Media and entertainment company eliminates data silos and gets crippled workflows performing with simple to manage and extremely scalable Qumulo file data platform
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MOG has been providing high-quality, cost-effective solutions for OBVans Production for years. More than ever, Broadcasters and Media Companies need to optimize rack usage, without compromising video quality, while still ensuring its multiple distribution and storage needs.
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Primestream Infrastructure Drives Long-Term Remote Production Workflows for Cisco Global Television
A pioneering leader in information technology, Cisco Global Television is well-known for its technologies and product lines enabling collaboration and remote workflows. Two examples are the Webex video conferencing platform and the TelePresence SX80 product line, which works almost like a very low-latency “satellite in a box” for video collaboration. The company’s corporate video production arm, Cisco Television, produces about 1,500 broadcasts a year including around 250 external productions for audiences around the world. Cisco TV productions range from the Cisco Live tradeshow, Cisco Partner Summit, and Impact national sales meeting to product launches, webinars, and events such as those for the Cisco STEM program.
For several years, Cisco TV has relied on a comprehensive infrastructure of Primestream solutions to manage and automate all corporate media operations from capture and ingest through to delivery. Primestream’s Workflow Server manages ingest and automated master control playout, working in concert with the Primestream Xchange™ media asset management (MAM) platform.
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De Tune, a global industry-leading media and entertainment company, chose Tata Communications’ media network and cloud services to drive its global production operations. Watch how our solutions consolidated multiple vendors into one cohesive media ecosystem and simplified content production and distribution.
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Switzerland’s Oldest Private Broadcaster Gets a Modern Media Makeover
Today’s content creation landscape is complicated. Media producers have to embrace new production workflows and increasingly diverse options for viewing video. In addition to traditional cable and satellite, streaming services (OTT) are claiming an ever-increasing share of viewers’ attention, often in new formats like HDR and 4K. There is no “one size fits all” solution. The best approach is an open solution that splits workflows into different layers, weaving best of breed technology to create an agile platform that simplifies and facilitates media creation, management and distribution while providing flexibility for growth.
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By Olivier Jorda, Global Media & Entertainment Director, Oracle Industry Solutions Group
Content has always been king in the media and entertainment (M&E) industry, but when it comes to today’s white-hot competitive landscape, it’s also a key differentiator. Unfortunately, aggregating content simply isn’t enough to win eyeballs and loyal subscribers.
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Announcement of the Connect BaM Award® Winner from the IABM Awards Ceremony 2020.
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Announcement of the Manage BaM Award® Winner from the IABM Awards Ceremony 2020.
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David Shield, SVP Global Director Engineering & Tech at IMG presents how they adapted to remote working, new challenges faced and how they have adopted new technologies.
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BLAST, the global esports media network delivering world class entertainment experiences, has selected EVS’ market-leading VIA-based technology as the backbone of its new esports production flypack. The mobile solution is designed so that BLAST can produce its own live gaming events in-house. With the Covid-19 lockdown impacting mass gatherings, the flexibility of the live production workflow is enabling the esports giant to address this issue by delivering online-only events.
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