Connect » Real-Time Signal Transfer » Video Interfacing & Conversion » Standalone interfacing, signal processing and conversion »

Alchemist Live is a unique stream-based solution enabling the next generation of unrivaled framerate conversion for live IP and SDI media streams.
Alchemist Live from Grass Valley, a Belden Brand, offers the very best motion compensated framerate conversion, providing transparent, artifact-free conversion for seamless global distribution of live media.

Produce » Post Production » Editing and Finishing » Non-linear editing »

With more creative options and real-time, no-render editing of all popular SD, HD and even 4K and HDR formats, EDIUS Pro 9 is THE most versatile and fastest nonlinear editing software available. EDIUS Pro 9 from Grass Valley, a Belden Brand, gives you real-time editing of multiple formats and frame rates all on the same timeline. That means you can edit faster… and make the time to be more creative.

Produce » Real-Time Production » Video Production » Production switchers »

New V-series mid-range vision mixer options adapt to changing production environments with support for SMPTE ST 2110 IP, HDR, HD and 4K-UHD format conversion. The options also include “gearbox” for converting between 12G-SDI single link and quad-link sources. Frame sync inputs may be provisioned on every port.

Produce » Real-Time Production » Video Production » Production switchers »

New V-series mid-range vision mixer options adapt to changing production environments with support for SMPTE ST 2110 IP, HDR, HD and 4K-UHD format conversion. The options also include “gearbox” for converting between 12G-SDI single link and quad-link sources. Frame sync inputs may be provisioned on every port.

Produce » Real-Time Production » Video Production » Newsroom production management and automation systems »

GV STRATUS 6.0 from Grass Valley, a Belden Brand, is a video production and content management toolset that simplifies workflows with a combination of intelligent tools and powerful customization. GV STRATUS 6.0 enables collaboration where everyone has access to every clip on the network with the tools required to manage content. Here are some of the latest, groundbreaking features that enable creative talent to produce more content, faster in GV STRATUS 6.0: Social Media Management: Prepare and publish assets to social media platforms such as Facebook, Twitter and YouTube from within GV STRATUS 6.0. The first complete, rules-based tracking tool that allows for optimal management of breaking news, and other popular content on social media. Want to retweet stories from a particular organization? Done.
Want to delete a Facebook post if it doesn’t reach 50 likes? Got it. With social media management in GV STRATUS 6.0, the publishing team can focus on creating new content rather than managing existing assets. GVRE Transcoder: Build a loyal social media audience by always being first to publish. With growing file workflow support, Editors and producers can start working before the content has finished uploading. GV STRATUS 6.0 gets the video you need to air no matter the format within 15-20 seconds of ingest initiation. Virtualization: End-to-end virtualization allows GV STRATUS 6.0 users to phase in to virtualization on their own timeline. The new storage manager allows for a commodity-based system to allow users to utilize the feature based on their workflow, their schedule and their production requirements.

Connect » Real-Time Signal Transfer » Video Interfacing & Conversion » Modular interfacing and signal processing »

The IQUCP50 is a user configurable multi-channel video over IP transceiver developed for use within low latency and high bandwidth Ethernet IP networks. Using RTP VSF TR-03 (SMPTE 2110), TR-04 and SMPTE 2022-6 encoding and encapsulation schemes, along with clause 74 FEC, enables the IQUCP50 to encode or decode up to 16 SDI signals and transport them over redundant 50GbE links (SMPTE 2022-7) with either dual or single port options. To enable hardware processing flexibility IQUCP50 has a variety of Software Defined Cores (SDCs) available that can be purchased and loaded as operational needs demand. SDCs can be installed via a licensing mechanism and include; essence processing for SDI to IP gateway type applications, signal monitoring for multi-viewer style applications, network processing for IP transcoding and NAT firewall applications, and signal processing for broadcast quality conversion and processing requirements. With it’s essence processing SDC IQUCP50 provides frame synchronized SDI outputs along with both uncompressed and compressed (using SMPTE-2042 - VC2) modes of IP operation. Encapsulation of signals in a SMPTE 2022-6 transport stream is also catered for. IQUCP50 is fully compatible with GV’s new broadcast centric IP routing and network management solution designed to migrate Broadcasters from a traditional baseband routing and control environment to new Hybrid SDI and IP workflows.

Produce » Real-Time Production » Video Production » Production switchers »

With a worldwide heritage in live production switchers — from designing the first true multiformat switcher to the creative power and flexibility of switchers that offer all formats from SD to 4K UHD, and connectivity allowing you to mix traditional SDI and IP — Grass Valley brings you the Kahuna family of production switchers.

The Kahuna 4800, Kahuna 6400 and Kahuna 9600 offer more firepower and flexibility in the Kahuna family than ever before, including 4K UHD and HDR capabilities across all Kahuna switchers.

Together with Kahuna Maverik — Grass Valley’s Kahuna family switcher control surface — the Kahuna family provides a large feature set, including more power for M/E functionality and enhanced DVE resize engines.

The three switchers in the Kahuna family provide more power and flexibility than ever before.

Kahuna 9600
Up to 24 M/Es
48 keyers
The most powerful switcher in the Kahuna family, the Kahuna 9600 is an enterprise-class switcher offering an unmatched feature set to meet the needs of the highest caliber of productions.

Kahuna 6400
Up to 12 M/Es
24 keyers
The Kahuna 6400 delivers huge power and flexibility to the widest range of applications including regional news, sports production, houses of worship and magazine programs.

Kahuna 4800
Up to 4 M/Es
16 keyers
Offering superb value for money, the Kahuna 4800 is an immensely capable and well-engineered mid-level production switcher.

Create » Content Acquisition and Capture » Cameras » Broadcast System cameras »

The LDX 86N Series cameras takes the LDX 86 Series to a new level with native 4K UHD (3840x2160) and native 3G/HD (1920x1080) image capture, using three unique 3840x2160p 4K XensiumHAWK CMOS imagers with DPMUltra (dynamic pixel management) functionality. In addition, the LDX 86N gives you the same familiar GV-eLicense upgrade path so that you can always have the camera that you need, with the ability to use standard B4 2/3-inch HD lenses or the new B4 2/3-inch 4K UHD lenses becoming available.

Produce » Real-Time Production » Video Production » Real-time production replay and slow-motion servers »

LiveTouch is a scalable sports highlights system that makes slow-motion and instant replay workflows fast and effortless. The intuitive touchscreen panel is quick to learn and easy to use, making highlights selection sure, simple and robust. LiveTouch can scale to meet HD, 3G and 4K UHD productions of any size. It is easily configurable to support large events and multiple studio productions. Uniquely, LiveTouch supports integrated editing with no delays due to media movement and without the cost of duplicating assets or storage. Highlights packages and instant replays get to air faster, and system design is dramatically simplified.

Connect » Real-Time Signal Transfer » Video Interfacing & Conversion » Modular interfacing and signal processing »

The Densité 3+ XIP-3901 from Grass Valley, a Belden Brand, is an agile processing platform that focuses on high-quality live production for HD, 1080p, 4K UHD and HDR. This platform is a bridge for the hybrid world, consisting of today’s proven SDI technology and the IP connectivity of tomorrow. To meet customers’ needs both now and in the future, the XIP-3901 uses a flexible “virtualized” hardware platform. Based on a powerful FPGA engine, the XIP-3901 can be reconfigured with software updates for different applications as requirements change.

The XIP-3901 agile processing platform with a rear XIP-3901-3+DRP comes with all the 12G/quad link 3G/3G/HD-SDI connectivity to support two 4K UHD processing paths with dual 25 GbE SFP cages for future IP I/O migration. The XIP-3901 is installed in the established Densité modular frame. Due to advanced processing capabilities and power requirements, the XIP-3901 is supported by the Densité 3+ FR1 and FR4 frames. The initial applications for the XIP-3901 agile IP/SDI processing platform provides full functionality of up/down/framesync-gearbox processing capability delivered through three applications that allow your live productions — either from trucks, venues or stadiums — to make the most of the new 4K UHD and HDR formats. This includes playout channels where output of a 4K UHD HDR channel needs to be downconverted for an HD SDR simulcast version.

Densité 3+ XIP-3901-UC is an application that provides a dual-channel 12G/quad link 3G/3G/HD-SDI upconverter, which is designed to synchronize, upconvert and process HD and 3G 1080p signals for both 1080p and 4K UHD 2160p broadcast production. The XIP-3901-UC application features broadcast-quality scalers, motion-adaptive de-interlacers and color space conversions from ITU-R BT.709 to ITU-R BT.2020. Densité 3+ XIP-3901-DC* is an application that provide a dual-channel 12G/quad link 3G/3G/HD downconverter, which is designed to synchronize, downconvert and process 4K UHD 2160p and 1080p for both 1080p and HD broadcast production. The XIP-3901-DC application features broadcast-quality down-scalers, interlacers and color space conversions from ITU-R BT.2020 to ITU-R BT.709. Densité 3+ XIP-3901-FS* is an application that provide a dual-channel 12G/quad link 3G/3G/HD frame synchronizer with gearbox functionality, which is designed to synchronize and convert color space between ITU-R BT.2020 and ITU-R BT.709 in 4K UHD, 1080p and HD broadcast productions. All applications will delay 12G/3G/HD embedded audio and metadata to maintain synchronization with video. The optional HDR processor, XIP-3901-UDCHDR, allows conversion between SDR and HDR formats, supporting HLG (ITU-R BT.2100), PQ (SMPTE ST 2084, ITU-R BT.2100) and S-Log3/S-Gamut3 formats, with conversion between formats.

Produce » Post Production » Editing and Finishing » Non-linear editing »

The XRE Transcoder 9 from Grass Valley, a Belden Brand, is a standalone conversion solution that enables broadcasters and media companies to automate the transcoding of media files, using watch folders that can be placed anywhere on a network. Transcoding is fully optimized to the host machine’s specifications and is faster than real-time in many cases. Supplied as software or a full turnkey system and connected via Ethernet, XRE Transcoder 9 gives editors in a workgroup the freedom to spend their time editing, not transcoding, and supports the extensive list of formats and codecs that has made EDIUS such a force in broadcast news production.
New in version 9 of the XRE Transcoder is an “Effect Template” feature that allows customized effects such as layered graphics, image side bar blur, speed change, HDR metadata inclusion and more, to the clip as it is being transcoded. XRE Transcoder 9 can be used with any third-party professional NLE system. A simple interface allows off-loading of transcoding jobs from the NLE system to the XRE Transcoder, and an SDK is available to facilitate integration into third-party systems and workflows. Transcoding job status can be monitored from any machine on the network. Multiple servers can be configured as nodes to share jobs.

Produce » Real-Time Production » Video Production » Real-time production replay and slow-motion servers »

LiveTouch is a scalable sports highlights system that makes slow-motion and instant replay workflows fast and effortless. The intuitive touchscreen panel is quick to learn and easy to use, making highlights selection sure, simple and robust. LiveTouch can scale to meet HD, 3G and 4K UHD productions of any size. It is easily configurable to support large events and multiple studio productions. Uniquely, LiveTouch supports integrated editing with no delays due to media movement and without the cost of duplicating assets or storage. Highlights packages and instant replays get to air faster, and system design is dramatically simplified.

Publish » Linear Playout » Linear Playout Systems » Channel branding graphics and promotion systems »

Matrox X.mio3 12G is a half-length PCI Express card that offers two 12G SDI inputs, two 12G SDI outputs, and two reconfigurable 3G SDI I/Os allowing for 4K and HD simulcast for broadcast production. Multi-channel hardware processing accelerates computation-intensive operations including up/down/cross scaling and compositing for resolutions up-to-4K. The card empowers OEMs to provide small-footprint, one-wire SDI solutions for 4K deployments like production trucks. X.mio3 12G also features 4K compositing and mixing to enable graphics workflows.

Matrox X.mio3 12G is ideal for OEMs who need to create advanced channel-in-a-box systems, video servers, broadcast graphics systems, encoders, transcoders, multi-viewers, switchers and other digital media equipment. This card is supported by the Matrox DSX SDK (Software Development Toolkit). Please refer to the Matrox DSX Developer Products datasheet for information on file I/O, software codecs and CPU effects.

Key features
Half-length PCI Express card
Up to two 12G SDI inputs
Up to two 12G SDI outputs
Two re-configurable SD, HD, 3G SDI I/O
Frame synchronizers on each input
VANC and HANC support for each input and output
Analog blackburst reference input (tri-level or bi-level)
Onboard multi-channel 4K scaler
Onboard multi-layer 4K compositor
Live zero-frame delay video and audio mixer
Up to16 channels of AES/EBU inputs and outputs
Up to eight LTC inputs and outputs

Publish » Linear Playout » Linear Playout Systems » Channel branding graphics and promotion systems »

X.mio5 Q25 SMPTE ST 2110 network interface controller (NIC) card provides 25GbE and 10GbE interfaces for multi-channel IP video I/O from HD to 4K, with zero CPU usage. The X.mio5 Q25 card features on-board multi-channel HDR conversions along with motion adaptive de-interlacing, pristine scaling, and powerful compositing engines for high-density 4K video processing.

The Matrox X.mio5 Q25 network adapter offers complete ST 2110 offload allowing OEM software solutions to provide reliable and scalable COTS based 10Ge and 25Ge IP solutions. This ST 2110 NIC offloads all packet processing required for ST 2110-20, ST 2110-30, ST 2110-31 and ST 2110-40, as well as ST 2022-7 redundancy, to free up system resources. With ST 2110-21 packet pacing built into the NIC, software solutions can provide guaranteed narrow senders (Type N) under all conditions independent of CPU load and OS interactions. The X.mio5 Q25 ST2110 IO cards also provide line rate capture allowing for wide asynchronous receivers (type A). Both the permissive wide asynchronous receivers and the ST 2110-21 packet paced, narrow senders allow software solutions to guarantee universal compatibility and interoperability at scale.

Key features Native SMPTE ST 2110 support with no CPU usage 4x UHDp60/50 inputs and outputs over 25GbE 32x HD inputs and outputs over 25GbE 256 audio flows from 1 to 64 tracks Multi-channel HDR conversion On-board de-interlacing, scaling, and compositing, Built in NMOS IS-04 and IS-05 support, 3 year warranty

Connect » Real-Time Signal Transfer » Audio Interfacing & Conversion » Audio signal processing, routing and infrastructure »

Matrox DSX Core is a complete set of 100% software-only modules for media processing in virtualized broadcast infrastructures based on Matrox DSX SDK. Modules include versatile file reading and writing, a large selection of software codecs and video effects, IP streaming and a precise system clock. OEMs can easily build IP- and file-based video applications such as ingest and playout servers, channels in a box, encoders and transcoders for broadcasters and service providers to use in media datacenters.

Publish » Linear Playout » Linear Playout Systems » Channel branding graphics and promotion systems »

Matrox M264 family of PCI Express cards features hardware-based multi-channel 8- and 10-bit H.264 encoding, decoding and transcoding capabilities. They provide an instantaneous H.264 quality and density boost offering the pristine quality needed for broadcast contribution, production and distribution. With the capability for up to four channels of 4K XAVC encoding/decoding in a single slot card, the M264 family enables OEMs to provide multi-channel 4K production servers in a PC platform. Supporting the H.264-based Sony XAVC and Panasonic AVC-Ultra mezzanine codecs, it makes live 4K production as easy as today’s XDCAM HD workflows in PC platforms.

The M264 family can encode/decode up to four streams of 4Kp60 at 4:2:2 10-bit, 40 streams of HD long GOP at 4:2:2 10-bit or 64 streams of HD at 4:2:0 8-bit. The faster than real-time encoding/decoding ability of the M264 allows multiple blazing fast transcodes for distribution on differing media platforms. With onboard multi-channel, motion-adaptive deinterlacing, and up/down/cross scaling, the M264 family can repurpose content into any resolution before encoding or after decoding, particularly beneficial for OTT workflows.

Specifically designed for high density encoding/decoding (Baseline Profile to High 10 Intra Profile up to Level 5.2), M264 cards provide the highest possible quality at the lowest power per stream (< 1.5 W per HD stream). The M264 S4, S3 and S2 cards are cloud friendly and their resources can be shared across virtual machines.

Matrox M264 cards are the ideal H.264 accelerators for channel-in-a-box systems, video servers, broadcast graphics systems, multi-viewers, and switchers or to create high-density encoders, transcoders and other broadcast media equipment. The Matrox M264 hardware is supported by the Matrox DSX Software Development Kit. Please refer to the Matrox DSX Developer Products datasheet for information on file I/O, software codecs and CPU effects.

Key features PCI Express Cards M264 - Gen 2, ½ length card M264 S2 - Gen 3, ¾ length card M264 S3 - Gen 3, ¾ length card, M264 S4 - Gen 3, full length card. Multi-channel, high-quality H.264 video encoding, decoding and transcoding Up to 4K resolutions supported 4:2:2 10-bit and 4:2:0 8-bit Hardware based deinterlacing and scaling Real-time and faster than real-time operation Dynamic codec control Sony XAVC compliant encoding including 4K XAVC Long and 4K Intra Class 480 Panasonic AVC-Ultra compliant Native MXF file wrapping Native MXF file reading. This includes Trim in and Trim out settings for building playlists File consolidation Time Delay Instant Replay (TDIR) support MXF file truncation and appending during live recording

Produce » Real-Time Production » Video Production » Production switchers »

X-One brings EVS’ market-proven technology into a compact and easy-to-deploy system that delivers a full live production at significantly lower costs.  Ideal for smaller-scale productions, X-One allows a single operator to do live switching, create replays and highlights, control audio, create and insert graphics and play back content - all from a set of intuitive interfaces and with guaranteed broadcast-quality output.

Produce » Real-Time Production » Video Production » Real-time production replay and slow-motion servers »

Viz Libero is the industry-leading sports analysis solution combining 3D virtual enhancements with powerful telestration tools. Create the perfect perspective for analyzing interesting or controversial game play.

Produce » Real-Time Production » Video Production » Real-time production replay and slow-motion servers »

Master Key One w/Blue Pill Inside is our top of the line stand-alone switcher panel.

It’s an exceptionally powerful panel containing Blue Pill Inside and therefore it also has the native ability to connect an MK48 panel to go modular and expand!

Together MK48 and Master Key One feature a powerful blend of industry standard NKK buttons and SKAARHOJs innovative custom molded elastomer four-way buttons along with an uncompromising use of OLED displays to create a 100% flexible, and universal and modular switcher surface for high-end studios and OB trucks.

This product comes with Blue Pill Inside. Blue Pill Inside means that the hardware of a Blue Pill is moved into your controller instead of combining a stand-alone Blue Pill with a UniSketch panel. The net result is the same, but with some twists: The advantage of Blue Pill Inside is that at the same cost you have everything in one unit - but you can’t enjoy the features from UniSketch anymore.

Features

• Blue Pill Inside


• Universal control of multiple 3rd party devices


• Flexible user configuration


• IP-based remote control, can be powered with PoE


• RGB multi level metering LEDs for VU, state indication and tally


• Large, crisp graphical OLED windows for labels and section titles


• Sculptured cap RGB broadcast buttons. NKK Japanese quality, best of the best


• Custom made SKAARHOJ signature Hall-Effect T-bar with LED ring and OLED Progress Bar


• Four-way buttons and encoders with RGB back- light and OLED displays


• Ethernet with PoE (IEEE802.3af/t)


• Designed and built in Denmark

Produce » Real-Time Production » Video Production » Real-time production replay and slow-motion servers »

 

EPG Correction™ ensures seamless and VoD-like experiences for catch-up and replay by fully automated and real-time correction of the difference between the scheduled and the actual air times of TV programs.

Produce » Real-Time Production » Video Production » Production automation systems »

Libero Multiviewer is designed to take multiple video / audio signals and combine them to monitor in real-time. The system provides attractive and flexible layouts for one or several large screens. It allows to preview the selected video source on the configuration window. This feature helps you to see the source and corresponding video signal. The layouts are customizable according to your scenarios and shows. Static and dynamic elements are available on Layout Designer such as video source or clocks. It analyses each input signal for important parameters to create notifications or warnings and sends them via e-mail.

KEY FEATURES

• Stable for 24/7 operations


• Customizable layouts


• User friendly interface and layout designer


• SDI, NDI or IP Stream inputs


• SDI, NDI or IP Stream outputs


• Multi-display support


• SD/HD/UHD/4K for SDI input up to 60 fps(*)


• UDP/RTP/RTSP/RTMP/HLS/MPEG-DASH for Stream input


• Configurable audio channels


• Threshold-defined signal loss, freeze frame, max/min audio, audio loss alerts via e-mail


• Threshold-defined visual indicator for low/high audio and video loss

(*) Depending on the type of video cards

Produce » Real-Time Production » Video Production » Newsroom production management and automation systems »

Mo-Sys VP Pro is the complete solution for creating virtual production content for live broadcast, film, game cinematics and architectural visualization. With a full range of creative tools directly in the engine, enhance your productions using augmented graphics and virtual sets with real-time camera tracking.

What is Mo-Sys VP Pro?

Currently utilised by a growing pool of filmmakers, high-end broadcasters and developers, Mo-Sys VP Pro streams live tracking data from all Mo-Sys robotic and tracking hardware such as StarTracker and RoboJib. Mo-Sys VP Pro features a creative AR mode, an internal keyer and data recording with timecode stamp for FBX export, as well as many more virtual production features that empower your creative processes in the Unreal Engine.

High-quality camera tracking

Developed from our patented broadcast camera tracking system, StarTracker comes the film-orientated StartTracker VP. This optical tracking system looks at “stars”; which are small, identical retro-reflective stickers which are randomly applied to the studio ceiling or on the floor. A small LED sensor, mounted on the studio camera, shines light on the stars and remembers the constellation. This then reports the position and orientation of the studio camera in real time to the rendering engine.

Unrestricted Unreal Plugin

StarTracker VP comes with a plugin for Unreal and as such is not limiting you in your workflow. It allows you to tap into the raw power of Unreal, giving full flexibility and creative freedom. StarTracker VP was specifically tailored for virtual productions and VFX heavy filming – with many features that simplify VFX shots.

Post-production

Whilst allowing on-set visualization in real-time, as well as scene blocking in virtual worlds, StarTracker neatly provides timecode synchronization and an FBX export allowing you to efficiently drop the recorded data and footage into Maya and other post-production software.

• Mo-Sys tracking data over LiveLink - Supports StarTracker, StarTracker MoCap, StarTrackerVR headsets, StarTracker ViewFinder, Handwheels, and extends to all future robotics and tracking hardware.


• Raw Mo-Sys tracking data - Blueprint nodes for use within a 'built game'


• Data transmitter - Send data out of Unreal Engine to control Mo-sys robotics


• Mo-Cap drift correction - Positional correction for use with StarTracker MoCap hardware


• nDisplay for LED Wall -Receive data via VRPN for off-axis projection


• Live video I/O - Automatic configuration of compositing pipeline


• Drag-and-drop virtual camera -  Pre-fabricated components for a variety of compositing modes


• Data recording with timecode - Synchronous multi-source tracking and lens data recording


• Video management tool - Simple interface to configure and monitor video I/O


• VP system status - See at a glance the state of the virtual production system


• VP layouts  - Custom layouts for different stages of virtual production


• FBX data export - Virtual camera export to traditional pipelines


• Internal keyer - Color difference keyer for pre-visualisation


• External hardware keyer integration - Switch presets on Blackmagic Ultimatte from Unreal blueprints


• Switcher integration - Cut cameras on Blackmagic ATEM from Unreal blueprints


• External SDI recorder integration - Fire record on Blackmagic Hyperdeck recorders automatically with timecode and metadata


• Lens distortion - Entirely automated distortion for calibrated fixed and zoom lenses


• Depth of field - Automatic focal distance from StarTracker for depth of field handling


• StarTracker configuration - Detect and configure StarTrackers from inside Unreal editor

Produce » Real-Time Production » Video Production » Real-time production replay and slow-motion servers »

Slomo.tv has improved its basic model of 4K multi-channel recording, Slow Motion and Instant Replay servers and significantly boosted its performance when working with 3G/HD video.

Fulcrum ATM/12G's flexible architecture, large number of channels and affordable price make it a good choice in the current economic situation.

In its basic configuration, the system has SSD-based storage, four Graphiс ports for Main interface and Multiviever, 4 Toolless/Trayless DMR™ Racks for 3.5” SATA drives, two 10GbE and 12G SAS ports. The Networking option for transferring clips and Playlists between servers and Telestrator are also included. Fulcrum ATM/12G prodives:

• Replay mode: 11Rec+2Play+11Search+FX for 3G/HD;


• Recording for NLE: Up to 12 HD channels.

Support of 4K mode is a software option that can be connected remotely when really needed. 4K license opens a 4 Rec + 2 Play + 4 Search + FX configuration in Replay mode and up to 6 recording channels for NLE.

The proprietary DMR™ technology - Recording in NLE native video files is the strong point of all slomo.tv servers. In this mode, the Fulcrum ATM/12G records the incoming video with the selected codec on its internal SSD storage in proprietary reliable format and in NLE native files on standard 3.5" SATA hard drives or to NAS.This allows achieving the highest safety, maximum convenience and production speed. The server also supports Growing files technology.

A wide range of options (Support of SuperMo, HiMo cameras; work with ProRes, XDCAM50, AVID DNxHD, AVC Intra, XAVC, DVCPro; VAR; Second Workplace, etc.) available also as Remote upgrade, allows the user save money on purchase and expand the capabilities of his server as the tasks become more complex.

The high performance of the system and its small size and weight (4U - 56cm, 20kg) make Fulcrum ATM/12G a perfect system for studio and OBvan environment.

Produce » Real-Time Production » Video Production » Newsroom production management and automation systems »

Production AirBox provides content playout for News, Live shows, screens and video walls feeding, live production broadcasts and other places where video/audio content have to be displayed. It is designed to meet the high reliability requirements of broadcast playout.

Every modification to the playlist can be made during onair session for live productions! No clips become locked It is possible to trim or reposition every clip in the playlist. In fact, on - the-fly playout position can be modified with commands such as next, jump or shuttle. These changes are carried out smoothly without disrupting the running session of playout.

 For up to four individual players, one server can be installed. Each player will have separate playlist and control over the playout. It is possible to designate the four SDI interfaces as software or sample outputs. Production AirBox provides content playout for feeding news live shows, screens and video walls, live broadcasts and other places where video / audio material needs to be viewed. To improve the process, it is designed to address the high reliability criteria interfaces of the broadcast playout.

Create » Content Acquisition and Capture » Audio Aquisition » Audio acquisition accessories »

PlayBox Technology has incorporated its most advanced playout engine which is the result of over 15 years of experience in developing playout solutions for the world's

leading broadcasters.

 

PlayBox Technology Channel-in-a-Box provides an integrated playout solution for Broadcasters and OTT service providers in a 1RU or 3RU server, regardless if you are working with IP or SDI.

The CIAB will enable you to playout an IP stream or an SDI in SD, HD or UHD. PlayBox Technology’s CIAB takes care of all your scheduling needs and uses simple, clean and engaging HTML5 for your transmission graphics needs including crawlers and rollers.

 

As you would expect from PlayBox Technology, it offers sophisticated and easy to use automation. We have designed a user friendly ingest which also gives you the ability to FTP your media straight to the Channel In A Box, saving you time.

It is available as a complete turnkey solution for single channel or multichannel HD SDI/SD. Available as both full turnkey solutions and software-only for single and multi-channel operations.

 

Channel in a Box (CIAB) is compatible with a wide range of compression types, including: MPEG-2, DV, DVCPro, DVCPro HD, AVC/H.264, HAVC/H.265, XAVC and more.

Produce » Real-Time Production » Video Production » Real-time production replay and slow-motion servers »

Rack Based Near Line

Cost-effective, highly expandable and energy efficient near line storage for facility backup and replication. Powered by GB Labs CORE.4, ECHO comes complete with Replication, File Manager, optional CloakDR and more...

Ideal for Render Farms, Disaster Recovery, Digital Shelf and Instant Access media storage.

Technologies- IDA² / Dynamic Bandwidth / Analytics Centre / CloakDR / Mosaic

Capacity- 64- 448TB

Speed- up to 2GB/s

Expandable- Up to 10PB

 

 

Produce » Real-Time Production » Video Production » Real-time production replay and slow-motion servers »

Huge experience in development of slow motion instant replay and recording servers has given us an understanding that users need compact, reliable servers suitable for hand luggage.

A distinctive feature of the "Simple R" servers is their small size (1U) and weight. These are broadcast grade systems with all necessary functions for Production and Replays. The basic configuration allows export of recorded video for the subsequent nonlinear editing.

Simple R III is equipped with 16 bi-directional SDI I/O.

In its basic configuration, the Simple R III supports 662 mode for HD/SD resolutions: 6 recording + 6 search + 2 playback channels + FX.

The top configuration provides:

• For HD/SD SDI: Up to 7 recording channels + 7 search channels + 2 playback channels + FX


• For 3G SDI: 4 recording channels + 4 search channels + 2 playback channels + FX

Simple R III is the only server that can accommodate a second workplace. Two operators can simultaneously and independently work with 442 configurations (4 recording channels + 4 search channels + 2 playback channels + FX).

For exchange of clips and playlists between slomo.tv servers Simple R III is equipped with 1GbE network interface.

The Simple R III comes with Control Zx which can be replaced with Control ZR.

It is also possible to add an 8-channel, super high-speed USB 3.0 SD card reader (SDX option). SD cards are used for exporting and importing video materials, as well as for recording to H.264 Proxy or ProRes standards.

Produce » Real-Time Production » Video Production » Real-time production replay and slow-motion servers »

Our experience in development of slow motion instant replay and recording servers has given us an understanding that users need compact, reliable servers suitable for hand luggage.

A distinctive feature of the "Simple R" servers is their small size (1U) and weight. These are broadcast grade systems with all necessary functions for Production and Replays. The basic configuration allows export of recorded video for the subsequent nonlinear editing.

Simple R IIM is equipped with 8 bidirectional SDI I/O. In the basic configuration, Simple R II supports the 442 mode for HD/SD resolutions: 4 recording channels + 4 search channels + 2 playback channels + FX.

The top configuration provides:

• For HD/SD SDI: Up to 7 recording channels + 7 search channels + 2 playback channels + FX


• For 3G SDI: 4 recording channels + 4 search channels + 2 playback channels + FX.

It has a 10GbE interface and DMR™ option for recording for NLE.

The Simple R IIM comes with Control Zx which can be replaced with Control ZR.

The available SDX option adds an 8-channel, super high-speed USB 3.0 SD card reader. SD cards are used for exporting and importing video materials, as well as for recording to H.264 Proxy or ProRes standards.

 

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"Arrow III" is a new, higher level model in the Arrow line. It is a broadcast-class server which is more powerful, quieter, and cheaper! It allows you to take a fresh look at television production.

The compact size of the server and the wide range of available options make it indispensable for live broadcasting of any sporting events and recording for editing of various TV shows.

Arrow III is equipped with 8 bi-directional SDI I/O. In its basic configuration, the server supports the 662 mode: 6 recording + 6 search + 2 playback channels + FX.

The top configuration provides:

• For HD/SD SDI: Up to 7 recording + 7 search + 2 playback channels + FX


• For 3G SDI: 4 recording + 4 search + 2 playback channels + FX.

All the needs and wishes of the customers were taken into account in its development. At ordering, the user can choose the disk array for its system: affordable HDDs or lightweight and reliable SSDs. One of the most important advantages of Arrow III is its optimized cooling system. To reduce the noise level the server was equipped with large low-noise fans installed on the front panel, which provide almost silent operation.

Arrow III is equipped with 3 built-in DMR™ Racks for 3.5" SATA hard drives for export and import of video material, as well as for recording for non-linear editing of native files and codecs with DMR™ technology (DMR™ option). Up to 8 HD channels can be recorded simultaneously, which makes the system a good space saver alternative to big 4U servers.

The high-speed 10GbE interface allows recording the video material on NAS, as well as speeds up the exchange of clips and playlists between slomo.tv servers working in the network.

Arrow III comes with specialized replay console: Control Zx for the HDD-based servers and Control ZR for the SSD-based systems. Control ZR is a latest generation of slomo.tv replay panels equipped with 51 RGB buttons and T-bar with up to 1024 values of the lever position. Connection of the console is via RS232/422, USB and Ethernet.

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Ripley - A full-featured server incorporated into replay console

"Ripley" is a unique new system which combines the replay server and the remote controller within the dimensions of the replay console.

It comes in 2 models: Ripley 442 and Ripley Plus.

The 442 model provides:

• HD: 4 recording + 4 search + 2 playback channels + FX

The Plus provides:

• 3G: 6 recording + 6 search + 2 playback channels + FX


• HD: 6 recording + 6 search + 2 playback channels + FX

The server has 2 graphical interfaces for the Main Interface and Multiviewer. If necessary, a single monitor using MultiSkin switching function can display both of them.

For integration with mixers and other equipment, "Ripley" has LTC and GPO interfaces, as well as RS232/422 port.

It also supports networking with other slomo.tv servers for exchange of clips and playlists (Free "Transfer" option) via 1GbE interface.

As all slomo.tv servers, Ripley is integrated with high-speed cameras of various manufacturers. Ripley Plus can support two 3x or three 2x Super Slow Motion cameras. Thanks to the "Transfer" (networking) option, clips from Super Motion cameras are available for creating Summary/Highlights on other servers without additional hardware or software options.

As any other slomo.tv server, Ripley provides for automatic clips creation, wide abilities for playlists’ editing, simultaneous search on all channels, instant slow motion replays, networking, etc. The basic configuration includes free 'Transfer' (networking) and 'Game Analyzer' (telestrator) options, reflecting the company's policy aimed at increased functionality without raising prices.

Keyboard, mouse and other external devices are connected via USB 2.0 and USB 3.0.

The unique feature of "Ripley" is the presence of 4 SDHC standard memory card slots on the side panel. The cards can be used for export and import of video materials, as well as for recording of incoming video signals in H.264 or AVC-Intra 50Mbit.

"Ripley" has 51 RGB illuminated push buttons, Jog Shuttle and T-Bar, providing up to 1024 values of the lever position.

The system has SSD storage subsystem of 66 hours of 100Mbit HD.

"Ripley" is powered by 110-220 V and weighs less than 4 kg.

Options

·       Free Transfer option – networks servers for joint operation.

·       Free Game Analyzer – provides possibility of applying simple graphics on video.

3G-SDI support – ability to work with 3G-SDi signals in 662 mode: 6 recording + 6 search + 2 playback channels + FX.

·       SuperMo – allows working with 2x, 3x, 4x cameras.

·       Export – allows exporting recorded video for non-linear editing with different codecs.

·       4-channel video judging – perfectly suitted for basketball, fencing and wrestling.

8-channel video judging – enough for many sports.

Areas of use

"Ripley" is a compact system the size of a replay console perfectly suited for field work. Two systems can be placed in one carry-on case.

The system is perfect for TV companies that do not use large servers. It makes it easier to service various event venues.

The 3G-SDI option allows it to be used for broadcasting eSports events, for which 3G signals support is a key factor.

"Ripley Plus" with 8-camera video-refereeing option, can be used in many sports.

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videoReferee®-FC - Сomplete integrated video assistant referee (VAR) system.

videoReferee®, which has been used for many years across sports such as ice hockey, basketball and handball has now been adapted to accommodate soccer’s recently introduced FIFA obligatory requirements.

Designated videoReferee-FC, the compact 4U video server records up to 24 3G/HD channels and has four graphics outputs. It has a separate multi-viewer for all channels capable of displaying live and delayed video.  The system provides two fully functional and independent work places working with live, delayed for 2 seconds or recorded video.  Using the system, sports referees can analyze in-play action frame-by-frame, simultaneously viewing the action from several different camera angles.

Video inputs can be displayed from a single camera, in Quad view (four cameras) or in multi-viewer format for off-site situations. Also, it is possible to quickly perform and prepare analysis of an on-pitch incident at the assistant’s work place (AVAR) and transfer it to the main on-pitch (VAR) system for referees to review during the match.

The videoReferee® based VAR system setup includes:

• Touch-screen monitors


• Interfaces for integration with Vokkero Intercom system


• Back-lit red and green buttons for simple event marking and controlling intercom with the referee on the field


• vR-Keypad, which enables the assistant to mark and label in-play incidents for subsequent or immediate search


• SDI output for integration within a stadium’s broadcast network

“As we witnessed at the recent FIFA World Cup Finals, VAR technology can revolutionize live sports, taking a lot of pressure from the referees who operate in extremely stressful environments,” commented Michael Gilman, CEO of slomo.tv. “We believe our new version of videoReferee® will interest numerous other sports administrators and broadcasters.”

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A SAN, a NAS, or both at the same time. EVO is made for online, real-time use with leading applications such as Avid Media Composer, Adobe Premiere Pro, After Effects, DaVinci Resolve, Final Cut Pro, Scratch, and Pro Tools. The EVO shared storage workflow server gives professional media creation teams total flexibility with built-in SAN and NAS, easy-to-use ShareBrowser MAM, more connectivity, more capacity, enhanced features like automatic project file locking, project/bin sharing, asset tagging, cloud integration, and LDAP/AD.

• It’s incredibly fast, easily expandable, and its flexibility is unmatched.


• Workflow Project sharing, bin sharing, file sharing, SAN & NAS for professional media applications.


• Connectivity Enough ports to directly connect every computer in your workgroup.


• Performance High throughput, with overhead for the most demanding projects and 6K video workloads.


• Expansion Ready for more capacity and direct-connect network ports as your business continues to grow.

With EVO, you can connect and share everything — you’ll spend less and still get better performance. EVO is purpose-built for digital media workflows and demanding use with the leading pro apps like Avid Media Composer, Final Cut Pro/FCP X, Adobe Premiere Pro/CC, and DaVinci Resolve. When it comes to projectsharing, you can use Avid’s native Project and Bin sharing functions, and take advantage of EVO’s unique project sharing features for FCPX and Adobe Premiere Pro. EVO unlocks the sharing capabilities of Media Composer — with several editors in the same Avid project, teams can easily collaborate by using shared Bins, exchanging access to Media and Sequences directly within Media Composer. You also can Enjoy the flexibility and performance of both file and volume sharing. EVO enables you to use file sharing, volume sharing, or a combination of the two — providing multi-user write workspaces for sharing projects and bins, in addition to high performance SAN volumes for multi-cam and uncompressed workflows.

EVO is designed and built to make your production life easier, which means you get purpose built features like Slingshot and ShareBrowser. With Slingshot, an Automations GUI and API, you can create and run automated file workflows that span EVO, other storage systems, and Amazon S3/Glacier cloud services. Slingshot helps boost productivity by enabling you to automate repetitive file management tasks, leaving you and your team with more valuable time in post. ShareBrowser is an Easy-to-Use, unified file/project/asset management interface for macOS and Windows. It is similar to Finder/Explorer, but designed by SNS specifically to help media teams work and collaborate more efficiently.

The ShareBrowser Desktop Client not only improves visibility and access to your team’s storage systems, it conveniently enables automatic project locking for FCP, Premiere Pro, and Pro Tools — as well as Avid project and bin sharing. enables your team to search across all EVO storage as well as local, offline, and other network disks. Assets and custom metadata like tags and comments can be instantly added to anything in the shared database. This means your team can more easily find, preview, and share important media and projects - and now, it's also available in a free web-app to make collaboration even easier.

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Live instant replay system with compelling features, a unique ergonomically-designed control surface and purpose-built user application.

Features include:

- Easy-to-Use

- Single or Dual-User Workflow

- Reliable Protected Media

- Flexible Configuration

- Content Sharing

- File-Based Operations

 

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Whether it’s a slate of games for a major sports league, a regional athletic meet, an international esports competition, a targeted enterprise announcement, or any other live or virtual event, The Switch has production services to suit every organization’s needs. Our cloud-based platform, MIMiC, is an on-demand, production-as-a-service offering that includes remote IP-video contribution, production and clipping tools, and distribution. It empowers you to cost-effectively ensure broadcast quality production to and from anywhere in the world.

MIMiC handles all aspects of the production workflow in the cloud, from editing and graphics creation to comms and talk-back. It gives content producers the choice of using their own production crew or relying on The Switch to provide a full complement of experienced operators who know how to deliver award-winning programming. For a mainstream TV sporting event, for instance, rights holders can tap our full remote production service to produce the main game, while leveraging MIMiC to produce the shoulder programming, social media streams and individualized “player-cam” feeds. Plus, it offers the perfect set-up to produce esports tournaments, either stadium-based or virtual.

MIMiC is also ideal for both live and virtual enterprise events. It offers a flexible and scalable way to run everything from customer conferences and product launches to all-hands meetings and press briefings. MIMiC allows you to produce content in any time zone, localize the feed and address specific segments individually.

In enabling true cloud-based production, MIMiC gives producers of events of every size and type unmatched agility. It enables you to streamline workflows to get the most out of each production and better engage audiences. MIMiC complements the existing remote production services The Switch helped pioneer, letting rights holders, enterprises and other content producers choose the level of service they need.

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Dreamcatcher Replay System

Bravo Integrated Production Platform

Full SDVN IP Video Infrastructure Solutions

Video Modular Products

PHASE - Serving the Brazilian TV Market Successfully since 1980

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Dreamcatcher Slow Motion Replay System

Bravo Integrated Production & Postproduction Platform

PHASE - Serving the Brazilian Television Market Successfully since 1980

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ViBox Slomo​Ultra Intuitive and Scalable ReplayThe ViBox Slomo is the world’s most intuitive and scalable replay system on the market. The system is designed for high quality live sports productions of any size. How many camera’s does your production have? Four in HD? Six? How about 12 cameras or six at 4K?  We let you do it all. For larger productions, ViBox Slomo can scale up to dozens of HD cameras across a network of ViBox SloMo servers fed to multiple UIs. With all of that choice, operators can decide the camera layouts they need. ViBox Slomo is also designed for the way operators want to work. Some may prefer the familiar SloMo remote control with an intuitive button layout and a jog wheel. Others love working with our touch-screen UI with its easy-to-access controls and great feeling scroll pad.  And some operators want to work with both at the same time, which is why we offer both…so  people can work exactly the way they want. Intuitive, scalable and much more. Your replay operators will love working with ViBox SloMo and your directors will love the way it looks.

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NewTek 3Play® 3P1 is the premier video solution for IP sports production, with the most complete set of real-time capabilities for live game coverage, video replay, and analysis ever integrated into a single turnkey system. Offering a winning combination of innovative technology and seamless workflow integration, including native IP input and output via NDI®, 3G-SDI baseband video connectivity, support for resolutions up to 1080p 60, and built-in live telestration, 3Play 3P1 delivers unprecedented competitive advantages and price-performance for conventional, hybrid, and end-to-end IP sports production environments, while sustaining the familiar, proven workflows that professionals depend on worldwide.