Angenieux EZ-1 30-90mm T2 – PL

Create » Content Acquisition and Capture » Camera Accessories » Camera lenses »

 

 

Angenieux EZ-1 30-90mm T2 - PL is a fast zoom for 3-perf Super 35mm sized sensors that has been designed from the ground up to utilize interchangeable rear optical assemblies. This allows you to use the same lens to cover Super 35 or Full-Frame/VistaVision-sized sensors by swapping out the rear optical assembly. In addition, the rear assemblies allow you to swap the lens mount from PL to Sony E or Canon EF.

 

The version of the lens ships with a PL mount and the Super 35 rear optical assembly. Set up as such it features a T2.0 aperture and focuses down to 2' in front of the image plane, while weighing in at only 4.7 pounds. The 114mm front diameter of the lens is a common diameter compatible with cinema-style matte boxes. The lens features independent focus, iris, and zoom control rings with cinema standard gear teeth. A removable support foot can be repositioned for when you need to rotate your lens off of a standard mounting orientation.

 

Interchangeable Rear Optical Assembly

 

The EZ-1 30-90mm is designed with swappable rear optical elements so you can easily convert the lens from covering 3-perf Super 35 to full-frame/VistaVision. This design has many advantages over adding additional optical elements such as 2x extenders, as swapping the rear assembly allows the lens to maintain the same physical size and minimum operating distance, while losing only slightly more than a stop when going from Super 35 to full-frame coverage. Additionally, as the optics are designed to be part of the lens, and not just additional elements that blow up the image resolved by the lens, they match the optical quality of the lens and your image does not suffer from having to go through additional glass/air surfaces, which can degrade your image.

 

Interchangeable Lens Mounts

 

This lens ships with a PL mount; however, that mount can be swapped with available (not included) E or EF lens mounts.

 

Losing only 1/10 of a stop within the lens, the EZ-2 is extremely efficient. The fast T2.0 maximum aperture in Super 35mm matches the maximum aperture of many standard prime lenses for Super 35mm. This allows you to light to a lower illumination level than would normally be required for many zooms, making for more consistent images as you may not have to relight the scene as is often the case when moving from primes to slower zoom lenses.

 

Manual Lens Control Rings

 

Featuring independent manual control rings for focus, iris, and zoom. Each control ring incorporates industry standard 0.8 lens gear teeth.

 

114mm Front Diameter

 

The EZ-1 shares the same 114mm front common to the Angenieux OPTIMO lens series, allowing you to easily share matte boxes between the EZ-1 and the OPTIMO lenses.

Create » Content Acquisition and Capture » Lighting » Lighting systems »

The Astera FP1 Titan Tube Set was custom designed for Broadcasting, Cinema, and Film industries. The Astera Titan Tube is optimized for an ultra-high TLCI (Television Lighting Consistency Index), a very high CRI (Color Rendering Index) and peak brightness, colors as well as Hue, Saturation and Intensity can be set directly on the Astera TitanTube. The Astera Titan Tube also now accepts wired DMX via a special power/data combination cable.

HIGHLIGHTS

• Includes:


• 8x Astera FP1 Titan Tube


• 16x Eyebolts (Astera AX1-EBLT)


• 16x Aluminum Holders (Astera AX1-H)


• 16x Cotter pin


• 16x Spigots


• 8x Stand (Astera AX1-STD)


• 1 x Astera TITAN-CHRCSE Titan Tube Charging Case

Create » Content Acquisition and Capture » Camera Accessories » Camera support and grip »

 

 

 

 

Atomos Shogun 7 HDR Pro Monitor/Recorder/Switcher. This versatile pro on-camera recording monitor offers up to DCI 4K raw recording, HDMI and 12/6/3G-SDI inputs/outputs, and ISO recording of up to four HD-SDI camera streams. Output your content for director or client-viewing in Dolby Vision HDR using the Shogun 7, AtomOS10 platform, and a compatible display.

 

This monitor supports resolutions up to DCI 4K (4096 x 2160) at 60p and up to 2K at 240p for slow-motion effects. Record to 2.5" SSDs using Apple ProRes Raw, ProRes, CinemaDMG (up to 30p), and Avid DNxHD codecs. Record all your event's action with live multicamera monitoring, recording, and switching between program and up to four 1080p60 SDI ISO camera streams.

 

The Shogun 7's 10-bit (8+2 FRC) panel features 360-zone backlight, 1500 cd/m² brightness, and a 1,000,000:1 contrast ratio. Its native AtomHDR (log) display enables you to more accurately monitor your log gamma footage without having to view flat, washed-out images or use a LUT to compress the dynamic range and color space. Built-in presets accurately translate popular log formats from ARRI, Canon, Fujifilm, JVC, Nikon, Panasonic, RED, and Sony cameras.

 

Save editing time by tagging your footage on-the-fly and recording directly to Final Cut Pro x, Adobe Premiere, or Avid Media Composer formats (third-party plug-ins may be required for tagging).

 

Power the Shogun Inferno with a single Sony L-series battery; dual battery plates support hot swapping, enabling longer uninterrupted runtimes. For audio recording, the monitor supports balanced XLR inputs with +48V phantom power via a separately available audio breakout cable. Additional Shogun 7 features include genlock input, SDI/HDMI cross conversion, and a variety of on-screen exposure analysis, framing, focus assist, and other display tools.

 

Monitor

 

• 1920 x 1280 resolution

 

• 7" LCD screen with 360-zone backlight

 

• 10-bit (8+2 FRC) monitoring processing

 

• 1500 cd/m² brightness

 

• 1,000,000:1 contrast ratio (with zone backlight on)

 

• Output using Dolby Vision HDR

 

• AtomHDR technology displays native HDR (log) display footage

 

• Log gamma viewing presets for ARRI, Canon, Fujifilm, JVC, Nikon, Panasonic, RED, and Sony cameras

 

• Custom 3D LUT support (.cube format)

 

• Anamorphic de-squeeze: 2x, 1.5x, 1.33x

 

• UHD 4K downscale for HD monitoring

 

Input/Output

 

• 4K HDMI and 12G-SDI inputs/outputs

 

• Four 6G/3G-SDI or dual 12G-SDI inputs

 

• SDI/HDMI cross conversion

 

• Genlock input

 

• Separately available audio breakout cable for XLR audio input

 

Recording and Switching

 

• Up to DCI 4K60 recording in ProRes Raw, ProRes, CinemaDMG (4K30), or DNxHD

 

• Capture and switch between up to four ISO camera feeds

 

• Slow-motion recording up to 1080p at 240 fps

 

• Record to 2.5" SSD/HDD media using the included Master Caddy II

 

• Pre-roll record (8 seconds in HD, 2 seconds in 4K)

 

• Ten metadata fields

 

Additional Features

 

• Dual Sony L-series battery slots support hot swapping for continuous power

 

• Record 4K30p up to 2.2 hours with 2 x 7.4V, 7800mAh batteries

 

• Record 4K30p up to 1.5 hours with 2 x 7.4V, 5200mAh batteries

 

• Top and bottom 1/4"-20 mounting threads

 

• 3.5mm headphone output port

Create » Content Acquisition and Capture » Camera Accessories » Camera support and grip »

Cartoni Master 30 Flat Base Fluid Head covers the needs of video shooters using cameras weighing from 7 to 66 lb. With a low center of gravity configuration such as with teleprompter, the Master 30 can hold cameras as heavy as 88 lb. The fluid module, in both pan and tilt modes, ensures smooth movements. With accurate starts and stops, the drag system allows a wide variety from almost freewheeling in fast action movements to maximum resistance for long focal shoots.

HIGHLIGHTS

• 
  
  
  
  • Counterbalance performs perfect balance at any angle from 0 to ±90°
  
  
  • Operating knobs and levers are conveniently located and easy to reach with a special care for ergonomics
  
  
  • Head comes equipped with dual telescopic pan bars, illuminated spirit level and digital readouts for drag control and counterbalance settings
  
  
  
  

Create » Content Acquisition and Capture » Camera Accessories » Camera support and grip »

Cartoni Master 30 Flat Base Fluid Head covers the needs of video shooters using cameras weighing from 7 to 66 lb. With a low center of gravity configuration such as with teleprompter, the Master 30 can hold cameras as heavy as 88 lb. The fluid module, in both pan and tilt modes, ensures smooth movements. With accurate starts and stops, the drag system allows a wide variety from almost freewheeling in fast action movements to maximum resistance for long focal shoots.

HIGHLIGHTS

• 
  
  
  
  • Counterbalance performs perfect balance at any angle from 0 to ±90°
  
  
  • Operating knobs and levers are conveniently located and easy to reach with a special care for ergonomics
  
  
  • Head comes equipped with dual telescopic pan bars, illuminated spirit level and digital readouts for drag control and counterbalance settings
  
  
  
  

Create » Content Acquisition and Capture » Cameras » Digital Cinema Cameras »

 

X1D II 50C

 

COMPACT. POWERFUL. ENHANCED.

 

Packed into the award-winning design of the first generation, the X1D II 50C continues to keep medium format photography portable with its compact build. Its upgraded electronic platform includes an enlarged 3.6-inch touch display and an enhanced EVF, a faster live view refresh rate, and an intuitive and even quicker user interface control. Connection via USB-C or Wi-Fi to Hasselblad’s Phocus Mobile 2 allows for the ultimate, on-the-go workflow from camera to iPad Pro and 2019 iPad Air models. And with a huge range of high-quality optics to shoot with, including XCD, HC/HCD, XPan and V System Lenses, the creative possibilities are endless.

 

THE POWER OF PORTABLE

 

Lightweight and portable, the X1D II 50C lets you take the power of medium format in a footprint smaller than most full frame 35mm cameras. Individually calibrated for optimal performance, its large 50-megapixel medium format CMOS sensor (43.8 x 32.9 mm) features outstanding colour depth and a huge dynamic range of 14 stops. Hasselblad Natural Colour Solution technology is integrated into the camera’s system, delivering superb, true-to-life tones that match what the human eye sees. Blending form and function in its ergonomic design adopted from the award-winning first generation, the X1D II 50C continues to provide creatives with incredible Hasselblad image quality, with 16-bit RAW images and now full resolution JPEGs, in a compact, lightweight design.

 

 

 

INTUITIVE USER EXPERIENCE

 

The X1D II 50C’s brilliant 3.6-inch 2.36-million-dot touch rear display and enhanced 3.69-million-dot OLED EVF are updated with higher resolution, enabling a more accurate post capture evaluation of images. With an improved magnification of 0.87x, the X1D II 50C’s EVF is now larger, letting you see the bigger picture. In addition, the menu system is now accessible when looking in the EVF, providing greater usability in the sunniest conditions. Building upon the previous generation’s intuitive user interface with pinch-to-zoom and swipe image browsing, the X1D II 50C is refined with a quicker overall response when navigating through its menu system. Further additions to the rear display include autofocus point drag and drop placement and autofocus point size changes with pinch/spread finger movement. With a quicker startup time, a live view with a faster refresh rate of 60 fps, and the shutter lag and black out time between frames reduced, the X1D II 50C creates an even smoother user experience.

 

 

 

UPGRADED ELECTRONICS

 

The X1D II 50C’s updated electronic platform allows for a more responsive camera experience, including faster image previewing, enabling quicker post capture evaluation. In addition, a higher frame rate of 60 fps makes live view smoother in both the EVF and the rear display. The much higher resolution of the rear display screen (1024x768) gives a more vivid, true to life image viewing experience. In addition, the X1D II 50C now enables full resolution high quality in-camera JPEG images with Hasselblad’s signature colours. Dual SD card slots, now supporting the faster UHS-II standard, ensure optimal storage space or the option to back up images to a second card when shooting.

 

 

 

TOTAL CONNECTIVITY

 

Built-in Wi-Fi and USB-C connectivity create a portable photographic workflow with wireless or tethered image export and tethered shooting using Phocus Mobile 2. Tethered shooting is also applicable with Phocus’ desktop version, available for both Mac and PC. An internal GPS module enables optional automatic geotagging of images. Dual SD card slots ensure optimal storage space or the option to back up images to a second card when shooting. The X1D II 50C enables in-camera battery charging via USB through a computer, charger or power bank.

 

 

 

PORTABLE WORKFLOW WITH PHOCUS MOBILE 2

 

Expanding the possibilities of the Hasselblad workflow, Phocus Mobile 2 takes the image editing process to a new, portable level. Compatible with the X1D II 50C via either USB-C or Wi-Fi, Phocus Mobile 2 is supported on iPad Pro and 2019 iPad Air models, enabling the traveling photographer to have a quicker, more seamless workflow. With Phocus Mobile 2, users can import, edit and rate RAW images and import and rate full quality JPEG images directly on their device. In addition, Phocus Mobile 2 supports full quality image export, tethered shooting, and direct camera control.

 

 

 

DESIGNED WITH THE PHOTOGRAPHER IN MIND

 

Adopting the award-winning design of the first generation, the X1D II 50C continues with Hasselblad’s heritage of blending form and function seamlessly for a smooth handling experience. Milled from high-quality, solid aluminum and designed with a clean surface with only the most crucial buttons, all other commands are easily located in the rear touch display. With the shutter built into Hasselblad lenses instead of the camera body, the weight and size of the X1D II 50C is minimized, enabling a very compact form.

 

 

 

SMOOTH HANDLING

 

The X1D II 50C’s deep grip allows for a firm hold, enabling easy and comfortable shooting. Built into the grip is an internal battery slot. Simply clicking it into place, the battery is smoothly ejected by sliding the release catch and then pressing the battery once more.

 

 

 

HIGH-CLASS OPTICS FROM 21MM TO 500MM

 

Shooting with the X1D II 50C gives access to Hasselblad’s full range of high-quality medium format optics, including the 9 XCD Lenses, 12 HC/HCD Lenses (and Converter H 1.7x) with the XH Adapter in addition to other H System accessories, XPan Lenses via the XPan Adapter, and V System Lenses using the XV Adapter. All XCD and HC/HCD Lenses feature central lens shutters that deliver full flash sync, including up to 1/2000th of a second in all X System Lenses. Crafted from durable metal components, Hasselblad optics are rigorously tested to ensure optimal performance and superb image quality.

 

 

 

XCD 3,5-4,5/35-75 ZOOM LENS FOR X1D II 50C

 

The ninth addition to the X System lens range is the XCD 3,5-4,5/35-75 Zoom Lens. Delivering the same superb image quality from edge-to-edge as the XCD prime lenses, this extremely high performance, compact mid-range zoom covers moderate wide angle to short telephoto focal lengths. Its internal focusing keeps the lens’ dimensions constant, delivers quick autofocus and additionally keeps the overall weight down. Ideal for shooting anything from wide angle landscapes to portrait images, this lens is perfect for photographers who are looking to keep the amount of equipment they carry when travelling to a minimum but don’t want to compromise on image quality. Like the rest of the XCD lens range, the XCD 35-75 features an integral central lens shutter, offering exposure times from 68 minutes to 1/2000th of a second with full flash synchronisation throughout.

 

 

Create » Content Acquisition and Capture » Social/UGC » Content/data acquisition from public sources »

 

AirBox Neo provides automated content playout for satellite channels, cable head-ends, over-the-air broadcasters and corporate TV users. Itis designed to be extremely robust, in order to meet the highest reliability demands of on-air playout. Due to its unique modular architecture itis also suitable for webcasters, hotel Pay TV channels, corporate presentations, video wall sourcing and other program distribution systems.At a fraction of the price of any digital videotape player, a single AirBox server offers the same visual quality at its single or multi-channel SDIoutputs, multi-language audio, graphics and subtitle insertion, last-minute playlist changes and clip editing.

 

 

 

AirBox Neo supports MPEG1/2/H.264, HDV and DV streams from virtually every known production platform providing AVI, MPEG, WMV,Quick Time or MXF content. Files from third-party servers such as Leitch or Seachange are natively supported.

 

 

 

For live productions, any changes to the playlist during on-air session are possible! There are no qued or locked clips. Every clip in theplaylist, except the one which is currently playing, can be trimmed, edited or repositioned. Moreover, playlist order can be changed on-the-flywith commands like skip to next or jump. Such order changes are performed seamlessly without stopping current playout session. Liveproductions are facilitated by the powerful Live Show Clipboard which allows insertion and/or execution of various events or live streams.

 

 

 

For automated playout AirBox Neo allows fixed-time scheduling for weeks ahead. Resulting gaps or time overlaps are automatically resolvedin order to ensure continuous operation even when conflicting timed events are present. Special facilities ensure uninterrupted operation ifcontent files or even entire schedules are missing or misplaced.

 

 

 

Playout sessions are being logged for monitoring and control purposes. The log can be later used for extracting actual playout sequencewith exact timings or identifying user intervention into the playout session. The logging and recovery options allow completely unattended remote operation.

Create » Content Acquisition and Capture » Cameras » Film Cameras »

4K Super 35mm Exmor CMOS sensor XDCAM camera with Variable ND Filter, E-Mount (Lever Lock), 4K/2K RAW and XAVC recording.
Handheld, long form, perfection redefined
Built-in electronic variable ND Filters
High Frame Rates up to 180fps
RAW recording, Apple ProRes 422 and multi-cam with Sony's extension unit
Superbly rugged
Support for four-channel audio input and recording

Create » Content Acquisition and Capture » Cameras » Digital Cinema Cameras »

 

GEMINI 5K S35

 

Featuring Dual Sensitivity Modes, GEMINI™ is RED’s highest-sensitivity sensor to date and delivers exceptional low-light performance allowing for cleaner imagery with less noise and better shadow detail.

 

• 15.4 Megapixel Dual Sensitivity CMOS Sensor

 

• 30.72 mm x 18 mm (Diag: 35.61 mm)

 

Included:

 

• DSMC2 BRAIN w/ selected sensor

 

• DSMC2 BRAIN Case

 

• DSMC VV Al PL MOUNT 2.0 (MONSTRO Only)


• DSMC2 Standard OLPF w/ case

 

Highlights

 

• 5K Super 35mm CMOS Sensor

 

• 5120 x 3000 Recording up to 75 fps

 

• REDCODE RAW, ProRes, and DNx Recording

 

• High-Speed Recording up to 300 fps in 2K

 

• Records to RED MINI-MAG Media

 

• Uses DSMC2 Accessories

 

• Interchangeable Lens Mounts

 

• Aluminum Alloy Construction

 

• 12/24/25/30/48/50/60 fps and Higher

Create » Content Acquisition and Capture » Cameras » Digital Cinema Cameras »

 

 

 

MONSTRO 8K VV

 

 

 

RED’s premier sensor provides cinematic Full Frame lens coverage and delivers 17+ stops of dynamic range.

 

• 35.4 Megapixel CMOS Sensor


• 40.96 mm x 21.60 mm (Diag: 46.31 mm)

 

Included:

 

• DSMC2 BRAIN w/ selected sensor

 

• DSMC2 BRAIN Case

 

• DSMC VV Al PL MOUNT 2.0 (MONSTRO Only)

 

• DSMC2 Standard OLPF w/ case

 

Highlights

 

• 8K Full-Frame CMOS Sensor

 

• 8192 x 4320 Recording up to 60 fps

 

• REDCODE RAW, ProRes, and DNx Recording

 

• High-Speed Recording up to 300 fps in 2K

 

• Records to RED MINI-MAG Media

 

• Uses DSMC2 Accessories

 

• Interchangeable Lens Mounts

 

• Includes PL Lens Mount

 

• Aluminum Alloy Construction

 

• 12/24/25/30/48/50/60 fps and Higher

Create » Content Acquisition and Capture » Cameras » Digital Cinema Cameras »

RED RANGER MONSTRO 8K VV Kit (V-Lock). Built around the MONSTRO 8K VV 35.4MP CMOS sensor, this kit features a shimmed PL mount, a V-mount battery plate, integrated I/O ports including 24V out, additional SDI and AUX power outputs, built-in XLR audio input, and improved thermal performance.

Advancing beyond the RED DRAGON 8K VV sensor, the MONSTRO 8K VV offers a wide dynamic range of 17 stops and improved image quality with greater shadow detail. Use full-frame lenses to capture cinematic images at rates up to 60 fps in 8192 x 4320 8K, 75 fps in the 2.4:1 aspect ratio, 120 fps in 4K, and up to 240 fps in 2K.

Record full-frame video in REDCODE RAW (R3D) and ProRes or DNxHR/HD simultaneously, or capture minutely detailed 35.4MP still images. With up to 4x greater resolution than 4K capture and over 17x more than HD, the WEAPON MONSTRO 8K VV provides the detail that enables cropping, re-centering, and additional tweaking during post while maintaining vivid, crisp imagery. Data rates of up to 300 MB/s can be reached when using 480 or 960GB MINI-MAGs, or up to 225 MB/s with 120 or 240GB MINI-MAGs (available separately).

In addition to the PL-mount RED RANGER BRAIN, this kit includes a BRAIN case, the Production Top Handle, two 15mm LWS rod brackets, the 7.0" RED PRO Touch monitor with cable and adapters, a 24V AC adapter and power cable, and compatible hex and Torx tools.

Key Features:

• 35.4MP, 40.96 x 21.60mm full-frame CMOS sensor for up to 8K-resolution images


• 17-stop dynamic range, with improved image quality and greater shadow detail


• Multiple capture rates including up to 60 fps 8K, 120 fps in 4K, and 240 fps in 2K full format


• Versatile workflow options with REDCODE RAW, ProRes, and DNx recording


• Durable aluminum body


• Up to 300 MB/s data rates with 480 or 960GB, or 225 MB/s with 120 or 240GB MINI-MAGs


• Integrated XLR audio input

Kit Items:PL lens mount with shimsProduction top handleTwo 15mm LWS rod brackets7" RED PRO Touch with 9" ARM24V AC adapter with cableHex and Torx toolsBRAIN case

Create » Content Acquisition and Capture » Camera Accessories » Camera support and grip »

SmallHD FOCUS 7" Full HD Touchscreen Monitor, 1000 nits of Brightness with Teradek Bolt 500 RX integrates Teradek's Bolt 500 wireless receiver with the FOCUS 7 daylight-viewable on-camera monitor. Using the built-in receiver, the FOCUS 7 can receive up to 1080p60 video from Teradek's Bolt 500, Bolt 500 LT or Bolt 500 XT transmitters, or from a SmallHD's FOCUS Bolt 500 TX, with a line-of-sight transmission distance of up to 500'.

 

The included rubberized handgrips and neck strap enable you to comfortably carry the combo unit around the set. An L-series type battery kit, cable clips, matte and glossy screen protectors, and cleaning cloth are also included. Designed with professional monitoring tools, the SmallHD FOCUS 7" On-Camera Monitor is bright, lightweight, and features a sharp 323 ppi display. The 1000 cd/m² bright touchscreen 1920 x 1200 IPS LCD panel is daylight-viewable and supports up to UHD 4K video via its micro-HDMI input. Using the intuitive Swipe OS, you can turn on and save pages of various monitoring tools and focusing aids with a tap.

 

At the rear of the monitor, a dual NP-F battery bay enables you to hot-swap L-series batteries with only one required to power the unit. A 3.5mm barrel DC output can power select cameras with a separately available DC coupler, enabling you to extend your DSLR or mirrorless camera's runtime. A tilt arm is included for mounting the monitor via your camera's accessory shoe or on a 1/4"-20 screw.

 

Features:

 

Daylight viewable, 7" touchscreen on-camera monitor with 1000 cd/m² brightness

 

The integrated Teradek Bolt 500 receiver supports up to 1080p60 video; a full-size HDMI input supports up to UHD 4K

 

Compatible with Bolt 500/500 LT/ 500 XT or Bolt 500 TX transmitter

 

Up to 500' line-of-sight transmission

 

Lightweight, compact design, 10-bit IPS LCD panel

 

Uses SmallHD Swipe OS3 to organize and save customized function and settings pages

 

Included support arm tilts up to 180° and mounts to either a 1/4"-20 screw or a cold shoe

 

The dual-battery plate enables you to hot-swap two L-series type batteries for continuous operation

 

 

 

Display Tools:

 

Pixel Zoom: 2x and 4x with pinch zoom

 

Aspect Ratios: Preset and customizable

 

DSLR Scale: Canon 5D Mk II and Canon 7D

 

Custom Scale: Underscan only

 

Anamorphic De-Squeeze: 1.33x, 1.5x, 1.66x, 2.0x

 

Image Flip: Auto and manual

 

Image Rotation: Auto and manual

 

Color Focus Assist: Adjustable style and intensity

 

Peaking: Adjustable intensity

 

False Color: Spectrum, ARRI-style and customizable

 

Dual Zebra: Customizable

 

Waveform: Luma and RGB, customizable with region of interest highlighting

 

Vectorscope: Yes

 

Picture-in-Picture: No

 

RGB Parade: Customizable

 

Histogram: Luma and RGB

 

Horizon Indicator: No

 

Image Capture: With dedicated button and image gallery

 

Custom LUTs: Load as looks on pages or as system-wide calibration via the settings menu

 

LUT Import: Via SD card or USB storage device

 

Image Overlay: Opacity slider and blink setting

 

Blue Only: No

 

Audio Meters: Up to 8 channels

Create » Content Acquisition and Capture » Cameras » Film Cameras »

 

Sony PXW-FX9 XDCAM 6K Full-Frame Camera System (Body Only) The PXW-FX9 features a full-frame, oversampled 6K Exmor R CMOS sensor that allows you to capture 4K images with cinematic depth of field. The camera's E-mount is machined from stainless steel and allows you to use E-mount lenses.

 

The PXW-FX9 input and output features include 12G-SDI and HDMI outputs for 4K, a 3G-SDI output for HD, and genlock and timecode when using a multicamera setup. The Fast Hybrid AF autofocus system allows for accurate focus and even allows facial detection to automatically detect human form with 561 points of detection. Advanced image stabilization is achieved using the PXW-FX9's internal gyroscope for shots so smooth it'll look like you used a gimbal. Its 4-channel audio recording allows you to use external microphones and record ambient sound with the internal mics simultaneously.

 

The camera features a 15-stop dynamic range and records 10-bit 4:2:2 to dual XQD media card slots that support simultaneous and relay recording, as well as multiple backup recording modes that utilize proxy files. The camera can record UHD (3840 x 2160) and HD (1920 x 1080) internally at a selectable frame rate from 1 fps up to 60 fps in XAVC-I, XAVC-Long, and MPEG HD formats. And with a future firmware update, it will be able to record HD at up to 180 fps and output 16-bit raw 4K/2K footage up to 120 fps. In addition to its wide dynamic range, its enhanced color and light features include a dual base ISO of 800/4000, which is helpful when in low-light situations or using a slower lens. Its 7-stop electronic variable HD filter can perform in auto or manual mode, smoothly adjusting from 1/4 to 1/128 density. The camera's default S-Cinetone color look offers the same soft, vivid tone as with Sony's VENICE camera.

 

The FX9 includes an integrated Multi-Interface (MI) shoe and comes with a BP-U35 battery, BC-U1A battery charger, AC adapter with two power cords, body cap, viewfinder, eyepiece, remote control, and USB cable. The PXW-FX9 is also compatible with the separately available XDCA-FX9 extension unit which provides ENG shoulder-style support, networking features, and a slot for an optional wireless audio receiver.

 

6K CMOS Exmor R Sensor

 

The PXW-FX9's oversampled full-frame 6K sensor provides recording in DCI 4K, UHD, and HD resolutions. Powerful image processing with debayering and down-sampling ensures image quality beyond the limits of conventional Super 35mm sensors. The back-illuminated CMOS image sensor also uses Sony's Exmor R technology for improved sensitivity and noise reduction. Compared to a 4K Super 35mm sensor, the FX9's 6K sensor has over twice the surface area while providing a wider angle of view and shallower depth of field.

 

15 Stops of Dynamic Range

 

The FX9 offers an exceptional 15+ stops of dynamic range, allowing for creative freedom in color grading and post. Camera operators can concentrate on framing the scene they want while relying upon the FX9 to capture every nuance and detail using 4K 4:2:2 10-bit internal recording.

 

ISO Control

 

The FX9 features a base sensitivity of ISO 800, providing the optimal dynamic range for typical documentary applications such as shooting outside or in brightly lit interiors. A secondary high base sensitivity of ISO 4000 excels in low-light conditions such as early morning and evening shoots while maintaining superb image quality. ISO 4000 is also ideal whenever you're using slow lenses.

 

Electronic ND Filter

 

Sony's built-in electronic variable neutral density (ND) filter can be set to auto, or adjust filter density manually in smooth increments from 1/4 to 1/128 as you shoot, for perfectly exposed images without affecting depth of field as lighting conditions change. Use higher-density settings with a slower shutter speed for artistic effects.

 

Recording Formats

 

Depending on the project, the FX9 has a selection of recording formats. XAVC-I with 422 10-bit quality at a highest 600 Mb/s in 60p. XAVC-Long for more longer recording time in smaller file size. The traditional MPEG HD codec is also available. All files will be recorded onto XQD media cards.

 

Adjustable Frame Rates

 

Choose your desired frame rate from 1 up to 60 fps for quick- and slow-motion footage. The FX9 creates an immersive image with a wide-angle look and shallower depth of field provided by its full-frame sensor in combination with quick and slow motion. It also offers a quality priority setting that maximizes Full HD slow-motion image quality with advanced oversampling technology.

 

S-Cinetone Look

 

S-Cinetone is the default look of FX9 that's tuned to meet the requirements of today's content creators with rich midrange colors, alluring facial tones, and a softer tonal look developed with the same expertise as Sony's world-leading VENICE digital cinematography camera. S-Cinetone means that straight out of the camera your content looks fresh and vivid, with subjects that really stand out while retaining plenty of latitude in post-production, thanks to the high-performance full-frame image sensor.

 

Fast Hybrid AF

 

Effortlessly track fast-moving subjects with pin-sharp focus, even when using wide-lens aperture settings to maintain a shallow depth of field with the camera's full-frame sensor. Enhanced Fast Hybrid AF combines phase detection AF for fast, accurate subject tracking with contrast AF for exceptional focus accuracy. In addition, Face Detection intelligently recognizes and locks on to human faces. The dedicated 561-point phase detection AF sensor covers approximately 94% of the whole image area width and 96% of height, allowing for consistently accurate, responsive AF tracking, even with fast-moving subjects.

 

Seven-level AF transition speeds from fast-switching between subjects as quickly as possible to slow, where speed is reduced to fit a more measured shooting style, such as a historical TV drama.

 

Five-level AF subject shift sensitivity ranges from locked-on, ignoring other moving subjects in the frame, to responsive that switches focus from one subject to another—ideal for snapping between race cars as they speed by.

 

Advanced Image Stabilization

 

Advanced image stabilization information means even handheld footage can be transformed with Sony Catalyst Browse/Catalyst Prepare software in post-production to look as smooth as if it were shot with a gimbal. Unlike in-camera or lens stabilization, metadata generated by the FX9's built-in gyro allows you to creatively choose the balance between the level of shake compensation and the resolution of trimmed 4K imagery. This feature is also compatible with any E-mount lens and allows for far faster processing than conventional NLE stabilization workflows.

 

4-Channel Audio Recording

 

The FX9 offers audio capabilities with independent control dials for each channel. In applications such as an interview, 4-channel audio recording enables simultaneous use of an external microphone for recording ambient sounds, and the built-in microphone for ambient sound and voice memos by the operator.

 

Inputs and Outputs

 

The FX9 is equipped with various outputs including a 12G-SDI and an HDMI for 4K output. Also, it has a 3G-SDI for HD output to expand its monitoring flexibility. For multicamera operation, Genlock and TC In/Out terminals are available.

 

Recording Modes

 

The FX9 has a selection of backup recording modes that will help ensure the recording is safe. Simul Rec will enable simultaneous HD recording onto two media cards. The 4K/HD Sub Rec mode will allow 4K recording on one card and MPEG HD recording on another card. XAVC Proxy Rec is also available, offering a 9 Mb/s small size proxy file which will be easily sent via network. Also, a maximum 28-second Cache Rec is available to prevent missing any shot.

 

Multi-Interface (MI) Shoe

 

Sony's flexible Multi-Interface (MI) shoe provides power, signal connections, and coordinated on/off switching with compatible Sony accessories.

 

Optional Extension Unit

 

Further extend the capabilities of the FX9 with the optional XDCA-FX9 extension unit that optimizes camera weight distribution and ergonomics for comfortable shoulder-style shooting—ideal for ENG and documentary applications. The extension unit also adds advanced networking for streaming/file transfers and a slot-in for a wireless audio receiver.

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The new flagship of Sony's CineAlta family, the Sony VENICE CineAlta 6K Digital Cinema Camera (6K with 6048x4032*), offers an interchangeable PL or E-Mount*, integrated ND filters in 8-stages, 15+ stops of exposure latitude, a wide color gamut and improved color management system.
VENICE will also include a Dual Base ISO mode, supporting an additional High Base ISO of 2500. This feature takes full advantage of the sensor's unique design for exceptional low light performance and dynamic range (from 6 stops over to 9 stops under 18% middle gray). This new capability represents an increase in exposure indexes at higher ISOs for night exteriors, dark interiors, slower lenses, or where content needs to be graded in High Dynamic Range, while maintaining maximum shadow detail

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Highlights

 

• Square shape design for Cine-cameras

 

• Max 100W, 8A load

 

• 2× D-tap output sockets (Max 100W/8A in total)

 

• 1× USB 5V/2A power output sockets

 

• LCD display accurate remaining run time

 

• Display power info in both SONY & RED

 

• Multiple circuit protections

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Teradek Bolt 4K 1500 12G-SDI/HDMI Wireless TX/RX / Set

 

Next Generation Wireless Technology

 

Bolt 4K defines a revolutionary new category of wireless video technology, delivering uncompressed 2160p60 HDR video transmission with zero delay.

 

 

 

Mission Critical Reliability

 

Bolt 4K’s exclusive technology offers 8x the signal performance and 50% more range than existing systems, making it the most robust wireless system we’ve ever designed.

 

8X The signal performance

 

50% More range than existing systems

 

Unrivaled Video Quality

 

Our patented RF technology greatly improves image quality across all resolutions and framerates, giving you finer detail and better color reproduction, even if you’re at the system’s maximum wireless range.

 

High Dynamic Range

 

Monitor every shot in stunning 10-bit 2160p with 4:2:2 chroma subsampling. For cutting-edge HDR workflows, Bolt 4K supports HLG, PQ, and HDR-10 standards.

 

Unhackable Image Transmission

 

Bolt 4K offers the industry’s best protection against prying eyes with AES-256 encryption and RSA 1024 key pairing. Combined, these two technologies ensure nobody can decrypt your wireless feed or connect another receiver to your system without explicit authorization.

 

Universal Compatibility & Expanded Versatility

 

All Bolt 4K systems are compatible with one another and are multicast-capable to up to 6 receivers, even if they’re from different model ranges.

 

Bolt for iOS

 

Manage every parameter of the Bolt 4K from the convenience of your smartphone.

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Teradek Bolt 500 XT 3G-SDI/HDMI Wireless Transmitter and Receiver Set

Highlights;

• Supports up to 1080p60 Resolution


• Backwards Compatible with Select Systems


• 3G-SDI & HDMI Inputs/Outputs


• Cross Conversion


• Zero Delay


• 2.4 & 5.8 GHz Noise Rejection


• AES128 Encryption

 

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ZEISS Supreme Prime 6 Lens Kit of 25, 29, 35, 50, 85, 100mm (Meters, PL Mount)

HIGHLIGHTS

• 
  
  
  
  • Prime Lenses for PL-Mount Cameras
  
  
  • 6 x Focal Length Prime Lens Set
  
  
  • T1.5 Maximum Aperture
  
  
  • Each Lens Has a 16-Blade Iris
  
  
  • Similar Physical Dimensions
  
  
  • Designed for 4K Resolution
  
  
  • Excellent Low Light Capability
  
  
  
  

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The 40mm Master Prime is one in a set of 16 from ARRI/Zeiss featuring excellent resolution, advanced contrast, almost no breathing, and a fast T1.3 aperture for achieving shallow depth of field. Ranging from 12mm to 150mm, the Master Primes offer the skin tones and color rendition for which Zeiss is noted, and are color-matched for consistency across the set. These lenses incorporate an iris with at least nine blades for cinematic-looking bokeh with distinct focus fall-off. Dual floating elements provide optimal close-focus performance while minimizing breathing when focusing. The advanced T*XP coating reduces reflections and glare while improving contrast.

Designed with aspherical elements for minimal chromatic aberration, the ARRI/Zeiss Master Primes provide optimal image quality and clean chroma-keying. High resolution is maintained in image corners even when the lens is used wide open and at close focus. Each lens features a PL mount and a built-in LDS system for transferring lens data to compatible cameras. The expanded focus scale has generous room for marks, and it sports fluorescent engravings for easier viewing in low-light settings. The focus ring has markings in both feet and metric; the ring may be reversed from one to the other by a qualified shop technician.

This 40mm Master Prime Lens features a 16" minimum focus distance, focus marks set in meters, a relatively light weight of 5.1 pounds, and a compact length of 8". This family of lenses feature consistent placement of focus, iris, and zoom rings for easier use with follow focus, zoom control, and F/I/Z wireless systems. Most of the lenses in the Master Prime family, including the 40mm, have a uniform 114mm front diameter, enabling the use of the same size matte box adapter, filter, etc.

Features

Superior resolution and contrast with virtually no breathingCovers Super-35 sensorsFast, maximum T1.3 aperture enables shooting in low light and produces shallow depth of fieldColor-matched across the setAspherical elements for reduced chromatic aberrationPL mount with integrated LDS system for transferring lens data to compatible camerasRelatively lightweight, compact form factor with 114mm front diameter

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A dynamic ultra wide-angle focal length with an especially bright design, the FE 14mm f/1.8 GM from Sony is a fast, versatile lens well-suited to landscape, nature, architectural, and astrophotography applications. Its extremely wide-but-usable perspective is complemented by the f/1.8 maximum aperture for excellent performance in low-light conditions and increased control over depth of field. The optical design incorporates two extra-low dispersion elements and one super ED element to reduce chromatic aberrations, plus two XA (extreme aspherical) elements that significantly control spherical aberrations for a high degree of image sharpness and clarity. A Nano AR II coating has been applied to limit ghosting and lens flare for increased contrast and color fidelity when working in strong lighting conditions.

An XD Linear Motor system uses two separate motors to provide quick and quiet focus, and also lends more responsive control for manual focus operation. A minimum focus of just 9.8" and an ultra-wide field of view opens a new world of deep perspective close-up photography. Also, the lens features a dust- and moisture-sealed design and fluorine-coated outer elements to support shooting in inclement conditions.

• A focus hold button is present on the lens barrel for intuitive tactile control and rapid access to select programmable settings.


• Physical aperture ring can be de-clicked for smooth, silent aperture switching to benefit video applications. The ring also incorporates a locking "A" position for use in automated exposure modes.


• Dust- and moisture-sealed design better permits working in inclement conditions and rubberized control rings benefit handling in colder temperatures.


• Fluorine-coated front and rear elements resist dust, moisture, and fingerprints and are easy to clean.


• Filter holder is incorporated at the rear of the lens, within the lens mount, and accepts cut gel filters and a filter cutting template is included.


• Integrated petal-shaped lens hood helps to block stray light from causing lens flare and also affords some physical protection to the front element.

Buy Sony FE 14mm f/1.8 GM Lens from UBMS Dubai.

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Excellent resolution. Beautiful bokeh. (Introducing our 60th E-mount lens, the all-new 50mm F1.2 G Master lens). Exceptional expression from a compact F1.2 prime E-mount lens, FE 50mm F1.2 GM.

New speed and resolution in an F1.2 lens

This 50‑mm F1.2 G Master prime lens is a creator's dream, with an F1.2 maximum aperture that not only allows shooting in a wider range of lighting conditions, but also provides an extraordinary combination of high resolution, luscious G Master bokeh, and blazing autofocus. It is also remarkably compact and lightweight—for new creative freedom.

G Master resolution without compromise

The compact, lightweight FE 50 mm F1.2 GM is an ideal choice for dedicated creators. XA (extreme aspherical) elements and other advanced technologies combine to achieve extraordinary resolution and contrast from the image center right out to the edges. Sony Nano AR Coating II subdues flare and ghosting, while a floating focus mechanism ensures optimum sharpness at any focusing distance. Buy Sony FE 50mm f/1.2 GM Lens from UBMS Dubai.

Smooth, refined G Master bokeh

XA elements plus painstaking spherical aberration control at the design and manufacturing stages contribute to gorgeous G Master bokeh that can really make portrait and other subjects stand out, especially with the shallow depth of field available at the lens's maximum F1.2 aperture. An 11-blade circular aperture mechanism contributes to beautifully circular bokeh. SEL50F12GM will be alible in UBMS Dubai showroom soon.

Fast, precise, quiet AF and tracking

Fast, accurate focus is assured, even with extremely shallow 50 mm F1.2 depth of field. Four XD (extreme dynamic) Linear Motors smoothly deliver high thrust to position the large, heavy focus groups for fast, accurate AF. Original Sony E-mount lens technology ensures that you get maximum performance from E-mount bodies—for both stills and movies.

Professional mobility

3.5" (87 mm) in diameter, 4.38" (108 mm) long, and weighing just 27.5 oz (778 g), the FE 50 mm F1.2 GM complements compact, high-performance E-mount bodies to create a system that gives serious shooters the mobility and handling. Three XA elements and four XD Linear Motors in a large-aperture lens that is surprisingly compact offer extraordinary creative potential.

Professional control and reliability

Two focus hold buttons, a focus mode switch, a focus ring, an aperture ring with switchable click stops and other controls support smooth operation. The focus hold buttons can be assigned to other functions via a camera menu. Linear Response MF ensures that the focus ring responds linearly to manual focus control. Effective dust and moisture resistance and a fluorine front element coating enhance reliability.

• As part of Sony's esteemed G Master series, this lens is designed to achieve notably high resolution and sharpness through the correction of a wide variety of spherical and chromatic aberrations. Additionally, these lenses feature robust and intuitive-to-handle physical designs to benefit both photography and cine applications.


• Normal perspective 50mm lens is designed for full-frame Sony E-mount mirrorless cameras; however, it can also be used with APS-C models where it provides a 75mm equivalent focal length.


• Notably fast f/1.2 maximum aperture benefits working in difficult lighting conditions and also affords increased control over depth of field.


• Three XA (eXtreme Aspherical) elements are incorporated into the optical design and feature superior surface precision for effective control over astigmatism, field curvature, coma, distortion, and other spherical aberrations for a high degree of sharpness and accurate rendering.


• Nano AR Coating II has been applied to reduce surface reflections, flare, and ghosting for increased contrast and color rendering in strong lighting conditions. This updated coating is better suited for larger, curved elements and is especially adept at minimizing internal reflections.


• Four XD Linear Motors, along with an internal focusing design, provides quick, quiet, and precise autofocus performance. This design also contributes to more natural, intuitive Linear Response manual focus control and an AF/MF switch is located on the lens barrel for tactile control over this setting.


• A focus hold button is featured on the lens barrel for intuitive tactile control and rapid access to select settings.


• Physical aperture ring can be de-clicked for smooth, silent aperture switching to benefit video applications.


• Dust- and moisture-sealed design better permits working in inclement conditions and rubberized control rings benefit handling in colder temperatures.


• Fluorine-coated front element resists dust, moisture, and fingerprints and is easy to clean.


• Rounded 11-blade diaphragm contributes to a pleasing bokeh quality when employing selective focus techniques.

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The ZEISS CP.3 lenses offer the perfect combination of high image quality and reliable usability. They exhibit the clean, crisp characteristics ZEISS is known for, together with an interchangeable mount system and full-frame coverage.

Ranging from 15 mm to 135 mm, the ten focal lengths available in the ZEISS Compact Prime CP.3 or CP.3 XD series cover all applications from wide-angle to telephoto. The ZEISS CP.3 lenses feature advanced lens coatings, painted lens rims and special light traps within the barrel to eliminate unwelcome veiling glare and flares. The result is higher contrast, richer blacks and more saturated colors.

The ZEISS CP.3 lenses are a professional toolset that simplifies your work on set. They are easy to handle, allow for fast changeover of equipment and give you great creative freedom to make your ideas come to life.

The compact and light-weight design enables you to use different stabilizing systems and to have a compact camera setup that is ideal for shooting in narrow spaces and for capturing dynamic shots.

Zeiss CP.3 Features

• Full frame coverage


• Interchangeable Lens Mount System, with five mount options (PL, EF, E, F, MFT)


• Clean and crisp ZEISS look, color matched across the lens family and matching with other ZEISS cine lenses


• Smooth and temperature stable focusing mechanism projects


• Compact and light-weight design is ideal for handheld, gimbal, drone and Steadicam applications


• Modern optical design, with vastly improved anti-reflection coatings


• Extraordinarily smooth focus rotation even in extreme temperature conditions thanks to a new, sophisticated construction design


• Standardized positioning of the focus rings and a consistent 95 mm front diameter allows for fast and easy changeover while on set

Buy ZEISS CP.3 18mm T2.9 Compact Prime Lens (PL Mount, Meters) from UBMS  Dubai.

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ZEISS Compact Prime CP.3 lenses range from wide-angle to telephoto. This is the 35mm lens with T2.1, metric markings, and an EF Mount.

Digital technologies have transformed traditional filmmaking and refashioned the market. New and innovative technologies in both production and post-production have paved the way for a more versatile, cost effective and advanced workflow.

 

Upgrading The CP.2

ZEISS CP.3 lenses offer a combination of high image quality and reliable usability. They exhibit the clean and crisp characteristics for which ZEISS is known. ZEISS retained the ability for an interchangeable mount system and improved mechanics while they added Full Frame coverage and other functions.

 

As compared to the CP.2 family, CP.3 lenses offer:

• Covers Full Frame sensors


• A more consistent T-stop range


• Shared focal lengths with the Milvus family


• Compact body to accommodate gimbal & aerial work


• 95mm front diameter (instead of the 114mm of the CP.2s)


• Standard focus ring position


• 300° rotation

The ergonomic and compact body, plus shared similarities in sizing, will benefit gimbal, Steadicam, and aerial operators since less balancing or resizing will be needed whenever you switch to a new lens in the CP.3 family. This will also shorten your turnaround time when working with matteboxes and lens supports with your favorite follow focus which leaves you more time to shoot and less time to readjust.

 

True Cine Look

Ranging from 15 mm to 135 mm, the ten focal lengths available in the ZEISS Compact Prime CP.3 (or CP.3 XD which is ZEISS' eXtended CP.3) series cover all applications from wide-angle to telephoto. The ZEISS CP.3 lenses feature advanced lens coatings, painted lens rims and special light traps within the barrel to eliminate unwelcome veiling glare and flares. The result is higher contrast, richer blacks and more saturated colors.

• Clean and crisp ZEISS look which matches perfectly with other ZEISS cinema lenses


• Color matching and covering full frame across the full range of focal lengths from 15 to 135 mm


• Special lens coatings support high-dynamic range projects

CP.3 lenses cover 35mm stills/DSLR format, 24mmx36mm, and feature a 43.4mm diagonal.

ZEISS says the CP.3 family is their contribution to support creative and progressive filmmaking with an affordable, future-proof, and premium quality lens set.

 

Ultimate Cine Ergonomics

The ZEISS CP.3 lenses are a professional toolset that simplifies your work on set. They are easy to handle, allow for fast changeover of equipment and give you great creative freedom to make your ideas come to life.

• Standardized positioning of the focus rings and a consistent 95 mm front diameter allows for fast and easy changeover while on set


• Extraordinarily smooth focus rotation even in extreme temperature conditions thanks to a new, sophisticated construction design


• Consistent T-stops simplifies lighting on set and exposure compensations (T2.9 for 15 to 21 mm and T2.1 for 25 to 135 mm)

Compact Size Redefined

The compact and light-weight design enables you to use different stabilizing systems and to have a compact camera setup that is ideal for shooting in narrow spaces and for capturing dynamic shots.

• The compact and light-weight design is ideal for handheld, gimbal, drone and Steadicam applications


• Consistent size and weight across most of the focal lengths enables quick change of lenses when used on drones and gimbals


• The ultra-smooth focus rotation allows use of small focus motors

Buy ZEISS CP.3 35mm T2.1 Compact Prime Lens (Canon EF Mount, Meters) from UBMS Dubai.

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xpressly designed for large-format sensors, the Premista 19-45mm T2.9 Large-Format Cine Lens from Fujifilm covers up to a 46.3mm image circle in addition to Super35 sensors. Its image quality is maintained from the center through the image corners, and it is color-matched to the Fujifilm cine lens line to reduce color grading in post. Compatibility with both ZEISS eXtended Data and Cooke /i Technology makes it easy to note your lens information for VFX work or matching shots. When paired with its companions such as the 28-100mm and 80-250mm, the Premista zooms cover a wide range of frequently used focal lengths.This standard zoom lens features a constant T2.9 maximum aperture across the entire zoom range, minimal aberration, low distortion, flare and ghost suppression, and a wide dynamic range. Housed in a durable lens barrel, the Premista is designed with a 13-blade aperture for smooth bokeh and a wide focus barrel rotation of 280°. It also shares a 114mm front diameter with the other Premista line, making it simple to share accessories such as filters, a follow focus, and matte boxes. It features measurements in both feet and meters, and the index markings on the FIZ rings are in fluorescent paint so they are easily viewable in dark environments.

Buy Fujinon Premista 19-45mm T2.9 Large-Format Cine Lens (PL) From UBMS Dubai.

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ARRI and FUJINON have joined their extensive expertise to create a completely new family of modern cine zooms. Using the latest in optical design technology and innovative manufacturing techniques, the ARRI Alura Zooms combine the highest optical performance with an amazingly small size, weight and price. They are available as Studio zooms for use on a tripod or crane with a wider focal range, or as lightweight zooms which are significantly smaller and lighter in exchange for a reduced focal range.

All Alura Zooms' color characteristics, as well as their handling, are matched to existing prime lenses in ARRI's outstanding repertoire

Main Features

Matched Zooms

Matched wide and long PL mount zooms for an efficient shooting paceSmall size and low weight for quick and easy handling on the set

Fast and Steady

T2.6Consistent aperture over entire zoom range

Outstanding Optical Performance

High resolution, high contrastEven field illuminationMinimized ghost, flares and veiling glare due to FUJINON multi-layer EBC coatingGreatly reduced chromatic aberration through the use of extraordinary dispersion glassMinimized breathing, especially at the wide end where it counts9 iris leaves for round, out-of-focus highlights and a pleasing, organic bokehOptimized for ALEXA 2K 16:9 image format, covers up to DIN Super 35 4:3

Consistent Optical Performance

Consistent contrast, resolution and field illumination across the whole focus and zoom range

Film Style Ergonomics

Compatible with film and digital ARRI cameras and accessoriesRobust constructionLarge, easy-to-read precision focus scales on both sidesMatched to existing prime lenses

Easy Servicing

Feet/meter focus scales can be exchangedFront and rear elements can be exchangedZoom centering mechanism

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Ultra Prime Lenses have the widest focal range of any prime lens set available to cover every cinematic need: from the unique Ultra Prime 8R extreme wide angle lens to the best telephoto lens designed specifically for motion pictures, the Ultra Prime 180 mm, giving you the flexibility to get the coverage you want.

Ultra Prime Lenses retain their excellent image quality even at close focus across the whole Super 35 frame. The Ultra Prime Lenses are lightweight standard speed lenses that are a perfect optical match to the high speed Master Prime Lenses.

Main Features

• 15 modern high performance prime lenses (T.1.9)


• Widest focal length range: 8 - 180 mm


• Ultra Prime 8R – extreme wide angle lens


• Ultra Prime 180 the best cinema telephoto prime


• Superior close focus ability

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ZEISS Supreme Prime 6 Lens Kit of 25, 29, 35, 50, 85, 100mm (Meters, PL Mount)

HIGHLIGHTS

• 
  
  
  
  • Prime Lenses for PL-Mount Cameras
  
  
  • 6 x Focal Length Prime Lens Set
  
  
  • T1.5 Maximum Aperture
  
  
  • Each Lens Has a 16-Blade Iris
  
  
  • Similar Physical Dimensions
  
  
  • Designed for 4K Resolution
  
  
  • Excellent Low Light Capability
  
  
  
  

Create » Content Acquisition and Capture » Camera Accessories » Camera lenses »

 

 

Angenieux EZ-1 30-90mm T2 - PL is a fast zoom for 3-perf Super 35mm sized sensors that has been designed from the ground up to utilize interchangeable rear optical assemblies. This allows you to use the same lens to cover Super 35 or Full-Frame/VistaVision-sized sensors by swapping out the rear optical assembly. In addition, the rear assemblies allow you to swap the lens mount from PL to Sony E or Canon EF.

 

The version of the lens ships with a PL mount and the Super 35 rear optical assembly. Set up as such it features a T2.0 aperture and focuses down to 2' in front of the image plane, while weighing in at only 4.7 pounds. The 114mm front diameter of the lens is a common diameter compatible with cinema-style matte boxes. The lens features independent focus, iris, and zoom control rings with cinema standard gear teeth. A removable support foot can be repositioned for when you need to rotate your lens off of a standard mounting orientation.

 

Interchangeable Rear Optical Assembly

 

The EZ-1 30-90mm is designed with swappable rear optical elements so you can easily convert the lens from covering 3-perf Super 35 to full-frame/VistaVision. This design has many advantages over adding additional optical elements such as 2x extenders, as swapping the rear assembly allows the lens to maintain the same physical size and minimum operating distance, while losing only slightly more than a stop when going from Super 35 to full-frame coverage. Additionally, as the optics are designed to be part of the lens, and not just additional elements that blow up the image resolved by the lens, they match the optical quality of the lens and your image does not suffer from having to go through additional glass/air surfaces, which can degrade your image.

 

Interchangeable Lens Mounts

 

This lens ships with a PL mount; however, that mount can be swapped with available (not included) E or EF lens mounts.

 

Losing only 1/10 of a stop within the lens, the EZ-2 is extremely efficient. The fast T2.0 maximum aperture in Super 35mm matches the maximum aperture of many standard prime lenses for Super 35mm. This allows you to light to a lower illumination level than would normally be required for many zooms, making for more consistent images as you may not have to relight the scene as is often the case when moving from primes to slower zoom lenses.

 

Manual Lens Control Rings

 

Featuring independent manual control rings for focus, iris, and zoom. Each control ring incorporates industry standard 0.8 lens gear teeth.

 

114mm Front Diameter

 

The EZ-1 shares the same 114mm front common to the Angenieux OPTIMO lens series, allowing you to easily share matte boxes between the EZ-1 and the OPTIMO lenses.

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The UA46x9.5 covers a focal length from 9.5mm to a high magnification of 437mm, making it the world's widest angle** lens in its class. It is a portable broadcast zoom lens that enables incredible video to be shot in a wide variety of scenes. Using state-of-the-art optical design technology, it suppresses color aberrations to the minimum. Also, it realizes vivid color reproduction and high contrast by improving the light transmittance. Rich tones are reproduced with High Dynamic Range (HDR).

• *World's highest magnification zoom ratio for a 4K broadcast portable zoom lens.As of August 20, 2018, according to Fujifilm research.


• **World's widest angle in a 40x or greater broadcast portable zoom lens.


• The world’s highest zoom ratio in a broadcast portable lens for 4K video production, realizing a 46x zoom


• Reproduces rich tones using state-of-the-art optical design technology


• Equipped with a proprietary anti-vibration mechanism, supporting 4K video production


• Newly developed drive unit realizes a high level of operability


• Realizes natural bokeh with the adoption of a nine aperture blade design

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The UA80x9 1.2x high-power zoom lens has been developed by incorporating a 1.2x extender in the existing UA80x9, which has been well received. It achieves resolution surpassing 4K, high contrast and HDR across the entire zoom range. In addition, using the 1.2x extender, it covers the focal length from 10.8mm in wide angle to 864mm in telephoto, enabling even further telephoto shooting in relay broadcasting of sports and concerts. The floating focus system, which controls multiple lens groups in accordance with the shooting distance, minimizes performance variations caused by the change in shooting distance.

• Advanced optical performance that enables 4K compatibility under any shooting conditions


• Enabling further telephoto shooting by newly developed incorporating a 1.2x extender


• 9-blade round iris enabling natural bokeh in images


• Featuring the popular optical stabilization mechanism


• Equipped with 16bit encoder for virtual device

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4K high-definition puality, combining a class-leading 24 times zoom ratio and the lightest weight, 1.98kg.

The 24 times high zoom ratio covers an extensive focal length range from a 7.8mm wide-angle to a 187mm telephoto. Excellent and lightweight 1.98kg, achieving outstanding center-of-gravity.

• 24x zoom covering a wide range of scenes from 7.8mm at wide angle to 187mm at telephoto.


• Compact and lightweight body, measuring 220.5mm and 1.98kg.


• Achieving natural bokeh with the adoption of nine aperture blades


• Excellent 4K optical performance


• 16bit encoders device for virtual system

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With a focal lengths of 5.5−100mm, this 4K 18x zoom lens is the optical solution for diverse shooting situations

While the "UA18x5.5" weighs 2.04kg, it covers focal lengths from 5.5mm on the wide angle end to 100mm on the telephoto end, making it useful for production situations that require added mobility, e.g. news reporting and on-location production for various programs.

• Advanced optical performance with 4K compatibility across the zoom range


• Achieving natural bokeh with the adoption of nine aperture blades


• Compact and lightweight design, weighing just 2kg


• 18x zoom covering a wide range of scenes from 5.5mm at wide angle to 100mm at telephoto

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Ultra-wide 4.5mm to 63mm (14x zoom) with  4K optical performance in a compact lightweight package

UA14x4.5 covers the ultra wide angle focal length of 4.5mm despite its compact body, measuring just 238.5mm, allowing you to go up close and personal during live sports coverage or on-location production with a real sense of depth.

• Advanced optical performance with 4K compatibility across the zoom range


• Achieving natural bokeh with the adoption of nine aperture blades


• Compact and lightweight body, measuring 238.5mm


• 4K image quality in a variety of situations


• Controlling distortions and aberrations at edges

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UA13x4.5 wide zoom lens has achieved resolution surpassing 4K, high contrast, and HDR. It is also capable of shooting ultra-wide angle images at a focal length of 4.5mm. Incorporating the floating focus system, that controls a plurality of lens group in accordance with the shooting distance, the UA13x4.5 enables shooting of high-resolution images across the entire zoom range. In addition, it has suppressed the distortion of images that tends to occur at ultra-wide angle focal lengths and the reduction of resolution in the periphery.

• Advanced optical performance that enables 4K compatibility under any shooting conditions


• Powerful 4K footage with 13x zoom from 4.5mm in wide angle


• 9-blade round iris enabling natural bokeh in images


• Equipped with 16bit encoder for virtual device

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UA22x8BERD is a portable broadcast zoom lens with optical performance compatible with 2/3″ format 4K cameras. Covering the focal length from 8mm in wide angle to 176mm in telephoto, the lightweight and compact lens excels in handling versatile situations including live sport coverage, indoor / outdoor program production and news reporting.The “floating focus system”, which controls multiple lens groups according to the shooting distance, delivers high resolution and high contrast images from close-up to infinity, enabling 4K video production with a high realistic sensation and premium picture quality.

• Advanced optical performance that enables 4K compatibility under any shooting conditions


• Powerful 4K footage with 22x zoom from 8mm in wide angle


• New drive unit design for enhanced operability


• Compatibility with typical accessories used in TV broadcast operation.


• Equipped with 16bit encoder for virtual device

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The UA107x8.4 covers the wide focal length from 8.4mm, the widest in its class*, to 900mm in super telephoto, and meets the needs for 4K shooting in all scenes, such as relay broadcasting of sports and live broadcasting of concerts. The UA107x8.4, which is equipped with the floating focus system that controls a plurality of lens groups in accordance with the shooting distance, enables shooting of high-resolution images across the entire zoom range. It also supports the production of videos with high image quality and highly realistic impression. Furthermore, as it is equipped with the company’s proprietary optical image stabilizer, the broadcast zoom lens corrects vibrations of images in the screen that result from unstable platforms.

• Achieved both highest magnifications* 107x and 4K optical performance


• 9-blade round iris enabling natural bokeh in images


• Featuring the popular optical stabilization mechanism


• Equipped with 16bit encoder for virtual device

• *Among compatible 4K 2/3” broadcast box lenses over 50 x magnifications as of April 14, 2016

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Tap the full potential of 4K optical performance with the focal lengths of 6.5-180mm and large F1.5 aperture of this 27x lens

UA27x6.5 is a 4K-compatible 27x zoom lens, perfect for in-studio applications for news and variety shows. With the wide-angle focal length of 6.5mm, it can also be used to give a full view of a concert venue in live coverage. The "UA27x6.5" has a built-in extender, which doubles its focal lengths, covering up to 360mm in focal length while maintaining image quality in advanced definition.

• Advanced optical performance with 4K compatibility across the zoom range


• Achieving natural bokeh with the adoption of nine aperture blades


• 27x zoom from 6.5mm at wide angle to 180mm at telephoto for covering a wide variety of scenes


• Maximum aperture ratio of f1.5 to draw out full optical performance with 4K compatibility


• Equipped with 16-bit encoder*

• *The sensor for converting position information into digital signals; Zoom and focus position data is divided in 16-bit resolution and output as electric signals.