| Digital Cinema Cameras |
Blackmagic Pocket Cinema Camera 6K Pro
Blackmagic Pocket Cinema Camera 6K Pro
The Blackmagic Pocket Cinema Camera 6K Pro is an advanced technology, handheld 6K digital film camera with 6144 x 3456 Super 35 high resolution HDR sensor, dual native ISO, EF lens mount and direct recording to USB‑C disks! This powerful model adds an adjustable HDR touchscreen, built in ND filters, and a larger battery for longer run time. You can even add an optional OLED viewfinder! Buy Blackmagic Pocket Cinema Camera 6K Pro BMPCC6KPRO (CINECAMPOCHDEF06P) From UBMS Dubai.
This new model includes a brighter 1,500 nit adjustable HDR touchscreen screen, built in ND filters, larger battery, plus support for an optional electronic viewfinder. This model also includes latest generation 5 color science, Super 35 HDR image sensor with 13 stops of dynamic range, dual native ISO of 25,600 and a popular EF lens mount.
Blackmagic Pocket Cinema Camera 6K Pro, 6K and 4K models have similar appearances. These cameras produce incredible, wide dynamic range images and share the same chassis. The control buttons and software menus are laid out the same way, and operating the cameras is essentially the same.
Blackmagic Pocket Cinema Camera 6K Pro and 6K feature a Super 35mm sized sensor and an EF lens mount, and has a 6K icon above the lens mount. Blackmagic Pocket Cinema Camera 4K features a Micro Four Thirds sized sensor and a Micro Four Thirds lens mount.
TICO-RAW
TICO-RAW
TICO-RAW delivers the most beautiful pixels and most perfect colors, with the most brillant brights and the deepest darks ...with the world\'s best efficiency. Designed by intoPIX, it unleashes image sensor and traditional RAW data-flows thanks to an innovative processing and coding. The full power of the image sensor is preserved while reducing the bandwidth and storage needs. It offers high image quality and the capability to manage high resolution, high frame rate and high dynamic range workflows. TICO-RAW is the world’s first RAW codec that can offer compression efficiency with such low complexity on Bayer or Bayer-like Color Filter Arrays (CFA) patterns.
Gain in Efficiency, improve your imaging workflows
- Reduce bandwidth and power consumption to process more pixels from the sensor.
- Handle higher resolution, high frame rate and high dynamic range easily : to capture to record, to transmit, to edit, to analyze.
- Reduce the bandwidth of memory during the ISP process and RAW data analysis.
- Get the lowest latency (\"pixel-line\") to transmit RAW data over your network, infrastructures, interfaces.
- Efficiently decrease the stored RAW image data on the storage media (TICO-RAW is the new RAW at the size of a regular JPEG file).
- Increase the editing, rendering, analytics speed and while retaining the sensor data needed for a complete control of the RAW processing pipeline.
RouteMaster Lite
RouteMaster Lite brings familiar video routing capabilities to Newtek’s NDI® video. Based on our proven RouteMaster system, it gives operators a range of familiar control interfaces for controlling video switching.
Switching is suitable for all live, on-air applications, making RouteMaster Lite ideal for fast manual intervention.
No video streams are passed through the router system, instead traffic is redirected at the network level. This means only minimal bandwidth and processor requirements are needed, regardless of the number of video streams and resolution. There’s also no additional video delay through the system. Additionally, RouteMaster Lite does not become a central point of failure: If the router system fails for any reason, video continues to flow from sources to destinations uninterrupted.
RouteMaster Lite is ideal for OB and production environments, supporting up to 20 sources and 20 destinations. For larger systems with more complex requirements, the same NDI switching technology is available in the full-featured RouteMaster system.
The built-in GUI is ideal for preset and take switching, showing resizeable video previews and audio metering of the current video and the chosen source.
External Control
While control from the built-in GUI is fast and easy, it’s not ideal for all situations. Therefore RouteMaster lite supports external control from:
- Web Panels served by the integrated web server
- Familiar hardware panels like Blackmagic Design Smart Control
- Or, third-party software which uses the Blackmagic VideoHub protocol
You can use all these control methods simultaneously, with router status immediately visible to all users.
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RED, ARRI, CANON, BOLIN, BIRDDOG
RED, ARRI, CANON, BOLIN, BIRDDOG
RED DSMC2 Gemini 5K S35
RED DSMC2 Gemini 5K S35
GEMINI 5K S35
Featuring Dual Sensitivity Modes, GEMINI™ is RED’s highest-sensitivity sensor to date and delivers exceptional low-light performance allowing for cleaner imagery with less noise and better shadow detail.
- 15.4 Megapixel Dual Sensitivity CMOS Sensor
- 30.72 mm x 18 mm (Diag: 35.61 mm)
Included:
- DSMC2 BRAIN w/ selected sensor
- DSMC2 BRAIN Case
- DSMC VV Al PL MOUNT 2.0 (MONSTRO Only)
- DSMC2 Standard OLPF w/ case
Highlights
- 5K Super 35mm CMOS Sensor
- 5120 x 3000 Recording up to 75 fps
- REDCODE RAW, ProRes, and DNx Recording
- High-Speed Recording up to 300 fps in 2K
- Records to RED MINI-MAG Media
- Uses DSMC2 Accessories
- Interchangeable Lens Mounts
- Aluminum Alloy Construction
- 12/24/25/30/48/50/60 fps and Higher
RED DSMC2 Monstro 8K VV
RED DSMC2 Monstro 8K VV
MONSTRO 8K VV
RED’s premier sensor provides cinematic Full Frame lens coverage and delivers 17+ stops of dynamic range.
- 35.4 Megapixel CMOS Sensor
- 40.96 mm x 21.60 mm (Diag: 46.31 mm)
Included:
- DSMC2 BRAIN w/ selected sensor
- DSMC2 BRAIN Case
- DSMC VV Al PL MOUNT 2.0 (MONSTRO Only)
- DSMC2 Standard OLPF w/ case
Highlights
- 8K Full-Frame CMOS Sensor
- 8192 x 4320 Recording up to 60 fps
- REDCODE RAW, ProRes, and DNx Recording
- High-Speed Recording up to 300 fps in 2K
- Records to RED MINI-MAG Media
- Uses DSMC2 Accessories
- Interchangeable Lens Mounts
- Includes PL Lens Mount
- Aluminum Alloy Construction
- 12/24/25/30/48/50/60 fps and Higher
Hasselblad X1D II 50C Mirrorless Medium Format Digital Camera
Hasselblad X1D II 50C Mirrorless Medium Format Digital Camera
X1D II 50C
COMPACT. POWERFUL. ENHANCED.
Packed into the award-winning design of the first generation, the X1D II 50C continues to keep medium format photography portable with its compact build. Its upgraded electronic platform includes an enlarged 3.6-inch touch display and an enhanced EVF, a faster live view refresh rate, and an intuitive and even quicker user interface control. Connection via USB-C or Wi-Fi to Hasselblad’s Phocus Mobile 2 allows for the ultimate, on-the-go workflow from camera to iPad Pro and 2019 iPad Air models. And with a huge range of high-quality optics to shoot with, including XCD, HC/HCD, XPan and V System Lenses, the creative possibilities are endless.
THE POWER OF PORTABLE
Lightweight and portable, the X1D II 50C lets you take the power of medium format in a footprint smaller than most full frame 35mm cameras. Individually calibrated for optimal performance, its large 50-megapixel medium format CMOS sensor (43.8 x 32.9 mm) features outstanding colour depth and a huge dynamic range of 14 stops. Hasselblad Natural Colour Solution technology is integrated into the camera’s system, delivering superb, true-to-life tones that match what the human eye sees. Blending form and function in its ergonomic design adopted from the award-winning first generation, the X1D II 50C continues to provide creatives with incredible Hasselblad image quality, with 16-bit RAW images and now full resolution JPEGs, in a compact, lightweight design.
INTUITIVE USER EXPERIENCE
The X1D II 50C’s brilliant 3.6-inch 2.36-million-dot touch rear display and enhanced 3.69-million-dot OLED EVF are updated with higher resolution, enabling a more accurate post capture evaluation of images. With an improved magnification of 0.87x, the X1D II 50C’s EVF is now larger, letting you see the bigger picture. In addition, the menu system is now accessible when looking in the EVF, providing greater usability in the sunniest conditions. Building upon the previous generation’s intuitive user interface with pinch-to-zoom and swipe image browsing, the X1D II 50C is refined with a quicker overall response when navigating through its menu system. Further additions to the rear display include autofocus point drag and drop placement and autofocus point size changes with pinch/spread finger movement. With a quicker startup time, a live view with a faster refresh rate of 60 fps, and the shutter lag and black out time between frames reduced, the X1D II 50C creates an even smoother user experience.
UPGRADED ELECTRONICS
The X1D II 50C’s updated electronic platform allows for a more responsive camera experience, including faster image previewing, enabling quicker post capture evaluation. In addition, a higher frame rate of 60 fps makes live view smoother in both the EVF and the rear display. The much higher resolution of the rear display screen (1024x768) gives a more vivid, true to life image viewing experience. In addition, the X1D II 50C now enables full resolution high quality in-camera JPEG images with Hasselblad’s signature colours. Dual SD card slots, now supporting the faster UHS-II standard, ensure optimal storage space or the option to back up images to a second card when shooting.
TOTAL CONNECTIVITY
Built-in Wi-Fi and USB-C connectivity create a portable photographic workflow with wireless or tethered image export and tethered shooting using Phocus Mobile 2. Tethered shooting is also applicable with Phocus’ desktop version, available for both Mac and PC. An internal GPS module enables optional automatic geotagging of images. Dual SD card slots ensure optimal storage space or the option to back up images to a second card when shooting. The X1D II 50C enables in-camera battery charging via USB through a computer, charger or power bank.
PORTABLE WORKFLOW WITH PHOCUS MOBILE 2
Expanding the possibilities of the Hasselblad workflow, Phocus Mobile 2 takes the image editing process to a new, portable level. Compatible with the X1D II 50C via either USB-C or Wi-Fi, Phocus Mobile 2 is supported on iPad Pro and 2019 iPad Air models, enabling the traveling photographer to have a quicker, more seamless workflow. With Phocus Mobile 2, users can import, edit and rate RAW images and import and rate full quality JPEG images directly on their device. In addition, Phocus Mobile 2 supports full quality image export, tethered shooting, and direct camera control.
DESIGNED WITH THE PHOTOGRAPHER IN MIND
Adopting the award-winning design of the first generation, the X1D II 50C continues with Hasselblad’s heritage of blending form and function seamlessly for a smooth handling experience. Milled from high-quality, solid aluminum and designed with a clean surface with only the most crucial buttons, all other commands are easily located in the rear touch display. With the shutter built into Hasselblad lenses instead of the camera body, the weight and size of the X1D II 50C is minimized, enabling a very compact form.
SMOOTH HANDLING
The X1D II 50C’s deep grip allows for a firm hold, enabling easy and comfortable shooting. Built into the grip is an internal battery slot. Simply clicking it into place, the battery is smoothly ejected by sliding the release catch and then pressing the battery once more.
HIGH-CLASS OPTICS FROM 21MM TO 500MM
Shooting with the X1D II 50C gives access to Hasselblad’s full range of high-quality medium format optics, including the 9 XCD Lenses, 12 HC/HCD Lenses (and Converter H 1.7x) with the XH Adapter in addition to other H System accessories, XPan Lenses via the XPan Adapter, and V System Lenses using the XV Adapter. All XCD and HC/HCD Lenses feature central lens shutters that deliver full flash sync, including up to 1/2000th of a second in all X System Lenses. Crafted from durable metal components, Hasselblad optics are rigorously tested to ensure optimal performance and superb image quality.
XCD 3,5-4,5/35-75 ZOOM LENS FOR X1D II 50C
The ninth addition to the X System lens range is the XCD 3,5-4,5/35-75 Zoom Lens. Delivering the same superb image quality from edge-to-edge as the XCD prime lenses, this extremely high performance, compact mid-range zoom covers moderate wide angle to short telephoto focal lengths. Its internal focusing keeps the lens’ dimensions constant, delivers quick autofocus and additionally keeps the overall weight down. Ideal for shooting anything from wide angle landscapes to portrait images, this lens is perfect for photographers who are looking to keep the amount of equipment they carry when travelling to a minimum but don’t want to compromise on image quality. Like the rest of the XCD lens range, the XCD 35-75 features an integral central lens shutter, offering exposure times from 68 minutes to 1/2000th of a second with full flash synchronisation throughout.
RED RANGER MONSTRO 8K VV Kit (V-Lock)
RED RANGER MONSTRO 8K VV Kit (V-Lock). Built around the MONSTRO 8K VV 35.4MP CMOS sensor, this kit features a shimmed PL mount, a V-mount battery plate, integrated I/O ports including 24V out, additional SDI and AUX power outputs, built-in XLR audio input, and improved thermal performance.
Advancing beyond the RED DRAGON 8K VV sensor, the MONSTRO 8K VV offers a wide dynamic range of 17 stops and improved image quality with greater shadow detail. Use full-frame lenses to capture cinematic images at rates up to 60 fps in 8192 x 4320 8K, 75 fps in the 2.4:1 aspect ratio, 120 fps in 4K, and up to 240 fps in 2K.
Record full-frame video in REDCODE RAW (R3D) and ProRes or DNxHR/HD simultaneously, or capture minutely detailed 35.4MP still images. With up to 4x greater resolution than 4K capture and over 17x more than HD, the WEAPON MONSTRO 8K VV provides the detail that enables cropping, re-centering, and additional tweaking during post while maintaining vivid, crisp imagery. Data rates of up to 300 MB/s can be reached when using 480 or 960GB MINI-MAGs, or up to 225 MB/s with 120 or 240GB MINI-MAGs (available separately).
In addition to the PL-mount RED RANGER BRAIN, this kit includes a BRAIN case, the Production Top Handle, two 15mm LWS rod brackets, the 7.0" RED PRO Touch monitor with cable and adapters, a 24V AC adapter and power cable, and compatible hex and Torx tools.
Key Features:
- 35.4MP, 40.96 x 21.60mm full-frame CMOS sensor for up to 8K-resolution images
- 17-stop dynamic range, with improved image quality and greater shadow detail
- Multiple capture rates including up to 60 fps 8K, 120 fps in 4K, and 240 fps in 2K full format
- Versatile workflow options with REDCODE RAW, ProRes, and DNx recording
- Durable aluminum body
- Up to 300 MB/s data rates with 480 or 960GB, or 225 MB/s with 120 or 240GB MINI-MAGs
- Integrated XLR audio input
Kit Items:PL lens mount with shimsProduction top handleTwo 15mm LWS rod brackets7" RED PRO Touch with 9" ARM24V AC adapter with cableHex and Torx toolsBRAIN case
VictoremTM 262G41-CX camera
RouteMaster
RouteMaster
RouteMaster uses Rascular’s proven router control and emulation technology to form a powerful yet flexible router control system. Built on tried and tested software modules, RouteMaster can be used with a wide range of video and audio routers from all major manufacturers.
It’s equally suitable for new router installations or increasing the capabilities – and lifetime – of existing systems. You can add third-party hardware panels to existing systems, add IP connectivity to older serial routers, or simply increase the number of control ports available.
The integrated web server means operators can control routers from any web browser, using custom control panels built with Helm Designer. And because it’s built on HTML5 standards, there’s no need for browser plugins.
Sony Venice
VENICE will also include a Dual Base ISO mode, supporting an additional High Base ISO of 2500. This feature takes full advantage of the sensor's unique design for exceptional low light performance and dynamic range (from 6 stops over to 9 stops under 18% middle gray). This new capability represents an increase in exposure indexes at higher ISOs for night exteriors, dark interiors, slower lenses, or where content needs to be graded in High Dynamic Range, while maintaining maximum shadow detail
VENICE
