The ongoing debate between CapEx and OpEx isn’t new within the Media and Entertainment Industry. The recent surge in streaming platforms and cloud-based workflows pushed many organizations toward flexible, pay-as-you-go OpEx models. Yet, as the industry evolves, companies are increasingly concerned about EBITDA, investor scrutiny, and market pressures. In today’s environment of high interest rates and limited growth, monthly OpEx charges weigh heavily on EBITDA, driving renewed interest in CapEx strategies that provide capitalization and depreciation benefits.
IABM Technology and Trends Roadmap – 2025
The IABM Technology and Trends Roadmap isn’t just for industry technologists to use as a reference. IABM has discovered industry execs using it as a starting point for their keynote speeches: product line managers are using it to plot their own products; and corporate board members get a better understanding of where the company’s products sit on the adoption curve, hence a better grasp or risks vs gross margins. This also assists marketing activities by giving an indication of how best to promote products within M&E and adjacent/vertical market areas.
Net Insight – Creating without limits: smarter workflows for live media
In the world of live content production, creativity has always been king. Whether it’s the emotion of a last-minute goal, the atmosphere of a sold-out concert, or the breaking tension in a live news broadcast, the magic of live lies in its immediacy. But behind every seamless live broadcast is a complex network of workflows, technologies, and teams working together to make it all happen.
MISTV – Are we going back to linear? If so, what’s the impact on advertising? What role does AI have?
Beyond news and sports, many viewers have seemingly replaced standard linear broadcast with on-demand. This is particularly true with the generation that grew up with MP3 players and making their own playlist, rather than simply listening to a whole album. Now we appear to be moving back into a type of customized linear viewing habit. Whether you’re sitting at home (or anywhere for that matter) people are back to just watching programs which we called “couch potatoes”. They are series binge watching, continuously locked into niche channels, or just sitting there watching clips flying by endlessly. When you look at the Nielsen Research, YouTube has captured 11% of the main TV screen in the home.
I call this “on-demand linear”. We are even seeing these niche FAST channels delivered over-the-air now and I wanted to dig deeper into this with respect to advertising as linear is still the “cash-cow” for the broadcast business due to advertising.
I had the fantastic opportunity to ask these questions to Jiří Gabriel, COO of MISTV, who supplies complex solutions for advertising sales, rights, content and broadcast management worldwide.
MediaKind – Creativity in the Age of AI
Independent content creators are no longer just challengers. They’re redefining the media landscape and going toe-to-toe with traditional broadcasters and major streaming giants for audience loyalty. A prime example of this shift? The recent Sidemen Charity Match, where over 90,000 fans packed Wembley Stadium to watch YouTube’s biggest stars compete on the football field. This event demonstrates how online influencers can now command the type of dedicated audiences once reserved for mainstream sports and entertainment events.
LTN – How to manage operational convergence with smart automation — and smarter IP technology
The media world is transforming fast. Broadcasters are rethinking how they produce, manage, and deliver content to bring their most valuable assets to the widest audience. Reaching viewers with tailored live news and sports experiences across multiple platforms has never been as important — or as challenging.
Limecraft – Supply chains aren’t ‘broken’; they’ve never existed
At the most recent DPP Leader’s Briefing in November last year, we noted that broadcasters and streaming platforms are often managing relationships with more than 500 content producers. On the flipside, content producers can be supplying media to over 500 broadcasters and platforms. Add in the need for accurate metadata, subtitle files, language variants and consistent quality control standards, and it’s no wonder that things can go wrong with content delivery processes.
Grass Valley – How AI and automation are reshaping media production
At the Grass Valley booth at ISE 2025 in Barcelona, an entire live production was orchestrated through the Apple Vision Pro, without a single button press. Instead of relying on traditional control surfaces, operators used intuitive gestures and spatial interactions to manage live feeds, camera angles, and graphics in real time. Meanwhile, remote production tools like Sport Producer X are enabling one-person teams to deliver high-quality live events from anywhere, using streamlined workflows that were previously only possible in large-scale broadcast environments.
Amplify – How AI and automation are revolutionizing creativity in content production
Our industry stands at a fascinating crossroads. AI and automation have evolved beyond mere efficiency tools to become genuine catalysts for creative expression. Content teams everywhere face mounting pressure—viewers want more content, they want it faster, and they want it accessible across global markets. Would AI be capable of meeting these challenges without sacrificing the human touch that makes great content resonate?
Amagi – How AI and automation is transforming channel programming
Traditionally, TV programming has relied on manual scheduling, which can be time-consuming and repetitive. As the media landscape becomes increasingly fragmented with the rise of numerous streaming platforms and broadcast channels, traditional scheduling methods are proving inefficient. The challenge for broadcasters and channel programmers today is to deliver engaging content while optimizing operational efficiency. AI-powered automation has emerged as a solution, transforming linear TV scheduling into a seamless process, enabling programmers to focus on creative storytelling and audience engagement.