Produce » Post Production » Editing and Finishing » Non-linear editing »

 Hive content management Plug-in to Adobe After Effects
 Search / query by various metadata
 Preview Hive clips
 Import clip to Premiere Project as direct access to Hive storage (by link).
 Single click to trigger Adobe media encoder rendering premiere sequence and register the rendered clip back to Hive content management via Hive Plug-in
 Save and share Adobe AE project in Hive

Produce » Post Production » Editing and Finishing » Non-linear editing »

 Hive content management plug-in to Adobe Premiere
Search / query by various metadata
Preview clips by Source Viewer
Import clip to Premiere Project as direct access to Hive storage (by link). All clip markers with metadata are inherited and displaying on premiere timeline
 Efficient editing workflow with Hive Content management Plug-in
Single click to trigger Adobe media encoder rendering premiere sequence and register the rendered clip back to Hive content management via Hive Plug-in
Register consolidated files to Hive Rundown and to Hive central storage
Save and share Premiere project in Hive for collaborative editing

Manage » Manage & Orchestrate » Content & Workflow Management » Archive and preservation management »

 Support multiple archive mediums, e.g. HDD storage and Sony ODA Library
 Flexible archiving policy to achieve variety of archiving workflow
 User can set customized archive policy based on metadata to trigger automatically archiving workflow in Hive system, e.g. archiving by clip created date, archiving by certain folders, archiving only high-res and so on
 Support manual retrieving by Web Content Management or Hive Material List
 Support auto-retrieving while rendering

Produce » Post Production » Editing and Finishing » Non-linear editing »

 Mixed editing with variety of formats
 Most of the industry’s broadcast native media support, from 4k to virtual reality to smartphone including XAVC 10bit
 Share programs with 3rd party NLE system via AAF, FCP xml
 Seamless working with MBH Material List
 Customized keyboard shortcut
 Edit efficient with great workflow
 Edit while SDI ingesting
 Edit while file importing
 Single click to register timeline to a Story
 Automatic retrieving clips while starting to render
 Variety of default effect templates
 Open to integrate with 3rd party graphics, e.g. VizRT, Ross (requires custom integration)
 Flexible to switch local rendering or background rendering

Produce » Post Production » Editing and Finishing » Non-linear editing »

 Connect In-House system via VPN
 Search and preview both In-House and Local clips
 Mixed Editing both In-House and Local clips
 Manually select to synchronize field editing sequence back to In-House
 Automatically uploading the corresponding local clips used in the
sequence back to In-House system. (Only upload the partial pieces used
in the sequence)
 Download In&Out piece of clip from In-House system to local field editor
 Transfer clips back to In-House
Support local rendering and send the rendered clip back to In-House system by FTP transferring

Connect » File Transfer » File & Object Delivery » File transfer and delivery »

 Open API for 3rd party system to integrate
 Direct importing and exporting files with 3rd party system by hot folder
 User can choose non-transcoding or transcoding for the importing / exporting policy

Produce » Post Production » Ingest » Post-production ingest »

 Support multiple professional devices, e.g. SxS / XDCAM / P2 / XDS
 All import tasks can be monitored and controlled by Task List window
 Multiple importing modes
 Import all clips on one medium to be one clip in Hive
 Import all clips on one medium to be separated clip in Hive
 Partial importing
 Multi-selection importing
 Support to preview clip(s) before importing on Import Terminal
 Synchronize NRCS planning information and use for importing metadata
 Open to integrate with 3rd party NRCS, e.g. iNews, ENPS and Open Media
(requires custom integration)
 Write NRCS planning information to XDCAM dics to be XMPilot and then all
imported clips are inherited with the XMPilot metadata

Produce » Post Production » Ingest » Post-production ingest »

 Provide virtual panel to control A/V Router on ingest terminal  VTR batch digitizing  SD / HD mixed recording  Growing file workflows end-to-end. Any feed ingest to content can be used by production editing and rundown broadcasting as quickly as possible  Generate High / Low-res simultaneously while recording  Multiple ingest modes, e.g. Crash recording, Scheduled recording, Periodic recording and Loop recording  Support to import excel file to create batch of scheduled ingest tasks  Live streaming signal monitoring  Preview recording clip by Clip Trimmer  Synchronize NRCS planning information and use for ingest task metadata  Open to integrate with 3rd party NRCS, e.g. iNews, ENPS and Open Media (requires custom integration)  User-friendly operations of Ingest Terminal

Publish » Linear Playout » Linear Playout Systems » Playout automation »

 Fast to AIR
 Playout while transferring
 Playout while ingesting
 Playout mode for Rundown
 Auto/Manual channel assignment
 Loop playback the whole Rundown
 Flexible story playback mode
 Replay story while On-Air
 Go to play any story while the rundown is On-Air
 Openness for 3rd Party NRCS
 Capability of integrating with any NRCS, e.g. ENPS, iNews, OpenMedia and
other 3rd Party NRCS ( by MOS protocol)

Publish » Internet Distribution » Internet Distribution » Internet distribution platforms (incl. social media) »

 Publish to Social Media  One clicking to transcode and publish to multiple platforms, e.g. Twitter, Facebook, Youtube and 3rd party CMS or Website (requires custom integration)  Multiple aspect ratios (1:1,9:16,16:9) and formats publishing

Support » Monitoring, Control & Communications » System Monitoring & Control » Network management, monitoring and orchestration »

Monitoring the system from metrics to insight
 Dimensional data
 Cluster (Hive core) status
 Cluster performance
 Tasks status
 Services status
 Database transactions
 File statistics
 Storage usage
 Windows server status
 Great visualization
 Simple Operation
 Precise Alerting
 Mail notification
 Infinite Expansibility
 Easy log collection

Produce » Real-Time Production » Video Production » Newsroom production management and automation systems »

Hive’s omni-media content platform takes care of the storage, management and sharing of content. Using the most appropriate tools this unified content environment is key to generating efficient, productive and streamlined workflows.

With the latest HTML5 editing tools and the ability to integrate other best of breed toolsets onto the platform, Hive delivers an unparalleled user experience to rapidly process any content for any medium and deliver it whenever, where ever and how ever it is needed.

HIVE has been built on a cloud native distributed services architecture, therefore it is quick to deploy, easy to maintain and cost-effective to provision as workloads change. HIVE can be deployed on premise, in private or public cloud, or as a hybrid mix of all three, enabling ultimate commercial flexibility in the business.

Uniquely for a broadcast production system HIVE has been architected, from the ground up, on data centre class technologies that are not yet capitalised on in the media broadcast industry.

HIVE utilises the advantages of data centre focused and open source technologies (object storage, containers, NoSQL) as opposed to traditional industry configurations of dedicated systems running resources in silos. Thanks to this HIVE leverages internet methodologies to deliver a dynamically scalable, highly scalable and highly available system which can be deployed either on premise or in off-site data centres. See figure 1 to show the architectural differences and key benefits.

Hyper Convergent Node technology enables HIVE to grow (or shrink) with the business performance required. Complex broadcast systems can, for the first time, be designed for a customer’s current level of performance, secure in the knowledge that additional storage and processing can be added at any time in the future whilst the system is live. No down time. No significant project expenditure. No investment in under-utilised assets.

Future expansion of the system into new production areas with different applications is also supported through the use of a common Platform/Toolset architecture with a highly scalable core and industry standard APIs.

With these core technologies embedded in the Network Production platform it is not difficult to see the opportunities:
• Acceleration of the Capex to Opex trends
• Outsource of commodity IT practises – data centres or on premise service
• Centralsiation of multi tenanted platforms
o Either as a SAAS model
o Or a National Broadcaster providing a platform as a service to local
broadcasters
As an omni-media network production system, HIVE, supports the fast and efficient creation of content for Internet, VoD and Broadcast applications. Key integrations with a number of market leading Newsroom Computer Systems and Graphics Platforms ensure that the journalists and operators work within the tools they are used to.

Key customer benefits include:
• Streamlined camera-to-archive production workflow
• Fully Integrated solution to support efficient planning to publish operation
• Internet/mobile first workflows that flex with digital trends
• Common content management platform with the ability to optimize the
repurposing of assets through a single system
• A recognized toolset designed for journalists/users
• Proven and future proofed ROI with tested, delivered and improved workflows
following ten years of experience
• Dynamic “pay-as-you-go” system for scaling and functionality
• Ability to flex with the business requirements - scales down as well as up
• Adaptable and Open solution that can be expanded into new production areas

Manage » Manage & Orchestrate » Content & Workflow Management » Media asset management (MAM) »

 Browser-based tool to make user access to preview contents anywhere and anytime
 Manage all materials in Hive
(Video/Audio/Image/Document/Project/etc)
 Metadata modification
 Basic operation on material(s), e.g. Cut, Copy, Paste and Delete
 Upload local files to Hive
 Powerful searching / querying function
 Boolean search
 Condition search
 Support customized metadata for different types of materials
 Clip preview and simple editing by Clip Trimmer
 Preview clips
 Trim clips
 Create and modify markers
 Easy to distribute clips to multiple platforms
 To broadcast rundown
 To 3rd party archive system
 To hot folder for sharing with 3rd party system
 To social media (Facebook, Twitter and Youtube)
 Flexible Content Access rights management
 Friendly user experience

Produce » Post Production » Editing and Finishing » Non-linear editing »

 Browser-based workflow to allow users editing anywhere and anytime
 Direct distribute videos to broadcast Rundown , and social media
 Unlimited video and audio tracks editing
 Editing while ingesting
 Voice Over recording and graphics templates e.g. Adobe After Effects integration
 Repurpose video in multiple formats including 1:1 and 9:16 video with text on video
 Timeline exchange with Hive editor, Adobe Premiere with markers and metadata

Produce » Post Production » Editing and Finishing » Non-linear editing »

The XRE Transcoder 9 from Grass Valley, a Belden Brand, is a standalone conversion solution that enables broadcasters and media companies to automate the transcoding of media files, using watch folders that can be placed anywhere on a network. Transcoding is fully optimized to the host machine’s specifications and is faster than real-time in many cases. Supplied as software or a full turnkey system and connected via Ethernet, XRE Transcoder 9 gives editors in a workgroup the freedom to spend their time editing, not transcoding, and supports the extensive list of formats and codecs that has made EDIUS such a force in broadcast news production.
New in version 9 of the XRE Transcoder is an “Effect Template” feature that allows customized effects such as layered graphics, image side bar blur, speed change, HDR metadata inclusion and more, to the clip as it is being transcoded. XRE Transcoder 9 can be used with any third-party professional NLE system. A simple interface allows off-loading of transcoding jobs from the NLE system to the XRE Transcoder, and an SDK is available to facilitate integration into third-party systems and workflows. Transcoding job status can be monitored from any machine on the network. Multiple servers can be configured as nodes to share jobs.

Produce » Post Production » Editing and Finishing » Non-linear editing »

With more creative options and real-time, no-render editing of all popular SD, HD and even 4K and HDR formats, EDIUS Pro 9 is THE most versatile and fastest nonlinear editing software available. EDIUS Pro 9 from Grass Valley, a Belden Brand, gives you real-time editing of multiple formats and frame rates all on the same timeline. That means you can edit faster… and make the time to be more creative.

Produce » Post Production » Editing and Finishing » Non-linear editing »

The best post production is equal parts stand-out creativity and leading-edge technology. Our teams deliver both, earning awards and a reputation for excellence with major broadcasters and studios all over the world. Based in Ireland, Norway, Germany, Finland and Belgium, we provide VFX and post production services—from full HD and 4K finishing to HDR editing—to the broadcast, film, commercial, corporate and digital markets.

FULL PICTURE POST SERVICE
Dailies, editing, grading, finishing, deliverables, DCDM, DCP
Picture post at HD, 2K, 4K
Over 300 suites worldwide offering Avid, DaVinci, Flame, FCP, Smoke, including 220 cloud editing suites

FULL SOUND POST SERVICE
Editorial, foley, ADR, mixing, deliverables
Mixing in stereo and 5/1 for broadcast and cinema
Editorial rooms and TV mixing rooms; Dolby-approved feature mixing stages

VISUAL EFFECTS (VFX)
Full production VFX and CGI service
3D Max and Adobe CC
A 120 node render farm

GRAPHIC DESIGN AND ANIMATION
Full graphic design and animation for commercials
Full title and package design for broadcast
Specialists in live and post GFX design for sports

Produce » Post Production » Editing and Finishing » Non-linear editing »

Medway makes Avid work flow
Medway enabled a complete digital workflow ensuring Edit Platforms, MAMs, Video Servers and Archive Systems can work seamlessly together.
Medway is a cloud and ground media-savvy middleware, widely used in the industry by many organisations such as Discovery, CBS, BBC, RTVE, MDR and ABS-CBN. Usually it is used to integrate network contacted and incompatible systems, such as post-production, DAM, transmission and media servers.
Intelligent media file, metadata, control and status management are key to the operation of Medway. However, with Medway the level of granularity and quality of these integrations is technically far superior to any other cloud or ground based system or service,
It is a simple concept; Medway integrates incompatible systems, It also manages incompatible media and metadata, presenting it in a way that interoperates easily between multiple systems.
However, for many applications this capability is useful, but not enough for more sophisticated workflows and use cases. In this short explanation we describe why Medway is a more useful infrastructure component and why it has more capability and why it’s a better strategic choice when considering both ground and cloud based workflows.

Produce » Post Production » Editing and Finishing » Non-linear editing »

 Mixed editing with variety of formats
 Most of the industry’s broadcast native media support, from 4k to virtual reality to smartphone including XAVC 10bit
 Share programs with 3rd party NLE system via AAF, FCP xml
 Seamless working with MBH Material List
 Customized keyboard shortcut
 Edit efficient with great workflow
 Edit while SDI ingesting
 Edit while file importing
 Single click to register timeline to a Story
 Automatic retrieving clips while starting to render
 Variety of default effect templates
 Open to integrate with 3rd party graphics, e.g. VizRT, Ross (requires custom integration)
 Flexible to switch local rendering or background rendering

Produce » Post Production » Editing and Finishing » Non-linear editing »

It's time to raise your expectations of what a small-form-factor PC can do. Ultra-compact, powerful, and designed for creative professionals, ProArt Station D940MX packs a workstation-grade processor and graphics into a small and slim chassis. Its unconventional design features LED indicator that lets you know the current status of the PC, and houses an advanced thermal system, including hybrid system and multi-zone design, that ensures smooth and quiet operation even under full load.

Produce » Post Production » Editing and Finishing » Color correction and grading »

ASUS ProArt PA148CTV is a 14-inch FHD portable monitor designed for creators. PA148CTV delivers exceptional color thanks to 100% sRGB and 100% Rec. 709 color spaces, and it is world’s 1st portable monitor that reach Calman Verified certification and factory pre-calibrated to provide a Delta E < 2 color difference. The anti-glare IPS panel features wide viewing angles with minimal color shift, even when viewed from off-center positions.

Produce » Post Production » Editing and Finishing » Non-linear editing »

 Hive content management Plug-in to Adobe After Effects
 Search / query by various metadata
 Preview Hive clips
 Import clip to Premiere Project as direct access to Hive storage (by link).
 Single click to trigger Adobe media encoder rendering premiere sequence and register the rendered clip back to Hive content management via Hive Plug-in
 Save and share Adobe AE project in Hive

Produce » Post Production » Editing and Finishing » Non-linear editing »

 Hive content management plug-in to Adobe Premiere
Search / query by various metadata
Preview clips by Source Viewer
Import clip to Premiere Project as direct access to Hive storage (by link). All clip markers with metadata are inherited and displaying on premiere timeline
 Efficient editing workflow with Hive Content management Plug-in
Single click to trigger Adobe media encoder rendering premiere sequence and register the rendered clip back to Hive content management via Hive Plug-in
Register consolidated files to Hive Rundown and to Hive central storage
Save and share Premiere project in Hive for collaborative editing

Produce » Post Production » Editing and Finishing » Non-linear editing »

 Browser-based workflow to allow users editing anywhere and anytime
 Direct distribute videos to broadcast Rundown , and social media
 Unlimited video and audio tracks editing
 Editing while ingesting
 Voice Over recording and graphics templates e.g. Adobe After Effects integration
 Repurpose video in multiple formats including 1:1 and 9:16 video with text on video
 Timeline exchange with Hive editor, Adobe Premiere with markers and metadata

Produce » Post Production » Editing and Finishing » Non-linear editing »

 Connect In-House system via VPN
 Search and preview both In-House and Local clips
 Mixed Editing both In-House and Local clips
 Manually select to synchronize field editing sequence back to In-House
 Automatically uploading the corresponding local clips used in the
sequence back to In-House system. (Only upload the partial pieces used
in the sequence)
 Download In&Out piece of clip from In-House system to local field editor
 Transfer clips back to In-House
Support local rendering and send the rendered clip back to In-House system by FTP transferring

Produce » Post Production » Editing and Finishing » Non-linear editing »

In nearly 30 years’ as one of the media industry’s leading suppliers and support partners, we’ve seen Premiere Pro’s popularity skyrocket, taking over the creative agencies, sport organisations, winning over ITV and even being adopted by household names like David Fincher.

The latest incarnation features Productions, a powerful new toolkit for managing multi-project workflows. Large complex workflows can be divided into manageable projects, which editors can collaborate on using shared local storage. Assets can be shared between projects within a Production, without creating duplicate files. And large scale projects can be broken into reels or episodes where multiple editors collaborate according to their preferred workflow using a shared storage network.

If you want to get started with Premiere Pro, expand your Adobe workflow or learn more about Productions, we’re the ones to ask. As an Adobe Platinum Reseller, we offer the best possible pricing on Adobe licences, and as an Adobe Systems Integration Partner, we can help you build a streamlined Premiere Pro workflow with optimised hardware and infrastructure.

Produce » Post Production » Editing and Finishing » Non-linear editing »

Have you considered migrating your editing to the cloud, but are concerned about access and cost challenges? EditShare’s system-based storage, asset management and cloud solutions make it simple, enabling communication and collaboration between media professionals around the world.

EFSv reduces costs, and improves the accessibility and efficiencies of dynamic and remote editing workflows for your whole business. Using both object and block storage in the cloud allows for savings up to 75% compared to the existing costs of cloud storage and workstations.

As the UK’s largest EditShare Certified Partner, and only EFSv provider, our certified engineers provide the best support while your solution is installed and configured, and continue to provide support once it’s in place. We’ve been helping to design, build and support media workflows for nearly 30 years, and our combination of experience and expertise means they can handle pretty much anything your facility throws at them.

Among our many accreditations, we’re also an Adobe Systems Integration Partner and DaVinci Resolve Authorised Reseller, so can integrate cloud solutions into your current media workflow. We can even provide remote demos, so can bring EditShare solutions directly to you.

Produce » Post Production » Editing and Finishing » Non-linear editing »

As the UK’s Avid Cloud Partner, we’re able to provide unrivalled advice and support around cloud editorial workflows. Whether you want to send editors to set or need to support remote working at short notice, we can get your editors access to the creative tools they need.

Having pioneered remote working with our Via24 cloud services, we have the experience you need to integrate Edit on Demand into your workflow quickly, securely and with minimal downtime. We offer Edit on Demand on our platform, along with our customary pre-sales advice, workflow planning and support.

Produce » Post Production » Post-Production Services » Creative services »

 

JPEG XS Plugin for Adobe Premiere® by intoPIX

 

Supercharge your workflow with intoPIX plugin, importing, editing and exporting JPEG XS MXF files along with up to 32 uncompressed audio channels. Full-featured and flexible, Adobe Premiere Pro is the industry-leading video editing software to create for web, TV, and feature productions.

Embedding the FastTICO-XS SDK, this plugin enables super-fast encoding and decoding in CPU or GPU, with ultra low latency video editing in HD, 4K and 8K. Among many other export options, it offers the possibility to select the desired video compression rate, the JPEG XS encoding profile, the pixel format (RGB 4:4:4, UYVY 4:2:2 or V210 4:2:2) as well as the audio channels sample depth and layout (mono, stereo, 5.1, etc.)

 

The values for your workflow

• HD, 4K, 8K editing at the speed of light with a normal laptop: You can import, play, export easily and rapidly HD, 4K & 8K videos. Thanks to JPEG XS, you preserve the topest image quality and process the content with the lowest latency.

• Proxies are part of the master in your JPEG XS MXF file, so you can (re)view HD, 4K or 8K JPEG XS files by just displaying a sub-resolution of it, which significantly reduces the bandwidth and computational load of the editing or the playback. The plugin enables you to switch instantly between full and lower resolutions.

Produce » Post Production » Editing and Finishing » Non-linear editing »

All Your Video Workflow Tools in One Place. Transfer to Editing to Playout or Publishing.

Our professional video editor reduces the time it takes to get video to your team and viewers.

 

Work smarter in the cloud.

Whether you need a quick edit or a complex compilation, you can edit video using professional tools straight from your browser. Trim clips, rearrange scenes and add other media elements. Intuitive controls let you get exactly the look, sound, and feel you want.

• Frame by frame control


• Trim, crop, and rearrange scenes


• Insert audio, graphics or text


• Pick from a library of text fonts


• Add transitions, animations and effects


• Support for up to 8 channels of audio


• Embed SRT for captions


• Customizable graphics that are shareable with team members

 

Work, manage and edit faster in the cloud.

Eliminate the need to export, upload and download media when editing. Import and publish media straight from and to your latakoo cloud library where collaborators can easily locate your work.

Uploading content for the first time? latakoo is the fastest, easiest, most secure way to get video to the cloud from anywhere regardless of file size or Internet connection.

• Save time by working directly in the cloud


• Import videos, photos and audio from any location or device in record time


• Publish media to latakoo networks featuring unique permission sets


• Share videos via email or to your social media channels straight from your cloud library

 

Distribute media to your asset manager, automagically

Powered by a latakoo HUB, deliver media in the desired codec and wrapper right into your asset manager.

latakoo HUB is fully integrated with Avid Interplay, Grass Valley Stratus, bitcentral Core and Dalet Galaxy.

Produce » Post Production » Editing and Finishing » Non-linear editing »

Blackbird is the world’s fastest, most powerful professional cloud video editing and publishing platform. Ideal for remote video production, Blackbird provides rapid access to video content for the easy creation of clips, highlights and longer form content to multiple devices and platforms.

A fully-featured editor accessed through any browser, easy to learn and needing only limited bandwidth to use, Blackbird powers significant efficiency benefits - whether you work in sports, esports, news or entertainment.

An ultra green technology, Blackbird supports the sustainability goals of the media production industry.

Manage » Manage & Orchestrate » Data & Metadata Management » (Meta)data aggregation and management »

Strawberry is an award-winning Production Asset Management Suite (PAM), designed to keep productions organized and collaboration flexible. Strawberry solves key storage and workflow management issues that plague every media production house. For a PAM to be effective, it must integrate tightly with key creative applications, accelerate production workflows, and manage the underlying production storage. Strawberry does this and more, so that you can utilize your creative talent more effectively. Its unique approach balances the needs of the technical team and creative team for producing content seamlessly. If you have tired of constantly adding storage and see that a smarter workflow is the solution, have a closer look.

Produce » Post Production » Editing and Finishing » Non-linear editing »

With one single licence, you can have all the functions you need to manage closed and open captions. Etere Subtitling and Closed Caption software manages production, approval and transmission.

Etere Subtitling and Closed Caption Software is a digital platform for the creation, management, burning, playout and conversion of subtitles, captions and other text services for production, post-production and live shows. It allows broadcasters to freely produce subtitles in multi-languages and for multi-platforms, search by metadata and streamline the process with real-time sharing of edits without hardware. Operators are able to insert live captions, open captions and closed captions including ARIB and Digital Video Broadcast (DVB) via ETX inserter. Etere MOS connection supports teleprompter and provides a seamless integration with newsroom. For live subtitling, Etere MOS connector connects with NCS Server to receive rundowns and import subtitles from the rundown directly with extremely fast speed and accuracy. Etere also supports FTP connection to newsroom for live news. For a complete management, Etere Subtitling and Closed Caption Software makes it easy for broadcasters to monitor and verify all captions to comply with closed captioning laws across different countries. Etere Subtitling and Closed Caption Software supports all formats, frame rates and comes equipped with Etere Media Asset Management (MAM) for an effective and efficient management of multi-language subtitling.

Key Features

■Integrated with Google Speech to Text for 120 Languages and variants

■CEA 608 and 708 Closed Captions

■DVB Subtitling and ARIB Subtitling

■Extremely fast. Captions can be inserted/edited even just before being on-air

■Web format include ad webVtt

■Automated subtitling workflows including insertion, extraction, format conversions, timing, frame rate adjustment, sub-clipping and clip assembly

■No licence or hardware is needed for insertion or preview

■Unlimited web clients supported

■Etere ETX 's time delay feature enhances live captioning

■Easy single key production and management of large files

■Live captioning management with live edits and voice recognition

■Import and export subtitles in all major standard formats

■Full support for Unicode language, TrueType fonts and spell-check for multiple languages

■Integrated MAM provides an effective management of subtitles and targeted advertising

■Open captions: Transcoder licence for file production and preview

■Integrated Etere workflow system for easy production

■Customisable subtitle fonts and size

Publish » Linear Playout » Linear Playout Systems » Channel branding graphics and promotion systems »

Visual Data is a global provider of award-winning digital media supply chain services to the entertainment industry with locations in Burbank, London and Bangalore. What began as a small editing facility in 1995 has since grown into one of the industry’s leading global providers of quality-driven content management, distribution, localization and media services that enable customers to deliver premium content in any format for any screen or platform, anywhere in the world.

Produce » Post Production » Editing and Finishing » Non-linear editing »

Vimond IO is a professional cloud-native edit, archive, and publishing tool built for broadcasters, media companies, and content owners.  The non-disruptive, open-architecture editing tool Vimond IO maximizes output while simplifying the workflow process.

• Cloud-native editing solution hosted in Amazon Web Services


• Automated live broadcast stream clipping, storage and rapid retrieval


• Ingest and aggregate live and file-based video and audio


• Comprehensive and collaborative editing functionality


• Closed-caption search and metadata management capabilities


• Create your own graphics or import from Adobe After Effects


• Graphics auto-adjust to configured aspect ratios


• Output multiple versions of published video with different bitrates and/or aspect ratios


• Integrated and self-provisioned support for publishing to S3, YouTube, Twitter, and Facebook


• Users can also download video and publish anywhere

Request demo: https://info.vimond.com/request-a-vimond-io-demo

Publish » Linear Playout » Linear Playout Systems » Channel branding graphics and promotion systems »

Welcome to the next generation of Bluefish444, with the arrival of the KRONOS range of video, audio, and data processing I/O cards. Built with multi-channel 4K UHD 60p, High Dynamic Range, High Frame Rate SDI and SMPTE 2022 & SMPTE 2110 support for Video Over IP workflows for broadcast, production and post-production, the new KRONOS range is ready for anything that you can throw at it.

KRONOS will offer the choice of SDI I/O connectivity with the KRONOS ēlektron, featuring 8 high-density BNC connectors capable of 3G/HD/SD-SDI. Each HD BNC connector is fully bi-directional, enabling numerous configuration options, including 8 input, 8 output, or a mixture of SDI input and output connections.

Publish » Linear Playout » Linear Playout Systems » Channel branding graphics and promotion systems »

Welcome to the next generation of Bluefish444, with the arrival of the KRONOS range of video, audio, and data processing I/O cards. Built with multi-channel 4K UHD 60p, High Dynamic Range, High Frame Rate SDI and SMPTE 2022 & SMPTE 2110 support for Video Over IP workflows for broadcast, production and post-production, the new KRONOS range is ready for anything that you can throw at it.

The KRONOS optikós offers future-proofing connectivity with 3 SFP+ cages in addition to 2 HD BNC connectors for 3G/HD/SD-SDI I/O. These SFP+ cages provide limitless connectivity options exposing greater than 3G SDI, IP connectivity across 10Gb Ethernet, and flexibility to choose from numerous physical interfaces.

Publish » Linear Playout » Linear Playout Systems » Channel branding graphics and promotion systems »

KRONOS K8 is Bluefish444’s fully-featured high-bandwidth 4K/UHD, 2K/HD & SD video and audio I/O card for professional video workflows on Windows, macOS and Linux operating systems.

Capable of up to 8 independent and simultaneous channels of 3G/HD/SD-SDI input or output, K8 also features Reference and LTC I/O.

Cross-platform support with Industry leading 3rd-party software

Adobe Creative Cloud | Assimilate SCRATCH | Avid | CasparCG | Dataton | Foundry Nuke | Resolume | Streamstar | Unity | Unreal Engine | vMix

All Bluefish video cards are Thunderbolt compatible, work with the free Bluefish acquisition application IngeSTore, the Bluefish cross-platform SDK, and leading 3rd party content creation tools.

Bluefish products are deployed globally throughout the broadcast graphics, post-production, live event and entertainment, immersive graphics, proAV, corporate, military, government, medical and education markets, including integration into digital intermediate, mobile production, QC and compliance, Video Over IP and video streaming workflows.

FREE multi-channel capture tool, IngeSTore

• Capture up to 4 channels of video


• Wide range of codec options


• Records direct to shared storage, including Avid shared storage


• Growing file support with Edit-While-Record in Adobe Premiere Pro and Avid Media Composer


• REST API to control remotely


• RS-422 Controller


• Encode for live production, post production, archival and streaming workflows

MAJOR FEATURES

Bi-directional I/O’s provide unrivalled flexibility

• 8 bi-directional HD-BNC video connectors supporting 3G/1.5G SDI I/O


• Multi-channel 4K UHD 60p playout or capture video Quad Link 3G-SDI


• Each BNC is completely independent

Maximum connectivity

• Reference I/O BNC


• LTC I/O


• Interlock between multiple K8 and Epoch | Neutron/4K Neutron cards

Optional connectivity

• Optional auxiliary I/O can be added to K8 via the STEM port interface and optional EX-1 and EX-2 products


• K8 with EX-1 adds LTC I/O, RS-422 control and AES audio I/O


• K8 with EX-2 adds LTC I/O, RS-422 control and Analogue audio I/O

The industry's lowest latency I/O, by design

KRONOS K8 has, by design, the world's lowest-latency providing access to captured fields or frames to on-board card memory event before the whole field or frame is complete, thereby reducing the latency to sub on field or frame. During a capture or playout, each process can occur at less than or equal to 1 field for interlaced modes, and less than 1 frame for progressive modes.

Maintaining a 12-bit processing pipeline

• 12-bit image processing is standard on all Bluefish video cards


• Allows 8, 10 & 12-bit SDI video signals to be produced from 8, 10, 12 & 16-bit pixel formats providing the highest image quality available from your source material


• 4096 discrete values of red, green & blue are maintained per pixel


• 4 times the colour precision of a traditional 10-bit processing pipeline!

Maintaining the highest quality RGB <=> YUV

• Fully programmable 4 x 4 x 33-bit colour matrix providing the highest quality colour space conversions


• Reduces colour space conversion errors and ensures the highest quality colour accuracy during capture, monitoring and mastering

Thunderbolt expansion chassis compatibility

• Compatible with Sonnet, One Stop Systems Magma, Netstor, and AKiTio Thunderbolt devices for multichannel mobile production


• Visit Bluefish's website for a full list of qualified 3rd-party chassis options

Low-latency video keyers

• 4 x Low latency hardware video keyer


• Allows video layers to be combined in hardware with microseconds of delay


• Enables animated logos, captions, tickers, and more to be keyed over live video feeds at full 12-bit precision, and with minimum input to output delay


• Can also function as an image pre-multiplier to assist in previewing images with alpha data

Publish » Linear Playout » Linear Playout Systems » Channel branding graphics and promotion systems »

Epoch | 4K Supernova S+ is Bluefish444’s fully-featured 4K/UHD, 2K/HD & SD video and audio I/O card for professional video workflows on Windows, macOS and Linux operating systems.

Capable of up to 4 independent and simultaneous channels of 3G/HD/SD-SDI input or output, 4K Supernova S+ also features a fifth BNC for SDI monitor output and a dedicated Reference input BNC.

Cross-platform support with industry-leading 3rd-party software

Adobe Creative Cloud | Assimilate SCRATCH | Avid  | Avmeda  | Brainstorm  | BTi | CasparCG | ChryonHego | ClassX | Dataton | Drastic Technologies 4KScope & VideoQC | DVBControl | Etere | Foundry Nuke | Libero Systems | Marquise Technologies MIST & ICE | Masterplay | Media 5 | Media-Alliance | Medialooks | Metus | MOG | NewTek | Nverzion  | Resolume | Ross Video | Streamstar | Telestream Wirecast | Touchdesigner | Unity | Unreal Engine | Unreal Streaming Technologies | Vizrt Viz Engine & Viz Arena | vMix | VRi | Xdream Media | Zinemath zLense

All Bluefish video cards are Thunderbolt compatible, work with the free Bluefish acquisition application IngeSTore, the Bluefish cross-platform SDK, and leading 3rd party content creation tools.

Bluefish products are deployed globally throughout the broadcast graphics, post-production, live event and entertainment, immersive graphics, proAV, corporate, military, government, medical and education markets, including integration into digital intermediate, mobile production, QC and compliance, Video Over IP and video streaming workflows.

FREE multi-channel capture tool, IngeSTore

• Capture up to 4 channels of video


• Wide range of codec options


• Records direct to shared storage, including Avid shared storage


• Growing file support with Edit-While-Record in Adobe Premiere Pro and Avid Media Composer


• REST API to control remotely


• RS-422 Controller


• Encode for live production, post production, archival and streaming workflows

MAJOR FEATURES

Bi-directional I/O’s provide unrivalled flexibility

• 4 bi-directional BNC video connectors supporting 3G/1.5G SDI I/O


• Up to 4K UHD 30p playout or capture via Dual Link 3G-SDI


• Each BNC is completely independent

Maximum connectivity

• Additional BNC for SDI monitoring


• Dedicated Reference input BNC

The industry's lowest latency I/O, by design

4K Supernova S+ has, by design, the world's lowest-latency providing access to captured fields or frames to on-board card memory event before the whole field or frame is complete, thereby reducing the latency to sub on field or frame. During a capture or playout, each process can occur at less than or equal to 1 field for interlaced modes, and less than 1 frame for progressive modes.

Maintaining a 12-bit processing pipeline

• 12-bit image processing is standard on all Bluefish video cards


• Allows 8, 10 & 12-bit SDI video signals to be produced from 8, 10, 12 & 16-bit pixel formats providing the highest image quality available from your source material


• 4096 discrete values of red, green & blue are maintained per pixel


• 4 times the colour precision of a traditional 10-bit processing pipeline!

Maintaining the highest quality RGB <=> YUV

• Fully programmable 4 x 4 x 33-bit colour matrix providing the highest quality colour space conversions


• Reduces colour space conversion errors and ensures the highest quality colour accuracy during capture, monitoring and mastering

Thunderbolt expansion chassis compatibility

• Compatible with Sonnet, One Stop Systems Magma, Netstor, and AKiTio Thunderbolt devices for multichannel mobile production


• Visit Bluefish's website for a full list of qualified 3rd-party chassis options

Low-latency video keyer

• Low latency hardware video keyer


• Allows video layers to be combined in hardware with microseconds of delay


• Enables animated logos, captions, tickers, and more to be keyed over live video feeds at full 12-bit precision, and with minimum input to output delay


• Can also function as an image pre-multiplier to assist in previewing images with alpha data

Publish » Linear Playout » Linear Playout Systems » Channel branding graphics and promotion systems »

Epoch | Supernova CG is Bluefish444’s 2K/HD & SD video and audio I/O card for professional video workflows on Windows, macOS and Linux operating systems.

Capable of up to 4 independent and simultaneous channels of HD/SD-SDI input or output, Supernova CG features a flexible combination of multi-channel SDI I/O, and a dedicated Reference input BNC.

Cross-platform support with industry-leading 3rd-party software

Adobe Creative Cloud | Assimilate SCRATCH | Avid  | Avmeda  | Brainstorm  | BTi | CasparCG | ChryonHego | ClassX | Dataton | Drastic Technologies 4KScope & VideoQC | DVBControl | Etere | Foundry Nuke | Libero Systems | Marquise Technologies MIST & ICE | Masterplay | Media 5 | Media-Alliance | Medialooks | Metus | MOG | NewTek | Nverzion  | Resolume | Ross Video | Streamstar | Telestream Wirecast | Touchdesigner | Unity | Unreal Engine | Unreal Streaming Technologies | Vizrt Viz Engine & Viz Arena | vMix | VRi | Xdream Media | Zinemath zLense

All Bluefish video cards are Thunderbolt compatible, work with the free Bluefish acquisition application IngeSTore, the Bluefish cross-platform SDK, and leading 3rd party content creation tools.

Bluefish products are deployed globally throughout the broadcast graphics, post-production, live event and entertainment, immersive graphics, proAV, corporate, military, government, medical and education markets, including integration into digital intermediate, mobile production, QC and compliance, Video Over IP and video streaming workflows.

FREE multi-channel capture tool, IngeSTore

• Capture up to 4 channels of video


• Wide range of codec options


• Records direct to shared storage, including Avid shared storage


• Growing file support with Edit-While-Record in Adobe Premiere Pro and Avid Media Composer


• REST API to control remotely


• RS-422 Controller


• Encode for live production, post production, archival and streaming workflows

MAJOR FEATURES

Bi-directional I/O’s provide unrivalled flexibility

• 4 bi-directional BNC video connectors supporting 1.5G-SDI I/O


• Up to 2K/HD 60p playout or capture via Dual Link 1.5G-SDI


• Each BNC is completely independent

Maximum connectivity

• Dedicated Reference Input BNC

The industry's lowest latency I/O, by design

Supernova CG has, by design, the world's lowest-latency providing access to captured fields or frames to on-board card memory event before the whole field or frame is complete, thereby reducing the latency to sub on field or frame. During a capture or playout, each process can occur at less than or equal to 1 field for interlaced modes, and less than 1 frame for progressive modes.

Maintaining a 12-bit processing pipeline

• 12-bit image processing is standard on all Bluefish video cards


• Allows 8, 10 & 12-bit SDI video signals to be produced from 8, 10, 12 & 16-bit pixel formats providing the highest image quality available from your source material


• 4096 discrete values of red, green & blue are maintained per pixel


• 4 times the colour precision of a traditional 10-bit processing pipeline!

Maintaining the highest quality RGB <=> YUV

• Fully programmable 4 x 4 x 33-bit colour matrix providing the highest quality colour space conversions


• Reduces colour space conversion errors and ensures the highest quality colour accuracy during capture, monitoring and mastering

Thunderbolt expansion chassis compatibility

• Compatible with Sonnet, One Stop Systems Magma, Netstor, and AKiTio Thunderbolt devices for multichannel mobile production


• Visit Bluefish's website for a full list of qualified 3rd-party chassis options

Low-latency video keyer

• Low latency hardware video keyer


• Allows video layers to be combined in hardware with microseconds of delay


• Enables animated logos, captions, tickers, and more to be keyed over live video feeds at full 12-bit precision, and with minimum input to output delay


• Can also function as an image pre-multiplier to assist in previewing images with alpha data

Publish » Linear Playout » Linear Playout Systems » Channel branding graphics and promotion systems »

Epoch | 4K Neutron is Bluefish444’s fully-featured 4K/UHD, 2K/HD & SD video and audio I/O card for professional video workflows on Windows, macOS and Linux operating systems.

Capable of up to 3 independent and simultaneous channels of 3G/HD/SD-SDI input or output, 4K Neutron also features 4K/UHD HDMI monitoring, AES Digital Audio IO, Analogue Audio Output, RS-422 Control, and auxiliary Reference Input. 4K Neutron is also available as a low-profile configuration compatible with compact installations or devices.

Cross-platform support with industry-leading 3rd-party software

Adobe Creative Cloud | Assimilate SCRATCH | Avid  | Avmeda  | Brainstorm  | BTi | CasparCG | ChryonHego | ClassX | Dataton | Drastic Technologies 4KScope & VideoQC | DVBControl | Etere | Foundry Nuke | Libero Systems | Marquise Technologies MIST & ICE | Masterplay | Media 5 | Media-Alliance | Medialooks | Metus | MOG | NewTek | Nverzion  | Resolume | Ross Video | Streamstar | Telestream Wirecast | Touchdesigner | Unity | Unreal Engine | Unreal Streaming Technologies | Vizrt Viz Engine & Viz Arena | vMix | VRi | Xdream Media | Zinemath zLense

All Bluefish video cards are Thunderbolt compatible, work with the free Bluefish acquisition application IngeSTore, the Bluefish cross-platform SDK, and leading 3rd party content creation tools.

Bluefish products are deployed globally throughout the broadcast graphics, post-production, live event and entertainment, immersive graphics, proAV, corporate, military, government, medical and education markets, including integration into digital intermediate, mobile production, QC and compliance, Video Over IP and video streaming workflows.

FREE multi-channel capture tool, IngeSTore

• Capture up to 3 channels of video


• Wide range of codec options


• Records direct to shared storage, including Avid shared storage


• Growing file support with Edit-While-Record in Adobe Premiere Pro and Avid Media Composer


• REST API to control remotely


• RS-422 Controller


• Encode for live production, post production, archival and streaming workflows

MAJOR FEATURES

Bi-directional I/O’s provide unrivalled flexibility

• 3 bi-directional BNC video connectors supporting 3G/1.5G SDI I/O


• Up to 4K UHD 30p playout or capture via Dual Link 3G-SDI


• Each BNC is completely independent


• Third BNC can be set to Reference input instead of standard video signal

Maximum connectivity

Included breakout cable provides:

• RS-422 machine control for control of VTRs and other serial-controlled devices


• 8 channels of AES EBU audio input and output for 7.1 surround sound monitoring. Capture and playout digital audio signals in crystal-clear quality


• 2 channels of Analogue Audio for quick and simple high quality audio monitoring


• Auxiliary Reference (Input) connector frees the 3rd BNC for 3G/HD/SD video I/O

The industry's lowest latency I/O, by design

4K Neutron has, by design, the world's lowest-latency providing access to captured fields or frames to on-board card memory event before the whole field or frame is complete, thereby reducing the latency to sub on field or frame. During a capture or playout, each process can occur at less than or equal to 1 field for interlaced modes, and less than 1 frame for progressive modes.

4K/UHD HDMI monitoring

• Cost-effective 4K/UHD monitoring via HDMI 1.4


• Simultaneous SDI and HDMI playout

Maintaining a 12-bit processing pipeline

• 12-bit image processing is standard on all Bluefish video cards


• Allows 8, 10 & 12-bit SDI video signals to be produced from 8, 10, 12 & 16-bit pixel formats providing the highest image quality available from your source material


• 4096 discrete values of red, green & blue are maintained per pixel


• 4 times the colour precision of a traditional 10-bit processing pipeline!

Maintaining the highest quality RGB <=> YUV

• Fully programmable 4 x 4 x 33-bit colour matrix providing the highest quality colour space conversions


• Reduces colour space conversion errors and ensures the highest quality colour accuracy during capture, monitoring and mastering

Thunderbolt expansion chassis compatibility

• Compatible with Sonnet, One Stop Systems Magma, Netstor, and AKiTio Thunderbolt devices for multichannel mobile production


• Visit Bluefish's website for a full list of qualified 3rd-party chassis options

Low-latency video keyer

• Low latency hardware video keyer


• Allows video layers to be combined in hardware with microseconds of delay


• Enables animated logos, captions, tickers, and more to be keyed over live video feeds at full 12-bit precision, and with minimum input to output delay


• Can also function as an image pre-multiplier to assist in previewing images with alpha data

Produce » Post Production » Editing and Finishing » Non-linear editing »

As an add-on to Primestream’s Xchange web-based media management platform, Creative Bridge allows all members of the content creation team to access any creative tool — Adobe Creative Cloud, Apple Final Cut Pro X, DaVinci Resolve, and Avid Pro Tools.

Produce » Post Production » Editing and Finishing » Non-linear editing »

Mistika VR is an affordable Virtual Reality focused software solution for optical flow stitching that achieves speeds quicker than real-time for a 4K VR media encoding and stabilizes 360º footage in just one simple click. It has truly revolutionized the way multi-camera stitching is done and reduced the time taken to correct footage from hours to minutes - all at the highest possible quality. It is built on high-end Mistika Technology that is accessible for the masses with flexible payment options, based on a pay-per-use business model. SGO has been consistently improving Mistika VR with several significant upgrades, introducing various new features and other exciting improvements, contributing to a much more efficient VR 360º post-production workflow. Importantly, many of the VR camera manufacturers have adopted Mistika VR as a first choice solution providing metadata which ensures a faster, better and more precise stitch.
Mistika VR integrates VR 360 and other immersive formats in the workflow of traditional post-production pipelines, solving all the particularities of the media while sufficiently overlapping with further stages in the production chain.
In principle, the complexity to integrate this format comes due to following facts: First, VR 360º is normally based on rigs with many cameras, so they are difficult to process with traditional post-production pipelines based on one camera per shot. Secondly, The particular problems of the format itself: Geometry alignment, stitching, Stereo3D / depth grading, color matching between the cameras, stabilization in a 360 environment. Mistika VR is focused on solving all those points, and then deliver a traditional 2D image (or one per eye) in the most common formats used for post-production.
Mistika VR is based on the following ingredients:
Low-cost business model and pay per use. VR requires high-end technology, but short productions do not justify high-end investments in permanent infrastructure (at least until the market is mature). Mistika VR is available to download for Windows and macOS with flexible payment options on a subscription basis from just $60 a month.
High performance, even with small resources. Mistika technology is 100% based on GPU and has been being optimized for more than 20 years of Mistika Technology development. In the last year, SGO has been able to squeeze the most advanced high-end optical flow engine into small computers, even laptops, which is vital for the success in these environments.
High-end quality for the masses. Many VR camera solutions provide basic stitching capabilities for VR 360 formats. But past the novelty factor, VR 360 magic demands the ultimate image quality that is required to immerse us in a virtual world. The Mistika VR mission is to take the “frameless” format to the next level and making sure it is here to stay.
A complete solution encapsulating all the multi-camera tasks. The idea to start with Mistika VR and then use traditional resources would not be possible if one or more tasks requiring multiple camera manipulation are left out of the workflow. For this reason, Mistika VR covers not only the image stitching but also all other important tasks such as color matching, stabilization, Stereo3D adjustments, Keyframe Animation, etc.
Uniquely, Mistika VR functionality is perfectly integrated into the Mistika Ultima finishing solution used by studios and high-end facilities, thus covering the entire range of potential projects. This allows enhanced collaboration between small and big players and the flexibility to grow with new companies that are evolving to create various immersive experiences.

Produce » Post Production » VFX & Graphics » Compositing, graphics/CGI and animation tools »

Alex4D 360° Effects works exclusively with Apple’s Final Cut Pro 10.4 and later. This kit of simple to use effects range from effects that stylise whole spheres of video to those that help viewers notice specific features of the 360° environment. As well as working with spheres of video, they also work with overlays such as logos, pictures and titles.

Alex4D 360° Effects includes three free plugins that can instantly save time in spherical video production.

The pack is divided into six categories: Repeat – to repeat footage and overlays around the sphere, Highlight – to attract attention to specific parts of the environment, Blur – blur parts of your footage and overlays, Stylize – to change the look of whole spheres at a time, Masks – to help overlay areas of 360° content inside other spheres and Flat – to make more of 360° footage used in flat non-spherical videos.

Final Cut Pro X is the best NLE for making 360° videos. Alex4D 360° Effects can be used to make videos destined for Facebook, YouTube and Twitter whose applications and websites can now display 360° videos automatically.

Produce » Post Production » VFX & Graphics » Compositing, graphics/CGI and animation tools »

Alex4D Animation Transitions is a pack of Final Cut Pro X transitions you can use to easily animate graphics, text and clips onto and off the screen.

Add instant character to logos, text, graphic elements and even video clips by springing, bouncing, sliding and skidding them onto and off the screen.

Easy to apply, easy to make changes without having to work with keyframes.

As well as working in 16:9 for HD and 4K video, Alex4D Animation Transitions work in any aspect ratio from super-wide (48:9) to super tall (9:48). This is specially useful when making videos for social media services that require square and vertical video such as Instagram, Twitter, Apple News and IG TV.

Produce » Post Production » Editing and Finishing » Non-linear editing »

Alex Gollner develops Final Cut Pro X plugins for broadcasters for use on TV programmes, websites and social media.

These include titles, generators, effects and transitions that work in any aspect ratio. Start in one: 16:9, 1:1 or 9:16 for example, copy your timeline to any other aspect ratio and the plugins will reconfigure themselves with new layouts - including options for TV-safe areas for 16:9 and ‘social safe’ areas for 1:1 and 9:16 timelines.

Recent plugins Alex has developed have been used to make videos shown on broadcaster websites alongside broadcaster accounts on Facebook, Twitter, YouTube, Apple News, Instagram and IG TV.

Produce » Post Production » Editing and Finishing » Non-linear editing »

Luma Touch’s flagship product LumaFusion has captured the hearts of mobile journalists as the “go-to product” for mobile video editing, titling, audio mixing, color correction and finishing of high-quality news segments while in the field. Whether you’re masterminding the next smartphone feature-length film, creating a three-minute music video or producing a sixty-second news segment, LumaFusion is the mobile editor that will help you cultivate and finesse your finished piece.

As the first truly professional video and effects editor for mobile, LumaFusion has also been acclaimed by independent and experimental filmmakers, music video artists and corporate producers as a trusted and easily-affordable solution for creative video editing and effects, rivaling the features and exceeding the usability and enjoy-ability of more expensive desktop editors like FCPX and Adobe Premiere.

Manage » Manage & Orchestrate » Content & Workflow Management » End-to-end supply chain solutions »

DejaEdit is a ground-breaking film tool that allows editors and operators to collaborate between multiple remote Avid editing platforms. It ensures that media and timelines created or imported in one connected system are shared and mirrored to the local or network storage of other connected systems. This takes place automatically, quickly and securely in the background, using an internet connection. Although it is not necessary to be online continuously.

Produce » Post Production » Editing and Finishing » Color correction and grading »

What is Creative Cloud?

Creative Cloud is a collection of 20+ desktop and mobile apps and services for photography, design, video, web, UX and more. Now you can take your ideas to new places with Photoshop on the iPad, draw and paint with Fresco, and design for 3D and AR. Join our global creative community — and make something better together.

Produce » Post Production » Editing and Finishing » Non-linear editing »

NewsBase provides state-of-the-art editing capabilities. It can be installed almost on all types of PC hardware. It is part of A-MAM and NewsHouse ecosystem.

Features

• The module is easy to use even by non-professionals


• In some cases there is no need to delegate tasks to  third party NLE systems.


• Integration with NewsHouse makes editing 45% faster


• The module can be integrated with A-MAM which facilitates the access to shared media files and video archive

Produce » Post Production » Editing and Finishing » Color correction and grading »

Please welcome the new addition to the PVM-X family: the PVM-X3200. Our new 32-inch 4K HDR TRIMASTER high grade picture monitor offers colour matching with the BVM-HX310 reference monitor which makes it ideal for on-set, studio, post-production and truck applications.

Produce » Post Production » Editing and Finishing » Color correction and grading »

PVM-X2400, a 24-inch 4K HDR TRIMASTER high grade picture monitor

Advanced information on the PVM-X2400 V2 upgrade model: 4K HDR picture monitor colour-matches with the BVM-HX310 master monitor, ideal for 4K and HD productions, TRIMASTER assures accurate colour reproduction, precise imaging and consistent picture quality, future user 3D LUT signal output support, SR live metadata, dynamic contrast drive and black detail High/Mid/Low, Inputs for 12G-SDI and Quad-Link 3G-SDI to HD-SDI as well as HDMI, Unique quad view display with User 3D LUT, Enhanced user interface and channel select button, Optimised features for field operation, and Powerful stereo sound with audio muting

Produce » Post Production » Editing and Finishing » Color correction and grading »

PVM-X1800(PVMX1800),18.4-inch 4K HDR TRIMASTER high-grade picture monitor

Advanced information on the PVM-X1800 V2 upgrade model: 4K HDR picture monitor color-matches with the BVM-HX310 master monitor, ideal for various 4K and HD productions, TRIMASTER assures accurate color reproduction, precise imaging, and consistent picture quality, Future HDR-SDR conversion support, Future User 3D look-up-table signal output support, SR Live Metadata, Dynamic Contrast Drive and Black Detail High/Mid/Low, Inputs for 12G-SDI and Quad-Link 3G-SDI to HD-SDI, as well as HDMI, Various scopes, Unique Quad View display with User 3D LUT, Enhanced user interface and Channel Select button, Optimized features for field operation, Various mount capabilities, and a Powerful stereo sound with audio muting

Produce » Post Production » Editing and Finishing » Color correction and grading »

LMD-A Series monitor is a Full HD high grade LCD monitor for studio and field use. It has as an excellent cost-performance ratio, with its WUXGA (1920 x 1200) creating a lightweight and slim body, whilst at 24-inchs being the industry’s widest viewing angle.

Other features included HDR production, 4K production, shopping channels, enhanced field application, graphics applications, latest camera-linkage, editing features, user presents and password protection, 2K format display, Dual-Link HD-SDI mode and multiple monitors firmware upgrade utility