Chosen by hundreds of professional and scholastic sports venues worldwide, ProAudio organizes all of your music and sound effects. With ProAudio rockin’ the house, you will always have the right sound, at the right time, during the big game. With 5000+ buttons it’s easy to organize and arrange clips for any scenario.
Speed up pre-production by batch importing audio clips, including MP3, WAV, and WMA files. ProAudio lets you quickly batch import multiple clips at a time to any available button on a user-selected page.
When the production wraps, ProAudio’s BMI-supported Play Activity Reporting provides a full and complete record of what has been played, keeping you on track to meet the mandatory requirement for music licensing.
Other products from this company:
CAMIO
Click Effects PRIME
Coach Capture
Live Compositor
LyricX
Metacast
Multi-Touch
Paint Live
PRIME Graphics Platform
ProAudio
Virtual 1st
Virtual Football
Virtual Placement
VistaCam
CAMIO
Your on-air graphics control center. CAMIO Universe is a news producer-driven, template-based workflow for a unified, end-to-end content creation, production, and playout solution.
In CAMIO , artists set the visual brand for consistent and correct content, producers/journalists create stories that include broadcast graphics, weather graphics, virtual studios, and augmented graphics, and directors build, order, and control all camera, switcher, audio, virtual set, and graphic cues – all from within a single, unified tool.
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Click Effects PRIME
Click Effects PRIME answers that challenge.
Click Effects PRIME is a highly integrated, turnkey graphics authoring solution for live arena- and stadium-based A/V presentations. With Click Effects PRIME, it’s always any canvas size, to any number of outputs, in any resolution.
Click Effects PRIME unites the advanced authoring, rendering, and data binding power of ChyronHego’s renowned PRIME Graphics system with the industry-leading arena graphics generation and custom digital display control solution.
Click Effects products have always been renowned for their centralized, single-click action, built around an easy to learn and quick to use interface. Click Effects PRIME doesn’t disappoint by carrying on this tradition of excellence. While competing systems force you to train your operators through the vendor, Click Effects PRIME’s no-scripting-required design and low learning curve means your operators will be game ready when the first whistle blows.
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Coach Capture
Speed and accuracy are the hallmarks of Coach Capture, the latest addition to ChyronHego’s expanding Coaching Product Suite. It’s easy to automatically add clips to playlists and reorganize them on the fly for those instances where time is critical and pressure is high.
Designed to suit the everyday needs of the sports video analyst, Coach Capture allows for both live and post-game video recording – all the way up to HD 1080p format – tagging, and telestration of game events.
Seamless integration to the analytical workflow of the Coach Paint Product Suite is at the heart of Coach Capture. Log, navigate through events, and easily push clips between Coach Capture and Coach Paint.
And just like Coach Paint, Coach Capture is the only cross-platform logging tool available on Mac OSX, Windows 7 & 10, and Windows® Tablets.
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Live Compositor
Live Compositor is a an intuitive software solution for live multi-camera production. Video switching and audio mixing, a powerful video effects engine, multi-channel graphics – including LyricX, multiple clip players, and robotic camera control are built-in and packaged in an easy to use all-in one solution.
Live Compositor is the ideal tool for news and current affairs producers, and also a perfect fit for small and medium sized remote OB sports productions.
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LyricX
Whether in news, sports, venue, entertainment, or government/corporate today’s LyricX has the capabilities that designers and operators love.
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Metacast
For over two decades, Metacast has been a leading provider of weather graphics solutions. With clients on six continents, Metacast provides efficient weather workflows for broadcasters on any platform and for all weather situations.
Seamlessly integrated with ChyronHego’s renowned CAMIO workflow, Metacast gives your station a distinct competitive edge through low cost of ownership and a data source agnostic model.
And in our always-on-the-go, multi-platform world, Metacast delivers high-value content on demand to your viewers.
Metacast features a highly reliable SQL® database, which is continuously updated with radar, satellite, model forecast, pinpoint city/location forecasts, and up-to-the minute remote weather station data.
As a data source agnostic solution, Metacast works equally well for major network broadcasters, integrating data from a national weather center, as it does for a local TV station requiring a “one-stop delivery” data/system/graphics/storyboard solution.
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Multi-Touch
Multi-Touch lets your news and sports reporters dive deeper into their story with visually captivating, data-driven interactive touch screen presentations. Built on a real-time graphics-rendering engine, Multi-Touch offers the highest playout bandwidth when compared to other engines on the market.
Playout bandwidth is an extremely important consideration. With other engines on the market there can often be a trade-off between graphics rendering performance and touchscreen responsiveness. Not so with Multi-Touch. Multi-Touch is carefully tuned to ensure extreme levels of rendering performance while assuring the touch-sensitive interactive response of your studio presenter.
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Paint Live
Paint Live is totally self-contained and easy to set up, requiring only simple SDI-in and SDI-out connections to work with SD, HD, or 4K content.
Paint Live employs internal, real-time image tracking that keeps graphics to tied to the field, even as the camera moves. A unique method of chroma keying can be used upstream to perform the image tracking, making it much easier for the technical director to manage Paint Live’s output.
With the unique ability to change the interface to match the user’s exact requirements, and a comprehensive set of tools for visualizing different parts of the play or highlighting individual player performance, your on-air team gets exactly what they want, exactly how they want it, live!
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PRIME Graphics Platform
PRIME Graphics can be configured as a Branding solution, an integrated Clip Player, a unified Newsroom Graphics system, a graphics-driven Video Wall solution, or as an integrated touchscreen solution.
Whether used together or as standalone products, PRIME Graphics is a flexible and easy to use solution for news and sports broadcasters, playout facilities, and in-venue producers offering a low Total Cost of Ownership.
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ProAudio
Speed up pre-production by batch importing audio clips, including MP3, WAV, and WMA files. ProAudio lets you quickly batch import multiple clips at a time to any available button on a user-selected page.
When the production wraps, ProAudio’s BMI-supported Play Activity Reporting provides a full and complete record of what has been played, keeping you on track to meet the mandatory requirement for music licensing.
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Virtual 1st
Virtual 1st allows a single operator to quickly insert virtual lines of scrimmage, 1st down markers and animated graphics that are easily customized to match your unique on-air or in-stadium style. “Hands-free” operation is also available since Virtual 1st integrates with the NFL’s GSIS data to automate the positon of the 1st down line.
Built on a fully blown virtual graphics package, it’s easy to create custom graphics such as a sponsored ‘red zone’, field goal lines, virtual Jumbotrons, and other graphics that connect and engage your fans.
Virtual 1st offers lower Total Cost of Ownership and a higher Return on Investment. For example, do you need to provide custom graphics and sponsor promos to your stadium suites and the big screen? No problem! Virtual 1st lets you take one camera and create up to three unique outputs – each with their own individual sponsor or advertising logo.
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Virtual Football
Based solely on advanced image processing, Virtual Football doesn’t require camera sensors or special camera heads. A built-in keyer is designed to overcome harsh environmental effects, such as shadows and bright sunlight.
Designed with live OB production in mind and requiring only a single operator, you will be amazed by the ease and speed in which Virtual Football can be readied for action.
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Virtual Placement
While some have regarded the placement of virtual graphics within live video to be a “complex art”, made possible only by expensive specialist cameras, ChyronHego has taken a decidedly different approach.
With Virtual Placement, ChyronHego product designers created a solution that is easy to learn and doesn’t require any specialist camera encoders or lengthy calibration processes, so you can get your sponsor’s content on-air quickly and without error. The system can be used in virtually any live broadcast scenario from augmenting physical studio-sets with virtual objects, to much larger scenes such as sports arenas, race-tracks or landscapes.
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VistaCam
VistaCam is designed and built with live broadcasting in mind. Everything from design, construction to software functionality was conceived to stream live or recorded panoramic video over IP from the arena or stadium back to the studio.
Since video walls vary in terms of size and resolution, VistaCam offers flexible one-to-four HD-SDI outputs. In addition, each output can be color adjusted and, if needed, shifted to compensate for mis¬aligned frames in the video wall.
The VistaCam array consists of four stacked 1080P cameras. Each cam¬era is focused on a specific view of the field. Each camera view is then “stitched” into a cohesive, seamless wide-angle panorama.
VistaCam’s custom-designed camera array is weather proof and the all-aluminum housing is designed for easy mounting and adjustment within the arena. The camera array connects to VistaCam’s Presentation Engine or the on-venue streaming server through a single fiber connection.
The VistaCam Presentation Engine ingests the 4 camera streams, creating a high resolution video panorama in real-time. Remote access for settings and calibration is as easy as a push of a button with the patented CogEye™ Panoramic technology. The VistaCam Presentation Engine also features a built in disc-recorder for playback of pre-recorded panoramic video. The disc-recorder also serves as a fail-over device, should the connection to the camera array disengage.
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Related Products:
ProAudio
System T S300-32
System T S300-48
System T S300-16
Power Coreᴿᴾ IP Audio I/O &...
A__line WAN-Capable Audio-over-IP Nodes
mc²96 Grand Production Console
A__UHD CORE
Telos Alliance® Axia iQs AES67 Mixing...
mc²36 Audio Production Console
Axia Quasar™ XR Broadcast Console
Axia Quasar™ SR AoIP Mixing Console
ProAudio
Speed up pre-production by batch importing audio clips, including MP3, WAV, and WMA files. ProAudio lets you quickly batch import multiple clips at a time to any available button on a user-selected page.
When the production wraps, ProAudio’s BMI-supported Play Activity Reporting provides a full and complete record of what has been played, keeping you on track to meet the mandatory requirement for music licensing.
System T S300-32
S300 is a compact control surface that can be combined with the complete portfolio of SSL’s System T control, processing and I/O options. It can be specified as part of a larger System T installation or in stand-alone configurations for smaller broadcast facilities or OB vehicles.
S300 presents the extraordinary power and versatility of SSL’s System T audio production environment in a streamlined console layout that remains intuitive for operators with a wide range of skill levels. A smaller scale S300 based System T installation offers the simplicity of a console + processor + I/O configuration with the benefit of compatibility with the family of additional fully networked System T control interfaces as required.
Within larger facilities S300 is a superb additional or backup console. Complete showfile compatibility between control interfaces means production can easily move between consoles and control rooms within a facility. Where processing engines are of different sizes SSL’s unique compatibility mode allows the pre selection of channel, busses and effects resources that will be inactive on the smaller processing engine. Settings from the larger device are never lost and resources can be reassigned at any point during the show, even with audio passing.
System T S300-48
S300 is a compact control surface that can be combined with the complete portfolio of SSL’s System T control, processing and I/O options. It can be specified as part of a larger System T installation or in stand-alone configurations for smaller broadcast facilities or OB vehicles.
S300 presents the extraordinary power and versatility of SSL’s System T audio production environment in a streamlined console layout that remains intuitive for operators with a wide range of skill levels. A smaller scale S300 based System T installation offers the simplicity of a console + processor + I/O configuration with the benefit of compatibility with the family of additional fully networked System T control interfaces as required.
Within larger facilities S300 is a superb additional or backup console. Complete showfile compatibility between control interfaces means production can easily move between consoles and control rooms within a facility. Where processing engines are of different sizes SSL’s unique compatibility mode allows the pre selection of channel, busses and effects resources that will be inactive on the smaller processing engine. Settings from the larger device are never lost and resources can be reassigned at any point during the show, even with audio passing.
System T S500
The core control elements always present in an S500 large format console are a Fader Tile, large Multi Touch Screens, a Channel Tile and a Master Tile.
An S500 console can have a range of console frame layouts that present these core elements along with an optional meter bridge and can include an intelligently switched screen bay, dual fader bay, or additional channel control bays. S500 can easily be scaled to suit multi-operator layouts with individual monitoring. More information on control elements can be found in the features tab.
System T S300-16
S300 is a compact control surface that can be combined with the complete portfolio of SSL’s System T control, processing and I/O options. It can be specified as part of a larger System T installation or in stand-alone configurations for smaller broadcast facilities or OB vehicles.
S300 presents the extraordinary power and versatility of SSL’s System T audio production environment in a streamlined console layout that remains intuitive for operators with a wide range of skill levels. A smaller scale S300 based System T installation offers the simplicity of a console + processor + I/O configuration with the benefit of compatibility with the family of additional fully networked System T control interfaces as required.
Within larger facilities S300 is a superb additional or backup console. Complete showfile compatibility between control interfaces means production can easily move between consoles and control rooms within a facility. Where processing engines are of different sizes SSL’s unique compatibility mode allows the pre selection of channel, busses and effects resources that will be inactive on the smaller processing engine. Settings from the larger device are never lost and resources can be reassigned at any point during the show, even with audio passing.
System T S500m
The S500m can be specified as 32 and 48 fader versions with turnkey flight case solutions, or as a larger custom specification surface with up to 96 faders.
The complexities involved in today's major sports and entertainment events mean OB production still requires broadcast consoles with high specification. The S500m provides all the flagship features of the System T S500 console, but is specifically designed to be over 25% lighter to suit OB and flypack applications where weight and portability are key concerns. This allows a complete production system to be easily transported in a purpose built rack case, providing a console stand, meter bridge shipping storage and two 8RU space for Tempest engines and Network I/O.
Robust and optimised for transportation, the S500m's unique modular functionality also lets a console be deployed with or without an extended meter bridge. Meter bridge video can be displayed on console mounted screens or external multi-viewer
Power Coreᴿᴾ IP Audio I/O & DSP Node for Remote Production
Lawo’s Power Coreᴿᴾ is a full-featured remote production solution for mc² audio consoles, providing integrated modular I/O, DSP and IP streaming capabilities, all in a compact 1RU device. It accomodates 64 channels of MADI audio via its front-panel port, and I/O count can easily be expanded using the eight rear-panel slots which can be loaded with Mic, Line, AES3 and GPIO cards, in any combination, for a total I/O capacity of up to 128 channels.
Designed for mission-critical applications, Power Coreᴿᴾ includes ST2022-7 compliance for network redundancy and Class C jitter / network latency robustness to eliminate the need for dedicated WAN gateways and minimizing the complexity of remote productions while reducing single points of failure. Its IP interface complies with ST2110-30/-31, AES67 and RAVENNA networking standards to deliver maximum interoperability within your production suite. To accommodate the most sophisticated workflows, Power Coreᴿᴾ features comprehensive audio connectivity via two redundant 1GbE SFP ports for Audio-over-IP, one MADI port (with a 2nd port for interface redundancy), and eight modular I/O slots that can accommodate mix of Mic, Line and AES3 cards. A unique studio card with Mic/Line inputs & outputs plus two headphone amplifiers is available as well.
Power Coreᴿᴾ DSP capabilities include 64 fully-featured processing channels and provide low-latency on-site monitor and IFB mixing. mc2 consoles at home have full control of all relevant channel parameters (gain, fader, mute, EQ, dynamics, Aux Send Level, etc.) of the DSP node at its remote location.
All I/O parameters of the Power Coreᴿᴾ can be remote controlled from an mc² console’s channel strips; in addition, mc² consoles can control the DSP channels inside Power CoreRP to offer control capabilities for up to 64 input channels and 16 stereo Aux busses. Remote channels can be mapped to the host console’s surface just like any other source and offer parameter control for Fader, Mute, EQ+Filters, Dynamics, Delay plus the analog and digital input section. Remote inputs and Auxes of Power Coreᴿᴾ can even be linked to local DSP channels of the host console to ensure continuous linking of parameter values.
In addition to the control integration from an mc² console, Power Coreᴿᴾ features a touch-screen optimized control GUI based on the Lawo VisTool screen design solution. This provides on-site as well as remote access to all parameters of Power Coreᴿᴾ, which is convenient for setting up prior to connecting the host console. Power Coreᴿᴾ ‘s unique remote-control possibilities include continuous and dynamic fader control as well as fader start-type commands, which are essential for latency-critical WAN connections and to avoid speech truncation on air. The GUI’s feature set also includes sophisticated test mode and lineup patterns, as well as controllable DIM levels to the talents’ ear-pieces for talkback from the director. The graphical interface also allows monitoring the control connection to the host console, the on-air status, and Sync. You can also monitor Listen and PFL, as well as the local talkback system.
A__line WAN-Capable Audio-over-IP Nodes
Lawo A__line nodes are designed to serve as IP audio stageboxes for mc² consoles, audio extensions for the V__matrix ecosystem, or as stand-alone IP audio gateways.
A__line devices provide distributed audio connectivity that makes it easy to scale audio I/O capacity in a networked system — temporarily or permanently. SMPTE ST2110-compliant, A__line offers a granular audio format selection similar to the flexibility found in baseband modular I/O systems, but eliminates system design limitations like maximum channel count per frame, fixed channel capacity per device interconnect, or fixed overall system size. Audio endpoints connected to A__line nodes can be seamlessly shared on LAN or WAN, and thanks to their fully standardized streaming technology, can interconnect to a wide variety of IP-enabled broadcast devices — A__line nodes are brand-agnostic.
A__line devices boast exceptional audio quality. Discrete, Class-A microphone preamplifiers deliver a superb dynamic range of 119dB(A), ultra low noise at all gain levels and a perfectly flat frequency response. Versatile analog I/O accommodates levels as high as +24dBu before clipping. Insertable, precise sample rate conversion is available on each AES3 input. For multichannel baseband interfacing, A__line features bi-directional MADI access via SFP. All devices employ the ST2110-30/31 and AES67 standards to transport uncompressed audio in real-time on Layer-3 IP networks, with ST2022-7 Seamless Protection Switching with dual-redundant network interfaces and ample receive buffer capacity to meet ST2022-7 class C specs for LAN and WAN deployment. Two redundant power inlets complete the package, along with PPM metering for all Analog and AES3 interfaces and PTP/Wordclock sync and conversion.
The A__line family includes:
- A__stage48 – 32x mic/line in, 16x line out, 8x AES3 in, 8x AES3 out, 1x MADI, 8/8 GPI, 3RU
- A__stage64 – 32x mic/line in, 16x line out, 8x AES3 in, 8x AES3 out, 1x MADI, 8/8 GPI, 4RU
- A__stage80 – 32x mic/line in, 32x line out, 8x AES3 in, 8x AES3 out, 1x MADI, 8/8 GPI, 3RU
- A__mic8 – 8x mic/line in, 4x line out, 8/8 GPI, 1RU
- A__digital8 –8x AES3 in, 4x AES3 out, 8/8 GPI, 1RU
- A__digital64 – 32x AES3 in with SRC, 32x AES3 out, 1x MADI, 8/8 GPI, 3RU
- A__madi6 – 6x MADI, 1RU
When controlled with Lawo’s VSM broadcast control system, A__line stageboxes provide an advanced set of networking options; VSM manages A__line’s AoIP connections, I/O settings, its non-blocking internal routing matrix, and GPIO signals for smooth integration into an overarching operational workflow.
mc²96 Grand Production Console
- Frames from 24 to 200 faders (with Dual Fader option).
- Remote stand-alone frames of 16 faders.
- 6 banks each with 2 layers.
- TFT metering: mono, stereo or up to 7.1 including bus assignment, gain reduction for dynamics, Audio-follow-Video status, VCA assignment, Mix-Minus, Signal Patching, Meter selection, Automix state.
- GUI page output, e.g. metering, on an external monitor.
- 40-bit floating point signal processing with 1,024 DSP channels (768 inputs and 256 summing buses).
- Up to 768 inputs with A/B input, up to 128 aux buses, up to 96 groups, up to 96 main sums, 32 Automix groups.
- Up to 32 surround channels, 128 VCA groups with metering, 256 GP channels.
- Surround formats: DTS & Dolby ® Digital 5.1, Dolby ® Pro-logic 4.0, DTS ES & Dolby ® EX 6.1, SDDS 7.1, DTS-HD 7.1, diverse panning characteristics, surround aux bus.
- Loudness Metering according to EBU R128, ATSC A/85 and ARIB, momentary or short term in every channel, integrated measurement on summing channels with display of integrated LUFS value in headline.
- Waves SuperRack SoundGrid ® integration.
- Interfaces include Mic / Line, Line Out, AES3, 3G SDI, HD-SDI, MADI, GPIO, Serial, MIDI, ST2110 / AES67 / RAVENNA / DANTE ® Audio-over-IP.
A__UHD CORE
Plenty of reliability features are built-in. A__UHD Core features four independent IP audio streaming engines, each with a redundant pair of 10*/1 GbE network ports (SFP). The device is fully based on open standards and supports Audio-over-IP I/O via ST2110-30/-31, AES67 and RAVENNA. Each network interface supports up to 512 Rx & Tx streams with stream sizes from 1 to 128 audio channels. Redundant hot-swappable PSUs are standard, as well as network interface redundancy for all streaming and management ports, allowing redundant IP network paths using ST2022-7 Seamless Protection Switching and adheres to the Class C specification for deployment within LAN or WAN environments, allowing redundant A__UHD Core units to be housed just about anywhere on the planet—and still take over instantly if the need arises.
Finally, a flexible licensing model makes A__UHD Core ideal for both mobile applications and facility use. For mobile, the scalable DSP performance with temporary licenses is a great way to turn CAPEX into OPEX, whilst in facility applications, the possibility of resource pooling and flexible allocation of DSP resources to multiple physical and GUI-based mixing surfaces maximizes ROI for your audio infrastructure. This flexible software licensing offers fixed and temporary licenses to provide exactly what you need, when you need it. Licenses are stored on USB dongles and can be conveniently downloaded, allowing for seamless transfers from unit to unit.
Best of all, A__UHD Core’s functionally is defined by its software, making it a future-proof investment with a feature-set that is designed to expand.
Telos Alliance® Axia iQs AES67 Mixing Console Software
Telos Alliance® Axia iQS AES67 Mixing Console Software
Applications
- Console capability without the physical surface
- Distributed / remote workforce
- Temporary studio anywhere (nontraditional studio space)
- Studios lacking physical space
- Multiple users who need concurrent collaboration on a single mix
Telos Alliance® was there for you when you made the leap to IP, and now we’re here to help you on the journey to virtualization, wherever you are on that path. Our goal is to give you broadcasting options that are familiar while creating new ways of working that deliver on virtualization's promise of added scalability, adaptability, cost efficiency, simple deployment, and reliability. And that’s just what we’ve done with our new Axia iQs AES67 Mixing Console Software.
More than a decade ago, Telos Alliance created the Axia iQ AoIP console, now known for its ability to deliver a powerful and flexible mixing experience. Rather than pay for unwanted extras and faders, iQ allowed broadcasters to work smarter, offering the ‘just right’ functionality to mix content how they wanted, without sacrificing features.
Then we took the iQ philosophy and upgraded its underlying technology to create the Axia iQx AES67 console, the first AES67 AoIP console to combine the mix engine and console into one chassis. iQx lets you plug right into your AoIP network —with complete AES67 / SMPTE ST-2110-30 compliance— and enjoy the same capable, easy-to-use experience of the iQ.
Now, the Axia iQ family takes a bold step into the virtual AoIP future with iQs, the software version of iQx that does not require a physical surface. iQs is the first soft console controlled by a full HTML-5 interface, allowing you to not only control a mix from anywhere, but on any device—Mac, Windows, tablet, laptop, even your phone! It’s available in two ways to suit your needs and comfort level.
The Benefits of Virtualization
Non-Proprietary Hardware
You have more options when it comes to designing your system, including commercial off-the-shelf (COTS) options from the IT world.
Customizable
The virtual broadcast studio is customizable, because functionality is not hard-coded to a specific physical attribute on a piece of hardware, like a physical surface.
Scalable
You can run multiple instances of software concurrently, allowing you to scale up for demanding production requirements and scale back down accordingly, only paying for what you need.
Reliable
Virtual software and cloud computing are tested, tried, and true. Broadcasters need not worry about reliability compared with hardware options.
Cost-Efficient
Requires less maintenance, hardware, real estate, conditioned power, HVAC, and associated costs with flexible subscription models to meet OPEX business requirements.
Easier Upgrades
Easier to update software remotely over the Internet or en masse in a centralized data center, eliminating site visits.
2 Ways to Deploy iQs AES67 Virtual Console Mixing Software
iQs + AE-1000 for Easy Virtualization
Telos Alliance understands that virtualizing studio operations can be an overwhelming prospect. That’s why we are eliminating some of the legwork by pre-installing the iQs AES67 Mixing Console Software on a 1RU Telos Alliance AE-1000 Application Engine—our new line of universal servers—to help you ease into the virtual studio and prepare for the future. You can centralize the AE-1000 at the studio, yet give board operators the flexibility to control the iQs mix from a bedroom, a coffee shop, a makeshift studio...anywhere with an Internet connection.
iQs Container for the Data Center
iQs is available as a Docker container. Docker is a set of platform-as-a-service products that uses OS-level virtualization to deliver software in packages called containers. Containers are isolated from one another and bundle their own software, libraries and configuration files; they can communicate through well-defined channels. Docker is an integral part of the IT future.
Because iQs is available as a Docker container, it allows broadcasters to deploy it in a server farm or the cloud, delivering the added benefits of true virtualization, such as easier facility-wide upgrades, concurrent instances, and more, without site visits. Perfect for large installations of iQs console software instances.
iQs in a Docker container lets you realize your all-virtual future now because it’s available as a subscription-based model in addition to singular instances. A subscription allows you to be even more nimble—growing or shrinking the size of your system dynamically as your needs change. You only pay for the functionality you need, and you aren’t locked into any particular console configuration, large or small, for the ultimate in facility flexibility.
mc²36 Audio Production Console
Big performance in a compact size: that’s Lawo’s new second-generation mc²36 audio production console, an incredibly powerful yet compact mixer, now even more capable with a new dual-fader operating bay that allows 48 faders in the same space as a 32-fader board. This makes the new mc²36 even more of an all-rounder for theater, houses of worship, corporate, live and broadcast audio applications – wherever ultra-high audio performance in close quarters is demanded.
With DSP more than doubled from its predecessor, the new mc²36 with built-in A__UHD Core functionality offers 256 processing channels, available at both 48 and 96 kHz, and natively supports ST2110, AES67, RAVENNA, and Ember+. It provides an I/O capacity of 864 channels, with local connections that include 3 redundant IP network interfaces, 16 Lawo-grade mic/line inputs, 16 line outputs, 8 AES3 inputs and outputs, 8 GPIO connections, and an SFP MADI port.
Operating and visualizing features include Button-Glow and touch-sensitive rotary controls, color TFT fader-strip displays, LiveView™ video thumbnails, and super-precise 21.5” full HD touchscreen controls. Its built-in full loudness control is compliant with the ITU 1770 (EBU/R128 or ATSC/A85) standard, featuring peak and loudness metering which can measure individual channels as well as summing busses.
The new mc²36 offers seamless integration of third-party solutions like recording systems, effects engines, and other systems running on external PCs, into its user interface. Applications display right in the console’s screen, while console keyboard, touchpad and touchscreen provide control.
Last but not least: mc²36 offers best-in-class integration of Waves SuperRack SoundGrid, providing operators with access to Waves’ extensive plug-in selection of real-time signal processing alongside the console’s internal processing engine — no additional screens or control devices required.
Moving the mc²36 to the A__UHD Core means that all developments in the future will happen on a single, unified platform, and Lawo continues to provide production file compatibility between all mc² consoles. For instance, a production file from an mc²36 can be used on an mc²96 for post-production — opening the door to a whole new level of performance.
The new mc²36 is based on Lawo’s A__UHD technology and includes Lawo’s innovative new IP Easy functionality that makes IP setup as simple as analog. IP Easy, based on Lawo’s innovative HOME management platform for IP-based media infrastructures, makes connecting IP audio and I/O devices as easy as if they were baseband – the console automatically detects new devices and makes them available at the touch of a button. IP Easy even manages IP addresses, multicast ranges, and VLANs, and includes security features like access control and quarantining of unknown devices to protect your network. HOME is natively built on a cloud-ready microservices architecture, enabling users to connect, manage and secure networked production setups from the ground up. Furthermore, it provides centralized access and control for all Lawo gear within a setup. HOME helps broadcast professionals address some of the most demanding requirements of modern IP infrastructures, including automated discovery and registration of devices, connection management, flow control, software & firmware management, scalability and security.
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Axia Quasar™ XR Broadcast Console
Axia Quasar™ SR AoIP Mixing Console
Quasar SR is the direct replacement for Axia’s best-selling Fusion console. If you like Fusion, you’ll love Quasar SR—which is comparable to the Fusion console in both price and feature set but also delivers all the power, ergonomics, industrial design, and star appeal of our flagship Quasar XR console.
Quasar SR is not reserved for the most knowledgeable broadcaster but is approachable to any board operator thanks to its streamlined surface design. Quasar SR uses the same frame, power supply, and master module as Quasar XR, but the fader modules are non-motorized, and there are fewer, larger, and easier-to-reach buttons on each channel strip. If the LED meters next to each fader on the Quasar XR console are a bit too much functionality for your surface, then Quasar SR might be the solution for you, featuring Confidence Class Metering only.
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