Over the last three decades, we’ve seen a shift from specialised units for various video and audio functions, to high performance hardware platforms which can be repurposed on-the-fly to support any AV processing, and now to virtualized media applications and microservices which can be spun up and deployed (and paid for) only when you need them.
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EMG (Euro Media Group) are a leading global provider of broadcast services and media solutions for live sports, entertainment and events across the world. With 35 years of experience in the industry, and a team spanning ten countries, EMG’s expertise sits at the heart of many of the world’s biggest productions, including the Tour de France, Football World Cup, Formula One, Eurovision and X-factor.
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Mediapro is using Panasonic KAIROS, the next generation live production platform, to produce coverage of eLaLiga Santander, the official tournament of FIFA 21 in Spain.
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This Regional Trends Report provides insight into the latest broadcast and media industry developments for the Americas region.
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When we talk about location production, our thoughts and processes are primarily driven by sport. This has always been the genre which has seen the most innovation: more cameras delivering more angles; more replays; more graphics; new formats like 4K and HDR UHD. Sports fans want to be continually engaged and informed: they want to understand the plays as well as appreciate them.
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In the media industry, conversations usually center on encoding, streaming, packaging and low latency. Put another way, it is all about delivering
superior visual quality and
high-fidelity audio with
better compression. Amidst all the discussions on digital video workflows, file ingest is often ignored. For example, when is the last time anyone compared different file ingest tools? It is safe to say that file ingest is one of the most undervalued steps in video production workflows today.
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IP networking has revolutionized media contribution and distribution along with the SMPTE ST2022 and ST2110 standards which lie at the core of new live workflows, dematerialized facilities and cloud-based operation.
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Let's have a little talk with our expert in compression technology, Antonin Descampe !
Antonin Descampe is co-founder of intoPIX and member of the JPEG committee since 15 years.
During an interview, Antonin explained us how the JPEG XS technology differs from other codecs & what are the advantages of JPEG XS compared to other existing codecs.
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The media landscape looks vastly different than it did only five years ago. “Media” is no longer solely the realm of production studios and television stations. Social networks, gaming sites, and user-generated content platforms are media companies. Internet service providers and technology giants are also foraying into the music and video space. E-learning services, faith groups, local newspapers and even fitness companies now use video more than ever to reach wider audiences.
At the same time, consumers’ idea of media has drastically changed. In a recent Lumen survey, nearly 90% of European consumers considered “television” as any video they watched on their devices. 65% of them already subscribed to two or more streaming services.
As video and technology merge, the face of media is changing; development teams are agile, software and cloud computing have replaced hardware-based workflows, and black-box technologies have fallen out of favor. Media companies need solutions that are adapted to new challenges and new ways of working.
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