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LiveTouch is a scalable sports highlights system that makes slow-motion and instant replay workflows fast and effortless. The intuitive touchscreen panel is quick to learn and easy to use, making highlights selection sure, simple and robust. LiveTouch can scale to meet HD, 3G and 4K UHD productions of any size. It is easily configurable to support large events and multiple studio productions. Uniquely, LiveTouch supports integrated editing with no delays due to media movement and without the cost of duplicating assets or storage. Highlights packages and instant replays get to air faster, and system design is dramatically simplified.

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Viz Libero is the industry-leading sports analysis solution combining 3D virtual enhancements with powerful telestration tools. Create the perfect perspective for analyzing interesting or controversial game play.

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X-One brings EVS’ market-proven technology into a compact and easy-to-deploy system that delivers a full live production at significantly lower costs.  Ideal for smaller-scale productions, X-One allows a single operator to do live switching, create replays and highlights, control audio, create and insert graphics and play back content - all from a set of intuitive interfaces and with guaranteed broadcast-quality output.

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Whether it’s a slate of games for a major sports league, a regional athletic meet, an international esports competition, a targeted enterprise announcement, or any other live or virtual event, The Switch has production services to suit every organization’s needs. Our cloud-based platform, MIMiC, is an on-demand, production-as-a-service offering that includes remote IP-video contribution, production and clipping tools, and distribution. It empowers you to cost-effectively ensure broadcast quality production to and from anywhere in the world.

MIMiC handles all aspects of the production workflow in the cloud, from editing and graphics creation to comms and talk-back. It gives content producers the choice of using their own production crew or relying on The Switch to provide a full complement of experienced operators who know how to deliver award-winning programming. For a mainstream TV sporting event, for instance, rights holders can tap our full remote production service to produce the main game, while leveraging MIMiC to produce the shoulder programming, social media streams and individualized “player-cam” feeds. Plus, it offers the perfect set-up to produce esports tournaments, either stadium-based or virtual.

MIMiC is also ideal for both live and virtual enterprise events. It offers a flexible and scalable way to run everything from customer conferences and product launches to all-hands meetings and press briefings. MIMiC allows you to produce content in any time zone, localize the feed and address specific segments individually.

In enabling true cloud-based production, MIMiC gives producers of events of every size and type unmatched agility. It enables you to streamline workflows to get the most out of each production and better engage audiences. MIMiC complements the existing remote production services The Switch helped pioneer, letting rights holders, enterprises and other content producers choose the level of service they need.

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Our experience in development of slow motion instant replay and recording servers has given us an understanding that users need compact, reliable servers suitable for hand luggage.

A distinctive feature of the "Simple R" servers is their small size (1U) and weight. These are broadcast grade systems with all necessary functions for Production and Replays. The basic configuration allows export of recorded video for the subsequent nonlinear editing.

Simple R IIM is equipped with 8 bidirectional SDI I/O. In the basic configuration, Simple R II supports the 442 mode for HD/SD resolutions: 4 recording channels + 4 search channels + 2 playback channels + FX.

The top configuration provides:

• For HD/SD SDI: Up to 7 recording channels + 7 search channels + 2 playback channels + FX


• For 3G SDI: 4 recording channels + 4 search channels + 2 playback channels + FX.

It has a 10GbE interface and DMR™ option for recording for NLE.

The Simple R IIM comes with Control Zx which can be replaced with Control ZR.

The available SDX option adds an 8-channel, super high-speed USB 3.0 SD card reader. SD cards are used for exporting and importing video materials, as well as for recording to H.264 Proxy or ProRes standards.

 

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Libero Multiviewer is designed to take multiple video / audio signals and combine them to monitor in real-time. The system provides attractive and flexible layouts for one or several large screens. It allows to preview the selected video source on the configuration window. This feature helps you to see the source and corresponding video signal. The layouts are customizable according to your scenarios and shows. Static and dynamic elements are available on Layout Designer such as video source or clocks. It analyses each input signal for important parameters to create notifications or warnings and sends them via e-mail.

KEY FEATURES

• Stable for 24/7 operations


• Customizable layouts


• User friendly interface and layout designer


• SDI, NDI or IP Stream inputs


• SDI, NDI or IP Stream outputs


• Multi-display support


• SD/HD/UHD/4K for SDI input up to 60 fps(*)


• UDP/RTP/RTSP/RTMP/HLS/MPEG-DASH for Stream input


• Configurable audio channels


• Threshold-defined signal loss, freeze frame, max/min audio, audio loss alerts via e-mail


• Threshold-defined visual indicator for low/high audio and video loss

(*) Depending on the type of video cards

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Mo-Sys VP Pro is the complete solution for creating virtual production content for live broadcast, film, game cinematics and architectural visualization. With a full range of creative tools directly in the engine, enhance your productions using augmented graphics and virtual sets with real-time camera tracking.

What is Mo-Sys VP Pro?

Currently utilised by a growing pool of filmmakers, high-end broadcasters and developers, Mo-Sys VP Pro streams live tracking data from all Mo-Sys robotic and tracking hardware such as StarTracker and RoboJib. Mo-Sys VP Pro features a creative AR mode, an internal keyer and data recording with timecode stamp for FBX export, as well as many more virtual production features that empower your creative processes in the Unreal Engine.

High-quality camera tracking

Developed from our patented broadcast camera tracking system, StarTracker comes the film-orientated StartTracker VP. This optical tracking system looks at “stars”; which are small, identical retro-reflective stickers which are randomly applied to the studio ceiling or on the floor. A small LED sensor, mounted on the studio camera, shines light on the stars and remembers the constellation. This then reports the position and orientation of the studio camera in real time to the rendering engine.

Unrestricted Unreal Plugin

StarTracker VP comes with a plugin for Unreal and as such is not limiting you in your workflow. It allows you to tap into the raw power of Unreal, giving full flexibility and creative freedom. StarTracker VP was specifically tailored for virtual productions and VFX heavy filming – with many features that simplify VFX shots.

Post-production

Whilst allowing on-set visualization in real-time, as well as scene blocking in virtual worlds, StarTracker neatly provides timecode synchronization and an FBX export allowing you to efficiently drop the recorded data and footage into Maya and other post-production software.

• Mo-Sys tracking data over LiveLink - Supports StarTracker, StarTracker MoCap, StarTrackerVR headsets, StarTracker ViewFinder, Handwheels, and extends to all future robotics and tracking hardware.


• Raw Mo-Sys tracking data - Blueprint nodes for use within a 'built game'


• Data transmitter - Send data out of Unreal Engine to control Mo-sys robotics


• Mo-Cap drift correction - Positional correction for use with StarTracker MoCap hardware


• nDisplay for LED Wall -Receive data via VRPN for off-axis projection


• Live video I/O - Automatic configuration of compositing pipeline


• Drag-and-drop virtual camera -  Pre-fabricated components for a variety of compositing modes


• Data recording with timecode - Synchronous multi-source tracking and lens data recording


• Video management tool - Simple interface to configure and monitor video I/O


• VP system status - See at a glance the state of the virtual production system


• VP layouts  - Custom layouts for different stages of virtual production


• FBX data export - Virtual camera export to traditional pipelines


• Internal keyer - Color difference keyer for pre-visualisation


• External hardware keyer integration - Switch presets on Blackmagic Ultimatte from Unreal blueprints


• Switcher integration - Cut cameras on Blackmagic ATEM from Unreal blueprints


• External SDI recorder integration - Fire record on Blackmagic Hyperdeck recorders automatically with timecode and metadata


• Lens distortion - Entirely automated distortion for calibrated fixed and zoom lenses


• Depth of field - Automatic focal distance from StarTracker for depth of field handling


• StarTracker configuration - Detect and configure StarTrackers from inside Unreal editor

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Slomo.tv has improved its basic model of 4K multi-channel recording, Slow Motion and Instant Replay servers and significantly boosted its performance when working with 3G/HD video.

Fulcrum ATM/12G's flexible architecture, large number of channels and affordable price make it a good choice in the current economic situation.

In its basic configuration, the system has SSD-based storage, four Graphiс ports for Main interface and Multiviever, 4 Toolless/Trayless DMR™ Racks for 3.5” SATA drives, two 10GbE and 12G SAS ports. The Networking option for transferring clips and Playlists between servers and Telestrator are also included. Fulcrum ATM/12G prodives:

• Replay mode: 11Rec+2Play+11Search+FX for 3G/HD;


• Recording for NLE: Up to 12 HD channels.

Support of 4K mode is a software option that can be connected remotely when really needed. 4K license opens a 4 Rec + 2 Play + 4 Search + FX configuration in Replay mode and up to 6 recording channels for NLE.

The proprietary DMR™ technology - Recording in NLE native video files is the strong point of all slomo.tv servers. In this mode, the Fulcrum ATM/12G records the incoming video with the selected codec on its internal SSD storage in proprietary reliable format and in NLE native files on standard 3.5" SATA hard drives or to NAS.This allows achieving the highest safety, maximum convenience and production speed. The server also supports Growing files technology.

A wide range of options (Support of SuperMo, HiMo cameras; work with ProRes, XDCAM50, AVID DNxHD, AVC Intra, XAVC, DVCPro; VAR; Second Workplace, etc.) available also as Remote upgrade, allows the user save money on purchase and expand the capabilities of his server as the tasks become more complex.

The high performance of the system and its small size and weight (4U - 56cm, 20kg) make Fulcrum ATM/12G a perfect system for studio and OBvan environment.

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ViBox Slomo​Ultra Intuitive and Scalable ReplayThe ViBox Slomo is the world’s most intuitive and scalable replay system on the market. The system is designed for high quality live sports productions of any size. How many camera’s does your production have? Four in HD? Six? How about 12 cameras or six at 4K?  We let you do it all. For larger productions, ViBox Slomo can scale up to dozens of HD cameras across a network of ViBox SloMo servers fed to multiple UIs. With all of that choice, operators can decide the camera layouts they need. ViBox Slomo is also designed for the way operators want to work. Some may prefer the familiar SloMo remote control with an intuitive button layout and a jog wheel. Others love working with our touch-screen UI with its easy-to-access controls and great feeling scroll pad.  And some operators want to work with both at the same time, which is why we offer both…so  people can work exactly the way they want. Intuitive, scalable and much more. Your replay operators will love working with ViBox SloMo and your directors will love the way it looks.

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Production AirBox provides content playout for News, Live shows, screens and video walls feeding, live production broadcasts and other places where video/audio content have to be displayed. It is designed to meet the high reliability requirements of broadcast playout.

Every modification to the playlist can be made during onair session for live productions! No clips become locked It is possible to trim or reposition every clip in the playlist. In fact, on - the-fly playout position can be modified with commands such as next, jump or shuttle. These changes are carried out smoothly without disrupting the running session of playout.

 For up to four individual players, one server can be installed. Each player will have separate playlist and control over the playout. It is possible to designate the four SDI interfaces as software or sample outputs. Production AirBox provides content playout for feeding news live shows, screens and video walls, live broadcasts and other places where video / audio material needs to be viewed. To improve the process, it is designed to address the high reliability criteria interfaces of the broadcast playout.

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Dreamcatcher Slow Motion Replay System

Bravo Integrated Production & Postproduction Platform

PHASE - Serving the Brazilian Television Market Successfully since 1980

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Dreamcatcher Replay System

Bravo Integrated Production Platform

Full SDVN IP Video Infrastructure Solutions

Video Modular Products

PHASE - Serving the Brazilian TV Market Successfully since 1980