AT5040

Offering the realism of a live sound field, the AT4050ST is a side-address condenser with cardioid and figure-of-eight elements configured in a Mid-Side arrangement. This innovative stereo condenser allows sound recordists the choice of selecting a left-right stereo output or choosing discrete Mid-Side signals for later manipulation, a remarkable flexibility. The microphone’s dual-diaphragm capsules maintain precise polar pattern definition across the full frequency range. Its transformerless circuitry virtually eliminates low-frequency distortion.

• Innovative side-address Mid-Side stereo microphone engineered for professional recording, broadcast and sound reinforcement


• Independent cardioid and figure-of-eight condenser elements


• Switch selection of Mid-Side mode and two internally matrixed stereo modes


• Dual-diaphragm capsules maintain precise polar pattern definition across the full frequency range of the microphone


• Transformerless circuitry virtually eliminates low-frequency distortion and provides superior correlation of high-speed transients


• The 2-micron-thick, vapor-deposited gold diaphragms undergo a five-step aging process so that the optimum characteristics remain constant over years of use


• Open acoustical environment of the symmetrical housing assembly minimizes unwanted internal reflections


• Integral 80 Hz high-pass filter switch and 10 dB pad switch


• State-of-the-art design and manufacturing techniques ensure compliance with A-T’s stringent consistency and reliability standards


• Custom shock mount provides superior isolation

The debut of our flagship 50 Series, the AT5040 represents a milestone in condenser design, offering remarkably musical high-fidelity performance, with profound realism and depth, presence and purity of sound.

• Audio-Technica’s premier studio condenser vocal microphone


• Extremely musical high-fidelity performance, with profound realism and depth, presence and purity of sound


• Four rectangular diaphragms (2 micron) function together as Audio-Technica’s largest-ever element, providing combined surface area twice that of a standard one-inch circular diaphragm


• Exceptionally low noise and wide dynamic range ideal for studio vocals


• Discrete components carefully selected for optimized capsule performance


• High-SPL capability and extended frequency response


• Hand assembled and inspected for 100% quality control


• Elegant, durable housing of aluminum and brass

• Exceptionally wide dynamic range captures the full, expressive character of instruments and voices – from the caress of drum brushes to powerful vocal performances


• Four rectangular diaphragms (2 micron) function together to provide a combined surface area twice that of a standard one-inch circular diaphragm


• Discrete components carefully selected and optimized for maximum performance and compatibility with standalone microphone preamps and console inputs


• Transformer-coupled output provides smooth sonic character


• Hand assembled and inspected for 100% quality control


• Advanced internal shock mounting decouples the capsule from the microphone body


• Elegant, durable housing of aluminum and brass


• Included advanced-design custom AT8480 shock mount provides superior isolation


• Custom hard-shell carry case with die-cut foam compartments offers protection during storage and transport

The BP40 Dynamic voice microphone provides natural sound reproduction for a variety of applications - radio, recording, post production ... thanks to its hypercardioid providing optimal isolation of the sound source and excellent off-axis rejection. The 37mm capsule with a patented "floating edges" design optimizes the surface of the membrane and maximizes performance, while the humbucking coil (for noise compensation) prevents the risk of electromagnetic interference (EMI) (generated by the video monitors, power supplies, etc). Due to its robust, all metal construction, the BP40 will be ideal in broadcast environments.

• Large diaphragm dynamic microphone


• Hypercardioid directivity with excellent off-axis rejection


• Very sensitive to plosives ("P", "T") and soft on transitories


• Conceived and designed for professional broadcast applications. Ideal for radio and post production studios


• Its Humbucking voice coil prevents the risk of electromagnetic interference (EMI)


• Optimized positioning of the capsule to keep an impressive vocal presence, even remotely


• Low-cut switchable filter 100 Hz 6dB / octave;


• Multilayered windscreen for superior filtration from internal pops


• Comes with AT8483 clip


• All metal rugged construction for reliable use in professional broadcasting environments

Unlike most X/Y stereo microphones where the capsules form a 90° stereo image, the BP4025 has ingenious arrangement of its large capsules for stereo more "realistic" 120° image. The two capsules are mounted back-to-back on the same electronic circuit.

This is a unique configuration of coincident large diaphragm capsules for impeccable sound quality and exceptionally low noise level. The audio reproduction - thanks to the excellent channel separation - is natural and powerful to give the listener the impression of being there when the audio was recorded.

• Unique configuration of large-diaphragm capsules offer pristine sound quality and exceptionally low noise


• Natural and powerful sound reproduction


• Innovative coincident capsule configuration produces accurate stereo image in smaller housing


• Compact, lightweight design is ideal for camera-mount use, but can also be used in the studio


• Excellent channel separation


• Phantom power operation—for use with professional equipment


• Diaphragms are 24.3mm diameter and a thickness of 2 microns


• 155 dB SPL, with 10 dB pad (nominal)


• Switchable low-frequency roll-off and 10 dB pad


• 80Hz Low cut filter with a slope of 12dB/octave


• Low self noise (14dB)


• Includes one balanced cable (5-pin XLRM at the microphone end and two 3-pin XLRM-type connectors at output end)

Based on models originally developed for use in the broadcast of the Sydney Games in 2000, the BP4027 (14.96" long) and BP4029 (9.29" long) Stereo Shotgun models are engineered for high-end broadcast and production use. Both microphones feature independent line-cardioid and figure-of-eight elements configured in an MS (Mid-Side) arrangement with switch-selectable internal matrixing. These innovative microphones allow sound recordists the choice of selecting a left-right stereo output (wide or narrow) via the microphone’s internal matrixing system or choosing discrete Mid-Side signals for later manipulation, a flexibility not available from any other manufacturer.

A switchable low frequency roll-off filter helps minimize the pickup of unwanted low frequency noise. These phantom-powered models feature a rugged lightweight design and sleek black color scheme, perfect for on-camera use.

• Designed for broadcasters, videographers and sound recordists


• Ideal for recording distant sounds, tightened with excellent off-axis noise rejection


• Compact, lightweight design is perfect for camera-mount use


• Independent Line-cardioid and Figure-of-eight condenser elements , configured in MS mode


• Picks up natural ambience without colouration or distortion


• Switchable low-frequency roll-off


• Compact lightweight metal microphone (only 142g) adapted for use on camera


• Switch selection of non-matrixed M-S mode and two internally-matrixed left/right stereo modes


• Two stereo modes: wide angle (LR-W) or narrow angle (LR-N)


• Low-cut filter 80 Hz with 12 dB / octave


• Operates on Phantom power


• Includes a 0.61 m (24") Y-shaped cable (5-pin XLRF to two standard 3-pin XLRM connectors)

Based on models originally developed for use in the broadcast of the Sydney Games in 2000, the BP4027 (14.96" long) and BP4029 (9.29" long) Stereo Shotgun models are engineered for high-end broadcast and production use. Both microphones feature independent line-cardioid and figure-of-eight elements configured in an MS (Mid-Side) arrangement with switch-selectable internal matrixing. These innovative microphones allow sound recordists the choice of selecting a left-right stereo output (wide or narrow) via the microphone’s internal matrixing system or choosing discrete Mid-Side signals for later manipulation, a flexibility not available from any other manufacturer.

A switchable low frequency roll-off filter helps minimize the pickup of unwanted low frequency noise. These phantom-powered models feature a rugged lightweight design and sleek black color scheme, perfect for on-camera use.

• Designed for broadcasters, videographers and sound recordists


• Ideal for recording distant sounds, tightened with excellent off-axis noise rejection


• Compact, lightweight design is perfect for camera-mount use


• Independent Line-cardioid and Figure-of-eight condenser elements , configured in MS mode


• Picks up natural ambience without colouration or distortion


• Switchable low-frequency roll-off


• Compact lightweight metal microphone (only 142g) adapted for use on camera


• Switch selection of non-matrixed M-S mode and two internally-matrixed left/right stereo modes


• Two stereo modes: wide angle (LR-W) or narrow angle (LR-N)


• Low-cut filter 80 Hz with 12 dB / octave


• Operates on Phantom power


• Includes a 0.61 m (24") Y-shaped cable (5-pin XLRF to two standard 3-pin XLRM connectors)

Featuring breakthrough audio and mechanical design innovations, the phantom-powered U851R offers outstanding speech intelligibility and transparent sound quality for surface-mount applications. The microphone is equipped with a PivotPoint® rotating output connector, UniSteep® filter and UniGuard® RFI-shielding technology. It accepts interchangeable condenser elements available for boundary microphones in cardioid, hypercardioid and omnidirectional polar patterns. With a heavy die-cast case and silicon foam bottom pads to minimize coupling of surface vibration to the microphone, the U851R is equipped with self-contained electronics, eliminating the need for an external power module.

• Designed for surface-mount applications such as high-quality sound reinforcement, professional recording, television, conferencing and other demanding sound pickup situations


• PivotPoint® rotating output connector allows cable to exit from either the rear or the bottom of the microphone


• Superior off-axis rejection for maximum gain before feedback


• UniGuard® RFI-shielding technology offers outstanding rejection of radio frequency interference (RFI)


• Self-contained electronics eliminate need for external power module


• Small-diameter UniPoint capsule near boundary eliminates phase distortion and delivers clear, high-output performance


• Heavy die-cast case and non-slip silicon foam bottom pads minimize coupling of surface vibration to the microphone


• Low-profile design with low-reflectance black finish for minimum visibility


• Available in two colors: black (U851R) and white (U851RW)

• High pin-count to logic ratio for I/O connectivity


• MicroBlaze™ processor soft IP


• Integrated security and monitoring


• Up to 1.25Gb/s LVDS


• 25.6Gb/s peak DDR3-800 memory bandwidth with flexible, soft memory controller


• XADC and SYSMON for integrating discrete analog and monitoring circuitry


• Cost-optimized for system I/O expansion


• 1.0V core voltage or 0.95V core voltage option


• 50% lower total power than 45nm generation devices


• Enabled by Vivado® HLx Design Suite WebPack™

$199.00

The VP83 shotgun microphone works with DSLR cameras and HD camcorders, capturing detailed, high-definition audio with full low-end response.

• Shotgun microphone for mounting on a DSLR camera or HD camcorder


• Electret condenser cartridge with supercardioid / lobar polar pattern


• Integrated shock mounting system that provides robust isolation from unwanted noise


• Includes VP83, battery, integrated cable, shoe mount, windscreen, and user guide

$349.00

Offering digital flash recording / playback (MicroSDHC) capabilities, the VP83F shotgun microphone works with DSLR cameras and HD camcorders.

• Shotgun microphone with digital flash recording / playback capabilities for mounting on a DSLR camera or HD camcorder


• Electret condenser cartridge with supercardioid / lobar polar pattern


• Integrated shock mounting system that provides robust isolation from unwanted noise


• Includes VP83F, 2 AA batteries, cable, shoe mount, windscreen, and user guide

RØDELink represents the next generation of digital wireless systems. Using a Series II 2.4GHz digital transmission with 128-bit encryption, it is able to constantly monitor and hop between frequencies to maintain the strongest possible signal level at a range of up to 100 metres* (over 100 yards). The RØDELink Filmmaker Kit provides everything you need to start shooting video wirelessly, including a receiver, transmitter and broadcast-grade lavalier microphone. The receiver (RX-CAM) features an OLED display with information on level, battery status (receiver and transmitter), mute and channel selection. Buy rode link film makers kit from UBMS Dubai. UBMS can provide best price and fast delivery for all rode products. The unit can be mounted on a standard camera shoe mount, 3/8" thread or belt-clip, and for added versatility the shoe mount can be located in one of two positions. The lightweight transmitter (TX-BELT) can be fitted to a belt or clothing and features a locking thread to ensure the microphone connection is as secure as possible. RØDE has included an omnidirectional lavalier microphone in the kit to provide the highest possible audio reproduction quality.

• Series II, 2.4GHz digital transmission


• 128-bit encryption


• Up to 100 metres range*


• OLED display (on receiver)


• One button pairing


• Three level gain control


• AA battery or USB powered


• Includes broadcast lavalier microphone

The Filmmaker Kit boasts a remarkable battery life, routinely operating for over 30 hours (and up to 50 hours in ideal environments) on two AA batteries. Up to eight systems can operate on set.

The world’s smallest and first truly wireless microphone has been reborn. The Wireless GO II is an ultra-compact and extremely versatile wireless microphone system consisting of a dual channel receiver and two transmitters. Incorporating the same unique form factor and professional sound quality as the original Wireless GO with groundbreaking, patent-pending technology, the Wireless GO II is the perfect microphone for a wide range of content creation applications. Buy Rode Wireless GO II from UBMS Dubai.

The Wireless GO II boasts a range of powerful features, including universal compatibility with cameras, mobile devices and computers, extended range (200m line of sight) and improved transmission stability, on-board recording capabilities, and much more. This is next generation wireless audio.

The Wireless GO II features two transmitters and a dual channel receiver that allows you to connect both transmitters for recording two sound sources into a single device. Out of the box, the transmitters come auto paired to the receiver and will remember which channel they’ve been assigned to, so you don’t have to worry about pairing them again.

The receiver’s LED screen is split into four main sections, with icons for battery life, signal strength and input level displayed for each transmitter on the bottom left and right, and icons for battery life, backlight mode and output gain for the receiver in the middle. Above this is an output level meter for the receiver, which makes it easy to monitor the levels going into your camera or recording device and ensuring your signal isn’t too hot.

To turn on your Wireless GO II, simply press and hold the power button on the receiver. To pair your transmitters to the receiver, press and hold the power button on the transmitters one at a time. Once turned on, they will automatically pair to the receiver. This should take a few seconds.

If a transmitter loses connection with the receiver, the blue ‘∞‘ LED on the transmitter will flash and the icons for that channel will go blank on the receiver, making it easy to identify which one you need to reconnect.

If you need to reconnect a transmitter to the receiver, press and hold the pair button (‘∞‘) on the receiver for three seconds to enable pairing mode, then single-click the power button on the transmitter and wait a few seconds.

To disconnect a transmitter, select it by single-clicking the pair button, then press and hold the pair button for three seconds.

The Wireless GO II utilises RØDE’s all-new Series IV 2.4GHz digital transmission with 128-bit encryption. This delivers an extended transmission range of 200 metres (line of sight). The Wireless GO II is optimised for extremely stable operation in environments where there is a lot of RF activity, including dense urban areas, shopping malls, universities, convention centres, and offices, so you can worry less about dropouts and focus more on what you're recording.

• Dual channel wireless microphone system for recording two sound sources simultaneously


• Series IV 2.4GHz digital transmission, 128-bit encryption – crystal-clear audio at up to 200m (line of sight), optimised for extremely stable operation in dense RF environments


• 3.5mm TRS analog output, USB-C and iOS digital output – universal compatibility with cameras, mobile devices and computers


• On-board recording – over 24 hours of internal memory


• Option to record each channel separately or combine them for ultimate flexibility in post-production


• Safety channel, flexible gain control (three-stage pad, expandable to 10-stage)


• In-built rechargeable lithium-ion battery – up to 7 hours battery life


• Designed and made in RØDE’s precision manufacturing facilities in Australia

The Wireless GO II takes wireless versatility to new heights. Featuring a 3.5mm TRS analog output for plugging into cameras, plus a digital audio output via USB-C for plugging into smartphones, tablets and computers, it is perfect for content creation, filmmaking, on-camera or on-stage presentations, vlogging, YouTubing, livestreaming and more.

On-board recording means you never have to worry about dropouts or audio issues again, while the flexible gain control lets you precisely tailor the output to your device. The Wireless GO II also offers the option to record each channel separately or combine the two, ensuring ultimate flexibility in post-production. Looking for Rode Microphone supplier ? Contact UBMS, we can provide best price for all rode microphones. Rode Wireless GO 2 can purchased from from UBMS

The Wireless GO II offers the same pocket-sized form factor as the original Wireless GO. The transmitters and receiver weigh less than 32g, taking up virtually no space in a camera kit bag, backpack, handbag or briefcase. It also comes supplied with a handy carry pouch to keep everything tidy and secure. The Wireless GO II's unique clip design makes it quick and easy to mount onto clothing or a camera cold shoe, mobile camera rig, boom pole, or any cold shoe accessory – ultra-compact wireless audio for any recording situation. Shop Rode go 2 (rode wireless go 2 ) from UBMS .

Connecting the Wireless GO II to your smartphone or tablet via USB-C rather than using the 3.5mm analog TRS output gives you access to a number of useful features:

High-quality audio output – Using the USB-C output bypasses the recording device's analog input circuitry, giving a direct digital signal transfer for optimum quality.

Headphone monitoring – Using the USB-C output frees up the 3.5mm output so you can plug your headphones in and monitor your audio while recording. You can even use the gain control to adjust the volume of your headphones.

Access to the safety channel – When using a smartphone, the Wireless GO II’s safety channel is only accessibly using the USB-C output (see below for more information on the safety channel).

The Wireless GO II gives you the option to record in either 'Merged' or 'Split' mode. This allows you to record each transmitter onto separate channels on the output or combine the two into a single output.

To switch between 'Merged' and 'Split' mode, press and hold both buttons on the receiver for three seconds and keep an eye on the output level meter on the LED screen.

When there are two meters, you are in 'Split' mode. This means that each transmitter's output is being recorded onto separate channels (left and right) on the Wireless GO II’s output, which can be processed individually in post-production. This is great for two-person interviews where you need to be able to edit and mix each sound source independently.

When there is just one meter, you are in 'Merged' mode. This means that the two transmitters are being combined into a single summed output. This is great if you’re only using one transmitter and want the audio recorded onto both channels of your recording device, or if you are using the safety channel (see below for more information). It also works well if you are using the Wireless GO II in a live presentation setup.

Defy the elements. DuraPlex subminiature lavalier and headset microphones are consistent, long-lasting, and resistant to dust, dirt, water, and sweat. Offering professional-quality audio for film, broadcast, speech, theater, and performance applications, DuraPlex is perfect for everyday situations but excels in the harshest environments. Capture every moment with confidence. Rain, or shine.

UNBEATABLE CLARITY THAT CAN TAKE A BEATING

In dialogue or monologue. Song or speech. A single word can affect the whole story. Through sweat, noise, and wear and tear, your little lavalier has an enormous job to do. Shure TwinPlex stands up to the toughest conditions to make every word a clear statement of quality.

QUALITY IN THE DETAILS.

• Twice the surface area of other microphones for ultra-pristine, natural response and robust low-frequency response


• Improved off-axis consistency reads accurately, even when not speaking or singing directly into mic


• Keeps audio production clean with best-in-class, low self-noise and dynamic range

PRODUCTION-READY DURABILITY.

• Interchangeable sweat- and moisture-resistant frequency caps that prevent sweat-outs


• Dual redundant ground for secondary shielding and cable longevity


• Cable design that’s immune to kinks and memory effect


• Ultra-thin, paintable 1.1 mm and 1.6 mm cable options

Featuring breakthrough audio and mechanical design innovations, the phantom-powered U851R offers outstanding speech intelligibility and transparent sound quality for surface-mount applications. The microphone is equipped with a PivotPoint® rotating output connector, UniSteep® filter and UniGuard® RFI-shielding technology. It accepts interchangeable condenser elements available for boundary microphones in cardioid, hypercardioid and omnidirectional polar patterns. With a heavy die-cast case and silicon foam bottom pads to minimize coupling of surface vibration to the microphone, the U851R is equipped with self-contained electronics, eliminating the need for an external power module.

• Designed for surface-mount applications such as high-quality sound reinforcement, professional recording, television, conferencing and other demanding sound pickup situations


• PivotPoint® rotating output connector allows cable to exit from either the rear or the bottom of the microphone


• Superior off-axis rejection for maximum gain before feedback


• UniGuard® RFI-shielding technology offers outstanding rejection of radio frequency interference (RFI)


• Self-contained electronics eliminate need for external power module


• Small-diameter UniPoint capsule near boundary eliminates phase distortion and delivers clear, high-output performance


• Heavy die-cast case and non-slip silicon foam bottom pads minimize coupling of surface vibration to the microphone


• Low-profile design with low-reflectance black finish for minimum visibility


• Available in two colors: black (U851R) and white (U851RW)

The BP40 Dynamic voice microphone provides natural sound reproduction for a variety of applications - radio, recording, post production ... thanks to its hypercardioid providing optimal isolation of the sound source and excellent off-axis rejection. The 37mm capsule with a patented "floating edges" design optimizes the surface of the membrane and maximizes performance, while the humbucking coil (for noise compensation) prevents the risk of electromagnetic interference (EMI) (generated by the video monitors, power supplies, etc). Due to its robust, all metal construction, the BP40 will be ideal in broadcast environments.

• Large diaphragm dynamic microphone


• Hypercardioid directivity with excellent off-axis rejection


• Very sensitive to plosives ("P", "T") and soft on transitories


• Conceived and designed for professional broadcast applications. Ideal for radio and post production studios


• Its Humbucking voice coil prevents the risk of electromagnetic interference (EMI)


• Optimized positioning of the capsule to keep an impressive vocal presence, even remotely


• Low-cut switchable filter 100 Hz 6dB / octave;


• Multilayered windscreen for superior filtration from internal pops


• Comes with AT8483 clip


• All metal rugged construction for reliable use in professional broadcasting environments

Unlike most X/Y stereo microphones where the capsules form a 90° stereo image, the BP4025 has ingenious arrangement of its large capsules for stereo more "realistic" 120° image. The two capsules are mounted back-to-back on the same electronic circuit.

This is a unique configuration of coincident large diaphragm capsules for impeccable sound quality and exceptionally low noise level. The audio reproduction - thanks to the excellent channel separation - is natural and powerful to give the listener the impression of being there when the audio was recorded.

• Unique configuration of large-diaphragm capsules offer pristine sound quality and exceptionally low noise


• Natural and powerful sound reproduction


• Innovative coincident capsule configuration produces accurate stereo image in smaller housing


• Compact, lightweight design is ideal for camera-mount use, but can also be used in the studio


• Excellent channel separation


• Phantom power operation—for use with professional equipment


• Diaphragms are 24.3mm diameter and a thickness of 2 microns


• 155 dB SPL, with 10 dB pad (nominal)


• Switchable low-frequency roll-off and 10 dB pad


• 80Hz Low cut filter with a slope of 12dB/octave


• Low self noise (14dB)


• Includes one balanced cable (5-pin XLRM at the microphone end and two 3-pin XLRM-type connectors at output end)

The debut of our flagship 50 Series, the AT5040 represents a milestone in condenser design, offering remarkably musical high-fidelity performance, with profound realism and depth, presence and purity of sound.

• Audio-Technica’s premier studio condenser vocal microphone


• Extremely musical high-fidelity performance, with profound realism and depth, presence and purity of sound


• Four rectangular diaphragms (2 micron) function together as Audio-Technica’s largest-ever element, providing combined surface area twice that of a standard one-inch circular diaphragm


• Exceptionally low noise and wide dynamic range ideal for studio vocals


• Discrete components carefully selected for optimized capsule performance


• High-SPL capability and extended frequency response


• Hand assembled and inspected for 100% quality control


• Elegant, durable housing of aluminum and brass

Offering the realism of a live sound field, the AT4050ST is a side-address condenser with cardioid and figure-of-eight elements configured in a Mid-Side arrangement. This innovative stereo condenser allows sound recordists the choice of selecting a left-right stereo output or choosing discrete Mid-Side signals for later manipulation, a remarkable flexibility. The microphone’s dual-diaphragm capsules maintain precise polar pattern definition across the full frequency range. Its transformerless circuitry virtually eliminates low-frequency distortion.

• Innovative side-address Mid-Side stereo microphone engineered for professional recording, broadcast and sound reinforcement


• Independent cardioid and figure-of-eight condenser elements


• Switch selection of Mid-Side mode and two internally matrixed stereo modes


• Dual-diaphragm capsules maintain precise polar pattern definition across the full frequency range of the microphone


• Transformerless circuitry virtually eliminates low-frequency distortion and provides superior correlation of high-speed transients


• The 2-micron-thick, vapor-deposited gold diaphragms undergo a five-step aging process so that the optimum characteristics remain constant over years of use


• Open acoustical environment of the symmetrical housing assembly minimizes unwanted internal reflections


• Integral 80 Hz high-pass filter switch and 10 dB pad switch


• State-of-the-art design and manufacturing techniques ensure compliance with A-T’s stringent consistency and reliability standards


• Custom shock mount provides superior isolation

Based on models originally developed for use in the broadcast of the Sydney Games in 2000, the BP4027 (14.96" long) and BP4029 (9.29" long) Stereo Shotgun models are engineered for high-end broadcast and production use. Both microphones feature independent line-cardioid and figure-of-eight elements configured in an MS (Mid-Side) arrangement with switch-selectable internal matrixing. These innovative microphones allow sound recordists the choice of selecting a left-right stereo output (wide or narrow) via the microphone’s internal matrixing system or choosing discrete Mid-Side signals for later manipulation, a flexibility not available from any other manufacturer.

A switchable low frequency roll-off filter helps minimize the pickup of unwanted low frequency noise. These phantom-powered models feature a rugged lightweight design and sleek black color scheme, perfect for on-camera use.

• Designed for broadcasters, videographers and sound recordists


• Ideal for recording distant sounds, tightened with excellent off-axis noise rejection


• Compact, lightweight design is perfect for camera-mount use


• Independent Line-cardioid and Figure-of-eight condenser elements , configured in MS mode


• Picks up natural ambience without colouration or distortion


• Switchable low-frequency roll-off


• Compact lightweight metal microphone (only 142g) adapted for use on camera


• Switch selection of non-matrixed M-S mode and two internally-matrixed left/right stereo modes


• Two stereo modes: wide angle (LR-W) or narrow angle (LR-N)


• Low-cut filter 80 Hz with 12 dB / octave


• Operates on Phantom power


• Includes a 0.61 m (24") Y-shaped cable (5-pin XLRF to two standard 3-pin XLRM connectors)

• Exceptionally wide dynamic range captures the full, expressive character of instruments and voices – from the caress of drum brushes to powerful vocal performances


• Four rectangular diaphragms (2 micron) function together to provide a combined surface area twice that of a standard one-inch circular diaphragm


• Discrete components carefully selected and optimized for maximum performance and compatibility with standalone microphone preamps and console inputs


• Transformer-coupled output provides smooth sonic character


• Hand assembled and inspected for 100% quality control


• Advanced internal shock mounting decouples the capsule from the microphone body


• Elegant, durable housing of aluminum and brass


• Included advanced-design custom AT8480 shock mount provides superior isolation


• Custom hard-shell carry case with die-cut foam compartments offers protection during storage and transport

Based on models originally developed for use in the broadcast of the Sydney Games in 2000, the BP4027 (14.96" long) and BP4029 (9.29" long) Stereo Shotgun models are engineered for high-end broadcast and production use. Both microphones feature independent line-cardioid and figure-of-eight elements configured in an MS (Mid-Side) arrangement with switch-selectable internal matrixing. These innovative microphones allow sound recordists the choice of selecting a left-right stereo output (wide or narrow) via the microphone’s internal matrixing system or choosing discrete Mid-Side signals for later manipulation, a flexibility not available from any other manufacturer.

A switchable low frequency roll-off filter helps minimize the pickup of unwanted low frequency noise. These phantom-powered models feature a rugged lightweight design and sleek black color scheme, perfect for on-camera use.

• Designed for broadcasters, videographers and sound recordists


• Ideal for recording distant sounds, tightened with excellent off-axis noise rejection


• Compact, lightweight design is perfect for camera-mount use


• Independent Line-cardioid and Figure-of-eight condenser elements , configured in MS mode


• Picks up natural ambience without colouration or distortion


• Switchable low-frequency roll-off


• Compact lightweight metal microphone (only 142g) adapted for use on camera


• Switch selection of non-matrixed M-S mode and two internally-matrixed left/right stereo modes


• Two stereo modes: wide angle (LR-W) or narrow angle (LR-N)


• Low-cut filter 80 Hz with 12 dB / octave


• Operates on Phantom power


• Includes a 0.61 m (24") Y-shaped cable (5-pin XLRF to two standard 3-pin XLRM connectors)

$399.00

Delivering clear and natural sound for on-camera use, BRH50M features closed-back, supra-aural earcups.

• Lightweight headset microphone for on-camera broadcast applications


• Dynamic cartridge with supercardioid polar pattern


• Adjustable headband for ergonomic fit and pivoting boom for left- or right-side wear


• Includes BRH50M, windscreen, detachable cable with Neutrik 3-pin XLR male connector and 1/4'' stereo plug, and user guide

Features closed-back, circumaural ear cups. Boom offers flip-up mute function.

Features a single-side circumaural ear cup. Boom includes flip-up mute function.

Popular radio and TV mic features excellent shielding against electromagnetic hum. Plus mounting bracket.

Compact, lightweight, durable microphone with a professional sound and appearance.

Sleek, ergonomic mic with high energy neodymium magnet. Clarity and crispness for speech reproduction.

Features interchangeable long, medium, and short capsules for critical broadcast and media production applications.