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Angenieux EZ-1 30-90mm T2 - PL is a fast zoom for 3-perf Super 35mm sized sensors that has been designed from the ground up to utilize interchangeable rear optical assemblies. This allows you to use the same lens to cover Super 35 or Full-Frame/VistaVision-sized sensors by swapping out the rear optical assembly. In addition, the rear assemblies allow you to swap the lens mount from PL to Sony E or Canon EF.

 

The version of the lens ships with a PL mount and the Super 35 rear optical assembly. Set up as such it features a T2.0 aperture and focuses down to 2' in front of the image plane, while weighing in at only 4.7 pounds. The 114mm front diameter of the lens is a common diameter compatible with cinema-style matte boxes. The lens features independent focus, iris, and zoom control rings with cinema standard gear teeth. A removable support foot can be repositioned for when you need to rotate your lens off of a standard mounting orientation.

 

Interchangeable Rear Optical Assembly

 

The EZ-1 30-90mm is designed with swappable rear optical elements so you can easily convert the lens from covering 3-perf Super 35 to full-frame/VistaVision. This design has many advantages over adding additional optical elements such as 2x extenders, as swapping the rear assembly allows the lens to maintain the same physical size and minimum operating distance, while losing only slightly more than a stop when going from Super 35 to full-frame coverage. Additionally, as the optics are designed to be part of the lens, and not just additional elements that blow up the image resolved by the lens, they match the optical quality of the lens and your image does not suffer from having to go through additional glass/air surfaces, which can degrade your image.

 

Interchangeable Lens Mounts

 

This lens ships with a PL mount; however, that mount can be swapped with available (not included) E or EF lens mounts.

 

Losing only 1/10 of a stop within the lens, the EZ-2 is extremely efficient. The fast T2.0 maximum aperture in Super 35mm matches the maximum aperture of many standard prime lenses for Super 35mm. This allows you to light to a lower illumination level than would normally be required for many zooms, making for more consistent images as you may not have to relight the scene as is often the case when moving from primes to slower zoom lenses.

 

Manual Lens Control Rings

 

Featuring independent manual control rings for focus, iris, and zoom. Each control ring incorporates industry standard 0.8 lens gear teeth.

 

114mm Front Diameter

 

The EZ-1 shares the same 114mm front common to the Angenieux OPTIMO lens series, allowing you to easily share matte boxes between the EZ-1 and the OPTIMO lenses.

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xpressly designed for large-format sensors, the Premista 19-45mm T2.9 Large-Format Cine Lens from Fujifilm covers up to a 46.3mm image circle in addition to Super35 sensors. Its image quality is maintained from the center through the image corners, and it is color-matched to the Fujifilm cine lens line to reduce color grading in post. Compatibility with both ZEISS eXtended Data and Cooke /i Technology makes it easy to note your lens information for VFX work or matching shots. When paired with its companions such as the 28-100mm and 80-250mm, the Premista zooms cover a wide range of frequently used focal lengths.This standard zoom lens features a constant T2.9 maximum aperture across the entire zoom range, minimal aberration, low distortion, flare and ghost suppression, and a wide dynamic range. Housed in a durable lens barrel, the Premista is designed with a 13-blade aperture for smooth bokeh and a wide focus barrel rotation of 280°. It also shares a 114mm front diameter with the other Premista line, making it simple to share accessories such as filters, a follow focus, and matte boxes. It features measurements in both feet and meters, and the index markings on the FIZ rings are in fluorescent paint so they are easily viewable in dark environments.

Buy Fujinon Premista 19-45mm T2.9 Large-Format Cine Lens (PL) From UBMS Dubai.

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Ultra Prime Lenses have the widest focal range of any prime lens set available to cover every cinematic need: from the unique Ultra Prime 8R extreme wide angle lens to the best telephoto lens designed specifically for motion pictures, the Ultra Prime 180 mm, giving you the flexibility to get the coverage you want.

Ultra Prime Lenses retain their excellent image quality even at close focus across the whole Super 35 frame. The Ultra Prime Lenses are lightweight standard speed lenses that are a perfect optical match to the high speed Master Prime Lenses.

Main Features

• 15 modern high performance prime lenses (T.1.9)


• Widest focal length range: 8 - 180 mm


• Ultra Prime 8R – extreme wide angle lens


• Ultra Prime 180 the best cinema telephoto prime


• Superior close focus ability

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The 40mm Master Prime is one in a set of 16 from ARRI/Zeiss featuring excellent resolution, advanced contrast, almost no breathing, and a fast T1.3 aperture for achieving shallow depth of field. Ranging from 12mm to 150mm, the Master Primes offer the skin tones and color rendition for which Zeiss is noted, and are color-matched for consistency across the set. These lenses incorporate an iris with at least nine blades for cinematic-looking bokeh with distinct focus fall-off. Dual floating elements provide optimal close-focus performance while minimizing breathing when focusing. The advanced T*XP coating reduces reflections and glare while improving contrast.

Designed with aspherical elements for minimal chromatic aberration, the ARRI/Zeiss Master Primes provide optimal image quality and clean chroma-keying. High resolution is maintained in image corners even when the lens is used wide open and at close focus. Each lens features a PL mount and a built-in LDS system for transferring lens data to compatible cameras. The expanded focus scale has generous room for marks, and it sports fluorescent engravings for easier viewing in low-light settings. The focus ring has markings in both feet and metric; the ring may be reversed from one to the other by a qualified shop technician.

This 40mm Master Prime Lens features a 16" minimum focus distance, focus marks set in meters, a relatively light weight of 5.1 pounds, and a compact length of 8". This family of lenses feature consistent placement of focus, iris, and zoom rings for easier use with follow focus, zoom control, and F/I/Z wireless systems. Most of the lenses in the Master Prime family, including the 40mm, have a uniform 114mm front diameter, enabling the use of the same size matte box adapter, filter, etc.

Features

Superior resolution and contrast with virtually no breathingCovers Super-35 sensorsFast, maximum T1.3 aperture enables shooting in low light and produces shallow depth of fieldColor-matched across the setAspherical elements for reduced chromatic aberrationPL mount with integrated LDS system for transferring lens data to compatible camerasRelatively lightweight, compact form factor with 114mm front diameter

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ARRI and FUJINON have joined their extensive expertise to create a completely new family of modern cine zooms. Using the latest in optical design technology and innovative manufacturing techniques, the ARRI Alura Zooms combine the highest optical performance with an amazingly small size, weight and price. They are available as Studio zooms for use on a tripod or crane with a wider focal range, or as lightweight zooms which are significantly smaller and lighter in exchange for a reduced focal range.

All Alura Zooms' color characteristics, as well as their handling, are matched to existing prime lenses in ARRI's outstanding repertoire

Main Features

Matched Zooms

Matched wide and long PL mount zooms for an efficient shooting paceSmall size and low weight for quick and easy handling on the set

Fast and Steady

T2.6Consistent aperture over entire zoom range

Outstanding Optical Performance

High resolution, high contrastEven field illuminationMinimized ghost, flares and veiling glare due to FUJINON multi-layer EBC coatingGreatly reduced chromatic aberration through the use of extraordinary dispersion glassMinimized breathing, especially at the wide end where it counts9 iris leaves for round, out-of-focus highlights and a pleasing, organic bokehOptimized for ALEXA 2K 16:9 image format, covers up to DIN Super 35 4:3

Consistent Optical Performance

Consistent contrast, resolution and field illumination across the whole focus and zoom range

Film Style Ergonomics

Compatible with film and digital ARRI cameras and accessoriesRobust constructionLarge, easy-to-read precision focus scales on both sidesMatched to existing prime lenses

Easy Servicing

Feet/meter focus scales can be exchangedFront and rear elements can be exchangedZoom centering mechanism

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ZEISS Supreme Prime 6 Lens Kit of 25, 29, 35, 50, 85, 100mm (Meters, PL Mount)

HIGHLIGHTS

• 
  
  
  
  • Prime Lenses for PL-Mount Cameras
  
  
  • 6 x Focal Length Prime Lens Set
  
  
  • T1.5 Maximum Aperture
  
  
  • Each Lens Has a 16-Blade Iris
  
  
  • Similar Physical Dimensions
  
  
  • Designed for 4K Resolution
  
  
  • Excellent Low Light Capability
  
  
  
  

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Ultra-wide 4.5mm to 63mm (14x zoom) with  4K optical performance in a compact lightweight package

UA14x4.5 covers the ultra wide angle focal length of 4.5mm despite its compact body, measuring just 238.5mm, allowing you to go up close and personal during live sports coverage or on-location production with a real sense of depth.

• Advanced optical performance with 4K compatibility across the zoom range


• Achieving natural bokeh with the adoption of nine aperture blades


• Compact and lightweight body, measuring 238.5mm


• 4K image quality in a variety of situations


• Controlling distortions and aberrations at edges

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With a focal lengths of 5.5−100mm, this 4K 18x zoom lens is the optical solution for diverse shooting situations

While the "UA18x5.5" weighs 2.04kg, it covers focal lengths from 5.5mm on the wide angle end to 100mm on the telephoto end, making it useful for production situations that require added mobility, e.g. news reporting and on-location production for various programs.

• Advanced optical performance with 4K compatibility across the zoom range


• Achieving natural bokeh with the adoption of nine aperture blades


• Compact and lightweight design, weighing just 2kg


• 18x zoom covering a wide range of scenes from 5.5mm at wide angle to 100mm at telephoto

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4K high-definition puality, combining a class-leading 24 times zoom ratio and the lightest weight, 1.98kg.

The 24 times high zoom ratio covers an extensive focal length range from a 7.8mm wide-angle to a 187mm telephoto. Excellent and lightweight 1.98kg, achieving outstanding center-of-gravity.

• 24x zoom covering a wide range of scenes from 7.8mm at wide angle to 187mm at telephoto.


• Compact and lightweight body, measuring 220.5mm and 1.98kg.


• Achieving natural bokeh with the adoption of nine aperture blades


• Excellent 4K optical performance


• 16bit encoders device for virtual system

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The UA80x9 1.2x high-power zoom lens has been developed by incorporating a 1.2x extender in the existing UA80x9, which has been well received. It achieves resolution surpassing 4K, high contrast and HDR across the entire zoom range. In addition, using the 1.2x extender, it covers the focal length from 10.8mm in wide angle to 864mm in telephoto, enabling even further telephoto shooting in relay broadcasting of sports and concerts. The floating focus system, which controls multiple lens groups in accordance with the shooting distance, minimizes performance variations caused by the change in shooting distance.

• Advanced optical performance that enables 4K compatibility under any shooting conditions


• Enabling further telephoto shooting by newly developed incorporating a 1.2x extender


• 9-blade round iris enabling natural bokeh in images


• Featuring the popular optical stabilization mechanism


• Equipped with 16bit encoder for virtual device

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The UA46x9.5 covers a focal length from 9.5mm to a high magnification of 437mm, making it the world's widest angle** lens in its class. It is a portable broadcast zoom lens that enables incredible video to be shot in a wide variety of scenes. Using state-of-the-art optical design technology, it suppresses color aberrations to the minimum. Also, it realizes vivid color reproduction and high contrast by improving the light transmittance. Rich tones are reproduced with High Dynamic Range (HDR).

• *World's highest magnification zoom ratio for a 4K broadcast portable zoom lens.As of August 20, 2018, according to Fujifilm research.


• **World's widest angle in a 40x or greater broadcast portable zoom lens.


• The world’s highest zoom ratio in a broadcast portable lens for 4K video production, realizing a 46x zoom


• Reproduces rich tones using state-of-the-art optical design technology


• Equipped with a proprietary anti-vibration mechanism, supporting 4K video production


• Newly developed drive unit realizes a high level of operability


• Realizes natural bokeh with the adoption of a nine aperture blade design

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Tap the full potential of 4K optical performance with the focal lengths of 6.5-180mm and large F1.5 aperture of this 27x lens

UA27x6.5 is a 4K-compatible 27x zoom lens, perfect for in-studio applications for news and variety shows. With the wide-angle focal length of 6.5mm, it can also be used to give a full view of a concert venue in live coverage. The "UA27x6.5" has a built-in extender, which doubles its focal lengths, covering up to 360mm in focal length while maintaining image quality in advanced definition.

• Advanced optical performance with 4K compatibility across the zoom range


• Achieving natural bokeh with the adoption of nine aperture blades


• 27x zoom from 6.5mm at wide angle to 180mm at telephoto for covering a wide variety of scenes


• Maximum aperture ratio of f1.5 to draw out full optical performance with 4K compatibility


• Equipped with 16-bit encoder*

• *The sensor for converting position information into digital signals; Zoom and focus position data is divided in 16-bit resolution and output as electric signals.