Create » Content Acquisition and Capture » Camera Accessories » Camera lenses »

 

 

Angenieux EZ-1 30-90mm T2 - PL is a fast zoom for 3-perf Super 35mm sized sensors that has been designed from the ground up to utilize interchangeable rear optical assemblies. This allows you to use the same lens to cover Super 35 or Full-Frame/VistaVision-sized sensors by swapping out the rear optical assembly. In addition, the rear assemblies allow you to swap the lens mount from PL to Sony E or Canon EF.

 

The version of the lens ships with a PL mount and the Super 35 rear optical assembly. Set up as such it features a T2.0 aperture and focuses down to 2' in front of the image plane, while weighing in at only 4.7 pounds. The 114mm front diameter of the lens is a common diameter compatible with cinema-style matte boxes. The lens features independent focus, iris, and zoom control rings with cinema standard gear teeth. A removable support foot can be repositioned for when you need to rotate your lens off of a standard mounting orientation.

 

Interchangeable Rear Optical Assembly

 

The EZ-1 30-90mm is designed with swappable rear optical elements so you can easily convert the lens from covering 3-perf Super 35 to full-frame/VistaVision. This design has many advantages over adding additional optical elements such as 2x extenders, as swapping the rear assembly allows the lens to maintain the same physical size and minimum operating distance, while losing only slightly more than a stop when going from Super 35 to full-frame coverage. Additionally, as the optics are designed to be part of the lens, and not just additional elements that blow up the image resolved by the lens, they match the optical quality of the lens and your image does not suffer from having to go through additional glass/air surfaces, which can degrade your image.

 

Interchangeable Lens Mounts

 

This lens ships with a PL mount; however, that mount can be swapped with available (not included) E or EF lens mounts.

 

Losing only 1/10 of a stop within the lens, the EZ-2 is extremely efficient. The fast T2.0 maximum aperture in Super 35mm matches the maximum aperture of many standard prime lenses for Super 35mm. This allows you to light to a lower illumination level than would normally be required for many zooms, making for more consistent images as you may not have to relight the scene as is often the case when moving from primes to slower zoom lenses.

 

Manual Lens Control Rings

 

Featuring independent manual control rings for focus, iris, and zoom. Each control ring incorporates industry standard 0.8 lens gear teeth.

 

114mm Front Diameter

 

The EZ-1 shares the same 114mm front common to the Angenieux OPTIMO lens series, allowing you to easily share matte boxes between the EZ-1 and the OPTIMO lenses.

Create » Content Acquisition and Capture » Lighting » Lighting systems »

The Astera FP1 Titan Tube Set was custom designed for Broadcasting, Cinema, and Film industries. The Astera Titan Tube is optimized for an ultra-high TLCI (Television Lighting Consistency Index), a very high CRI (Color Rendering Index) and peak brightness, colors as well as Hue, Saturation and Intensity can be set directly on the Astera TitanTube. The Astera Titan Tube also now accepts wired DMX via a special power/data combination cable.

HIGHLIGHTS

• Includes:


• 8x Astera FP1 Titan Tube


• 16x Eyebolts (Astera AX1-EBLT)


• 16x Aluminum Holders (Astera AX1-H)


• 16x Cotter pin


• 16x Spigots


• 8x Stand (Astera AX1-STD)


• 1 x Astera TITAN-CHRCSE Titan Tube Charging Case

Create » Content Acquisition and Capture » Camera Accessories » Camera support and grip »

 

 

 

 

Atomos Shogun 7 HDR Pro Monitor/Recorder/Switcher. This versatile pro on-camera recording monitor offers up to DCI 4K raw recording, HDMI and 12/6/3G-SDI inputs/outputs, and ISO recording of up to four HD-SDI camera streams. Output your content for director or client-viewing in Dolby Vision HDR using the Shogun 7, AtomOS10 platform, and a compatible display.

 

This monitor supports resolutions up to DCI 4K (4096 x 2160) at 60p and up to 2K at 240p for slow-motion effects. Record to 2.5" SSDs using Apple ProRes Raw, ProRes, CinemaDMG (up to 30p), and Avid DNxHD codecs. Record all your event's action with live multicamera monitoring, recording, and switching between program and up to four 1080p60 SDI ISO camera streams.

 

The Shogun 7's 10-bit (8+2 FRC) panel features 360-zone backlight, 1500 cd/m² brightness, and a 1,000,000:1 contrast ratio. Its native AtomHDR (log) display enables you to more accurately monitor your log gamma footage without having to view flat, washed-out images or use a LUT to compress the dynamic range and color space. Built-in presets accurately translate popular log formats from ARRI, Canon, Fujifilm, JVC, Nikon, Panasonic, RED, and Sony cameras.

 

Save editing time by tagging your footage on-the-fly and recording directly to Final Cut Pro x, Adobe Premiere, or Avid Media Composer formats (third-party plug-ins may be required for tagging).

 

Power the Shogun Inferno with a single Sony L-series battery; dual battery plates support hot swapping, enabling longer uninterrupted runtimes. For audio recording, the monitor supports balanced XLR inputs with +48V phantom power via a separately available audio breakout cable. Additional Shogun 7 features include genlock input, SDI/HDMI cross conversion, and a variety of on-screen exposure analysis, framing, focus assist, and other display tools.

 

Monitor

 

• 1920 x 1280 resolution

 

• 7" LCD screen with 360-zone backlight

 

• 10-bit (8+2 FRC) monitoring processing

 

• 1500 cd/m² brightness

 

• 1,000,000:1 contrast ratio (with zone backlight on)

 

• Output using Dolby Vision HDR

 

• AtomHDR technology displays native HDR (log) display footage

 

• Log gamma viewing presets for ARRI, Canon, Fujifilm, JVC, Nikon, Panasonic, RED, and Sony cameras

 

• Custom 3D LUT support (.cube format)

 

• Anamorphic de-squeeze: 2x, 1.5x, 1.33x

 

• UHD 4K downscale for HD monitoring

 

Input/Output

 

• 4K HDMI and 12G-SDI inputs/outputs

 

• Four 6G/3G-SDI or dual 12G-SDI inputs

 

• SDI/HDMI cross conversion

 

• Genlock input

 

• Separately available audio breakout cable for XLR audio input

 

Recording and Switching

 

• Up to DCI 4K60 recording in ProRes Raw, ProRes, CinemaDMG (4K30), or DNxHD

 

• Capture and switch between up to four ISO camera feeds

 

• Slow-motion recording up to 1080p at 240 fps

 

• Record to 2.5" SSD/HDD media using the included Master Caddy II

 

• Pre-roll record (8 seconds in HD, 2 seconds in 4K)

 

• Ten metadata fields

 

Additional Features

 

• Dual Sony L-series battery slots support hot swapping for continuous power

 

• Record 4K30p up to 2.2 hours with 2 x 7.4V, 7800mAh batteries

 

• Record 4K30p up to 1.5 hours with 2 x 7.4V, 5200mAh batteries

 

• Top and bottom 1/4"-20 mounting threads

 

• 3.5mm headphone output port

Create » Content Acquisition and Capture » Camera Accessories » Camera support and grip »

Cartoni Master 30 Flat Base Fluid Head covers the needs of video shooters using cameras weighing from 7 to 66 lb. With a low center of gravity configuration such as with teleprompter, the Master 30 can hold cameras as heavy as 88 lb. The fluid module, in both pan and tilt modes, ensures smooth movements. With accurate starts and stops, the drag system allows a wide variety from almost freewheeling in fast action movements to maximum resistance for long focal shoots.

HIGHLIGHTS

• 
  
  
  
  • Counterbalance performs perfect balance at any angle from 0 to ±90°
  
  
  • Operating knobs and levers are conveniently located and easy to reach with a special care for ergonomics
  
  
  • Head comes equipped with dual telescopic pan bars, illuminated spirit level and digital readouts for drag control and counterbalance settings
  
  
  
  

Create » Content Acquisition and Capture » Camera Accessories » Camera support and grip »

Cartoni Master 30 Flat Base Fluid Head covers the needs of video shooters using cameras weighing from 7 to 66 lb. With a low center of gravity configuration such as with teleprompter, the Master 30 can hold cameras as heavy as 88 lb. The fluid module, in both pan and tilt modes, ensures smooth movements. With accurate starts and stops, the drag system allows a wide variety from almost freewheeling in fast action movements to maximum resistance for long focal shoots.

HIGHLIGHTS

• 
  
  
  
  • Counterbalance performs perfect balance at any angle from 0 to ±90°
  
  
  • Operating knobs and levers are conveniently located and easy to reach with a special care for ergonomics
  
  
  • Head comes equipped with dual telescopic pan bars, illuminated spirit level and digital readouts for drag control and counterbalance settings
  
  
  
  

Create » Content Acquisition and Capture » Cameras » Digital Cinema Cameras »

 

X1D II 50C

 

COMPACT. POWERFUL. ENHANCED.

 

Packed into the award-winning design of the first generation, the X1D II 50C continues to keep medium format photography portable with its compact build. Its upgraded electronic platform includes an enlarged 3.6-inch touch display and an enhanced EVF, a faster live view refresh rate, and an intuitive and even quicker user interface control. Connection via USB-C or Wi-Fi to Hasselblad’s Phocus Mobile 2 allows for the ultimate, on-the-go workflow from camera to iPad Pro and 2019 iPad Air models. And with a huge range of high-quality optics to shoot with, including XCD, HC/HCD, XPan and V System Lenses, the creative possibilities are endless.

 

THE POWER OF PORTABLE

 

Lightweight and portable, the X1D II 50C lets you take the power of medium format in a footprint smaller than most full frame 35mm cameras. Individually calibrated for optimal performance, its large 50-megapixel medium format CMOS sensor (43.8 x 32.9 mm) features outstanding colour depth and a huge dynamic range of 14 stops. Hasselblad Natural Colour Solution technology is integrated into the camera’s system, delivering superb, true-to-life tones that match what the human eye sees. Blending form and function in its ergonomic design adopted from the award-winning first generation, the X1D II 50C continues to provide creatives with incredible Hasselblad image quality, with 16-bit RAW images and now full resolution JPEGs, in a compact, lightweight design.

 

 

 

INTUITIVE USER EXPERIENCE

 

The X1D II 50C’s brilliant 3.6-inch 2.36-million-dot touch rear display and enhanced 3.69-million-dot OLED EVF are updated with higher resolution, enabling a more accurate post capture evaluation of images. With an improved magnification of 0.87x, the X1D II 50C’s EVF is now larger, letting you see the bigger picture. In addition, the menu system is now accessible when looking in the EVF, providing greater usability in the sunniest conditions. Building upon the previous generation’s intuitive user interface with pinch-to-zoom and swipe image browsing, the X1D II 50C is refined with a quicker overall response when navigating through its menu system. Further additions to the rear display include autofocus point drag and drop placement and autofocus point size changes with pinch/spread finger movement. With a quicker startup time, a live view with a faster refresh rate of 60 fps, and the shutter lag and black out time between frames reduced, the X1D II 50C creates an even smoother user experience.

 

 

 

UPGRADED ELECTRONICS

 

The X1D II 50C’s updated electronic platform allows for a more responsive camera experience, including faster image previewing, enabling quicker post capture evaluation. In addition, a higher frame rate of 60 fps makes live view smoother in both the EVF and the rear display. The much higher resolution of the rear display screen (1024x768) gives a more vivid, true to life image viewing experience. In addition, the X1D II 50C now enables full resolution high quality in-camera JPEG images with Hasselblad’s signature colours. Dual SD card slots, now supporting the faster UHS-II standard, ensure optimal storage space or the option to back up images to a second card when shooting.

 

 

 

TOTAL CONNECTIVITY

 

Built-in Wi-Fi and USB-C connectivity create a portable photographic workflow with wireless or tethered image export and tethered shooting using Phocus Mobile 2. Tethered shooting is also applicable with Phocus’ desktop version, available for both Mac and PC. An internal GPS module enables optional automatic geotagging of images. Dual SD card slots ensure optimal storage space or the option to back up images to a second card when shooting. The X1D II 50C enables in-camera battery charging via USB through a computer, charger or power bank.

 

 

 

PORTABLE WORKFLOW WITH PHOCUS MOBILE 2

 

Expanding the possibilities of the Hasselblad workflow, Phocus Mobile 2 takes the image editing process to a new, portable level. Compatible with the X1D II 50C via either USB-C or Wi-Fi, Phocus Mobile 2 is supported on iPad Pro and 2019 iPad Air models, enabling the traveling photographer to have a quicker, more seamless workflow. With Phocus Mobile 2, users can import, edit and rate RAW images and import and rate full quality JPEG images directly on their device. In addition, Phocus Mobile 2 supports full quality image export, tethered shooting, and direct camera control.

 

 

 

DESIGNED WITH THE PHOTOGRAPHER IN MIND

 

Adopting the award-winning design of the first generation, the X1D II 50C continues with Hasselblad’s heritage of blending form and function seamlessly for a smooth handling experience. Milled from high-quality, solid aluminum and designed with a clean surface with only the most crucial buttons, all other commands are easily located in the rear touch display. With the shutter built into Hasselblad lenses instead of the camera body, the weight and size of the X1D II 50C is minimized, enabling a very compact form.

 

 

 

SMOOTH HANDLING

 

The X1D II 50C’s deep grip allows for a firm hold, enabling easy and comfortable shooting. Built into the grip is an internal battery slot. Simply clicking it into place, the battery is smoothly ejected by sliding the release catch and then pressing the battery once more.

 

 

 

HIGH-CLASS OPTICS FROM 21MM TO 500MM

 

Shooting with the X1D II 50C gives access to Hasselblad’s full range of high-quality medium format optics, including the 9 XCD Lenses, 12 HC/HCD Lenses (and Converter H 1.7x) with the XH Adapter in addition to other H System accessories, XPan Lenses via the XPan Adapter, and V System Lenses using the XV Adapter. All XCD and HC/HCD Lenses feature central lens shutters that deliver full flash sync, including up to 1/2000th of a second in all X System Lenses. Crafted from durable metal components, Hasselblad optics are rigorously tested to ensure optimal performance and superb image quality.

 

 

 

XCD 3,5-4,5/35-75 ZOOM LENS FOR X1D II 50C

 

The ninth addition to the X System lens range is the XCD 3,5-4,5/35-75 Zoom Lens. Delivering the same superb image quality from edge-to-edge as the XCD prime lenses, this extremely high performance, compact mid-range zoom covers moderate wide angle to short telephoto focal lengths. Its internal focusing keeps the lens’ dimensions constant, delivers quick autofocus and additionally keeps the overall weight down. Ideal for shooting anything from wide angle landscapes to portrait images, this lens is perfect for photographers who are looking to keep the amount of equipment they carry when travelling to a minimum but don’t want to compromise on image quality. Like the rest of the XCD lens range, the XCD 35-75 features an integral central lens shutter, offering exposure times from 68 minutes to 1/2000th of a second with full flash synchronisation throughout.

 

 

Create » Content Acquisition and Capture » Social/UGC » Content/data acquisition from public sources »

 

AirBox Neo provides automated content playout for satellite channels, cable head-ends, over-the-air broadcasters and corporate TV users. Itis designed to be extremely robust, in order to meet the highest reliability demands of on-air playout. Due to its unique modular architecture itis also suitable for webcasters, hotel Pay TV channels, corporate presentations, video wall sourcing and other program distribution systems.At a fraction of the price of any digital videotape player, a single AirBox server offers the same visual quality at its single or multi-channel SDIoutputs, multi-language audio, graphics and subtitle insertion, last-minute playlist changes and clip editing.

 

 

 

AirBox Neo supports MPEG1/2/H.264, HDV and DV streams from virtually every known production platform providing AVI, MPEG, WMV,Quick Time or MXF content. Files from third-party servers such as Leitch or Seachange are natively supported.

 

 

 

For live productions, any changes to the playlist during on-air session are possible! There are no qued or locked clips. Every clip in theplaylist, except the one which is currently playing, can be trimmed, edited or repositioned. Moreover, playlist order can be changed on-the-flywith commands like skip to next or jump. Such order changes are performed seamlessly without stopping current playout session. Liveproductions are facilitated by the powerful Live Show Clipboard which allows insertion and/or execution of various events or live streams.

 

 

 

For automated playout AirBox Neo allows fixed-time scheduling for weeks ahead. Resulting gaps or time overlaps are automatically resolvedin order to ensure continuous operation even when conflicting timed events are present. Special facilities ensure uninterrupted operation ifcontent files or even entire schedules are missing or misplaced.

 

 

 

Playout sessions are being logged for monitoring and control purposes. The log can be later used for extracting actual playout sequencewith exact timings or identifying user intervention into the playout session. The logging and recovery options allow completely unattended remote operation.

Create » Content Acquisition and Capture » Cameras » Film Cameras »

4K Super 35mm Exmor CMOS sensor XDCAM camera with Variable ND Filter, E-Mount (Lever Lock), 4K/2K RAW and XAVC recording.
Handheld, long form, perfection redefined
Built-in electronic variable ND Filters
High Frame Rates up to 180fps
RAW recording, Apple ProRes 422 and multi-cam with Sony's extension unit
Superbly rugged
Support for four-channel audio input and recording

Create » Content Acquisition and Capture » Cameras » Digital Cinema Cameras »

 

GEMINI 5K S35

 

Featuring Dual Sensitivity Modes, GEMINI™ is RED’s highest-sensitivity sensor to date and delivers exceptional low-light performance allowing for cleaner imagery with less noise and better shadow detail.

 

• 15.4 Megapixel Dual Sensitivity CMOS Sensor

 

• 30.72 mm x 18 mm (Diag: 35.61 mm)

 

Included:

 

• DSMC2 BRAIN w/ selected sensor

 

• DSMC2 BRAIN Case

 

• DSMC VV Al PL MOUNT 2.0 (MONSTRO Only)


• DSMC2 Standard OLPF w/ case

 

Highlights

 

• 5K Super 35mm CMOS Sensor

 

• 5120 x 3000 Recording up to 75 fps

 

• REDCODE RAW, ProRes, and DNx Recording

 

• High-Speed Recording up to 300 fps in 2K

 

• Records to RED MINI-MAG Media

 

• Uses DSMC2 Accessories

 

• Interchangeable Lens Mounts

 

• Aluminum Alloy Construction

 

• 12/24/25/30/48/50/60 fps and Higher

Create » Content Acquisition and Capture » Cameras » Digital Cinema Cameras »

 

 

 

MONSTRO 8K VV

 

 

 

RED’s premier sensor provides cinematic Full Frame lens coverage and delivers 17+ stops of dynamic range.

 

• 35.4 Megapixel CMOS Sensor


• 40.96 mm x 21.60 mm (Diag: 46.31 mm)

 

Included:

 

• DSMC2 BRAIN w/ selected sensor

 

• DSMC2 BRAIN Case

 

• DSMC VV Al PL MOUNT 2.0 (MONSTRO Only)

 

• DSMC2 Standard OLPF w/ case

 

Highlights

 

• 8K Full-Frame CMOS Sensor

 

• 8192 x 4320 Recording up to 60 fps

 

• REDCODE RAW, ProRes, and DNx Recording

 

• High-Speed Recording up to 300 fps in 2K

 

• Records to RED MINI-MAG Media

 

• Uses DSMC2 Accessories

 

• Interchangeable Lens Mounts

 

• Includes PL Lens Mount

 

• Aluminum Alloy Construction

 

• 12/24/25/30/48/50/60 fps and Higher

Create » Content Acquisition and Capture » Cameras » Digital Cinema Cameras »

RED RANGER MONSTRO 8K VV Kit (V-Lock). Built around the MONSTRO 8K VV 35.4MP CMOS sensor, this kit features a shimmed PL mount, a V-mount battery plate, integrated I/O ports including 24V out, additional SDI and AUX power outputs, built-in XLR audio input, and improved thermal performance.

Advancing beyond the RED DRAGON 8K VV sensor, the MONSTRO 8K VV offers a wide dynamic range of 17 stops and improved image quality with greater shadow detail. Use full-frame lenses to capture cinematic images at rates up to 60 fps in 8192 x 4320 8K, 75 fps in the 2.4:1 aspect ratio, 120 fps in 4K, and up to 240 fps in 2K.

Record full-frame video in REDCODE RAW (R3D) and ProRes or DNxHR/HD simultaneously, or capture minutely detailed 35.4MP still images. With up to 4x greater resolution than 4K capture and over 17x more than HD, the WEAPON MONSTRO 8K VV provides the detail that enables cropping, re-centering, and additional tweaking during post while maintaining vivid, crisp imagery. Data rates of up to 300 MB/s can be reached when using 480 or 960GB MINI-MAGs, or up to 225 MB/s with 120 or 240GB MINI-MAGs (available separately).

In addition to the PL-mount RED RANGER BRAIN, this kit includes a BRAIN case, the Production Top Handle, two 15mm LWS rod brackets, the 7.0" RED PRO Touch monitor with cable and adapters, a 24V AC adapter and power cable, and compatible hex and Torx tools.

Key Features:

• 35.4MP, 40.96 x 21.60mm full-frame CMOS sensor for up to 8K-resolution images


• 17-stop dynamic range, with improved image quality and greater shadow detail


• Multiple capture rates including up to 60 fps 8K, 120 fps in 4K, and 240 fps in 2K full format


• Versatile workflow options with REDCODE RAW, ProRes, and DNx recording


• Durable aluminum body


• Up to 300 MB/s data rates with 480 or 960GB, or 225 MB/s with 120 or 240GB MINI-MAGs


• Integrated XLR audio input

Kit Items:PL lens mount with shimsProduction top handleTwo 15mm LWS rod brackets7" RED PRO Touch with 9" ARM24V AC adapter with cableHex and Torx toolsBRAIN case

Create » Content Acquisition and Capture » Camera Accessories » Camera support and grip »

SmallHD FOCUS 7" Full HD Touchscreen Monitor, 1000 nits of Brightness with Teradek Bolt 500 RX integrates Teradek's Bolt 500 wireless receiver with the FOCUS 7 daylight-viewable on-camera monitor. Using the built-in receiver, the FOCUS 7 can receive up to 1080p60 video from Teradek's Bolt 500, Bolt 500 LT or Bolt 500 XT transmitters, or from a SmallHD's FOCUS Bolt 500 TX, with a line-of-sight transmission distance of up to 500'.

 

The included rubberized handgrips and neck strap enable you to comfortably carry the combo unit around the set. An L-series type battery kit, cable clips, matte and glossy screen protectors, and cleaning cloth are also included. Designed with professional monitoring tools, the SmallHD FOCUS 7" On-Camera Monitor is bright, lightweight, and features a sharp 323 ppi display. The 1000 cd/m² bright touchscreen 1920 x 1200 IPS LCD panel is daylight-viewable and supports up to UHD 4K video via its micro-HDMI input. Using the intuitive Swipe OS, you can turn on and save pages of various monitoring tools and focusing aids with a tap.

 

At the rear of the monitor, a dual NP-F battery bay enables you to hot-swap L-series batteries with only one required to power the unit. A 3.5mm barrel DC output can power select cameras with a separately available DC coupler, enabling you to extend your DSLR or mirrorless camera's runtime. A tilt arm is included for mounting the monitor via your camera's accessory shoe or on a 1/4"-20 screw.

 

Features:

 

Daylight viewable, 7" touchscreen on-camera monitor with 1000 cd/m² brightness

 

The integrated Teradek Bolt 500 receiver supports up to 1080p60 video; a full-size HDMI input supports up to UHD 4K

 

Compatible with Bolt 500/500 LT/ 500 XT or Bolt 500 TX transmitter

 

Up to 500' line-of-sight transmission

 

Lightweight, compact design, 10-bit IPS LCD panel

 

Uses SmallHD Swipe OS3 to organize and save customized function and settings pages

 

Included support arm tilts up to 180° and mounts to either a 1/4"-20 screw or a cold shoe

 

The dual-battery plate enables you to hot-swap two L-series type batteries for continuous operation

 

 

 

Display Tools:

 

Pixel Zoom: 2x and 4x with pinch zoom

 

Aspect Ratios: Preset and customizable

 

DSLR Scale: Canon 5D Mk II and Canon 7D

 

Custom Scale: Underscan only

 

Anamorphic De-Squeeze: 1.33x, 1.5x, 1.66x, 2.0x

 

Image Flip: Auto and manual

 

Image Rotation: Auto and manual

 

Color Focus Assist: Adjustable style and intensity

 

Peaking: Adjustable intensity

 

False Color: Spectrum, ARRI-style and customizable

 

Dual Zebra: Customizable

 

Waveform: Luma and RGB, customizable with region of interest highlighting

 

Vectorscope: Yes

 

Picture-in-Picture: No

 

RGB Parade: Customizable

 

Histogram: Luma and RGB

 

Horizon Indicator: No

 

Image Capture: With dedicated button and image gallery

 

Custom LUTs: Load as looks on pages or as system-wide calibration via the settings menu

 

LUT Import: Via SD card or USB storage device

 

Image Overlay: Opacity slider and blink setting

 

Blue Only: No

 

Audio Meters: Up to 8 channels

Create » Content Acquisition and Capture » Cameras » Film Cameras »

 

Sony PXW-FX9 XDCAM 6K Full-Frame Camera System (Body Only) The PXW-FX9 features a full-frame, oversampled 6K Exmor R CMOS sensor that allows you to capture 4K images with cinematic depth of field. The camera's E-mount is machined from stainless steel and allows you to use E-mount lenses.

 

The PXW-FX9 input and output features include 12G-SDI and HDMI outputs for 4K, a 3G-SDI output for HD, and genlock and timecode when using a multicamera setup. The Fast Hybrid AF autofocus system allows for accurate focus and even allows facial detection to automatically detect human form with 561 points of detection. Advanced image stabilization is achieved using the PXW-FX9's internal gyroscope for shots so smooth it'll look like you used a gimbal. Its 4-channel audio recording allows you to use external microphones and record ambient sound with the internal mics simultaneously.

 

The camera features a 15-stop dynamic range and records 10-bit 4:2:2 to dual XQD media card slots that support simultaneous and relay recording, as well as multiple backup recording modes that utilize proxy files. The camera can record UHD (3840 x 2160) and HD (1920 x 1080) internally at a selectable frame rate from 1 fps up to 60 fps in XAVC-I, XAVC-Long, and MPEG HD formats. And with a future firmware update, it will be able to record HD at up to 180 fps and output 16-bit raw 4K/2K footage up to 120 fps. In addition to its wide dynamic range, its enhanced color and light features include a dual base ISO of 800/4000, which is helpful when in low-light situations or using a slower lens. Its 7-stop electronic variable HD filter can perform in auto or manual mode, smoothly adjusting from 1/4 to 1/128 density. The camera's default S-Cinetone color look offers the same soft, vivid tone as with Sony's VENICE camera.

 

The FX9 includes an integrated Multi-Interface (MI) shoe and comes with a BP-U35 battery, BC-U1A battery charger, AC adapter with two power cords, body cap, viewfinder, eyepiece, remote control, and USB cable. The PXW-FX9 is also compatible with the separately available XDCA-FX9 extension unit which provides ENG shoulder-style support, networking features, and a slot for an optional wireless audio receiver.

 

6K CMOS Exmor R Sensor

 

The PXW-FX9's oversampled full-frame 6K sensor provides recording in DCI 4K, UHD, and HD resolutions. Powerful image processing with debayering and down-sampling ensures image quality beyond the limits of conventional Super 35mm sensors. The back-illuminated CMOS image sensor also uses Sony's Exmor R technology for improved sensitivity and noise reduction. Compared to a 4K Super 35mm sensor, the FX9's 6K sensor has over twice the surface area while providing a wider angle of view and shallower depth of field.

 

15 Stops of Dynamic Range

 

The FX9 offers an exceptional 15+ stops of dynamic range, allowing for creative freedom in color grading and post. Camera operators can concentrate on framing the scene they want while relying upon the FX9 to capture every nuance and detail using 4K 4:2:2 10-bit internal recording.

 

ISO Control

 

The FX9 features a base sensitivity of ISO 800, providing the optimal dynamic range for typical documentary applications such as shooting outside or in brightly lit interiors. A secondary high base sensitivity of ISO 4000 excels in low-light conditions such as early morning and evening shoots while maintaining superb image quality. ISO 4000 is also ideal whenever you're using slow lenses.

 

Electronic ND Filter

 

Sony's built-in electronic variable neutral density (ND) filter can be set to auto, or adjust filter density manually in smooth increments from 1/4 to 1/128 as you shoot, for perfectly exposed images without affecting depth of field as lighting conditions change. Use higher-density settings with a slower shutter speed for artistic effects.

 

Recording Formats

 

Depending on the project, the FX9 has a selection of recording formats. XAVC-I with 422 10-bit quality at a highest 600 Mb/s in 60p. XAVC-Long for more longer recording time in smaller file size. The traditional MPEG HD codec is also available. All files will be recorded onto XQD media cards.

 

Adjustable Frame Rates

 

Choose your desired frame rate from 1 up to 60 fps for quick- and slow-motion footage. The FX9 creates an immersive image with a wide-angle look and shallower depth of field provided by its full-frame sensor in combination with quick and slow motion. It also offers a quality priority setting that maximizes Full HD slow-motion image quality with advanced oversampling technology.

 

S-Cinetone Look

 

S-Cinetone is the default look of FX9 that's tuned to meet the requirements of today's content creators with rich midrange colors, alluring facial tones, and a softer tonal look developed with the same expertise as Sony's world-leading VENICE digital cinematography camera. S-Cinetone means that straight out of the camera your content looks fresh and vivid, with subjects that really stand out while retaining plenty of latitude in post-production, thanks to the high-performance full-frame image sensor.

 

Fast Hybrid AF

 

Effortlessly track fast-moving subjects with pin-sharp focus, even when using wide-lens aperture settings to maintain a shallow depth of field with the camera's full-frame sensor. Enhanced Fast Hybrid AF combines phase detection AF for fast, accurate subject tracking with contrast AF for exceptional focus accuracy. In addition, Face Detection intelligently recognizes and locks on to human faces. The dedicated 561-point phase detection AF sensor covers approximately 94% of the whole image area width and 96% of height, allowing for consistently accurate, responsive AF tracking, even with fast-moving subjects.

 

Seven-level AF transition speeds from fast-switching between subjects as quickly as possible to slow, where speed is reduced to fit a more measured shooting style, such as a historical TV drama.

 

Five-level AF subject shift sensitivity ranges from locked-on, ignoring other moving subjects in the frame, to responsive that switches focus from one subject to another—ideal for snapping between race cars as they speed by.

 

Advanced Image Stabilization

 

Advanced image stabilization information means even handheld footage can be transformed with Sony Catalyst Browse/Catalyst Prepare software in post-production to look as smooth as if it were shot with a gimbal. Unlike in-camera or lens stabilization, metadata generated by the FX9's built-in gyro allows you to creatively choose the balance between the level of shake compensation and the resolution of trimmed 4K imagery. This feature is also compatible with any E-mount lens and allows for far faster processing than conventional NLE stabilization workflows.

 

4-Channel Audio Recording

 

The FX9 offers audio capabilities with independent control dials for each channel. In applications such as an interview, 4-channel audio recording enables simultaneous use of an external microphone for recording ambient sounds, and the built-in microphone for ambient sound and voice memos by the operator.

 

Inputs and Outputs

 

The FX9 is equipped with various outputs including a 12G-SDI and an HDMI for 4K output. Also, it has a 3G-SDI for HD output to expand its monitoring flexibility. For multicamera operation, Genlock and TC In/Out terminals are available.

 

Recording Modes

 

The FX9 has a selection of backup recording modes that will help ensure the recording is safe. Simul Rec will enable simultaneous HD recording onto two media cards. The 4K/HD Sub Rec mode will allow 4K recording on one card and MPEG HD recording on another card. XAVC Proxy Rec is also available, offering a 9 Mb/s small size proxy file which will be easily sent via network. Also, a maximum 28-second Cache Rec is available to prevent missing any shot.

 

Multi-Interface (MI) Shoe

 

Sony's flexible Multi-Interface (MI) shoe provides power, signal connections, and coordinated on/off switching with compatible Sony accessories.

 

Optional Extension Unit

 

Further extend the capabilities of the FX9 with the optional XDCA-FX9 extension unit that optimizes camera weight distribution and ergonomics for comfortable shoulder-style shooting—ideal for ENG and documentary applications. The extension unit also adds advanced networking for streaming/file transfers and a slot-in for a wireless audio receiver.

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The new flagship of Sony's CineAlta family, the Sony VENICE CineAlta 6K Digital Cinema Camera (6K with 6048x4032*), offers an interchangeable PL or E-Mount*, integrated ND filters in 8-stages, 15+ stops of exposure latitude, a wide color gamut and improved color management system.
VENICE will also include a Dual Base ISO mode, supporting an additional High Base ISO of 2500. This feature takes full advantage of the sensor's unique design for exceptional low light performance and dynamic range (from 6 stops over to 9 stops under 18% middle gray). This new capability represents an increase in exposure indexes at higher ISOs for night exteriors, dark interiors, slower lenses, or where content needs to be graded in High Dynamic Range, while maintaining maximum shadow detail

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Highlights

 

• Square shape design for Cine-cameras

 

• Max 100W, 8A load

 

• 2× D-tap output sockets (Max 100W/8A in total)

 

• 1× USB 5V/2A power output sockets

 

• LCD display accurate remaining run time

 

• Display power info in both SONY & RED

 

• Multiple circuit protections

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Teradek Bolt 4K 1500 12G-SDI/HDMI Wireless TX/RX / Set

 

Next Generation Wireless Technology

 

Bolt 4K defines a revolutionary new category of wireless video technology, delivering uncompressed 2160p60 HDR video transmission with zero delay.

 

 

 

Mission Critical Reliability

 

Bolt 4K’s exclusive technology offers 8x the signal performance and 50% more range than existing systems, making it the most robust wireless system we’ve ever designed.

 

8X The signal performance

 

50% More range than existing systems

 

Unrivaled Video Quality

 

Our patented RF technology greatly improves image quality across all resolutions and framerates, giving you finer detail and better color reproduction, even if you’re at the system’s maximum wireless range.

 

High Dynamic Range

 

Monitor every shot in stunning 10-bit 2160p with 4:2:2 chroma subsampling. For cutting-edge HDR workflows, Bolt 4K supports HLG, PQ, and HDR-10 standards.

 

Unhackable Image Transmission

 

Bolt 4K offers the industry’s best protection against prying eyes with AES-256 encryption and RSA 1024 key pairing. Combined, these two technologies ensure nobody can decrypt your wireless feed or connect another receiver to your system without explicit authorization.

 

Universal Compatibility & Expanded Versatility

 

All Bolt 4K systems are compatible with one another and are multicast-capable to up to 6 receivers, even if they’re from different model ranges.

 

Bolt for iOS

 

Manage every parameter of the Bolt 4K from the convenience of your smartphone.

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Teradek Bolt 500 XT 3G-SDI/HDMI Wireless Transmitter and Receiver Set

Highlights;

• Supports up to 1080p60 Resolution


• Backwards Compatible with Select Systems


• 3G-SDI & HDMI Inputs/Outputs


• Cross Conversion


• Zero Delay


• 2.4 & 5.8 GHz Noise Rejection


• AES128 Encryption

 

Create » Content Acquisition and Capture » Camera Accessories » Camera lenses »

ZEISS Supreme Prime 6 Lens Kit of 25, 29, 35, 50, 85, 100mm (Meters, PL Mount)

HIGHLIGHTS

• 
  
  
  
  • Prime Lenses for PL-Mount Cameras
  
  
  • 6 x Focal Length Prime Lens Set
  
  
  • T1.5 Maximum Aperture
  
  
  • Each Lens Has a 16-Blade Iris
  
  
  • Similar Physical Dimensions
  
  
  • Designed for 4K Resolution
  
  
  • Excellent Low Light Capability
  
  
  
  

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Dionic XT – Have the confidence to go further and work longer.

Dionic XT is the next generation of Anton/Bauer’s highly popular Dionic battery series for broadcast and 14.4V cinema applications. Available in both 90Wh & 150Wh, V-Mount & Gold Mount, the compact Dionic offers superior performance in powering accessories such as portable LED lighting.

Power the most mission critical equipment with consistently high performance.

• Bespoke Build:  Dionic XT batteries feature convenient USB and P-Tap power outputs enabling you to design the perfect camera and accessory power system to meet your specific needs. P-Tap is ideal for powering accessories such as portable LED lights, monitors, wireless receivers or any other 14V accessory.


• Cross-compatibility:  Dionic XT’s are cross-compatible with multiple brand chargers offering you total flexibility when building your kit list. XT’s are also certified as transportable by air for those long distance jobs.

Capture and deliver exceptional images from even the most extreme locations. Dionic XT batteries are built to last, constructed using ultra-high-strength ABS plastic, the same material used in crash helmets, and rubber protection to cushion shocks and protect the Dionic, even in the most demanding conditions. Have confidence to push yourself to the limits knowing that wherever you go Dionic can go too.

When reliable, optimal power is essential.The superior cells used in Dionic XT batteries together with Anton/Bauer’s sophisticated charging technology extends its life cycle compared to other battery systems. Having durable and consistently reliable power gives piece of mind that your equipment won’t fail on you.

Discover the Dionic XT for yourself with a live demonstration at IBC.

Create » Content Acquisition and Capture » Camera Accessories » Bags, cases, protection »

The AS-1 series is a zoom remote controller designed to make high-quality video production by making comfortable zoom operations essential for camera shooting work at events and studios.The zoom lever is designed with a smooth operation and a thorough pursuit of a comfortable operating feel in all other mechanisms.AS-1 / 1P supports not only shoulder-mounted cameras but also small commercial camcorders, and is equipped with a REC operation button for camcorders.

Two cameras can be adjusted with one AS-1 remote control

In combination with the Protech HDF viewfinder,the return video confirmation function is very convenient for multi-camera recording.This function can be realized without relying on the functions of the camera body.For example, even in one-man multi-camera recording with two professional camcorders,you can operate the other camera while checking and controlling the fixed-point camera image. It becomes possible to do.

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CUE-D75
Weighing only 621g with typically 773Wh capacity and a built-in D-Tap connection capable of taking a 50W load for powering additional accessories, the CUE-D75 is the ideal power solution for small profile camera setups such as handheld gimbal and aerial systems.

CUE-D95
CUE-D95 is IDX’s most economical Li-ion V-Mount battery in the 90-100Wh battery class. With a capacity typically of 98Wh and a maximum discharge rate of 6.3A/76W, the CUE-D95 is ideal for small to midsize cameras. The CUE-D95 also comes equipped with a built-in D-Tap connector capable of taking a 50W load for powering ancillary accessories.

CUE-D150
The CUE-D150 V-Mount battery answers to the power demands of digital cinematography and broadcast cameras where high current loads of 10A/120W are standard. The CUE-D150 provides a robust 146Wh capacity with the ability to comfortably handle 10A/120W loads, as well as a single built-in D-Tap output capable of taking a 50W load for powering ancillary accessories.

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DUO-C98
The DUO-C98 is the worlds most compact high capacity IATA friendly(<100Wh) Li-ion professional battery with multiple power outputs – perfect for handheld gimbal and aerial setups. The DUO-C98 comes equipped with two built-in D-Taps and a single built-in USB output to power ancillary accessories.

DUO-C150
The DUO-C150 is a high-performance Li-Ion V-Mount battery with typically 156Wh capacity and ability to handle 10A/120W loads. The 146Wh capacity provides extended run times while remaining under the 160Wh IATA limit for carry-on baggage. The DUO-150 is one of the best battery on the market equipped with two built-in D-Taps and a single built-in USB output.

DUO-C198
The DUO-C198 is the ideal compact battery solution for digital cinema cameras and camera stabilizer systems where long runtimes are required. With its ultra-robust typical 199Wh capacity and compact 1070g design, the DUO-C198 can provide mobile power to cine-style cameras such as the ARRI ALEXA Mini and RED Weapon effortlessly for extended periods at a time. The DUO-C198 also includes two on-battery D-Taps and USB outputs to power accessories such as monitors, lights, wireless receivers, tablets, phones and more!

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Stackable batteries in two capacities , the IPL-98 and IPL-150, where power is drawn primarily from the rear battery making them hot swappable for constant power and capable of stacked charging. Low cost IDX batteries can be stacked on the back and each IPL has three versatile D.C. Outputs and a V-Torch to help in dark conditions.

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The SB-U50 has a capacity of 48Wh with digital data and the D Tap Advanced for powering accessories and charging plus a high load 2.3A USB. d.c. output.

The SB-U98 has double the capacity at 96WH and adds another regular D-Tap giving a total of 3 d.c. outputs. Unmatched versatility!

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The B-7478S is good value for a battery having a capacity of 55Wh offering a longer run time than the Sony NP-F970.

The SL-F50 offers 48Wh like the Sony NP-F970 but has two d.c. outputs, the X Tap which also allows charging and the increasingly popular USB.

The SL-F70 offers 72Wh with the two d.c. outputs including an X Tap which also allows charging and the increasingly popular USB

Create » Content Acquisition and Capture » Camera Accessories » Camera power and batteries »

A range of 5 batteries detailed on the IDX website

Create » Content Acquisition and Capture » Camera Accessories » Camera power and batteries »

From a low cost solution charging via the D-Tap advanced socked on the battery through to the VAL-4Si four channel workshop solution with advanced battery management solutions, IDX offers charging solutions for every user. Full details on the IDX website

Create » Content Acquisition and Capture » Camera Accessories » Camera power and batteries »

Details of battery, charger and accessories can be found on the IDX website

Create » Content Acquisition and Capture » Camera Accessories » Camera power and batteries »

Full details on the IDX website

Create » Content Acquisition and Capture » Camera Accessories » Camera power and batteries »

Full details on the IDX website

Create » Content Acquisition and Capture » Camera Accessories » Camera power and batteries »

 

Highlights

 

• Square shape design for Cine-cameras

 

• Max 100W, 8A load

 

• 2× D-tap output sockets (Max 100W/8A in total)

 

• 1× USB 5V/2A power output sockets

 

• LCD display accurate remaining run time

 

• Display power info in both SONY & RED

 

• Multiple circuit protections

Create » Content Acquisition and Capture » Camera Accessories » Camera power and batteries »

SOONWELL 70Wh Rechargeable Battery Pack Handle with D-TAP,DC and USB Output Quick Release Handle Top Handle Side Handle for BMPCC 4K 6K /Canon 5D 6D DSLR Camera Cage Rig - PH70 Grey color with LP-E6 Dummy battery

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SOONWELL TECH CO., LTD.There our products includes Flexible LED Light , Li-Ion Bateries and other Accessories

SOONWELL is a designer and manufacture of cinematography & photography equipment, headquartered in Shenzhen since 2009. Soonwell Factroy is based in Nanjin which covers an area of 3,000 square meters. Welcome to visit us after COVID-19.

Any questions or needs pls just contact with me, Looking forwarder to have cooperations with u. Hope u and ur family are all well with COVID-19.

Thanks & Best regards,

May

Mob/Whatsapp/Wechat: +86 15820763325

Email: mayzeng@soonwell.com

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MultiDyne continues to innovate for its pioneering SilverBack range of camera-mounted fiber transport solutions with SilverBack V, the industry’s first 12G and 4K-capable camera-back system featuring an IP output.

MultiDyne SilverBack systems are part of the industry’s broadest range of camera-back transceivers, with common benefits that increase bandwidth for UHD formats, simplify infrastructure, and enhance connection flexibility. What makes the SilverBack V special is 12G Transport and conversion functionality, a new compact size, and integration of an IP Gateway on its base station. The latter is particularly compelling as it introduces broader opportunities to contribute content to studios and production trucks over both IP and SDI.

The same base station can support two camera heads simultaneously — another SilverBack first — which further empowers users in cinema, electronic newsgathering (ENG), sports production and other remote production needs to contribute more field content. A built-in multiviewer provides live monitoring for both cameras feeds, along with optional audio monitoring. The SilverBack V also integrates expansion slots to support external I/O connections with other MultiDyne fiber transport systems and third-party products.

With its built-in IP Gateway, the Silverback V offers users a strategy for IP and fiber convergence that delivers immediate value today, while protecting the customer’s investment for future use across multipoint networks. While dark fiber for point-to-point transport continues to offer the most efficient bandwidth for the higher bit rates and data rates of live 4K, 8K and 12G transmission, the continued adoption of IP across the broadcast and production workflow bring new opportunities in signal transport and management.

SilverBack V is an ideal foundation for users to converge their fiber transport systems with the broader multipoint networking capabilities of IP. The Silverback V offers more opportunities for broadcasters and content products using fiber in the field today to move signals between cameras, switchers, and control rooms over very long distances.

MultiDyne has also broken ground with the Silverback V from a design and footprint perspective. It is the most compact unit in the SilverBack family to date, with a new design that significantly shrinks its width. The result is a much lighter camera back load with easier mobility for the user.

In addition, MultiDyne is working closely with camera manufacturers such as Sony, Panasonic, Canon, JVC, and others to customize Silverback V designs to best align with the ergonomic features, including connection points and color textures, of each camera. With camera sizes shrinking, users in the field benefit far more from having the camera weight balance the lens in front of them. The much smaller footprint of the Silverback 5 takes these user needs into consideration, adding just the right amount of thickness while drastically reducing width.

In addition to 12G, 8K, 4K and 3G, the Silverback V supports 1.5Gb/s video, audio, intercom, camera control, tally, data and power onto a single tactical, SMPTE hybrid fiber cable, and/or IP network.