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"Datavideo’s brand-new PTR-10 is a robotic pan-tilt head that is designed to turn any small size video cameras or block cameras into a PTZ camera.

 

With a weight of 3.8 Kg, it can be placed on the tripod or mounted on the wall and ceiling which bring up a lot of flexibilities for your video production.

 

A sleek design fits seamlessly in your studio; with a weight of 3.8 Kg, the PTR-10 can be placed on the tripod or mounted on the wall and ceiling. The PTR-10 can be controlled by IR controller, VISCA protocol controller, Datavideo RMC-180 Camera controller, RMC-300C Multi-camera IP controller, and compatible with serial or Ethernet (DVIP)."

 

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No matter what camera brand or type you use, DSLR, ENG/EFP, Studio or cinematographic, Vocas can provide you the appropriate grip, base plate, lens adaptor, cage or other peripherals. The Vocas line up is build on Vocas R&D and feed back form the professional camera user.

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The TG-27/MicroPDU pan/tilt head and power supply, the de-facto standard for high-end Legislative TV systems,  provides an all-over solution for any size legislature or conference system when used in conjunction with Shotoku’s TR-S control panel and its fully automated Orchestra control system. In use every day at many of the world’s highest profile national and regional legislatures, houses of worship and global corporate organizations.

 

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Shotoku’s TI-12 elevator unit accommodates virtually any studio pedestal.  The TI-12 Height Drive is the world’s only truly adaptable height drive able to attach to and elevate columns on a wide range of pedestals, of other manufacturers and of different ages and designs in addition to Shotoku’s own TP-200.  Adding height control to a new or existing pedestal brings added value to customers who demand not only super-smooth robotic operation but need to maintain manual pedestal operation at the touch of a button.

 

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Cartoni Master 30 Flat Base Fluid Head covers the needs of video shooters using cameras weighing from 7 to 66 lb. With a low center of gravity configuration such as with teleprompter, the Master 30 can hold cameras as heavy as 88 lb. The fluid module, in both pan and tilt modes, ensures smooth movements. With accurate starts and stops, the drag system allows a wide variety from almost freewheeling in fast action movements to maximum resistance for long focal shoots.

HIGHLIGHTS

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  • Counterbalance performs perfect balance at any angle from 0 to ±90°
  
  
  • Operating knobs and levers are conveniently located and easy to reach with a special care for ergonomics
  
  
  • Head comes equipped with dual telescopic pan bars, illuminated spirit level and digital readouts for drag control and counterbalance settings
  
  
  
  

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The TR-XT Control System with multiple enhancements further expands the capabilities of this already powerful and intuitive control system.

LiveView

The TR-XT, the flagship control system of the Shotoku platform, offers a new LiveView option that uses a secondary IP video camera to provide a wide-angle scene view for each camera. LiveView enables operators to command heads to new positions simply by touching on a wide-angled live video view of the studio, smoothly repositioning the head towards the selected presenter, guest or other area of interest.

Studio Zones

Studio zones easily define areas within a studio into which cameras may or may not travel.  Zones have a dynamic understanding of studio equipment to avoid no-go areas and potential collisions.  In addition to each SmartPed’s unique on-board collision avoidance system, Studio Zones offers a higher level of control for the operator to ensure smooth and safe operation within the environment.

 

Full Automation

Shotoku also features its enhanced automation interfaces allowing not just pre-set shot recall but full camera adjustment on-the-fly from external systems, even including face-recognition and tracking systems.  This advanced technology brings the concept of operator-less control into reality!

 

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Teradek Bolt 500 XT 3G-SDI/HDMI Wireless Transmitter and Receiver Set

Highlights;

• Supports up to 1080p60 Resolution


• Backwards Compatible with Select Systems


• 3G-SDI & HDMI Inputs/Outputs


• Cross Conversion


• Zero Delay


• 2.4 & 5.8 GHz Noise Rejection


• AES128 Encryption

 

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Raising the bar on movement quality and shot framing control, the recently launched Shotoku SX200 and SX260 pan and tilt heads incorporate a brand-new design featuring Shotoku’s “Truebalance” for perfect counterbalance that is also easy to adjust throughout the range and has an intuitive display to indicate the current setting.  The drag system uses Shotoku’s well known Viscam design but adds a new actuation system that combines the convenience and speed of selection of a stepped system, with the fine tuning and on-shot adjustment of a continuously variable design. The SX200 has a max payload of 44Lbs (20Kg) and the SX260 55Lbs (25Kg).  The systems come standard with 2 stage ENG Carbon Fibre legs and is one of the lightest on the market at these payloads.

WHAT’S NEW - With these SX200/SX260 heads crossing over to the EFP application, the new TTH1002C 100mm carbon fibre EFP tripod has been added to provide an extremely rigid solution, useful when using longer lenses for sports and documentary production.

 

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The Shotoku SD range has been developed to provide a high-quality, affordable support system for HD/4K handheld cameras. The series features lightweight, robust construction for smooth and reliable operation. The SD20 model supports 3 kg (6.6 lbs) camera configurations, and the SD40’s payload is 5kg (11 lbs). The system features fixed counterbalance and drag systems tailored to the payload of the head.

They come complete with an extended range 2-stage aluminum tripod, mid-level spreader and soft carrying case.

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Atomos Shogun 7 HDR Pro Monitor/Recorder/Switcher. This versatile pro on-camera recording monitor offers up to DCI 4K raw recording, HDMI and 12/6/3G-SDI inputs/outputs, and ISO recording of up to four HD-SDI camera streams. Output your content for director or client-viewing in Dolby Vision HDR using the Shogun 7, AtomOS10 platform, and a compatible display.

 

This monitor supports resolutions up to DCI 4K (4096 x 2160) at 60p and up to 2K at 240p for slow-motion effects. Record to 2.5" SSDs using Apple ProRes Raw, ProRes, CinemaDMG (up to 30p), and Avid DNxHD codecs. Record all your event's action with live multicamera monitoring, recording, and switching between program and up to four 1080p60 SDI ISO camera streams.

 

The Shogun 7's 10-bit (8+2 FRC) panel features 360-zone backlight, 1500 cd/m² brightness, and a 1,000,000:1 contrast ratio. Its native AtomHDR (log) display enables you to more accurately monitor your log gamma footage without having to view flat, washed-out images or use a LUT to compress the dynamic range and color space. Built-in presets accurately translate popular log formats from ARRI, Canon, Fujifilm, JVC, Nikon, Panasonic, RED, and Sony cameras.

 

Save editing time by tagging your footage on-the-fly and recording directly to Final Cut Pro x, Adobe Premiere, or Avid Media Composer formats (third-party plug-ins may be required for tagging).

 

Power the Shogun Inferno with a single Sony L-series battery; dual battery plates support hot swapping, enabling longer uninterrupted runtimes. For audio recording, the monitor supports balanced XLR inputs with +48V phantom power via a separately available audio breakout cable. Additional Shogun 7 features include genlock input, SDI/HDMI cross conversion, and a variety of on-screen exposure analysis, framing, focus assist, and other display tools.

 

Monitor

 

• 1920 x 1280 resolution

 

• 7" LCD screen with 360-zone backlight

 

• 10-bit (8+2 FRC) monitoring processing

 

• 1500 cd/m² brightness

 

• 1,000,000:1 contrast ratio (with zone backlight on)

 

• Output using Dolby Vision HDR

 

• AtomHDR technology displays native HDR (log) display footage

 

• Log gamma viewing presets for ARRI, Canon, Fujifilm, JVC, Nikon, Panasonic, RED, and Sony cameras

 

• Custom 3D LUT support (.cube format)

 

• Anamorphic de-squeeze: 2x, 1.5x, 1.33x

 

• UHD 4K downscale for HD monitoring

 

Input/Output

 

• 4K HDMI and 12G-SDI inputs/outputs

 

• Four 6G/3G-SDI or dual 12G-SDI inputs

 

• SDI/HDMI cross conversion

 

• Genlock input

 

• Separately available audio breakout cable for XLR audio input

 

Recording and Switching

 

• Up to DCI 4K60 recording in ProRes Raw, ProRes, CinemaDMG (4K30), or DNxHD

 

• Capture and switch between up to four ISO camera feeds

 

• Slow-motion recording up to 1080p at 240 fps

 

• Record to 2.5" SSD/HDD media using the included Master Caddy II

 

• Pre-roll record (8 seconds in HD, 2 seconds in 4K)

 

• Ten metadata fields

 

Additional Features

 

• Dual Sony L-series battery slots support hot swapping for continuous power

 

• Record 4K30p up to 2.2 hours with 2 x 7.4V, 7800mAh batteries

 

• Record 4K30p up to 1.5 hours with 2 x 7.4V, 5200mAh batteries

 

• Top and bottom 1/4"-20 mounting threads

 

• 3.5mm headphone output port

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The AS-1 series is a zoom remote controller designed to make high-quality video production by making comfortable zoom operations essential for camera shooting work at events and studios.The zoom lever is designed with a smooth operation and a thorough pursuit of a comfortable operating feel in all other mechanisms.AS-1 / 1P supports not only shoulder-mounted cameras but also small commercial camcorders, and is equipped with a REC operation button for camcorders.

Two cameras can be adjusted with one AS-1 remote control

In combination with the Protech HDF viewfinder,the return video confirmation function is very convenient for multi-camera recording.This function can be realized without relying on the functions of the camera body.For example, even in one-man multi-camera recording with two professional camcorders,you can operate the other camera while checking and controlling the fixed-point camera image. It becomes possible to do.

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The Shotoku SE series has evolved from a concept of providing high functionality and application flexibility in a support system designed for the extended range of HD/4K camera systems available today. It features lightweight, robust construction for smooth and reliable operation, a high-quality drag system to ensure smooth on-air moves, and a multiple level counterbalance system to ensure accurate balancing of a wide range of cameras. The SE80 supports up to 10kg (22 lbs), has 8 levels of counterbalance, and 4 grades of drag.


The SE150 supports up to 16kg (35 lbs), has 10 levels of counterbalance, and 6 grades of drag.

Both systems come complete with an aluminum or carbon fiber 2-stage tripod, mid or ground level spreader and a soft carrying case. A dolly option is also available.