Paul Cameron, Our Global Managing Director gives an overview of the company, our products and the challenges we solve for our customers in the Media and Entertainment Industry.
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Borderless Film isn’t just a clever name, it’s the epitome of founder and producer Sejin Park’s approach to media production. His South Korean production company regularly works with international brands, television networks, and web platforms to create truly incredible, border-defying work.
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With the Tokyo Olympics finally a reality, though without spectators in the stands, more people than ever are viewing the games across a variety of platforms, both fixed (TVs) and mobile (smartphones, PCs).
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Jellyfish Pictures is the largest VFX and animation studio in the world operating in a completely virtual environment. The studio’s commitment to push the boundaries of technology allows the studio to scale and access global talent in a way that is unrivalled in the industry. CTO Jeremy Smith and CEO Phil Dobree explain how working with the right partners has enabled them to evolve as a studio from being locally virtual, to fully global.
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pixitmedia Streamlines Media Workflows for High-Performance Film Scanning and Data Management
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Change can be disruptive and resource-limiting. That’s why we’ve created a space where our customers can experience the ultimate flexibility of our solutions at our dedicated facility, The Lab. The pixitmedia Lab at our UK headquarters – close to Heathrow airport and with easy access to central London – showcases the ins and outs of the complete pixstor ecosystem, and cutting-edge integration where you can test, collaborate and train with us first-hand in a real-world production environment.
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Michael Illingworth from Vine FX explains the storage system they use for their creative studio, which combines Dell EMC solutions with pixstor, and how this system, along with their support from Escape Technology, allows them to efficiently and effectively complete projects.
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Technical Solution Document from pixitmedia
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This whitepaper will explore the current status-quo for production houses, the ‘why’ behind the industry trust in SANs, and how moving to technologies, such as NAS, can liberate data and media workflows.
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