DM7 Series Mixing Consoles
DM7 Series Mixing Consoles
Yamaha DM7 series mixing consoles represent a sizable step forward in this evolution of form, functionality, and flexibility with their intuitive UI, compact design, and comprehensive suite of powerful features that allow them to outperform other mixers in their class in an impressive range of audio environments. From broadcasting, streaming, and music production, to live hybrid events and concert performances, the advanced capabilities of the DM7 series set a new standard in operability and workflow while simultaneously staying true to Yamaha’s sonic tradition of “natural sound”. As the times continue to change, your DM7 will keep you ahead of the curve with a user experience that’s a cut above anything in its class, and sonic performance well beyond the expectations of audiences and engineers alike.
The DM7 series is an innovative digital mixer line-up that not only guarantees unparalleled sound quality, ease of operation, and high reliability to connect engineers, artists, and audiences, but is also highly scalable and flexible enough to adapt according to application. A DM7 setup can take on a variety of configurations depending on the engineer’s preferences and can support a wide range of sonic environments.
Due to their compact yet flexible design, DM7 series mixers can be used in a wide range of audio applications. With their comprehensive functionality, expansion options, and outstanding ease of use, DM7 consoles excel in a truly impressive array of use cases.
Additional information
Related Products:
Spartan™ 7 FPGA Family
Axia Quasar™ SR AoIP Mixing Console
Axia Quasar™ XR Broadcast Console
mc²36 Audio Production Console
Telos Alliance® Axia iQs AES67 Mixing...
A__UHD CORE
mc²96 Grand Production Console
A__line WAN-Capable Audio-over-IP Nodes
Power Coreᴿᴾ IP Audio I/O &...
Rivage PM Series Mixing Consoles
DM7 Series Mixing Consoles
DM3 Series Mixing Consoles
Spartan™ 7 FPGA Family
The devices feature a MicroBlaze™ soft processor running over 200 DMIPs with 800 Mb/s DDR3 support built on 28 nm technology. Additionally, Spartan 7 devices offer an integrated ADC, dedicated security features, and Q-grade (-40°C to +125°C) on all commercial devices.
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Axia Quasar™ SR AoIP Mixing Console
Quasar SR is the direct replacement for Axia’s best-selling Fusion console. If you like Fusion, you’ll love Quasar SR—which is comparable to the Fusion console in both price and feature set but also delivers all the power, ergonomics, industrial design, and star appeal of our flagship Quasar XR console.
Quasar SR is not reserved for the most knowledgeable broadcaster but is approachable to any board operator thanks to its streamlined surface design. Quasar SR uses the same frame, power supply, and master module as Quasar XR, but the fader modules are non-motorized, and there are fewer, larger, and easier-to-reach buttons on each channel strip. If the LED meters next to each fader on the Quasar XR console are a bit too much functionality for your surface, then Quasar SR might be the solution for you, featuring Confidence Class Metering only.
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Axia Quasar™ XR Broadcast Console
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mc²36 Audio Production Console
Big performance in a compact size: that’s Lawo’s new second-generation mc²36 audio production console, an incredibly powerful yet compact mixer, now even more capable with a new dual-fader operating bay that allows 48 faders in the same space as a 32-fader board. This makes the new mc²36 even more of an all-rounder for theater, houses of worship, corporate, live and broadcast audio applications – wherever ultra-high audio performance in close quarters is demanded.
With DSP more than doubled from its predecessor, the new mc²36 with built-in A__UHD Core functionality offers 256 processing channels, available at both 48 and 96 kHz, and natively supports ST2110, AES67, RAVENNA, and Ember+. It provides an I/O capacity of 864 channels, with local connections that include 3 redundant IP network interfaces, 16 Lawo-grade mic/line inputs, 16 line outputs, 8 AES3 inputs and outputs, 8 GPIO connections, and an SFP MADI port.
Operating and visualizing features include Button-Glow and touch-sensitive rotary controls, color TFT fader-strip displays, LiveView™ video thumbnails, and super-precise 21.5” full HD touchscreen controls. Its built-in full loudness control is compliant with the ITU 1770 (EBU/R128 or ATSC/A85) standard, featuring peak and loudness metering which can measure individual channels as well as summing busses.
The new mc²36 offers seamless integration of third-party solutions like recording systems, effects engines, and other systems running on external PCs, into its user interface. Applications display right in the console’s screen, while console keyboard, touchpad and touchscreen provide control.
Last but not least: mc²36 offers best-in-class integration of Waves SuperRack SoundGrid, providing operators with access to Waves’ extensive plug-in selection of real-time signal processing alongside the console’s internal processing engine — no additional screens or control devices required.
Moving the mc²36 to the A__UHD Core means that all developments in the future will happen on a single, unified platform, and Lawo continues to provide production file compatibility between all mc² consoles. For instance, a production file from an mc²36 can be used on an mc²96 for post-production — opening the door to a whole new level of performance.
The new mc²36 is based on Lawo’s A__UHD technology and includes Lawo’s innovative new IP Easy functionality that makes IP setup as simple as analog. IP Easy, based on Lawo’s innovative HOME management platform for IP-based media infrastructures, makes connecting IP audio and I/O devices as easy as if they were baseband – the console automatically detects new devices and makes them available at the touch of a button. IP Easy even manages IP addresses, multicast ranges, and VLANs, and includes security features like access control and quarantining of unknown devices to protect your network. HOME is natively built on a cloud-ready microservices architecture, enabling users to connect, manage and secure networked production setups from the ground up. Furthermore, it provides centralized access and control for all Lawo gear within a setup. HOME helps broadcast professionals address some of the most demanding requirements of modern IP infrastructures, including automated discovery and registration of devices, connection management, flow control, software & firmware management, scalability and security.
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Telos Alliance® Axia iQs AES67 Mixing Console Software
Telos Alliance® Axia iQS AES67 Mixing Console Software
Applications
- Console capability without the physical surface
- Distributed / remote workforce
- Temporary studio anywhere (nontraditional studio space)
- Studios lacking physical space
- Multiple users who need concurrent collaboration on a single mix
Telos Alliance® was there for you when you made the leap to IP, and now we’re here to help you on the journey to virtualization, wherever you are on that path. Our goal is to give you broadcasting options that are familiar while creating new ways of working that deliver on virtualization's promise of added scalability, adaptability, cost efficiency, simple deployment, and reliability. And that’s just what we’ve done with our new Axia iQs AES67 Mixing Console Software.
More than a decade ago, Telos Alliance created the Axia iQ AoIP console, now known for its ability to deliver a powerful and flexible mixing experience. Rather than pay for unwanted extras and faders, iQ allowed broadcasters to work smarter, offering the ‘just right’ functionality to mix content how they wanted, without sacrificing features.
Then we took the iQ philosophy and upgraded its underlying technology to create the Axia iQx AES67 console, the first AES67 AoIP console to combine the mix engine and console into one chassis. iQx lets you plug right into your AoIP network —with complete AES67 / SMPTE ST-2110-30 compliance— and enjoy the same capable, easy-to-use experience of the iQ.
Now, the Axia iQ family takes a bold step into the virtual AoIP future with iQs, the software version of iQx that does not require a physical surface. iQs is the first soft console controlled by a full HTML-5 interface, allowing you to not only control a mix from anywhere, but on any device—Mac, Windows, tablet, laptop, even your phone! It’s available in two ways to suit your needs and comfort level.
The Benefits of Virtualization
Non-Proprietary Hardware
You have more options when it comes to designing your system, including commercial off-the-shelf (COTS) options from the IT world.
Customizable
The virtual broadcast studio is customizable, because functionality is not hard-coded to a specific physical attribute on a piece of hardware, like a physical surface.
Scalable
You can run multiple instances of software concurrently, allowing you to scale up for demanding production requirements and scale back down accordingly, only paying for what you need.
Reliable
Virtual software and cloud computing are tested, tried, and true. Broadcasters need not worry about reliability compared with hardware options.
Cost-Efficient
Requires less maintenance, hardware, real estate, conditioned power, HVAC, and associated costs with flexible subscription models to meet OPEX business requirements.
Easier Upgrades
Easier to update software remotely over the Internet or en masse in a centralized data center, eliminating site visits.
2 Ways to Deploy iQs AES67 Virtual Console Mixing Software
iQs + AE-1000 for Easy Virtualization
Telos Alliance understands that virtualizing studio operations can be an overwhelming prospect. That’s why we are eliminating some of the legwork by pre-installing the iQs AES67 Mixing Console Software on a 1RU Telos Alliance AE-1000 Application Engine—our new line of universal servers—to help you ease into the virtual studio and prepare for the future. You can centralize the AE-1000 at the studio, yet give board operators the flexibility to control the iQs mix from a bedroom, a coffee shop, a makeshift studio...anywhere with an Internet connection.
iQs Container for the Data Center
iQs is available as a Docker container. Docker is a set of platform-as-a-service products that uses OS-level virtualization to deliver software in packages called containers. Containers are isolated from one another and bundle their own software, libraries and configuration files; they can communicate through well-defined channels. Docker is an integral part of the IT future.
Because iQs is available as a Docker container, it allows broadcasters to deploy it in a server farm or the cloud, delivering the added benefits of true virtualization, such as easier facility-wide upgrades, concurrent instances, and more, without site visits. Perfect for large installations of iQs console software instances.
iQs in a Docker container lets you realize your all-virtual future now because it’s available as a subscription-based model in addition to singular instances. A subscription allows you to be even more nimble—growing or shrinking the size of your system dynamically as your needs change. You only pay for the functionality you need, and you aren’t locked into any particular console configuration, large or small, for the ultimate in facility flexibility.
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A__UHD CORE
Plenty of reliability features are built-in. A__UHD Core features four independent IP audio streaming engines, each with a redundant pair of 10*/1 GbE network ports (SFP). The device is fully based on open standards and supports Audio-over-IP I/O via ST2110-30/-31, AES67 and RAVENNA. Each network interface supports up to 512 Rx & Tx streams with stream sizes from 1 to 128 audio channels. Redundant hot-swappable PSUs are standard, as well as network interface redundancy for all streaming and management ports, allowing redundant IP network paths using ST2022-7 Seamless Protection Switching and adheres to the Class C specification for deployment within LAN or WAN environments, allowing redundant A__UHD Core units to be housed just about anywhere on the planet—and still take over instantly if the need arises.
Finally, a flexible licensing model makes A__UHD Core ideal for both mobile applications and facility use. For mobile, the scalable DSP performance with temporary licenses is a great way to turn CAPEX into OPEX, whilst in facility applications, the possibility of resource pooling and flexible allocation of DSP resources to multiple physical and GUI-based mixing surfaces maximizes ROI for your audio infrastructure. This flexible software licensing offers fixed and temporary licenses to provide exactly what you need, when you need it. Licenses are stored on USB dongles and can be conveniently downloaded, allowing for seamless transfers from unit to unit.
Best of all, A__UHD Core’s functionally is defined by its software, making it a future-proof investment with a feature-set that is designed to expand.
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mc²96 Grand Production Console
- Frames from 24 to 200 faders (with Dual Fader option).
- Remote stand-alone frames of 16 faders.
- 6 banks each with 2 layers.
- TFT metering: mono, stereo or up to 7.1 including bus assignment, gain reduction for dynamics, Audio-follow-Video status, VCA assignment, Mix-Minus, Signal Patching, Meter selection, Automix state.
- GUI page output, e.g. metering, on an external monitor.
- 40-bit floating point signal processing with 1,024 DSP channels (768 inputs and 256 summing buses).
- Up to 768 inputs with A/B input, up to 128 aux buses, up to 96 groups, up to 96 main sums, 32 Automix groups.
- Up to 32 surround channels, 128 VCA groups with metering, 256 GP channels.
- Surround formats: DTS & Dolby ® Digital 5.1, Dolby ® Pro-logic 4.0, DTS ES & Dolby ® EX 6.1, SDDS 7.1, DTS-HD 7.1, diverse panning characteristics, surround aux bus.
- Loudness Metering according to EBU R128, ATSC A/85 and ARIB, momentary or short term in every channel, integrated measurement on summing channels with display of integrated LUFS value in headline.
- Waves SuperRack SoundGrid ® integration.
- Interfaces include Mic / Line, Line Out, AES3, 3G SDI, HD-SDI, MADI, GPIO, Serial, MIDI, ST2110 / AES67 / RAVENNA / DANTE ® Audio-over-IP.
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A__line WAN-Capable Audio-over-IP Nodes
Lawo A__line nodes are designed to serve as IP audio stageboxes for mc² consoles, audio extensions for the V__matrix ecosystem, or as stand-alone IP audio gateways.
A__line devices provide distributed audio connectivity that makes it easy to scale audio I/O capacity in a networked system — temporarily or permanently. SMPTE ST2110-compliant, A__line offers a granular audio format selection similar to the flexibility found in baseband modular I/O systems, but eliminates system design limitations like maximum channel count per frame, fixed channel capacity per device interconnect, or fixed overall system size. Audio endpoints connected to A__line nodes can be seamlessly shared on LAN or WAN, and thanks to their fully standardized streaming technology, can interconnect to a wide variety of IP-enabled broadcast devices — A__line nodes are brand-agnostic.
A__line devices boast exceptional audio quality. Discrete, Class-A microphone preamplifiers deliver a superb dynamic range of 119dB(A), ultra low noise at all gain levels and a perfectly flat frequency response. Versatile analog I/O accommodates levels as high as +24dBu before clipping. Insertable, precise sample rate conversion is available on each AES3 input. For multichannel baseband interfacing, A__line features bi-directional MADI access via SFP. All devices employ the ST2110-30/31 and AES67 standards to transport uncompressed audio in real-time on Layer-3 IP networks, with ST2022-7 Seamless Protection Switching with dual-redundant network interfaces and ample receive buffer capacity to meet ST2022-7 class C specs for LAN and WAN deployment. Two redundant power inlets complete the package, along with PPM metering for all Analog and AES3 interfaces and PTP/Wordclock sync and conversion.
The A__line family includes:
- A__stage48 – 32x mic/line in, 16x line out, 8x AES3 in, 8x AES3 out, 1x MADI, 8/8 GPI, 3RU
- A__stage64 – 32x mic/line in, 16x line out, 8x AES3 in, 8x AES3 out, 1x MADI, 8/8 GPI, 4RU
- A__stage80 – 32x mic/line in, 32x line out, 8x AES3 in, 8x AES3 out, 1x MADI, 8/8 GPI, 3RU
- A__mic8 – 8x mic/line in, 4x line out, 8/8 GPI, 1RU
- A__digital8 –8x AES3 in, 4x AES3 out, 8/8 GPI, 1RU
- A__digital64 – 32x AES3 in with SRC, 32x AES3 out, 1x MADI, 8/8 GPI, 3RU
- A__madi6 – 6x MADI, 1RU
When controlled with Lawo’s VSM broadcast control system, A__line stageboxes provide an advanced set of networking options; VSM manages A__line’s AoIP connections, I/O settings, its non-blocking internal routing matrix, and GPIO signals for smooth integration into an overarching operational workflow.
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Power Coreᴿᴾ IP Audio I/O & DSP Node for Remote Production
Lawo’s Power Coreᴿᴾ is a full-featured remote production solution for mc² audio consoles, providing integrated modular I/O, DSP and IP streaming capabilities, all in a compact 1RU device. It accomodates 64 channels of MADI audio via its front-panel port, and I/O count can easily be expanded using the eight rear-panel slots which can be loaded with Mic, Line, AES3 and GPIO cards, in any combination, for a total I/O capacity of up to 128 channels.
Designed for mission-critical applications, Power Coreᴿᴾ includes ST2022-7 compliance for network redundancy and Class C jitter / network latency robustness to eliminate the need for dedicated WAN gateways and minimizing the complexity of remote productions while reducing single points of failure. Its IP interface complies with ST2110-30/-31, AES67 and RAVENNA networking standards to deliver maximum interoperability within your production suite. To accommodate the most sophisticated workflows, Power Coreᴿᴾ features comprehensive audio connectivity via two redundant 1GbE SFP ports for Audio-over-IP, one MADI port (with a 2nd port for interface redundancy), and eight modular I/O slots that can accommodate mix of Mic, Line and AES3 cards. A unique studio card with Mic/Line inputs & outputs plus two headphone amplifiers is available as well.
Power Coreᴿᴾ DSP capabilities include 64 fully-featured processing channels and provide low-latency on-site monitor and IFB mixing. mc2 consoles at home have full control of all relevant channel parameters (gain, fader, mute, EQ, dynamics, Aux Send Level, etc.) of the DSP node at its remote location.
All I/O parameters of the Power Coreᴿᴾ can be remote controlled from an mc² console’s channel strips; in addition, mc² consoles can control the DSP channels inside Power CoreRP to offer control capabilities for up to 64 input channels and 16 stereo Aux busses. Remote channels can be mapped to the host console’s surface just like any other source and offer parameter control for Fader, Mute, EQ+Filters, Dynamics, Delay plus the analog and digital input section. Remote inputs and Auxes of Power Coreᴿᴾ can even be linked to local DSP channels of the host console to ensure continuous linking of parameter values.
In addition to the control integration from an mc² console, Power Coreᴿᴾ features a touch-screen optimized control GUI based on the Lawo VisTool screen design solution. This provides on-site as well as remote access to all parameters of Power Coreᴿᴾ, which is convenient for setting up prior to connecting the host console. Power Coreᴿᴾ ‘s unique remote-control possibilities include continuous and dynamic fader control as well as fader start-type commands, which are essential for latency-critical WAN connections and to avoid speech truncation on air. The GUI’s feature set also includes sophisticated test mode and lineup patterns, as well as controllable DIM levels to the talents’ ear-pieces for talkback from the director. The graphical interface also allows monitoring the control connection to the host console, the on-air status, and Sync. You can also monitor Listen and PFL, as well as the local talkback system.
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System T S500m
The S500m can be specified as 32 and 48 fader versions with turnkey flight case solutions, or as a larger custom specification surface with up to 96 faders.
The complexities involved in today's major sports and entertainment events mean OB production still requires broadcast consoles with high specification. The S500m provides all the flagship features of the System T S500 console, but is specifically designed to be over 25% lighter to suit OB and flypack applications where weight and portability are key concerns. This allows a complete production system to be easily transported in a purpose built rack case, providing a console stand, meter bridge shipping storage and two 8RU space for Tempest engines and Network I/O.
Robust and optimised for transportation, the S500m's unique modular functionality also lets a console be deployed with or without an extended meter bridge. Meter bridge video can be displayed on console mounted screens or external multi-viewer
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System T S300-16
S300 is a compact control surface that can be combined with the complete portfolio of SSL’s System T control, processing and I/O options. It can be specified as part of a larger System T installation or in stand-alone configurations for smaller broadcast facilities or OB vehicles.
S300 presents the extraordinary power and versatility of SSL’s System T audio production environment in a streamlined console layout that remains intuitive for operators with a wide range of skill levels. A smaller scale S300 based System T installation offers the simplicity of a console + processor + I/O configuration with the benefit of compatibility with the family of additional fully networked System T control interfaces as required.
Within larger facilities S300 is a superb additional or backup console. Complete showfile compatibility between control interfaces means production can easily move between consoles and control rooms within a facility. Where processing engines are of different sizes SSL’s unique compatibility mode allows the pre selection of channel, busses and effects resources that will be inactive on the smaller processing engine. Settings from the larger device are never lost and resources can be reassigned at any point during the show, even with audio passing.
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System T S500
The core control elements always present in an S500 large format console are a Fader Tile, large Multi Touch Screens, a Channel Tile and a Master Tile.
An S500 console can have a range of console frame layouts that present these core elements along with an optional meter bridge and can include an intelligently switched screen bay, dual fader bay, or additional channel control bays. S500 can easily be scaled to suit multi-operator layouts with individual monitoring. More information on control elements can be found in the features tab.
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System T S300-48
S300 is a compact control surface that can be combined with the complete portfolio of SSL’s System T control, processing and I/O options. It can be specified as part of a larger System T installation or in stand-alone configurations for smaller broadcast facilities or OB vehicles.
S300 presents the extraordinary power and versatility of SSL’s System T audio production environment in a streamlined console layout that remains intuitive for operators with a wide range of skill levels. A smaller scale S300 based System T installation offers the simplicity of a console + processor + I/O configuration with the benefit of compatibility with the family of additional fully networked System T control interfaces as required.
Within larger facilities S300 is a superb additional or backup console. Complete showfile compatibility between control interfaces means production can easily move between consoles and control rooms within a facility. Where processing engines are of different sizes SSL’s unique compatibility mode allows the pre selection of channel, busses and effects resources that will be inactive on the smaller processing engine. Settings from the larger device are never lost and resources can be reassigned at any point during the show, even with audio passing.
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System T S300-32
S300 is a compact control surface that can be combined with the complete portfolio of SSL’s System T control, processing and I/O options. It can be specified as part of a larger System T installation or in stand-alone configurations for smaller broadcast facilities or OB vehicles.
S300 presents the extraordinary power and versatility of SSL’s System T audio production environment in a streamlined console layout that remains intuitive for operators with a wide range of skill levels. A smaller scale S300 based System T installation offers the simplicity of a console + processor + I/O configuration with the benefit of compatibility with the family of additional fully networked System T control interfaces as required.
Within larger facilities S300 is a superb additional or backup console. Complete showfile compatibility between control interfaces means production can easily move between consoles and control rooms within a facility. Where processing engines are of different sizes SSL’s unique compatibility mode allows the pre selection of channel, busses and effects resources that will be inactive on the smaller processing engine. Settings from the larger device are never lost and resources can be reassigned at any point during the show, even with audio passing.
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Rivage PM Series Mixing Consoles
The RIVAGE PM series includes five consoles, two DSP engines, two I/O rack units, and two network protocols. Any of these components can be combined to create systems that match a wide range of budget requirements in broadcast applications, such as in fixed studios or OB vehicles
All five consoles feature a similar interface with up to three bays of 12 faders each, touch-sensitive display panels, and the Yamaha Selected Channel Section. Mix engineers who are familiar with one RIVAGE PM console can easily switch to any other and be up and running in a matter of minutes.
All RIVAGE PM system components are compatible, and components from earlier systems will work in combination with later systems. That goes for all I/O racks as well as DSP engines, so in addition to operating them separately you can combine DSP engines in mirrored configurations for mission critical large applications, for example.
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DM7 Series Mixing Consoles
The DM7 series is an innovative digital mixer line-up that not only guarantees unparalleled sound quality, ease of operation, and high reliability to connect engineers, artists, and audiences, but is also highly scalable and flexible enough to adapt according to application. A DM7 setup can take on a variety of configurations depending on the engineer's preferences and can support a wide range of sonic environments.
Due to their compact yet flexible design, DM7 series mixers can be used in a wide range of audio applications. With their comprehensive functionality, expansion options, and outstanding ease of use, DM7 consoles excel in a truly impressive array of use cases.
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DM3 Series Mixing Consoles
The word “compact” is often associated with limitations, and in the sound reinforcement world, often implies compromises in functionality, connectivity, or sound quality, and sometimes all three. Until now choosing a compact console has almost invariably been a matter of what you’re willing to sacrifice to get the capabilities you need in the space you have. The new DM3 series of mixing consoles shatters this stereotype, offering superb sound quality, fast and easy setup and operation, and professional-level features for live sound, streaming, and live or home recording and music production—a combination unmatched in any other mixing console this size. In an ever-changing world that constantly presents new challenges as well as opportunities, DM3 mixing consoles give you the power and flexibility to do more with than you ever imagined with a compact digital console.
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ProAudio
Speed up pre-production by batch importing audio clips, including MP3, WAV, and WMA files. ProAudio lets you quickly batch import multiple clips at a time to any available button on a user-selected page.
When the production wraps, ProAudio’s BMI-supported Play Activity Reporting provides a full and complete record of what has been played, keeping you on track to meet the mandatory requirement for music licensing.
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