This informal session offers advice on how to enter the world of Broadcast Media Technology, including:
- How to find job opportunities
- Knowledge requirements
- Mentoring
- How IABM can help you
- Gain advice and tips from those that have been on the journey
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Balancing Clients
MAM, Edit, Transcode, Color, Audio, Archive, Ingest and Delivery.
It may seem like an easy task, but understanding how data loads are balanced can greatly improve performance and reliability. We will discuss real world example of these.
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To prepare for the official launch of Genelec’s new GLM 4 loudspeaker manager software, this first of 6 tutorials will start to guide you through every stage required to setup, calibrate and control a studio monitoring system so that it provides a true ‘Sonic Reference’, helping you produce mixes that translate consistently to other rooms and playback systems.
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Newer broadcast and OTT systems require audio systems with additional features and benefits for the viewer. Next Generation Audio (NGA) is the term used to describe these new audio systems which are coming to the marketplace. NGA systems support new features such as immersive audio, personalized audio and others. In this webinar, the features of NGA are explained, along with presenting some useful tools to help you easily deploy NGA services in your own facility.
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IABM has released a new Audio Business Report for members, looking at the current state of the industry and identifying the key drivers of change as the audio market goes through a radical transition.
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Kasper Skarhoj (CEO, SKAARHOJ ApS) discusses SKAARHOJ’s range of Control Panels
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Clive Osborn (Sales Director, Cedar Audio) demonstrates the DNS 8D multi-channel dialogue noise suppressor with Dante®
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Berny Carpenter (Broadcast Product Specialist, Solid State Logic) demonstrates System T
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Eric Horstmann (Regional Business Development Manager, Genelec) introduces the new speakers in The Ones family line.
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Emerging immersive audio technologies, such as Dolby Atmos, deliver a more compelling viewer experience. However, these immersive audio projects often require more complex and costly mixing sessions. In this session, Avid’s audio product evangelist, Greg Chin, presents best practices for native immersive audio production, from sound design and mixing to distribution. He explores new developments in audio production tools and techniques that enable content producers to capitalize on the creative power of immersive audio, while overcoming production bottlenecks.
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