Nep Post Production Services - IABM Single BaM Product

Produce » Post Production » Editing and Finishing » Color correction and grading »

The best post production is equal parts stand-out creativity and leading-edge technology. Our teams deliver both, earning awards and a reputation for excellence with major broadcasters and studios all over the world. Based in Ireland, Norway, Germany, Finland and Belgium, we provide VFX and post production services—from full HD and 4K finishing to HDR editing—to the broadcast, film, commercial, corporate and digital markets.

FULL PICTURE POST SERVICE
Dailies, editing, grading, finishing, deliverables, DCDM, DCP
Picture post at HD, 2K, 4K
Over 300 suites worldwide offering Avid, DaVinci, Flame, FCP, Smoke, including 220 cloud editing suites

FULL SOUND POST SERVICE
Editorial, foley, ADR, mixing, deliverables
Mixing in stereo and 5/1 for broadcast and cinema
Editorial rooms and TV mixing rooms; Dolby-approved feature mixing stages

VISUAL EFFECTS (VFX)
Full production VFX and CGI service
3D Max and Adobe CC
A 120 node render farm

GRAPHIC DESIGN AND ANIMATION
Full graphic design and animation for commercials
Full title and package design for broadcast
Specialists in live and post GFX design for sports

Publish » Linear Playout » Linear Playout Systems » Channel branding graphics and promotion systems »

Welcome to the next generation of Bluefish444, with the arrival of the KRONOS range of video, audio, and data processing I/O cards. Built with multi-channel 4K UHD 60p, High Dynamic Range, High Frame Rate SDI and SMPTE 2022 & SMPTE 2110 support for Video Over IP workflows for broadcast, production and post-production, the new KRONOS range is ready for anything that you can throw at it.

KRONOS will offer the choice of SDI I/O connectivity with the KRONOS ēlektron, featuring 8 high-density BNC connectors capable of 3G/HD/SD-SDI. Each HD BNC connector is fully bi-directional, enabling numerous configuration options, including 8 input, 8 output, or a mixture of SDI input and output connections.

Produce » Post Production » Editing and Finishing » Color correction and grading »

All the audio & video scopes you'd expect from hardware, and many many more. A custom toolset crafted for creative professionals - colorists, editors, DITs, and sound. Mix and match scopes, save layouts, and be confident that you're seeing every pixel and every frame of your signal.

No hardware

You bring a Mac, we do the rest. Take your scopes with you anywhere you go, or use an old Mac Mini to be your dedicated scopes system - no need for expensive converter boxes.

Crazy accurate

HDMISDHD2KSDI4K8bit10bitYCbCrRGBNDI. Because viewing scopes only makes sense if you do it in the resolution, format, and color spaces of your workflow.

Insights at a glance

Looking at scopes is nice, but drawing conclusions is better. That's why ScopeBox is packed with features that help you decide if what you're seeing is what you want to be seeing.

Monitoring on steroids

ScopeBox's video preview shows you every pixel of your image, exactly as you're shooting it. The monitor calibration ensures that the colors you see accurately represent your video as well.

Preview

All the features you'd expect to find on a high-end field monitor. Complete with false color and feature insights, you get the most powerful toolset available for quantitative viewing. Add framing guides and overlays to make sure that your shot works exactly the way you expect.

Overlays

To help you frame your shot, ScopeBox includes a number of overlay features. Center marks, rule of thirds, letterbox masks, title safe and graphics safe are all available. In addition, you can overlay any QuickTime movie or image - great for framing greenscreen shots or shooting around lower thirds.

Feature Insights

ScopeBox's unique Feature Insights allow you to highlight the pixels in your image based on a specific luminance, chrominance, or channel range. It makes matching problem areas in your scopes back to image features dead simple.

LUTs

ScopeBox allows you to quickly apply a LUT, so you can get a sense of how your color corrected footage will look in 709 or 2020. As many camera vendors supply LUTs for doing log-to-linear conversion, you get a good grasp on how your footage will look in real life.

Scopes

ScopeBox recreates every major video quality assurance tool, in software. Each of these can be arranged, resized and customized for your needs. These layouts can be saved and recalled later.

Video

Waveform

Video levels are the key to a well exposed shot. Using a waveform allows you to be confident you're getting the most contrast and definition from the shot. It also makes setting up green screen shots a breeze. ScopeBox is an exact replica of a real waveform.

Vectorscope

We all want bright vibrant colors, but unfortunately there can be too much of a good thing. Vectorscopes show you exactly how saturated your colors are, for the brightest colors possible without exceeding broadcast limits. Bonus feature: ensure perfect white and black balance, and set up calibration of your video equipment.

HML Balance

The scope that has made ScopeBox famous. Invented by Divergent Media, ScopeBox's home before it became a Hedge app, the HML Balance scope segments your signal into high, mid, and low exposure vectorscopes. By using the HML Balance scope, it's finally possible to easily spot a color cast in a highlight or a shadow.

RGB Parade

The RGB Parade lets you see how each channel of your video is represented in red, green, and blue. Use the RGB Parade in conjunction with the Waveform scope to track down overexposed parts of your shot, and then tweak them just the right amount.

Channel Plot

Channel Plot lets you plot two components of your signal against each other, like red vs. blue or luma against chroma. This lets you quickly identify gamut excursions and other color conversion issues.

YCbCr Parade

YCbCr Parade lets you see how each component of your YCbCr video is represented. Being more of a technical scope, this scope is very useful for spotting banding, quantization, and clipping signals in SDI and other YCbCr sources.

RGB Histogram

You've probably heard people go on and on about the contrast of a scene. Sometimes it can be hard to see what they're talking about. With the histogram, you can see where colors are concentrated within a scene - are all the reds really dark, with greens that are very bright? Is there a nice even range of saturation, or is everything concentrated in a big lump?

Luma Histogram

The Luma Histogram gives you a quick idea of the distribution of luma levels within your signal, so that you can quickly identify overexposed signals. For HDR, surface area overlays are included so you can spot the percentage of raster that falls within a nit range - necessary because of the autogain control on modern TVs.

CIE Plot

Modern workflows sometimes target multiple color gamuts or smaller gamuts within a universal file. Some projects deliver P3 ranges in rec2020 gamut for instance. CIE plot shows your color gamut and the primary boundaries of multiple colorspaces. You can even enter custom primaries and whitepoints.

RGB Timetrace

One problem all colorists experience is color constancy (the effect that your eyes adapt to make make white look white despite the white balance). The human visual system compensates for changes in color balance. Over time, small color shifts in an image cannot be accurately judged, and that's where RGB TimeTrace comes in.

Luma Timetrace

Luma TimeTrace shows changes to luma balance and contrast over time, making it easy to detect scene changes and camera auto-exposure shifts. This enables you to quickly match multiple shots or scenes. On top of that, it's the perfect tool to tackle the common tendency for HDR grades to drift brighter through the course of your working day.

Preview

The Preview scope is much more than just a simple monitor. You can overlay other images, add masking, or tweak the contrast and saturation. You can even open multiple preview scopes simultaneously - use one for checking critical focus, while another gives you a complete view of your image.

Audio

Levels

Nobody likes crunchy audio. Unfortunately, many cameras these days don't tell you about gain or levels. With the Audio Meter, you get a realtime insight into your signals, without having to physically bump heads with the camera operator. Social distancing avant la lettre.

Surround Plot

Many workflows depend on 5.1 or 7.1 audio mixing, with a variety of channel layouts. ScopeBox's flexible surround meter scope gives you an easy view of the layout of your surround audio signal.

Timecode

There are a variety of ways to feed a timecode signal into ScopeBox - a serial cable, a firewire interface, or on supported devices, via embedded HD-SDI timecode. The timecode scope gives you a large timecode clock so you can easily keep track of time for logging purposes.

ScopeLink

ScopeLink allows you to feed video directly from many popular applications directly to ScopeBox. Whether you're working in editing and compositing applications like Premiere Pro, Final Cut Pro, or After Effects; DIT tools like EditReady, Silverstack, or LiveGrade; or color grading software like Resolve or Assimilate's Scratch; you can use the same professional scopes as you're used to.

ScopeLink is bundled with ScopeBox, and is completely free.

Produce » Post Production » Editing and Finishing » Color correction and grading »

Streambox are dedicated to helping you share your media with anyone, anywhere. They’ve developed pixel perfect codecs and transport protocols that maximise the use of all available network paths for faster transmission and playout over low-bandwidth IP connections.

There are a range of systems and products available to suit different workflows, covering everything from acquisition to management to live streaming, all designed to deliver unlimited scalability at low cost.

 

As the UK’s sole Streambox reseller, we can provide live demos at our place or yours, or loan you kit to test out with your own workflow. Available kit includes two Chroma 4K encoder/decoders, a Node2 decoder and software-defined HD/4K encoders. Get in touch to book a demo.

Publish » Linear Playout » Linear Playout Systems » Channel branding graphics and promotion systems »

KRONOS K8 is Bluefish444’s fully-featured high-bandwidth 4K/UHD, 2K/HD & SD video and audio I/O card for professional video workflows on Windows, macOS and Linux operating systems.

Capable of up to 8 independent and simultaneous channels of 3G/HD/SD-SDI input or output, K8 also features Reference and LTC I/O.

Cross-platform support with Industry leading 3rd-party software

Adobe Creative Cloud | Assimilate SCRATCH | Avid | CasparCG | Dataton | Foundry Nuke | Resolume | Streamstar | Unity | Unreal Engine | vMix

All Bluefish video cards are Thunderbolt compatible, work with the free Bluefish acquisition application IngeSTore, the Bluefish cross-platform SDK, and leading 3rd party content creation tools.

Bluefish products are deployed globally throughout the broadcast graphics, post-production, live event and entertainment, immersive graphics, proAV, corporate, military, government, medical and education markets, including integration into digital intermediate, mobile production, QC and compliance, Video Over IP and video streaming workflows.

FREE multi-channel capture tool, IngeSTore

• Capture up to 4 channels of video


• Wide range of codec options


• Records direct to shared storage, including Avid shared storage


• Growing file support with Edit-While-Record in Adobe Premiere Pro and Avid Media Composer


• REST API to control remotely


• RS-422 Controller


• Encode for live production, post production, archival and streaming workflows

MAJOR FEATURES

Bi-directional I/O’s provide unrivalled flexibility

• 8 bi-directional HD-BNC video connectors supporting 3G/1.5G SDI I/O


• Multi-channel 4K UHD 60p playout or capture video Quad Link 3G-SDI


• Each BNC is completely independent

Maximum connectivity

• Reference I/O BNC


• LTC I/O


• Interlock between multiple K8 and Epoch | Neutron/4K Neutron cards

Optional connectivity

• Optional auxiliary I/O can be added to K8 via the STEM port interface and optional EX-1 and EX-2 products


• K8 with EX-1 adds LTC I/O, RS-422 control and AES audio I/O


• K8 with EX-2 adds LTC I/O, RS-422 control and Analogue audio I/O

The industry's lowest latency I/O, by design

KRONOS K8 has, by design, the world's lowest-latency providing access to captured fields or frames to on-board card memory event before the whole field or frame is complete, thereby reducing the latency to sub on field or frame. During a capture or playout, each process can occur at less than or equal to 1 field for interlaced modes, and less than 1 frame for progressive modes.

Maintaining a 12-bit processing pipeline

• 12-bit image processing is standard on all Bluefish video cards


• Allows 8, 10 & 12-bit SDI video signals to be produced from 8, 10, 12 & 16-bit pixel formats providing the highest image quality available from your source material


• 4096 discrete values of red, green & blue are maintained per pixel


• 4 times the colour precision of a traditional 10-bit processing pipeline!

Maintaining the highest quality RGB <=> YUV

• Fully programmable 4 x 4 x 33-bit colour matrix providing the highest quality colour space conversions


• Reduces colour space conversion errors and ensures the highest quality colour accuracy during capture, monitoring and mastering

Thunderbolt expansion chassis compatibility

• Compatible with Sonnet, One Stop Systems Magma, Netstor, and AKiTio Thunderbolt devices for multichannel mobile production


• Visit Bluefish's website for a full list of qualified 3rd-party chassis options

Low-latency video keyers

• 4 x Low latency hardware video keyer


• Allows video layers to be combined in hardware with microseconds of delay


• Enables animated logos, captions, tickers, and more to be keyed over live video feeds at full 12-bit precision, and with minimum input to output delay


• Can also function as an image pre-multiplier to assist in previewing images with alpha data

Publish » Linear Playout » Linear Playout Systems » Channel branding graphics and promotion systems »

Epoch | Supernova CG is Bluefish444’s 2K/HD & SD video and audio I/O card for professional video workflows on Windows, macOS and Linux operating systems.

Capable of up to 4 independent and simultaneous channels of HD/SD-SDI input or output, Supernova CG features a flexible combination of multi-channel SDI I/O, and a dedicated Reference input BNC.

Cross-platform support with industry-leading 3rd-party software

Adobe Creative Cloud | Assimilate SCRATCH | Avid  | Avmeda  | Brainstorm  | BTi | CasparCG | ChryonHego | ClassX | Dataton | Drastic Technologies 4KScope & VideoQC | DVBControl | Etere | Foundry Nuke | Libero Systems | Marquise Technologies MIST & ICE | Masterplay | Media 5 | Media-Alliance | Medialooks | Metus | MOG | NewTek | Nverzion  | Resolume | Ross Video | Streamstar | Telestream Wirecast | Touchdesigner | Unity | Unreal Engine | Unreal Streaming Technologies | Vizrt Viz Engine & Viz Arena | vMix | VRi | Xdream Media | Zinemath zLense

All Bluefish video cards are Thunderbolt compatible, work with the free Bluefish acquisition application IngeSTore, the Bluefish cross-platform SDK, and leading 3rd party content creation tools.

Bluefish products are deployed globally throughout the broadcast graphics, post-production, live event and entertainment, immersive graphics, proAV, corporate, military, government, medical and education markets, including integration into digital intermediate, mobile production, QC and compliance, Video Over IP and video streaming workflows.

FREE multi-channel capture tool, IngeSTore

• Capture up to 4 channels of video


• Wide range of codec options


• Records direct to shared storage, including Avid shared storage


• Growing file support with Edit-While-Record in Adobe Premiere Pro and Avid Media Composer


• REST API to control remotely


• RS-422 Controller


• Encode for live production, post production, archival and streaming workflows

MAJOR FEATURES

Bi-directional I/O’s provide unrivalled flexibility

• 4 bi-directional BNC video connectors supporting 1.5G-SDI I/O


• Up to 2K/HD 60p playout or capture via Dual Link 1.5G-SDI


• Each BNC is completely independent

Maximum connectivity

• Dedicated Reference Input BNC

The industry's lowest latency I/O, by design

Supernova CG has, by design, the world's lowest-latency providing access to captured fields or frames to on-board card memory event before the whole field or frame is complete, thereby reducing the latency to sub on field or frame. During a capture or playout, each process can occur at less than or equal to 1 field for interlaced modes, and less than 1 frame for progressive modes.

Maintaining a 12-bit processing pipeline

• 12-bit image processing is standard on all Bluefish video cards


• Allows 8, 10 & 12-bit SDI video signals to be produced from 8, 10, 12 & 16-bit pixel formats providing the highest image quality available from your source material


• 4096 discrete values of red, green & blue are maintained per pixel


• 4 times the colour precision of a traditional 10-bit processing pipeline!

Maintaining the highest quality RGB <=> YUV

• Fully programmable 4 x 4 x 33-bit colour matrix providing the highest quality colour space conversions


• Reduces colour space conversion errors and ensures the highest quality colour accuracy during capture, monitoring and mastering

Thunderbolt expansion chassis compatibility

• Compatible with Sonnet, One Stop Systems Magma, Netstor, and AKiTio Thunderbolt devices for multichannel mobile production


• Visit Bluefish's website for a full list of qualified 3rd-party chassis options

Low-latency video keyer

• Low latency hardware video keyer


• Allows video layers to be combined in hardware with microseconds of delay


• Enables animated logos, captions, tickers, and more to be keyed over live video feeds at full 12-bit precision, and with minimum input to output delay


• Can also function as an image pre-multiplier to assist in previewing images with alpha data

Publish » Linear Playout » Linear Playout Systems » Channel branding graphics and promotion systems »

Welcome to the next generation of Bluefish444, with the arrival of the KRONOS range of video, audio, and data processing I/O cards. Built with multi-channel 4K UHD 60p, High Dynamic Range, High Frame Rate SDI and SMPTE 2022 & SMPTE 2110 support for Video Over IP workflows for broadcast, production and post-production, the new KRONOS range is ready for anything that you can throw at it.

The KRONOS optikós offers future-proofing connectivity with 3 SFP+ cages in addition to 2 HD BNC connectors for 3G/HD/SD-SDI I/O. These SFP+ cages provide limitless connectivity options exposing greater than 3G SDI, IP connectivity across 10Gb Ethernet, and flexibility to choose from numerous physical interfaces.

Publish » Linear Playout » Linear Playout Systems » Channel branding graphics and promotion systems »

Epoch | 4K Supernova S+ is Bluefish444’s fully-featured 4K/UHD, 2K/HD & SD video and audio I/O card for professional video workflows on Windows, macOS and Linux operating systems.

Capable of up to 4 independent and simultaneous channels of 3G/HD/SD-SDI input or output, 4K Supernova S+ also features a fifth BNC for SDI monitor output and a dedicated Reference input BNC.

Cross-platform support with industry-leading 3rd-party software

Adobe Creative Cloud | Assimilate SCRATCH | Avid  | Avmeda  | Brainstorm  | BTi | CasparCG | ChryonHego | ClassX | Dataton | Drastic Technologies 4KScope & VideoQC | DVBControl | Etere | Foundry Nuke | Libero Systems | Marquise Technologies MIST & ICE | Masterplay | Media 5 | Media-Alliance | Medialooks | Metus | MOG | NewTek | Nverzion  | Resolume | Ross Video | Streamstar | Telestream Wirecast | Touchdesigner | Unity | Unreal Engine | Unreal Streaming Technologies | Vizrt Viz Engine & Viz Arena | vMix | VRi | Xdream Media | Zinemath zLense

All Bluefish video cards are Thunderbolt compatible, work with the free Bluefish acquisition application IngeSTore, the Bluefish cross-platform SDK, and leading 3rd party content creation tools.

Bluefish products are deployed globally throughout the broadcast graphics, post-production, live event and entertainment, immersive graphics, proAV, corporate, military, government, medical and education markets, including integration into digital intermediate, mobile production, QC and compliance, Video Over IP and video streaming workflows.

FREE multi-channel capture tool, IngeSTore

• Capture up to 4 channels of video


• Wide range of codec options


• Records direct to shared storage, including Avid shared storage


• Growing file support with Edit-While-Record in Adobe Premiere Pro and Avid Media Composer


• REST API to control remotely


• RS-422 Controller


• Encode for live production, post production, archival and streaming workflows

MAJOR FEATURES

Bi-directional I/O’s provide unrivalled flexibility

• 4 bi-directional BNC video connectors supporting 3G/1.5G SDI I/O


• Up to 4K UHD 30p playout or capture via Dual Link 3G-SDI


• Each BNC is completely independent

Maximum connectivity

• Additional BNC for SDI monitoring


• Dedicated Reference input BNC

The industry's lowest latency I/O, by design

4K Supernova S+ has, by design, the world's lowest-latency providing access to captured fields or frames to on-board card memory event before the whole field or frame is complete, thereby reducing the latency to sub on field or frame. During a capture or playout, each process can occur at less than or equal to 1 field for interlaced modes, and less than 1 frame for progressive modes.

Maintaining a 12-bit processing pipeline

• 12-bit image processing is standard on all Bluefish video cards


• Allows 8, 10 & 12-bit SDI video signals to be produced from 8, 10, 12 & 16-bit pixel formats providing the highest image quality available from your source material


• 4096 discrete values of red, green & blue are maintained per pixel


• 4 times the colour precision of a traditional 10-bit processing pipeline!

Maintaining the highest quality RGB <=> YUV

• Fully programmable 4 x 4 x 33-bit colour matrix providing the highest quality colour space conversions


• Reduces colour space conversion errors and ensures the highest quality colour accuracy during capture, monitoring and mastering

Thunderbolt expansion chassis compatibility

• Compatible with Sonnet, One Stop Systems Magma, Netstor, and AKiTio Thunderbolt devices for multichannel mobile production


• Visit Bluefish's website for a full list of qualified 3rd-party chassis options

Low-latency video keyer

• Low latency hardware video keyer


• Allows video layers to be combined in hardware with microseconds of delay


• Enables animated logos, captions, tickers, and more to be keyed over live video feeds at full 12-bit precision, and with minimum input to output delay


• Can also function as an image pre-multiplier to assist in previewing images with alpha data

Publish » Linear Playout » Linear Playout Systems » Channel branding graphics and promotion systems »

Epoch | 4K Neutron is Bluefish444’s fully-featured 4K/UHD, 2K/HD & SD video and audio I/O card for professional video workflows on Windows, macOS and Linux operating systems.

Capable of up to 3 independent and simultaneous channels of 3G/HD/SD-SDI input or output, 4K Neutron also features 4K/UHD HDMI monitoring, AES Digital Audio IO, Analogue Audio Output, RS-422 Control, and auxiliary Reference Input. 4K Neutron is also available as a low-profile configuration compatible with compact installations or devices.

Cross-platform support with industry-leading 3rd-party software

Adobe Creative Cloud | Assimilate SCRATCH | Avid  | Avmeda  | Brainstorm  | BTi | CasparCG | ChryonHego | ClassX | Dataton | Drastic Technologies 4KScope & VideoQC | DVBControl | Etere | Foundry Nuke | Libero Systems | Marquise Technologies MIST & ICE | Masterplay | Media 5 | Media-Alliance | Medialooks | Metus | MOG | NewTek | Nverzion  | Resolume | Ross Video | Streamstar | Telestream Wirecast | Touchdesigner | Unity | Unreal Engine | Unreal Streaming Technologies | Vizrt Viz Engine & Viz Arena | vMix | VRi | Xdream Media | Zinemath zLense

All Bluefish video cards are Thunderbolt compatible, work with the free Bluefish acquisition application IngeSTore, the Bluefish cross-platform SDK, and leading 3rd party content creation tools.

Bluefish products are deployed globally throughout the broadcast graphics, post-production, live event and entertainment, immersive graphics, proAV, corporate, military, government, medical and education markets, including integration into digital intermediate, mobile production, QC and compliance, Video Over IP and video streaming workflows.

FREE multi-channel capture tool, IngeSTore

• Capture up to 3 channels of video


• Wide range of codec options


• Records direct to shared storage, including Avid shared storage


• Growing file support with Edit-While-Record in Adobe Premiere Pro and Avid Media Composer


• REST API to control remotely


• RS-422 Controller


• Encode for live production, post production, archival and streaming workflows

MAJOR FEATURES

Bi-directional I/O’s provide unrivalled flexibility

• 3 bi-directional BNC video connectors supporting 3G/1.5G SDI I/O


• Up to 4K UHD 30p playout or capture via Dual Link 3G-SDI


• Each BNC is completely independent


• Third BNC can be set to Reference input instead of standard video signal

Maximum connectivity

Included breakout cable provides:

• RS-422 machine control for control of VTRs and other serial-controlled devices


• 8 channels of AES EBU audio input and output for 7.1 surround sound monitoring. Capture and playout digital audio signals in crystal-clear quality


• 2 channels of Analogue Audio for quick and simple high quality audio monitoring


• Auxiliary Reference (Input) connector frees the 3rd BNC for 3G/HD/SD video I/O

The industry's lowest latency I/O, by design

4K Neutron has, by design, the world's lowest-latency providing access to captured fields or frames to on-board card memory event before the whole field or frame is complete, thereby reducing the latency to sub on field or frame. During a capture or playout, each process can occur at less than or equal to 1 field for interlaced modes, and less than 1 frame for progressive modes.

4K/UHD HDMI monitoring

• Cost-effective 4K/UHD monitoring via HDMI 1.4


• Simultaneous SDI and HDMI playout

Maintaining a 12-bit processing pipeline

• 12-bit image processing is standard on all Bluefish video cards


• Allows 8, 10 & 12-bit SDI video signals to be produced from 8, 10, 12 & 16-bit pixel formats providing the highest image quality available from your source material


• 4096 discrete values of red, green & blue are maintained per pixel


• 4 times the colour precision of a traditional 10-bit processing pipeline!

Maintaining the highest quality RGB <=> YUV

• Fully programmable 4 x 4 x 33-bit colour matrix providing the highest quality colour space conversions


• Reduces colour space conversion errors and ensures the highest quality colour accuracy during capture, monitoring and mastering

Thunderbolt expansion chassis compatibility

• Compatible with Sonnet, One Stop Systems Magma, Netstor, and AKiTio Thunderbolt devices for multichannel mobile production


• Visit Bluefish's website for a full list of qualified 3rd-party chassis options

Low-latency video keyer

• Low latency hardware video keyer


• Allows video layers to be combined in hardware with microseconds of delay


• Enables animated logos, captions, tickers, and more to be keyed over live video feeds at full 12-bit precision, and with minimum input to output delay


• Can also function as an image pre-multiplier to assist in previewing images with alpha data

Produce » Post Production » Editing and Finishing » Color correction and grading »

Multi-channel processor series with essential video production features in a compact 1 RU enclosure. Besides its core role as a frame synchronizer for up to 16 channels, supporting IP/SDI (12G/3G/HD-SDI) and 4K, the FA-1616 series also serves as a color corrector, video processing amp, and audio remapper. Software-defined architecture enables to choose just the right configuration for your needs. Build an optimal system without unnecessary costs by adding exactly what you need with VoIP cards*1 and a range of audio (including Dante and MADI) and GPI cards.

Features

Control and monitoring

-          Control from a browser and via Ember+ or NMOS IS-04/05.

-          Browser-based control: No need to install a dedicated GUI.

-          Ember+ control: Enables control GUI development by users＊1.

-          SNMP monitoring.

-          Management/control system redundancy also ensured, with 2 dedicated LAN ports (1000BASE-T).

GENLOCK input

Timecode

-          LTC, ATC (LTC, VITC) time code generating and offset adjustment.

-          Equipped with LTC I/O terminals; supports ancillary time code multiplexing.

Others

-          Standard redundant power supply. With the fan, hot-swappable from the front.

-          Compact, relatively shallow 1 RU enclosure. 430(W)×500(D)×44(H) mm.

Produce » Post Production » Editing and Finishing » Color correction and grading »

The ASUS ProArt Display PA32UCX is the world's first 32-inch 4K HDR monitor with peak brightness of 1,200 nits and mini-LED backlighting,  enabling 1,152 zones of local dimming control and support for multiple HDR formats, including Dolby Vision™, HLG and HDR-10.

The PA32UCX's impressive panel reproduces the brightest whites and the deepest blacks with sharper, more detailed visuals. ASUS ProArt PA32UCX supports multiple HDR curves, including PQ Hard Clip, PQ Optimized and PQ Basic which can cover all content creators' needs.

With true 10-bit color and Quantum Dot technology, support for DCI-P3, Rec. 709, Rec. 2020, and Adobe RGB color spaces, together with a rich selection of connectivity, the PA32UCX is primed to take on any studio workflow.

Produce » Post Production » Editing and Finishing » Color correction and grading »

ASUS ProArt PA148CTV is a 14-inch FHD portable monitor designed for creators. PA148CTV delivers exceptional color thanks to 100% sRGB and 100% Rec. 709 color spaces, and it is world’s 1st portable monitor that reach Calman Verified certification and factory pre-calibrated to provide a Delta E < 2 color difference. The anti-glare IPS panel features wide viewing angles with minimal color shift, even when viewed from off-center positions.

Produce » Post Production » Editing and Finishing » Color correction and grading »

ASUS ProArt™ PQ22UC is the world's first 21.6-inch 4K HDR monitor with OLED technology and pure RGB stripes, delivering incredible color saturation and purity as well as highly accurate color reproduction with 99% DCI-P3 gamut coverage. It also features true 10-bit color depth, achieving a contrast ratio of 1,000,000:1 for darker blacks and brighter whites. With a response time of up to 0.1ms, ProArt™ PQ22UC is the fastest monitor on the market and delivers outstanding, blur-free performance when displaying videos and other animated content with fast action. And with HDR support for multiple HDR formats, including Dolby Vision™, HLG and HDR-10, PQ22UC ensures HDR content can be created and displayed with consistently high quality, providing an unprecedented viewing experience.

An innovative detachable stand can be folded completely flat for easy transport, and the monitor can be set up in seconds without any tools. ProArt™ PQ22UC comes with a foldable smart case to protect it from dust and scratches. The case can also be folded into a stand to prop the monitor up in either portrait or landscape orientation.

Produce » Post Production » Editing and Finishing » Color correction and grading »

What is Creative Cloud?

Creative Cloud is a collection of 20+ desktop and mobile apps and services for photography, design, video, web, UX and more. Now you can take your ideas to new places with Photoshop on the iPad, draw and paint with Fresco, and design for 3D and AR. Join our global creative community — and make something better together.

Produce » Post Production » Editing and Finishing » Color correction and grading »

The M-COCO-2 colour corrector and legaliser is ideal for manipulating colours to correct for camera or lighting problems or to standardise pictures shot at different times.

The dual channel M-COCO-2 can be used with IP (ST 2022 and ST 2110 video), with SDI or with both IP and SDI at the same time for hybrid systems. This gives you the easiest possible SDI to IP upgrade, while also making it perfect for mixed SDI and IP installations as well as fully IP or fully SDI environments. It works with 31 different video standards, including 1080p.

The M-COCO-2's colour correction tools include RGB gain, RGB lift, YUV gain, YUV lift, Video gain, Chroma gain, Chroma hue and both overall and individual RGB Gamma adjustment - as well as Black Stretch and Highlight Stretch, which are particularly useful for correcting in shot picture monitors. The excellent legaliser uses RGB and Y/C clipping to create a legal and natural-looking picture.

Features making life easier include the ability to wipe horizontally or vertically between the processed and unprocessed signal for a ‘before’ and ‘after’ comparison and the ability to highlight pixels containing illegal signal values to help locate the problem. The inclusion of a built-in test pattern generator also makes for an easier workflow.

The M-COCO-2 is a software app that runs on the MARBLE-V1 media processor. A card that fits in the Vision 3 frame, MARBLE-V1 features a powerful CPU/GPU processor, six bi-directional SDI connections and four 10GbE SFP+ network interface ports and allows different apps to be installed when needs change.

Crystal Vision also offers a card-based SDI colour corrector in its Indigo frame system.

 

Produce » Post Production » Editing and Finishing » Color correction and grading »

ASUS ProArt PA32UCG is World's 1st HDR 1600 & 120 Hz Variable-refresh-rate Display. A 32-inch 4K HDR Mini LED monitor with peak brightness of 1,600 nits and an industry-leading 1,000 nits of full-screen sustained brightness. This can deliver outstanding contrast between the deepest blacks and brightest whites. Enabling 1,152 zones of local dimming control and support for multiple HDR formats, including Dolby Vision, HLG and HDR-10.

ProArt Display PA32UCG also features variable refresh rate from 48 to 120Hz. It allows game developers to easily create game content and do quality checks on one display!

With true 10-bit color and Quantum Dot technology, support for the DCI-P3, Rec. 709, Rec. 2020 and Adobe RGB color spaces, together with Rich connectivity include dual Thunderbolt™ 3, one DisplayPort, three HDMI ports, and a built-in USB hub.

Produce » Post Production » Editing and Finishing » Color correction and grading »

ASUS ProArt PA27UCX is a 27-inch 4K HDR monitor with peak brightness of 1,000 nits and mini-LED backlighting, enabling 576 zones of local dimming control and support for multiple HDR formats, including Dolby Vision™, HLG and HDR-10.

ASUS ProArt PA27UCX features new Off-Axis Contrast Optimization (OCO) technology that reduces backlight bleed when viewing the screen from the wide angle, ensuring on-screen content is displayed accurately to all viewers.

With true 10-bit color and Quantum Dot technology, support for the DCI-P3, Rec. 709, Rec. 2020 and Adobe RGB color spaces, together with a rich selection of connectivity, ProArt PA27UCX takes the viewing experience to the next level.

 

Produce » Post Production » Editing and Finishing » Color correction and grading »

ASUS ProArt PA32UCX-P is a 32-inch 4K HDR monitor with peak brightness of 1,200 nits and mini-LED backlighting, enabling 1,152 zones of local dimming control and support for multiple HDR formats, including Dolby Vision™, HLG and HDR-10.

ASUS ProArt PA32UCX-P features new Off-Axis Contrast Optimization (OCO) technology that reduces backlight bleed when viewing the screen from the wide angle, ensuring on-screen content is displayed accurately to all viewers.

With true 10-bit color and Quantum Dot technology, support for the DCI-P3, Rec. 709, Rec. 2020 and Adobe RGB color spaces, together with a rich selection of connectivity, ProArt PA32UCX-P takes the viewing experience to the next level.

Produce » Post Production » Editing and Finishing » Color correction and grading »

ProArt Display PA278QV is a 27-inch monitor designed to satisfy the needs of creative professionals, from photo and video editing to graphic design.

ProArt Display PA278QV is factory calibrated and Calman Verified to deliver superb color accuracy (∆E < 2). It also provides industry-standard 100% sRGB / 100% Rec. 709 color space coverage.

With ASUS-exclusive features, such as ProArt Preset and ProArt Palette with six-axis color, black-level and brightness adjustments, PA278QV makes it easy to achieve the exact look you desire quickly, easily and precisely.

Produce » Post Production » Editing and Finishing » Color correction and grading »

ProArt Display PA248QV is a 24.1-inch monitor designed to satisfy the needs of creative professionals, from photo and video editing to graphic design.

ProArt Display PA248QV is factory calibrated and Calman Verified to deliver superb color accuracy (∆E < 2). It also provides industry-standard 100% sRGB / 100% Rec. 709 color space coverage.

With ASUS-exclusive features, such as ProArt Preset and ProArt Palette with six-axis color, black-level and brightness adjustments, PA248QV makes it easy to achieve the exact look you desire quickly, easily and precisely.

Produce » Post Production » Editing and Finishing » Color correction and grading »

Please welcome the new addition to the PVM-X family: the PVM-X3200. Our new 32-inch 4K HDR TRIMASTER high grade picture monitor offers colour matching with the BVM-HX310 reference monitor which makes it ideal for on-set, studio, post-production and truck applications.

Produce » Post Production » Editing and Finishing » Color correction and grading »

PVM-X2400, a 24-inch 4K HDR TRIMASTER high grade picture monitor

Advanced information on the PVM-X2400 V2 upgrade model: 4K HDR picture monitor colour-matches with the BVM-HX310 master monitor, ideal for 4K and HD productions, TRIMASTER assures accurate colour reproduction, precise imaging and consistent picture quality, future user 3D LUT signal output support, SR live metadata, dynamic contrast drive and black detail High/Mid/Low, Inputs for 12G-SDI and Quad-Link 3G-SDI to HD-SDI as well as HDMI, Unique quad view display with User 3D LUT, Enhanced user interface and channel select button, Optimised features for field operation, and Powerful stereo sound with audio muting

Produce » Post Production » Editing and Finishing » Color correction and grading »

PVM-X1800(PVMX1800),18.4-inch 4K HDR TRIMASTER high-grade picture monitor

Advanced information on the PVM-X1800 V2 upgrade model: 4K HDR picture monitor color-matches with the BVM-HX310 master monitor, ideal for various 4K and HD productions, TRIMASTER assures accurate color reproduction, precise imaging, and consistent picture quality, Future HDR-SDR conversion support, Future User 3D look-up-table signal output support, SR Live Metadata, Dynamic Contrast Drive and Black Detail High/Mid/Low, Inputs for 12G-SDI and Quad-Link 3G-SDI to HD-SDI, as well as HDMI, Various scopes, Unique Quad View display with User 3D LUT, Enhanced user interface and Channel Select button, Optimized features for field operation, Various mount capabilities, and a Powerful stereo sound with audio muting

Produce » Post Production » Editing and Finishing » Color correction and grading »

LMD-A Series monitor is a Full HD high grade LCD monitor for studio and field use. It has as an excellent cost-performance ratio, with its WUXGA (1920 x 1200) creating a lightweight and slim body, whilst at 24-inchs being the industry’s widest viewing angle.

Other features included HDR production, 4K production, shopping channels, enhanced field application, graphics applications, latest camera-linkage, editing features, user presents and password protection, 2K format display, Dual-Link HD-SDI mode and multiple monitors firmware upgrade utility

Publish » Linear Playout » Linear Playout Systems » Channel branding graphics and promotion systems »

Visual Data is a global provider of award-winning digital media supply chain services to the entertainment industry with locations in Burbank, London and Bangalore. What began as a small editing facility in 1995 has since grown into one of the industry’s leading global providers of quality-driven content management, distribution, localization and media services that enable customers to deliver premium content in any format for any screen or platform, anywhere in the world.