MOG has been providing high-quality, cost-effective solutions for OBVans Production for years. More than ever, Broadcasters and Media Companies need to optimize rack usage, without compromising video quality, while still ensuring its multiple distribution and storage needs.
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In the tenth episode of the In the Hub podcast, Neil speaks to
Bruce Devlin. Bruce is a key figure within the broadcast space, known universally for his work as co-author of the MXF specification and his Standards Vice President role within SMPTE. Neil and Bruce explore how Bruce got started in our industry, whether a one-size-fits-all format for media files is on the horizon and how Bruce envisions the future of broadcasting.
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In the Covid-19 era, the regular standards meetings that we attend have certainly been disrupted, but like many other aspects of our industry, virtual technology has stepped in as a substitute. The system is working, though not being on the meeting’s timezone can require attendance at some difficult hours!
Many of the sub-groups have already been using virtual meetings for several years and this has proved an efficient way to develop documents.
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Based in Los Angeles, Love Productions is an independent subsidiary of a leading UK production company with both entities specialising in unscripted content. Popular shows such as ‘The Great American Baking Show’’,’ ‘Singapore Social’, ‘Made in Mexico’ and many others air on major networks and streaming services including Netflix, Amazon and Facebook. Initially set up as a production office to develop U.S. shows back in 2013, as work expanded Love Productions decided to bring postproduction totally in-house. At that point, Head of Post Production Charlotte Pai was given the challenging task of researching and building the new facility from scratch.
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Based in Auckland, Images & Sound is New Zealand’s longest established full-service post house with an extremely impressive portfolio. The company’s clients range from small independent filmmakers to large international studios and while long form documentaries and drama make up the majority of work, TV commercials and web content add an important contribution to the mix. All deliverables benefit from Images & Sound’s combination of experience and creative talent underpinned by a range of leading edge technologies employed in 4K HDR workflows, Dolby Atmos Home Theatre mixing, high-end VFX and grading. Collaborative working, essential to provide speedy throughput, is facilitated by the deployment of Avid NEXIS to serve the edit suites.
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Running since 2012, The Voice UK is an enormously popular British television talent show that searches for the next big singing star. The show features artists drawn from public auditions who battle it out each series to win a £100,000 cash prize and recording deal. Over the years, the show’s judges have included music royalty such as Sir Tom Jones, Kylie Minogue, Boy George and Rita Ora.
The show producers, Wall to Wall, needed to work with a 17 camera multi-cam setup with 8 audio tracks from each HD camera source. The standard Avid workflow only supported up to 9 cameras and using low-budget computers with core i3 processors, the logging team needed to remotely log all camera feeds simultaneously with the option for rough cutting.
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