Produce » Post Production » Editing and Finishing » Non-linear editing »

The XRE Transcoder 9 from Grass Valley, a Belden Brand, is a standalone conversion solution that enables broadcasters and media companies to automate the transcoding of media files, using watch folders that can be placed anywhere on a network. Transcoding is fully optimized to the host machine’s specifications and is faster than real-time in many cases. Supplied as software or a full turnkey system and connected via Ethernet, XRE Transcoder 9 gives editors in a workgroup the freedom to spend their time editing, not transcoding, and supports the extensive list of formats and codecs that has made EDIUS such a force in broadcast news production.
New in version 9 of the XRE Transcoder is an “Effect Template” feature that allows customized effects such as layered graphics, image side bar blur, speed change, HDR metadata inclusion and more, to the clip as it is being transcoded. XRE Transcoder 9 can be used with any third-party professional NLE system. A simple interface allows off-loading of transcoding jobs from the NLE system to the XRE Transcoder, and an SDK is available to facilitate integration into third-party systems and workflows. Transcoding job status can be monitored from any machine on the network. Multiple servers can be configured as nodes to share jobs.

Produce » Post Production » Editing and Finishing » Non-linear editing »

With more creative options and real-time, no-render editing of all popular SD, HD and even 4K and HDR formats, EDIUS Pro 9 is THE most versatile and fastest nonlinear editing software available. EDIUS Pro 9 from Grass Valley, a Belden Brand, gives you real-time editing of multiple formats and frame rates all on the same timeline. That means you can edit faster… and make the time to be more creative.

Produce » Post Production » Editing and Finishing » Non-linear editing »

The best post production is equal parts stand-out creativity and leading-edge technology. Our teams deliver both, earning awards and a reputation for excellence with major broadcasters and studios all over the world. Based in Ireland, Norway, Germany, Finland and Belgium, we provide VFX and post production services—from full HD and 4K finishing to HDR editing—to the broadcast, film, commercial, corporate and digital markets.

FULL PICTURE POST SERVICE
Dailies, editing, grading, finishing, deliverables, DCDM, DCP
Picture post at HD, 2K, 4K
Over 300 suites worldwide offering Avid, DaVinci, Flame, FCP, Smoke, including 220 cloud editing suites

FULL SOUND POST SERVICE
Editorial, foley, ADR, mixing, deliverables
Mixing in stereo and 5/1 for broadcast and cinema
Editorial rooms and TV mixing rooms; Dolby-approved feature mixing stages

VISUAL EFFECTS (VFX)
Full production VFX and CGI service
3D Max and Adobe CC
A 120 node render farm

GRAPHIC DESIGN AND ANIMATION
Full graphic design and animation for commercials
Full title and package design for broadcast
Specialists in live and post GFX design for sports

Produce » Post Production » Editing and Finishing » Non-linear editing »

Medway makes Avid work flow
Medway enabled a complete digital workflow ensuring Edit Platforms, MAMs, Video Servers and Archive Systems can work seamlessly together.
Medway is a cloud and ground media-savvy middleware, widely used in the industry by many organisations such as Discovery, CBS, BBC, RTVE, MDR and ABS-CBN. Usually it is used to integrate network contacted and incompatible systems, such as post-production, DAM, transmission and media servers.
Intelligent media file, metadata, control and status management are key to the operation of Medway. However, with Medway the level of granularity and quality of these integrations is technically far superior to any other cloud or ground based system or service,
It is a simple concept; Medway integrates incompatible systems, It also manages incompatible media and metadata, presenting it in a way that interoperates easily between multiple systems.
However, for many applications this capability is useful, but not enough for more sophisticated workflows and use cases. In this short explanation we describe why Medway is a more useful infrastructure component and why it has more capability and why it’s a better strategic choice when considering both ground and cloud based workflows.

Produce » Post Production » Editing and Finishing » Non-linear editing »

 Mixed editing with variety of formats
 Most of the industry’s broadcast native media support, from 4k to virtual reality to smartphone including XAVC 10bit
 Share programs with 3rd party NLE system via AAF, FCP xml
 Seamless working with MBH Material List
 Customized keyboard shortcut
 Edit efficient with great workflow
 Edit while SDI ingesting
 Edit while file importing
 Single click to register timeline to a Story
 Automatic retrieving clips while starting to render
 Variety of default effect templates
 Open to integrate with 3rd party graphics, e.g. VizRT, Ross (requires custom integration)
 Flexible to switch local rendering or background rendering

Produce » Post Production » Editing and Finishing » Non-linear editing »

It's time to raise your expectations of what a small-form-factor PC can do. Ultra-compact, powerful, and designed for creative professionals, ProArt Station D940MX packs a workstation-grade processor and graphics into a small and slim chassis. Its unconventional design features LED indicator that lets you know the current status of the PC, and houses an advanced thermal system, including hybrid system and multi-zone design, that ensures smooth and quiet operation even under full load.

Produce » Post Production » Editing and Finishing » Non-linear editing »

ASUS ProArt PA148CTV is a 14-inch FHD portable monitor designed for creators. PA148CTV delivers exceptional color thanks to 100% sRGB and 100% Rec. 709 color spaces, and it is world’s 1st portable monitor that reach Calman Verified certification and factory pre-calibrated to provide a Delta E < 2 color difference. The anti-glare IPS panel features wide viewing angles with minimal color shift, even when viewed from off-center positions.

Produce » Post Production » Editing and Finishing » Non-linear editing »

 Hive content management Plug-in to Adobe After Effects
 Search / query by various metadata
 Preview Hive clips
 Import clip to Premiere Project as direct access to Hive storage (by link).
 Single click to trigger Adobe media encoder rendering premiere sequence and register the rendered clip back to Hive content management via Hive Plug-in
 Save and share Adobe AE project in Hive

Produce » Post Production » Editing and Finishing » Non-linear editing »

 Hive content management plug-in to Adobe Premiere
Search / query by various metadata
Preview clips by Source Viewer
Import clip to Premiere Project as direct access to Hive storage (by link). All clip markers with metadata are inherited and displaying on premiere timeline
 Efficient editing workflow with Hive Content management Plug-in
Single click to trigger Adobe media encoder rendering premiere sequence and register the rendered clip back to Hive content management via Hive Plug-in
Register consolidated files to Hive Rundown and to Hive central storage
Save and share Premiere project in Hive for collaborative editing

Produce » Post Production » Editing and Finishing » Non-linear editing »

 Browser-based workflow to allow users editing anywhere and anytime
 Direct distribute videos to broadcast Rundown , and social media
 Unlimited video and audio tracks editing
 Editing while ingesting
 Voice Over recording and graphics templates e.g. Adobe After Effects integration
 Repurpose video in multiple formats including 1:1 and 9:16 video with text on video
 Timeline exchange with Hive editor, Adobe Premiere with markers and metadata

Produce » Post Production » Editing and Finishing » Non-linear editing »

 Connect In-House system via VPN
 Search and preview both In-House and Local clips
 Mixed Editing both In-House and Local clips
 Manually select to synchronize field editing sequence back to In-House
 Automatically uploading the corresponding local clips used in the
sequence back to In-House system. (Only upload the partial pieces used
in the sequence)
 Download In&Out piece of clip from In-House system to local field editor
 Transfer clips back to In-House
Support local rendering and send the rendered clip back to In-House system by FTP transferring

Produce » Post Production » Editing and Finishing » Non-linear editing »

In nearly 30 years’ as one of the media industry’s leading suppliers and support partners, we’ve seen Premiere Pro’s popularity skyrocket, taking over the creative agencies, sport organisations, winning over ITV and even being adopted by household names like David Fincher.

The latest incarnation features Productions, a powerful new toolkit for managing multi-project workflows. Large complex workflows can be divided into manageable projects, which editors can collaborate on using shared local storage. Assets can be shared between projects within a Production, without creating duplicate files. And large scale projects can be broken into reels or episodes where multiple editors collaborate according to their preferred workflow using a shared storage network.

If you want to get started with Premiere Pro, expand your Adobe workflow or learn more about Productions, we’re the ones to ask. As an Adobe Platinum Reseller, we offer the best possible pricing on Adobe licences, and as an Adobe Systems Integration Partner, we can help you build a streamlined Premiere Pro workflow with optimised hardware and infrastructure.