We are joined by Ian McDonough, CEO at Blackbird to hear more about their recent announcement that a global broadcast company has licensed their core video technology, Blackbird, including patented video codec technology, for a 5 year period.
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Knowledge Network is a different kind of broadcaster with an unusual set of requirements. Based in Vancouver, Canada, we are dedicated to the residents of the province of British Columbia, although online content is available across Canada. We are a licensed broadcaster and a registered charity, publicly funded through grants from the provincial government and through donations from viewers.
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Borderless Film isn’t just a clever name, it’s the epitome of founder and producer Sejin Park’s approach to media production. His South Korean production company regularly works with international brands, television networks, and web platforms to create truly incredible, border-defying work.
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With the Tokyo Olympics finally a reality, though without spectators in the stands, more people than ever are viewing the games across a variety of platforms, both fixed (TVs) and mobile (smartphones, PCs).
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This whitepaper will explore the current status-quo for production houses, the ‘why’ behind the industry trust in SANs, and how moving to technologies, such as NAS, can liberate data and media workflows.
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This whitepaper explores the many moving parts within the modern production environment for creative agencies and how NAS technology, combined with DIT tools, will be the next step to scaling users and processes into operating on a facility-wide shared storage.
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This week we're joined by Alexander Bashlykov and Andrey Okunev from Medialooks. We discuss the behind the scenes technologies involved in the broadcasting industry, how broadcast software developers can save valuable time, the importance of open-source and their visions for the future of our industry.
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In the middle of a hot summer - we bring you a few hot features along with some other improvements and fixes in version 6.7.
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Content production is one of the most labor intensive exercises in the media and entertainment (M&E) industry. As a result, it takes up a lion’s share of the budget too. And that is not just because of the number of people involved but inefficiencies run across production planning, time and resource management, use of technology and content logistics (storage, transfer, review). Since the outcome is what we call the IP that is monetizable, security also becomes paramount as the threat of piracy never subsides.
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