That's... a lot of processing power for a small on-camera monitor/recorder. We dive into the announcement of the Ninja V+ and Ninja Stream - the latest tools from Atomos that promise to deliver 8K ProRes Raw 30p and 4K ProRes Raw 120p over HDMI.
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The popularity of OTT broadcasting is really helping to drive the growth of immersive content, and this presents both opportunities and challenges for the broadcast audio world. Mixing in immersive allows the audio engineer to create a sense of envelopment and realism like never before, but as channel count and mix complexity increases, the importance of neutral, uncoloured studio monitoring with precise imaging becomes even more important.
At Genelec we’ve long been involved with designing monitoring systems that are scalable from stereo to surround to immersive, so here we’ll examine some of the principles of immersive audio, and some of the considerations that audio professionals need to be aware of.
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Research reveals that there were around 2.4 billion Internet users in 2014. By June 2019, that number doubled to 4.4 billion. That’s an 83% increase in the Internet user base in a span of just five years.
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YouTube recently announced support for HDR content. The Cobalt 9992-ENC is capable of transmitting live HDR content to YouTube, both in HD and 4K resolutions. While HDR is available for both H.264 (AVC) and H.265 (HEVC), YouTube elected to support it only for HEVC.
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This session will discuss a new, novel use of blockchain technology for streaming and servicing film and TV catalogs direct from their source assets for sales, licensing, and ticketed direct exhibition. It will discuss recent case studies used to stream private global exhibitions of films such as "Bill & Ted Face the Music" and "Wolf of Snow Hollow" in 4K/HD to browser, smartTV and mobile platforms with individualized secure watermarking, DRM and secure individual tickets, direct from source asset with no intermediaries. This is made possible by blockchain ledger technology, rights within the media via smart contracts, and just-in-time streaming of media and metadata from the film asset library. Each ticket provides a secure identity that can enable live fan engagement.
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France Télévisions once again chooses the French Open to test the innovations of the television of the future. During this fall edition, France Televisions, in partnership with the French Tennis Federation, shares its vision of tomorrow's uses materialized by spectacular and unprecedented experiments around "Augmented Tennis" within the RGLAB on the site of the international tournament from September 27 to October 11, 2020.
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Research reveals that there were around 2.4 billion Internet users in 2014. By June 2019, that number doubled to 4.4 billion. That’s an 83% increase in the Internet user base in a span of just five years. For the media and telecommunications sector, this raises an all-important question: How far can current underlying networks scale to accommodate the growing traffic on the Internet?
While the good news is that no one single network will need to support this burgeoning traffic, there remains some scepticism around existing networks and their ability to keep pace with the bandwidth demands of next-generation connected devices.
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Video compression is widely regarded as an incredibly fast-moving topic. Rapid technological developments and unforeseen innovations can vastly alter the future of compression for OTT and streaming service providers, as well as hardware manufacturers. It’s a never-ending race to the top, where the prize is efficiency, quality and accessibility.
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IABM Business Intelligence (BI) Regional Reports provide IABM members with insight into the latest broadcast and media industry developments for a specific region. Over the course of each year, these reports build into a full overview of all the major regional markets around the world.
This edition of the BI Regional Reports focuses on Europe and the latest news and research findings in the region, including trends in the Broadcast and Media Technology Industry and Media Technology Demand Drivers.
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