handle, and a universal mount for efficiently attaching the gimbal to a car, jib, or slider.
The companion iOS/Android Ronin app offers many creative features in addition to standard time-lapse and panorama functions. Time Tunnel combines roll motion with hyperlapse to "twist" space and time. Track allows you to create a repeatable camera movement path for a tightly choreographed shot. Force Mobile makes the gimbal follow your smartphone's movements. Force Mobile can also be achieved with enhanced responsiveness when you use the included RavenEye transmission system. When you use the RavenEye, you can also display a live view of your subjects on the touchscreen when using the RavenEye's ActiveTrack feature.
The RS 2 uses a dual-layer Manfrotto plus Arca-Swiss camera mounting system with two removable quick release plates. For social media content, the gimbal can be adjusted at the tab of a button to position your camera into portrait mode. To let you efficiently balance your camera, the RS 2 has an axis lock on each axis, so you can unlock and balance one axis at a time. Additionally, a fine-tune balancing knob allows you to further dial in the optimal balance for your camera.
The gimbal runs for up to 12 hours on a battery cartridge that secures to the included grip handle. The cartridge can easily be swapped out for another one, sold separately. The cartridge is rechargeable via a USB Type-C port on the grip, and the grip can be totally removed from the gimbal when you need to recharge the battery. The BG30 grip is compatible with the PD and QC 2.0 charging protocols. DJI highly recommends using a 24W charger, not included. The battery supports 24W fast charging and can be fully recharged in about 1.5 hours.
The RS 2 comes with a splash-proof carry case designed with dedicated compartments for the different parts of the gimbal and key accessories. A mini tripod is also included and attaches to a 1/4"-20 thread on the bottom of the grip handle to function as a stand or an extension handle for two-handed maneuvering of the gimbal in certain scenarios.
Key Features
- RS 2 gimbal with the RavenEye 1080p transmitter, a focus motor, phone holder, two focus gears, and three HDMI cables
- 10 lb payload
- Supports larger cameras such as the Blackmagic Pocket 6K and ALEXA Mini LF
- 1.4" full-color LCD touchscreen (with access to features such as time-lapse and hyperlapse)
- DJI Titan stabilization algorithm
- SuperSmooth stabilization feature for long zoom lenses
- Two RSA ports with electrical contacts and a NATO mount for quick release attachment of dedicated accessories such as a focus wheel
- Monocoque carbon fiber axis arms
- Short grip handle with a compact 12-hour battery cartridge
- iOS 11+ / Android 7.0+ companion app
- Creative functions such as Time Tunnel and Force Mobile
- Dual-layer Manfrotto plus Arca-Swiss camera mounting system
- Single-tap switching to portrait mode
- Axis locks and fine-tune knob for efficient and precision camera balancing
- Splash-proof carry case included
Buy DJI RS 2 Gimbal Stabilizer Pro Combo From UBMS Dubai.
DJI POCKET 2
DJI POCKET 2
Pocket-sized and extremely portable, DJI Pocket 2 is a tiny camera that lets you single-handedly record memorable moments. Equipped to stabilize movement and take sharp photos and smooth videos, Pocket 2 gives you the freedom to create magic at hand. Buy DJI pocket 2 from UBMS Dubai.
DJI Pocket 2 is a handheld gimbal camera that combines mobility and stability in one device. It shoots sharp 64 MP photos and stable video at up to 4K 60fps. The onboard touchscreen displays a live view from the camera and can control camera and gimbal movements. Create the perfect shot with intelligent modes such as ActiveTrack, Zoom, Panorama, Timelapse, and HDR Video and enjoy high quality sound recording with four microphones that boast wind noise reduction. Connect DJI Pocket 2 to DJI Mimo using a mobile device eitherwirelessly* or by adapter. The app can be used to create professional-quality videos and to share to social media instantly in Story mode. Dji Osmo pocket 2 or Pocket 2 is the successor of Dji Osmo pocket .
Accessories such as the Mini Control Stick, Do-It-All Handle, Wireless Microphone Transmitter, Micro Tripod, Tripod Mount (1/4”), and Wide-Angle Lens can be used to enjoy more DJI Pocket 2 features.
Pocket-Sized Small Camera, Big Moments
DJI Pocket 2 fits perfectly in your hand, bag, or pocket so that you can take it anywhere. When your journey begins or something suddenly catches your eye, Pocket 2 is ready to capture it all.
DJI Pocket 2 is an advanced gimbal camera that follows in the footsteps of Osmo Pocket. It's small, lightweight, and fits right in your pocket so you can record life with incredibly smooth footage. 4K/60fps video, 64MP photo, and DJI Matrix Stereo technology let you dive into filmmaking and create amazing content. Packed with intelligent features like Active Track 3.0, Story Mode, and compact accessories, DJI Pocket 2 is a tiny wonder that lets you create magic at hand.
- Pocket-sized 3-axis handheld gimbal camera
- 64MP still photo, 1/1.7" CMOS sensor
- 93° FOV, 20mm equivalent focal length
- Record video up to 4K60
- Tiny form factor; weighs just over 4 oz
- 8x zoom for stills, 4x zoom for 1080p, 2x zoom for 4K
- Records onto one microSD card with a capacity up to 256GB
- Integrated glamour effects, AI editor, and story mode software
- Time-lapse, hyper-lapse, and motion-lapse modes; hybrid AF (autofocus) to avoid blurred footage
- ActiveTrack 3.0: Recognizes adults, children, and pets with high accuracy
- Immersive audio with wind reduction and four stereo microphones that zoom with your video for clear, directional sound
- Charge via USB Type-C
- Edit and live stream using the DJI Mimo app with your iOS/Android smartphone
Buy DJI Pocket 2 from UBMS Dubai.
Dji Mavic Mini 2
Dji Mavic Mini 2
DJI Mini 2 boasts a foldable design and an ultralightweight of less than 249 g. Featuring a Downward Vision System and Infrared Sensing System, DJI Mini 2 can hover and fly indoors as well as outdoors and automatically initiate Return to Home (RTH). With a fully stabilized 3-axis gimbal and 1/2.3” sensor camera, DJI Mini 2 shoots 4K video and 12MP photos. Enjoy Intelligent Flight modes such as QuickShots and Panorama, while QuickTransfer and Trimmed Download makes downloading and editing photos and videos more convenient and efficient. DJI Mini 2 is available in the UBMS Dubai showroom.
DJI Mini 2 comes equipped with the DJI RC-N1 remote controller, which boasts DJI’s long-range transmission OCUSYNCTM 2.0 technology, offering a maximum transmission range of 6 mi (10 km) and video quality of up to 720p from the aircraft to the DJI Fly app on a mobile device. The remote controller works at both 2.4 GHz and 5.8 GHz and is capable of selecting the best transmission channel automatically without latency. The aircraft and camera can easily be controlled using the onboard buttons. Buy Dji Mini 2 from UBMS.
DJI Mini 2 has a maximum flight speed of 36 mph (57.6 kph) and a maximum flight time of 31 minutes, while the maximum runtime of the remote controller is six hours.
Buy DJI Mavic Mini 2 from UBMS Dubai.
Discovery
Discovery
Veritone Discovery, aiWARE’s explorer tool, offers a Comprehensive, Customizable Analytics Suite for Audio and Video Data and lets you dissect media files and streams with multivariate cognitive search for both onetime and automatic watchlist-driven analytics.
Veritone Discovery gives you the ability to quickly search a broadcast for spoken words, faces, logos, objects, sentiment, and more in near-real-time. Discovery reduces manual tasks through automated watchlists for events, highlights, mentions, clients, and more with curated content sent straight to your inbox.
Digital Media Hub
Digital Media Hub
INTELLIGENT DIGITAL ASSET MANAGEMENT
Veritone Digital Media Hub is a cloud-native, AI-enabled media management portal specifically designed for content owners in sports, film, TV, news, and media enterprises. Custom-branded to maintain your company’s personality, Digital Media Hub allows content creators to immediately access, search, manage, share, and monetize media including videos, still images, and audio.
Daylight Control for Television Studios Package
Daylight Control for Television Studios Package
Working with lighting directors to provide daylight control for TV studios and windows.
Lighting directors and lighting designers, you know all about the challenges that come with windows in a studio…
On a dark winter morning at 7am, the windows in your studio look great. But by 8am they might need gels. And by noon it’s a whole other setup. Or you might have to change a shot or even skip it. But you don’t have to be limited by windows, there’s a better way…
At Broadcast Blinds we customize your blinds and gels specifically for your studio. It might be a mix of ND6, ND9, and ND1.2, for example. We set it up to be controlled from your lighting board, too. Whether your studio has windows overlooking Times Square or the London Eye, we have your solution.
DARK1616D
The Glensound DARK1616D is a digital to digital converter designed to connect AES3 audio circuits to/ from a Dante/ AES67 audio network.
Dante network audio is a common protocol for distributing high quality linear audio over standard IP networks and it is widely used by many audio equipment manufacturers. The Glensound Dark1616D Dante audio interface will be compatible with any other manufacturers Dante audio interface.
Being designed for live on-air broadcast applications the Glensound Dark1616D has been designed with multiple redundancy capabilities. It has 2 mains power sources and it also has fully redundant network connections for both Copper & Fibre circuits.
The Dark1616D provides 8 balanced AES3 inputs and 8 balanced AES3 outputs to the Dante network on rear panel D25 connectors wired to AES59 (also known as the Tascam standard).
As per our other Dante equipment 0dBu = -18dBFs
DA-HDTV-USB Frame Grabber
DA-HDTV-USB Frame Grabber
The DA-HDTV-USB video capture device is a portable and compact module that captures video from just about any source (e.g. cameras and computers). It can capture the video as an HDMI 2.0 input up to UHD and an SDI input up to 3G (1080p). It supports resolutions up to 3840x2160p, 4:4:4, with an HDMI loop-out and USB 3.0 output streams at 1080p maximum resolution. Once video is captured, it can be recorded to another device or streamed for production or online applications. In application, a facility may need to capture video from cameras, record the video to a computer and ultimately stream the video out for live conferencing.
- This compact box - with a magnetic bottom for an easy installation on a metal surface or using the supplied mounting plate, accepts HDMI or SDI input signals and streams them to its USB 3.1 output.
- It accepts HDMI 2.0 signals video resolutions up to 4K/UHD 60 Hz (4:4:4) and SDI signals up to 3G-SDI (1080p60) and has loop out outputs for both. The USB 3.1 streaming output maximum resolution is 1080p60 (meaning that 4K/UHD signals are down converted to 1080p).
- It works with software media players such as VLC and other conferencing applications. It is very easy to set up: Just connect it, launch the media player or conferencing application and select the device as audio and video source. You can then record or stream the DA-HDTV-USB video and audio signals. It is compatible with Windows, MAC and Linux computers.
- It has a mic input allowing to mix voice with the input audio and a speaker output allowing to check the audio output.
- All the necessary cables and accessories are supplied as standard.
Cosmos
Cosmos
Cosmos provides software based playout engines for Broadcasters, Over The Top service providers and Broadcast Services companies.
The distributive virtualised architecture of the playout engine from Cosmos provides a fast and trusted cloud based playout solution enabling broadcasters and service providers to spin up both OTT and traditional TV channels in a few minutes thus lowering the cost of ownership.
Channels can be hosted from data centres or from your own Master Control Room over a private or public cloud. Cosmos also gives you the ability to playout both file based and live services .
Cosmos is an open system which enables all the features of a playout engine be implemented on a service basis. Cosmos reduces the need to invest in capital infrastructure. It removes the need to find space for technical equipment and the ongoing cost of technical maintenance.
Channel owners in worldwide gain the freedom to outsource practically all the technical equipment traditionally required for broadcasting.
Cosmos virtualises the process of channel management under control from a standard enterprise computer via a firewall-protected secure internet connection. Programme playout can be automated to any required extent while always retaining the freedom to insert live content.
Cosmos offers established broadcasters and content owners the ability to introduce new programme channels at very short notice, whether a permanent additional to an existing bouquet or a supplementary programme stream covering a temporary event. It can be matched to a wide variety of deployment models, enabling consistent operation across baseband, hybrid IP, and virtualised, cloud-based networks.
Cosmos also enables independent content producers to establish television channels without the high start-up cost usually inherent in such ventures.
Cosmos delivers unsurpassed flexibility in format handling and transcoding. It supports practically any technical standard in today's fast-evolving television industry, whether for terrestrial, satellite or online viewing, live, near-live or catch-up.
ControlCenter-Xperience – Experience KVM like never before
ControlCenter-Xperience – Experience KVM like never before
The ControlCenter-Xperience is a permanently installed control room. Here, we show how different systems and technologies interact, thus giving them the possibility to respond very individually to customer demands during consulting. Unlike conventional showrooms, the CCX is not limited to illuminated glass cabinets showcase in which KVM systems can only be viewed. Instead, you can experience technology live and in action. Now, G&D are able to offer a platform for personal live consulting on a real control room application, independent of time and place. Thanks to the approach of demonstrating KVM also via live stream, it is easier to provide individual advice to customers from other European countries and from overseas.
Content Monetization
Kick Off Content Monetization
The one-stop shop to provide a unique clip & collect experience for external buyers, sponsors or partners.
* Valorize media assets by leveraging online collections to browse, search and view them.
* Give users the ability to find media sequences they need for their story, in seconds.
* Generate new revenue streams for your organization without going through an intermediate.
Codec Plugin for DaVinci Resolve Studio
Codec Plugin for DaVinci Resolve Studio
Now creators can render project timelines from DaVinci Resolve Studio 17 into professional camera formats from Sony, Panasonic and others. With the MainConcept Codec Plugin for DaVinci Resolve Studio, the complete production chain—from filming, capturing, editing and playout—can remain in the same broadcast format so your workflow remains seamless and efficient.
MainConcept’s Codec Plugin allows native access to HEVC Main and Main 10 profiles, making use of our industry-leading HEVC/H.265 software video encoder. And, it’s fast—up to 20% faster than open source.*
With encoding in up to 8K resolution and 10-bit 4:2:2, our video encoder satisfies the needs of most broadcast and OTT use cases. It also supports AS-11 UK DPP project rendering directly from the DaVinci Resolve Studio timeline management tool.
Gone are the days of moving between different applications to finalize and deliver content. With direct integration into the DaVinci Resolve Studio user interface, creators enjoy a seamless experience throughout their project workflow while benefiting from new encoding formats.
*Source: Moscow State University 4K codec performance comparison
Cobalt BBG-1300-FR – A mini openGear® frame when space is an issue
Cobalt BBG-1300-FR – A mini openGear® frame when space is an issue
Cobalt’s new mini frame fills a need when space is an issue and functionality can’t be compromised. The BBG-1300-FR is a 1/3 rack width 1RU openGear® compatible frame capable of housing up to two cards. A built-in network card is Included with the chassis allowing openGear cards to be controlled and monitored in DashBoard™. This truly miniaturized openGear 3.0 chassis features looping reference, redundant power supplies, and support for high-power delivery (60W usable).
Using the 1RU tray mount, up to three BBG-1300-FR units can fit onto a single 1 RU — perfect for high-density installations when a 2RU frame is not feasible. The BBG-1300 can be employed in remote locations as a standalone when a full-size 2RU 22 slot openGear frame is not required. The integrated LCD buttons and control knob makes status monitoring and network setup a breeze.
Cobalt 9992-DEC-4K-HEVC – All New 4K HEVC Broadcast Decoder
Cobalt 9992-DEC-4K-HEVC – All New 4K HEVC Broadcast Decoder
Cobalt continues to upgrade its decoder series with the Company’s 9992-DEC-4K-HEVC, an award-winning software defined broadcast decoder perfect for sports, news gathering, video contribution and affiliate distribution. The openGear® card supports MPEG-2, AVC (H.264) and HEVC (H.265), with resolution up to 4K, and a full complement of audio decoding capabilities up to 32 channels. The module features a flexible licensing structure allowing customers to manage CAPEX while allowing room for future growth as their needs change. RIST enabled, the decoder - companion to Cobalt’s 9992-ENC-4K-HEVC encoder, provides an ideal platform for transitioning to state-of-the-art decoding capabilities.
Cobalt 9942-RTR Series
Cobalt 9942-RTR Series
Cobalt’s new 9942-RTR series of 12G/3G/HD/SD-SDI/ASI/MADI routers provide a high-density card-based solution for openGear® with a design specifically optimized for 12G support that fits in a compact 2RU frame. Unprecedented flexibility, ease-of-use and seamless integration make the series exclusive within the platform.
In addition to standard openGear DashBoard™ support, the series offers built-in Ethernet ports for IP-based protocols such as Cobalt’s ReFLEX and SW-P-08. The 9942-RTR also offers serial and GPIO interfaces.
The routers are available in 24x24 and 12x12.
Cobalt 9915DA-xx16-12G Series
Cobalt 9915DA-xx16-12G Series
Cobalt’s new series of distribution amplifiers distributes 12G-SDI signals within an openGear frame in response to the industry’s rising demand for 4K. The new 9915DA-1x16-12G 12G/6G/3G/HD/SD-SDI 1x16 Reclocking Distribution Amplifier supports an input channel which is distributed to 16 DA outputs. The 9915DA-1x16-12G also offers optional SFP support for fiber input and DA outputs.
Cobalt’s 9915DA-2x16-XPT-12G is a 12G/6G/3G/HD/SD Quad-Channel Multi-Rate Reclocking DA with x4 Output Crosspoint that supports two input channels which can be crosspoint-routed up to 16 DA outputs.
The Cobalt 9915DA-4x16-XPT-12G 12G/6G/3G/HD/SD Quad-Channel Multi-Rate Reclocking DA features the same x4 Output Crosspoint but supports four input channels which can also be crosspoint-routed to up to 16 DA outputs.
The 9915DA-4x16-XPT-12G and 9915-2x16-XPT-12G both include optional SFP support to expand the signal reach beyond the limits of coaxial connections.
Cloud PVR
With Broadpeak’s Cloud PVR solution, your subscribers can watch their favorite TV show anytime, anywhere, on any device.
Broadpeak’s Cloud PVR brings Cloud Time-shifting, Start Over, Catch-up TV and Cloud PVR services to subscribers, for all their devices without deploying new hardware in the households. Subscribers can record an unlimited number of content at the same time, switch from one screen to another whenever they want.
And you ease your maintenance and support costs while increasing the engagement of your subscribers with your company.
CARTONI UVC BOXER
CARTONI introduces the UV-C BOXER, a UV disinfection device for video and motion picture equipment
Rome, Italy (July 2020) – The global pandemic has impacted the entertainment industry in ways never before imagined. In addition to the need to avoid infected persons, global health experts have warned that the virus that causes COVID-19 can live on plastic and metal surfaces for up to 3 days.[1] The new normal will be a post-pandemic world with an ongoing race to find ways to prevent the spread of the virus that causes COVID-19.
In response to this growing need, Cartoni introduces the UV-C BOXER, a new device specially designed to harness the power of germicidal UV to safely sanitize film and video equipment – including cameras, batteries, lens, Steadicam, and accessories.
"At Cartoni and in Italy, we were among the first to be hit by this devastating pandemic. During our state-mandated lockdown, we studied a solution to help our industry. The answer was a device that could help production crews and rental houses to stay safe from the virus. Social distancing, masks, and gels meet safety requirements, but on production sets where the equipment is constantly handled multiple times during shooting hours by operators, assistants, grips, etc… we think for production to truly ramp up again, there is a compulsory need to disinfect and decontaminate gear daily or even several times a day," explains Elisabetta Cartoni, the President and CEO of Cartoni Camera Supports.
What is UV-C light?
UV-C, or germicidal UV, is a wavelength of UV light, typically between 200 to 280 nanometers, that can inactivate pathogens like bacteria and viruses. UV-C light, in the right strength and dose, modifies the DNA structure of an infectious cell so it cannot reproduce and therefore cannot colonize and spread.
UV radiant energy was first used for disinfecting surfaces in 1877 and has been used extensively, for over 40 years, in disinfecting drinking water, waste water, air, pharmaceutical products, and surfaces against a whole suite of human pathogens. UV-C has been used in hospitals and healthcare facilities for decades and is proven to be effective in both the reduction of hygiene failures and in control environmental contamination by high-concern microorganisms, such as COVID-19. Similar to UV-A and UV-B rays from the sun, exposure to UV-C can damage eyes and skin if overly exposed, so it is essential to follow strict safety guidelines when UV-C devices are in use.
Advantages of germicidal UV
Germicidal UV lamps are incredibly effective and have several significant advantages.
- Pathogen kill rate – All bacteria and viruses tested to date (many hundreds over the years, including other coronaviruses) respond to UV disinfection. Some organisms are more susceptible to UVC disinfection than others, but all tested so far do respond at the appropriate doses. On top of that, bacteria and pathogens cannot become resistant to UV like they can to certain antibiotics and antibacterial products.
- Limited chemical exposure – UV-C works in place of potentially harmful chemicals. It's safe to enter a room after germicidal UV products disinfect the area, but it might be hard to breathe in a room that has just been sprayed down with chemicals.
What is the Cartoni UV-C BOXER?
Studies have shown that environmental transmission of germs and viruses can be unwanted source of illness. The new Cartoni UV-C BOXER leverages the power of germicidal UV to safely sanitize the surface of film and video equipment without emitting moisture, gas or powders. Equipped with ten medical-grade UV-C (100-280nm) lamps, the BOXER is designed to neutralize any micro-organism, germ, including COVID-19 or mold, which may unknowingly contaminate film and video sets.
These features make UV-C irradiation ideal as a sanitization process for delicate professional film and broadcast equipment as it does not affect – if used properly - optical lens coating, electronic circuits & boards, lubricants, rubber, or plastic in cameras, lenses, monitors, microphones, etc.
Will UV-C irradiation damage the equipment?
As with prolonged exposure to the sun, which will fade the color of children’s toys on the beach, or most plastics, all UV irradiation can produce some chemical deterioration on plastics, rubbers or polymers.
Although UV-C may discolor plastic and ultimately affect the carbon boundaries of the molecule after extreme exposure of over 1000 hours, UV-C lamps will not deteriorate electronic boards, electrical components, or glass elements such as lenses .
With this in account, the total irradiation and micro-organizsm disinfection cycle of the Cartoni UV-C Boxer takes just 5 minutes to sanitize each batch of equipment, as metered by a timer.
The newly designed Cartoni UV-C BOXER has a large sliding boxlike container for safe loading and sanitization of multiple pieces of gear at the same time. Like all UV light, exposure to UV-C rays can be dangerous to humans so Cartoni designed the BOXER with a safety lock system to avoid accidental UV-C irradiation. If the door to the BOXER chamber is not safely locked, the UV-C lamps will not activate.
BOXER is safe if properly used, effective, and fast. Operational indoors and outdoors, it's ideal for carrying to locations by small vans or large SUVs. Equipped with wheels with positive locks, it can easily be moved around on flat surfaces or studios.
What is the UV-C BOXER Advantage?
The Cartoni UV-C BOXER is the only medical-grade UV-C device designed for film and video equipment and is currently being evaluated by the Italian Health Ministry for certification. The UV-C medical-grade lamps in the Cartoni UV-C BOXER germicidal device has been designed and tested to provide ten times the irradiation needed to sanitize the surface of objects in the device.
The BOXER has 10 Osram/Philips 4watt medical-grade UV 9-watt lamps installed in the chamber. The chamber is covered by high reflection polished aluminum on all six sides, which reflect the UV-C lamp beams in all directions to cover the entire surface of the item to sanitize, including the bottom.11 The power of a reflected beam is 40% of the original beam, exceeding the needed germicidal effect by five times. Each lamp has a life of 6,000 hours and has no ozone release.
The typical length of time needed to disinfect and sanitize a set of equipment, including a camera, two lenses, two batteries, and one microphone is just five minutes. In order for effective sanitization, the objects must be well arranged and spaced in the BOXER chamber to ensure no overlapping.
For more information, please contact cartoni@cartoni.com.
CARTONI PTZ SUPPORTS
The new needs for automated image gathering, along with increasing demand for social distancing have changed the studio configuration.
The latest generation of PTZ cameras supports high-quality video production in studios, stadium, lecture halls, churches and other venues.
Cartoni has designed new practical and affordable solutions to support the PTZ cameras and safely installing and moving them on every location.
1 –Lightweight tripod
The basic solution kits tripod KT721 with adjustable mid level spreader S731/QR the new design rubber feet AT877 , the AT922 half ball 75mm camera attachment completed by D833 lightweight dolly.
2 – Light PTZ stand
The new versatile KPTZ001 support features the 3 telescopic stage TZ001 lightweight stand complete with AT926 PTZ ball joint, the stand comes with standard rubber feet and can be installed on the D833 lightweight dolly.
The PTZ camera can be attached to the Ball joint with a quick release sliding plate AH921 for fast attachment and enhanced centring ability.
3 – P020 /PTZ pedestal
The Cartoni P20 pedestal gives to PTZ cameras an outstanding support allowing super high set up, a gliding vertical movement of 40 cm stroke and a super-precise travelling ability on even floors.
Equipped with a flat AH870 3/8, ¼” camera attachment the P020/ PTZ pedestal enable the PTZ camera to be assisted by a teleprompter, making it the ideal camera for newsroom
Canon CR-N300 4K NDI PTZ Camera with 20x Zoom
Canon CR-N300 4K NDI PTZ Camera with 20x Zoom
If you have a professional production that requires remotely controlled cameras with minimal crew and a high-resolution output, the satin black CR-N300 4K NDI PTZ Camera with 20x Zoom from Canon will fit right into your house of worship, corporate conference room, government application, courtroom, broadcast streaming production, event space, or even add an extra camera to your documentary shoot. The CR-N300 sports many features of a Canon camcorder such as a 1/2.3" dual-pixel CMOS sensor, Hybrid AF, the Canon DIG!C DV6 image processor, scene modes, 20x optical zoom, 20x digital zoom, microphone input, and video recording up to UHD 4K. The camera also includes NDI|HX support without requiring a separate license, allowing you to drop the camera into your existing NDI network with minimal configuration.
Where the PTZ camera diverges from the camcorders is in its remote resources such as control via IP, RS-422 serial, IR, or Wi-Fi as well as HDMI, 3G-SDI, and USB Type-C video outputs, and compatibility with the Canon RC-IP100 IP PTZ remote controller. It can perform smooth, precision pan, tilt, and zoom movements with a speed range of 0.2 to 300° per second. Mic-level audio can be input via a 3.5mm mini-jack, and then embedded in the HDMI and 3G-SDI outputs, or in your NDI stream, RTP/RTMP/RTSP multi-stream, or USB output. The USB Type-C port allows the camera to be used as a webcam and also supports UVC control data, so you can control the camera using Canon's camera control software.
The camera can also be powered using PoE+ (Power-over-Ethernet) using its LAN port, so it can fit right into your existing PoE+ network without requiring the use of local power to save cabling. The camera supports a wide dynamic range, brightness of 1.5 lux, and its lens features a 35mm equivalent focal length of 29.3 to 601mm.
The camera can utilize an external controller via RS-422/VISCA or Canon's proprietary XC IP protocol on a private, secure LAN, using the optional RC-IP100 PTZ controller. Or, if you'd prefer to use Canon's camera control software, the free-to-download application can work on Windows OS, so you can control all the camera functions from a laptop or tablet. The software provides a 9x9 live view, control of up to 100 cameras, settings loading and configuration, and tally functions. An IR remote and an AC adapter are included.
1/2.3" CMOS Dual-Pixel Sensor
The CR-N300 features a Canon 1/2.3" UHD 4K CMOS image sensor capable of UHD 4K video capture at 30p and up to 60p in Full HD, making the PTZ camera a strong contender for professional production.
Canon DIG!C DV6 Processor
The CR-N300 PTZ camera incorporates Canon's DIG!C DV 6 Image Processor, which is essential in providing high image quality, advanced performance, and convenient operability. This advanced core technology component provides the image-processing power and speed that enables features such as 4K UHD video acquisition and precise Hybrid AF.
Hybrid AF
The CR-N300 is equipped with "Hybrid AF", an auto-focus system that combines high-precision contrast AF technology and the high-speed, phase-difference AF technology to confirm auto focus from the camera. This hybrid auto focus system helps achieve auto focus faster and more reliably compared to contrast auto focus alone.
Canon 4K UHD Lens
The CR-N300 features a 20x optical zoom lens and exhibits a wide viewing angle of 65.6° (horizontal) in 4K. At the wide end, the 29.3mm (35mm equivalent) lens is capable of capturing extensive scenes in tight shooting spaces such as indoor events for cinematic wide shots. The camera utilizes aspheric lens elements to achieve 4K image quality while minimizing various aberrations over the entire zoom range.
Over Sampling HD Processing
The full HD recording (over sampling HD processing) takes full advantage of the image information acquired by the 4K sensor to generate beautiful, high-definition full HD video. This helps content creators produce stunningly detailed FHD video when utilizing the CR-N300.
Smooth & Responsive Pan and Tilt Performance
The CR-N300 is equipped with the PT drive mechanism that can change the pan/tilt speed in incremental steps. This allows the operator to set the speeds to desired preference to allow for smooth PT movement. The CR-N300 exhibits a variable pan speed of 0.2 to 300°/second and variable tilt speed of 0.2 to 170°/second.
Four Scene Modes for Impressive Video
The CR-N300 features Scene Modes that offer four preset shooting modes suitable for the desired application.
There are four types of Scene Modes:
- NDI|HX Live Video Production Support ProtocolThe CR-N300 supports the NDI (Network Device Interface) protocol that is well-established in the field of video production and broadcasting as the supporting RTP (Real-Time Transport Protocol). The NDI protocol has been developed and led by NewTek as a protocol that supports the workflow of live video production over an IP network. By constructing a system that uses NDI protocol-compatible devices and tools, it is possible to use video and audio resources on the network, including live video from cameras. As a result, a "live video production" workflow is created.Standard VISCA ProtocolThe CR-N300 supports the standard VISCA protocol to remotely control the camera via IP. When connecting a VISCA protocol-compatible remote controller to the camera over IP or serial RS-422, the camera can be operated remotely and shooting settings can be adjusted by utilizing the remote controller.The standard VISCA protocol is widely used in video production, broadcasting, and many other markets. The CR-N300 supports the standard VISCA protocol that is regarded as an industry standard and is suitable for operation within existing workflows.Support for Canon XC protocolThe XC Protocol is a newly developed IP that controls Canon video production equipment. By supporting the XC Protocol, the CR-N300 can be remotely controlled supporting a wide range of applications, which includes sports, music, live events, lecture recording, corporate video production, and more.Various Interfaces Supported for Multiple EnvironmentsThe CR-N300 is equipped with four output interfaces. The IP and HDMI outputs are suitable when capturing UHD 4K at 30p or full HD resolutions at 59.94p. The SDI output is capable of full HD resolution and is suitable for usage when requiring high image quality video at 59.94p. The USB output is capable of full HD resolution for high-quality web conferencing.3.5mm Mini JackThe CR-N300 offers a method to record high-quality audio through an internal stereo mini-jack mic terminal.One Person OperationThe CR-N300 can be controlled by IP, infrared, USB and Wi-Fi. Canon's hardware controller, the RC-IP100 is capable of controlling up to 100 cameras and 100 presets, allowing the operator to control multiple cameras in a larger production. The CR-N300 is a perfect fit for many applications in broadcast, education, house of worship, events, staging, and more.All New DesignThe CR-N300 impresses with its distinctive style. A solid exterior color and shape that looks like it was cut out from a cone, and the size that gives a sense of strength, yet stable and compact. This PTZ camera maintains design harmony with other Canon professional imaging products such as the established Canon 4K camera systems and lenses. The CR-N300 is available in two different colors, Satin Black and Titanium White.Equipped with Tally LampsThe CR-N300 is equipped with tally lamps that indicate the status of the camera. The tally lamps are located on the front of the lens section and illuminate red when the camera is shooting, providing clear visual indications for staff and performers to know which camera is shooting live.Wireless Remote Controls SupportedIn addition to the IP interface, the CR-N300 can also connect by Wi-Fi. This allows the operator to access the camera's Settings Page from a wireless tablet device that is equipped with a supported HTTP browser. When using multiple cameras at the same time, the user can set and operate the other cameras in the same way by inserting the assigned IP address of the camera in the web browser of the tablet or other device. In addition, the CR-N300 includes an infrared remote controller, which is used to control the camera wirelessly.Easy-to-Use Settings Page and Discovery ToolThe CR-N300 supports the camera discovery tool, which is a Windows application. The Camera Search Tool is utilized to set the IP addresses of multiple cameras, which helps installers and integrators setup the CR-N300 within an existing network infrastructure. Furthermore, the CR-N300 supports the web application "Settings Page". The Settings Page allows the user to configure the settings of camera operation, which is accessible by web browser. Video-quality adjustments, such as exposure and white balance, that are usually performed by the camera operator on site, can now be adjusted and set while watching the video from their desk through the Settings Page. Both Camera Search Tool and Settings Page enhance the ease of use by remote control.Remote Camera Control ApplicationThe Remote Camera Control Application can be utilized to control the CR-N300. The Remote Camera Control Application is a Windows application for centralized control ofmultiple cameras. It is possible to operate up to nine cameras and display videos at the same time, achieving a "multi-camera operation”.At a video production or broadcasting site, an operator can select a camera from the videos displayed on the "Connected Camera List", within the application and operate it from the "Camera Control Area" in the control panel of the software. The software is included and can be installed immediately without having to prepare a hardware controller in advance making it easy to use for the operator while creating an effective one-person operation.
Buy Canon CR-N300 4K NDI PTZ Camera with 20x Zoom from UBMS Dubai.
Camera Rain Covers
Camera Rain Covers
CP Cases’ Waterproof Camera Rain Covers offer the best value for money the market can offer; top of the range performance, highest quality materials, first class craftsmanship and competitive prices.
Our Camera Rain Covers and shower hoods are used at some of the most prestigious sports and live events and are essential to any broadcaster’s peace of mind and absolute assurance that their OB equipment gets the right protection. We ensure cameras and lenses are secure against some of the harshest environments the elements can deliver.
UV stabilised PU backed materials, heat sealed seams and overlap designs ensure complete waterproofing for the main cover, whilst “flexible sleeves” to access pan bars, zoom demand and focus control is assured by the use of weatherproof lightweight materials that do not restrict camera operator “hand/arm” movement.
Appropriately sited vinyl windows give visual access where required and zipped closures with weatherproofing “eyelids” ensures good access to controls and also allows camera ventilation when shooting for long periods in direct sunlight.
Draw cords around lenses, operator sleeves and other access ports ensure windproof and safe weather seals.
Waterproof Camera Rain Covers are produced for the leading camera manufacturers, such as Sony, Grass Valley, and Panasonic, with lens options including all the popular models of Box and EFP telephoto lenses from Canon and Fujinon. Various camera/lens/viewfinder/monocular combinations are all catered for and we have the capability to custom make when required, to accommodate RF linked or Triax enabled set ups with various battery combinations on board the camera.
Corporate branding and transparent pockets for identification labels can be accommodated to customer’s requests, and we offer a range of accessories which include Over Night Covers and Zipped Storage Pouches for all our covers and shower hoods.
For more information visit www.cpcases.com or contact sales@cpcases.com
Broadpeak CDN – TV everywhere
Broadpeak CDN – TV everywhere
Our solution provides you with a full CDN infrastructure that unifies video delivery to all screens. You rely on a single system to manage TS (Transport Stream) and ABR (Adaptive Bitrate) delivery.
Add HDS, HLS, Smooth Streaming and mpeg-DASH delivery to your existing offer
Add more screens to better serve your customers
Avoid siloed approaches and simplify your architecture
Manage all your services as a whole through a single system.
Broadcast System Integration
Bluefish444 KRONOS K8
Bluefish444 KRONOS K8
KRONOS K8 is Bluefish444’s fully-featured high-bandwidth 4K/UHD, 2K/HD & SD video and audio I/O card for professional video workflows on Windows, macOS and Linux operating systems.
Capable of up to 8 independent and simultaneous channels of 3G/HD/SD-SDI input or output, K8 also features Reference and LTC I/O.
Cross-platform support with Industry leading 3rd-party software
Adobe Creative Cloud | Assimilate SCRATCH | Avid | CasparCG | Dataton | Foundry Nuke | Resolume | Streamstar | Unity | Unreal Engine | vMix
All Bluefish video cards are Thunderbolt compatible, work with the free Bluefish acquisition application IngeSTore, the Bluefish cross-platform SDK, and leading 3rd party content creation tools.
Bluefish products are deployed globally throughout the broadcast graphics, post-production, live event and entertainment, immersive graphics, proAV, corporate, military, government, medical and education markets, including integration into digital intermediate, mobile production, QC and compliance, Video Over IP and video streaming workflows.
FREE multi-channel capture tool, IngeSTore
- Capture up to 4 channels of video
- Wide range of codec options
- Records direct to shared storage, including Avid shared storage
- Growing file support with Edit-While-Record in Adobe Premiere Pro and Avid Media Composer
- REST API to control remotely
- RS-422 Controller
- Encode for live production, post production, archival and streaming workflows
MAJOR FEATURES
Bi-directional I/O’s provide unrivalled flexibility
- 8 bi-directional HD-BNC video connectors supporting 3G/1.5G SDI I/O
- Multi-channel 4K UHD 60p playout or capture video Quad Link 3G-SDI
- Each BNC is completely independent
Maximum connectivity
- Reference I/O BNC
- LTC I/O
- Interlock between multiple K8 and Epoch | Neutron/4K Neutron cards
Optional connectivity
- Optional auxiliary I/O can be added to K8 via the STEM port interface and optional EX-1 and EX-2 products
- K8 with EX-1 adds LTC I/O, RS-422 control and AES audio I/O
- K8 with EX-2 adds LTC I/O, RS-422 control and Analogue audio I/O
The industry's lowest latency I/O, by design
KRONOS K8 has, by design, the world's lowest-latency providing access to captured fields or frames to on-board card memory event before the whole field or frame is complete, thereby reducing the latency to sub on field or frame. During a capture or playout, each process can occur at less than or equal to 1 field for interlaced modes, and less than 1 frame for progressive modes.
Maintaining a 12-bit processing pipeline
- 12-bit image processing is standard on all Bluefish video cards
- Allows 8, 10 & 12-bit SDI video signals to be produced from 8, 10, 12 & 16-bit pixel formats providing the highest image quality available from your source material
- 4096 discrete values of red, green & blue are maintained per pixel
- 4 times the colour precision of a traditional 10-bit processing pipeline!
Maintaining the highest quality RGB <=> YUV
- Fully programmable 4 x 4 x 33-bit colour matrix providing the highest quality colour space conversions
- Reduces colour space conversion errors and ensures the highest quality colour accuracy during capture, monitoring and mastering
Thunderbolt expansion chassis compatibility
- Compatible with Sonnet, One Stop Systems Magma, Netstor, and AKiTio Thunderbolt devices for multichannel mobile production
- Visit Bluefish's website for a full list of qualified 3rd-party chassis options
Low-latency video keyers
- 4 x Low latency hardware video keyer
- Allows video layers to be combined in hardware with microseconds of delay
- Enables animated logos, captions, tickers, and more to be keyed over live video feeds at full 12-bit precision, and with minimum input to output delay
- Can also function as an image pre-multiplier to assist in previewing images with alpha data
Bluefish444 IngeSTore Server 3G
Bluefish444 IngeSTore Server 3G
Bluefish444 IngeSTore Server 3G is a dedicated 3RU Server able to capture up to 4 independent streams of video from separate 3G/HD/SD-SD or NDI® sources simultaneously. Recorded files can be capture in Uncompressed, DV and DVC Pro HD file formats free, and additional codec upgrades are available for purchase. IngeSTore Server 3G comes pre-configured with Window 10 Pro operating system, Bluefish IngeSTore software, dual port 10Gb Network Interface to connect with existing network attached storage, professional NVIDIA Quadro GPU, and a Bluefish Epoch | 4K Supernova S+ professional SDI video capture card.
Watch the IngeSTore product video here
The perfect companion for the following workflows:
- Multi-cam studio
- ISO recording
- Archive from video tape
- Post-production
- Electronic News Gathering (ENG)
- Uncompressed capture & encode later
- Edit While Record (Growing files)
- Remote production
- Mobile production
Multiple codec options
- Uncompressed, DV, DVCProHD codecs free
- H.264, DNxHD, AVC-Intra 100, XDCAM, JPEG2000 via additional licence
- Codecs are compatible with MAM options such as eMAM and CatDV
Network Shared Storage
- Connects via 10Gb, 5Gb, 2.5Gb or 1Gb network interfaces
- Compatible with Avid Nexis shared storage devices, and storage from G-Technology, DDP, SNS Evo, ProMAX, JMR, Caldigit, MAGMA, ATTO, Fusion, Facilis Technology, Masstech, Accusys, EditShare, StorageDNA, Quantum, plus more
- Visit Bluefish's website for a full list of qualified shared storage options
Edit-While-Record
- BlueCodecPack licence allows IngeSTore to record to growing file compatible formats
- Edit live in Avid Media Composer or Adobe Premiere Pro while the recording is still underway. This is available within Premiere Pro natively in some formats, with all other formats requiring the BlueRT plug-in
- Requires separate workstation connected to the same network as IngeSTore Server 3G
- Growing file support with Adobe Creative Cloud, Assimilate SCRATCH, CasparCG, Drastic Video QC, VLC and Medialooks software
REST API
- Control IngeSTore Server 3G remotely on your network
- Supports multiple servers controlled via a single interface
- Add extra functionality to IngeSTore
- Requires a REST API licence per server
Blackmagic Pocket Cinema Camera 6K Pro
Blackmagic Pocket Cinema Camera 6K Pro
The Blackmagic Pocket Cinema Camera 6K Pro is an advanced technology, handheld 6K digital film camera with 6144 x 3456 Super 35 high resolution HDR sensor, dual native ISO, EF lens mount and direct recording to USB‑C disks! This powerful model adds an adjustable HDR touchscreen, built in ND filters, and a larger battery for longer run time. You can even add an optional OLED viewfinder! Buy Blackmagic Pocket Cinema Camera 6K Pro BMPCC6KPRO (CINECAMPOCHDEF06P) From UBMS Dubai.
This new model includes a brighter 1,500 nit adjustable HDR touchscreen screen, built in ND filters, larger battery, plus support for an optional electronic viewfinder. This model also includes latest generation 5 color science, Super 35 HDR image sensor with 13 stops of dynamic range, dual native ISO of 25,600 and a popular EF lens mount.
Blackmagic Pocket Cinema Camera 6K Pro, 6K and 4K models have similar appearances. These cameras produce incredible, wide dynamic range images and share the same chassis. The control buttons and software menus are laid out the same way, and operating the cameras is essentially the same.
Blackmagic Pocket Cinema Camera 6K Pro and 6K feature a Super 35mm sized sensor and an EF lens mount, and has a 6K icon above the lens mount. Blackmagic Pocket Cinema Camera 4K features a Micro Four Thirds sized sensor and a Micro Four Thirds lens mount.
BkYou
BkYou
Upgrade Broadpeak’s CDN with first-class multiscreen Server-Side Ad Insertion (SSAI) and deploy dynamic targeted advertising for live and VOD workflows. Not only does Broadpeak’s SSAI solution allows you to offer a TV-like experience while avoiding re-buffering during ads but it also provides efficient means to defeat ad-blockers. The solutions is integrated with the major ad decision servers in the market.
Take advantage of new business opportunities with Broadpeak’s SSAI solution !
Beatrice W1
The Beatrice W1 is a single user interface for the Beatrice system, designed to mount flush on a wall or into a desk. it is a useful intercom position allowing two way communication to be possible at standing levels whilst mounted into walls, or at desk level if mounted on a Desk.
Beatrice LH4
Beatrice LH4
The Glensound Beatrice LH4 provides audio signal present and call indication via a bright LED ‘lighthouse’ tower, providing 360 degrees of visual signalling.
The Beatrice LH4 is ideal for providing cue/ on air indication to presenters and hosts using the standard Dante/AES67 network. The bright lighthouse LED tower can be set to illuminate on receipt of either an audio signal or a Beatrice 20kHz call signal from any of its 4 network audio inputs. Different colours/ brightness can be set by the user to be associated with each channel
To make it easy to send audible instructions to the users an internal speaker and balanced XLR audio output are also included that through the configuration menu can pass audio from the Dante/AES67 network if required.
The Beatrice LH4 is in a compact unit with a bright lighthouse tower for signalling. There is an onboard configuration screen and it is PoE powered.
Beatrice B4+ Single User 4 Channel Belt Pack Dante/AES67 Intercom
Beatrice B4+ Single User 4 Channel Belt Pack Dante/AES67 Intercom
Compact 4ch beltpack using Dante Broadway chipset so can connect to 4 separate network locations. The 4 channels can also work in IFB/loop mode. Each channels talk button can be configured to be momentary, latching or intelligent.
Four separate level controls for monitoring which can be pushed flush with the front panel to further reduce the unit dimensions.
The Beatrice B4+ has remote control functions using the Windows 10 app GlenController.
Headset connection can be 3 pin mic input only, 4 pin headset or 5 pin headset. 6.35mm headphone jack socket.
It is POE powered via a locking EtherCON connector.
Attribute
With Veritone Attribute, you can demonstrate and enhance the effectiveness of broadcast advertising to drive customer investment. As a broadcaster, you can offer advertisers near real-time ad performance analytics on their in-content and prerecorded campaigns.
ASiD 4th Generation
ASiD 4th Generation
Advanced Subscriber Identification or ASiD has been securing high value live, PPV, and VOD content for years including Hollywood movies and the most watched sporting events in the world. Now ASiD 4th Generation offers content owners, broadcasters, and service operators a complete suite of watermarking and monitoring solutions designed for all types of broadcast, managed, and unmanaged OTT devices, apps, and clients for complete platform protection from illegal content redistribution. Highly robust and fully compliant with the MovieLabs Specification for Enhanced Content Protection, ASiD provides solid protection from the large-scale piracy revenue drain at the time of the increased demand for premium content online with shifts in consumer viewing habits and theatrical windows.
AS-1/
AS-1/
The AS-1 series is a zoom remote controller designed to make high-quality video production by making comfortable zoom operations essential for camera shooting work at events and studios.The zoom lever is designed with a smooth operation and a thorough pursuit of a comfortable operating feel in all other mechanisms.AS-1 / 1P supports not only shoulder-mounted cameras but also small commercial camcorders, and is equipped with a REC operation button for camcorders.
Two cameras can be adjusted with one AS-1 remote control
In combination with the Protech HDF viewfinder,the return video confirmation function is very convenient for multi-camera recording.This function can be realized without relying on the functions of the camera body.For example, even in one-man multi-camera recording with two professional camcorders,you can operate the other camera while checking and controlling the fixed-point camera image. It becomes possible to do.
Artisto
Artisto
Artisto is a software audio engine, providing a complete solution for automating any workflow involving sound. From simple monitoring and detection of levels to advanced workflows for cross-platform media diffusion or virtualised remote studios, Artisto covers every processing and synchronisation need.
Because Artisto is modular, it can be precisely tailored to the specific requirements of any audio application. Artisto can be flexibly configured with an extensive library of processing blocks such as routing, EQs, dynamics, web streaming, AoIP transmission, VoIP phone, recorder, player, loudness levelling and so on. These can be virtually wired together to build a processing pipeline for the desired workflow.
Running on off-the-shelf IT equipment or in the cloud, it eliminates the frustrations inherent in complex hardware infrastructures, solves interoperability issues and dispenses with the need for outdated, insecure control protocols. Artisto responds to any transport requirements from physical or virtual soundcards (AES67, Dante, MADI,…) to low-latency audio-video streams for the cloud (including SIP).
Artisto is fully configurable and controllable via a simple, open web API. Operations can be manual or automated, centralised or distributed, local or remote.
Artisto’s front-end is based on on the most common web technologies, and On-Hertz provides a library with commonly-used components, guaranteeing that any web developer can easily build custom interfaces that fit end-users’ needs.
By design and philosophy, Artisto is scalable and open. It doesn’t lock the customer into one solution. It allows them to choose what part of Artisto they prefer to use or to connect to third-party services.
ARM Desktop SDK
ARM Desktop SDK
The introduction of the ARM-based Apple M1 chipset for the new MacBooks and Mac mini, as well as ARM processors already in production within the Windows PC ecosystem, brings us to an inflection point within the video production industry.
The average consumer may not know the difference between an ARM-based MacBook or PC and the x86 version. They will, however, know when software doesn’t work on their new hardware. At MainConcept, we are making the transition seamless by bringing our best-in-class video codecs to macOS and Windows on ARM processors.
Aputure Accent B7C LED RGBWW Light
Aputure Accent B7C LED RGBWW Light
The bantam fixture has a white light range of 2000 to 10,000K to blend in seamlessly in any ambient light situation, match other fixtures, or exercise creative expression. The light's high CRI/TLCI rating of 95/96 is a testament to its advanced accuracy in color reproduction. Another color control feature is its RGB mode with hue, saturation, and intensity adjustment that gives image makers access to millions of colors. And the light is dimmable from 0 to 100%.
MORE PRACTICAL
The Accent B7c is a battery-operated 7W RGBWW color-mixing LED light bulb, and the first product in Aputure’s Accent family of “practical” LED lights built for filmmakers, with a unique combination of features no other light has. Buy Aputure B7c from UBMS Dubai . We have stock for B7c.
YOUR FAVORITE LAMP
The B7c features a standard E26/27 lamp socket screw connector making it compatible with a wide variety of lamps anywhere in the world. Its light bulb form factor allows users to more naturally integrate programmable, color-mixing, practical lighting into any scene. Buy Aputure Bulb from UBMS Dubai Showrrom or order online .
MATCH ANY LIGHT
The Accent B7c matches the color temperature range of the Nova P300c, Aputure’s most advanced color mixing light, producing a wide color temperature range of 2,000K-10,000K. And when combined with Sidus Link’s SourceMatch feature, it can match nearly any white light source.
PRISTINE QUALITY YOU CAN TRUST
Unlike typical household LED bulbs, the Accent B7c uses cinema-grade LEDs to reproduce immaculate skin tones -- with impeccable CRI and TLCI values of 95+, and a tungsten SSI score of 85, outpacing industry-standard lights.
COLOR TUNABILITY
Utilizing Aputure’s unique RGBWW LED configuration, the B7c bulb is able to produce over 90% of the saturated colors in the Rec.2020 color space, putting it on par with industry-standard lighting instruments.
FLICKER-FREE FILMMAKING
The Accent B7c like all Aputure products is made with filmmakers in mind. Unlike consumer LED smart bulbs, the B7c features 20KHz stepless dimming that remains completely flicker-free up to at least 1,000fps with no color shift.
BUILT-IN BATTERY
The B7c is also the first bulb designed for filmmakers to have a built-in battery, powering the B7c for over 70 minutes at full power, and over 20 hours as it approaches minimum brightness.
AC/DC MODE
The B7c’s unique internal battery allows the B7c to have multiple power supply modes: AC & Battery (DC). In AC power mode the B7c retains its last settings and turns on and off like a traditional light bulb, allowing for natural interactions with actors.
PREMIUM CONSTRUCTION
Using an aluminum metal structure and a unique toroidal diffusion design, the B7c spreads lights evenly while also maintaining absolute stealth on-camera.
ON-BOARD CONTROLS
The Accent B7c is the only LED smart bulb to feature on-board buttons for both brightness and CCT control, allowing users to adjust intensity and CCT presets in a few simple clicks, without even connecting it to the Sidus Link app.
SIDUS LINK
Using built-in Sidus Mesh technology, the B7c can also be controlled wirelessly via a smartphone or iPad using the Sidus Link app, allowing filmmakers to fine-tune CCT, brightness, color, and FX, as well as use SourceMatch and ColorPicker modes to match nearly any color.
SIDUSPRO FX
Through Sidus Link, the Accent B7c has access to built-in lighting FX, as well as SidusProTM FX such as PickerFX, Manual FX, and Magic Program, producing an ecosystem that allows creatives to design a myriad of unique programmable FX.
CHARGING CASE
The Accent B7c is also [soon to be] available in an 8-Light Charging Kit, made for indie-filmmakers, owner-operators, and rental houses, featuring a durable hard shell case with the capacity to store, protect, and simultaneously charge up to eight B7c bulbs.
Benefits
- 7W RGBWW LED smart bulb
- Standard E26/E27 light bulb socket
- Built-in lithium polymer battery (70+ minutes at max)
- Fully tunable CCT from 2000 to 10,000K
- Average CRI 95+; TLCI 96+
- SSI (Tungsten): 85; SSI (D55): 74
- RGB color tunability with hue, saturation, and intensity adjustability
- Covers >90% of the colors within Rec.2020 color space
- Stepless dimming from 0 to 100% with no color shift
- Nine built-in lighting effects: Paparazzi, Fireworks, Faulty Bulb, Lightning, TV, Party, Pulsing, Cop Car, and Fire
- Smart bulb with onboard button controls
- Sidus Link app compatible; firmware upgradeable
- Wireless Bluetooth control up to 164'
- Two power supply modes: Standard/AC and Battery/DC
- Passively cooled aluminum alloy heatsink
Buy Aputure Accent B7C LED RGBWW Light from UBMS Dubai
All-in-One Compiance Monitoring
All-in-One Compiance Monitoring
Qligent Vision Compliance Monitoring system unlocks a centralized portal to monitor the three pillars of quality of service (QoS), quality of experience (QoE) and compliance in one flexibly priced solution.
Qligent has long offered an enterprise-level Vision solution for large TV networks and distributed service entities, covering a broad array of monitoring and analysis requirements across many locations. Qligent’s new All-In-One Compliance Monitoring system is tailored for the local TV stations and smaller station groups tasked with the same responsibilities, including loudness and closed caption monitoring, at a more modest scale.
Perhaps most unique is the inclusion of QoS and QoE monitoring – two core Qligent competencies that are rarely offered in compliance monitoring systems. While TV stations can now cost-efficiently monitor their own QoS-related transport and physical streams along with QoE-related issues (lack of signal, video freeze, missing audio), the system also allows broadcasters to record and monitor live program streams from in-market TV stations. These powerful capabilities will give broadcasters consistent insight into competitive QoE performance, as well as clear evidence of what local businesses are advertising with those stations.
Qligent will supply all software, common off-the-shelf hardware, and QoS/QoE/compliance toolsets as an instantly deployable system, which removes the cost and integration burden of expensive, proprietary compliance systems. The flexible pricing structure offers monthly or annual fees for the same turnkey solution, which provides consecutive days of 24/7 compliance recording through the contracted period. Options to monetize programming, such as content repurposing, are available for additional fees.
AirShip
AirShip
The AirShip will achieve weight/volume ratios of better than 20kg/m3.
The product is extremely flexible and can be built according to customers’ needs and applications. It has an outer rugged textile container with a honeycomb polypropylene inner construction and a laminated structure providing rigidity and strength to safeguard the contents.
The inner foam case and HPP construction can be hollowed out to meet respective needs and the outer rugged textile container can be equipped with a multitude of different finishes: wheels, shoulder straps, hinged lids etc.
Where weight is the enemy AirShip is the perfect ally allowing single man use and compliance to IATA standards as and when required. The scale of use had no bounds, from a simple carry case design to a range of fully blown complex lightweight cases.
AirShip was conceived from a client application for an extremely lightweight solution that could accommodate heavy equipment but not impact the integrity of the protective capabilities.
A range of standard sizes are available but AirShip’s capacity to meet customer’s requirements puts it a class above the rest.
AirBossX
AirBossX
AirBossX® is a comprehensive yet intuitive master control automation solution. The feature-packed software supports all common broadcast equipment and industry standards. AirBossX’s deep integration with industry hardware allows users to create optimized workflows that fit the station’s needs. In addition, AirBossX can operate in lights-out mode, saving stations money and offering peace of mind.
The unique architecture of AirBossX is designed to scale as the station’s needs grow. Channels and workflow modules can be easily added to the core software package with minimal operational impact. The flexibility offered, makes AirbossX a solution for any size environment from a single station to a hub operation.
AirBossX is equipped with an intuitive user interface that offers operators flexibility and simplicity for optimal user experience and error mitigation. The user interface allows for advanced customization such as tailoring color, layout, stacking of channels, and enabling a confidence monitoring proxy video. What’s more, the AirBossX client can be installed on any network machine and even operated remotely.
Florical offers multiple products that can be combined with AirBossX to build an end-to-end master control solution. Some of the products include Acuitas, an integrated playout and ingest solution, as well as a suite of acquisition and content management tools.
AFC Robotic Heads
AFC Robotic Heads
The AFC head is the ideal choice for a wide range of broadcast applications ranging from studio camera robotics to live events and sports production. With a small footprint, the AFC head is the perfect choice for getting close to the action without compromising picture quality.
AFC-100S SOLUTION
The AFC-100s head is the ideal choice for a wide range of broadcast applications ranging from studio camera robotics to live events and sports production.
Speeds of up to 100° per second can be achieved whilst a high payload capacity offers supports for full studio build-up kits including cameras, teleprompters and accessories.
AFC-180 SOLUTION
The AFC-180 head offers exceptional speed and performance from a compact head. With pan speeds of up to 180° per second, the AFC-180 is ideal for getting trackside and following fast moving targets whilst high-bandwidth slip rings offer unlimited pan rotation.
HIGHLIGHTS
-High bandwidth pan slip-rings with support for up to 3G HD video
-Available with brushless servo or stepper motors
-360° unrestricted pan with high bandwidth HD throughput
-Ethernet control of pan, tilt, zoom and focus (further options include RS232, RS422 & wireless)
-Integrated control of Fujinon and other broadcast servo lenses
-External fibre interfaces for extended operating distances are available
-Single cable provides highly accurate control of iris, zoom & focus for broadcast lens digital servos
-Control options include joystick console, pan-bars, hand-wheels and MRMC’s bespoke Flair software
Advanced Replay
Advanced Replay
LEVERAGE YOUR LIVE CONTENT
Extract and edit clips from your online live streams or linear TV broadcast in real time to reach more audiences with action highlights and multi-sequence summaries ready for immediate, multiplatform publishing in just a few clicks. bring more audience to your live streams by publishing immediate action highlights across social networks and mobile. maximize content monetization opportunities by including sponsored materials in your clips. extend the lifecycle of your content with action highlight compilations, event summaries and long-format replay (catch-up TV) materials. immediately publish your clips to various social media accounts, websites and mobile apps, all at once.
EDIT LIVE VIDEO CLIPS IN THE CLOUD
Extract frame-accurate clips, edit and adapt them to any destination platform with Advanced Replay’s full-featured web interface.
BE THE FIRST ONE TO BREAK THE NEWS
Every second counts when covering high-profile live events and news stories. This is why we designed Advanced Replay for maximum working speed and efficient collaboration with: Customizable keyboard shortcuts for faster editing. A picture-in-picture preview of the live stream for keeping an eye on the action while working on your clip. To-do sequences list shared with other team members for immediate editing. A natively integrated live logging suite for assigning temporal metadata to key moments within the streaming in real time. A flexible API for seamless workflow integration.
Adaptive NightVision
Adaptive NightVision
Adaptive NightVision enables low-light or dark scenes to display more clearly for a superior viewing experience directly on subscribers’ mobile devices, which fulfills the promise of a high-quality, TV Everywhere viewing experience – on any screen. Adaptive NightVision is built on an advanced algorithm that analyzes the video, in real-time, for contrast, brightness, color saturation and key metrics.
Acuitas
Acuitas
ACUITAS® is the world’s most reliable, feature-rich and flexible integrated playout solution for broadcasters. The system provides powerful playout capabilities with support for a large variety of codecs and resolutions in both SDI, IP and simulcast. Acuitas reduces the need for external devices by offering built-in automation, graphics, effects, conversion, switching and much more. Whether you are a single station, network, or complex hub operation. Acuitas is powered by AirBoss a comprehensive automation software that allows you to streamline your operations by automating as much as you need. Acuitas utilizes state-of-the-art software technology to ensure your system is ready for industry changes including the transition to ATSC 3.0 and the support for HDR, UHD, and 4K. Even more than that, the Acuitas system is built using industry-leading hardware that includes HP servers and Matrox video cards which provide built-in redundancy and fail-safe mechanisms adding layers of protection to your revenues.
5G Multi-Stream Sync Playback
5G Multi-Stream Sync Playback
MultiStream Sync feature can be used to display multiple camera angles all synchronized on a single screen, in which the viewer is able to freely move streams around based on their preferred experience. VisualOn partners with KDDI to stream the FIVB Volleyball World Cup Japan 2019 broadcast by Fuji Television, pioneering the use of ultra-low latency CMAF and multiple camera angles for live sports in Japan. VisualOn supports multi-stream playback; decoding is done via hardware, software or both, depending on device capabilities – on 5G and other high bandwidth networks. South Korea's KT, the world's first commercialized 5G services, also partners with VisualOn on 5G and Multistream playback. KT’s Olleh TV Mobile, powered by VMP, provides low latency, time-synchronized playback supporting multiple streams/camera angles for live streaming, 360-degree, HDR and UHD support, for the best over the top (OTT) video experience. Besides, VisualOn will present its technology to take advantage of multiple devices. For example how to play one or multiple video streams on multiple devices while keeping frame-accurate synchronization across devices.
XS-Neo: Software-based studio server for flexible ingest
XS-Neo: Software-based studio server for flexible ingest
EVS introduces XS-NEO, the new studio server which provides flexible software-based workflows. Hosted on high-performing and compact EVS PMR processing module, the software-defined server ingests multiple formats and codecs concurrently, supported over swappable SDI or IP connectivity. XS-NEO is the ultimate video server that delivers EVS-built reliability, combined with unequalled flexibility and scalability for your future requirements.
xG GamePlan
The cutting-edge inventory optimization tool that expertly delivers audience targets to multiscreen devices while consuming the minimal amount of commercial airtime. Cloud-based and ultra-scalable, xG GamePlan provides computer-generated scenarios from real-time analysis to increase both ad efficiency and, most importantly, revenue.
xG GamePlan is the only cloud-based application on the market that leverages battle-tested inventory optimization tools that have been successfully managing billions of dollars of advertising inventory for leading media companies for over two decades.
WO Streaming
WO Streaming
The exponential growth of mobile devices, allowing for 24/7 connection, has been a boon to streaming digital audio. To profitably tap into this growing audience, publishers need the ability to manage distribution and monetization from the office, from home, or while on-the-go.
WO Streaming helps broadcasters monetize streaming digital content via direct-sold campaigns, as well as through WideOrbit’s ad sales partners and our programmatic digital audio platform. Our solution makes it simple to drive revenue, expand listenership, and extend content from linear broadcast to digital audio platforms.
WO Sales Console
WO Sales Console
Media transactions have become increasingly complex, with sales teams juggling disparate systems to manage avail requests, proposals, orders, revisions, and makegoods. The resulting inefficiencies, including the inability to effectively price across multiple channels and limited visibility across demand, can overcomplicate inventory management and stall revenue growth.
The process to request local spot TV inventory, send back avails and pricing, negotiate and tweak details, secure the deal, and provide proof-of-performance reporting, is long, manual, tedious and filled with opportunity for human error. WO Sales Console is a comprehensive solution to increase overall speed and efficiency, allowing stations to simplify the steps involved without compromising control.
WO On Demand
WO On Demand
WO On Demand is a cloud-based, SaaS platform that simplifies management, monetization, and measurement for on-demand audio content, including podcasts. With dynamic server-side ad insertion, robust ad templates, podcast hosting, download/impression/revenue reporting, broadcast-to-podcast functionality, a dynamic RSS engine, and powerful programmatic capabilities, WO On Demand includes everything audio publishers need to drive revenue.
WO On Demand can also be paired with WO Streaming to provide side-by-side management of your digital audio inventory across channels, and with WO Ad eXchange to provide holistic yield optimization across your direct sold and programmatic channels.
WO Marketplace
WO Marketplace
By bringing sellers new demand that can be evaluated alongside current sold inventory, WO Marketplace allows broadcasters to accept only the offers that best meet their needs. Embracing the digital-style buyer who may not have previously bought local broadcast TV, WO Marketplace opens access to new demand from buyers seeking near-to-air inventory, increasing competition which in turn increases inventory value. And broadcasters retain full control over whether to accept an offer, with complete transparency into the client, the offer, and the creative.
WO Ad eXchange
WO Ad eXchange
The audience for digital audio is growing exponentially but publishers and sales teams struggle to fully monetize their valuable listener communities. At the same time, brands and agencies increasingly look to secure inventory quickly and at scale with programmatic marketplaces.
WO Ad eXchange helps publishers automate ad transactions, while allowing buyers to efficiently aggregate and purchase audio inventory. With advanced targeting and support for both publisher-direct sales and real-time bidding, WO Ad eXchange provides access to new demand for inventory, increasing overall yield for sellers.
W371A SAM™ Woofer System | Genelec The Ones
W371A SAM™ Woofer System | Genelec The Ones
An absolute revelation in low frequency performance. With the W371A, you can finally wave goodbye to the detrimental influences of your room on LF reproduction.
Full-range, yet free-standing
The W371A seamlessly complements our 8341, 8351 and 8361 models to creates a series of full-range monitoring solutions with unrivalled neutrality and supreme control of directivity and the effects of room acoustics. Experience all the benefits of a main monitor, but with the freedom to locate this free-standing system in optimal positions within your control room; even providing the option to switch between nearfield and main monitors without image-shifting.
Flat, smooth response
The Genelec W371A tailors system performance carefully to the room, offering flatter, smoother in-room response with more coherent LF imaging. Three different operating modes allow a choice of flat and neutral LF response avoiding ‘acoustic notching’, continued directivity of the main monitor down to the lowest LF frequencies, or reduction of detrimental reflections by the walls, ceiling or floor of your room. The W371A then uses GLM software to select and optimise the signal processing for the best LF radiation mode, taking into account both the monitor location and listening position.
Viz Mosart 4
Viz Mosart 4
Viz Mosart 4 changes the studio production dynamic by adding live IP video support directly within the touch-based user interface, opening the door to entirely new workflows and allowing producers to build shows that can be run more easily, from a wide variety of locations. Further improvements to usability also mean that anyone in the organization is able to execute a pre-built show, reducing dependencies on limited resources.
Live sources in the interface
As a market first, Viz Mosart 4 features a fully customizable interface with interactive live sources. Viz Mosart integrates video over IP directly to your monitor to give an unrivaled view of the show – displaying any video source, program and preview directly in the user interface. Building on the software-based and IP leadership within Vizrt Group and NDI®, this setup can be deployed to an existing network environment and does not require radical infrastructure or monitoring changes.
Breaking news tools
Viz Mosart was made for breaking news. New functionality gives instant and unscripted access to assets including templates, show openers, and much more. The new graphics panel lets you access all your Vizrt graphics, preview them and then put them directly on-air. When combined, these tools offer true innovation and access to on-air news production in ways that have previously just not been possible.
Template management
The template organization capability introduced in Viz Mosart 4 significantly reduces the time spent on creation and maintenance of automation templates, allowing you to focus on your show and not the tools needed to create and bring your vision to life.
Vena
Vena, our smart broadcast network, is set to transform your business by intelligently connecting your media supply chain. From contribution to distribution, Vena gives you control and visibility. Any-time changes, real-time tracking, unrivalled availability, and 24/7 access, all making it quicker and easier to deliver your content.
Get ready to be ...
More versatile
You can select, configure and book temporary on-demand and permanent services quickly. Adding and removing services as you need them for greater control.
More efficient
Enjoy complete, end-to-end control at your fingertips, automate your workflows, and create role-based rules.
More in control
You can see your network usage and capacity across real-world maps in order to schedule bookings and make business decisions in real-time.
Telos VXs Virtual VoIP System for Television
Telos VXs Virtual VoIP System for Television
TELOS VXs VIRTUAL VOIP SYSTEM FOR TELEVISION
Powerful and adaptable Voice over IP virtualized system for broadcast and live TV production
Telos Alliance first introduced broadcasters to the benefits of VoIP a decade ago, with our first VoIP phone system, Telos VX®. VX replaced racks of phone couplers, contribution hybrids, and engineering coordination lines with a single hardware VoIP Engine. Now, Telos VXs is here to help broadcasters reap the benefits of true virtualization as they adapt to changing broadcast workflows, all while making it easier for remote teams to tap into production and engineering partylines.
From remote IFBs to audience call-ins, VXs can run anywhere from one or two lines in a small studio to the on-air phones for your entire plant, giving you incredible operational power, adaptable workflows, and superior audio quality.
Production facility design is evolving, moving away from dedicated hardware connected to centralized router frames to flexible SMPTE 2110 media networks with software-based workflows. VXs software can be deployed on shared servers in the centralized data center or in cloud instances. These deployment options enable the benefits of true virtualization, such as easier facility-wide upgrades, automated deployment, and more, without site visits. Broadcasters can scale VXs in size from a single contribution audio line to a facility-wide IFB system to a multi-facility system, meeting the exact needs and budget of the facility now, with the ability to upgrade at any time with no penalty.
For decades, phone-based IFB and comms have been neglected in video production facilities. Instead of treating these critical communication paths as invisible background connections, VXs allows these assets to be brought to the forefront for detailed monitoring and control via customizable Pathfinder HTML-5 user panels for applications such as OB Truck to HQ Comms.
Standards-Based for Easy Connectivity
Support for SMPTE-2110 and AES67 environments brings a new level of compatibility and flexibility to VXs, allowing for direct integration with intercom systems, audio consoles, and other production systems over existing multicast media networks. Support for SAP advertisement means VX smoothly integrates alongside AES67-enabled Dante® devices, as well.
When combined with the Telos Infinity™ IP Intercom system, the drag-and-drop Infinity Dashboard interface allows remote IFBs and engineering coordination lines to be centrally configured, added to partylines and groups, and assigned to Infinity IP Intercom panels quickly.
For those without an IP media infrastructure, Telos Alliance AoIP Audio Nodes provide high-density AES3, SDI, and analog I/O to integrate with any console or intercom system now while providing an upgrade path to direct AoIP connectivity as your facility evolves in the future.
New-to-AoIP Installation
Don’t have IP-Audio networking yet? VX will work with all console and intercom brands, networked or not, using Telos Alliance Nodes with AES3, SDI, and analog I/O, as well as GPIO.
The diagram above shows an example system with a non-AoIP mixer and intercom system using a Telos Alliance AES xNode and SDI Node.
AoIP Installation
Support for Livewire+™ AES67, AES67, and SMPTE 2110-30 environments brings a new level of compatibility and flexibility to VX VoIP systems. Support for AES67 gives broadcasters the capability of integrating VX into any AES67 environment or compatible SMPTE 2110-30 environments. Support for SAP advertisement means VX smoothly integrates alongside AES67-enabled Dante® devices.
The diagram above shows an example system consisting of a Livewire+ audio console and Telos Infinity® IP Intercom.
HTML-5 Control
When combined with Axia® Pathfinder™ Core PRO Broadcast Controller, you can create touchscreen-friendly custom HTML-5 panels to monitor and control every aspect of the VX system from any web browser. Comms managers and producers can use panels to manage all the IFB, contribution, and tech coordination lines in the facility. Gone are the days of reporters calling in to the wrong IFB and missing their live shot. With an HTML-5 control panel, producers can see the status and caller ID of each IFB line and even have the ability to call the reporter directly.
High-Performance Audio
Every call gets 5th-generation audio processing, packed full of technology engineered to extract the cleanest, clearest caller audio from any phone line—even noisy cellular calls. VXs makes TV talents’ in-ear and comms feeds more intelligible as well. It includes Smart AGC coupled with Telos’ three-band adaptive Digital Dynamic EQ, a three-band adaptive spectral processor, noise gating, and Acoustic Echo Cancellation.
HD voice calls will benefit from VX’s native support of the G.722 codec, instantly improving speech quality.
TelosCare™ PLUS Customer Care
We know that your VX is just one piece of the telephony puzzle, which may include your VoIP provider, PBX vendor, IT team, network security team, and more. We love to leverage our combined centuries of telephony experience to serve as your trusted VoIP ninjas and help you complete and maintain your telephony puzzle for years to come. TelosCare PLUS gives you the one-stop service and support you need long after the sale, going far beyond basic support and troubleshooting with proactive, holistic service and membership perks.
Telos VXs Virtual VoIP System for Radio
Telos VXs Virtual VoIP System for Radio
Powerful and adaptable Virtual Voice over IP system for broadcast with legendary Telos high-performance audio.
Telos Alliance® introduced broadcasters to the benefits of VoIP a decade ago with VX, the world’s first VoIP talkshow system, in a hardware appliance. Now, Telos VXs is here to help broadcasters reap the benefits of true virtualization as they adapt to changing broadcast workflows and operations, all while making it easier for teams to produce great-sounding and compelling content.
Legendary Telos Audio Quality
Using VoIP, VXs combines modern networking with the power of digital signal processing developed by Telos over the past three decades. Every call gets fifth-generation audio processing packed full of technology engineered to extract the cleanest, clearest caller audio from any phone line—even noisy cellular calls.
VXs includes Smart AGC coupled with our famous three-band adaptive Digital Dynamic EQ, a three-band adaptive spectral processor, and noise gating. Call-ducking and host override are part of the VX toolkit as well. Users can conference multiple lines with superior clarity and fidelity. Send audio gets its own sweetening with an AGC, limiter, and Acoustic Echo Cancellation (AEC) technology that eliminates open-mic feedback.
And if you choose to use compatible telco services, calls from mobile handsets with SIP clients, HD capable telephone sets, and PC apps will benefit from VXs’s native support of the G.722 codec, instantly improving caller speech quality.
Standards-Based for Easy Connectivity
Telos VXs systems are “facility-wide” broadcast phone products. That means multiple studios, multiple stations, multiple shows—with minimal hardware requirements. Telco is delivered via IP from your SIP PBX, hosted VoIP service, or UCaaS provider. For carrier-grade reliability and redundancy, a dedicated SIP trunk circuit can be integrated via a Telos-configured Asterisk-based PBX; legacy circuits such as POTS, ISDN, or T1 can be integrated in the same way. Once connected, all telecom and audio connectivity flows via Ethernet.
New-to-AoIP Installation
Don’t have IP-Audio networking yet? VXs will work with all console brands, networked or not, using Telos Alliance xNodes and the VXs Call Controller drop-in controller for your console. xNodes, like the Telos Alliance Mixed Signal Node, break out audio into analog and digital formats, along with GPIO logic commands. The diagram below shows a typical studio with an analog mixer, using a Telos Alliance Mixed Signal xNode to connect to the console and other broadcast equipment.
AoIP Installation
Installing a VXs VoIP system in facilities already powered by Livewire+™ AES67 networks requires even less time and hardware. Your new VXs phone system will plug right in for seamless integration.
Additionally, support for AES67 gives broadcasters the capability of integrating VXs into any AES67 environment or compatible SMPTE 2110-30 environments. With plug-and-play connectivity, you can network multiple channels of audio with any manufacturer’s AES67- compliant hardware. Support for SAP advertisement means VXs smoothly integrates alongside AES67- enabled Dante® devices.
Call Management
When combined with call management software, producers and talent can screen and air calls from anywhere with a computer and a solid internet connection. Producers can identify repeat or unwanted callers and enter information about the call, such as topic and mood. This information is available to other production staff and talent in real-time. Various software options are available from Telos Alliance partners.
Use with Axia® Pathfinder™ Core PRO
For more custom needs, Axia® Pathfinder™ Core PRO can monitor, control, and display all aspects of your VXs system. This enables customized solutions such as drag-and-drop construction of custom control panels (pictured), timed Show changes based on studio schedules, or even API translation between third-party systems to display caller information or control lines. The possibilities are endless.
TelosCare™ PLUS Customer Care
We know that your VXs is just one piece of the telephony puzzle, which may include your VoIP provider, PBX vendor, IT team, network security team, and more. We love to leverage our combined centuries of telephony experience to serve as your trusted VoIP ninjas and help you complete and maintain your telephony puzzle for years to come. TelosCare PLUS gives you the one-stop service and support you need long after the sale, going far beyond basic support and troubleshooting with proactive, holistic service and membership perks.
Telos Infinity® Virtual Intercom Platform (VIP)
Telos Infinity® Virtual Intercom Platform (VIP)
First, we broke the matrix.Now, we’re putting intercom in the Cloud.
Telos Infinity® Virtual Intercom Platform (VIP) is the first fully featured Cloud-based intercom system. It delivers sophisticated comms virtually, making Cloud-based media production workflows available on any device—smartphone, laptop, desktop, or tablet. Users can even use third-party control devices, like Elgato’s Stream Deck®, to control Telos Infinity VIP. Now you can harness Telos Infinity IP Intercom’s award-winning performance, scalability, ease of integration, and operational/cost efficiencies anywhere—At Home, On-Prem, Site-to-Site or in the Cloud.
Telos Infinity VIP
- Cost-Efficient - Less Maintenance, Infrastructure, Space Required
- Scaleable - Pay for Only What you Need
- Ease of Use – Virtual Panels on Familiar Devices (Smartphone, Computer, Tablet)
- Workflow Flexibility - At Home, On-Prem, Site-to-Site, In the Cloud
- Reliable, Proven Cloud Workflows Flexible Deployment Options
- TelosCare™ PLUS Service Option for Premium Service & Support
Deployment Options
Meeting users where they are on the path toward virtualization, Telos Alliance offers several deployment options for VIP, which scales to suit users’ varying requirements, from a few remote smartphone VIP instances to an enterprise solution requiring hundreds of instances.
- On-Prem – Use Telos Infinity VIP hardware appliance or your own server for on-prem installations.
- Integrated – For both On-Prem or Cloud versions, Telos Infinity VIP can be integrated with Telos Infinity hardware comms, or any third-party intercom or audio subsystem using AES67 or SMPTE 2110-30 connectivity.
- Cloud Server – Software for supported Cloud platform installations. A complete communications infrastructure in the Cloud with connectivity options for integration with third-party Cloud-based and On-Prem audio subsystems.
- Software as a Service (SaaS) – Various third-party Telos Alliance partners will offer a Telos Infinity VIP SaaS option, allowing users to lease it in a virtual environment.
Telos Alliance® Axia iQs AES67 Mixing Console Software
Telos Alliance® Axia iQs AES67 Mixing Console Software
Telos Alliance® Axia iQS AES67 Mixing Console Software
Applications
- Console capability without the physical surface
- Distributed / remote workforce
- Temporary studio anywhere (nontraditional studio space)
- Studios lacking physical space
- Multiple users who need concurrent collaboration on a single mix
Telos Alliance® was there for you when you made the leap to IP, and now we’re here to help you on the journey to virtualization, wherever you are on that path. Our goal is to give you broadcasting options that are familiar while creating new ways of working that deliver on virtualization's promise of added scalability, adaptability, cost efficiency, simple deployment, and reliability. And that’s just what we’ve done with our new Axia iQs AES67 Mixing Console Software.
More than a decade ago, Telos Alliance created the Axia iQ AoIP console, now known for its ability to deliver a powerful and flexible mixing experience. Rather than pay for unwanted extras and faders, iQ allowed broadcasters to work smarter, offering the ‘just right’ functionality to mix content how they wanted, without sacrificing features.
Then we took the iQ philosophy and upgraded its underlying technology to create the Axia iQx AES67 console, the first AES67 AoIP console to combine the mix engine and console into one chassis. iQx lets you plug right into your AoIP network —with complete AES67 / SMPTE ST-2110-30 compliance— and enjoy the same capable, easy-to-use experience of the iQ.
Now, the Axia iQ family takes a bold step into the virtual AoIP future with iQs, the software version of iQx that does not require a physical surface. iQs is the first soft console controlled by a full HTML-5 interface, allowing you to not only control a mix from anywhere, but on any device—Mac, Windows, tablet, laptop, even your phone! It’s available in two ways to suit your needs and comfort level.
The Benefits of Virtualization
Non-Proprietary Hardware
You have more options when it comes to designing your system, including commercial off-the-shelf (COTS) options from the IT world.
Customizable
The virtual broadcast studio is customizable, because functionality is not hard-coded to a specific physical attribute on a piece of hardware, like a physical surface.
Scalable
You can run multiple instances of software concurrently, allowing you to scale up for demanding production requirements and scale back down accordingly, only paying for what you need.
Reliable
Virtual software and cloud computing are tested, tried, and true. Broadcasters need not worry about reliability compared with hardware options.
Cost-Efficient
Requires less maintenance, hardware, real estate, conditioned power, HVAC, and associated costs with flexible subscription models to meet OPEX business requirements.
Easier Upgrades
Easier to update software remotely over the Internet or en masse in a centralized data center, eliminating site visits.
2 Ways to Deploy iQs AES67 Virtual Console Mixing Software
iQs + AE-1000 for Easy Virtualization
Telos Alliance understands that virtualizing studio operations can be an overwhelming prospect. That’s why we are eliminating some of the legwork by pre-installing the iQs AES67 Mixing Console Software on a 1RU Telos Alliance AE-1000 Application Engine—our new line of universal servers—to help you ease into the virtual studio and prepare for the future. You can centralize the AE-1000 at the studio, yet give board operators the flexibility to control the iQs mix from a bedroom, a coffee shop, a makeshift studio...anywhere with an Internet connection.
iQs Container for the Data Center
iQs is available as a Docker container. Docker is a set of platform-as-a-service products that uses OS-level virtualization to deliver software in packages called containers. Containers are isolated from one another and bundle their own software, libraries and configuration files; they can communicate through well-defined channels. Docker is an integral part of the IT future.
Because iQs is available as a Docker container, it allows broadcasters to deploy it in a server farm or the cloud, delivering the added benefits of true virtualization, such as easier facility-wide upgrades, concurrent instances, and more, without site visits. Perfect for large installations of iQs console software instances.
iQs in a Docker container lets you realize your all-virtual future now because it’s available as a subscription-based model in addition to singular instances. A subscription allows you to be even more nimble—growing or shrinking the size of your system dynamically as your needs change. You only pay for the functionality you need, and you aren’t locked into any particular console configuration, large or small, for the ultimate in facility flexibility.
System T S300-48
The S300 is the most powerful, versatile and user-friendly audio console in its class. It offers a compelling combination of extremely powerful features, hugely versatile installation options and outstanding value.
S300 is a compact control surface that can be combined with the complete portfolio of SSL’s System T control, processing and I/O options. It can be specified as part of a larger System T installation or in stand-alone configurations for smaller broadcast facilities or OB vehicles.
S300 presents the extraordinary power and versatility of SSL’s System T audio production environment in a streamlined console layout that remains intuitive for operators with a wide range of skill levels. A smaller scale S300 based System T installation offers the simplicity of a console + processor + I/O configuration with the benefit of compatibility with the family of additional fully networked System T control interfaces as required.
Within larger facilities S300 is a superb additional or backup console. Complete showfile compatibility between control interfaces means production can easily move between consoles and control rooms within a facility. Where processing engines are of different sizes SSL’s unique compatibility mode allows the pre selection of channel, busses and effects resources that will be inactive on the smaller processing engine. Settings from the larger device are never lost and resources can be reassigned at any point during the show, even with audio passing.
Ross Ultrix Carbonite Hyper-Converged Production Platform
Ross Ultrix Carbonite Hyper-Converged Production Platform
Ross Video revolutionized live production with the debut of Ultrix Acuity – the single-chassis production switcher and routing platform that provides superior capability and outstanding value. Now, Ross takes that idea another step further with the launch of Ultrix Carbonite, a powerful new integrated solution based on the “Software-Defined Production Engine” initially used for Ultrix Acuity. Ultrix Carbonite combines the routing and processing capabilities of Ultrix with the sophisticated creative capabilities of Carbonite, the world’s most popular mid-size production switcher. Ultrix Carbonite creates a new standard in performance, flexibility and value, unmatched by any standalone system available today.
Ross Ultrix Acuity Hyper Converged Production Platform
Ross Ultrix Acuity Hyper Converged Production Platform
The power of Ross Video’s flagship production switcher and the game-changing feature set of its flexible hybrid routing platform have been merged to create a complete, future-proof solution that is truly greater than the sum of its parts.
Ross Lucid Studio
Ross Lucid Studio
Lucid Studio is a highly flexible and customizable control platform with an easy-to-use intuitive graphical user interface. Lucid provides seamless integration with tracking systems and real-time 3D rendering engines such as XPression and Voyager. It is a complete redesign of the legacy UX platform, with significant changes to the underlying code, and the graphics interface. Lucid Studio offers unparalleled customizability, flexibility and accessibility to all types of operation and operators. Lucid Studio is used for virtual set camera calibration, scene manipulation, media replacement, event triggering, MOS newsroom integration, animation control, robotic camera movement control and much more.
Ross Graphite PPC (Portable Production Centre)
Ross Graphite PPC (Portable Production Centre)
Graphite PPC offers customers a remarkable amount of production horsepower – up to two MEs (and four MiniMEs), four DVEs, six frame syncs, four media stores and two MultiViewers. Capable of handling up to thirteen inputs and up to eight outputs, Graphite PPC also includes the same RAVE audio engine (with sample rate converters) that comes with the larger Graphite solution, as well as the same XPression graphics and clips package also found in its elder sibling. Graphite PPC is incredibly light – it weighs only 42 lbs / 19kg including its dedicated soft-shell carrying case equipped with a pull-out handle and wheels. It’s also extremely quiet – ultra-quiet fan cooling means the system can easily be used in the same space as the talent with microphones. Graphite PPC is simple to set-up and requires just a single operator, so you can now deliver a high impact, high efficiency production even more easily.
NewTek TriCaster® 2 Elite
NewTek TriCaster® 2 Elite
The TriCaster 2 Elite is the most complete video production platform available today, and sets a new platinum standard for how much you can achieve with a single system.
mc²36 Audio Production Console
mc²36 Audio Production Console
Big performance in a compact size: that’s Lawo’s new second-generation mc²36 audio production console, an incredibly powerful yet compact mixer, now even more capable with a new dual-fader operating bay that allows 48 faders in the same space as a 32-fader board. This makes the new mc²36 even more of an all-rounder for theater, houses of worship, corporate, live and broadcast audio applications – wherever ultra-high audio performance in close quarters is demanded.
With DSP more than doubled from its predecessor, the new mc²36 with built-in A__UHD Core functionality offers 256 processing channels, available at both 48 and 96 kHz, and natively supports ST2110, AES67, RAVENNA, and Ember+. It provides an I/O capacity of 864 channels, with local connections that include 3 redundant IP network interfaces, 16 Lawo-grade mic/line inputs, 16 line outputs, 8 AES3 inputs and outputs, 8 GPIO connections, and an SFP MADI port.
Operating and visualizing features include Button-Glow and touch-sensitive rotary controls, color TFT fader-strip displays, LiveView™ video thumbnails, and super-precise 21.5” full HD touchscreen controls. Its built-in full loudness control is compliant with the ITU 1770 (EBU/R128 or ATSC/A85) standard, featuring peak and loudness metering which can measure individual channels as well as summing busses.
The new mc²36 offers seamless integration of third-party solutions like recording systems, effects engines, and other systems running on external PCs, into its user interface. Applications display right in the console’s screen, while console keyboard, touchpad and touchscreen provide control.
Last but not least: mc²36 offers best-in-class integration of Waves SuperRack SoundGrid, providing operators with access to Waves’ extensive plug-in selection of real-time signal processing alongside the console’s internal processing engine — no additional screens or control devices required.
Moving the mc²36 to the A__UHD Core means that all developments in the future will happen on a single, unified platform, and Lawo continues to provide production file compatibility between all mc² consoles. For instance, a production file from an mc²36 can be used on an mc²96 for post-production — opening the door to a whole new level of performance.
The new mc²36 is based on Lawo’s A__UHD technology and includes Lawo’s innovative new IP Easy functionality that makes IP setup as simple as analog. IP Easy, based on Lawo’s innovative HOME management platform for IP-based media infrastructures, makes connecting IP audio and I/O devices as easy as if they were baseband – the console automatically detects new devices and makes them available at the touch of a button. IP Easy even manages IP addresses, multicast ranges, and VLANs, and includes security features like access control and quarantining of unknown devices to protect your network. HOME is natively built on a cloud-ready microservices architecture, enabling users to connect, manage and secure networked production setups from the ground up. Furthermore, it provides centralized access and control for all Lawo gear within a setup. HOME helps broadcast professionals address some of the most demanding requirements of modern IP infrastructures, including automated discovery and registration of devices, connection management, flow control, software & firmware management, scalability and security.
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MAXIVA™ PMTX-1
MAXIVA™ PMTX-1
GatesAir’s new Maxiva™ PMTX-1, is a complete self-contained, outdoor transmitter system. Housed in a completely environmentally sealed enclosure, the PMTX-1 includes many options, allowing configuration flexibility for many applications. The unit is capable of being configured as a Transmitter, Transposer (Translator), or an On-Channel Gap-Filler. Waste heat is efficiently dissipated via the metal housing and heatsink. This allows the unit to be mounted on a variety of structures, including tower, legs, poles, or building walls. For regions with extreme climate conditions, options for ambient air temperatures up to +50°C (122°F) and down to -40°C (-40°F) are available.
The compact dimensions (351W x 224D x 460H mm) of the Maxiva PMTX-1 chassis are key to this unique design, allowing installation on a wide variety of outdoor poles, or mast structures. Access is via a lockable and sealed door. The sealed metal housing of the PM-TX-1has been engineered to remove heat efficiently from the internal circuitry. The unique design of the PMTX-1 provides a high level of installation versatility, allowing it to be installed on virtually any suitable outdoor structure.
This versatile unit does not require a building, shelter or any additional outdoor enclosure. The totally sealed metal case has been designed specifically for outdoor environmental conditions, providing protection from all humidity levels, precipitation and wide temperature extremes.
The unit can be configured and operated as a 50W digital / 100W analogue transmitter, transposer or an on-channel gap-filler, with various input options. A satellite receiver card with CAM slot is also available. The unit includes an internal mask filter. The external power source requirement is 36-72 VDC (positive or negative).
Main Features of Maxiva™ PMTX-1
- Compact chassis: 351W x 224D x 460H mm
- Outdoor, pole-mounted, using adapter plate
- Output Power (Post-Filter): 50W rms Digital or 100W analogue
- Input interface options:
- ASI, BTS, T2MI, SMPTE-310M, ETI
- Gbe port (TS over IP)
- DVB-S/S2 Satellite Receiver input (including CAM interface). 4 slots available.
- RF receiver input for Transposer/Gap-Filler configuration (Direct Conversion – zero IF)
- Regenerative receiver input option for Transposer
- Supports DVB-T/H, ISDB-T/Tb, DVB-T2, ATSC & Analogue modulations
- Embedded Re-Multiplexer/Layer Combiner/TS to BTS (188 to 204 byte) converter for ISDB-Tb
- Adaptive pre-correction circuits
- Optional High stability GPS / GLONASS receiver with battery
- SNMP, Web Interface and Touch Screen display
- RF combiner option for multiple transmitter systems
MAXIVA™ IMTX-70
MAXIVA™ IMTX-70
GatesAir’s award-winning product, the new Maxiva™ IMTX-70 Intra-Mast Transmitter, is a very compact modular multi-transmitter system. It has been scaled to allow installation within typical hollow mast/tower structures, or vertical poles. This tower structure itself provides complete protection from the outside environment, while allowing heat dissipation via convection, plus forced air cooling through the unit.
The diminutive dimensions of the Maxiva IMTX-70 chassis are key to this unique design. Measuring only 230 x 485 x 320 mm, it allows installation into a wide variety structures. Access is via a lockable and sealed door. Cooling air is provided by vertical air convection within the mast structure, complemented by small fans inside the chassis.
Although extremely compact in size, the Maxiva IMTX-70 boasts many features normally found in full-size systems, including the capability of housing up to six separate transmitter modules, each with up to 70W of average DTV power. Each module can be configured as a transmitter, translator, or on-channel gap-filler with echo-cancellation, using optional input cards. A DVB-S/S2 satellite receiver option is also available as well as GbE (TS over IP), ASI, T2MI, SMPTE-310M, and ETI inputs. Digital modulations are supported include; ATSC, DVB-T, DVB-T2, and ISDB-T. For ISDB-T/Tb applications, an embedded Re-Multiplexer and Layer Combiner/TS to BTS, can be included.
The RF output stage is a high-efficiency Doherty broadband amplifier for energy savings and minimal waste heat. For added redundancy the Maxiva IMTX includes dual redundant power supplies, configurable as 2 x DC, 2 x AC or 1 AC plus 1 DC. Remote control includes SNMP and a Web interface.
Main Features of Maxiva™ IMTX-70
- Compact chassis: 230 x 485 x 320 mm
- Up to 6 separate transmitter modules
- Output power: Up to 70W rms per module
- Input interface options for each module:
- ASI, BTS, T2MI, SMPTE-310M, ETI
- Gbe port (TS over IP)
- DVB-S/S2 Satellite Receiver input (including CAM interface)
- RF receiver input for transposer/gap-filler configuration
- Supports DVB-T/H, ISDB-T/Tb, DVB-T2, DAB/DAB+, ATSC modulations
- Embedded Re-Multiplexer/Layer Combiner/TS to BTS (188 to 204 byte) converter for ISDB-Tb
- Adaptive pre-correction circuits
- High stability GPS / GLONASS receivers with battery
- Option for 2 x hot swappable power supplies, 2 AC or 2 DC and/or AC/DC
- SNMP, Web Interface and Touch Screen display
- RF combiner option for multiple transmitter systems
LiveU’s LU800 production-level field unit for live news and sports coverage
LiveU’s LU800 production-level field unit for live news and sports coverage
Enrich your productions and cover more events at a fraction of the cost of traditional transmission methods.
The LU800 is the first all-in-one production-level field unit, designed for live news and dynamic sports coverage.
The LU800 combines multi-camera and superior video/audio capabilities with mission-critical transmission in a native 5G unit. Designed from the ground up to unlock 5G potential, the unit offers unparalleled quality of service and resiliency.
The LU800 enables complex remote productions (REMI), supporting up to four fully frame-synced feeds in high resolution from a single unit. Delivering the highest-quality video performance, the LU800 offers up to 4Kp60 10-bit HDR transmission for optimal color depth and richness.
The LU800 product series accommodates any customer need or production scenario with multi- and single-camera variants.
Key features include:
- Up to 8 x 5G modems with high-efficiency internal antennas
- Up to 4Kp60 10-bit HDR transmission for optimal color depth & richness
- Multi-camera with up to 4 fully synced feeds & flexible unit/station switching
- Rich remote production tools: Video Return, Tally Light, Audio Connect
- Super-fast file transfer for sending edited footage from the field
- Up to 16 audio channels for richer audio production
- 7” ultra-sensitive capacitive touch-screen for easy unit control
- Optional external antennas connections for harsh RF conditions
- Dual power input (standard power supply & external battery input)
- 2 Ethernet & 2 WiFi interfaces for more connection options
LiveU Matrix
LiveU Matrix
Designed by broadcasters for broadcasters, LiveU Matrix is an essential tool that works for the newsroom; making live content management simple and affordable. Combining powerful front-end with a reliable IP cloud-based transport layer, LiveU Matrix seamlessly integrates into daily workflows, allowing news teams to share live feeds with multiple internal and cross-organizational end-points.
LiveU Matrix offers cost-effective and reliable live content distribution over the public internet with significant cost savings compared to traditional contribution and distribution methods. Only minimal infrastructure is required to set up new content sources and destinations – allowing you to replace SAT dishes and IRDs with backpacks, rack-mount encoders and servers.
The dynamic cloud platform makes it simple and cost-effective to curate content through one interface. Users can easily search, filter, preview, and distribute live feeds to one station, multiple stations, or thousands of end points within their entire network. The flexible interface can also be customized based on the user’s role. LiveU Matrix gives full visibility into all feeds available and puts the broadcaster/production crew in the driver’s seat to manage and send content anywhere.
Used by tier 1 broadcasters and leading content creators worldwide, Matrix has been built from the ground up to support well-established content sharing models with intuitive, broadcaster-oriented modes of operation. These include large affiliate networks or press agencies, media/ownership groups, national broadcasters as well as smaller local loop or event pools, and local/global content syndicators. Major news broadcasters including CBS, CNN, Cox Media Group, Fox Sports, Meredith Corporation, Quincy Media, and Sinclair Broadcast Group are curating their content with LiveU Matrix. During the COVID-19 pandemic, governors in several US states are also using LiveU Matrix to deliver their daily live briefings directly to stations and networks from remote locations.
HOME
HOME
HOME is a management platform for IP-based media infrastructures. It is designed to connect, manage and secure all aspects and instances of live production environments. HOME provides the tools and centralized services for swift and effective interaction of engineers with their tools.
HOME is cloud-native by design and ready to run anywhere, irrespective of the system’s size. With HOME, the cloud starts on your campus, private and locally. It turns an array of devices, setups, sites, hubs and data centers into a powerful, agile network — quickly and in a perfectly secure way.
Inside HOME, discovery of devices is automatic, while registering and admitting them to the network is only a button press away.
With the adoption of IP well underway, the focus of operators has shifted from whether to adopt IP to how to use its potential with minimal effort and maximum effect. This is where HOME shines: it addresses all pressing issues real-world operators face today and tomorrow. In one place and via a single, platform-agnostic, intuitive user interface.
Lawo’s HOME platform is based on open standards such as ST2110, NMOS, IEEE802.1x and RADIUS and has been designed and built from the ground up using LUX—the Lawo Unified Experience, a framework for conceiving, designing, and building solutions that put you first and defines the standard for user experience and design across the Lawo portfolio.
Discovery and Registration: HOME solves IP complexity with automatic plug & play discovery of IP audio and video devices, which are registered with their name, location, status and type. This applies not only to Lawo products but to third-party solutions as well via NMOS. Discovered devices are managed in a central inventory list, ready for access and configuration.
Device Management: In today’s hectic live broadcast environments, operators rely on speedy, unified device configuration routines, especially when setting generic device parameters or configuring senders and receivers. The ability to save and recall configurations is key to speed up tasks. HOME provides a centralized “mission control” for these processes, providing fast and unified access to device parameters for easy tweaking, irrespective of the end point being controlled.
Operability: With its simple, user-friendly UI, HOME allows users to organize and access processing services. With all required facilities accessible in one place, operators can set up and change stream configurations, and route them across an infrastructure without the need for a separate controller. For large infrastructures HOME works seamlessly with a broadcast controller in the same set-up and helps to speed up configuration and operation. HOME is based on LUX, a UI language common to all Lawo devices and many of their functionalities. Through HOME’s user interface, operators can access and edit device parameters quickly utilizing integral mechanisms that help get the job done efficiently. With HOME, operators quickly get right to what they’re looking for, without distractions and complications, to focus 100% on the task at hand.
Security: The content created by a production crew and transported over a network is any operation’s most valuable asset and deserves strong protection. While a robust security system needs to cover all aspects of media infrastructure and content creation, the key lies in its simplicity. HOME provides a variety of security strategies, first of which is quarantining unknown devices when they come online. Only after being deliberately approved, via an intuitive IEEE802.1X-based routine, can they begin exchanging signals with the HOME network. Secondly, HOME uses an authentication strategy based on a centralized user management system, with dedicated user roles and groups. The LDAP based service allows users to authenticate either locally – within HOME – or via their own corporate IT infrastructure, e.g. Microsoft® Active Directory. Finally comes the arbitration of devices and individual streams based on pinpointed rights management. HOME’s architecture is prepared to manage services such as transport layer security, network segmentation and other IT security mechanisms such as RADIUS.
Scalable Architecture: Home is cloud-native by design, which means that its architecture is built to run detached from hardware constraints. This does not automatically mean that services must be outsourced to an external service provider whose meter is running 24/7; with HOME, the cloud starts on your campus, private and locally, on COTS hardware. The HOME platform is designed as functional blocks that provide microservices, which are self-contained and supply functionality to operators or other services.
HOME can be expanded with additional services at any time to increase its functionality — the platform scales on demand. Should there be a need for a larger RDS, because the installation grows, additional instances of the required resources can be added anytime. One of the core principles of HOME is its focus on the utilization of open standards wherever possible, for broadest compatibility and future-proof integration. With HOME, flexibility and resource utilization in IP media infrastructure maximizes.
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Genelec 8430A IP SAM™ Studio Monitor
Genelec 8430A IP SAM™ Studio Monitor
The 8430A is the world’s first AoIP studio monitor, allowing reference-quality monitor performance to integrate directly into your IP workflow.
Total compatibility
The explosion in the growth of networked audio has been huge, and the 8430A’s connectivity allows direct monitoring of AoIP streams, with all the precision and clarity that audio professionals have come to rely on from Genelec. Based on the Ravenna IP protocol, with full AES67 support for total compatibility, the 8430A is the natural choice for today’s sophisticated production environment.
Optimised listening
As a fully-fledged Smart Active Monitor, the Genelec 8430A integrates tightly with our GLM calibration software to fully optimise your IP-based monitoring set-up for your listening environment. This means you can always be confident of producing mixes that translate beautifully, even if you are working in challenging broadcast environments with only rudimentary acoustic treatment.
Genelec 8350A SAM™ Studio Monitor
Genelec 8350A SAM™ Studio Monitor
All the intelligence of Smart Active Monitoring in an extremely potent nearfield monitor. Introducing the Genelec 8350A.
Make accurate decisions
Boasting high SPL and extended frequency response, the 8350A is crafted to deliver the absolute transparency and neutrality you expect from a Genelec nearfield monitor, and will fit seamlessly into any studio or broadcast environment. With its wide uncoloured sweet spot, it promotes accurate and reliable mix decisions, and its bulletproof durability is essential for mission-critical applications.
Powerful but clever
As a Smart Active Monitor, the 8350A integrates closely with our GLM software via which it can be configured and calibrated for your listening environment, compensating for detrimental room influences to create a truly optimised monitoring solution from mono to immersive. So if you need to work in challenging acoustic spaces, the 8350A is your powerful but clever monitoring companion.
Genelec 8330A SAM™ Studio Monitor
Genelec 8330A SAM™ Studio Monitor
Combining precision, adaptability and a small footprint, the 8330A offers colour-free performance and powerful room compensation features.
The professional’s choice
The choice of demanding professionals for whom power and flexibility go hand-in-hand, the 8330A offers a little more SPL and LF extension than its smaller 8320A sibling. Providing transparent and truthful reproduction, the 8330A’s wide uncoloured sweet spot means you are always in a position to make accurate, reliable mix decisions.
Truly optimised monitoring
As a Smart Active Monitor, the 8330A integrates closely with our GLM software via which it can be configured and calibrated for your listening environment, compensating for detrimental room influences to create a truly optimised monitoring solution from mono to immersive. So if you need to work in challenging acoustic spaces, the Genelec 8330A is your compact but clever monitoring companion.
Genelec 8050B Studio Monitor
Genelec 8050B Studio Monitor
Nearfield monitoring with real muscle. The 8050B has power in abundance, making it ideally suited to larger spaces and longer listening distances.
Detail and transparency
The 8050B represents a class-leading balance of extraordinary SPL output, expansive dynamic range and an intensely detailed, transparent performance. With superb directivity and a wide sweet spot, you're free to move position and still trust what you're hearing.
Mixes that translate
With its neutral performance and ability to adapt to your room via simple rear-panel room compensation switches, the Genelec 8050B ensures a flat playback response to help you really analyse the spectral balance of a recording and produce mixes that always translate reliably.
Genelec 8040B Studio Monitor
Genelec 8040B Studio Monitor
Pristine performance
The choice of recording professionals the world over, the Genelec 8040B’s pristine performance extends to an SPL of 105 dB and reaches right down to 41 Hz. This is a nearfield monitor that can provide truthfulness and energy in equal measures.
Speed and accuracy
The 8040B’s recycled aluminium cabinet design combines transparent, uncoloured audio quality with a unique aesthetic beauty. You’ll work with speed and accuracy, producing mixes that translate beautifully. And when you’ve finished, our Intelligent Signal Sensing (ISS) circuitry will automatically switch the 8040B into a green, power-saving standby mode.
Genelec 8030C Studio Monitor
Genelec 8030C Studio Monitor
If you love the compact format of the 8010 and 8020 models but demand higher SPL and more bass extension, meet the 8030C.
Welcome to the sweet spot
A consistent best-seller, the Genelec 8030C sits in the perfect sweet spot of big monitor performance and small footprint. It offers precise imaging and staggering detail, but can go louder and lower than its smaller siblings – making it the perfect choice for slightly larger spaces.
Mixes that translate
The trademark rounded cabinet design of the 8030C delivers uncoloured reference performance both on and off axis, and rear panel room compensation switches let you optimise the 8030C for your individual room acoustics. All this helps you produce mixes that translate beautifully to other rooms and systems.
Genelec 8010A Studio Monitor
Genelec 8010A Studio Monitor
Small size, huge performance
When studio space is limited or you record on the move, the 8010A is your reliable monitoring companion. Don’t be fooled by its affordable price tag and modest dimensions, the 8010A is every bit a Genelec pro monitor: uncoloured, accurate and powerful.
Trust is everything
A combination of enclosure, driver and electronic design gives the Genelec 8010A extremely neutral characteristics and the ability to adapt to your space via simple rear panel room compensation switches. So whether you’re in a bedroom studio, hotel room or OB van, you can always trust what you’re hearing.
Genelec 7382A SAM™ Studio Subwoofer
Genelec 7382A SAM™ Studio Subwoofer
With a frequency response down to 15 Hz, and a maximum SPL capability in excess of 130 dB, the 7382A is Genelec's most powerful subwoofer to date.
Power and flexibility
Combining power and clarity with flexible calibration and bass management features, the 7382A is designed for use in recording studios, film mixing facilities, mastering suites, post-production houses, EDM playback and premium home theatres. With high SPL, low frequency cutoff and low distortion performance, the 7382A provides precise bass articulation even at the very lowest frequencies.
Totally optimised listening
As part of the growing Smart Active Monitoring family, the Genelec 7382A tightly integrates with GLM software, via which it can be configured, calibrated and controlled. GLM offers control of bass management, solves issues of subwoofer placement in unpredictable rooms, and even allows the creation of entire arrays of Genelec subwoofers where required. As part of a Genelec Smart Active system, the 7382A produces a totally optimised listening experience, delivering mixes that translate beautifully.
Genelec 7380A SAM™ Studio Subwoofer
Genelec 7380A SAM™ Studio Subwoofer
Delivering high SPL and extended LF response, the 7380A offers power, clarity and flexibility in equal measures.
High SPL, low distortion
Providing a level of performance normally associated with much larger enclosures, the 7380A subwoofer offers both high power and high SPL, with an extended low-distortion LF response and flexible bass management options. Comprehensive connectivity ensures that the 7380A is equally at home in stereo or multichannel environments, making it perfect for music, post, film or broadcast applications that demand powerful, dependable LF reproduction in a surprisingly compact form factor.
Configure, calibrate and control
The Genelec 7380A works closely with our GLM software, which allows all monitors and subwoofers in a system to be configured, calibrated and controlled. Offering access to advanced system auto-calibration and management, GLM’s powerful room compensation features enable the 7380A to be optimised for a wide range of acoustic environments, and permits both centralised and distributed bass management modes to be employed.
Genelec 7370A SAM™ Studio Subwoofer
Genelec 7370A SAM™ Studio Subwoofer
Created to deliver superb definition, the 7370A subwoofer intelligently adapts to your acoustic space to provide controlled, uncoloured LF reproduction.
Clean and precise
Offering more SPL and low frequency extension than our smaller smart subwoofers, the Laminar Spiral Enclosure design of the 7370A offer clean, precise performance with extremely low distortion – even at high playback levels. Created for discerning music, post and broadcast professionals, the 7370A will provide decades of reliable service in even the most demanding environments.
Low frequency that translates
The Genelec 7370A also offers onboard bass management and multi-channel connectivity, and can be configured and calibrated with our GLM software. GLM will analyse your room acoustics and intelligently adjust frequency, level, delay and crossover phase - so monitors and subwoofer integrate perfectly. This process produces a totally optimised listening experience, delivering mixes that translate beautifully.
Genelec 7360A SAM™ Studio Subwoofer
Equipped for both stereo and multi-channel audio, the 7360A intelligently adapts to your space to deliver absolute accuracy at low frequencies.
Definition and neutrality
Built upon our Laminar Spiral Enclosure technology, the compact 7360A delivers a staggering SPL of 109 dB with incredibly low distortion – producing LF performance that is clean, precise and articulate right down to 19 Hz. The ideal low frequency monitoring tool for small to mid-sized studios, post and broadcast facilities and OB vehicles, the 7360A subwoofer ensures definition and neutrality you can trust.
Optimised listening
The Genelec 7360A also offers onboard bass management and multi-channel connectivity, and can be configured and calibrated with our GLM software. GLM will analyse your room acoustics and intelligently adjust frequency, level, delay and crossover phase - so monitors and subwoofer integrate perfectly. This process produces a totally optimised listening experience, delivering mixes that translate beautifully.
Genelec 1032C SAM™ Studio Monitor
Genelec 1032C SAM™ Studio Monitor
The 1032C is a high-SPL nearfield monitor that fuses the much-loved soffit-mountable styling of the iconic 1000 series with our latest Smart Active Monitoring technology.
Even higher performance
Retaining all the revered audio characteristics of the previous A and B versions, the 1032C now features digital connectivity, a universal power supply and powerful Class D amplification; enabling it to produce higher SPL and greater low frequency extension than its already powerful predecessors.
A smart classic
In addition to its trademark out-of-the-box neutrality, the Genelec 1032C now integrates closely with our GLM software via which it can be configured and calibrated for your listening environment, compensating for detrimental room influences to create a truly optimised monitoring solution. This makes the 1032C is the perfect choice for professionals in high-end music production, post production and broadcast whose mixes need to translate perfectly to other rooms and systems.
CP-PLANNER
CP-PLANNER
Media content planning and scheduling has been a pain point for both traditional broadcasters and 'digital first' broadcasting companies. Traditional broadcasters have largely relied on complex broadcast scheduling and traffic systems, whereas 'digital first' companies seldom have access to such complex software, forcing them to plan and schedule their content and media assets manually into playout systems.
Amagi CP-PLANNER is a simple content planning and scheduling platform that is a lightweight alternative to a full-fledged traffic system. CP-PLANNER makes content planning and scheduling for both broadcast TV and streaming TV easy and efficient.
AR³ Football
AR³ Football
AR³ Football enhances football broadcasts by adding Augmented Reality into live football matches and creating a more appealing and entertaining experience for fans and viewers all over the world.
AR³ Football is capable of generating state-of-the art virtual crowds (for matches with no audience in the stands), virtual cam carpets to insert advertising material, tied to the field and augmented reality graphics, like heatmaps and “man of the match” infographics.
8361A SAM™ Studio Monitor | Genelec The Ones
8361A SAM™ Studio Monitor | Genelec The Ones
The new flagship of The Ones range, the 8361A offers the most advanced acoustic performance of any studio monitor on the planet.
An exquisite monitoring experience
The largest of our coaxial point source monitors, the 8361A offers extremely high dynamic range, unrivalled directivity and imaging and a short term SPL of 118 dB, enabling it to deliver an exquisite monitoring experience at any listening distance up to 5 metres – and therefore making it perfect for small to medium sized rooms.
Adapts to your space
The Genelec 8361A promotes faster and more consistent decision making, and also allows you to work reliably on longer sessions - because unnatural imaging, a main contributor to listener fatigue, is minimised. And by using it in conjunction with our powerful GLM calibration software, the 8361A will adapt to your acoustic space - compensating for any detrimental room influences and helping you produce mixes that translate perfectly, from stereo through to highly complex immersive formats.
8351B SAM™ Studio Monitor | Genelec The Ones
8351B SAM™ Studio Monitor | Genelec The Ones
A revolution in three-way monitor design, the 8351B boasts a unique look, compact size and a performance that has to be heard to be believed.
Uncoloured precision
The upgraded 8351B now offers increased SPL, additional room compensation EQs, equalised delay and enhanced HF response. Offering the same extraordinary imaging and uncoloured precision of its smaller 8331A and 8341A siblings, the 8351B provides even greater LF extension, while its higher maximum SPL enables longer listening distances.
Work faster, for longer
The Genelec 8351B promotes faster and more consistent decision making, but also allows you to work reliably on longer sessions - because unnatural imaging, a main contributor to listener fatigue, is minimised. And in conjunction with our GLM software, it will adapt to your space and compensate for detrimental room influences. From mono to immersive, you can be confident of producing mixes that will translate beautifully to other rooms and systems.
8341A SAM™ Studio Monitor | Genelec The Ones
8341A SAM™ Studio Monitor | Genelec The Ones
High headroom three-way with unbelievable imaging. The 8341A is the point source monitor with the perfect blend of size and performance.
Work faster, for longer
For applications calling for extraordinary imaging, extended frequency response, short to medium listening distance or long, fatigue-free working hours, The Ones are in an elite league of their own. They promote faster and more consistent decision making, and they also extend listening time, because unnatural imaging - a main contributor to listener fatigue - is minimised.
Mixes that translate
As bigger brother to the super-compact 8331A, the Genelec 8341A offers increased LF extension and a higher SPL capability, so is ideally suited to slightly longer listening distances. In conjunction with our GLM calibration software, the 8341A will also compensate for detrimental room acoustics and distance delay, regardless of whether you work in mono, stereo or immersive formats. So now you can deliver mixes that translate beautifully - every time.
8331A SAM™ Studio Monitor | Genelec The Ones
8331A SAM™ Studio Monitor | Genelec The Ones
Incredible three-way point source monitor with the footprint of a compact two-way. When space and precision is of the essence, nothing even comes close.
Work faster, for longer
For applications calling for extraordinary imaging, extended frequency response, short to medium listening distance or long, fatigue-free working hours, The Ones are in an elite league of their own. They promote faster and more consistent decision making, and they also extend listening time, because unnatural imaging - a main contributor to listener fatigue - is minimised.
Mixes that translate
The smallest in The Ones series, the 8331A is perfect for small rooms or ultra-nearfield applications, and offers an outstanding solution where none existed before. And in conjunction with our GLM calibration software, the 8331A will compensate for detrimental room acoustics and distance delay, regardless of whether you work in mono, stereo or immersive formats. So now you can deliver mixes that translate beautifully - every time.
StreamMaster PRIME
Wildmoka Saas platform
Wildmoka Saas platform
Wildmoka delivers the cloud-native video platform widely adopted by the leading sport and news broadcasters to: ingest, edit, publish and monetize live streams and short-form content on all digital channels (D2C OTT and Social Media). It is powered by an intuitive web-based edition tool for non-technical-savvy editors to publish in seconds, before anyone. The AI-based automation engine allows to create clips and summaries and to post them through pre-defined templates without any human intervention (in full automation mode). For more information about Wildmoka solutions and services, visit www.wildmoka.com
Inspect 2110
Inspect 2110
Inspect 2110 enables automated monitoring of ST 2110 video networking, providing operations teams with visibility and alert by exception of their entire video networks. It provides high performance software-based monitoring up to 100Gbps of ST 2110 video, audio, and data across dual 100GE interfaces. SDP file comparison confirm that video streams are working as expected at the same time as providing automated confirmation and comparison of redundant streams.
Auto ReZone ™ (Vertical Live)
Auto ReZone ™ (Vertical Live)
Wildmoka’s Auto ReZoneTM - Dynamic and real-time rezoning
Wildmoka Auto ReZone™ transforms automatically and in real-time horizontal layouts into vertical ones.
The Wildmoka’s Auto ReZoneTM extracts content from live streams or recorded videos, and automatically reconstitutes it into a mobile-first video format (typically 9:16 or 1:1). The tool uses AI and machine learning to:
- Detect all the zones of interest in each 16:9 frames,
- Select a vertical layout/template suitable to fit the various zones of interest detected above,
- Extract each zone from the horizontal frame and adjust them individually to fit the zone sizes of the target vertical layout,
- Finally, re-compose the extracted zones and graphical elements into the overall final vertical frame.
This process is done automatically and in just a few seconds in order to minimize the delay between the original live stream and the newly generated vertical stream. This solution has been especially designed for 24/7 news live streams.
The Benefits
- Deliver a premium mobile-first experience without changing your existing Newsroom workflow.
- Boost your audience, including on Youth and Senior market segments.
- Extend your mobile audience's average viewing time.
- Differentiate on Social Media with vertical formats.
- Become the place to be for advertisers.
VSAT
Es'hailSat offers a variety of VSAT services to support customer's most demanding needs, whether it is an end user, small business or multi-national corporation. Complementing our satellite and teleport solutions is our strategic partnership with major telecommunication providers for MPLS and IP backbone to provide managed bandwidth services.
TV Broadcasting
Broadcasters can use Es’hailSat’s high powered Ku-band payload to provide consumers with high quality services such as Direct-to-Home (DTH) linear TV, video on demand, high definition TV and 4K TV. 25.5⁰E / 26.0°E neighborhood allows viewers to tune their receivers to Es’hail-1 and Es’hail-2, without the need to change or repoint their existing dishes to enjoy premium content.
Telecommunication
Leveraging on Es'hailSat wide coverage in MENA, Es'hailSat enables communication with various location be it on land and sea. The flexibility to connect either directly between two location in point to point connectivity or multiple location to a central location in a point to multipoint scenario offers endless possibility of connectivity option supporting services such as Cellular backhaul, enterprise network or even dedicated connectivity requirement tailored to customer needs.
Playout
Using our new high-tech teleport and established partners within the region, Es’hailSat provides video playout, compression, encryption, uplink and distribution services.
Matrox VERO
Matrox VERO is an essential tool for broadcasters, system integrators, and manufacturers of ST 2110 devices and environments. Matrox VERO integrates the components required to allow users to confidently validate ST 2110 devices for compliance before deployment. Matrox VERO combines an adjustable signal generator, a PCAP recorder, and signal diagnostics integrating EBU LIST into a single appliance with an intuitive, web-based GUI.
Maritime and Land Mobility
Smartphones and tablets have changed our lives dramatically, and demand for mobile communications are extremely high. Es’hailSat offers mobile connectivity for land and maritime applications to cater for requirements from various verticals.
Government Services
Es'hailSat is well positioned to serve Government connectivity requirement through Es'hailSat's high powered Ku-band Payload and it's state of the art teleport infrastructure. Coupled with good knowledge on available satellite products in the market, Es'hailSat is be able to design a dedicated solution tailored to fit all requirements from Government entities.
PRISMA
MediaKind's PRISMA solution enables advertising and alternate content & blackout content insertion on any applicable workflow (live, near-live or non-live) across broadcast and IP networks delivering the maximum monetization potential and ensuring full compliance with linear distribution rights.
PRISMA solution enables fully unified and and standards based layer between advertising and linear rights business systems (ad-decisioning system, traffic & scheduling system) and A/V broadcast and/or IP processing and delivery chains.
MediaKind Aquila On-Demand
MediaKind Aquila On-Demand
MediaKind’s Aquila On-Demand solution delivers an end-to-end content delivery workflow designed to ingest, process and deliver video files for OTT and IPTV consumption. This solution addresses the challenge in delivering a high-end user experience while ensuring operational costs remain under strict control. When combined with the MediaKind PRISMA advertising and alternate content portfolio, it also enables new revenue streams leveraging advertising and content distribution rights capabilities.
- Push your video quality higher leveraging MediaKind’s On-Demand Encoding technology to provide the highest video quality and guaranteed performance across multiple codec choices - MPEG-2, H.264 & HEVC•
- Enabling a better consumer experience delivering content to a wide variety of devices by leveraging MediaKind’s packager support for all major segment and manifest formats (HLS, Smooth Streaming, DASH, CMAF)•
- Faster time to market by deploying a unified solution across any network and infrastructure type (COTS servers, IT datacenters & private and public clouds)•
- Reduce operational complexity using a single interface for all services and servers’ operations•
- Optimize server footprint with an underlying micro-services design, that provides deployment flexibility, allows scalability according to demand and delivers a highly available service
Dell EMC PowerScale
Dell EMC PowerScale
Collaboration drives media workflows. Centralizing assets into streamlined shared storage helps media organizations drive collaboration, accelerate production and reduced costs by eliminating separate “silos” of video assets. Centralized storage can help unlock collaborative tools and processes that allow artists, systems and broadcast engineers to leverage common stored assets whether on premises or in hybrid cloud workflows. Dell EMC PowerScale builds on the legacy of Isilon to offer a consolidated, collaborative storage environment that enables concurrent, real-time collaboration with multi-protocol access, integration with key partner software and easy search across multiple storage methods.
