| Production automation systems |
DataMiner
DataMiner is the most advanced end-to-end multi-vendor NMS, OSS and orchestration software solutions for the broadcast, satellite, cable, telco and mobile industry. The platform offers a plethora of functions including unlimited web access, alarm monitoring, email and SMS notification, long-term trending, professional reporting, advanced automation, intelligent correlation and root cause analysis, service management, real-time SLA monitoring, user-definable key performance indicator dashboards, spectrum monitoring, mobile access, powerful CPE management, inventory and asset management, and much more. One interface to manage your entire operational ecosystem, across any vendor and technology boundaries, results in a significant reduction of operational expenses and increased quality of service. This award-winning solution is integrated with more than 5500 devices and systems from more than 600 different key industry suppliers. It enables end-to-end integration of the most complex technical ecosystems and has been deployed by leading operators around the world.
More info: www.skyline.be / www.dataminer.co
KAIROS
HDCE-TX50/HDCE-RX50
MIMiC
MIMiC
Whether it’s a slate of games for a major sports league, a regional athletic meet, an international esports competition, a targeted enterprise announcement, or any other live or virtual event, The Switch has production services to suit every organization’s needs. Our cloud-based platform, MIMiC, is an on-demand, production-as-a-service offering that includes remote IP-video contribution, production and clipping tools, and distribution. It empowers you to cost-effectively ensure broadcast quality production to and from anywhere in the world.
MIMiC handles all aspects of the production workflow in the cloud, from editing and graphics creation to comms and talk-back. It gives content producers the choice of using their own production crew or relying on The Switch to provide a full complement of experienced operators who know how to deliver award-winning programming. For a mainstream TV sporting event, for instance, rights holders can tap our full remote production service to produce the main game, while leveraging MIMiC to produce the shoulder programming, social media streams and individualized “player-cam” feeds. Plus, it offers the perfect set-up to produce esports tournaments, either stadium-based or virtual.
MIMiC is also ideal for both live and virtual enterprise events. It offers a flexible and scalable way to run everything from customer conferences and product launches to all-hands meetings and press briefings. MIMiC allows you to produce content in any time zone, localize the feed and address specific segments individually.
In enabling true cloud-based production, MIMiC gives producers of events of every size and type unmatched agility. It enables you to streamline workflows to get the most out of each production and better engage audiences. MIMiC complements the existing remote production services The Switch helped pioneer, letting rights holders, enterprises and other content producers choose the level of service they need.
Viz Mosart
Viz Mosart
Viz Mosart puts the story in the center of the production, removing technical complexity with a simple user interface, designed to give all necessary information to the director while giving full flexibility to operate both planned and breaking news scenarios.
Viz Mosart operators in the control room benefit from a real-time view of all upcoming events through a tight integration with all major newsroom computer systems.
The system gives the director a real-time updated version of the presenter text, and video integrated into the user interface to view of all the elements that are on program out and in preview. The user interface also contains advanced keyboard and touch screen hotkeys specially made to handle breaking news and other unscripted events.
The Switch Remote Production
The Switch Remote Production
Live TV events, especially sports, generate unrivalled buzz and excitement among viewers the world over, but live event production is no small undertaking. Remote production offers a smart, flexible model for success in the globalized world of live content, where surging audiences for niche sports, esports and unique entertainment are driving even more demand. The Switch’s remote production services enable broadcasters and other rights holders to continue meeting consumers’ seemingly insatiable thirst for high quality live content while maximizing resources.
The Switch has pioneered remote production for three decades and our Emmy Award-winning team has played a leading role in bringing premier sports to life for major networks and leagues. We know how to put together top-caliber productions and determine what our customers need so they can deliver the best content to viewers around the world.
With The Switch, producing content more efficiently and cost effectively – without compromising quality – is simple. Our end-to-end event production and packaging capabilities scale to meet the needs of a single event or multiple productions. As a home away from home, we support dynamic live sports, news, entertainment and event production in locations across the globe, removing the need for large amounts of equipment and big production crews on site.
With links to every major sports stadium in North America and connections to the leading international sports and entertainment venues around the world, The Switch has you covered from stadium to studio to any screen. Many of the biggest names in sports and entertainment rely on our production services and facilities to create and deliver the world’s major live events.
Viz Mosart 4
Viz Mosart 4
Viz Mosart 4 changes the studio production dynamic by adding live IP video support directly within the touch-based user interface, opening the door to entirely new workflows and allowing producers to build shows that can be run more easily, from a wide variety of locations. Further improvements to usability also mean that anyone in the organization is able to execute a pre-built show, reducing dependencies on limited resources.
Live sources in the interface
As a market first, Viz Mosart 4 features a fully customizable interface with interactive live sources. Viz Mosart integrates video over IP directly to your monitor to give an unrivaled view of the show – displaying any video source, program and preview directly in the user interface. Building on the software-based and IP leadership within Vizrt Group and NDI®, this setup can be deployed to an existing network environment and does not require radical infrastructure or monitoring changes.
Breaking news tools
Viz Mosart was made for breaking news. New functionality gives instant and unscripted access to assets including templates, show openers, and much more. The new graphics panel lets you access all your Vizrt graphics, preview them and then put them directly on-air. When combined, these tools offer true innovation and access to on-air news production in ways that have previously just not been possible.
Template management
The template organization capability introduced in Viz Mosart 4 significantly reduces the time spent on creation and maintenance of automation templates, allowing you to focus on your show and not the tools needed to create and bring your vision to life.
Pro Convert for NDI® to HDMI 4K decoder
Pro Convert for NDI® to HDMI 4K decoder
HDMI
HDMI 1.4
HDMI 2.0
Storage Interface:
SD Card (functions to be developed)
Screw Mounting Hole:
¼–20 mounting hole
Network Interfaces:
10/100/1000Mbps Ethernet
IEEE 802.3af PoE
USB Interface:
USB2.0 Type B
5V/2.1A power supply
USB RNDIS/ECM
USB3.0 Type A
Support for connecting peripherals (keyboard and/or mouse) to customize the video and audio settings
HDMI Output Features:
Support for up to 4:4:4 8-bit 4096x2160 60fps output HDMI resolutions
Support for 96KHz 16bits 8-channel audio streams
Support for delivering videos at the preferred video format according to the EDID of the connected monitor
Accessories:
USB 2.0 A to B cable
5V/2.1A power adaptor
L-bracket
USB Capture SDI Gen 2 capture dongle
MCX
SD/HD/3G SDI
Host Interface:
USB 3.0
compatible with USB 2.0
compatible with USB 3.1 Gen 1
Input features:
Support for up to 2048x1080 input resolution
SDI Specific Features:
Integrated cable equalizer extending the cable length as follows:
up to 330m for SD-SDI signals
up to 190m for HD-SDI signals
up to 150m for 3G-SDI signals
Support for SD/HD/3Ga/3Gb/3Gb-DL/3Gb-DS standards
Support for 2K (2048x1080) mode
Support for RGB 4:4:4, YCbCr 4:4:4, YCbCr 4:2:2 color sampling
Support for 10/12-bit color depth
Support for extraction of SMPTE 352 payload identifier
Support for up to 2 (mono) audio channels at 48KHz
Support for extraction of audio formation information & channel status data
Limited support of 3Gb-DS: only the first stream can be captured
Limited support for capture of the first link of dual link interfaces:
YCbCr 4:2:2 10-bit 1080p 50/59.94/60: captured as 1080i 50/59.94/60
YCbCr 4:4:4 10-bit: captured as 4:2:2
RGB 4:4:4: R/B sub-sampled
Video Capture format:
Support for capture resolutions up to 2048x1080
Support for capture frame rates up to 120fps
SDK:
The USB Capture SDK provide functions including signal status extraction, capture configuration and real-time audio & video capture, etc.
Accessories:
USB 3.0 cable
MCX to SDI cable
USB Capture AIO capture box
DVI-I
DVI 1.0
HDMI 1.4a (via breakout cable)
VGA (via DVI-to-VGA convertor)
Component (via breakout cable)
DB9
YC (S-Video)
Composite video
Analog audio (L+R)
Component video
BNC
SD/HD/3G SDI
Host Interface:
USB 3.0
compatible with USB 2.0
compatible with USB 3.1 Gen 1
Input features:
Auto scan of video input sources when there is no signal input to the currently selected input source
Manual selection of video input source
Auto selection of linked (embedded) audio input source when the video input source changes
Manual selection of audio input source
Support for input video resolutions up to 2048x2160
HDMI Specific Features:
225MHz HDMI receiver
Adaptive HDMI equalizer support for cables lengths up to 30M
Support for customized EDID
Support for extraction of AVI/Audio/SPD/MS/VS/ACP/ISRC1/ISRC2/Gamut InfoFrames
Full colorimetry support
Support for 8/10/12-bit color depths
Support for RGB 4:4:4, YCbCr 4:4:4, YCbCr 4:2:2 color sampling
Support for up to 2-channel IEC60958 audio streams
Support for extraction of audio formation information & channel status data
Support for extraction of video timing information
Support for extraction of 3D format information
Support for Side-by-Side Half, Top-and-Bottom, Frame Packing 3D mode.
SDI Specific Features:
Integrated cable equalizer extending the cable length as follows:
up to 330m for SD-SDI signals
up to 190m for HD-SDI signals
up to 150m for 3G-SDI signals
Support for SD/HD/3Ga/3Gb/3Gb-DL/3Gb-DS standards
Support for 2K (2048x1080) mode
Support for RGB 4:4:4, YCbCr 4:4:4, YCbCr 4:2:2 color sampling
Support for 10/12-bit color depth
Support for extraction of SMPTE 352 payload identifier
Support for up to 2 (mono) audio channels at 48KHz
Support for extraction of audio formation information & channel status data
Limited support of 3Gb-DS: only the first stream can be captured
Limited support for capture of the first link of dual link interfaces:
YCbCr 4:2:2 10-bit 1080p 50/59.94/60: captured as 1080i 50/59.94/60
YCbCr 4:4:4 10-bit: captured as 4:2:2
RGB 4:4:4: R/B sub-sampled
Video Capture format:
Support for capture resolutions up to 2048x2160
Support for capture frame rates up to 120fps
SDK:
The USB Capture SDK provide functions including signal status extraction, capture configuration and real-time audio & video capture, etc.
Accessories:
USB 3.0 cable
DVI to VGA connector
DVI-I to HDMI + Component breakout
DB9 to YC + Composite + Analog Audio + Component breakout
USB Capture HDMI 4K Plus capture dongle
HDMI
DVI-D 1.0
HDMI 1.4
HDMI 2.0
3.5mm audio jack
Microphone interface
Host Interface:
USB 3.0
compatible with USB 2.0
compatible with USB 3.1 Gen 1
Output Interface:
3.5mm audio jack
headphones interface
Loop-through Interface:
HDMI
DVI-D 1.0
HDMI 1.4
HDMI 2.0
Input feature:
Support for input video resolutions up to 4096x2160
HDMI Specific Features:
600MHz HDMI receiver
Adaptive HDMI equalizer
Support for customized EDID
Support for extraction of AVI/Audio/SPD/MS/VS/ACP/ISRC1/ISRC2/Gamut InfoFrames
Full colorimetry support
Support for up to 4096x2160 4:4:4 60fps input signals
Support for 2 channel IEC60958 audio streams
Support for extraction of audio formation information & channel status data
Support for extraction of video timing information
Support for extraction of 3D format information
Support for Side-by-Side Half, Top-and-Bottom, Frame Packing 3D mode.
Video Capture format:
Support for capture resolutions up to 4096x2160
Support for capture frame rates up to 120fps
SDK:
The USB Capture SDK provide functions including signal status extraction, capture configuration and real-time audio & video capture, etc.
USB Capture SDI 4K Plus capture dongle
BNC
SD/HD/3G/6G SDI
3.5mm audio jack
unbalanced Line In interface
Host Interface:
USB 3.0
compatible with USB 2.0
compatible with USB 3.1 Gen 1
Output Interface:
3.5mm audio jack
unbalanced Line Out interface
Loop-through Interface:
BNC
SD/HD/3G/6G SDI
Input features:
Support for up to 4096x2160 input resolution
SDI Specific Features:
Integrated cable equalizer extending the cable length as follows:
up to 330m for SD-SDI signals
up to 190m for HD-SDI signals
up to 150m for 3G-SDI signals
up to 75m for 6G-SDI signals
Support for SD/HD/3Ga/3Gb/3Gb-DL/3Gb-DS/6G (SMPTE 2081) standards
Support for 2K (2048x1080) & 4K (4096x2160) mode
Support for RGB 4:4:4, YCbCr 4:4:4, YCbCr 4:2:2 color sampling
Support for 10/12-bit color depth
Support for extraction of SMPTE 352 payload identifier
Support for up to 2 (mono) audio channels at 48KHz
Support for extraction of audio formation information & channel status data
Limited support of 3Gb-DS: only the first stream can be captured
Limited support for capture of the first link of dual link interfaces:
YCbCr 4:2:2 10-bit 1080p 50/59.94/60: captured as 1080i 50/59.94/60
YCbCr 4:4:4 10-bit: captured as 4:2:2
RGB 4:4:4: R/B sub-sampled
Video Capture format:
Support for capture resolutions up to 4096x2160
Support for capture frame rates up to 120fps
SDK:
The USB Capture SDK provide functions including signal status extraction, capture configuration and real-time audio & video capture, etc.
Accessories:
USB3.0 cable
