Produce » Post Production » Editing and Finishing » Non-linear editing »

With more creative options and real-time, no-render editing of all popular SD, HD and even 4K and HDR formats, EDIUS Pro 9 is THE most versatile and fastest nonlinear editing software available. EDIUS Pro 9 from Grass Valley, a Belden Brand, gives you real-time editing of multiple formats and frame rates all on the same timeline. That means you can edit faster… and make the time to be more creative.

Produce » Post Production » Editing and Finishing » Non-linear editing »

The best post production is equal parts stand-out creativity and leading-edge technology. Our teams deliver both, earning awards and a reputation for excellence with major broadcasters and studios all over the world. Based in Ireland, Norway, Germany, Finland and Belgium, we provide VFX and post production services—from full HD and 4K finishing to HDR editing—to the broadcast, film, commercial, corporate and digital markets.

FULL PICTURE POST SERVICE
Dailies, editing, grading, finishing, deliverables, DCDM, DCP
Picture post at HD, 2K, 4K
Over 300 suites worldwide offering Avid, DaVinci, Flame, FCP, Smoke, including 220 cloud editing suites

FULL SOUND POST SERVICE
Editorial, foley, ADR, mixing, deliverables
Mixing in stereo and 5/1 for broadcast and cinema
Editorial rooms and TV mixing rooms; Dolby-approved feature mixing stages

VISUAL EFFECTS (VFX)
Full production VFX and CGI service
3D Max and Adobe CC
A 120 node render farm

GRAPHIC DESIGN AND ANIMATION
Full graphic design and animation for commercials
Full title and package design for broadcast
Specialists in live and post GFX design for sports

Produce » Post Production » Editing and Finishing » Non-linear editing »

Medway makes Avid work flow
Medway enabled a complete digital workflow ensuring Edit Platforms, MAMs, Video Servers and Archive Systems can work seamlessly together.
Medway is a cloud and ground media-savvy middleware, widely used in the industry by many organisations such as Discovery, CBS, BBC, RTVE, MDR and ABS-CBN. Usually it is used to integrate network contacted and incompatible systems, such as post-production, DAM, transmission and media servers.
Intelligent media file, metadata, control and status management are key to the operation of Medway. However, with Medway the level of granularity and quality of these integrations is technically far superior to any other cloud or ground based system or service,
It is a simple concept; Medway integrates incompatible systems, It also manages incompatible media and metadata, presenting it in a way that interoperates easily between multiple systems.
However, for many applications this capability is useful, but not enough for more sophisticated workflows and use cases. In this short explanation we describe why Medway is a more useful infrastructure component and why it has more capability and why it’s a better strategic choice when considering both ground and cloud based workflows.

Produce » Post Production » Editing and Finishing » Non-linear editing »

 Hive content management Plug-in to Adobe After Effects
 Search / query by various metadata
 Preview Hive clips
 Import clip to Premiere Project as direct access to Hive storage (by link).
 Single click to trigger Adobe media encoder rendering premiere sequence and register the rendered clip back to Hive content management via Hive Plug-in
 Save and share Adobe AE project in Hive

Produce » Post Production » Editing and Finishing » Non-linear editing »

It's time to raise your expectations of what a small-form-factor PC can do. Ultra-compact, powerful, and designed for creative professionals, ProArt Station D940MX packs a workstation-grade processor and graphics into a small and slim chassis. Its unconventional design features LED indicator that lets you know the current status of the PC, and houses an advanced thermal system, including hybrid system and multi-zone design, that ensures smooth and quiet operation even under full load.

Produce » Post Production » Editing and Finishing » Non-linear editing »

 Mixed editing with variety of formats
 Most of the industry’s broadcast native media support, from 4k to virtual reality to smartphone including XAVC 10bit
 Share programs with 3rd party NLE system via AAF, FCP xml
 Seamless working with MBH Material List
 Customized keyboard shortcut
 Edit efficient with great workflow
 Edit while SDI ingesting
 Edit while file importing
 Single click to register timeline to a Story
 Automatic retrieving clips while starting to render
 Variety of default effect templates
 Open to integrate with 3rd party graphics, e.g. VizRT, Ross (requires custom integration)
 Flexible to switch local rendering or background rendering

Produce » Post Production » Editing and Finishing » Non-linear editing »

 Connect In-House system via VPN
 Search and preview both In-House and Local clips
 Mixed Editing both In-House and Local clips
 Manually select to synchronize field editing sequence back to In-House
 Automatically uploading the corresponding local clips used in the
sequence back to In-House system. (Only upload the partial pieces used
in the sequence)
 Download In&Out piece of clip from In-House system to local field editor
 Transfer clips back to In-House
Support local rendering and send the rendered clip back to In-House system by FTP transferring

Produce » Post Production » Editing and Finishing » Non-linear editing »

 Browser-based workflow to allow users editing anywhere and anytime
 Direct distribute videos to broadcast Rundown , and social media
 Unlimited video and audio tracks editing
 Editing while ingesting
 Voice Over recording and graphics templates e.g. Adobe After Effects integration
 Repurpose video in multiple formats including 1:1 and 9:16 video with text on video
 Timeline exchange with Hive editor, Adobe Premiere with markers and metadata

Produce » Post Production » Editing and Finishing » Non-linear editing »

 Hive content management plug-in to Adobe Premiere
Search / query by various metadata
Preview clips by Source Viewer
Import clip to Premiere Project as direct access to Hive storage (by link). All clip markers with metadata are inherited and displaying on premiere timeline
 Efficient editing workflow with Hive Content management Plug-in
Single click to trigger Adobe media encoder rendering premiere sequence and register the rendered clip back to Hive content management via Hive Plug-in
Register consolidated files to Hive Rundown and to Hive central storage
Save and share Premiere project in Hive for collaborative editing

Produce » Post Production » Editing and Finishing » Non-linear editing »

Epoch | 4K Supernova S+ is Bluefish444’s fully-featured 4K/UHD, 2K/HD & SD video and audio I/O card for professional video workflows on Windows, macOS and Linux operating systems.

Capable of up to 4 independent and simultaneous channels of 3G/HD/SD-SDI input or output, 4K Supernova S+ also features a fifth BNC for SDI monitor output and a dedicated Reference input BNC.

Cross-platform support with industry-leading 3rd-party software

Adobe Creative Cloud | Assimilate SCRATCH | Avid  | Avmeda  | Brainstorm  | BTi | CasparCG | ChryonHego | ClassX | Dataton | Drastic Technologies 4KScope & VideoQC | DVBControl | Etere | Foundry Nuke | Libero Systems | Marquise Technologies MIST & ICE | Masterplay | Media 5 | Media-Alliance | Medialooks | Metus | MOG | NewTek | Nverzion  | Resolume | Ross Video | Streamstar | Telestream Wirecast | Touchdesigner | Unity | Unreal Engine | Unreal Streaming Technologies | Vizrt Viz Engine & Viz Arena | vMix | VRi | Xdream Media | Zinemath zLense

All Bluefish video cards are Thunderbolt compatible, work with the free Bluefish acquisition application IngeSTore, the Bluefish cross-platform SDK, and leading 3rd party content creation tools.

Bluefish products are deployed globally throughout the broadcast graphics, post-production, live event and entertainment, immersive graphics, proAV, corporate, military, government, medical and education markets, including integration into digital intermediate, mobile production, QC and compliance, Video Over IP and video streaming workflows.

FREE multi-channel capture tool, IngeSTore

• Capture up to 4 channels of video


• Wide range of codec options


• Records direct to shared storage, including Avid shared storage


• Growing file support with Edit-While-Record in Adobe Premiere Pro and Avid Media Composer


• REST API to control remotely


• RS-422 Controller


• Encode for live production, post production, archival and streaming workflows

MAJOR FEATURES

Bi-directional I/O’s provide unrivalled flexibility

• 4 bi-directional BNC video connectors supporting 3G/1.5G SDI I/O


• Up to 4K UHD 30p playout or capture via Dual Link 3G-SDI


• Each BNC is completely independent

Maximum connectivity

• Additional BNC for SDI monitoring


• Dedicated Reference input BNC

The industry's lowest latency I/O, by design

4K Supernova S+ has, by design, the world's lowest-latency providing access to captured fields or frames to on-board card memory event before the whole field or frame is complete, thereby reducing the latency to sub on field or frame. During a capture or playout, each process can occur at less than or equal to 1 field for interlaced modes, and less than 1 frame for progressive modes.

Maintaining a 12-bit processing pipeline

• 12-bit image processing is standard on all Bluefish video cards


• Allows 8, 10 & 12-bit SDI video signals to be produced from 8, 10, 12 & 16-bit pixel formats providing the highest image quality available from your source material


• 4096 discrete values of red, green & blue are maintained per pixel


• 4 times the colour precision of a traditional 10-bit processing pipeline!

Maintaining the highest quality RGB <=> YUV

• Fully programmable 4 x 4 x 33-bit colour matrix providing the highest quality colour space conversions


• Reduces colour space conversion errors and ensures the highest quality colour accuracy during capture, monitoring and mastering

Thunderbolt expansion chassis compatibility

• Compatible with Sonnet, One Stop Systems Magma, Netstor, and AKiTio Thunderbolt devices for multichannel mobile production


• Visit Bluefish's website for a full list of qualified 3rd-party chassis options

Low-latency video keyer

• Low latency hardware video keyer


• Allows video layers to be combined in hardware with microseconds of delay


• Enables animated logos, captions, tickers, and more to be keyed over live video feeds at full 12-bit precision, and with minimum input to output delay


• Can also function as an image pre-multiplier to assist in previewing images with alpha data

Produce » Post Production » Editing and Finishing » Non-linear editing »

NewsBase provides state-of-the-art editing capabilities. It can be installed almost on all types of PC hardware. It is part of A-MAM and NewsHouse ecosystem.

Features

• The module is easy to use even by non-professionals


• In some cases there is no need to delegate tasks to  third party NLE systems.


• Integration with NewsHouse makes editing 45% faster


• The module can be integrated with A-MAM which facilitates the access to shared media files and video archive

Produce » Post Production » Editing and Finishing » Non-linear editing »

Mistika VR is an affordable Virtual Reality focused software solution for optical flow stitching that achieves speeds quicker than real-time for a 4K VR media encoding and stabilizes 360º footage in just one simple click. It has truly revolutionized the way multi-camera stitching is done and reduced the time taken to correct footage from hours to minutes - all at the highest possible quality. It is built on high-end Mistika Technology that is accessible for the masses with flexible payment options, based on a pay-per-use business model. SGO has been consistently improving Mistika VR with several significant upgrades, introducing various new features and other exciting improvements, contributing to a much more efficient VR 360º post-production workflow. Importantly, many of the VR camera manufacturers have adopted Mistika VR as a first choice solution providing metadata which ensures a faster, better and more precise stitch.
Mistika VR integrates VR 360 and other immersive formats in the workflow of traditional post-production pipelines, solving all the particularities of the media while sufficiently overlapping with further stages in the production chain.
In principle, the complexity to integrate this format comes due to following facts: First, VR 360º is normally based on rigs with many cameras, so they are difficult to process with traditional post-production pipelines based on one camera per shot. Secondly, The particular problems of the format itself: Geometry alignment, stitching, Stereo3D / depth grading, color matching between the cameras, stabilization in a 360 environment. Mistika VR is focused on solving all those points, and then deliver a traditional 2D image (or one per eye) in the most common formats used for post-production.
Mistika VR is based on the following ingredients:
Low-cost business model and pay per use. VR requires high-end technology, but short productions do not justify high-end investments in permanent infrastructure (at least until the market is mature). Mistika VR is available to download for Windows and macOS with flexible payment options on a subscription basis from just $60 a month.
High performance, even with small resources. Mistika technology is 100% based on GPU and has been being optimized for more than 20 years of Mistika Technology development. In the last year, SGO has been able to squeeze the most advanced high-end optical flow engine into small computers, even laptops, which is vital for the success in these environments.
High-end quality for the masses. Many VR camera solutions provide basic stitching capabilities for VR 360 formats. But past the novelty factor, VR 360 magic demands the ultimate image quality that is required to immerse us in a virtual world. The Mistika VR mission is to take the “frameless” format to the next level and making sure it is here to stay.
A complete solution encapsulating all the multi-camera tasks. The idea to start with Mistika VR and then use traditional resources would not be possible if one or more tasks requiring multiple camera manipulation are left out of the workflow. For this reason, Mistika VR covers not only the image stitching but also all other important tasks such as color matching, stabilization, Stereo3D adjustments, Keyframe Animation, etc.
Uniquely, Mistika VR functionality is perfectly integrated into the Mistika Ultima finishing solution used by studios and high-end facilities, thus covering the entire range of potential projects. This allows enhanced collaboration between small and big players and the flexibility to grow with new companies that are evolving to create various immersive experiences.