Balancing cost and quality

Balancing cost and quality

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Tag: HDR10+

Balancing cost and quality

We do not need to talk around the concept of IP connectivity in media: that argument has already been won. For contribution circuits – from remote events and locations back to base – there is also an acceptance that IP is the way to go.

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In Conversation with PHABRIX

In this IABM TV interview, Phillip Adams (Founder and CEO at PHABRIX Ltd) gives an overview of 2021 including their nomination for IABM's BaM Award. Phillip also discusses the latest from test and measurement from PHABRIX, and what to expect in 2022.

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Media Tech Intelligence Briefing: The Creator Economy

In the last few years, the creator economy has boomed, with an increasing number of people worldwide pursuing their passions and sharing the content they create on various user-generated content platforms such as YouTube, Spotify, or TikTok. This Briefing aims to delve into the forces shaping the growth of the creator economy and its implications for media and technology.

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In Conversation with Brompton Technology

In this IABM TV interview, Rob Fowler (Director of Business Development, Brompton Technology Limited) discusses the advantages of using LED over other display technologies.

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Technology to enhance the quality of archive video – a new tool to increase viewer engagement and monetization of existing libraries

Finland-based company Visidon, founded in 2006, specialized in the development of AI-based image and video enhancement software. The company is a well-known supplier for the top mobile OEMs around the world. Lately, the company has utilized its long experience and has further developed its technologies to serve the broadcasting and video delivery industry.

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How to monetize an OTT platform

The television viewing experience has changed in many ways over the last few decades, with several trends that improve the quality of the experience (QoE).

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In Conversation with SWIT

In this IABM TV interview, Neal Ni (Senior Marketing Director - SWIT Electronics Co., Ltd.) discusses SWIT NDI monitors & the requirement for these in the broadcast & media industry.

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Escape Room: GEMINI EDITION – A short action film shot on RED RANGER GEMINI 5K

Version three of our short film experiment with RED and LaCie. This short action sequence was shot between 21:00 and 23:30 on 19th June 2021 using the RED DSMC2 MONSTRO 8K.

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Escape Room: MONSTRO EDITION – A short action film shot on RED DSMC2 MONSTRO 8K

Version two of our short film experiment with RED and LaCie. This short action sequence was shot between 18:30 and 21:00 on 19th June 2021 using the RED DSMC2 MONSTRO 8K.

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Escape Room: KOMODO EDITION – A short action film shot on RED KOMODO 6K

Version One of our short film experiment with RED and LaCie. This short action sequence was shot between 15:30 and 18:00 on 19th June 2021 using the RED KOMODO 6K.

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