| Newsroom production management and automation systems |
Video/audio/graphics ingest, editing, management and automation/playout for live news and sports.
GV STRATUS V6
Produce » Real-Time Production » Video Production » Newsroom production management and automation systems »
GV STRATUS 6.0 from Grass Valley, a Belden Brand, is a video production and content management toolset that simplifies workflows with a combination of intelligent tools and powerful customization. GV STRATUS 6.0 enables collaboration where everyone has access to every clip on the network with the tools required to manage content. Here are some of the latest, groundbreaking features that enable creative talent to produce more content, faster in GV STRATUS 6.0: Social Media Management: Prepare and publish assets to social media platforms such as Facebook, Twitter and YouTube from within GV STRATUS 6.0. The first complete, rules-based tracking tool that allows for optimal management of breaking news, and other popular content on social media. Want to retweet stories from a particular organization? Done.
Want to delete a Facebook post if it doesn’t reach 50 likes? Got it. With social media management in GV STRATUS 6.0, the publishing team can focus on creating new content rather than managing existing assets. GVRE Transcoder: Build a loyal social media audience by always being first to publish. With growing file workflow support, Editors and producers can start working before the content has finished uploading. GV STRATUS 6.0 gets the video you need to air no matter the format within 15-20 seconds of ingest initiation. Virtualization: End-to-end virtualization allows GV STRATUS 6.0 users to phase in to virtualization on their own timeline. The new storage manager allows for a commodity-based system to allow users to utilize the feature based on their workflow, their schedule and their production requirements.
Want to delete a Facebook post if it doesn’t reach 50 likes? Got it. With social media management in GV STRATUS 6.0, the publishing team can focus on creating new content rather than managing existing assets. GVRE Transcoder: Build a loyal social media audience by always being first to publish. With growing file workflow support, Editors and producers can start working before the content has finished uploading. GV STRATUS 6.0 gets the video you need to air no matter the format within 15-20 seconds of ingest initiation. Virtualization: End-to-end virtualization allows GV STRATUS 6.0 users to phase in to virtualization on their own timeline. The new storage manager allows for a commodity-based system to allow users to utilize the feature based on their workflow, their schedule and their production requirements.
Live Video Cloud
Built for acquiring, routing, and distributing high-value live streams
Live Video Cloud
Produce » Real-Time Production » Video Production » Newsroom production management and automation systems »
Expand your capacity and creativity with limitless video inputs and outputs, for content curation and publishing at scale.
LTN® Live Video Cloud is an intuitive routing console that streamlines and scales the management of live video, from acquisition to distribution, from any source to every destination — without additional capex.
Break through feed chaos and power innovative video experiences: organize aggregation, monetize publishing, and easily enable remote productions with virtual audience engagement.
With Live Video Cloud, you can acquire unlimited concurrent live feeds from any source, configure productions in minutes, monitor and curate live video within a continuous playback multiview, and distribute live signals simultaneously to unlimited destinations.
Live Video Cloud runs on all major cloud providers worldwide, with intuitive browser-based control accessible from anywhere.
Empower audiences to easily become part of your program, and expand your digital audience reach to earn more top-line ad revenue. Command the future of video with Live Video Cloud.
LTN® Live Video Cloud is an intuitive routing console that streamlines and scales the management of live video, from acquisition to distribution, from any source to every destination — without additional capex.
Break through feed chaos and power innovative video experiences: organize aggregation, monetize publishing, and easily enable remote productions with virtual audience engagement.
With Live Video Cloud, you can acquire unlimited concurrent live feeds from any source, configure productions in minutes, monitor and curate live video within a continuous playback multiview, and distribute live signals simultaneously to unlimited destinations.
Live Video Cloud runs on all major cloud providers worldwide, with intuitive browser-based control accessible from anywhere.
Empower audiences to easily become part of your program, and expand your digital audience reach to earn more top-line ad revenue. Command the future of video with Live Video Cloud.
Hive Unified Content Platform
Hive’s omni-media content platform takes care of the storage, management and sharing of content.
Hive Unified Content Platform
Produce » Real-Time Production » Video Production » Newsroom production management and automation systems »
Hive’s omni-media content platform takes care of the storage, management and sharing of content. Using the most appropriate tools this unified content environment is key to generating efficient, productive and streamlined workflows.
With the latest HTML5 editing tools and the ability to integrate other best of breed toolsets onto the platform, Hive delivers an unparalleled user experience to rapidly process any content for any medium and deliver it whenever, where ever and how ever it is needed.
HIVE has been built on a cloud native distributed services architecture, therefore it is quick to deploy, easy to maintain and cost-effective to provision as workloads change. HIVE can be deployed on premise, in private or public cloud, or as a hybrid mix of all three, enabling ultimate commercial flexibility in the business.
Uniquely for a broadcast production system HIVE has been architected, from the ground up, on data centre class technologies that are not yet capitalised on in the media broadcast industry.
HIVE utilises the advantages of data centre focused and open source technologies (object storage, containers, NoSQL) as opposed to traditional industry configurations of dedicated systems running resources in silos. Thanks to this HIVE leverages internet methodologies to deliver a dynamically scalable, highly scalable and highly available system which can be deployed either on premise or in off-site data centres. See figure 1 to show the architectural differences and key benefits.
Hyper Convergent Node technology enables HIVE to grow (or shrink) with the business performance required. Complex broadcast systems can, for the first time, be designed for a customer’s current level of performance, secure in the knowledge that additional storage and processing can be added at any time in the future whilst the system is live. No down time. No significant project expenditure. No investment in under-utilised assets.
Future expansion of the system into new production areas with different applications is also supported through the use of a common Platform/Toolset architecture with a highly scalable core and industry standard APIs.
With these core technologies embedded in the Network Production platform it is not difficult to see the opportunities:
• Acceleration of the Capex to Opex trends
• Outsource of commodity IT practises – data centres or on premise service
• Centralsiation of multi tenanted platforms
o Either as a SAAS model
o Or a National Broadcaster providing a platform as a service to local
broadcasters
As an omni-media network production system, HIVE, supports the fast and efficient creation of content for Internet, VoD and Broadcast applications. Key integrations with a number of market leading Newsroom Computer Systems and Graphics Platforms ensure that the journalists and operators work within the tools they are used to.
Key customer benefits include:
• Streamlined camera-to-archive production workflow
• Fully Integrated solution to support efficient planning to publish operation
• Internet/mobile first workflows that flex with digital trends
• Common content management platform with the ability to optimize the
repurposing of assets through a single system
• A recognized toolset designed for journalists/users
• Proven and future proofed ROI with tested, delivered and improved workflows
following ten years of experience
• Dynamic “pay-as-you-go” system for scaling and functionality
• Ability to flex with the business requirements - scales down as well as up
• Adaptable and Open solution that can be expanded into new production areas
With the latest HTML5 editing tools and the ability to integrate other best of breed toolsets onto the platform, Hive delivers an unparalleled user experience to rapidly process any content for any medium and deliver it whenever, where ever and how ever it is needed.
HIVE has been built on a cloud native distributed services architecture, therefore it is quick to deploy, easy to maintain and cost-effective to provision as workloads change. HIVE can be deployed on premise, in private or public cloud, or as a hybrid mix of all three, enabling ultimate commercial flexibility in the business.
Uniquely for a broadcast production system HIVE has been architected, from the ground up, on data centre class technologies that are not yet capitalised on in the media broadcast industry.
HIVE utilises the advantages of data centre focused and open source technologies (object storage, containers, NoSQL) as opposed to traditional industry configurations of dedicated systems running resources in silos. Thanks to this HIVE leverages internet methodologies to deliver a dynamically scalable, highly scalable and highly available system which can be deployed either on premise or in off-site data centres. See figure 1 to show the architectural differences and key benefits.
Hyper Convergent Node technology enables HIVE to grow (or shrink) with the business performance required. Complex broadcast systems can, for the first time, be designed for a customer’s current level of performance, secure in the knowledge that additional storage and processing can be added at any time in the future whilst the system is live. No down time. No significant project expenditure. No investment in under-utilised assets.
Future expansion of the system into new production areas with different applications is also supported through the use of a common Platform/Toolset architecture with a highly scalable core and industry standard APIs.
With these core technologies embedded in the Network Production platform it is not difficult to see the opportunities:
• Acceleration of the Capex to Opex trends
• Outsource of commodity IT practises – data centres or on premise service
• Centralsiation of multi tenanted platforms
o Either as a SAAS model
o Or a National Broadcaster providing a platform as a service to local
broadcasters
As an omni-media network production system, HIVE, supports the fast and efficient creation of content for Internet, VoD and Broadcast applications. Key integrations with a number of market leading Newsroom Computer Systems and Graphics Platforms ensure that the journalists and operators work within the tools they are used to.
Key customer benefits include:
• Streamlined camera-to-archive production workflow
• Fully Integrated solution to support efficient planning to publish operation
• Internet/mobile first workflows that flex with digital trends
• Common content management platform with the ability to optimize the
repurposing of assets through a single system
• A recognized toolset designed for journalists/users
• Proven and future proofed ROI with tested, delivered and improved workflows
following ten years of experience
• Dynamic “pay-as-you-go” system for scaling and functionality
• Ability to flex with the business requirements - scales down as well as up
• Adaptable and Open solution that can be expanded into new production areas
KMU-200 4K Multi-Channel Touch Screen Region of Interest Switcher
The world’s first touchscreen cutout production studio with vertical video.
KMU-200 4K Multi-Channel Touch Screen Region of Interest Switcher
Produce » Real-Time Production » Video Production » Newsroom production management and automation systems »
Produce traditional landscape (16:9) & vertical (9:16) video from a single 4K camera with built-in streaming. The KMU-200 allows users to output multiple landscapes or portrait pictures simultaneously just by creating cutouts of a 4K input using the 14” touch screen. The HD output signal can be streamed to many mainstream live-streaming platforms and output video can be recorded on an SD card. The KMU-200 features virtual camera control, switching, audio mixing, streaming and backup recording within one compact unit, which is an ideal product for content creators who want to live stream their content to social media platforms. Video productions that are traditionally done by multiple crew members now can be done by one person using the KMU-200.
The KMU-200 is a single unit that allows users to convert a 4K input signal to a 1080 HD output signal. An auxiliary HDMI input is also available for Skype or other sources. Hardware control is available on the unit to control the created cutouts, giving control over zoom, tilt, and pan of the virtual camera with a convenient joystick. Professional illuminated buttons control the switching of a maximum of 6 shots: 4 cutouts, the full image, and the auxiliary input.
Furthermore, its 14" capacitive touch screen allows users to easily control of picture selection and camera operations. Users can control the picture selection of the KMU-200 by not only the joystick but also by gesturing and pinching directly on the touch screen. This intuitive control method is suited for inexperienced users who are used to tablets and other touch screen interfaces.
NewTek TriCaster® 2 Elite
t’s Transformative. It’s Setting New Standards.
It’s Better Than Broadcast.
NewTek TriCaster® 2 Elite
Produce » Real-Time Production » Video Production » Newsroom production management and automation systems »
The TriCaster 2 Elite is the most complete video production platform available today, and sets a new platinum standard for how much you can achieve with a single system.
Viz Mosart
Viz Mosart represents the best of simplified automated operation and advanced device control.
Viz Mosart
Produce » Real-Time Production » Video Production » Newsroom production management and automation systems »
Viz Mosart puts the story in the center of the production, removing technical complexity with a simple user interface, designed to give all necessary information to the director while giving full flexibility to operate both planned and breaking news scenarios.
Viz Mosart operators in the control room benefit from a real-time view of all upcoming events through a tight integration with all major newsroom computer systems.
The system gives the director a real-time updated version of the presenter text, and video integrated into the user interface to view of all the elements that are on program out and in preview. The user interface also contains advanced keyboard and touch screen hotkeys specially made to handle breaking news and other unscripted events.
LiveU’s LU800 production-level field unit for live news and sports coverag...
Combines multi-camera production with mission-critical transmission in a native 5G field unit.
LiveU’s LU800 production-level field unit for live news and sports coverage
Produce » Real-Time Production » Video Production » Newsroom production management and automation systems »
Enrich your productions and cover more events at a fraction of the cost of traditional transmission methods.
The LU800 is the first all-in-one production-level field unit, designed for live news and dynamic sports coverage.
The LU800 combines multi-camera and superior video/audio capabilities with mission-critical transmission in a native 5G unit. Designed from the ground up to unlock 5G potential, the unit offers unparalleled quality of service and resiliency.
The LU800 enables complex remote productions (REMI), supporting up to four fully frame-synced feeds in high resolution from a single unit. Delivering the highest-quality video performance, the LU800 offers up to 4Kp60 10-bit HDR transmission for optimal color depth and richness.
The LU800 product series accommodates any customer need or production scenario with multi- and single-camera variants.
Key features include:
The LU800 is the first all-in-one production-level field unit, designed for live news and dynamic sports coverage.
The LU800 combines multi-camera and superior video/audio capabilities with mission-critical transmission in a native 5G unit. Designed from the ground up to unlock 5G potential, the unit offers unparalleled quality of service and resiliency.
The LU800 enables complex remote productions (REMI), supporting up to four fully frame-synced feeds in high resolution from a single unit. Delivering the highest-quality video performance, the LU800 offers up to 4Kp60 10-bit HDR transmission for optimal color depth and richness.
The LU800 product series accommodates any customer need or production scenario with multi- and single-camera variants.
Key features include:
- Up to 8 x 5G modems with high-efficiency internal antennas
- Up to 4Kp60 10-bit HDR transmission for optimal color depth & richness
- Multi-camera with up to 4 fully synced feeds & flexible unit/station switching
- Rich remote production tools: Video Return, Tally Light, Audio Connect
- Super-fast file transfer for sending edited footage from the field
- Up to 16 audio channels for richer audio production
- 7” ultra-sensitive capacitive touch-screen for easy unit control
- Optional external antennas connections for harsh RF conditions
- Dual power input (standard power supply & external battery input)
- 2 Ethernet & 2 WiFi interfaces for more connection options
Pro Capture AIO 4K capture card
Produce » Real-Time Production » Video Production » Newsroom production management and automation systems »
Input Interfaces:
HDMI
DVI-D 1.0
HDMI 1.4
BNC
SD/HD/3G/6G SDI
Host Interfaces:
PCIe Gen2 x2
Input Features:
Support for input video resolutions up to 4096x2160 pixels
HDMI Specific Features:
297MHz HDMI receiver
Adaptive HDMI equalizer
Support for customized EDID
Support for extraction of AVI/Audio/SPD/MS/VS/ACP/ISRC1/ISRC2/Gamut InfoFrames
Full colorimetry support
Support for 8-bit signals that use RGB/YUV 4:4:4 color sampling at pixel rate no more than 297MHz
Support for 12-bit signals that use YUV 4:2:2 color sampling at pixel rate no more than 297MHz
Support for 10/12-bit signals that use RGB/YUV 4:4:4 color sampling at pixel rate no more than 170MHz
Support for extraction of audio formation information & channel status data
Support for extraction of video timing information
Support for extraction of 3D format information
Support for extraction of Sony/Canon DSLR time code
Support for Side-by-Side Half, Top-and-Bottom, Frame Packing 3D mode.
SDI Specific Features:
Integrated cable equalizer extending the cable length as follows:
up to 330m for SD-SDI signals
up to 190m for HD-SDI signals
up to 150m for 3G-SDI signals
up to 75m for 6G-SDI signals
Support for SD/HD/3Ga/3Gb/3Gb-DL/3Gb-DS/6G (SMPTE 2081) standards
Support for 2K (2048x1080) & 4K (4096x2160) mode
Support for RGB 4:4:4, YCbCr 4:4:4, YCbCr 4:2:2 color sampling
Support for 10/12-bit color depth
Support for extraction of SMPTE 352 payload identifier
Support for up to 8 (mono) audio channels at 48KHz (channels 1–8 from the 16 available in the SDI spec)
Support for extraction of audio formation information & channel status data
Limited support of 3Gb-DS: only the first stream can be captured
Limited support for capture of the first link of dual link interfaces:
YCbCr 4:2:2 10-bit 1080p 50/59.94/60: captured as 1080i 50/59.94/60
YCbCr 4:4:4 10-bit: captured as 4:2:2
RGB 4:4:4: R/B sub-sampled
Support for Closed Caption via SDK
Video Capture Formats:
Support for capture image resolutions up to 4096x2160 pixels
Support for capture frame rates up to 144fps
SDK:
Magewell Capture SDK for easy integration, maximum flexibility and performance
HDMI
DVI-D 1.0
HDMI 1.4
BNC
SD/HD/3G/6G SDI
Host Interfaces:
PCIe Gen2 x2
Input Features:
Support for input video resolutions up to 4096x2160 pixels
HDMI Specific Features:
297MHz HDMI receiver
Adaptive HDMI equalizer
Support for customized EDID
Support for extraction of AVI/Audio/SPD/MS/VS/ACP/ISRC1/ISRC2/Gamut InfoFrames
Full colorimetry support
Support for 8-bit signals that use RGB/YUV 4:4:4 color sampling at pixel rate no more than 297MHz
Support for 12-bit signals that use YUV 4:2:2 color sampling at pixel rate no more than 297MHz
Support for 10/12-bit signals that use RGB/YUV 4:4:4 color sampling at pixel rate no more than 170MHz
Support for extraction of audio formation information & channel status data
Support for extraction of video timing information
Support for extraction of 3D format information
Support for extraction of Sony/Canon DSLR time code
Support for Side-by-Side Half, Top-and-Bottom, Frame Packing 3D mode.
SDI Specific Features:
Integrated cable equalizer extending the cable length as follows:
up to 330m for SD-SDI signals
up to 190m for HD-SDI signals
up to 150m for 3G-SDI signals
up to 75m for 6G-SDI signals
Support for SD/HD/3Ga/3Gb/3Gb-DL/3Gb-DS/6G (SMPTE 2081) standards
Support for 2K (2048x1080) & 4K (4096x2160) mode
Support for RGB 4:4:4, YCbCr 4:4:4, YCbCr 4:2:2 color sampling
Support for 10/12-bit color depth
Support for extraction of SMPTE 352 payload identifier
Support for up to 8 (mono) audio channels at 48KHz (channels 1–8 from the 16 available in the SDI spec)
Support for extraction of audio formation information & channel status data
Limited support of 3Gb-DS: only the first stream can be captured
Limited support for capture of the first link of dual link interfaces:
YCbCr 4:2:2 10-bit 1080p 50/59.94/60: captured as 1080i 50/59.94/60
YCbCr 4:4:4 10-bit: captured as 4:2:2
RGB 4:4:4: R/B sub-sampled
Support for Closed Caption via SDK
Video Capture Formats:
Support for capture image resolutions up to 4096x2160 pixels
Support for capture frame rates up to 144fps
SDK:
Magewell Capture SDK for easy integration, maximum flexibility and performance
Gallery – SIENNA -NDI
Industry-proven experts deploying NDI and other cutting-edge media technologies in highly demanding
Gallery – SIENNA -NDI
Produce » Real-Time Production » Video Production » Newsroom production management and automation systems »
Everything you need to know about NDI
Jigsaw24 and Gallery have a longstanding partnership. Together, we’ve delivered innovative projects covering a range of workflows, including news, soap operas and live sports.
Our expertise and experience when it comes to networking and broadcast workflows mean we can provide a complete solution from specification through to installation, including ongoing support once a workflow is in place. As part of the global network of approved Sienna Cloud systems integrators, we can provide local installation, support and maintenance to ensure always-on operation of your entire Sienna Cloud for NDI network.
If you want to see first-hand how Gallery’s solutions can improve and augment your existing workflow, get in touch with the team to arrange an integrated demo featuring a selection of solutions tailored to your environment.
Everything you need to know about NDI
USB Capture HDMI Gen 2 capture dongle
Produce » Real-Time Production » Video Production » Newsroom production management and automation systems »
Input Interfaces:
HDMI
DVI-D 1.0
HDMI 1.4a
Host Interface:
USB 3.0
compatible with USB 2.0
compatible with USB 3.1 Gen 1
Input features:
Support for input video resolutions up to 2048x2160
HDMI Specific Features:
165MHz HDMI receiver
Adaptive HDMI equalizer support for cables lengths up to 30M
Support for customized EDID
Support for extraction of AVI/Audio/SPD/MS/VS/ACP/ISRC1/ISRC2/Gamut InfoFrames
Full colorimetry support
Support for 8/10/12-bit color depth
Support for RGB 4:4:4，YCbCr 4:4:4，YCbCr 4:2:2 color sampling
Support for 2 channel IEC60958 audio streams
Support for extraction of audio formation information & channel status data
Support for extraction of video timing information
Support for extraction of 3D format information
Support for Side-by-Side Half, Top-and-Bottom, Frame Packing 3D mode.
Video Capture format:
Support for capture resolutions up to 2048x2160
Support for capture frame rates up to 120fps
SDK:
The USB Capture SDK provide functions including signal status extraction, capture configuration and real-time audio & video capture, etc.
Accessories:
USB 3.0 cable
HDMI
DVI-D 1.0
HDMI 1.4a
Host Interface:
USB 3.0
compatible with USB 2.0
compatible with USB 3.1 Gen 1
Input features:
Support for input video resolutions up to 2048x2160
HDMI Specific Features:
165MHz HDMI receiver
Adaptive HDMI equalizer support for cables lengths up to 30M
Support for customized EDID
Support for extraction of AVI/Audio/SPD/MS/VS/ACP/ISRC1/ISRC2/Gamut InfoFrames
Full colorimetry support
Support for 8/10/12-bit color depth
Support for RGB 4:4:4，YCbCr 4:4:4，YCbCr 4:2:2 color sampling
Support for 2 channel IEC60958 audio streams
Support for extraction of audio formation information & channel status data
Support for extraction of video timing information
Support for extraction of 3D format information
Support for Side-by-Side Half, Top-and-Bottom, Frame Packing 3D mode.
Video Capture format:
Support for capture resolutions up to 2048x2160
Support for capture frame rates up to 120fps
SDK:
The USB Capture SDK provide functions including signal status extraction, capture configuration and real-time audio & video capture, etc.
Accessories:
USB 3.0 cable
USB Capture SDI Gen 2 capture dongle
Produce » Real-Time Production » Video Production » Newsroom production management and automation systems »
Input Interfaces:
MCX
SD/HD/3G SDI
Host Interface:
USB 3.0
compatible with USB 2.0
compatible with USB 3.1 Gen 1
Input features:
Support for up to 2048x1080 input resolution
SDI Specific Features:
Integrated cable equalizer extending the cable length as follows:
up to 330m for SD-SDI signals
up to 190m for HD-SDI signals
up to 150m for 3G-SDI signals
Support for SD/HD/3Ga/3Gb/3Gb-DL/3Gb-DS standards
Support for 2K (2048x1080) mode
Support for RGB 4:4:4, YCbCr 4:4:4, YCbCr 4:2:2 color sampling
Support for 10/12-bit color depth
Support for extraction of SMPTE 352 payload identifier
Support for up to 2 (mono) audio channels at 48KHz
Support for extraction of audio formation information & channel status data
Limited support of 3Gb-DS: only the first stream can be captured
Limited support for capture of the first link of dual link interfaces:
YCbCr 4:2:2 10-bit 1080p 50/59.94/60: captured as 1080i 50/59.94/60
YCbCr 4:4:4 10-bit: captured as 4:2:2
RGB 4:4:4: R/B sub-sampled
Video Capture format:
Support for capture resolutions up to 2048x1080
Support for capture frame rates up to 120fps
SDK:
The USB Capture SDK provide functions including signal status extraction, capture configuration and real-time audio & video capture, etc.
Accessories:
USB 3.0 cable
MCX to SDI cable
MCX
SD/HD/3G SDI
Host Interface:
USB 3.0
compatible with USB 2.0
compatible with USB 3.1 Gen 1
Input features:
Support for up to 2048x1080 input resolution
SDI Specific Features:
Integrated cable equalizer extending the cable length as follows:
up to 330m for SD-SDI signals
up to 190m for HD-SDI signals
up to 150m for 3G-SDI signals
Support for SD/HD/3Ga/3Gb/3Gb-DL/3Gb-DS standards
Support for 2K (2048x1080) mode
Support for RGB 4:4:4, YCbCr 4:4:4, YCbCr 4:2:2 color sampling
Support for 10/12-bit color depth
Support for extraction of SMPTE 352 payload identifier
Support for up to 2 (mono) audio channels at 48KHz
Support for extraction of audio formation information & channel status data
Limited support of 3Gb-DS: only the first stream can be captured
Limited support for capture of the first link of dual link interfaces:
YCbCr 4:2:2 10-bit 1080p 50/59.94/60: captured as 1080i 50/59.94/60
YCbCr 4:4:4 10-bit: captured as 4:2:2
RGB 4:4:4: R/B sub-sampled
Video Capture format:
Support for capture resolutions up to 2048x1080
Support for capture frame rates up to 120fps
SDK:
The USB Capture SDK provide functions including signal status extraction, capture configuration and real-time audio & video capture, etc.
Accessories:
USB 3.0 cable
MCX to SDI cable
USB Capture AIO capture box
Produce » Real-Time Production » Video Production » Newsroom production management and automation systems »
Input Interfaces:
DVI-I
DVI 1.0
HDMI 1.4a (via breakout cable)
VGA (via DVI-to-VGA convertor)
Component (via breakout cable)
DB9
YC (S-Video)
Composite video
Analog audio (L+R)
Component video
BNC
SD/HD/3G SDI
Host Interface:
USB 3.0
compatible with USB 2.0
compatible with USB 3.1 Gen 1
Input features:
Auto scan of video input sources when there is no signal input to the currently selected input source
Manual selection of video input source
Auto selection of linked (embedded) audio input source when the video input source changes
Manual selection of audio input source
Support for input video resolutions up to 2048x2160
HDMI Specific Features:
225MHz HDMI receiver
Adaptive HDMI equalizer support for cables lengths up to 30M
Support for customized EDID
Support for extraction of AVI/Audio/SPD/MS/VS/ACP/ISRC1/ISRC2/Gamut InfoFrames
Full colorimetry support
Support for 8/10/12-bit color depths
Support for RGB 4:4:4, YCbCr 4:4:4, YCbCr 4:2:2 color sampling
Support for up to 2-channel IEC60958 audio streams
Support for extraction of audio formation information & channel status data
Support for extraction of video timing information
Support for extraction of 3D format information
Support for Side-by-Side Half, Top-and-Bottom, Frame Packing 3D mode.
SDI Specific Features:
Integrated cable equalizer extending the cable length as follows:
up to 330m for SD-SDI signals
up to 190m for HD-SDI signals
up to 150m for 3G-SDI signals
Support for SD/HD/3Ga/3Gb/3Gb-DL/3Gb-DS standards
Support for 2K (2048x1080) mode
Support for RGB 4:4:4, YCbCr 4:4:4, YCbCr 4:2:2 color sampling
Support for 10/12-bit color depth
Support for extraction of SMPTE 352 payload identifier
Support for up to 2 (mono) audio channels at 48KHz
Support for extraction of audio formation information & channel status data
Limited support of 3Gb-DS: only the first stream can be captured
Limited support for capture of the first link of dual link interfaces:
YCbCr 4:2:2 10-bit 1080p 50/59.94/60: captured as 1080i 50/59.94/60
YCbCr 4:4:4 10-bit: captured as 4:2:2
RGB 4:4:4: R/B sub-sampled
Video Capture format:
Support for capture resolutions up to 2048x2160
Support for capture frame rates up to 120fps
SDK:
The USB Capture SDK provide functions including signal status extraction, capture configuration and real-time audio & video capture, etc.
Accessories:
USB 3.0 cable
DVI to VGA connector
DVI-I to HDMI + Component breakout
DB9 to YC + Composite + Analog Audio + Component breakout
DVI-I
DVI 1.0
HDMI 1.4a (via breakout cable)
VGA (via DVI-to-VGA convertor)
Component (via breakout cable)
DB9
YC (S-Video)
Composite video
Analog audio (L+R)
Component video
BNC
SD/HD/3G SDI
Host Interface:
USB 3.0
compatible with USB 2.0
compatible with USB 3.1 Gen 1
Input features:
Auto scan of video input sources when there is no signal input to the currently selected input source
Manual selection of video input source
Auto selection of linked (embedded) audio input source when the video input source changes
Manual selection of audio input source
Support for input video resolutions up to 2048x2160
HDMI Specific Features:
225MHz HDMI receiver
Adaptive HDMI equalizer support for cables lengths up to 30M
Support for customized EDID
Support for extraction of AVI/Audio/SPD/MS/VS/ACP/ISRC1/ISRC2/Gamut InfoFrames
Full colorimetry support
Support for 8/10/12-bit color depths
Support for RGB 4:4:4, YCbCr 4:4:4, YCbCr 4:2:2 color sampling
Support for up to 2-channel IEC60958 audio streams
Support for extraction of audio formation information & channel status data
Support for extraction of video timing information
Support for extraction of 3D format information
Support for Side-by-Side Half, Top-and-Bottom, Frame Packing 3D mode.
SDI Specific Features:
Integrated cable equalizer extending the cable length as follows:
up to 330m for SD-SDI signals
up to 190m for HD-SDI signals
up to 150m for 3G-SDI signals
Support for SD/HD/3Ga/3Gb/3Gb-DL/3Gb-DS standards
Support for 2K (2048x1080) mode
Support for RGB 4:4:4, YCbCr 4:4:4, YCbCr 4:2:2 color sampling
Support for 10/12-bit color depth
Support for extraction of SMPTE 352 payload identifier
Support for up to 2 (mono) audio channels at 48KHz
Support for extraction of audio formation information & channel status data
Limited support of 3Gb-DS: only the first stream can be captured
Limited support for capture of the first link of dual link interfaces:
YCbCr 4:2:2 10-bit 1080p 50/59.94/60: captured as 1080i 50/59.94/60
YCbCr 4:4:4 10-bit: captured as 4:2:2
RGB 4:4:4: R/B sub-sampled
Video Capture format:
Support for capture resolutions up to 2048x2160
Support for capture frame rates up to 120fps
SDK:
The USB Capture SDK provide functions including signal status extraction, capture configuration and real-time audio & video capture, etc.
Accessories:
USB 3.0 cable
DVI to VGA connector
DVI-I to HDMI + Component breakout
DB9 to YC + Composite + Analog Audio + Component breakout
