Join the Cloudian and Storage Made Easy teams for a demonstration of a remote media workflow utilizing industry tools. Skip the boring webinars and opt for a slide free interactive learning experience.
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With the lockdown came the abrupt halt in production, broadcast and live events. However, as a company disguise took immediate action going above and beyond to provide vital lifelines to our community, along with an upswing in our xR (extended reality) workflow being utilised on a series of projects aimed at providing an immersive viewing experience for remote audiences.
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The current climate has certainly spurred a movement towards the virtualization of broadcast media infrastructure. Zixi’s Software-Defined Video Platform can help media companies navigate this transition expertly, without sacrificing continuity of broadcast operations. Despite the challenges brought on by the COVID-19 pandemic, Zixi has been able to provide continuity and quality of service, both within the company and for our clients and partners.
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Etere was started in 1987 in Tolentino, Italy, by the partners, Fabio Gattari and Fabio Mazzocchetti. Fabio Gattari remains the founding director of the company today. From its beginnings, Etere believes in preparing users for the future of technologies with continuous innovation and service excellence. It is an early adopter of transformative innovations that allow its users to enhance their adaptability in the market.
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In the last decade alone, live video experience has made huge strides with the introduction of ultra-high definition (UHD) TV in 2012 and its subsequent progress to 8K. Apart from the proliferation of camera technology, advancements in digital video imaging have had a major role to play in the evolution of video capture resolutions. With UHD content fast becoming a mainstay among consumers, broadcasters and production houses are looking to enhance other critical aspects of the live video streaming experience such as greater dynamic ranges, broader color gamut, and faster picture capture rates.
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Editors and artists strive to produce creative, compelling content while working under the pressure of tight deadlines, shrinking budgets and fierce competition. And, somebody has to make sure that they have the right tools so they can focus on the work at hand rather than being bogged down by technology issues. Finding the right solutions means professionals can focus on content creation rather than fighting with archaic systems that no longer meet their needs.
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The Ultra HD Forum has recently updated its service tracker that shows good progress of UHD services, in this session, we will present an update of the first numbers presented at NAB’20. We will also present the progress of UHD in the broadcast world as services are now on air already in Korea, Japan and now the US.
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How AI can save you from drowning in the archive
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Strawberry is an award-winning Production Asset Management Suite (PAM) that helps customers with their workflows for creative projects. Strawberry solves key storage and access control issues that plague every media production house. For a PAM to be effective, it must integrate tightly with key creative applications, accelerate production workflows, and manage the underlying production storage. Strawberry does this and more, so that you can utilize your creative talent more effectively. Its unique approach leads to time savings for staff and increases storage efficiency. If you have tired of constantly adding storage and see that a smarter workflow is the solution, have a closer look.
Limecraft is on a mission to become the largest backbone for professional video production. Limecraft Flow is an online platform used by producers and post facilities worldwide to store and exchange video, to interact and to manage the production workflow. Seamlessly integrated AI services are key to industrialise the production process, thereby significantly reducing the operational cost and the turn around time.
