| Studio and stage facilities |
Studio and sound stage facilities on dry hire or wet hire models.
Studio & Control Room Facilities
We offer more than 34 studio facilities available for rent and custom control room integration.
Studio & Control Room Facilities
Produce » Real-Time Production » Production Services » Studio and stage facilities »
We offer 30 complete studios ready for hire in the U.S., Australia, Belgium, the Netherlands, Norway, Finland and Sweden—with the ability to create custom studio control rooms anywhere. Offering the latest technology supported by the finest technical staff in the business, our flexible studio solutions can meet the needs of any production, no matter the size, scale or genre.
We can create a solution for any studio production—anywhere around the globe. Our expert engineers design, build and maintain our custom control rooms based on the unique needs of each show we support. Our control rooms are designed and built to be "semi permanent" with sturdy custom consoles, modular custom fabricated rack units and a spacious comfortable working environment designed to feel like home for a crew working in a daily show situation. They can be built inside any facility or in a climate controlled trailer. With our experience, resources and support behind a production, our clients know the budget and timelines will be met, technical changes can be accommodated and the producers can concentrate on the creative and other business aspects of the show.
We can create a solution for any studio production—anywhere around the globe. Our expert engineers design, build and maintain our custom control rooms based on the unique needs of each show we support. Our control rooms are designed and built to be "semi permanent" with sturdy custom consoles, modular custom fabricated rack units and a spacious comfortable working environment designed to feel like home for a crew working in a daily show situation. They can be built inside any facility or in a climate controlled trailer. With our experience, resources and support behind a production, our clients know the budget and timelines will be met, technical changes can be accommodated and the producers can concentrate on the creative and other business aspects of the show.
Telos Infinity® Virtual Intercom Platform (VIP)
The first fully-featured Cloud-based intercom system delivering sophisticated comms virtually.
Telos Infinity® Virtual Intercom Platform (VIP)
Produce » Real-Time Production » Production Services » Studio and stage facilities »
First, we broke the matrix.Now, we’re putting intercom in the Cloud.
Telos Infinity® Virtual Intercom Platform (VIP) is the first fully featured Cloud-based intercom system. It delivers sophisticated comms virtually, making Cloud-based media production workflows available on any device—smartphone, laptop, desktop, or tablet. Users can even use third-party control devices, like Elgato’s Stream Deck®, to control Telos Infinity VIP. Now you can harness Telos Infinity IP Intercom’s award-winning performance, scalability, ease of integration, and operational/cost efficiencies anywhere—At Home, On-Prem, Site-to-Site or in the Cloud.
Telos Infinity VIP
Deployment Options
Meeting users where they are on the path toward virtualization, Telos Alliance offers several deployment options for VIP, which scales to suit users’ varying requirements, from a few remote smartphone VIP instances to an enterprise solution requiring hundreds of instances.
Telos Infinity® Virtual Intercom Platform (VIP) is the first fully featured Cloud-based intercom system. It delivers sophisticated comms virtually, making Cloud-based media production workflows available on any device—smartphone, laptop, desktop, or tablet. Users can even use third-party control devices, like Elgato’s Stream Deck®, to control Telos Infinity VIP. Now you can harness Telos Infinity IP Intercom’s award-winning performance, scalability, ease of integration, and operational/cost efficiencies anywhere—At Home, On-Prem, Site-to-Site or in the Cloud.
Telos Infinity VIP
- Cost-Efficient - Less Maintenance, Infrastructure, Space Required
- Scaleable - Pay for Only What you Need
- Ease of Use – Virtual Panels on Familiar Devices (Smartphone, Computer, Tablet)
- Workflow Flexibility - At Home, On-Prem, Site-to-Site, In the Cloud
- Reliable, Proven Cloud Workflows Flexible Deployment Options
- TelosCare™ PLUS Service Option for Premium Service & Support
Deployment Options
Meeting users where they are on the path toward virtualization, Telos Alliance offers several deployment options for VIP, which scales to suit users’ varying requirements, from a few remote smartphone VIP instances to an enterprise solution requiring hundreds of instances.
- On-Prem – Use Telos Infinity VIP hardware appliance or your own server for on-prem installations.
- Integrated – For both On-Prem or Cloud versions, Telos Infinity VIP can be integrated with Telos Infinity hardware comms, or any third-party intercom or audio subsystem using AES67 or SMPTE 2110-30 connectivity.
- Cloud Server – Software for supported Cloud platform installations. A complete communications infrastructure in the Cloud with connectivity options for integration with third-party Cloud-based and On-Prem audio subsystems.
- Software as a Service (SaaS) – Various third-party Telos Alliance partners will offer a Telos Infinity VIP SaaS option, allowing users to lease it in a virtual environment.
Signature PS1
Produce » Real-Time Production » Production Services » Studio and stage facilities »
Power SuppliesThe Signature PS1 Power Station provides a fully resilient back up power supply to your Signature Series units. It contains two switch mode power supplies, each capable of powering up to three separate Signature Series units. A pair of bright front panel LEDs indicate that each power supply is on and active. The master AC power input accepts 100-240 VAC for worldwide compatibility.
Master And Back Up PowerAs well as providing a backup DC supply for up to six Signature Series units, the PS1 can also act as master DC power distribution to six Signature units.
Safety FeaturesAll outputs are individually fused so a short circuit on one will not affect any of the others.
InstallationFor ease of installation and to allow quick connectivity to other Signature Series units, every Signature PS1is shipped with 6 x 4 pin XLR DC cables which are each two metres long.
As the PS1 is only 336mm wide without the rack ears, it can easily be installed inside equipment racks, and fixed vertically via the flush mounting side wings. This will provides the convenience of power distribution or backup, without taking up any rack space.
Master And Back Up PowerAs well as providing a backup DC supply for up to six Signature Series units, the PS1 can also act as master DC power distribution to six Signature units.
Safety FeaturesAll outputs are individually fused so a short circuit on one will not affect any of the others.
InstallationFor ease of installation and to allow quick connectivity to other Signature Series units, every Signature PS1is shipped with 6 x 4 pin XLR DC cables which are each two metres long.
As the PS1 is only 336mm wide without the rack ears, it can easily be installed inside equipment racks, and fixed vertically via the flush mounting side wings. This will provides the convenience of power distribution or backup, without taking up any rack space.
VB440 40 Gigabit IP probe w/Instrument View
Monitoring and analysis of uncompressed media as defined in ST2110, ST2022-6 and ST2022-7.
VB440 40 Gigabit IP probe w/Instrument View
Produce » Real-Time Production » Production Services » Studio and stage facilities »
IP packet behaviour analytics is an essential real-time need when dealing with the modern infrastructures capable of transporting uncompressed ST2110 video and audio. With a production environment dominated by operations personnel and non-movable deadlines, enabling the total understanding of advanced connectivity with the use of advanced paradigms recognised by staff to give accurate and meaningful information on par with an audio meter or a waveform/vector-scope, utilized by the industry since the beginning of broadcast. The Instrument View Option (IV), provides deep analytics displays for the VB440 Appliance.
The VB440 40 Gigabit IP probe provides a breakthrough for the monitoring and analysis of high-bitrate broadcast media traffic as defined in ST2110 and ST2022-6 for core broadcasting networks, production studios, master control centres and outside broadcast vehicles and venues. It enables production teams to continuously survey all layers of media transportation on an IP network and facilitates quick rectification of potential problems, helping to maximise Quality of Service (QoS).
With support for interface speeds from 10, 25, 40, 50 and up to 100 Gigabit on dual interfaces, even the largest of media networks can be accommodated with analysis of SD, HD, HD HDR, 4K and 4K HDR and above. ST2022-7 redundancy is also monitored and analysed when connected to both primary and secondary networks. PTP is provided with ST2059-2 clock analysis, clock source detection/listing and clock accuracy and class, providing troubleshooting and continuous monitoring of this critical infrastructure in a production network – including accurate path-delay for individual flows.
The VB440 can accommodate eight simultaneous users, from local or remote locations over secure https. It features a user interface provided by a standard web browser, and can be provided with Instrument View aluminium kits in broadcast form factors that enable touch screen operation. This gives production teams access to an analytics solution for large numbers of streams and multiple resolutions in real-time and in parallel in multiple locations.
The VB440 40 Gigabit IP probe provides a breakthrough for the monitoring and analysis of high-bitrate broadcast media traffic as defined in ST2110 and ST2022-6 for core broadcasting networks, production studios, master control centres and outside broadcast vehicles and venues. It enables production teams to continuously survey all layers of media transportation on an IP network and facilitates quick rectification of potential problems, helping to maximise Quality of Service (QoS).
With support for interface speeds from 10, 25, 40, 50 and up to 100 Gigabit on dual interfaces, even the largest of media networks can be accommodated with analysis of SD, HD, HD HDR, 4K and 4K HDR and above. ST2022-7 redundancy is also monitored and analysed when connected to both primary and secondary networks. PTP is provided with ST2059-2 clock analysis, clock source detection/listing and clock accuracy and class, providing troubleshooting and continuous monitoring of this critical infrastructure in a production network – including accurate path-delay for individual flows.
The VB440 can accommodate eight simultaneous users, from local or remote locations over secure https. It features a user interface provided by a standard web browser, and can be provided with Instrument View aluminium kits in broadcast form factors that enable touch screen operation. This gives production teams access to an analytics solution for large numbers of streams and multiple resolutions in real-time and in parallel in multiple locations.
Signature HA2+
Produce » Real-Time Production » Production Services » Studio and stage facilities »
The Signature HA2+ is a broadcast specification, twin headphone amplifier, designed to operate in a mono or a stereo mode.
The HA2+ has 2 x XLR inputs that are used as the primary programme audio input. This can be stereo, or, if mono, can be switched to appear on both sides of the headphone outputs. There are left and right programme input gain controls on the front panel, and they are on recessed screw terminals.
There are also secondary, mono cue inputs. Connections are via one of 3 x 6.35mm jack sockets on the rear panel. This allows a single cue input to be connected to both headphone outputs, or each headphone amplifier can receive an individual cue input.
On the front panel there is a source control for each headphone output that allows a mix between the programme and cue input. Full left is programme only, full right is cue only, and anywhere in between is a variable mix.
Each of the two headphone amplifiers has its own volume level control. There is also a master volume control that affects the overall level of both amplifiers. This can be defeated via a rear panel dip switch.
The headphone outputs are available via 2 x front panel 6.35mm headphone sockets, and in parallel on 2 x rear panel XLR connections.
The Expedition uses Glensound’s propriety CAN headphone system. This allows multi impedance headphones to be used, from 32-1000ohm, with the same perceptual level in the headphones when the volume control is kept in a fixed position. Stereo or mono connections can also be made to the headphone sockets, including mono earpieces.
Rear panel inputs and outputs are electronically balanced on XLRs and can accommodate unbalanced connections if required.
Power is provided by an internal switch mode power supply, with a wide input range. There is also an input for external 12V DC power. The 12V DC input can be connected to the optional Signature Ps1 external DC Master Power Station, for situations where a redundant power supply is desirable.
A bright front panel LED indicates that the unit is operational.
The HA2+ has 2 x XLR inputs that are used as the primary programme audio input. This can be stereo, or, if mono, can be switched to appear on both sides of the headphone outputs. There are left and right programme input gain controls on the front panel, and they are on recessed screw terminals.
There are also secondary, mono cue inputs. Connections are via one of 3 x 6.35mm jack sockets on the rear panel. This allows a single cue input to be connected to both headphone outputs, or each headphone amplifier can receive an individual cue input.
On the front panel there is a source control for each headphone output that allows a mix between the programme and cue input. Full left is programme only, full right is cue only, and anywhere in between is a variable mix.
Each of the two headphone amplifiers has its own volume level control. There is also a master volume control that affects the overall level of both amplifiers. This can be defeated via a rear panel dip switch.
The headphone outputs are available via 2 x front panel 6.35mm headphone sockets, and in parallel on 2 x rear panel XLR connections.
The Expedition uses Glensound’s propriety CAN headphone system. This allows multi impedance headphones to be used, from 32-1000ohm, with the same perceptual level in the headphones when the volume control is kept in a fixed position. Stereo or mono connections can also be made to the headphone sockets, including mono earpieces.
Rear panel inputs and outputs are electronically balanced on XLRs and can accommodate unbalanced connections if required.
Power is provided by an internal switch mode power supply, with a wide input range. There is also an input for external 12V DC power. The 12V DC input can be connected to the optional Signature Ps1 external DC Master Power Station, for situations where a redundant power supply is desirable.
A bright front panel LED indicates that the unit is operational.
Signature HA1M
Produce » Real-Time Production » Production Services » Studio and stage facilities »
The Signature HA1M is a broadcast specification 2 channel headphone amplifier, designed to operate in a mono or a stereo mode.
The HA1M has 2 x XLR inputs that can be used as either a stereo input, or as 2 x mono inputs. There is a selector switch to change between mono and stereo modes.
In stereo mode, the left input goes to the left ear, and the right input goes to the right ear. Each input has its own level pot for adjusting the volume level in the left or right ear.
In the mono mode, each input goes to both headphone outputs. The level pots adjust the relevant input levels in both ears.
There are 2 x headphone outputs on jack sockets. One is 6.35mm and the other is 3.5mm. The headphone circuits can accept stereo connections, or mono connections from single earpieces. The headphone drivers are independent and so varying impedance connections can be used in either socket at the same time.
The rear panel has a single XLR output that is a mix of both inputs.
Rear panel inputs and outputs are electronically balanced on XLRs and can accommodate unbalanced connections if required.
Power is provided by an internal switch mode power supply, with a wide input range. There is also an input for external 12v DC power. The 12v DC input can be connected to the optional Signature PS1external DC Master Power Station, for situations where a redundant power supply is desirable.
Signature HA6+
Produce » Real-Time Production » Production Services » Studio and stage facilities »
The Signature HA6+ is a broadcast specification, six way headphone amplifier, designed to operate in a mono or a stereo mode.
The HA6+ has 2 x XLR inputs that are used as the primary programme audio input, and 2 x XLR inputs that are used for the secondary aux audio input. These can be stereo, or, if a mono input, can be switched to appear on both sides of the headphones. There are left and right primary input gain controls on the rear panel, and they are on recessed screw terminals.
On the front panel there is a source control for each headphone output that allows a mix between the programme and aux input. Full left is programme only, full right is aux only, and anywhere in between is a variable mix.
Each of the six headphone amplifiers has its own volume level pot. There is also a master volume pot that controls the overall level of all amplifiers. This can be defeated via a rear panel dip switch.
Each of the six headphone outputs are available via front panel 6.35mm jack sockets, and in parallel on rear panel XLR connectors.
Rear panel inputs and outputs are electronically balanced on XLRs and can accommodate unbalanced connections if required.
Power is provided by an internal switch mode power supply, with a wide input range. There is also an input for external 12v DC power. The 12v DC input can be connected to the optional Signature PS1external DC Master Power Station, for situations where a redundant power supply is desirable.
A bright front panel LED indicates that the unit is operational.
The HA6+ has 2 x XLR inputs that are used as the primary programme audio input, and 2 x XLR inputs that are used for the secondary aux audio input. These can be stereo, or, if a mono input, can be switched to appear on both sides of the headphones. There are left and right primary input gain controls on the rear panel, and they are on recessed screw terminals.
On the front panel there is a source control for each headphone output that allows a mix between the programme and aux input. Full left is programme only, full right is aux only, and anywhere in between is a variable mix.
Each of the six headphone amplifiers has its own volume level pot. There is also a master volume pot that controls the overall level of all amplifiers. This can be defeated via a rear panel dip switch.
Each of the six headphone outputs are available via front panel 6.35mm jack sockets, and in parallel on rear panel XLR connectors.
Rear panel inputs and outputs are electronically balanced on XLRs and can accommodate unbalanced connections if required.
Power is provided by an internal switch mode power supply, with a wide input range. There is also an input for external 12v DC power. The 12v DC input can be connected to the optional Signature PS1external DC Master Power Station, for situations where a redundant power supply is desirable.
A bright front panel LED indicates that the unit is operational.
Signature DAC 1
Produce » Real-Time Production » Production Services » Studio and stage facilities »
The Signature DAC 1 is a broadcast specification, stereo digital to analogue audio converter.
The digital inputs are available separately in three formats:- 3 pin XLR using AES- RCA phono plug using S/PDIF- optical connectors using TOSLINK
The analogue outputs are available separately in two formats:- balanced XLR connections- unbalanced RCA phono connections
The front panel features a 6.35mm stereo jack socket for headphones monitoring, with a full size pot to adjust the volume level.
A front panel screen shows current operation mode and allows configuration of all unit parameters.
Power is provided by an internal switch mode power supply, with a wide input range.
There is also an input for external 12v DC power. The 12v DC input can be connected to the optional Signature PS1external DC Master Power Station, for situations where a redundant power supply is desirable.
The digital inputs are available separately in three formats:- 3 pin XLR using AES- RCA phono plug using S/PDIF- optical connectors using TOSLINK
The analogue outputs are available separately in two formats:- balanced XLR connections- unbalanced RCA phono connections
The front panel features a 6.35mm stereo jack socket for headphones monitoring, with a full size pot to adjust the volume level.
A front panel screen shows current operation mode and allows configuration of all unit parameters.
Power is provided by an internal switch mode power supply, with a wide input range.
There is also an input for external 12v DC power. The 12v DC input can be connected to the optional Signature PS1external DC Master Power Station, for situations where a redundant power supply is desirable.
Signature ADC 1
Produce » Real-Time Production » Production Services » Studio and stage facilities »
The Signature ADC 1 is a broadcast specification, stereo analogue to digital audio converter.
The analogue inputs are available separately on balanced XLR connections, or unbalanced RCA phono connections.
The digital outputs are available separately in three formats:- 3 pin XLRs using AES- RCA phono plug using S/PDIF- optical connectors using TOSlink
The digital output is 24 bit and can be selected to be from 44.1kHz to 192 kHz.
The DARS (Digital Audio Reference Signal) can also be input on a separate 3 pin XLR input, or via the word clock input on a BNC connection.
The front panel features a 6.35mm stereo jack socket for headphones monitoring, with a full size pot to adjust the volume level. A front panel screen shows current operation mode and allows configuration of all unit parameters.
Power is provided by an internal switch mode power supply, with a wide input range. There is also an input for external 12v DC power. The 12v DC input can be connected to the optional Signature PS1external DC Master Power Station, for situations where a redundant power supply is desirable.
The analogue inputs are available separately on balanced XLR connections, or unbalanced RCA phono connections.
The digital outputs are available separately in three formats:- 3 pin XLRs using AES- RCA phono plug using S/PDIF- optical connectors using TOSlink
The digital output is 24 bit and can be selected to be from 44.1kHz to 192 kHz.
The DARS (Digital Audio Reference Signal) can also be input on a separate 3 pin XLR input, or via the word clock input on a BNC connection.
The front panel features a 6.35mm stereo jack socket for headphones monitoring, with a full size pot to adjust the volume level. A front panel screen shows current operation mode and allows configuration of all unit parameters.
Power is provided by an internal switch mode power supply, with a wide input range. There is also an input for external 12v DC power. The 12v DC input can be connected to the optional Signature PS1external DC Master Power Station, for situations where a redundant power supply is desirable.
Signature ADDA 1
Produce » Real-Time Production » Production Services » Studio and stage facilities »
The Signature ADDA 1 is a broadcast specification, bi-directional, analogue to digital, and digital to analogue audio converter.
The analogue inputs and outputs are available separately on balanced XLR connections, or unbalanced RCA phono connections.
The digital inputs and outputs are available separately in three formats:- 3 pin XLRs using AES- RCA phono plug using S/PDIF- optical connectors using TOSlink
The digital output is 24 bit and can be selected to be from 44.1kHz to 192 kHz.
The DARS (Digital Audio Reference Signal) can also be input on a separate 3 pin XLR input, or via the word clock input on a BNC connection.
The front panel features a 6.35mm stereo jack socket for headphones monitoring, with a full size pot to adjust the volume level. A front panel screen shows current operation mode and allows configuration of all unit parameters.
Power is provided by an internal switch mode power supply, with a wide input range. There is also an input for external 12v DC power. The 12v DC input can be connected to the optional Signature PS1external DC Master Power Station, for situations where a redundant power supply is desirable.
The analogue inputs and outputs are available separately on balanced XLR connections, or unbalanced RCA phono connections.
The digital inputs and outputs are available separately in three formats:- 3 pin XLRs using AES- RCA phono plug using S/PDIF- optical connectors using TOSlink
The digital output is 24 bit and can be selected to be from 44.1kHz to 192 kHz.
The DARS (Digital Audio Reference Signal) can also be input on a separate 3 pin XLR input, or via the word clock input on a BNC connection.
The front panel features a 6.35mm stereo jack socket for headphones monitoring, with a full size pot to adjust the volume level. A front panel screen shows current operation mode and allows configuration of all unit parameters.
Power is provided by an internal switch mode power supply, with a wide input range. There is also an input for external 12v DC power. The 12v DC input can be connected to the optional Signature PS1external DC Master Power Station, for situations where a redundant power supply is desirable.
Signature U2B2
Produce » Real-Time Production » Production Services » Studio and stage facilities »
The Signature U2B2 is a broadcast specification single stereo unbalanced to balanced analogue audio interface that is equally suitable for professional & home studio use.
Its primary job is to interface domestic type audio outputs (unbalanced) to the balanced audio inputs on broadcast and professional audio equipment.
As well as providing a balanced interface the U2B2 also provides variable gain/ loss to allow the lower level audio outputs produced by domestic equipment to be raised to meet the higher level broadcast and pro audio standard.
The stereo audio input (which can work as dual mono) is on gold plated RCA phono connectors. This input is electronically isolated with RF filters to prevent extraneous signals, and fed via multi-turn preset gain controls on the rear panel to a pair of electronically balanced and isolated outputs on Neutrik XLRs.
The rear panel gain controls are multi-turn presets to allow accurate gain setting and are also recessed to prevent accidental movement.
Power is provided by an internal switch mode power supply, with a wide input range. There is also an input for external 12v DC power. The 12v DC input can be connected to the optional Signature PS1 external DC Master Power Station, for situations where a redundant power supply is desirable.
A bright front panel LED indicates that the unit is operational.
Its primary job is to interface domestic type audio outputs (unbalanced) to the balanced audio inputs on broadcast and professional audio equipment.
As well as providing a balanced interface the U2B2 also provides variable gain/ loss to allow the lower level audio outputs produced by domestic equipment to be raised to meet the higher level broadcast and pro audio standard.
The stereo audio input (which can work as dual mono) is on gold plated RCA phono connectors. This input is electronically isolated with RF filters to prevent extraneous signals, and fed via multi-turn preset gain controls on the rear panel to a pair of electronically balanced and isolated outputs on Neutrik XLRs.
The rear panel gain controls are multi-turn presets to allow accurate gain setting and are also recessed to prevent accidental movement.
Power is provided by an internal switch mode power supply, with a wide input range. There is also an input for external 12v DC power. The 12v DC input can be connected to the optional Signature PS1 external DC Master Power Station, for situations where a redundant power supply is desirable.
A bright front panel LED indicates that the unit is operational.
Signature U2B4
Produce » Real-Time Production » Production Services » Studio and stage facilities »
The Signature U2B4 is a broadcast specification twin stereo unbalanced to balanced analogue audio interface that is equally suitable for professional & home studio use.
Its primary job is to interface domestic type audio outputs (unbalanced) to the balanced audio inputs on broadcast and professional audio equipment.
As well as providing a balanced interface the U2B4 also provides variable gain/ loss to allow the lower level audio outputs produced by domestic equipment to be raised to meet the higher level broadcast and pro audio standard.
The two stereo audio inputs (which can work as quad monos) are on gold plated RCA phono connectors. These inputs are electronically isolated with RF filters to prevent extraneous signals, and fed via multi-turn preset gain controls on the rear panel to two pairs of electronically balanced and isolated outputs on Neutrik XLRs.
The rear panel gain controls are multi-turn presets to allow accurate gain setting and are also recessed to prevent accidental movement.
Power is provided by an internal switch mode power supply, with a wide input range. There is also an input for external 12v DC power. The 12v DC input can be connected to the optional Signature PS1external DC Master Power Station, for situations where a redundant power supply is desirable.
A bright front panel LED indicates that the unit is operational.
Its primary job is to interface domestic type audio outputs (unbalanced) to the balanced audio inputs on broadcast and professional audio equipment.
As well as providing a balanced interface the U2B4 also provides variable gain/ loss to allow the lower level audio outputs produced by domestic equipment to be raised to meet the higher level broadcast and pro audio standard.
The two stereo audio inputs (which can work as quad monos) are on gold plated RCA phono connectors. These inputs are electronically isolated with RF filters to prevent extraneous signals, and fed via multi-turn preset gain controls on the rear panel to two pairs of electronically balanced and isolated outputs on Neutrik XLRs.
The rear panel gain controls are multi-turn presets to allow accurate gain setting and are also recessed to prevent accidental movement.
Power is provided by an internal switch mode power supply, with a wide input range. There is also an input for external 12v DC power. The 12v DC input can be connected to the optional Signature PS1external DC Master Power Station, for situations where a redundant power supply is desirable.
A bright front panel LED indicates that the unit is operational.
