KAIROS Powers Live IP Production at Mediapro for eLaLiga Santander
Mediapro is using Panasonic KAIROS, the next generation live production platform, to produce coverage of eLaLiga Santander, the official tournament of FIFA 21 in Spain.
Americas Regional Trends Report
This Regional Trends Report provides insight into the latest broadcast and media industry developments for the Americas region.
The way ahead for location production
When we talk about location production, our thoughts and processes are primarily driven by sport. This has always been the genre which has seen the most innovation: more cameras delivering more angles; more replays; more graphics; new formats like 4K and HDR UHD. Sports fans want to be continually engaged and informed: they want to understand the plays as well as appreciate them.
Universal File Ingest For Digital Video
In the media industry, conversations usually center on encoding, streaming, packaging and low latency. Put another way, it is all about delivering superior visual quality and high-fidelity audio with better compression. Amidst all the discussions on digital video workflows, file ingest is often ignored. For example, when is the last time anyone compared different file ingest tools? It is safe to say that file ingest is one of the most undervalued steps in video production workflows today.
High Quality Live Production in the LAN, over the WAN and into the Cloud using JPEG XS
IP networking has revolutionized media contribution and distribution along with the SMPTE ST2022 and ST2110 standards which lie at the core of new live workflows, dematerialized facilities and cloud-based operation.
What makes JPEG XS technology different from other codecs?
Let's have a little talk with our expert in compression technology, Antonin Descampe !
Antonin Descampe is co-founder of intoPIX and member of the JPEG committee since 15 years.
During an interview, Antonin explained us how the JPEG XS technology differs from other codecs & what are the advantages of JPEG XS compared to other existing codecs.
Zixi Case Study: From Satellite to IP
How Music Choice moved off of satellite to primary distribution over IP with the SDVP
Lumen Solutions for Media & Entertainment
The media landscape looks vastly different than it did only five years ago. “Media” is no longer solely the realm of production studios and television stations. Social networks, gaming sites, and user-generated content platforms are media companies. Internet service providers and technology giants are also foraying into the music and video space. E-learning services, faith groups, local newspapers and even fitness companies now use video more than ever to reach wider audiences.
At the same time, consumers’ idea of media has drastically changed. In a recent Lumen survey, nearly 90% of European consumers considered “television” as any video they watched on their devices. 65% of them already subscribed to two or more streaming services.
As video and technology merge, the face of media is changing; development teams are agile, software and cloud computing have replaced hardware-based workflows, and black-box technologies have fallen out of favor. Media companies need solutions that are adapted to new challenges and new ways of working.
NEW【VICO-4L-XS】4K SDI to ST-2110 IP converter with JPEG-XS codec
VILLAGE island has an exciting new addition to the flagship VICO converter series: the JPEG-XS enabled VICO-4L-XS. This new converter allows 4K XS encoding/decoding at various compression rates (from 8:1 to 60:1), enabling a 12G-SDI 4K conversion to IP, and streaming in compliance to the SMPTE ST-2110 standards.
State of Content Infrastructure & Storage
This briefing analyzes high-level investment trends in content infrastructure and storage. The acceleration in media technology transitions such as the move to remote production models and the migration to cloud operating platforms is putting functions such as infrastructure and storage in the spotlight.