KMU-200 4K Multi-Channel Touch Screen Region of Interest Switcher

Produce traditional landscape (16:9) & vertical (9:16) video from a single 4K camera with built-in streaming. The KMU-200 allows users to output multiple landscapes or portrait pictures simultaneously just by creating cutouts of a 4K input using the 14” touch screen. The HD output signal can be streamed to many mainstream live-streaming platforms and output video can be recorded on an SD card. The KMU-200 features virtual camera control, switching, audio mixing, streaming and backup recording within one compact unit, which is an ideal product for content creators who want to live stream their content to social media platforms. Video productions that are traditionally done by multiple crew members now can be done by one person using the KMU-200.

The KMU-200 is a single unit that allows users to convert a 4K input signal to a 1080 HD output signal. An auxiliary HDMI input is also available for Skype or other sources. Hardware control is available on the unit to control the created cutouts, giving control over zoom, tilt, and pan of the virtual camera with a convenient joystick. Professional illuminated buttons control the switching of a maximum of 6 shots: 4 cutouts, the full image, and the auxiliary input.

Furthermore, its 14" capacitive touch screen allows users to easily control of picture selection and camera operations. Users can control the picture selection of the KMU-200 by not only the joystick but also by gesturing and pinching directly on the touch screen. This intuitive control method is suited for inexperienced users who are used to tablets and other touch screen interfaces.

HS-3200 features easy-to-use video streaming and recording appliance for professional video producers who need to simultaneously stream a live event and record the master quality version for post-event editing.

With 12 digital inputs including 8 SDI and 4 HDMI inputs with embedded audio, 5 SDI and 4 HDMI outputs for connecting HD recorder, monitor, etc.

HS-3200 is a lightweight, portable and powerful featured mobile studio solution which is designed for live events and TV programs that need to mix a variety of video and audio sources. HS-3200 is also a great value solution for the worship, education and AV market.

The HS-3200 also has powerful, easy to use effects, including Chroma / Luma Key, DSK, PIP, DVE, Wipe Generator, Still stores, logo insertion.

Advanced features include a 17.3-inch Full HD 1080p video monitor, which displays the multi-view, the Multi-view includes all the input sources, as well as preview and program.

Your on-air graphics control center. CAMIO Universe is a news producer-driven, template-based workflow for a unified, end-to-end content creation, production, and playout solution.

In CAMIO , artists set the visual brand for consistent and correct content, producers/journalists create stories that include broadcast graphics, weather graphics, virtual studios, and augmented graphics, and directors build, order, and control all camera, switcher, audio, virtual set, and graphic cues – all from within a single, unified tool.

• Up to 8 x 5G modems with high-efficiency internal antennas


• Up to 4Kp60 10-bit HDR transmission for optimal color depth & richness


• Multi-camera with up to 4 fully synced feeds & flexible unit/station switching


• Rich remote production tools: Video Return, Tally Light, Audio Connect


• Super-fast file transfer for sending edited footage from the field


• Up to 16 audio channels for richer audio production


• 7” ultra-sensitive capacitive touch-screen for easy unit control


• Optional external antennas connections for harsh RF conditions


• Dual power input (standard power supply & external battery input)


• 2 Ethernet & 2 WiFi interfaces for more connection options

OpenMedia NewsBoard

CGI's cross-media planning tool

OpenMedia NewsBoard enables journalists and editorial teams to organize their story production process directly from everywhere.

It features a fully customizable and open widget architecture that allows newsrooms to stay flexible to workflow adaptations at any time. It’s modern and unified web-based user interface for journalists and editorial teams dynamizes the collaboration process.

Key features include:

• Story-centric planning for full transparency


• Web-based for collaboration anywhere- Integrated agency feeds and social media for broad news access


• User-friendly interface and highly customizable board design for intuitive handling


• Seamless integration with existing OpenMedia solutions for data consistency


• Cloud-native architecture for easy scalability


• Microservice structure for high performance and easy maintenance

Viz Mosart puts the story in the center of the production, removing technical complexity with a simple user interface, designed to give all necessary information to the director while giving full flexibility to operate both planned and breaking news scenarios.

Viz Mosart operators in the control room benefit from a real-time view of all upcoming events through a tight integration with all major newsroom computer systems.

The system gives the director a real-time updated version of the presenter text, and video integrated into the user interface to view of all the elements that are on program out and in preview. The user interface also contains advanced keyboard and touch screen hotkeys specially made to handle breaking news and other unscripted events.

The TriCaster 2 Elite is the most complete video production platform available today, and sets a new platinum standard for how much you can achieve with a single system.

Produce traditional landscape (16:9) & vertical (9:16) video from a single 4K camera with built-in streaming. The KMU-200 allows users to output multiple landscapes or portrait pictures simultaneously just by creating cutouts of a 4K input using the 14” touch screen. The HD output signal can be streamed to many mainstream live-streaming platforms and output video can be recorded on an SD card. The KMU-200 features virtual camera control, switching, audio mixing, streaming and backup recording within one compact unit, which is an ideal product for content creators who want to live stream their content to social media platforms. Video productions that are traditionally done by multiple crew members now can be done by one person using the KMU-200.

The KMU-200 is a single unit that allows users to convert a 4K input signal to a 1080 HD output signal. An auxiliary HDMI input is also available for Skype or other sources. Hardware control is available on the unit to control the created cutouts, giving control over zoom, tilt, and pan of the virtual camera with a convenient joystick. Professional illuminated buttons control the switching of a maximum of 6 shots: 4 cutouts, the full image, and the auxiliary input.

Furthermore, its 14" capacitive touch screen allows users to easily control of picture selection and camera operations. Users can control the picture selection of the KMU-200 by not only the joystick but also by gesturing and pinching directly on the touch screen. This intuitive control method is suited for inexperienced users who are used to tablets and other touch screen interfaces.

Production AirBox provides content playout for News, Live shows, screens and video walls feeding, live production broadcasts and other places where video/audio content have to be displayed. It is designed to meet the high reliability requirements of broadcast playout.

Every modification to the playlist can be made during onair session for live productions! No clips become locked It is possible to trim or reposition every clip in the playlist. In fact, on - the-fly playout position can be modified with commands such as next, jump or shuttle. These changes are carried out smoothly without disrupting the running session of playout.

 For up to four individual players, one server can be installed. Each player will have separate playlist and control over the playout. It is possible to designate the four SDI interfaces as software or sample outputs. Production AirBox provides content playout for feeding news live shows, screens and video walls, live broadcasts and other places where video / audio material needs to be viewed. To improve the process, it is designed to address the high reliability criteria interfaces of the broadcast playout.