See why Qumulo was named a Leader for the third year in a row in the Gartner 2020 Magic Quadrant for Distributed File Systems & Object Storage
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If you are looking to start or grow your own media business, you should consider all the opportunities available to you. From offering monthly subscriptions to receiving charitable donations securely, it can be tough to know where to start. Discover the most popular ways that creators and content owners are monetising their media online in our new infographic.
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Today, broadcasters and facility operators have a choice of how to find and monitor content passing through the distribution and playout chains. While traditional detection methods such as time and date searches and predefined metadata are still valid and used widely, newer and more sophisticated techniques such as digital watermarking and fingerprinting, combined with the increasing use of computer-based automation are making inroads into the market and have to be considered viable alternatives.
The challenge is to harness the potential of machine learning and decide what is the best model for specific operations, whether based locally at the user's premises or remotely on cloud- based platforms...
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Today, the media landscape encompasses thousands of modes of communicating information at lightning speeds — from the smartphone to the smartwatch, to interactive adverts on streets and in cities. There are, in fact, so many outlets to disperse information that businesses, companies, and corporations are struggling to stay present with the ever-changing information technologies.
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Over time, the capability of many of the industry’s leading media and metadata management systems and tools has continued to advance, but can they change quickly enough to keep ahead of the new demands? The relentless, almost geometric growth, across the industry, in both the volume of files and complexity of data required for identification and global exploitation, poses a significant performance challenge to all vendors.
This, coupled with the necessity to increase automation and dramatically reduce human intervention at every point in the supply chain, has meant many vendors have had to step back and consider if their products remain “fit for purpose”.
Three Media was no different and performed an intensive ‘bottom up’ analysis of their XEN: product set.
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Competition for viewer “eyeballs”, to use the industry term, has never been more intense. Part of this is due to the proliferation of viewing channels and distribution mechanisms, as well as increasing pressure on the entire economic model for content creation, distribution and monetization.
On the other side of the coin, viewers expect high quality in creation, output and delivery. They want that content delivered whenever and wherever they want, and they want to minimize how much they pay for it. Simply put, viewers’ expectations are at an all-time high, at a time when they have a staggering amount of choices.
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For diehard football fans everywhere, COPA90 is “How Football Feels.” That tagline says it all:
As the world’s largest independent football media business, COPA90 reaches millions of fans and followers across a multitude of online platforms and social media channels. Unlike traditional rights holders that stream live matches, COPA90 focuses on the world of fan culture – serving up a rich helping of content ranging from chats with favorite footballers and in-depth documentaries to amazing animations and explainers about the biggest stories in the game.
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