Angenieux EZ-1 30-90mm T2 – PL
Angenieux EZ-1 30-90mm T2 – PL
Angenieux EZ-1 30-90mm T2 – PL is a fast zoom for 3-perf Super 35mm sized sensors that has been designed from the ground up to utilize interchangeable rear optical assemblies. This allows you to use the same lens to cover Super 35 or Full-Frame/VistaVision-sized sensors by swapping out the rear optical assembly. In addition, the rear assemblies allow you to swap the lens mount from PL to Sony E or Canon EF.
The version of the lens ships with a PL mount and the Super 35 rear optical assembly. Set up as such it features a T2.0 aperture and focuses down to 2′ in front of the image plane, while weighing in at only 4.7 pounds. The 114mm front diameter of the lens is a common diameter compatible with cinema-style matte boxes. The lens features independent focus, iris, and zoom control rings with cinema standard gear teeth. A removable support foot can be repositioned for when you need to rotate your lens off of a standard mounting orientation.
Interchangeable Rear Optical Assembly
The EZ-1 30-90mm is designed with swappable rear optical elements so you can easily convert the lens from covering 3-perf Super 35 to full-frame/VistaVision. This design has many advantages over adding additional optical elements such as 2x extenders, as swapping the rear assembly allows the lens to maintain the same physical size and minimum operating distance, while losing only slightly more than a stop when going from Super 35 to full-frame coverage. Additionally, as the optics are designed to be part of the lens, and not just additional elements that blow up the image resolved by the lens, they match the optical quality of the lens and your image does not suffer from having to go through additional glass/air surfaces, which can degrade your image.
Interchangeable Lens Mounts
This lens ships with a PL mount; however, that mount can be swapped with available (not included) E or EF lens mounts.
Losing only 1/10 of a stop within the lens, the EZ-2 is extremely efficient. The fast T2.0 maximum aperture in Super 35mm matches the maximum aperture of many standard prime lenses for Super 35mm. This allows you to light to a lower illumination level than would normally be required for many zooms, making for more consistent images as you may not have to relight the scene as is often the case when moving from primes to slower zoom lenses.
Manual Lens Control Rings
Featuring independent manual control rings for focus, iris, and zoom. Each control ring incorporates industry standard 0.8 lens gear teeth.
114mm Front Diameter
The EZ-1 shares the same 114mm front common to the Angenieux OPTIMO lens series, allowing you to easily share matte boxes between the EZ-1 and the OPTIMO lenses.
Additional information
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Sony FE 14mm f/1.8 GM Lens
A dynamic ultra wide-angle focal length with an especially bright design, the FE 14mm f/1.8 GM from Sony is a fast, versatile lens well-suited to landscape, nature, architectural, and astrophotography applications. Its extremely wide-but-usable perspective is complemented by the f/1.8 maximum aperture for excellent performance in low-light conditions and increased control over depth of field. The optical design incorporates two extra-low dispersion elements and one super ED element to reduce chromatic aberrations, plus two XA (extreme aspherical) elements that significantly control spherical aberrations for a high degree of image sharpness and clarity. A Nano AR II coating has been applied to limit ghosting and lens flare for increased contrast and color fidelity when working in strong lighting conditions.
An XD Linear Motor system uses two separate motors to provide quick and quiet focus, and also lends more responsive control for manual focus operation. A minimum focus of just 9.8" and an ultra-wide field of view opens a new world of deep perspective close-up photography. Also, the lens features a dust- and moisture-sealed design and fluorine-coated outer elements to support shooting in inclement conditions.
- A focus hold button is present on the lens barrel for intuitive tactile control and rapid access to select programmable settings.
- Physical aperture ring can be de-clicked for smooth, silent aperture switching to benefit video applications. The ring also incorporates a locking "A" position for use in automated exposure modes.
- Dust- and moisture-sealed design better permits working in inclement conditions and rubberized control rings benefit handling in colder temperatures.
- Fluorine-coated front and rear elements resist dust, moisture, and fingerprints and are easy to clean.
- Filter holder is incorporated at the rear of the lens, within the lens mount, and accepts cut gel filters and a filter cutting template is included.
- Integrated petal-shaped lens hood helps to block stray light from causing lens flare and also affords some physical protection to the front element.
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Sony FE 50mm f/1.2 GM Lens
Excellent resolution. Beautiful bokeh. (Introducing our 60th E-mount lens, the all-new 50mm F1.2 G Master lens). Exceptional expression from a compact F1.2 prime E-mount lens, FE 50mm F1.2 GM.
New speed and resolution in an F1.2 lens
This 50‑mm F1.2 G Master prime lens is a creator's dream, with an F1.2 maximum aperture that not only allows shooting in a wider range of lighting conditions, but also provides an extraordinary combination of high resolution, luscious G Master bokeh, and blazing autofocus. It is also remarkably compact and lightweight—for new creative freedom.
G Master resolution without compromise
The compact, lightweight FE 50 mm F1.2 GM is an ideal choice for dedicated creators. XA (extreme aspherical) elements and other advanced technologies combine to achieve extraordinary resolution and contrast from the image center right out to the edges. Sony Nano AR Coating II subdues flare and ghosting, while a floating focus mechanism ensures optimum sharpness at any focusing distance. Buy Sony FE 50mm f/1.2 GM Lens from UBMS Dubai.
Smooth, refined G Master bokeh
XA elements plus painstaking spherical aberration control at the design and manufacturing stages contribute to gorgeous G Master bokeh that can really make portrait and other subjects stand out, especially with the shallow depth of field available at the lens's maximum F1.2 aperture. An 11-blade circular aperture mechanism contributes to beautifully circular bokeh. SEL50F12GM will be alible in UBMS Dubai showroom soon.
Fast, precise, quiet AF and tracking
Fast, accurate focus is assured, even with extremely shallow 50 mm F1.2 depth of field. Four XD (extreme dynamic) Linear Motors smoothly deliver high thrust to position the large, heavy focus groups for fast, accurate AF. Original Sony E-mount lens technology ensures that you get maximum performance from E-mount bodies—for both stills and movies.
Professional mobility
3.5" (87 mm) in diameter, 4.38" (108 mm) long, and weighing just 27.5 oz (778 g), the FE 50 mm F1.2 GM complements compact, high-performance E-mount bodies to create a system that gives serious shooters the mobility and handling. Three XA elements and four XD Linear Motors in a large-aperture lens that is surprisingly compact offer extraordinary creative potential.
Professional control and reliability
Two focus hold buttons, a focus mode switch, a focus ring, an aperture ring with switchable click stops and other controls support smooth operation. The focus hold buttons can be assigned to other functions via a camera menu. Linear Response MF ensures that the focus ring responds linearly to manual focus control. Effective dust and moisture resistance and a fluorine front element coating enhance reliability.
- As part of Sony's esteemed G Master series, this lens is designed to achieve notably high resolution and sharpness through the correction of a wide variety of spherical and chromatic aberrations. Additionally, these lenses feature robust and intuitive-to-handle physical designs to benefit both photography and cine applications.
- Normal perspective 50mm lens is designed for full-frame Sony E-mount mirrorless cameras; however, it can also be used with APS-C models where it provides a 75mm equivalent focal length.
- Notably fast f/1.2 maximum aperture benefits working in difficult lighting conditions and also affords increased control over depth of field.
- Three XA (eXtreme Aspherical) elements are incorporated into the optical design and feature superior surface precision for effective control over astigmatism, field curvature, coma, distortion, and other spherical aberrations for a high degree of sharpness and accurate rendering.
- Nano AR Coating II has been applied to reduce surface reflections, flare, and ghosting for increased contrast and color rendering in strong lighting conditions. This updated coating is better suited for larger, curved elements and is especially adept at minimizing internal reflections.
- Four XD Linear Motors, along with an internal focusing design, provides quick, quiet, and precise autofocus performance. This design also contributes to more natural, intuitive Linear Response manual focus control and an AF/MF switch is located on the lens barrel for tactile control over this setting.
- A focus hold button is featured on the lens barrel for intuitive tactile control and rapid access to select settings.
- Physical aperture ring can be de-clicked for smooth, silent aperture switching to benefit video applications.
- Dust- and moisture-sealed design better permits working in inclement conditions and rubberized control rings benefit handling in colder temperatures.
- Fluorine-coated front element resists dust, moisture, and fingerprints and is easy to clean.
- Rounded 11-blade diaphragm contributes to a pleasing bokeh quality when employing selective focus techniques.
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ZEISS CP.3 18mm T2.9 Compact Prime Lens (PL Mount, Meters)
The ZEISS CP.3 lenses offer the perfect combination of high image quality and reliable usability. They exhibit the clean, crisp characteristics ZEISS is known for, together with an interchangeable mount system and full-frame coverage.
Ranging from 15 mm to 135 mm, the ten focal lengths available in the ZEISS Compact Prime CP.3 or CP.3 XD series cover all applications from wide-angle to telephoto. The ZEISS CP.3 lenses feature advanced lens coatings, painted lens rims and special light traps within the barrel to eliminate unwelcome veiling glare and flares. The result is higher contrast, richer blacks and more saturated colors.
The ZEISS CP.3 lenses are a professional toolset that simplifies your work on set. They are easy to handle, allow for fast changeover of equipment and give you great creative freedom to make your ideas come to life.
The compact and light-weight design enables you to use different stabilizing systems and to have a compact camera setup that is ideal for shooting in narrow spaces and for capturing dynamic shots.
Zeiss CP.3 Features
- Full frame coverage
- Interchangeable Lens Mount System, with five mount options (PL, EF, E, F, MFT)
- Clean and crisp ZEISS look, color matched across the lens family and matching with other ZEISS cine lenses
- Smooth and temperature stable focusing mechanism projects
- Compact and light-weight design is ideal for handheld, gimbal, drone and Steadicam applications
- Modern optical design, with vastly improved anti-reflection coatings
- Extraordinarily smooth focus rotation even in extreme temperature conditions thanks to a new, sophisticated construction design
- Standardized positioning of the focus rings and a consistent 95 mm front diameter allows for fast and easy changeover while on set
Buy ZEISS CP.3 18mm T2.9 Compact Prime Lens (PL Mount, Meters) from UBMS Dubai.
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ZEISS CP.3 35mm T2.1 Compact Prime Lens (Canon EF Mount, Meters)
ZEISS Compact Prime CP.3 lenses range from wide-angle to telephoto. This is the 35mm lens with T2.1, metric markings, and an EF Mount.
Digital technologies have transformed traditional filmmaking and refashioned the market. New and innovative technologies in both production and post-production have paved the way for a more versatile, cost effective and advanced workflow.
Upgrading The CP.2
ZEISS CP.3 lenses offer a combination of high image quality and reliable usability. They exhibit the clean and crisp characteristics for which ZEISS is known. ZEISS retained the ability for an interchangeable mount system and improved mechanics while they added Full Frame coverage and other functions.
As compared to the CP.2 family, CP.3 lenses offer:
- Covers Full Frame sensors
- A more consistent T-stop range
- Shared focal lengths with the Milvus family
- Compact body to accommodate gimbal & aerial work
- 95mm front diameter (instead of the 114mm of the CP.2s)
- Standard focus ring position
- 300° rotation
The ergonomic and compact body, plus shared similarities in sizing, will benefit gimbal, Steadicam, and aerial operators since less balancing or resizing will be needed whenever you switch to a new lens in the CP.3 family. This will also shorten your turnaround time when working with matteboxes and lens supports with your favorite follow focus which leaves you more time to shoot and less time to readjust.
True Cine Look
Ranging from 15 mm to 135 mm, the ten focal lengths available in the ZEISS Compact Prime CP.3 (or CP.3 XD which is ZEISS' eXtended CP.3) series cover all applications from wide-angle to telephoto. The ZEISS CP.3 lenses feature advanced lens coatings, painted lens rims and special light traps within the barrel to eliminate unwelcome veiling glare and flares. The result is higher contrast, richer blacks and more saturated colors.
- Clean and crisp ZEISS look which matches perfectly with other ZEISS cinema lenses
- Color matching and covering full frame across the full range of focal lengths from 15 to 135 mm
- Special lens coatings support high-dynamic range projects
CP.3 lenses cover 35mm stills/DSLR format, 24mmx36mm, and feature a 43.4mm diagonal.
ZEISS says the CP.3 family is their contribution to support creative and progressive filmmaking with an affordable, future-proof, and premium quality lens set.
Ultimate Cine Ergonomics
The ZEISS CP.3 lenses are a professional toolset that simplifies your work on set. They are easy to handle, allow for fast changeover of equipment and give you great creative freedom to make your ideas come to life.
- Standardized positioning of the focus rings and a consistent 95 mm front diameter allows for fast and easy changeover while on set
- Extraordinarily smooth focus rotation even in extreme temperature conditions thanks to a new, sophisticated construction design
- Consistent T-stops simplifies lighting on set and exposure compensations (T2.9 for 15 to 21 mm and T2.1 for 25 to 135 mm)
Compact Size Redefined
The compact and light-weight design enables you to use different stabilizing systems and to have a compact camera setup that is ideal for shooting in narrow spaces and for capturing dynamic shots.
- The compact and light-weight design is ideal for handheld, gimbal, drone and Steadicam applications
- Consistent size and weight across most of the focal lengths enables quick change of lenses when used on drones and gimbals
- The ultra-smooth focus rotation allows use of small focus motors
Buy ZEISS CP.3 35mm T2.1 Compact Prime Lens (Canon EF Mount, Meters) from UBMS Dubai.
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Fujinon Premista 19-45mm T2.9 Large-Format Cine Lens (PL)
Buy Fujinon Premista 19-45mm T2.9 Large-Format Cine Lens (PL) From UBMS Dubai.
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ARRI Alura 18-80mm T2.6 M Wide-Angle Studio Zoom Lens
ARRI and FUJINON have joined their extensive expertise to create a completely new family of modern cine zooms. Using the latest in optical design technology and innovative manufacturing techniques, the ARRI Alura Zooms combine the highest optical performance with an amazingly small size, weight and price. They are available as Studio zooms for use on a tripod or crane with a wider focal range, or as lightweight zooms which are significantly smaller and lighter in exchange for a reduced focal range.
All Alura Zooms' color characteristics, as well as their handling, are matched to existing prime lenses in ARRI's outstanding repertoire
Main Features
Matched Zooms
Matched wide and long PL mount zooms for an efficient shooting paceSmall size and low weight for quick and easy handling on the set
Fast and Steady
T2.6Consistent aperture over entire zoom range
Outstanding Optical Performance
High resolution, high contrastEven field illuminationMinimized ghost, flares and veiling glare due to FUJINON multi-layer EBC coatingGreatly reduced chromatic aberration through the use of extraordinary dispersion glassMinimized breathing, especially at the wide end where it counts9 iris leaves for round, out-of-focus highlights and a pleasing, organic bokehOptimized for ALEXA 2K 16:9 image format, covers up to DIN Super 35 4:3
Consistent Optical Performance
Consistent contrast, resolution and field illumination across the whole focus and zoom range
Film Style Ergonomics
Compatible with film and digital ARRI cameras and accessoriesRobust constructionLarge, easy-to-read precision focus scales on both sidesMatched to existing prime lenses
Easy Servicing
Feet/meter focus scales can be exchangedFront and rear elements can be exchangedZoom centering mechanism
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ARRI Ultra Prime 28mm T1.9 M Lens
Ultra Prime Lenses have the widest focal range of any prime lens set available to cover every cinematic need: from the unique Ultra Prime 8R extreme wide angle lens to the best telephoto lens designed specifically for motion pictures, the Ultra Prime 180 mm, giving you the flexibility to get the coverage you want.
Ultra Prime Lenses retain their excellent image quality even at close focus across the whole Super 35 frame. The Ultra Prime Lenses are lightweight standard speed lenses that are a perfect optical match to the high speed Master Prime Lenses.
Main Features
- 15 modern high performance prime lenses (T.1.9)
- Widest focal length range: 8 - 180 mm
- Ultra Prime 8R extreme wide angle lens
- Ultra Prime 180 the best cinema telephoto prime
- Superior close focus ability
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ARRI 40mm Master Prime Lens
The 40mm Master Prime is one in a set of 16 from ARRI/Zeiss featuring excellent resolution, advanced contrast, almost no breathing, and a fast T1.3 aperture for achieving shallow depth of field. Ranging from 12mm to 150mm, the Master Primes offer the skin tones and color rendition for which Zeiss is noted, and are color-matched for consistency across the set. These lenses incorporate an iris with at least nine blades for cinematic-looking bokeh with distinct focus fall-off. Dual floating elements provide optimal close-focus performance while minimizing breathing when focusing. The advanced T*XP coating reduces reflections and glare while improving contrast.
Designed with aspherical elements for minimal chromatic aberration, the ARRI/Zeiss Master Primes provide optimal image quality and clean chroma-keying. High resolution is maintained in image corners even when the lens is used wide open and at close focus. Each lens features a PL mount and a built-in LDS system for transferring lens data to compatible cameras. The expanded focus scale has generous room for marks, and it sports fluorescent engravings for easier viewing in low-light settings. The focus ring has markings in both feet and metric; the ring may be reversed from one to the other by a qualified shop technician.
This 40mm Master Prime Lens features a 16" minimum focus distance, focus marks set in meters, a relatively light weight of 5.1 pounds, and a compact length of 8". This family of lenses feature consistent placement of focus, iris, and zoom rings for easier use with follow focus, zoom control, and F/I/Z wireless systems. Most of the lenses in the Master Prime family, including the 40mm, have a uniform 114mm front diameter, enabling the use of the same size matte box adapter, filter, etc.
Features
Superior resolution and contrast with virtually no breathingCovers Super-35 sensorsFast, maximum T1.3 aperture enables shooting in low light and produces shallow depth of fieldColor-matched across the setAspherical elements for reduced chromatic aberrationPL mount with integrated LDS system for transferring lens data to compatible camerasRelatively lightweight, compact form factor with 114mm front diameter
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Angenieux EZ-1 30-90mm T2 – PL
Angenieux EZ-1 30-90mm T2 - PL is a fast zoom for 3-perf Super 35mm sized sensors that has been designed from the ground up to utilize interchangeable rear optical assemblies. This allows you to use the same lens to cover Super 35 or Full-Frame/VistaVision-sized sensors by swapping out the rear optical assembly. In addition, the rear assemblies allow you to swap the lens mount from PL to Sony E or Canon EF.
The version of the lens ships with a PL mount and the Super 35 rear optical assembly. Set up as such it features a T2.0 aperture and focuses down to 2' in front of the image plane, while weighing in at only 4.7 pounds. The 114mm front diameter of the lens is a common diameter compatible with cinema-style matte boxes. The lens features independent focus, iris, and zoom control rings with cinema standard gear teeth. A removable support foot can be repositioned for when you need to rotate your lens off of a standard mounting orientation.
Interchangeable Rear Optical Assembly
The EZ-1 30-90mm is designed with swappable rear optical elements so you can easily convert the lens from covering 3-perf Super 35 to full-frame/VistaVision. This design has many advantages over adding additional optical elements such as 2x extenders, as swapping the rear assembly allows the lens to maintain the same physical size and minimum operating distance, while losing only slightly more than a stop when going from Super 35 to full-frame coverage. Additionally, as the optics are designed to be part of the lens, and not just additional elements that blow up the image resolved by the lens, they match the optical quality of the lens and your image does not suffer from having to go through additional glass/air surfaces, which can degrade your image.
Interchangeable Lens Mounts
This lens ships with a PL mount; however, that mount can be swapped with available (not included) E or EF lens mounts.
Losing only 1/10 of a stop within the lens, the EZ-2 is extremely efficient. The fast T2.0 maximum aperture in Super 35mm matches the maximum aperture of many standard prime lenses for Super 35mm. This allows you to light to a lower illumination level than would normally be required for many zooms, making for more consistent images as you may not have to relight the scene as is often the case when moving from primes to slower zoom lenses.
Manual Lens Control Rings
Featuring independent manual control rings for focus, iris, and zoom. Each control ring incorporates industry standard 0.8 lens gear teeth.
114mm Front Diameter
The EZ-1 shares the same 114mm front common to the Angenieux OPTIMO lens series, allowing you to easily share matte boxes between the EZ-1 and the OPTIMO lenses.
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ZEISS Supreme Prime 6 Lens Kit Of 25, 29, 35, 50, 85, 100mm (Meters, PL Mount)
HIGHLIGHTS
- Prime Lenses for PL-Mount Cameras
- 6 x Focal Length Prime Lens Set
- T1.5 Maximum Aperture
- Each Lens Has a 16-Blade Iris
- Similar Physical Dimensions
- Designed for 4K Resolution
- Excellent Low Light Capability
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UA46x9.5BERD
The UA46x9.5 covers a focal length from 9.5mm to a high magnification of 437mm, making it the world's widest angle** lens in its class. It is a portable broadcast zoom lens that enables incredible video to be shot in a wide variety of scenes. Using state-of-the-art optical design technology, it suppresses color aberrations to the minimum. Also, it realizes vivid color reproduction and high contrast by improving the light transmittance. Rich tones are reproduced with High Dynamic Range (HDR).
- *World's highest magnification zoom ratio for a 4K broadcast portable zoom lens.As of August 20, 2018, according to Fujifilm research.
- **World's widest angle in a 40x or greater broadcast portable zoom lens.
- The world’s highest zoom ratio in a broadcast portable lens for 4K video production, realizing a 46x zoom
- Reproduces rich tones using state-of-the-art optical design technology
- Equipped with a proprietary anti-vibration mechanism, supporting 4K video production
- Newly developed drive unit realizes a high level of operability
- Realizes natural bokeh with the adoption of a nine aperture blade design
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UA24x7.8BERD
4K high-definition puality, combining a class-leading 24 times zoom ratio and the lightest weight, 1.98kg.
The 24 times high zoom ratio covers an extensive focal length range from a 7.8mm wide-angle to a 187mm telephoto. Excellent and lightweight 1.98kg, achieving outstanding center-of-gravity.
- 24x zoom covering a wide range of scenes from 7.8mm at wide angle to 187mm at telephoto.
- Compact and lightweight body, measuring 220.5mm and 1.98kg.
- Achieving natural bokeh with the adoption of nine aperture blades
- Excellent 4K optical performance
- 16bit encoders device for virtual system
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UA18x5.5BE
With a focal lengths of 5.5−100mm, this 4K 18x zoom lens is the optical solution for diverse shooting situations
While the "UA18x5.5" weighs 2.04kg, it covers focal lengths from 5.5mm on the wide angle end to 100mm on the telephoto end, making it useful for production situations that require added mobility, e.g. news reporting and on-location production for various programs.
- Advanced optical performance with 4K compatibility across the zoom range
- Achieving natural bokeh with the adoption of nine aperture blades
- Compact and lightweight design, weighing just 2kg
- 18x zoom covering a wide range of scenes from 5.5mm at wide angle to 100mm at telephoto
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UA14x4.5BE
Ultra-wide 4.5mm to 63mm (14x zoom) with 4K optical performance in a compact lightweight package
UA14x4.5 covers the ultra wide angle focal length of 4.5mm despite its compact body, measuring just 238.5mm, allowing you to go up close and personal during live sports coverage or on-location production with a real sense of depth.
- Advanced optical performance with 4K compatibility across the zoom range
- Achieving natural bokeh with the adoption of nine aperture blades
- Compact and lightweight body, measuring 238.5mm
- 4K image quality in a variety of situations
- Controlling distortions and aberrations at edges
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UA13x4.5BERDRD
- Advanced optical performance that enables 4K compatibility under any shooting conditions
- Powerful 4K footage with 13x zoom from 4.5mm in wide angle
- 9-blade round iris enabling natural bokeh in images
- Equipped with 16bit encoder for virtual device
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UA22x8BERD
- Advanced optical performance that enables 4K compatibility under any shooting conditions
- Powerful 4K footage with 22x zoom from 8mm in wide angle
- New drive unit design for enhanced operability
- Compatibility with typical accessories used in TV broadcast operation.
- Equipped with 16bit encoder for virtual device
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UA107x8.4BESM
- Achieved both highest magnifications* 107x and 4K optical performance
- 9-blade round iris enabling natural bokeh in images
- Featuring the popular optical stabilization mechanism
- Equipped with 16bit encoder for virtual device
- *Among compatible 4K 2/3” broadcast box lenses over 50 x magnifications as of April 14, 2016
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UA27x6.5BE
Tap the full potential of 4K optical performance with the focal lengths of 6.5-180mm and large F1.5 aperture of this 27x lens
UA27x6.5 is a 4K-compatible 27x zoom lens, perfect for in-studio applications for news and variety shows. With the wide-angle focal length of 6.5mm, it can also be used to give a full view of a concert venue in live coverage. The "UA27x6.5" has a built-in extender, which doubles its focal lengths, covering up to 360mm in focal length while maintaining image quality in advanced definition.
- Advanced optical performance with 4K compatibility across the zoom range
- Achieving natural bokeh with the adoption of nine aperture blades
- 27x zoom from 6.5mm at wide angle to 180mm at telephoto for covering a wide variety of scenes
- Maximum aperture ratio of f1.5 to draw out full optical performance with 4K compatibility
- Equipped with 16-bit encoder*
- *The sensor for converting position information into digital signals; Zoom and focus position data is divided in 16-bit resolution and output as electric signals.
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UA80x9 1.2x EXT
- Advanced optical performance that enables 4K compatibility under any shooting conditions
- Enabling further telephoto shooting by newly developed incorporating a 1.2x extender
- 9-blade round iris enabling natural bokeh in images
- Featuring the popular optical stabilization mechanism
- Equipped with 16bit encoder for virtual device
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