While the impact of ML and AI have been discussed and debated for years, practical applications are fast accelerating across the media supply chain. The pace of innovation is moving quickly and with the cloud wars in full force, there are new services becoming available all the time that offer novel ways to automate tasks with ML and AI. Already, the big three cloud providers — AWS, Azure, and Google — have rolled out powerful capabilities that help with essential tasks including captioning, transcription, and even object/facial recognition to bolster compliance edits and to augment metadata. For media organizations, the implications of these solutions are vast, and we’ve already begun to see their power. With things moving so fast, though, it’s challenging to keep up and important to have the right architecture and structure in place to take advantage of these innovations.
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Azimuth Soft newsroom management software
NewsHouse and playout automation solution
AutoPlay have redefined newsroom workflows and solve newsroom challenges across subsidiaries of VGTRK.
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World cups, league tournaments, Grand Slams and Super Bowl! It’s safe to say that the buzz around sports is never-ending. However, the prevailing situation is a challenging run for sports and fans, alike. There has been a steep slump in viewership over the last couple of months. ESPN’s viewership has dropped by 50%, while the NBA has seen a 14% decline in viewership contrasted to 2019.
The current pandemic has affected many sections of the sports media due to social distancing measures and government-imposed restrictions.
Nonetheless, sports fans across the world seem to be eagerly awaiting their next game. A study conducted by Forbes about sports fans showed that though there has been a lack of live games, fans are as hopeful as ever. For instance, the Green Bay Packers that compete in the NFL have a season-ticket waiting list with 137,000 people.
This brings up the inquiry - how can sporting leagues and broadcasters improvise to keep fans at the centre and what role can technology play when it comes to fan engagement?
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Get your summer of 2020 “Sequel” fix with 5 Tiers of Storage for New Video Production Workflows: The Sequel on August 4.
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In this panel discussion with Reinhard Grandl (Head of Product, Bitmovin) & Bill McFarland (CTO, Plume), we hear about their key markets and the differences in each of these markets. We hear how Covid-19 has affected their business along with the biggest challenges they have faced during the crisis.
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Based in Los Angeles, Love Productions is an independent subsidiary of a leading UK production company with both entities specialising in unscripted content. Popular shows such as ‘The Great American Baking Show’’,’ ‘Singapore Social’, ‘Made in Mexico’ and many others air on major networks and streaming services including Netflix, Amazon and Facebook. Initially set up as a production office to develop U.S. shows back in 2013, as work expanded Love Productions decided to bring postproduction totally in-house. At that point, Head of Post Production Charlotte Pai was given the challenging task of researching and building the new facility from scratch.
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In light of the recent health epidemic sweeping the globe, story production teams, journalists and broadcasters are adjusting to working from home. At the same time, management is now turning toward cloud-based solutions to promote efficient remote workflows with the objective of sustaining and ensuring high quality and quickly transferred deliverables.
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We invite you to join Xytech’s Virtual NAB Webinar Series! Join the Xytech Team for our three Webinar Series to showcase the latest features in our 2020 release of MediaPulse, the world’s leading resource management software. This series includes an overview of MediaPulse and two specialty webinars focusing on Media Services and Video Transmission.
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Based in Auckland, Images & Sound is New Zealand’s longest established full-service post house with an extremely impressive portfolio. The company’s clients range from small independent filmmakers to large international studios and while long form documentaries and drama make up the majority of work, TV commercials and web content add an important contribution to the mix. All deliverables benefit from Images & Sound’s combination of experience and creative talent underpinned by a range of leading edge technologies employed in 4K HDR workflows, Dolby Atmos Home Theatre mixing, high-end VFX and grading. Collaborative working, essential to provide speedy throughput, is facilitated by the deployment of Avid NEXIS to serve the edit suites.
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Our industry is filled with different standards that are constantly being updated and new ones initiated. We all are often too tied up in our day-to-day activities to keep up with various standards activities, until suddenly we need to be on top of them for an order or an RFP.
IABM is here to help you keep up to date with the latest developments with this on-demand webinar. We will also cover the latest activities from our IABM Endorsed Collaborative Groups – AIMS – Alliance for IP Media Solutions, DPP – Digital Production Partnership, MOS Development Group, Streaming Video Alliance and VSF – Video Services Forum.
This webinar is presented by Stan Moote, IABM CTO and Paul Treleaven, IABM’s Technology Specialist who actively represents IABM on SMPTE and AES Standards Committees and at ABU Technical Committee meetings. He provides meeting reports and drives our Standards Monitoring Group.
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