Jellyfish Pictures is the largest VFX and animation studio in the world operating in a completely virtual environment. The studio’s commitment to push the boundaries of technology allows the studio to scale and access global talent in a way that is unrivalled in the industry. CTO Jeremy Smith and CEO Phil Dobree explain how working with the right partners has enabled them to evolve as a studio from being locally virtual, to fully global.
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pixitmedia Streamlines Media Workflows for High-Performance Film Scanning and Data Management
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Change can be disruptive and resource-limiting. That’s why we’ve created a space where our customers can experience the ultimate flexibility of our solutions at our dedicated facility, The Lab. The pixitmedia Lab at our UK headquarters – close to Heathrow airport and with easy access to central London – showcases the ins and outs of the complete pixstor ecosystem, and cutting-edge integration where you can test, collaborate and train with us first-hand in a real-world production environment.
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Michael Illingworth from Vine FX explains the storage system they use for their creative studio, which combines Dell EMC solutions with pixstor, and how this system, along with their support from Escape Technology, allows them to efficiently and effectively complete projects.
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Technical Solution Document from pixitmedia
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This whitepaper will explore the current status-quo for production houses, the ‘why’ behind the industry trust in SANs, and how moving to technologies, such as NAS, can liberate data and media workflows.
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This whitepaper explores the many moving parts within the modern production environment for creative agencies and how NAS technology, combined with DIT tools, will be the next step to scaling users and processes into operating on a facility-wide shared storage.
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In the days, not so long ago, when terrestrial television was pretty much the only game in town, technology limited us to just a handful of channels. That was eased by the first cable systems which could deliver a few more, but in many territories, cable was available to only a small part of the population so there was no commercial market for more channels.
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There have been a lot of changes to production workflows since 2020. Creative teams had to adjust to working from home, and in many cases this was done by spinning up (sometimes hastily) remote desktop utilities or a VPN server with little time for due diligence on how it would affect the team’s workflow.
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