GTM
GTM
The GTM combines the multiple functions required for the interfacing and communications required in eSports tournaments into one simple to use device. GTM provides the interface for the gamers, provides the intercom mix, and allows remote control by tournament engineers. There are separate modes that also mean the GTM can be used by the Coaches, Referees, and arena Announcers.The GTM is available in a stripped down version, with no direct top panel controls, for system integrators
Top Panel MixerThe top panel contains three level controls for the user to adjust their desired mix into their headphones from the following sources:GAME: This is the stereo level of the game audioTEAM: This is the overall level of the team comms channelME: This is the level of the users own voice in their headphonesLarge controls allow for quick and easy adjustments and a multicolour LED ring around the control indicates the level positionEach control is also a push button that can be used for future developments.
Game Audio SourceFor compatibility with multiple tournaments and gaming platforms, there are 5 options of sources for the stereo game audio on the rear panel, which are routed to the GAME headphone level control. Source
SPDIF A stereo digital optical TOSLink connectionAUX IN An analogue stereo input on a 3.5mm (1/8″) jack socketUSB Stereo USB audio input on a USB C connectionDANTE Two single channel sources are available from the network
Multi Channel Mix Sources
DanteFrom the Dante/AES67 network there are 3 stereo inputs available. These can be mixed to 2 channel stereo using the separate GlenController Remote app. Each stereo pair also has a balance control.Typically only a single stereo pair is used for the game audio, but the further inputs allow for future options and flexibility.
HD-SDI (option)The optional HD-SDI connection is de-embedded to provide 4 pairs of stereo audio sources. These can be mixed to 2 channel stereo using the separate GlenController Remote app. Each stereo pair has a balance control. Typically only a single stereo pair is used for the game audio, but the further. inputs allow for future options and flexibility.The HD-SDI signal is looped out so the GTM can be used inline of the video signal.Team Mixer
The top panel TEAM pot adjusts the level of the Team Group Mix to the user.
The GTM has an internal mixer that generates a team group mix between all members of the same team. This allows all members of the team to be able to communicate with each other.
There is a multi input, Dante/AES67 mixer controllable via GlenController that sets the levels of all audio being mixed to the GTM TEAM pot of 1 of 7 teams. Typically this is just a mono mix of the 6 other team members but there are also further sources available:
Front Panel Connections
There are options of connections on the front panel for the user of the GTM
Headset Connection – 3.5mm (1/8″ jack socket) TRRSThis allows connection of a typical gaming headset using a single jack for the headphones and microphone. 2.5v or 5v bias can be selected.Mic Input – 3 Pin XLRFor connecting a professional broadcast grade microphone using a separate 3 pin XLR plug. The input is dynamic with selectable 48v phantom power. A high performance mic compressor is selectable at 3 levels.
Headphone OutputThe headphone output is available in parallel via a 3.75mm (1/4″) and a 2.5mm (1/8″) jack sockets.Two Headphone AmplifiersThe two headphone outputs and the headset output use independent headphone amplifiers. The game audio and/or pink noise can be mixed to each output independently. See the remote control page for further info.
Rear Panel ConnectionsSourcesThe multiple input sources for the game monitoring are available via the rear panel. The input source can be selected via the push button. This can be locked to prevent local access if required.
Mic GainThe mic input gain can be adjusted via the rear panel pushbuttons. This can be locked to prevent local access if required.
Phantom Power & Bias48V phantom power can be selected, or if using the headset, 2.5V or 5V bias can be used.
Network ConnectionTwo network connections are available so a redundant network can be available if required for backup. The GTM is powered via PoE from the network switch or via a midspan PoE injector.
HD-SDI (option)The HD-SDI input is looped through, so the GTM can be used inline of the video signal. HD-SDI is an option and not on the standard GTM.
Game Integrity Features
Background Audio GuardThe GTM has introduced the Background Audio Guard facility that allows reduction of the background noise by up to 40dB. There is separate gating at 34 different frequencies, to prevent unwanted arena noise from entering the mic and being shared across the team talk mix and the gamers own headset. This reduces the possibility of any team gaining a competitive advantage from overhearing a potential advantageous comment leaking from the mic input.
Additional information
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It is part of our Beatrice intercom system that utilises the reliable and proven Dante network audio transmission protocol to allow real time distribution of uncompressed audio across standard networks, it is also AES67 compliant. As such the BEATRICE D8+ is fully compatible with other manufacturers’ equipment using the Dante and/ or AES67 protocols.
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GTM
The GTM combines the multiple functions required for the interfacing and communications required in eSports tournaments into one simple to use device. GTM provides the interface for the gamers, provides the intercom mix, and allows remote control by tournament engineers. There are separate modes that also mean the GTM can be used by the Coaches, Referees, and arena Announcers.The GTM is available in a stripped down version, with no direct top panel controls, for system integrators
Top Panel MixerThe top panel contains three level controls for the user to adjust their desired mix into their headphones from the following sources:GAME: This is the stereo level of the game audioTEAM: This is the overall level of the team comms channelME: This is the level of the users own voice in their headphonesLarge controls allow for quick and easy adjustments and a multicolour LED ring around the control indicates the level positionEach control is also a push button that can be used for future developments.
Game Audio SourceFor compatibility with multiple tournaments and gaming platforms, there are 5 options of sources for the stereo game audio on the rear panel, which are routed to the GAME headphone level control. Source
SPDIF A stereo digital optical TOSLink connectionAUX IN An analogue stereo input on a 3.5mm (1/8") jack socketUSB Stereo USB audio input on a USB C connectionDANTE Two single channel sources are available from the network
Multi Channel Mix Sources
DanteFrom the Dante/AES67 network there are 3 stereo inputs available. These can be mixed to 2 channel stereo using the separate GlenController Remote app. Each stereo pair also has a balance control.Typically only a single stereo pair is used for the game audio, but the further inputs allow for future options and flexibility.
HD-SDI (option)The optional HD-SDI connection is de-embedded to provide 4 pairs of stereo audio sources. These can be mixed to 2 channel stereo using the separate GlenController Remote app. Each stereo pair has a balance control. Typically only a single stereo pair is used for the game audio, but the further. inputs allow for future options and flexibility.The HD-SDI signal is looped out so the GTM can be used inline of the video signal.Team Mixer
The top panel TEAM pot adjusts the level of the Team Group Mix to the user.
The GTM has an internal mixer that generates a team group mix between all members of the same team. This allows all members of the team to be able to communicate with each other.
There is a multi input, Dante/AES67 mixer controllable via GlenController that sets the levels of all audio being mixed to the GTM TEAM pot of 1 of 7 teams. Typically this is just a mono mix of the 6 other team members but there are also further sources available:
Front Panel Connections
There are options of connections on the front panel for the user of the GTM
Headset Connection - 3.5mm (1/8" jack socket) TRRSThis allows connection of a typical gaming headset using a single jack for the headphones and microphone. 2.5v or 5v bias can be selected.Mic Input - 3 Pin XLRFor connecting a professional broadcast grade microphone using a separate 3 pin XLR plug. The input is dynamic with selectable 48v phantom power. A high performance mic compressor is selectable at 3 levels.
Headphone OutputThe headphone output is available in parallel via a 3.75mm (1/4") and a 2.5mm (1/8") jack sockets.Two Headphone AmplifiersThe two headphone outputs and the headset output use independent headphone amplifiers. The game audio and/or pink noise can be mixed to each output independently. See the remote control page for further info.
Rear Panel ConnectionsSourcesThe multiple input sources for the game monitoring are available via the rear panel. The input source can be selected via the push button. This can be locked to prevent local access if required.
Mic GainThe mic input gain can be adjusted via the rear panel pushbuttons. This can be locked to prevent local access if required.
Phantom Power & Bias48V phantom power can be selected, or if using the headset, 2.5V or 5V bias can be used.
Network ConnectionTwo network connections are available so a redundant network can be available if required for backup. The GTM is powered via PoE from the network switch or via a midspan PoE injector.
HD-SDI (option)The HD-SDI input is looped through, so the GTM can be used inline of the video signal. HD-SDI is an option and not on the standard GTM.
Game Integrity Features
Background Audio GuardThe GTM has introduced the Background Audio Guard facility that allows reduction of the background noise by up to 40dB. There is separate gating at 34 different frequencies, to prevent unwanted arena noise from entering the mic and being shared across the team talk mix and the gamers own headset. This reduces the possibility of any team gaining a competitive advantage from overhearing a potential advantageous comment leaking from the mic input.
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Virgil D2P
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The D2P features Glensound’s auto impedance load balancing system to allow consistent gain ranges across the pot when using headphones between 32-1000 ohms.
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Beatrice B4+ Single User 4 Channel Belt Pack Dante/AES67 Intercom
Four separate level controls for monitoring which can be pushed flush with the front panel to further reduce the unit dimensions.
The Beatrice B4+ has remote control functions using the Windows 10 app GlenController.
Headset connection can be 3 pin mic input only, 4 pin headset or 5 pin headset. 6.35mm headphone jack socket.
It is POE powered via a locking EtherCON connector.
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To make it easy to send audible instructions to the users an internal speaker and balanced XLR audio output are also included that through the configuration menu can pass audio from the Dante/AES67 network if required.
The Beatrice LH4 is in a compact unit with a bright lighthouse tower for signalling. There is an onboard configuration screen and it is PoE powered.
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Beatrice R8
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This 1RU rackmount intercom was designed to be very easy to use for the operator and simple to set up for the technician. It includes all the basic functionality required for small intercom systems and none of the overly complex installation requirements normally associated with large systems.
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Beatrice R4
It is part of our Beatrice intercom system that utilises the reliable and proven Dante network audio transmission protocol to allow real time distribution of uncompressed audio across standard networks. As such the BEATRICE R4 is also fully compatible with other manufacturers’ equipment using the Dante protocol.
The Beatrice R4 is also AES67 compliant.
This small desktop unit was designed to be very easy to use for the operator and simple to set up for the technician. It includes all the basic functionality required for small intercom systems and none of the overly complex installation requirements normally associated with large systems.
* From a maximum of of 2 network locations.
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Beatrice R16
It is part of our Beatrice intercom system that utilises the reliable and proven Dante network audio transmission protocol to allow real time distribution of uncompressed audio across standard networks. It is also AES67 compliant. As such the BEATRICE R16 is fully compatible with other manufacturers’ equipment using the Dante and/ or AES67 protocols.
This 1RU rackmount intercom was designed to be very easy to use for the operator and simple to set up for the technician. It includes all the basic functionality required for small intercom systems and none of the overly complex installation requirements normally associated with large systems.
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Beatrice P2
The user of the handset on the P2 unit can listen to two audio feeds from the network and send two audio channels out onto the network. Depending upon how the Dante® network has been routed, the incoming audio circuits and outgoing circuits can be different locations and the outgoing circuits can be routed to multiple locations.
Audio to the handset from the two network sources is routed to the telephone's earpiece only when the handset is off the hook. When the handset is picked up (off hook), the handset's microphone is turned on and two switches allow the operater to route the handset's microphone to one or other (or both) of the outgoing network audio channels.
The Beatrice P2 unit is fully compatible with other manufacturers' equipment using the Dante® protocol.
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Beatrice P1
The user of the handset on the P1 can listen to one audio feed from the network and send one audio channel out onto the network. Depending upon how the Dante network has been routed, the incoming audio circuit and outgoing audio circuit can be different locations and the outgoing circuit can be routed to multiple locations.
Audio to / from the handset is automatically turned on when the handset is off the hook and turned off when on the hook.
The Beatrice P1 unit is fully compatible with other manufacturers' equipment using the Dante protocol.
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Beatrice MIX32
A number of different mix-minus mixes can be set on each of 32 x 32 mixer cards. These make it very practical to use as a central intercom mixing hub.
Audio limiter/ compressor circuits are also provided for each output.
The fixed ratio mixes in the Beatrice MIX32 were originally designed to allow network audio intercom systems to generate multiple listening circuits, however the high quality, low noise, digital mixers can be also be used for many other applications.
A priority mode can be used, and when a signal is present on a priority input, all other inputs are dimmed.
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Dante network audio is a common protocol for distributing high quality linear audio over standard IP networks and it is widely used by many audio equipment manufacturers. The Glensound Beatrice Mix32 Dante audio interface will be compatible with any other manufacturers' Dante audio interface.
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LQ Series
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Beatrice D8
It is part of our Beatrice intercom system that utilises the reliable and proven Dante network audio transmission protocol to allow real time distribution of uncompressed audio across standard networks. It is also AES67 compliant. As such the BEATRICE D8 is fully compatible with other manufacturers’ equipment using the Dante and/ or AES67 protocols.
This desktop intercom was designed to be very easy to use for the operator and simple to set up for the technician. It includes all the basic functionality required for small intercom systems and none of the overly complex installation requirements normally associated with large systems.
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Beatrice D4
It is part of our Beatrice intercom system that utilises the reliable and proven Dante network audio transmission protocol to allow real time distribution of uncompressed audio across standard networks. As such the BEATRICE D4 is also fully compatible with other manufacturers’ equipment using the Dante protocol.
The Beatrice D4 is also AES67 compliant.
This small desktop unit was designed to be very easy to use for the operator and simple to set up for the technician. It includes all the basic functionality required for small intercom systems and none of the overly complex installation requirements normally associated with large systems.
* From a maximum of 2 network locations.
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Beatrice D16
It is part of our Beatrice intercom system that utilises the reliable and proven Dante® network audio transmission protocol to allow real time distribution of uncompressed audio across standard networks. It is also AES67 compliant. As such the BEATRICE D16 is fully compatible with other manufacturers’ equipment using the Dante® and/ or AES67 protocols.
This sixteen channel desktop intercom was designed to be very easy to use for the operator and simple to set up for the technician. It includes all the basic functionality required for small intercom systems and none of the overly complex installation requirements normally associated with large systems.
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Beatrice B4
It is part of our Beatrice intercom system that utilises the reliable and proven Dante network audio transmission protocol to allow real time distribution of uncompressed audio across standard networks. As such the BEATRICE B4 is also fully compatible with other manufacturers’ equipment using the Dante protocol.
The Beatrice B4 is also AES67 compliant.
This small desktop unit was deigned to be very easy to use for the operator and simple to set up for the technician. It includes all the basic functionality required for small intercom systems and none of the overly complex installation requirements normally associated with large systems.
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Beatrice B2
It is part of our Beatrice intercom system that utilises the reliable and proven Dante network audio transmission protocol to allow real time distribution of uncompressed audio across standard ethernet networks. As such the BEATRICE B2 is also fully compatible with other manufacturers’ equipment using the Dante protocol. It is also AES67 compliant.
This small beltpack was designed to be very easy to use for the operator and simple to set up for the technician. It includes all the basic functionality required for small intercom systems and none of the overly complex installation requirements normally associated with large systems.
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It is part of our Beatrice intercom system that utilises the reliable and proven Dante network audio transmission protocol to allow real time distribution of uncompressed audio across standard ethernet networks. As such the BEATRICE B1 is also fully compatible with other manufacturers’ equipment using the Dante protocol. It is also AES67 compliant.
This small beltpack was designed to be very easy to use for the operator and simple to set up for the technician. It includes all the basic functionality required for small intercom systems and none of the overly complex installation requirements normally associated with large systems.
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