Produce » Real-Time Production » Real-Time Production Graphics » Virtual sets and chromakey »

NEP is a leading provider of augmented reality (AR) solutions that have the power to visually change the world inside your studio. By combining real life with virtual elements, our AR solutions can transform a confined area into an infinite space, or replace a green screen with a set that can be anything you can imagine to perfectly fit the content of your program.

NEXT LEVEL AUGMENTED
We have developed an augmented reality solution that combines four key elements into one workflow, creating next-level results.

TRACKING METHODS AND SCALABILITY
In order to bring augmented reality to the next level we offer the new Mo-Sys Startracker optical system. By deploying this tracking technology on any broadcast camera, we can work in an environment of mixed encoded cameras, including handheld, crane cameras, hard/pedestal cameras—even steady cams.

ADVANCED LIVE RENDERING
Creating virtual graphics that are realistic to the human eye requires live rendering capacity, realistic live shadows and realistic live reflections. All of these things were lacking in today's broadcast render engines, so we adopted the most advanced gaming technology and modified it to fit in the broadcast environment. We use Zero Density Reality Virtual Studio as a bridge between hardware and our platform CUBE.

NEXT GENERATION KEYING
High-end keying is crucial in a virtual set environment, so we have integrated the latest generation "vision" based keying into our solution. Even the most difficult circumstances are no problem.

TOTAL WORKFLOW INTEGRATION
A virtual multi-camera environment is complicated. How do you handle the delays? What do you do with clean and dirty feeds? What back up scenarios are there for the live feed? We have created a seamless integration with the entire production chain, ensuring our virtual world is reality throughout the entire production.

Produce » Post Production » Ingest » Post-production ingest »

Post production workflow is now a lot better at working and flowing. NEP’s automated production workflow solution, guides your team through every project from start to finish, and eliminates time-consuming, error-prone tasks and bottlenecks of complex processes. Through the transformative power of the cloud, our automated ingest solutions enable seamless collaboration between teams and technology, making your production simpler, faster and readily accessible to everyone from beginners to experts. Even global teams can be brought together to work faster and more efficiently than ever before.

Produce » Real-Time Production » Production Services » Outside broadcast and mobile facilities »

We offer centralized multi-camera production solutions around the globe that can help streamline the most complex productions. Our centralized production solutions can create higher efficiency, reduce on-site staff and create a central production hub that allows resources to be shared across multiple productions—all while safeguarding the quality of programs. This central-hub solution can help clear the way for creativity, flexibility and consistency across productions.

REMOTE PRODUCTION THAT’S FULLY DIRECTED
Around the globe, we offer several state-of-the-art centralized production suites that allow your entire production process to be fully-produced remotely. The studio and all essential components are securely housed in one of our own datacenters, and linked to site via IP connections.

With as little as only cameras and microphones in the field, our centralized production lets you deploy only the resources and crew you need, and only for the duration of the recording—helping you create efficiencies without lowering your standards.

NEP CENTRALIZED PRODUCTION FEATURES
100% IP-based, exclusive technical infrastructure
Resources available on demand
100% uptime dark fiber network
Hosting via exclusive Tier 3 data centers
24/7 skilled service operations center

Produce » Real-Time Production » Production Services » Outside broadcast and mobile facilities »

With more than 34 flypack systems that can be sourced from four different continents, our flypacks can be configured to suit your exact production needs, wherever they're needed. No other supplier has more flypack options or more flexibility than NEP. As the largest provider of flypacks in the world, we have it all.

POWERFUL FLEXIBILITY
Our packages make use of the very latest technologies, including the latest 3G HD, UHD, 4K, or IP systems, and our experienced engineering team ensures that the solution we design meets your exact needs. We can create a complete OB production unit, International Broadcast Center (IBC) or Master Control Room (MCR) in any location around the world, drawing on our world-class pool of leading-edge broadcast equipment. Our highly efficient workflows and worldwide inventory allow us to provide the perfect solution, no matter how complex your requirements or how short the notice.

UNMATCHED EXPERIENCE
Our flypack solutions are created with the same exacting standards and care that we put into our world-class OBs and television studios, backed by our team's experience creating flypack solutions and supporting events around the globe. From solutions created for host broadcasters at major events all the way down to a small production in a remote corner of the world, we have supported it all.

MULTI-VENUE PROJECTS
We specialize in delivering solutions for multi-venue projects. Our deep flypack inventory allows us to provide multiple, identical flypacks for each location so that your production team can be immediately familiar with the setup and workflow as they travel from venue to venue. This allows for a seamless, optimized and reliable production environment, helping to ensure that your event is the best it can be.

PROJECT MANAGEMENT
When it comes to flypacks, you need more than just the equipment delivered to your venue. NEP will work with you to understand your needs and detail the right solution for your requirements. From concept drawing and system layouts, to camera plans and production room layouts, we partner with you to achieve the best results. We have senior DOPs and engineers available on-site to help make your production a success. We provide support for project integration, system planning, installation and wiring, lighting design and engineering maintenance. NEP has the resources and solutions you need to make your production a success.

Produce » Real-Time Production » Production Services » Outside broadcast and mobile facilities »

With more than a decade of successful events on our resume from around the globe, NEP’s host broadcasting team has the resources and know-how to plan, adapt, innovate, support and deliver superior host broadcasting support solutions across all geographies. Our experience, efficiencies and ability to spot troubles before they arise carries over from one successful event to the next. Whether it’s a single venue or multiple locations, we offer end-to-end solutions that are supported entirely in-house through our extensive worldwide OB facilities, expert production and technical crews, skilled engineering and technical expertise, and leading-edge logistical software solutions.

Whether you need us to handle everything, or you need us to partner with local organizing committees, sporting federations and broadcasters, we’re ready with the solution that works best for you. Our capabilities range from full host broadcast management to any of our extensive services.

Design, Build, Install and Manage:
Venue Technical Operation Center (TOC)
Commentary Control Room (CCR)
International Broadcast Centre (IBC)
Media Centre (MC)

Other Services:
Project management
Consulting services for bid cities and/or committees
Key management placement
Production services
Logistical support and execution
Business Continuity Planning (BCP)
Rights holding broadcaster management
Unilateral services
Rate card management and supply
Archiving services
Project website design and implementation
Venue overlay design and management
Venue broadcast facilities and crews
Venue big screens and displays
Transmission delivery solutions

Produce » Real-Time Production » Real-Time Production Graphics » Production graphics and CG »

NEP's live/non-live graphics solutions include:
Live TV & Sports Graphics
Game Show Control Platforms
Virtual Advertising
Broadcast & Live Event Titles
Display Management

Produce » Post Production » Editing and Finishing » Color correction and grading »

The best post production is equal parts stand-out creativity and leading-edge technology. Our teams deliver both, earning awards and a reputation for excellence with major broadcasters and studios all over the world. Based in Ireland, Norway, Germany, Finland and Belgium, we provide VFX and post production services—from full HD and 4K finishing to HDR editing—to the broadcast, film, commercial, corporate and digital markets.

FULL PICTURE POST SERVICE
Dailies, editing, grading, finishing, deliverables, DCDM, DCP
Picture post at HD, 2K, 4K
Over 300 suites worldwide offering Avid, DaVinci, Flame, FCP, Smoke, including 220 cloud editing suites

FULL SOUND POST SERVICE
Editorial, foley, ADR, mixing, deliverables
Mixing in stereo and 5/1 for broadcast and cinema
Editorial rooms and TV mixing rooms; Dolby-approved feature mixing stages

VISUAL EFFECTS (VFX)
Full production VFX and CGI service
3D Max and Adobe CC
A 120 node render farm

GRAPHIC DESIGN AND ANIMATION
Full graphic design and animation for commercials
Full title and package design for broadcast
Specialists in live and post GFX design for sports

Produce » Post Production » Editing and Finishing » Non-linear editing »

The best post production is equal parts stand-out creativity and leading-edge technology. Our teams deliver both, earning awards and a reputation for excellence with major broadcasters and studios all over the world. Based in Ireland, Norway, Germany, Finland and Belgium, we provide VFX and post production services—from full HD and 4K finishing to HDR editing—to the broadcast, film, commercial, corporate and digital markets.

FULL PICTURE POST SERVICE
Dailies, editing, grading, finishing, deliverables, DCDM, DCP
Picture post at HD, 2K, 4K
Over 300 suites worldwide offering Avid, DaVinci, Flame, FCP, Smoke, including 220 cloud editing suites

FULL SOUND POST SERVICE
Editorial, foley, ADR, mixing, deliverables
Mixing in stereo and 5/1 for broadcast and cinema
Editorial rooms and TV mixing rooms; Dolby-approved feature mixing stages

VISUAL EFFECTS (VFX)
Full production VFX and CGI service
3D Max and Adobe CC
A 120 node render farm

GRAPHIC DESIGN AND ANIMATION
Full graphic design and animation for commercials
Full title and package design for broadcast
Specialists in live and post GFX design for sports

The best post production is equal parts stand-out creativity and leading-edge technology. Our teams deliver both, earning awards and a reputation for excellence with major broadcasters and studios all over the world. Based in Ireland, Norway, Germany, Finland and Belgium, we provide VFX and post production services—from full HD and 4K finishing to HDR editing—to the broadcast, film, commercial, corporate and digital markets.

FULL PICTURE POST SERVICE
Dailies, editing, grading, finishing, deliverables, DCDM, DCP
Picture post at HD, 2K, 4K
Over 300 suites worldwide offering Avid, DaVinci, Flame, FCP, Smoke, including 220 cloud editing suites

FULL SOUND POST SERVICE
Editorial, foley, ADR, mixing, deliverables
Mixing in stereo and 5/1 for broadcast and cinema
Editorial rooms and TV mixing rooms; Dolby-approved feature mixing stages

VISUAL EFFECTS (VFX)
Full production VFX and CGI service
3D Max and Adobe CC
A 120 node render farm

GRAPHIC DESIGN AND ANIMATION
Full graphic design and animation for commercials
Full title and package design for broadcast
Specialists in live and post GFX design for sports

Produce » Post Production » Post-Production Services » Creative services »

The best post production is equal parts stand-out creativity and leading-edge technology. Our teams deliver both, earning awards and a reputation for excellence with major broadcasters and studios all over the world. Based in Ireland, Norway, Germany, Finland and Belgium, we provide VFX and post production services—from full HD and 4K finishing to HDR editing—to the broadcast, film, commercial, corporate and digital markets.

FULL PICTURE POST SERVICE
Dailies, editing, grading, finishing, deliverables, DCDM, DCP
Picture post at HD, 2K, 4K
Over 300 suites worldwide offering Avid, DaVinci, Flame, FCP, Smoke, including 220 cloud editing suites

FULL SOUND POST SERVICE
Editorial, foley, ADR, mixing, deliverables
Mixing in stereo and 5/1 for broadcast and cinema
Editorial rooms and TV mixing rooms; Dolby-approved feature mixing stages

VISUAL EFFECTS (VFX)
Full production VFX and CGI service
3D Max and Adobe CC
A 120 node render farm

GRAPHIC DESIGN AND ANIMATION
Full graphic design and animation for commercials
Full title and package design for broadcast
Specialists in live and post GFX design for sports

Support » Design, Build, Run » Implementation Services » Design and build systems integration services »

With over three decades of experience supporting all types of productions around the world, we understand the different challenges content producers face and the varied demands they must meet. We use this insight and experience to drive the systems integration for the broadcast facilities we create for our clients. Our design and integration capabilities for permanent or long-term facilities include:
OBs
Flypacks
Studios
Control Rooms
Master Control
Broadcast Centers
Edit and Post Facilities
Playout and Media Centers

WITH YOU EVERY STEP OF THE WAY
We pride ourselves in being a true partner to all of our clients, and will help you manage your facilities infrastructure from design and scope to build – and can help you with technical support and maintenance long into the future.

PLANNING TECHNOLOGY SELECTION
As the largest client of nearly every broadcast manufacturer around the world, we not only have experience with just about everything available on the market today, we have a seat at the table when they are designing the products of tomorrow. Our technology leaders use this knowledge to help guide our clients though the ever-changing technology landscape – to choose the technology that is right for their production and their budget.

SYSTEMS DESIGN
We have skilled and experienced Systems Design Engineers who understand the ins, the outs, and how to put it all together. They work with our engineers in the field and our technology strategists to create the best work flows using the right technology to bring together top-notch systems.

CUSTOM BUILDOUT AND INSTALLATION
Our engineers work hand-in-hand with our team of technicians and craftsmen to ensure that everything from routing, to fiber systems, to the look and feel of the racks and consoles is the best it can be. Our team pride themselves in creating an exceptional finished product.

ENGINEERING SUPPORT & MAINTENANCE
With over 1600 engineers and technicians on staff around the globe we will be there to support you and your facility, whenever, wherever, however you need us.

AN EYE ON THE FUTURE
We have been in the business for over 30 years – long enough to see radical shifts and changes in technology. This has helped us to learn the best ways to plan for and adapt to change, understand when technology is ready to adopt and add value in the broadcast chain, and leverage our knowledge to bring tomorrow’s technology to our clients today. We can help you build a facility today that is built to adapt to the changes tomorrow will bring.

Produce » Manage Production » Production Software » Project, resource and facilities management software »

Rapid technological innovation in the industry has helped simplify our work and push the boundaries of our creativity. But with the increased reliance on IT technology and infrastructure, the occasional failure is virtually unavoidable. So, how can you predict these failures to ensure rapid response and minimize risk? Meet GrandCentral, our intuitive monitoring system.

GrandCentral actively monitors the entire technical infrastructure online: from power supply, cooling, possible water and smoke damage to servers (Windows or Linux), processes, APIs and workflows. The custom production dashboard provides an overview of the state of the entire technological environment at a glance on your smartphone, tablet and flat screen. Plus, the dark cockpit ensures that critical information gets to the service desk and technical staff immediately and securely. It displays the very first signs of problem escalation, allowing employees to take proactive and targeted action.

Produce » Manage Production » Post-Production Software » Collaboration, review and approval »

We understand what you’re dealing with: a never-ending, never-easy river of files flowing in. Different sizes, different formats, different publishing rights and destinations and metadata... Does it have to be this complicated? Well, no. Meet NEP's Mediabank.

Mediabank's Review & Approval is an extensive collaboration tool that allows you and your team to share updates and comments clearly and quickly and move through the approval process efficiently, saving valuable time and money. Use it to communicate real-time with your team to keep the project moving, annotate on material at any point during production, or give it a final check before going to air. You can even share your content with a third party, by using our great Quicklink feature, and get real-time updates as responses come in.

COLLABORATION
EASY AND TIME-EFFICIENT
Make Collaboration between your teams easy and time-efficient. Our collaboration tools allow you to glue comments and remarks directly to in- and out points in a frame accurate player. They allow you to create and modify revisions quickly and simply. And you can use our 'Quicklink’ tool to allow anyone without a Mediabank user account to return instant feedback on comments and remarks - from any mobile device or computer.

AUTOMATION
TOTAL CONTROL OF ALL YOUR PROGRAMMING
Customize Automation just for your workflows and reduce time and human error. We offer automations for transcoding and distribution to designated destinations - which speed up the process when projects are approved. Then, before your content goes on air, it can be automatically checked for compliance with local rules and regulations - giving you total control of all your programming.

CONTROL
TAKE TOTAL CONTROL OF YOUR CONTENT
Take total Control of your content and never lose or forget important communication - it will all be saved and tagged when you use Review & Approval. You can also keep a detailed overview of all activities and versions using our ‘Logviewer’.

SO WHAT DOES REVIEW & APPROVAL GIVE YOU?
Easy tools for collaboration and real-time communication with your team
An integrated frame-accurate player
Quicklink, a fast and easy sharing feature
Automated transcoding into any format you need
Automated distribution to pre-set destinations in the specified format
Automatic compliance checks before your content hits the air
Detailed view of past versions and all activity for every file
A record of all communications, feedback and approvals

Manage » Manage & Orchestrate » Content & Workflow Management » Media asset management (MAM) »

Mediabank is a cloud-based toolbox with an extremely intuitive and user-friendly interface that allows you to access your media from anywhere, anytime. You can search, process and distribute anything from your entire media library using your favorite browser on your own computer, tablet or phone.

Mediabank is a cloud-based toolbox that offers a series of apps that allow you to store, search, interact and share your video content. Pick and choose from the apps that meet your needs:

ADEX: YOUR NEW DIGITAL AD COURIER
Your new digital advertisement and master content courier. We’ve created this guy right here to remove the hassle of sending and versioning your deliveries. What most people want to do is to stick to what they’re good at. In your case, that is creating excellent content for your customers. Yes, we do understand that you are not enjoying the never-ending web forms. So we´ve made it a lot easier for you. Just create it, and then have AdEx send it off.

REVIEW & APPROVAL: COLLABORATION MADE EASY
This is the web application that lets you approve, comment on and/or reject material in a production or compliance process. It is an extensive collaboration tool that lets you decide whether your content is acceptable or if it needs adjustments before going on air by commenting directly on the timeline. You can include your comments in an automated email subscription to your production team, customer or similar. Once the material is approved, it is transferred ”automagiacally” in the correct format and resolution to your media outlet, badaboom!

LIBRARY: SHARE ALL OF YOUR ASSETS EASILY
Use the Library app to search, filter and access all your stored media and assets. While in Library, you can play, view and publish the content from any device. You can preview clips in your Library with the integrated media player and get detailed information about your content. Feel free to add tags and comments to any piece of stored media, as you wish.

Produce » Real-Time Production » Production Services » Outside broadcast and mobile facilities »

ANY PRODUCTION, ANYTIME, ANYWHERE Whether it’s right in your backyard or halfway around the world, we’re ready to roll. With more than 150 OB trucks/mobile units worldwide, a full line of support and specialty units, and an in-house integration team that specializes in building custom solutions, we’re ready for coverage of any event, large or small.

With NEP, clients tap into unmatched, innovative, dedicated talent, anywhere in the world. We provide complete support through our seasoned team of engineering and technical experts, including: Broadcast Engineers, Communications Specialists, Fiber Specialists & Fabricators, Mechanical Engineers, Systems Design Engineers, Integration Specialists and more.

Produce » Real-Time Production » Production Services » Studio and stage facilities »

We offer 30 complete studios ready for hire in the U.S., Australia, Belgium, the Netherlands, Norway, Finland and Sweden—with the ability to create custom studio control rooms anywhere. Offering the latest technology supported by the finest technical staff in the business, our flexible studio solutions can meet the needs of any production, no matter the size, scale or genre.

We can create a solution for any studio production—anywhere around the globe. Our expert engineers design, build and maintain our custom control rooms based on the unique needs of each show we support. Our control rooms are designed and built to be "semi permanent" with sturdy custom consoles, modular custom fabricated rack units and a spacious comfortable working environment designed to feel like home for a crew working in a daily show situation. They can be built inside any facility or in a climate controlled trailer. With our experience, resources and support behind a production, our clients know the budget and timelines will be met, technical changes can be accommodated and the producers can concentrate on the creative and other business aspects of the show.

Produce » Post Production » Editing and Finishing » Color correction and grading »

The best post production is equal parts stand-out creativity and leading-edge technology. Our teams deliver both, earning awards and a reputation for excellence with major broadcasters and studios all over the world. Based in Ireland, Norway, Germany, Finland and Belgium, we provide VFX and post production services—from full HD and 4K finishing to HDR editing—to the broadcast, film, commercial, corporate and digital markets.

FULL PICTURE POST SERVICE
Dailies, editing, grading, finishing, deliverables, DCDM, DCP
Picture post at HD, 2K, 4K
Over 300 suites worldwide offering Avid, DaVinci, Flame, FCP, Smoke, including 220 cloud editing suites

FULL SOUND POST SERVICE
Editorial, foley, ADR, mixing, deliverables
Mixing in stereo and 5/1 for broadcast and cinema
Editorial rooms and TV mixing rooms; Dolby-approved feature mixing stages

VISUAL EFFECTS (VFX)
Full production VFX and CGI service
3D Max and Adobe CC
A 120 node render farm

GRAPHIC DESIGN AND ANIMATION
Full graphic design and animation for commercials
Full title and package design for broadcast
Specialists in live and post GFX design for sports

Produce » Post Production » Editing and Finishing » Color correction and grading »

ASUS ProArt PA148CTV is a 14-inch FHD portable monitor designed for creators. PA148CTV delivers exceptional color thanks to 100% sRGB and 100% Rec. 709 color spaces, and it is world’s 1st portable monitor that reach Calman Verified certification and factory pre-calibrated to provide a Delta E < 2 color difference. The anti-glare IPS panel features wide viewing angles with minimal color shift, even when viewed from off-center positions.

Produce » Post Production » Editing and Finishing » Color correction and grading »

ASUS ProArt PA32UCG is World's 1st HDR 1600 & 120 Hz Variable-refresh-rate Display. A 32-inch 4K HDR Mini LED monitor with peak brightness of 1,600 nits and an industry-leading 1,000 nits of full-screen sustained brightness. This can deliver outstanding contrast between the deepest blacks and brightest whites. Enabling 1,152 zones of local dimming control and support for multiple HDR formats, including Dolby Vision, HLG and HDR-10.

ProArt Display PA32UCG also features variable refresh rate from 48 to 120Hz. It allows game developers to easily create game content and do quality checks on one display!

With true 10-bit color and Quantum Dot technology, support for the DCI-P3, Rec. 709, Rec. 2020 and Adobe RGB color spaces, together with Rich connectivity include dual Thunderbolt™ 3, one DisplayPort, three HDMI ports, and a built-in USB hub.

Produce » Post Production » Editing and Finishing » Color correction and grading »

ASUS ProArt PA27UCX is a 27-inch 4K HDR monitor with peak brightness of 1,000 nits and mini-LED backlighting, enabling 576 zones of local dimming control and support for multiple HDR formats, including Dolby Vision™, HLG and HDR-10.

ASUS ProArt PA27UCX features new Off-Axis Contrast Optimization (OCO) technology that reduces backlight bleed when viewing the screen from the wide angle, ensuring on-screen content is displayed accurately to all viewers.

With true 10-bit color and Quantum Dot technology, support for the DCI-P3, Rec. 709, Rec. 2020 and Adobe RGB color spaces, together with a rich selection of connectivity, ProArt PA27UCX takes the viewing experience to the next level.

 

Produce » Post Production » Editing and Finishing » Color correction and grading »

ASUS ProArt PA32UCX-P is a 32-inch 4K HDR monitor with peak brightness of 1,200 nits and mini-LED backlighting, enabling 1,152 zones of local dimming control and support for multiple HDR formats, including Dolby Vision™, HLG and HDR-10.

ASUS ProArt PA32UCX-P features new Off-Axis Contrast Optimization (OCO) technology that reduces backlight bleed when viewing the screen from the wide angle, ensuring on-screen content is displayed accurately to all viewers.

With true 10-bit color and Quantum Dot technology, support for the DCI-P3, Rec. 709, Rec. 2020 and Adobe RGB color spaces, together with a rich selection of connectivity, ProArt PA32UCX-P takes the viewing experience to the next level.

Produce » Post Production » Editing and Finishing » Color correction and grading »

The ASUS ProArt Display PA32UCX is the world's first 32-inch 4K HDR monitor with peak brightness of 1,200 nits and mini-LED backlighting,  enabling 1,152 zones of local dimming control and support for multiple HDR formats, including Dolby Vision™, HLG and HDR-10.

The PA32UCX's impressive panel reproduces the brightest whites and the deepest blacks with sharper, more detailed visuals. ASUS ProArt PA32UCX supports multiple HDR curves, including PQ Hard Clip, PQ Optimized and PQ Basic which can cover all content creators' needs.

With true 10-bit color and Quantum Dot technology, support for DCI-P3, Rec. 709, Rec. 2020, and Adobe RGB color spaces, together with a rich selection of connectivity, the PA32UCX is primed to take on any studio workflow.

Produce » Post Production » Editing and Finishing » Color correction and grading »

ASUS ProArt™ PQ22UC is the world's first 21.6-inch 4K HDR monitor with OLED technology and pure RGB stripes, delivering incredible color saturation and purity as well as highly accurate color reproduction with 99% DCI-P3 gamut coverage. It also features true 10-bit color depth, achieving a contrast ratio of 1,000,000:1 for darker blacks and brighter whites. With a response time of up to 0.1ms, ProArt™ PQ22UC is the fastest monitor on the market and delivers outstanding, blur-free performance when displaying videos and other animated content with fast action. And with HDR support for multiple HDR formats, including Dolby Vision™, HLG and HDR-10, PQ22UC ensures HDR content can be created and displayed with consistently high quality, providing an unprecedented viewing experience.

An innovative detachable stand can be folded completely flat for easy transport, and the monitor can be set up in seconds without any tools. ProArt™ PQ22UC comes with a foldable smart case to protect it from dust and scratches. The case can also be folded into a stand to prop the monitor up in either portrait or landscape orientation.

Produce » Post Production » Editing and Finishing » Color correction and grading »

ProArt Display PA248QV is a 24.1-inch monitor designed to satisfy the needs of creative professionals, from photo and video editing to graphic design.

ProArt Display PA248QV is factory calibrated and Calman Verified to deliver superb color accuracy (∆E < 2). It also provides industry-standard 100% sRGB / 100% Rec. 709 color space coverage.

With ASUS-exclusive features, such as ProArt Preset and ProArt Palette with six-axis color, black-level and brightness adjustments, PA248QV makes it easy to achieve the exact look you desire quickly, easily and precisely.

Produce » Post Production » Editing and Finishing » Color correction and grading »

ProArt Display PA278QV is a 27-inch monitor designed to satisfy the needs of creative professionals, from photo and video editing to graphic design.

ProArt Display PA278QV is factory calibrated and Calman Verified to deliver superb color accuracy (∆E < 2). It also provides industry-standard 100% sRGB / 100% Rec. 709 color space coverage.

With ASUS-exclusive features, such as ProArt Preset and ProArt Palette with six-axis color, black-level and brightness adjustments, PA278QV makes it easy to achieve the exact look you desire quickly, easily and precisely.

Publish » Linear Playout » Linear Playout Systems » Channel branding graphics and promotion systems »

Visual Data is a global provider of award-winning digital media supply chain services to the entertainment industry with locations in Burbank, London and Bangalore. What began as a small editing facility in 1995 has since grown into one of the industry’s leading global providers of quality-driven content management, distribution, localization and media services that enable customers to deliver premium content in any format for any screen or platform, anywhere in the world.

Produce » Post Production » Editing and Finishing » Color correction and grading »

Streambox are dedicated to helping you share your media with anyone, anywhere. They’ve developed pixel perfect codecs and transport protocols that maximise the use of all available network paths for faster transmission and playout over low-bandwidth IP connections.

There are a range of systems and products available to suit different workflows, covering everything from acquisition to management to live streaming, all designed to deliver unlimited scalability at low cost.

 

As the UK’s sole Streambox reseller, we can provide live demos at our place or yours, or loan you kit to test out with your own workflow. Available kit includes two Chroma 4K encoder/decoders, a Node2 decoder and software-defined HD/4K encoders. Get in touch to book a demo.

Publish » Linear Playout » Linear Playout Systems » Channel branding graphics and promotion systems »

KRONOS K8 is Bluefish444’s fully-featured high-bandwidth 4K/UHD, 2K/HD & SD video and audio I/O card for professional video workflows on Windows, macOS and Linux operating systems.

Capable of up to 8 independent and simultaneous channels of 3G/HD/SD-SDI input or output, K8 also features Reference and LTC I/O.

Cross-platform support with Industry leading 3rd-party software

Adobe Creative Cloud | Assimilate SCRATCH | Avid | CasparCG | Dataton | Foundry Nuke | Resolume | Streamstar | Unity | Unreal Engine | vMix

All Bluefish video cards are Thunderbolt compatible, work with the free Bluefish acquisition application IngeSTore, the Bluefish cross-platform SDK, and leading 3rd party content creation tools.

Bluefish products are deployed globally throughout the broadcast graphics, post-production, live event and entertainment, immersive graphics, proAV, corporate, military, government, medical and education markets, including integration into digital intermediate, mobile production, QC and compliance, Video Over IP and video streaming workflows.

FREE multi-channel capture tool, IngeSTore

• Capture up to 4 channels of video


• Wide range of codec options


• Records direct to shared storage, including Avid shared storage


• Growing file support with Edit-While-Record in Adobe Premiere Pro and Avid Media Composer


• REST API to control remotely


• RS-422 Controller


• Encode for live production, post production, archival and streaming workflows

MAJOR FEATURES

Bi-directional I/O’s provide unrivalled flexibility

• 8 bi-directional HD-BNC video connectors supporting 3G/1.5G SDI I/O


• Multi-channel 4K UHD 60p playout or capture video Quad Link 3G-SDI


• Each BNC is completely independent

Maximum connectivity

• Reference I/O BNC


• LTC I/O


• Interlock between multiple K8 and Epoch | Neutron/4K Neutron cards

Optional connectivity

• Optional auxiliary I/O can be added to K8 via the STEM port interface and optional EX-1 and EX-2 products


• K8 with EX-1 adds LTC I/O, RS-422 control and AES audio I/O


• K8 with EX-2 adds LTC I/O, RS-422 control and Analogue audio I/O

The industry's lowest latency I/O, by design

KRONOS K8 has, by design, the world's lowest-latency providing access to captured fields or frames to on-board card memory event before the whole field or frame is complete, thereby reducing the latency to sub on field or frame. During a capture or playout, each process can occur at less than or equal to 1 field for interlaced modes, and less than 1 frame for progressive modes.

Maintaining a 12-bit processing pipeline

• 12-bit image processing is standard on all Bluefish video cards


• Allows 8, 10 & 12-bit SDI video signals to be produced from 8, 10, 12 & 16-bit pixel formats providing the highest image quality available from your source material


• 4096 discrete values of red, green & blue are maintained per pixel


• 4 times the colour precision of a traditional 10-bit processing pipeline!

Maintaining the highest quality RGB <=> YUV

• Fully programmable 4 x 4 x 33-bit colour matrix providing the highest quality colour space conversions


• Reduces colour space conversion errors and ensures the highest quality colour accuracy during capture, monitoring and mastering

Thunderbolt expansion chassis compatibility

• Compatible with Sonnet, One Stop Systems Magma, Netstor, and AKiTio Thunderbolt devices for multichannel mobile production


• Visit Bluefish's website for a full list of qualified 3rd-party chassis options

Low-latency video keyers

• 4 x Low latency hardware video keyer


• Allows video layers to be combined in hardware with microseconds of delay


• Enables animated logos, captions, tickers, and more to be keyed over live video feeds at full 12-bit precision, and with minimum input to output delay


• Can also function as an image pre-multiplier to assist in previewing images with alpha data

Publish » Linear Playout » Linear Playout Systems » Channel branding graphics and promotion systems »

Epoch | 4K Neutron is Bluefish444’s fully-featured 4K/UHD, 2K/HD & SD video and audio I/O card for professional video workflows on Windows, macOS and Linux operating systems.

Capable of up to 3 independent and simultaneous channels of 3G/HD/SD-SDI input or output, 4K Neutron also features 4K/UHD HDMI monitoring, AES Digital Audio IO, Analogue Audio Output, RS-422 Control, and auxiliary Reference Input. 4K Neutron is also available as a low-profile configuration compatible with compact installations or devices.

Cross-platform support with industry-leading 3rd-party software

Adobe Creative Cloud | Assimilate SCRATCH | Avid  | Avmeda  | Brainstorm  | BTi | CasparCG | ChryonHego | ClassX | Dataton | Drastic Technologies 4KScope & VideoQC | DVBControl | Etere | Foundry Nuke | Libero Systems | Marquise Technologies MIST & ICE | Masterplay | Media 5 | Media-Alliance | Medialooks | Metus | MOG | NewTek | Nverzion  | Resolume | Ross Video | Streamstar | Telestream Wirecast | Touchdesigner | Unity | Unreal Engine | Unreal Streaming Technologies | Vizrt Viz Engine & Viz Arena | vMix | VRi | Xdream Media | Zinemath zLense

All Bluefish video cards are Thunderbolt compatible, work with the free Bluefish acquisition application IngeSTore, the Bluefish cross-platform SDK, and leading 3rd party content creation tools.

Bluefish products are deployed globally throughout the broadcast graphics, post-production, live event and entertainment, immersive graphics, proAV, corporate, military, government, medical and education markets, including integration into digital intermediate, mobile production, QC and compliance, Video Over IP and video streaming workflows.

FREE multi-channel capture tool, IngeSTore

• Capture up to 3 channels of video


• Wide range of codec options


• Records direct to shared storage, including Avid shared storage


• Growing file support with Edit-While-Record in Adobe Premiere Pro and Avid Media Composer


• REST API to control remotely


• RS-422 Controller


• Encode for live production, post production, archival and streaming workflows

MAJOR FEATURES

Bi-directional I/O’s provide unrivalled flexibility

• 3 bi-directional BNC video connectors supporting 3G/1.5G SDI I/O


• Up to 4K UHD 30p playout or capture via Dual Link 3G-SDI


• Each BNC is completely independent


• Third BNC can be set to Reference input instead of standard video signal

Maximum connectivity

Included breakout cable provides:

• RS-422 machine control for control of VTRs and other serial-controlled devices


• 8 channels of AES EBU audio input and output for 7.1 surround sound monitoring. Capture and playout digital audio signals in crystal-clear quality


• 2 channels of Analogue Audio for quick and simple high quality audio monitoring


• Auxiliary Reference (Input) connector frees the 3rd BNC for 3G/HD/SD video I/O

The industry's lowest latency I/O, by design

4K Neutron has, by design, the world's lowest-latency providing access to captured fields or frames to on-board card memory event before the whole field or frame is complete, thereby reducing the latency to sub on field or frame. During a capture or playout, each process can occur at less than or equal to 1 field for interlaced modes, and less than 1 frame for progressive modes.

4K/UHD HDMI monitoring

• Cost-effective 4K/UHD monitoring via HDMI 1.4


• Simultaneous SDI and HDMI playout

Maintaining a 12-bit processing pipeline

• 12-bit image processing is standard on all Bluefish video cards


• Allows 8, 10 & 12-bit SDI video signals to be produced from 8, 10, 12 & 16-bit pixel formats providing the highest image quality available from your source material


• 4096 discrete values of red, green & blue are maintained per pixel


• 4 times the colour precision of a traditional 10-bit processing pipeline!

Maintaining the highest quality RGB <=> YUV

• Fully programmable 4 x 4 x 33-bit colour matrix providing the highest quality colour space conversions


• Reduces colour space conversion errors and ensures the highest quality colour accuracy during capture, monitoring and mastering

Thunderbolt expansion chassis compatibility

• Compatible with Sonnet, One Stop Systems Magma, Netstor, and AKiTio Thunderbolt devices for multichannel mobile production


• Visit Bluefish's website for a full list of qualified 3rd-party chassis options

Low-latency video keyer

• Low latency hardware video keyer


• Allows video layers to be combined in hardware with microseconds of delay


• Enables animated logos, captions, tickers, and more to be keyed over live video feeds at full 12-bit precision, and with minimum input to output delay


• Can also function as an image pre-multiplier to assist in previewing images with alpha data

Publish » Linear Playout » Linear Playout Systems » Channel branding graphics and promotion systems »

Epoch | Supernova CG is Bluefish444’s 2K/HD & SD video and audio I/O card for professional video workflows on Windows, macOS and Linux operating systems.

Capable of up to 4 independent and simultaneous channels of HD/SD-SDI input or output, Supernova CG features a flexible combination of multi-channel SDI I/O, and a dedicated Reference input BNC.

Cross-platform support with industry-leading 3rd-party software

Adobe Creative Cloud | Assimilate SCRATCH | Avid  | Avmeda  | Brainstorm  | BTi | CasparCG | ChryonHego | ClassX | Dataton | Drastic Technologies 4KScope & VideoQC | DVBControl | Etere | Foundry Nuke | Libero Systems | Marquise Technologies MIST & ICE | Masterplay | Media 5 | Media-Alliance | Medialooks | Metus | MOG | NewTek | Nverzion  | Resolume | Ross Video | Streamstar | Telestream Wirecast | Touchdesigner | Unity | Unreal Engine | Unreal Streaming Technologies | Vizrt Viz Engine & Viz Arena | vMix | VRi | Xdream Media | Zinemath zLense

All Bluefish video cards are Thunderbolt compatible, work with the free Bluefish acquisition application IngeSTore, the Bluefish cross-platform SDK, and leading 3rd party content creation tools.

Bluefish products are deployed globally throughout the broadcast graphics, post-production, live event and entertainment, immersive graphics, proAV, corporate, military, government, medical and education markets, including integration into digital intermediate, mobile production, QC and compliance, Video Over IP and video streaming workflows.

FREE multi-channel capture tool, IngeSTore

• Capture up to 4 channels of video


• Wide range of codec options


• Records direct to shared storage, including Avid shared storage


• Growing file support with Edit-While-Record in Adobe Premiere Pro and Avid Media Composer


• REST API to control remotely


• RS-422 Controller


• Encode for live production, post production, archival and streaming workflows

MAJOR FEATURES

Bi-directional I/O’s provide unrivalled flexibility

• 4 bi-directional BNC video connectors supporting 1.5G-SDI I/O


• Up to 2K/HD 60p playout or capture via Dual Link 1.5G-SDI


• Each BNC is completely independent

Maximum connectivity

• Dedicated Reference Input BNC

The industry's lowest latency I/O, by design

Supernova CG has, by design, the world's lowest-latency providing access to captured fields or frames to on-board card memory event before the whole field or frame is complete, thereby reducing the latency to sub on field or frame. During a capture or playout, each process can occur at less than or equal to 1 field for interlaced modes, and less than 1 frame for progressive modes.

Maintaining a 12-bit processing pipeline

• 12-bit image processing is standard on all Bluefish video cards


• Allows 8, 10 & 12-bit SDI video signals to be produced from 8, 10, 12 & 16-bit pixel formats providing the highest image quality available from your source material


• 4096 discrete values of red, green & blue are maintained per pixel


• 4 times the colour precision of a traditional 10-bit processing pipeline!

Maintaining the highest quality RGB <=> YUV

• Fully programmable 4 x 4 x 33-bit colour matrix providing the highest quality colour space conversions


• Reduces colour space conversion errors and ensures the highest quality colour accuracy during capture, monitoring and mastering

Thunderbolt expansion chassis compatibility

• Compatible with Sonnet, One Stop Systems Magma, Netstor, and AKiTio Thunderbolt devices for multichannel mobile production


• Visit Bluefish's website for a full list of qualified 3rd-party chassis options

Low-latency video keyer

• Low latency hardware video keyer


• Allows video layers to be combined in hardware with microseconds of delay


• Enables animated logos, captions, tickers, and more to be keyed over live video feeds at full 12-bit precision, and with minimum input to output delay


• Can also function as an image pre-multiplier to assist in previewing images with alpha data

Publish » Linear Playout » Linear Playout Systems » Channel branding graphics and promotion systems »

Epoch | 4K Supernova S+ is Bluefish444’s fully-featured 4K/UHD, 2K/HD & SD video and audio I/O card for professional video workflows on Windows, macOS and Linux operating systems.

Capable of up to 4 independent and simultaneous channels of 3G/HD/SD-SDI input or output, 4K Supernova S+ also features a fifth BNC for SDI monitor output and a dedicated Reference input BNC.

Cross-platform support with industry-leading 3rd-party software

Adobe Creative Cloud | Assimilate SCRATCH | Avid  | Avmeda  | Brainstorm  | BTi | CasparCG | ChryonHego | ClassX | Dataton | Drastic Technologies 4KScope & VideoQC | DVBControl | Etere | Foundry Nuke | Libero Systems | Marquise Technologies MIST & ICE | Masterplay | Media 5 | Media-Alliance | Medialooks | Metus | MOG | NewTek | Nverzion  | Resolume | Ross Video | Streamstar | Telestream Wirecast | Touchdesigner | Unity | Unreal Engine | Unreal Streaming Technologies | Vizrt Viz Engine & Viz Arena | vMix | VRi | Xdream Media | Zinemath zLense

All Bluefish video cards are Thunderbolt compatible, work with the free Bluefish acquisition application IngeSTore, the Bluefish cross-platform SDK, and leading 3rd party content creation tools.

Bluefish products are deployed globally throughout the broadcast graphics, post-production, live event and entertainment, immersive graphics, proAV, corporate, military, government, medical and education markets, including integration into digital intermediate, mobile production, QC and compliance, Video Over IP and video streaming workflows.

FREE multi-channel capture tool, IngeSTore

• Capture up to 4 channels of video


• Wide range of codec options


• Records direct to shared storage, including Avid shared storage


• Growing file support with Edit-While-Record in Adobe Premiere Pro and Avid Media Composer


• REST API to control remotely


• RS-422 Controller


• Encode for live production, post production, archival and streaming workflows

MAJOR FEATURES

Bi-directional I/O’s provide unrivalled flexibility

• 4 bi-directional BNC video connectors supporting 3G/1.5G SDI I/O


• Up to 4K UHD 30p playout or capture via Dual Link 3G-SDI


• Each BNC is completely independent

Maximum connectivity

• Additional BNC for SDI monitoring


• Dedicated Reference input BNC

The industry's lowest latency I/O, by design

4K Supernova S+ has, by design, the world's lowest-latency providing access to captured fields or frames to on-board card memory event before the whole field or frame is complete, thereby reducing the latency to sub on field or frame. During a capture or playout, each process can occur at less than or equal to 1 field for interlaced modes, and less than 1 frame for progressive modes.

Maintaining a 12-bit processing pipeline

• 12-bit image processing is standard on all Bluefish video cards


• Allows 8, 10 & 12-bit SDI video signals to be produced from 8, 10, 12 & 16-bit pixel formats providing the highest image quality available from your source material


• 4096 discrete values of red, green & blue are maintained per pixel


• 4 times the colour precision of a traditional 10-bit processing pipeline!

Maintaining the highest quality RGB <=> YUV

• Fully programmable 4 x 4 x 33-bit colour matrix providing the highest quality colour space conversions


• Reduces colour space conversion errors and ensures the highest quality colour accuracy during capture, monitoring and mastering

Thunderbolt expansion chassis compatibility

• Compatible with Sonnet, One Stop Systems Magma, Netstor, and AKiTio Thunderbolt devices for multichannel mobile production


• Visit Bluefish's website for a full list of qualified 3rd-party chassis options

Low-latency video keyer

• Low latency hardware video keyer


• Allows video layers to be combined in hardware with microseconds of delay


• Enables animated logos, captions, tickers, and more to be keyed over live video feeds at full 12-bit precision, and with minimum input to output delay


• Can also function as an image pre-multiplier to assist in previewing images with alpha data

Publish » Linear Playout » Linear Playout Systems » Channel branding graphics and promotion systems »

Welcome to the next generation of Bluefish444, with the arrival of the KRONOS range of video, audio, and data processing I/O cards. Built with multi-channel 4K UHD 60p, High Dynamic Range, High Frame Rate SDI and SMPTE 2022 & SMPTE 2110 support for Video Over IP workflows for broadcast, production and post-production, the new KRONOS range is ready for anything that you can throw at it.

The KRONOS optikós offers future-proofing connectivity with 3 SFP+ cages in addition to 2 HD BNC connectors for 3G/HD/SD-SDI I/O. These SFP+ cages provide limitless connectivity options exposing greater than 3G SDI, IP connectivity across 10Gb Ethernet, and flexibility to choose from numerous physical interfaces.

Publish » Linear Playout » Linear Playout Systems » Channel branding graphics and promotion systems »

Welcome to the next generation of Bluefish444, with the arrival of the KRONOS range of video, audio, and data processing I/O cards. Built with multi-channel 4K UHD 60p, High Dynamic Range, High Frame Rate SDI and SMPTE 2022 & SMPTE 2110 support for Video Over IP workflows for broadcast, production and post-production, the new KRONOS range is ready for anything that you can throw at it.

KRONOS will offer the choice of SDI I/O connectivity with the KRONOS ēlektron, featuring 8 high-density BNC connectors capable of 3G/HD/SD-SDI. Each HD BNC connector is fully bi-directional, enabling numerous configuration options, including 8 input, 8 output, or a mixture of SDI input and output connections.

Produce » Post Production » Editing and Finishing » Color correction and grading »

The M-COCO-2 colour corrector and legaliser is ideal for manipulating colours to correct for camera or lighting problems or to standardise pictures shot at different times.

The dual channel M-COCO-2 can be used with IP (ST 2022 and ST 2110 video), with SDI or with both IP and SDI at the same time for hybrid systems. This gives you the easiest possible SDI to IP upgrade, while also making it perfect for mixed SDI and IP installations as well as fully IP or fully SDI environments. It works with 31 different video standards, including 1080p.

The M-COCO-2's colour correction tools include RGB gain, RGB lift, YUV gain, YUV lift, Video gain, Chroma gain, Chroma hue and both overall and individual RGB Gamma adjustment - as well as Black Stretch and Highlight Stretch, which are particularly useful for correcting in shot picture monitors. The excellent legaliser uses RGB and Y/C clipping to create a legal and natural-looking picture.

Features making life easier include the ability to wipe horizontally or vertically between the processed and unprocessed signal for a ‘before’ and ‘after’ comparison and the ability to highlight pixels containing illegal signal values to help locate the problem. The inclusion of a built-in test pattern generator also makes for an easier workflow.

The M-COCO-2 is a software app that runs on the MARBLE-V1 media processor. A card that fits in the Vision 3 frame, MARBLE-V1 features a powerful CPU/GPU processor, six bi-directional SDI connections and four 10GbE SFP+ network interface ports and allows different apps to be installed when needs change.

Crystal Vision also offers a card-based SDI colour corrector in its Indigo frame system.

 

Produce » Post Production » Editing and Finishing » Color correction and grading »

What is Creative Cloud?

Creative Cloud is a collection of 20+ desktop and mobile apps and services for photography, design, video, web, UX and more. Now you can take your ideas to new places with Photoshop on the iPad, draw and paint with Fresco, and design for 3D and AR. Join our global creative community — and make something better together.

Produce » Post Production » Editing and Finishing » Color correction and grading »

Please welcome the new addition to the PVM-X family: the PVM-X3200. Our new 32-inch 4K HDR TRIMASTER high grade picture monitor offers colour matching with the BVM-HX310 reference monitor which makes it ideal for on-set, studio, post-production and truck applications.

Produce » Post Production » Editing and Finishing » Color correction and grading »

PVM-X2400, a 24-inch 4K HDR TRIMASTER high grade picture monitor

Advanced information on the PVM-X2400 V2 upgrade model: 4K HDR picture monitor colour-matches with the BVM-HX310 master monitor, ideal for 4K and HD productions, TRIMASTER assures accurate colour reproduction, precise imaging and consistent picture quality, future user 3D LUT signal output support, SR live metadata, dynamic contrast drive and black detail High/Mid/Low, Inputs for 12G-SDI and Quad-Link 3G-SDI to HD-SDI as well as HDMI, Unique quad view display with User 3D LUT, Enhanced user interface and channel select button, Optimised features for field operation, and Powerful stereo sound with audio muting

Produce » Post Production » Editing and Finishing » Color correction and grading »

PVM-X1800(PVMX1800),18.4-inch 4K HDR TRIMASTER high-grade picture monitor

Advanced information on the PVM-X1800 V2 upgrade model: 4K HDR picture monitor color-matches with the BVM-HX310 master monitor, ideal for various 4K and HD productions, TRIMASTER assures accurate color reproduction, precise imaging, and consistent picture quality, Future HDR-SDR conversion support, Future User 3D look-up-table signal output support, SR Live Metadata, Dynamic Contrast Drive and Black Detail High/Mid/Low, Inputs for 12G-SDI and Quad-Link 3G-SDI to HD-SDI, as well as HDMI, Various scopes, Unique Quad View display with User 3D LUT, Enhanced user interface and Channel Select button, Optimized features for field operation, Various mount capabilities, and a Powerful stereo sound with audio muting

Produce » Post Production » Editing and Finishing » Color correction and grading »

LMD-A Series monitor is a Full HD high grade LCD monitor for studio and field use. It has as an excellent cost-performance ratio, with its WUXGA (1920 x 1200) creating a lightweight and slim body, whilst at 24-inchs being the industry’s widest viewing angle.

Other features included HDR production, 4K production, shopping channels, enhanced field application, graphics applications, latest camera-linkage, editing features, user presents and password protection, 2K format display, Dual-Link HD-SDI mode and multiple monitors firmware upgrade utility