“The BC-80 Block Camera is a small HD camera with an infra-red remote control.
It can be used for HD high quality shooting within a limited space and supports resolutions up to 1080p60. And provides 30x optical zoom and the image output interfaces are SDI and HDMI.
The BC-80 supports SONY VISCA protocol enabling the camera to be controlled via RS-422 or DVIP interface and the built-in tally light indicates when it is active.”
Other products from this company:
BC-100 Interchangeable Lens Camera
BC-50 IP Block Camera
HDR-1 Standalone H.264 USB Recorder /...
HDR-60 HD/SD Digital Video Recorder-Desktop
HDR-70 HD/SD Digital Video Recorder-1U Rackmountable
HRS-30 Fieldside Hand Carry Recorder
HS-1300 6-Channel HD Mobile Cast Streaming...
HS-1600T 4-Channel HDBaseT Mobile Cast Streaming...
HS-2200 HD/SD 6-Channel Portable Video Studio
HS-2850 HD/SD 8/12-Channel Portable Video Studio
ITC-300 Digital Intercom System
KMU-200 4K Multi-Channel Touch Screen Region...
MCU-400 Multi-camera Control Unit
MS-2850 HD/SD 8/12-Channel Mobile Video Studio
MS-3200 HD 12-Channel Mobile Video Studio
NVS-33 H.264 Video Streaming Server
NVS-40 4 Channel Streaming Encoder/ Recorder
OBV-2850 HD/SD 8/12-Channel OB Van Studio
OBV-3200 HD 12-Channel OB Van Studio
PTC-140T HDBaseT PTZ Camera
PTC-150 HD/SD-SDI PTZ Camera
PTC-150T HD/SD-SDI HDBaseT PTZ Camera
PTR-10 Robotic Pan Tilt Head
SE-1200MU HD 6-Channel Digital Video Switcher
SE-2200 HD/SD 6-Channel Digital Video Switcher
SE-2850 HD/SD 8/12-Channel Digital Video Switcher
SE-3200 HD 12-Channel Digital Video Switcher
SE-500HD HD/SD 4-Channel Digital Video Switcher
SE-500MU HD 4-Channel video switcher
SE-650 HD 4-Channel Digital Video Switcher
HS-3200 12-Channel HD Mobile Cast Streaming...
BC-100 Interchangeable Lens Camera
BC-100 has been developed with stunning image quality in mind. With a 4/3 CMOS large-size sensor and real-time HDR function, the noise in darker areas can be reduced to a very low level and a rich high-quality picture can be produced in a backlight environment. BC-100 uses 1080P 12-bit image processing for optimum image quality. The interchangeable lens mount is compatible with standard MFT lenses, ensuring the user of a large array of available accessories. "
BC-200 4K Block Camera
It's perfect for use in video and web studios, venues, conference rooms and theatres providing 12x optical zoom and two HDMI video output interfaces.
The BC-200 supports SONY VISCA protocol enabling the camera to be controlled via RS-422 or DVIP interface and the built-in tally light indicates when it is active."
BC-50 IP Block Camera
The video output is 3G/HD-SDI, it also supports VISCA/Pelco-D/Pelco-P protocols for control via RS-485. The BC-50 can deliver the compressed video signal H.264/H.265/MJPEG, and also RTMP streaming to facebook and youtube.
The BC-50 Block Camera is a small HD camera with sturdy and durable metal case can be used in different types of environments."
BC-80 HD Block Camera
It can be used for HD high quality shooting within a limited space and supports resolutions up to 1080p60. And provides 30x optical zoom and the image output interfaces are SDI and HDMI.
The BC-80 supports SONY VISCA protocol enabling the camera to be controlled via RS-422 or DVIP interface and the built-in tally light indicates when it is active."
HDR-1 Standalone H.264 USB Recorder / Player
Recorded files can be uploaded to YouTube or any website immediately after an event without needing to transcode, which makes it easy to share your content online. Front panel buttons make it easy to use. The record/pause feature allows users to record an event conveniently as a single file even if there is a break in proceedings.
HDR-60 HD/SD Digital Video Recorder-Desktop
The HDR-60 records from both High and Standard Definition video equipment via HD/SD-SDI. The HDR-60 comes with a removable hard drive enclosure. Additional enclosures are also available and the HDR-60 is compatible with SSD drives.
Once you have completed your recording, simply eject the hard drive enclosure and use USB 2.0 to connect to a PC or MAC based NLE system. The USB port provides power to the unit. It’s perfect for use with laptops in the field. You can work directly from the removable drive, or copy video files to your NLE’s video drives."
HDR-70 HD/SD Digital Video Recorder-1U Rackmountable
Once you have completed your recording, simply eject the hard drive enclosure and use USB 2.0 to connect to a PC or MAC based NLE system. The USB port provides power to the unit. It’s perfect for use with laptops in the field. You can work directly from the removable drive, or copy video files to your NLE’s video drives."
HRS-30 Fieldside Hand Carry Recorder
The HRS-30 records from both HD and SD video equipment via HD/SD-SDI and supports 1080i, 720p, 576i, 480i video formats, providing a choice of recording formats in MEPG-II Long-GOP or intra-frame (i-frame) with 4:2:2 colour sampling.
The recorded MXF/OP1A file format is compatible with a wide range of NLE and play out systems. Recorded files are stored to a removable caddy which is compatible with 2.5"" HDD & SSD drives."
HS-1300 6-Channel HD Mobile Cast Streaming Studio
Because of its lightweight portable design, the HS-1300 is ideal for various applications such as live concert events, seminars, sporting events, and live TV programs that need to mix a variety of video and audio sources. Other features include a 17.3-inch LCD monitor, which displays the multi-view, dual chromakey, DSK, still store, user memories, and PIP. Why lug around multiple pieces of equipment for your productions when you can have an all in one product like the HS-1300? Switch, monitor, stream, and record simultaneously with the HS-1300.
HS-1600T 4-Channel HDBaseT Mobile Cast Streaming Studio
The built-in HDBaseT technology allows receiving of 1080p signals from three PTC-150TL or PTC-140T HDBaseT PTZ cameras via CAT6 cable. It features PoE to provide power to three PTC-150TL or PTC-140T cameras, making installation fast and easy. Keeping things user friendly, you only need to push one button to stream to your preferred CDN and record to a SD card simultaneously.
Another great feature of the HS-1600T is the integrated joystick for controlling the pan, tilt, and zoom of the PTC-150TL cameras. You can also adjust focus and iris, as well as access the camera's menu. There are four preset buttons for each camera, making it easy for an operator to recall preset shots with a press of a button.
The all inclusive features of the HS-1600T make it ideal for various applications such as live events, worship, seminars, and corporate presentations.
HS-2200 HD/SD 6-Channel Portable Video Studio
The HS-2200 also feature an 8-channel intercom system complete with tally lights, belt packs and headset (supplied with four cameraman belt packs & four 20m cables included)."
HS-2850 HD/SD 8/12-Channel Portable Video Studio
As a complete AV package, the HS-2850 HD mobile studio enables users to switch seamlessly between video and audio sources and blend high-quality digital content on the fly. Advanced features include a 17.3-inch video monitor which displays multiple sources, as well as preview and program. The system is equipped with an eight-way intercom system and is supplied with four belt packs for effective communication between the whole production crew.
The HS-2850 is ideal for TV and video professionals working in outside broadcast or temporary video studios, such as theatres or conference centers. The HS-2850 is also a great value solution for the worship, education, and AV markets."
ITC-100 Intercom System
The Datavideo ITC-100 Intercom System provides 8-Way talkback and tally indicators. The director can select to talk to an individual channel or to all channels simultaneously. The ITC-100 is a standard 19"" 1U rack design, so it is easy to integrate into any rack system for using in the field or studio."
ITC-300 Digital Intercom System
The ITC-300 is a standard 19"" 1U rackmount design, so it is easy to integrate into any rack system for using in the field or in the studio. "
KMU-100
As an option, the Datavideo RMC-185 controller can be added to easily pan, tilt, and zoom to create the user-defined windows on the 4K signal. You can set up these shots in advance and save them as presets, or you can do it in real-time."
KMU-200 4K Multi-Channel Touch Screen Region of Interest Switcher
Produce traditional landscape (16:9) & vertical (9:16) video from a single 4K camera with built-in streaming. The KMU-200 allows users to output multiple landscapes or portrait pictures simultaneously just by creating cutouts of a 4K input using the 14” touch screen. The HD output signal can be streamed to many mainstream live-streaming platforms and output video can be recorded on an SD card. The KMU-200 features virtual camera control, switching, audio mixing, streaming and backup recording within one compact unit, which is an ideal product for content creators who want to live stream their content to social media platforms. Video productions that are traditionally done by multiple crew members now can be done by one person using the KMU-200.
The KMU-200 is a single unit that allows users to convert a 4K input signal to a 1080 HD output signal. An auxiliary HDMI input is also available for Skype or other sources. Hardware control is available on the unit to control the created cutouts, giving control over zoom, tilt, and pan of the virtual camera with a convenient joystick. Professional illuminated buttons control the switching of a maximum of 6 shots: 4 cutouts, the full image, and the auxiliary input.
Furthermore, its 14" capacitive touch screen allows users to easily control of picture selection and camera operations. Users can control the picture selection of the KMU-200 by not only the joystick but also by gesturing and pinching directly on the touch screen. This intuitive control method is suited for inexperienced users who are used to tablets and other touch screen interfaces.
MCU-400 Multi-camera Control Unit
Designed to be able to mount in a 19” rack, the MCU-400 is great for outdoor productions. Easy operation, cost effective and major camera functions to be this wonderful solution."
MS-2850 HD/SD 8/12-Channel Mobile Video Studio
The switcher is integrated with the essential elements required for live production including a recorder, a multi-view monitor and an intercom system."
MS-3200 HD 12-Channel Mobile Video Studio
The MS-3200 HD 12-channel Mobile Video Studio is the ideal solution for large-scale live events because they require up to 12 camera inputs. The system also includes intercom, recorder, waveform vector monitor, and power supply; ultimately allowing the MS-3200 to deliver a complete and easy production process on location. "
NVD-30 HDMI IP Video Decoder
The NVD-30 decodes all common protocols including RTP/RTSP, RTMP, UDP, TCP, HTTP, HLS and MPEG-TS and can output SD/HD video at resolutions up to 1080p60. Decodes directly from YouTube Live, UStream and most major CDNs without any 3rd party advertising.
The NVD-30 is the perfect partner to the Datavideo NVS-25/NVS-30 IP encoders allowing full HD point to point video links over Ethernet, WiFi or the Internet. When connected to a Datavideo DVS-200 Cloud Streaming Server, the NVD-30 can function as a IPTV set top box downloading a channel list of both live and pre-recorded streams automatically."
NVD-35 SDI IP Video Decoder
The NVD-35 decodes all common protocols including RTP/RTSP, RTMP, UDP, TCP, HTTP, HLS and MPEG-TS and can output SD/HD video at resolutions up to 1080p60. Decodes directly from YouTube Live, UStream and most major CDNs without any 3rd party advertising.
The NVD-35 is the perfect partner to the Datavideo NVS-25/NVS-30 IP encoders allowing full HD point to point video links over Ethernet, WiFi or the Internet. When connected to a Datavideo DVS-200 Cloud Streaming Server, the NVD-35 can function as a IPTV set top box downloading a channel list of both live and pre-recorded streams automatically."
NVS-33 H.264 Video Streaming Server
The NVS-33 is able to configure two different bitrates for recording and streaming simultaneously. It supports SDI and HDMI inputs, as well as external audio RCA unbalanced input. The NVS-33 is remotely controlled using a Windows / Apple PC or mobile device with a web browser.
The file system could be NTFS, FAT or exFAT to keep the continuous recording without file size limitation. Flexible mechanism design that is fit for a desktop application or 1U rackmount application."
NVS-40 4 Channel Streaming Encoder/ Recorder
NVS-40 uses cutting edge encoding to ensure the signal to arrive in superior quality. The encoder can downscale and de-interlace each incoming signal to meet the destination specifications. Each incoming signal is dual-encoded. This means that each signal can be distributed in two bitrates. This gives the user an enormous amount of freedom and flexibility. NVS-40 can be used with all major streaming platforms and social media channels, such as YouTube Live, Facebook, Twitch, UStream, Akamai, Wowza, Adobe Media Server and Datavideo’s own DVS-200 server.
The NVS-40 offers extensive customization options. Each input channel has its own color correction options to customize brightness, contrast and saturation. Setting up NVS-40 is easily done with a very simple browser menu. This way, NVS-40 is accessible from any device on the network.
Going live on the internet is mandatory for any video producer at the moment. NVS-40 gives you all the features and capacity to produce the way you like without giving up reliability. It can replace multiple streaming encoders and recorders. NVS-40 is a cost-effective solution for any video producer that needs to deliver his or her production to multiple servers at the same time."
OBV-2850 HD/SD 8/12-Channel OB Van Studio
Built around the latest HD/SD switcher, it supports up-to 12 channels of HD/SD-SDI, HDMI or composite video signals. The system is integrated, compact, and sturdy with a metal framework for great stability and protection yet provides room for future expansion.
With power-efficient modules, OBV-2850 can be powered by a DC 12V supply. Datavideo OBV-2850 is easy to install and a cost-effective solution for live video production. "
OBV-3200 HD 12-Channel OB Van Studio
Built around the latest Full HD switcher, it supports up to 12 channels of 1080p Full HD-SDI and HDMI video signals. The system is integrated in a sturdy rack with a new design Console Desk for great stability and protection.
The system is fully equipped with functions such as intercom, video transmission, camera control, video recording, video streaming, audio delay and Scope View monitor etc."
PTC-140 HD PTZ Camera
The PTC-140’s onboard streaming encoder can encode up to 2 simultaneous streams to any cloud service, including Datavideo’s own DVS-200. It supports H.264 /H.265 video compression and dual stream output. Advanced 2D/3D noise reduction function supports advanced digital noise reduction, even in less-than-perfect lighting conditions. The PTC-140 can use Datavideo RMC-300C and RMC-180 as the controllers for distant controlling."
PTC-140T HDBaseT PTZ Camera
The PTC-140T's on-board streaming encoder can encode up to 2 simultaneous streams to any cloud service, including Datavideo’s own DVS-200. The PTC-140T is compatible with HDBaseT portable studios such as the HS-1500T and HS-1600T, and controllers like the RMC-300 and RMC-180."
PTC-150 HD/SD-SDI PTZ Camera
The 1920x1080p60 resolution camera features wide dynamic range with backlight compensation. The camera's image mirror and image rotation functions allow you to electronically orient the image to adjust for the position in which the PTZ has been located.
50 programmable position presets including pan, tilt and zoom positions, allow the camera to quickly move between predetermined camera positions using the remote, or an available PTZ controller. For multi-camera shoots, the built-in tally light can identify when it is the active camera. The camera features a built-in IR cut filter for low light shooting. PTC-150 supports real time position reporting by per frame, providing useful information for virtual studio applications. The camera supports Sony VISCA protocol for PTZ control using RS-422 protocols over the unit's RJ-45 port."
PTC-150T HD/SD-SDI HDBaseT PTZ Camera
The camera captures HD video at 1920 x 1080 resolution and features wide dynamic range with backlight compensation. The camera features a motorized 30x optical zoom capability and its image mirror and image rotation functions allow you to electronically adjust the image and deliver a correctly orientated image. In addition to the basic camera functions, the PTC-150T also has a receiver box that allows the user to control the camera at a remote location with just one Ethernet cable.
50 programmable presets including pan, tilt, and zoom positions, allow the camera to quickly move between predetermined camera positions using the remote, or an available PTZ controller.
For multi camera shoots, the built in tally light can identify active camera. The camera features a built in IR cut filter in the image path for low light shooting and then returns for daytime shooting. Also, PTC-150T supports real time position report on a per frame basis; this is helpful in a virtual studio application. The camera supports Sony VISCA protocol for PTZ control using RS-422 interface over the unit's RJ-45 port."
PTC-200 4K PTZ Camera
For multi-camera shoots, the built-in tally light can identify active camera. The camera features a built-in IR cut filter in the image path for low light shooting, and then returns for daytime shooting. Moreover, PTC-200 supports real time position report on a per frame basis; this will be helpful to virtual studio application. The camera supports Sony VISCA protocol for PTZ control using RS-422 interface over the unit's RJ-45 port."
PTR-10 Robotic Pan Tilt Head
With a weight of 3.8 Kg, it can be placed on the tripod or mounted on the wall and ceiling which bring up a lot of flexibilities for your video production.
A sleek design fits seamlessly in your studio; with a weight of 3.8 Kg, the PTR-10 can be placed on the tripod or mounted on the wall and ceiling. The PTR-10 can be controlled by IR controller, VISCA protocol controller, Datavideo RMC-180 Camera controller, RMC-300C Multi-camera IP controller, and compatible with serial or Ethernet (DVIP)."
SE-1200MU HD 6-Channel Digital Video Switcher
Two assignable HD-SDI and two HDMI outputs for connecting an HD recorder, monitor and a streaming encoder, plus two Balanced XLR audio inputs for connecting an external audio mixers. Other features include chromakey, lumakey, DSK, PIP, still stores, audio delay, tally and RJ-45/RS-232 remote control interface."
SE-2200 HD/SD 6-Channel Digital Video Switcher
SE-2200 consists of 6 HD-SDI video inputs or with a combination of 4 HD-SDI and 2 HDMI inputs; all of the inputs are reassignable, thus it is able to adapt to your needs. One of the HDMI inputs can be used to accept video from a PC/Laptop computer to work with built-in title overlay system such as Datavideo's CG solutions, including CG-200."
SE-2850 HD/SD 8/12-Channel Digital Video Switcher
The SE-2850’s audio functionality allows it to connect an external mixer for a complete sound control. The SE-2850 also features all channel audio de-embedding and audio delay, and 4 dedicated XLR inputs. As an integrated Multimedia mixer, the SE-2850 can switch between up to 12 audio sources.
In addition to producing superb 4:2:2 10-bit broadcast quality pictures with versatile input/output configurations, the SE-2850 also has powerful, easy-to-use effects, such as dual picture in picture (PIP), downstream keyer (DSK), logo insertion and built-in title overlay system for the entry level Datavideo CG systems."
SE-3200 HD 12-Channel Digital Video Switcher
The SE-3200’s modular design allows you to install the 2U main unit on a standard 19-inch rack and place the control panel on a flat work bench, or it can be installed in an outdoor broadcast van. The SE-3200 facilitates video switching, whether indoor or outdoor.
Key Features
Supports full 1080P (3G) 4 Upstream Keys for chromakey, linear and luma keys as well as picture-in-picture 2 Downstream Keys for generating different effects 4 Broadcast Quality keyers with 50 built-in virtual sets 9 built-in Stinger transition effects
SE-500HD HD/SD 4-Channel Digital Video Switcher
Don’t let the SE-500HD fool you with its compact size and affordable price. It is loaded with features such as Lumakey for graphic overlays, split screen for side by side views of the presenters, and PIP (picture-in-picture) for PowerPoint presentations. Plug in microphones and other audio sources directly into the SE-500HD and use the built-in audio mixer to simplify your workflow and get professional sound. Dedicated buttons make it user friendly and easy for anyone to operate it like a pro. Professional features, compact all-in-one design and affordable price point makes the SE-500HD ideal for any live presentation."
SE-500MU HD 4-Channel video switcher
The SE-500MU is not merely a video switcher, it is also a PTZ camera controller. There are two available Control Applications- SE-500MU Control (for video switcher) and SE-500MU PTC Control (control up to 4 PTZ cameras). SE-500MU offers 4 HDMI inputs, a program output, and a quad preview. It supports video resolutions up to Full HD 1080p, and it can perform cut, mix, and wipe transitions, fade to black, PIP, Split Screen, and Luma Key."
SE-650 HD 4-Channel Digital Video Switcher
It offers two HD-SDI and two HDMI inputs that support video formats up-to 1080i. It features two HDMI outputs and a user assignable HD-SDI output.
The SE-650 is the perfect device for small scale video production using professional cameras and HDMI equipment. The SE-650 also features an audio mixer with microphone and unbalanced RCA audio inputs. Advanced tools include Chromakey, Luma key, PiP, wipe generator, still store and tally."
HS-3200 12-Channel HD Mobile Cast Streaming Studio
HS-3200 features easy-to-use video streaming and recording appliance for professional video producers who need to simultaneously stream a live event and record the master quality version for post-event editing.
With 12 digital inputs including 8 SDI and 4 HDMI inputs with embedded audio, 5 SDI and 4 HDMI outputs for connecting HD recorder, monitor, etc.
HS-3200 is a lightweight, portable and powerful featured mobile studio solution which is designed for live events and TV programs that need to mix a variety of video and audio sources. HS-3200 is also a great value solution for the worship, education and AV market.
The HS-3200 also has powerful, easy to use effects, including Chroma / Luma Key, DSK, PIP, DVE, Wipe Generator, Still stores, logo insertion.
Advanced features include a 17.3-inch Full HD 1080p video monitor, which displays the multi-view, the Multi-view includes all the input sources, as well as preview and program.
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VistaCam
VistaCam is designed and built with live broadcasting in mind. Everything from design, construction to software functionality was conceived to stream live or recorded panoramic video over IP from the arena or stadium back to the studio.
Since video walls vary in terms of size and resolution, VistaCam offers flexible one-to-four HD-SDI outputs. In addition, each output can be color adjusted and, if needed, shifted to compensate for mis¬aligned frames in the video wall.
The VistaCam array consists of four stacked 1080P cameras. Each cam¬era is focused on a specific view of the field. Each camera view is then “stitched” into a cohesive, seamless wide-angle panorama.
VistaCam’s custom-designed camera array is weather proof and the all-aluminum housing is designed for easy mounting and adjustment within the arena. The camera array connects to VistaCam’s Presentation Engine or the on-venue streaming server through a single fiber connection.
The VistaCam Presentation Engine ingests the 4 camera streams, creating a high resolution video panorama in real-time. Remote access for settings and calibration is as easy as a push of a button with the patented CogEye™ Panoramic technology. The VistaCam Presentation Engine also features a built in disc-recorder for playback of pre-recorded panoramic video. The disc-recorder also serves as a fail-over device, should the connection to the camera array disengage.
BC-50 IP Block Camera
The video output is 3G/HD-SDI, it also supports VISCA/Pelco-D/Pelco-P protocols for control via RS-485. The BC-50 can deliver the compressed video signal H.264/H.265/MJPEG, and also RTMP streaming to facebook and youtube.
The BC-50 Block Camera is a small HD camera with sturdy and durable metal case can be used in different types of environments."
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BC-80 HD Block Camera
It can be used for HD high quality shooting within a limited space and supports resolutions up to 1080p60. And provides 30x optical zoom and the image output interfaces are SDI and HDMI.
The BC-80 supports SONY VISCA protocol enabling the camera to be controlled via RS-422 or DVIP interface and the built-in tally light indicates when it is active."
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BC-100 Interchangeable Lens Camera
BC-100 has been developed with stunning image quality in mind. With a 4/3 CMOS large-size sensor and real-time HDR function, the noise in darker areas can be reduced to a very low level and a rich high-quality picture can be produced in a backlight environment. BC-100 uses 1080P 12-bit image processing for optimum image quality. The interchangeable lens mount is compatible with standard MFT lenses, ensuring the user of a large array of available accessories. "
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BC-200 4K Block Camera
It's perfect for use in video and web studios, venues, conference rooms and theatres providing 12x optical zoom and two HDMI video output interfaces.
The BC-200 supports SONY VISCA protocol enabling the camera to be controlled via RS-422 or DVIP interface and the built-in tally light indicates when it is active."
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Zhiyun-Tech WEEBILL 2 3-Axis Gimbal Stabilizer with Rotating Touchscreen
Introducing a stabilizer with quick responsiveness, brand new touch screen and advanced operation logic. WEEBILL 2 - A stabilizer strives to create a better experience for users in filmmaking with its classic structure, powerful Infineon chip, upgraded algorithm and new image transmission experience. Buy WEEBILL 2 from UBMS Dubai.
Unique Robust Build
WEEBILL 2 combines well-crafted lines with artistic structure to bring the new stabilizer into life. A creative rotatable flip-out touch screen to make every feature and operation easier.
Classic & Effort-saving Design
With the classic structure and sling grip design in WEEBILL series, An effort-saving sling mode is within reach with no extensions added and structure altering. Easy to switch modes and works great when shooting low angles. UBMS can offer best price and fast delivery for WEEBILL 2 .
Powerful Chip
"Powerful chip with dynamic stabilization. Two-filter interruption vector-splitting sensor"
Introducing the revolutionary Infineon two-filter interruption vector-splitting sensor in WEEBILL 2. The sensor will analyze the complex interruptions, improve stability with its core algorithm and precisely compensate any micro-jittery, providing a smoother follow and a quicker response for the stabilizer.
Screen and control
"2.88"" Full-color Touch Screen. Various features and footage monitoring in a few taps"
Integrated 2.88" touch screen with the retractable & flip-out design. Parameter adjustment and monitoring in all shooting angles with just a few taps. All-new UI design, Tap to adjust parameters and other settings at any time. Use with TransMount Video Transmission Transmitter (AI) for high-quality monitoring and image transmission.
Timelapse & motionlapse - Set and done via the touch screen without using the app.
"A bigger screen for a high-quality wide vision and easier control. Activate SmartFollow with a single press.
*This feature needs to be used with TransMount Video Transmission Transmitter (AI)."
Compatibility
Flexible Compatibility
Compatible with DSLR and mirrorless cameras (Check camera compatibility list for details)
Strong structure with upgraded motor torque and performance. Compatible with lens combos of mirrorless cameras and DSLR cameras. Supports extensions of professional accessories. Buy WEEBIL 2 from UBMS Dubai.
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Blackmagic Design Web Presenter 4K
Add live streaming to the internet to your video production setup using the Web Presenter 4K from Blackmagic Design. The Web Presenter 4K is a compact desktop device that allows you to connect any SDI video input and stream it live onto the Internet, using Ethernet or tethering via USB to your smartphone using a 5G or 4G connection. The SDI and HDMI monitor outputs allow you to see a wide range of live status information along with your broadcast.
The USB Type-C port allows you to connect any USB video source such as a webcam or computer, so it's capable of broadcasting 4K video and audio on any webcam-compatible platform and software such as Skype, YouTube Live, Facebook Live, Twitch, Periscope, Teams, and more on Mac, Windows, Linux, and Chrome OS systems. It supports the H.264 codec and streams via RTMP and can stream in resolutions up to UHD 4K.
The SDI and HDMI monitor ports provide detailed status information on your feed, so you can monitor whether you are ON AIR as well as input status such as bit depth and stream quality, embedded audio input status, video and audio history, trend graphs, and video and audio meters. You can also see basic status information on the bright LCD screen on the front of the unit. There is also an SDI loop output for monitoring the original feed and sending it to a switcher or router.
The compact form factor allows you to fit it right into your broadcast setup, and it is compatible with optional rack shelfs in case you want to install it in a 1 RU rack. Its dual AC/DC redundant power input is handy in case you lose mains power and you can utilize the 4-pin XLR input for DC power. The Web Presenter 4K is also compatible with the Blackmagic ATEM Streaming Bridge to decode the streams back into HDMI or SDI signals for additional routing options.
Key Features
Input any SDI Signal
The Web Presenter allows you to input any 12G/6G/3G/HD-SDI video source up to UHD 4K.
4K Output
The program and USB Type-C outputs supports UHD 4K video. The unit will downconvert 4K video if you are streaming in HD. When streaming 4K, it will pass 4K video as well as upscale HD to 4K video.
Live Streaming Options
You can stream H.264 video via RTMP streaming protocols to the internet via Ethernet or tether a 5G or 4G phone to use mobile data.
USB Source as Webcam
The built-in USB Type-C input works like a webcam, so you can connect a computer and use any streaming software, or even Skype or Zoom. Stream in 4K over the USB Type-C connector, if your software supports 4K).
Monitor Outputs
SDI and HDMI monitor outputs allow you to see the input video as well as display accurate audio levels, on air status, data rate, and cache levels.
Built-In Technical Monitoring
Feature-Rich Program Status
The graphics-based monitoring output includes a video view, audio meters with accurate ballistics, trend graphs for codec data rates, and cache fill, plus a summary of the streaming settings and detailed SDI technical information.
Streaming Status
There's a very-large ON AIR indicator on the top left of the monitor output, so it's always clear when you are online and streaming. Plus all your current streaming settings are displayed clearly.
Video Input Status
The SDI input technical details are displayed, such as video standard and ancillary data. The bit activity indicators let you see the quality and bit depth of video before H.264 encoding.
Audio Input Status
Audio is de-embedded from the SDI input and the channel status is displayed. The bit activity indicator lets you check for 16-, 20-, or 24-bit audio. You can even see which audio channels are present.
Video and Audio History
The audio and video technical displays also include a 6-second history display, so you can see the recent video input history. This ensures you can instantly see what's been happening.
Trend Graphs
The trend graphs below the video display let you see the last 60 seconds of codec data rate and cache fill. Plus, codec data rate is critical for ensuring you have enough internet speed from your ISP.
Video and Audio Meters
A large area is dedicated to the video input display, and the large multi-segment audio meter with accurate ballistics. You can even change the type of audio meter from VU, PPM, and more.
Buy Blackmagic Design Web Presenter 4K from UBMS Dubai.
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TICO-RAW
TICO-RAW delivers the most beautiful pixels and most perfect colors, with the most brillant brights and the deepest darks ...with the world\'s best efficiency. Designed by intoPIX, it unleashes image sensor and traditional RAW data-flows thanks to an innovative processing and coding. The full power of the image sensor is preserved while reducing the bandwidth and storage needs. It offers high image quality and the capability to manage high resolution, high frame rate and high dynamic range workflows. TICO-RAW is the world’s first RAW codec that can offer compression efficiency with such low complexity on Bayer or Bayer-like Color Filter Arrays (CFA) patterns.
Gain in Efficiency, improve your imaging workflows
- Reduce bandwidth and power consumption to process more pixels from the sensor.
- Handle higher resolution, high frame rate and high dynamic range easily : to capture to record, to transmit, to edit, to analyze.
- Reduce the bandwidth of memory during the ISP process and RAW data analysis.
- Get the lowest latency (\"pixel-line\") to transmit RAW data over your network, infrastructures, interfaces.
- Efficiently decrease the stored RAW image data on the storage media (TICO-RAW is the new RAW at the size of a regular JPEG file).
- Increase the editing, rendering, analytics speed and while retaining the sensor data needed for a complete control of the RAW processing pipeline.
Mo-Sys L40
Extremely strong drive unit
Extremely strong and backlash-free drive units gives the operator instant and delay-free control. The precise gear drive enables flawless operation even with the biggest zoom lenses, unlike worm gear drives which can cause judder. The hole through the center of the gear boxes for cable pass-through removes the need for slip-rings and makes it future proof for high bandwidth digital video. This also allows for tangle free direct cabling.
Back-pan option
The L40 sets a new standard with the digital back-pan gyro option, making it a preferred choice for telescopic and standard crane work. It allows the operator to concentrate on the framing while the head takes care of the compensation of the crane movement.
Incredible payload
The L40 boasts a payload of incredible 40kg while only weighing 18kg. It is one of the lightest heads on the market with that strength.
Fast set-up
The L40, like all Mo-Sys heads, is lightning quick to set up utilising a daisy-chain system of identical “Mo-Sys bus” cables, providing simplicity and redundancy of spares. The head features a quick release camera plate to enable fast camera installation. All head frame size adjustments are by quick release levers for quickness and ease of balancing and nodal point positioning.
Intuitive control
The L40 can be operated with a variety of input devices such as hand-wheels, pan-bar or joystick. The Button-Console interface provides controls for pan/tilt velocity adjustment, input smoothing and direction, user defined position limits with feathering and axes zeroing. It simplifies the operation of the head in remote-mode making it ideal for tech-less operation. Our intuitive touch screen console gives access to the extended extra features like back-pan.
Data for post production
With built in high-resolution encoders the L40 is ready for a full VFX workflow, outputting accurate pan and tilt data and also connects to Mo-Sys VR modules to track cranes, dollies and cameras. The data can be recorded for post-production with the Mo-Sys MotionLogger or in Unreal using our Tracking Plugin. The L40 also interfaces to most virtual set softwares using our own protocol.
Roll-axis
A two-axis head can be effortlessly upgraded to a three-axis model with a 360˚ roll axis.
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Sony PXW-FX9 XDCAM 6K Full-Frame Camera
6K Full-Frame “Exmor R” sensor for stunning picture quality. FX9 is the world's first professional camcorder with Sony's world-leading eye-tracking technology. High-speed, high-precision image processing maintains a pin-sharp focus. The PXW-FX9 features a full-frame, oversampled 6K Exmor R CMOS sensor that allows you to capture 4K images with cinematic depth of field. The camera's E-mount is machined from stainless steel and allows you to use E-mount lenses. Sony Fx9 Price is very good in UBMS Dubai Showroom. Come and experience the Sony FX9 camera at UBMS showroom and get the best price. We can ship Sony Fx9 to all GCC countries (Bahrain, Kuwait, Oman, Qatar, Saudi Arabia ) & African Countries
The fx9 full-frame 6K sensor provides superb recording in DCI 4K*, Ultra HD and HD resolutions. Powerful image processing with debayering and oversampling ensures image quality beyond the limits of conventional Super 35mm sensors. The back-illuminated CMOS image sensor also uses Sony’s Exmor R technology for improved sensitivity and noise reduction. Compared to a 4K Super 35mm sensor, the FX9’s 6K sensor has over twice the surface area while providing a wider angle of view and shallower depth of field.*DCI 4K (4096 x 2160 at 17:9 recording) will be available with future firmware release.
With the release of the FX9, a new video look “S-Cinetone” is introduced. Installed in the FX9 “S-Cinetone” expresses the cinematic look cultivated from the Color Science in VENICE but tailored for the video world. Whereas VENICE and s709 provides images close to the film color found in movie and drama productions, “S-Cinetone” provides images with a more cinematic look in tone and color for the video world. As a result, you can create richer content compared to conventional processing.
Full-frame creativity
Realize beautiful 4K imagery with the creative freedom made possible by oversampling a huge high resolution full-frame sensor. Capture every detail from the scene with shallow depth of field and stunning bokeh for a truly cinematic look. 15+ stops of dynamic range and Dual Base ISO enable you to capture every nuance, from subtle shadow detail to specular highlights, with an immaculate color palette. To know more about sony FX9 camera contact UBMS.
Capturing the impossible
Using the FX9 you can make sure your story’s always clear with enhanced Fast Hybrid AF that tracks your subject with unprecedented speed, smoothness, and precision. Its impact is transformative for premium documentary, commercial, and event applications. Your ability to precisely capture your subject’s expression is further enhanced with Sony’s unique Eye AF.**Ver2.0 is required.
Shoot in comfort, expand your horizons
The FX9 revolutionizes full-frame cinematography with peerless ergonomics and advanced technology for on-the-go shooting. The world’s first full-frame electronic variable ND filter* transforms possibilities for shooting in variable lighting conditions. Built-in Wi-Fi and 12G-SDI support advanced workflows while the optional XDCA-FX9 extension unit further expands the operational possibilities of the PXW-FX9. Ver.2.0 firmware adds HLG, User 3D LUTs, and more with yet more advanced features still to come. Shop sony FX9 camera from UBMS Dubai.
6K Full-Frame "Exmor R" sensor for stunning picture quality
The FX9camera’s full-frame 6K sensor provides superb recording in DCI 4K*, Ultra HD, and HD resolutions. Powerful image processing with debayering and oversampling ensures image quality beyond the limits of conventional Super 35-mm sensors. The back-illuminated CMOS image sensor also uses Sony’s Exmor R technology for improved sensitivity and noise reduction. Compared to a 4K Super 35-mm sensor, the FX9’s 6K sensor has over twice the surface area while providing a wider angle of view and shallower depth of field.*DCI 4K (4096 x 2160 at 17:9 recording) requires Ver.2.0 or higher firmware.
Phenomenal 15+ stops dynamic range for limitless expression
The FX9 offers an exceptional 15+ stops of dynamic range—beyond the normal range of human perception—allowing for unprecedented creative freedom in color grading and post. Camera operators can concentrate on framing the scene they want while relying upon the FX9 to capture every nuance and detail using either 4K 4:2:2 10-bit internal recording or 16-bit RAW external recording.* In grading, colorists can find color and detail beyond the normal viewing abilities of the camera operator to create a final image that exactly portrays the mood of the scene. To know more about the FX9 please contact UBMS Dubai.
Dual Base ISO for stunning images in any light
The FX9 features a base sensitivity of ISO 800, providing the optimal dynamic range for typical documentary applications such as shooting outside or in brightly lit interiors. A secondary High Base sensitivity of ISO 4000 excels in low-light conditions such as early morning and evening shoots while maintaining superb image quality. ISO 4000 is also ideal when using slow lenses. Combining Dual Base ISO with the camera’s electronic variable ND Filter provides superb creative control in almost any shooting environment, with truly next-generation responsiveness to changing conditions. The FX9 can be purchased from UBMS Dubai Showroom .
Cinematic color science with S-Cinetone™
S-Cinetone is the default look of FX9 that’s tuned to meet the requirements of today’s content creators with rich mid-range colors, alluring facial tones and a softer tonal look—developed with the same expertise as Sony’s world-leading VENICE digital cinematography camera. S-Cinetone means your content looks fresh and vivid straight out of the camera, with subjects that really stand out while retaining plenty of latitude in post-production thanks to the high-performance full-frame image sensor.
Accelerate your workflow with User 3D Luts and HLG*
User Created 3D LUTs make it easy to customize FX9’s look to your preferences. It is possible to import LUTs files from an SD card and store up to 16 files on the FX9’s internal memory and switch between them as needed. This is particularly useful for shooting in S-Log3, allowing you to preview on camera whatever custom look you create.FX9 can record HDR using S-Log3 or Hybrid Log Gamma (HLG)*.•S-Log3 is optimized for premium applications, capturing the maximum dynamic range from a sensor and providing ultimate creative freedom when color grading.•HLG* delivers content quickly without additional color grading making it an ideal choice for day-to-day shooting, viewing, and editing workflows.
Selectable Frame Rates in Both Full-Frame & Super 35
Choose your desired frame rate from 1fps up to 180fps* for impressive quick- and slow-motion footage. FX9 creates an immersive image with a wide-angle look and shallower depth of field provided by its full-frame sensor in combination with quick and slow motion. Engage your audience with this new creative look. FX9 also offers a Quality priority setting** that maximizes full HD image quality using full-frame 6K scan mode or Super 35 4K scan mode with advanced oversampling technology.
Super 35 2K imager scan mode prioritizes frame rates, so image quality may be reduced depending on the shooting environment. In this instance, the settings below are recommended.
Capture the action with enhanced Fast Hybrid AF
Effortlessly track fast-moving subjects with pin-sharp focus, even when using wide-lens aperture settings to maintain a shallow depth of field with the camera’s full-frame sensor. Developed by Sony’s α camera engineers, enhanced Fast Hybrid AF combines phase detection AF for fast, accurate subject tracking with contrast AF for exceptional focus accuracy. In addition, Face Detection intelligently recognizes and locks on to human faces.
The dedicated 561-point phase detection AF sensor covers approximately 94% of the whole image area width and 96% of height, allowing consistently accurate, responsive AF tracking, even with fast-moving subjects.
Eye AF & Focus Touch Control*
FX9 is the world’s first professional camcorder with Sony’s world-leading eye-tracking technology**. High-speed, high-precision image processing maintains a pin-sharp focus. During an interview or portraiture shoot, you can rely upon Eye AF to capture your subject’s most subtle expressions while you concentrate on the interview and framing.
Focus Touch Control allows you to precisely set the camera’s specific focus area by simply touching the LCD viewfinder. It’s fast and intuitive—ensuring your full creative control of FX9’s powerful AF technology. Buy Sony PXW-FX9 FULL-FRAME CAMERA From UBMS
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QDCAM
MEDIAEDGE was established in 2012 being separated from Grass Valley’s video distribution division.
We MEDIAEDGE develop reliable and affordable video products for broadcasters and public institutions in Japan.
With QDCAM, customers will be able to configure high-speed camera systems at an affordable price.
The features of QDCAM
・High-Speed shooting : 1920×1080/239.8p, 200p
・High resolution shooting : 4096×2160/24p, 3840×2160/60p,50p
・Micro four thirds lens mount
・Global shutter CMOS image sensor
・A new synchronization system
・Fan-less quiet camera.
・Optical transmission option using SMTPE opt-camera cable
We have also developed QDVS, which is a low-cost recording / playback switching slow server.
QDVS also helps customers to build high speed camera systems at an affordable price.
We have developed the system according to the needs of our customers.
If you have anything you would like to achieve with a high-speed camera, please feel free to contact us.
Here is the contact information.
Mail : osinfo@mediaedge.co.jp
URL：https://www.mediaedge-corp.com/products-list/
URL( in Japanese)：https://www.mediaedge.co.jp/
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AS-1/
Two cameras can be adjusted with one AS-1 remote control
In combination with the Protech HDF viewfinder,the return video confirmation function is very convenient for multi-camera recording.This function can be realized without relying on the functions of the camera body.For example, even in one-man multi-camera recording with two professional camcorders,you can operate the other camera while checking and controlling the fixed-point camera image. It becomes possible to do.
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Blackmagic Design URSA Broadcast G2 Camera
The new Blackmagic URSA Broadcast G2 is an incredibly powerful camera designed for both traditional and online broadcasters. The 3 cameras in 1 design allows it to work as a 4K production camera, a 4K studio camera or a 6K digital film camera! It's a perfect solution for broadcasters because it uses the lenses and batteries you already own! You can record to common SD cards, UHS-II cards, CFast 2.0 cards or external USB disks, using common file formats such as H.265, ProRes and Blackmagic RAW. This means it's compatible with all video software and broadcast media management systems. You can even change the lens mount! No other broadcast camera is so flexible! Buy Blackmagic Design URSA Broadcast G2 Camera from UBMS Dubai.
Blackmagic URSA Broadcast G2 (CINEURSAMWC6KG2), a next generation professional broadcast camera with 6K digital film sensor that brings digital film quality to both traditional and online broadcasters. The advanced 6144 x 3456 digital film sensor provides exceptional low light performance with dual gain ISO of up to +36dB as well as 13 stops of dynamic range. Blackmagic URSA Broadcast G2 also includes H.265 and Blackmagic RAW file formats, Blackmagic generation 5 color science, as well as a USB-C expansion port for external disk recording, and more! Looking for price of URSA Broadcast G2, UBMS can provide best price and fast delivery for Blackmagic URSA Broadcast G2.
Broadcast Production Camera
The perfect solution for broadcasters, URSA Broadcast G2 includes ENG camera controls positioned around the camera so you can locate them by feel. It also features a low light sensor so you get amazing images using natural light. That's the perfect combination for broadcast news and programming.
Live Studio Camera
URSA Broadcast includes an advanced YRGB color corrector built in and full remote camera control. You can use B4 ENG lenses, large studio box lenses, or even change the lens mount and use any lens! Plus the optional Blackmagic focus and zoom demands let you control the lens from the tripod handles.
Digital Cinema Camera
URSA Broadcast G2 includes an advanced 6K digital film sensor, and you can change the lens mount! Use a PL mount for digital film lenses or EF for photo lenses. Plus the high dynamic range, great low light performance and Blackmagic RAW means you get a true "Hollywood" quality digital film camera. Buy CINEURSAMWC6KG from UBMS Dubai.
Digital Film Quality for Broadcast
The large 6K sensor combined with Blackmagic generation 5 color science gives you the same imaging technology used in digital film cameras. This means broadcasters can now use digital cinema quality in broadcast! The 6K sensor features a resolution of 6144 x 3456 so it's flexible enough for broadcast and digital film work. When using B4 lenses, you get a 4K window of the sensor for Ultra HD broadcast use. Then if you change to a PL or EF lens mount, you can use the full 6K resolution of the sensor for digital film! With 13 stops of dynamic range, you get darker blacks and brighter whites, so it's perfect for color correction. Using digital film in broadcast is a revolution in image quality!
Low-Light Performance
The new URSA Broadcast features incredible low-light performance, so you can shoot using ambient light or even under moonlight. In advanced cameras, ISO is a measurement of the image sensor's sensitivity to light. The Blackmagic URSA Broadcast G2 features gain from -12dB (100 ISO) up to +36dB (25,600 ISO), so it's optimized to reduce grain and noise in images while maintaining the full dynamic range of the sensor. The primary native ISO is 400, which is ideal for use under studio lighting. Then the secondary high base ISO of 3200 is perfect when shooting in dimly lit environments. The gain can be set via a camera switch, the LCD menu, or remotely using the SDI remote camera control protocol.
Compatible with B4 Broadcast Lenses
The URSA Broadcast G2 features a B4 broadcast lens mount that includes optics specifically designed to match the camera's sensor. The B4 lens mount lets you use modern UHD lenses or lower-cost HD lenses. Older HD lenses often feature resolutions well beyond HD, so you get great quality at a low cost. B4 lenses are fantastic because they are par-focal, so the image stays in focus as you zoom in and out, so you don't need to constantly chase focus as you shoot. That lets you work much faster. You also get full electronic lens control to adjust focus, iris, and zoom using the camera's controls or remotely. Plus, if you want to use alternative lenses, you can change the mount to PL, EF, and more.
Built-In Optical ND Filters
URSA Broadcast G2 features high-quality neutral density (ND) filters that let you quickly reduce the amount of light entering the camera. The 1/4, 1/16th and 1/64th stop filters have been specifically designed to match the image sensor and color science of URSA Broadcast G2, providing you with additional latitude and better colorimetry. This lets you use different combinations of aperture and shutter angles in a wider range of situations. The IR filters have been designed to evenly filter both optical and IR wavelengths, eliminating IR contamination. Plus, the filter status on the LCD can be displayed as a fraction, number, or stop reduction.
Common Media and File Formats
URSA Broadcast is designed to work with standard file formats used by all broadcast systems and editing software. You can record in ProRes 422 HQ and ProRes 422 into QuickTime files. The new Blackmagic URSA Broadcast G2 model can even record into H.265 for incredibly small files at 60:1 to 285:1 compression ratios, in 10-bit broadcast quality. Plus. you can record to Blackmagic RAW files, a revolutionary new format designed to capture and preserve the quality of the sensor data from the camera. That means you get the perfect range of file formats designed for all types of workflows.
Dual Media Slots for Nonstop Recording
With dual CFast 2.0 recorders and dual SD/UHS-II card recorders, you can choose the media that's best for you. Both types of media are standard, inexpensive, and readily available at computer and camera stores. Plus, with dual media slots, URSA Broadcast gives you nonstop recording. When a card is full, recording automatically continues onto the next card, so you can swap a full card while recording continues. You get enough speed to record high-quality ProRes and H.265 video file formats, even when working in Ultra HD at high frame rates. That means URSA Broadcast G2 is easy to integrate into your existing broadcast systems. You can even record 12-bit Blackmagic RAW cinema files.
USB Type-C for Recording Direct to External Media Disks
The Blackmagic URSA Broadcast G2 features a high-speed USB Type-C expansion port on the rear of the camera that allows you to record to external disks or connect to a wide range of accessories. If you plug in a large and low-cost external USB flash disk, you can record ProRes, H.265, or even high-quality 12-bit Blackmagic RAW files for later editing and color correction. That means you can just move the disk to a computer to work, and you don't need to waste time with file copying. Plus, the USB port will power the disk that's plugged in. You can even plug in optional focus and zoom demands to allow full lens control.
Strong and Lightweight Magnesium Design
URSA Broadcast G2 features a super-strong, lightweight magnesium alloy body that's perfectly balanced and designed to be comfortable to use all day. It features familiar, externally mounted switches and controls that give you direct access to the most important camera settings. The controls are laid out logically, making them easy to locate by feel, so you can adjust settings without having to look at the buttons. You also get a foldout touchscreen for monitoring, viewing camera status, and changing settings using on-screen menus. URSA Broadcast G2 also includes standard 12G-SDI connections, XLR audio inputs, USB Type-C, and an industry-standard 4-pin XLR broadcast 12 VDC connection.
Built-In LCD with Touch Controls
With a built-in LCD that folds out, you can both monitor and control the camera. While URSA Broadcast G2 features lots of physical buttons and knobs, using the LCD, you also get on-screen status and touchscreen controls. The built-in touchscreen also includes a heads-up display with the most important shooting information, as well as menus for all camera settings, LUTs, and custom presets. Behind the LCD, there are extra buttons, as well as knobs for audio levels. There are even programmable function buttons that can have functions assigned to them, such as zebra, false color, focus peaking, LUTs, and more. Plus, you can change the function assigned to each button in the on-screen menus.
External Status Display
The status display is a high-visibility LCD screen designed to be easily seen, even in bright light. The status display shows record, locked, and reference timecodes, along with the current shooting frame rate, shutter angle, aperture, white balance, gain, and iris. It also features a battery indicator, card recording status, and audio meters for monitoring levels. The screen's backlight can be turned on when you are shooting in dimly lit locations and off when you are shooting outdoors and in bright light to increase contrast, making it easy to read under any condition.
Program Video Monitoring
If you're doing live production, sometimes you need to monitor program video back from the switcher. Simply press the camera's PGM button and the viewfinder will switch from the camera display to the program return feed from the switcher. A built-in speaker also lets you monitor the switcher audio as well. Program return is a fantastic feature, as sometimes on large live shows, camera operators can be left waiting a long time for their camera to be used, so program return lets them watch the show while they wait. This means that even if the camera operator is a large distance away from the switcher, they can still keep up with what is happening and remain alert.
Load Custom 3D LUTs to Recreate Film Looks
Digital film cameras shoot logarithmic color space to preserve the dynamic range, which is great for later post-production. However, when these files are viewed on a monitor, they can look flat and washed out. 3D LUTs solve this problem as they allow you to apply a "look" to the monitor so you get an idea of how the finished images will look when editing. LUTs can be applied temporarily for monitoring only, or they can be recorded into the Blackmagic RAW files for use in post-production. The URSA Broadcast G2 works with industry-standard 17- and 33-point 3D LUT files or you can work with the built-in LUTs such as Extended Video, Film to Video, Film to Rec.2020, and more. Visit Our UBMS Dubai showroom, and Get bestprice For Blackmagic URSA Broadcast G2
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Sony HXC-FB75H
The Sony HXC-FB75 is a high-performance, yet affordable, HD camera system that inherits Sony’s proven field-proven operability from the highly regarded DXC-D Series of system cameras. The camera is equipped with three 2/3-inch Full HD Exmor CMOS sensors to provide excellent sensitivity (F12 at 1080i/60) with a low noise ratio for clear images. Those sensors are common to the HXC-P70, HXC-D70 and PXW-X400, and enable perfect integration with those cameras which gives you more flexibility. In addition, a wide range of output formats are available, including 1080i/59.94,50, 1080PsF/29.97,25, 720p/59.94,50, 480i/59.94 and 576i/50.
Key Features:
- Full HDExmor CMOS sensors
- Captures a variety of HD images
- SD down-converter
- Hybrid-type optical fibre cable connection to CCU extends signal transmission with power supply to 350m
- Long-distance transmission up to 10km with single-mode fibre cable
- HDVF interface for connecting a variety of viewfinders
- Wide range of image control functions
- HXC-FB75KC variant of this model includes a digital HD viewfinder, HD lens and Monaural microphone
