Canon EOS C500 Mark II 5.9K Full-Frame Camera Body (EF Mount)
Canon EOS C500 Mark II 5.9K Full-Frame Camera Body (EF Mount)
Canon Cinema EOS C500 Mark II
Impressive usability and imaging power combine in the EOS C500 Mark II, the customizable full frame cinema camera that’s built for creative freedom. Discover Canon EOS C500 Mark II, the new generation cinema EOS system euipped with a 5.9K full frame sensor. Visit UBMS Dubai showroom to get the best price.
The lightweight body comes equipped with Canon’s 5.9K full-frame CMOS sensor capable of over 15 stops of dynamic range. The newly developed DIGIC DV 7 Image Processor expands functionality and flexibility by enabling features such as 5.9K recording, internal recording of Canon Cinema Raw Light and Dual Pixel Autofocus.
Canon Cinema EOS C500 Mark II Manual
The Cinema EOS C500 Mark II is the perfect expression of form and function, exceptionally adaptable to virtually any production with its modular design. Three expansion units and user changeable lens mounts enable operators to build their ideal cinema system.
5.9K Full Frame CMOS Sensor, with support for Super 35mm and Super 16mm crop modes
The Cinema EOS C500 Mark II features Canon’s high-resolution 5.9K (38.1 x 20.1mm) Full Frame CMOS sensor, which offers exceptional low noise and a broad range of tonality with over 15 stops of dynamic range. The sensor’s expansive native cinema gamut goes beyond that of current standards, including ITU-R BT.2020 and DCI-P3, helping the EOS C500 Mark II achieve more natural skin tones and allowing for greater freedom in color grading in both SDR and HDR productions. Buy Cinema EOS C500 Mark II from UBMS Dubai. Canon EOS C500 Mark II Price is very good in UBMS Showroom. Come and experience the Canon EOS C500 Mark II camera at UBMS showroom and get the best price. We can ship Canon EOS C500 Mark II to all GCC countries (Bahrain, Kuwait, Oman, Qatar, Saudi Arabia ) & African Countries .
The Full Frame sensor is capable of capturing footage in a wide variety of aspect formats, including DCI-4K, UHD and Anamorphic Widescreen. The Cinema EOS C500 sensor supports both anamorphic and spherical lenses. In addition to full-frame, the sensor can also be paired with conventional Super 35mm and Super 16mm lenses using appropriate sensor crop modes, lens mount and adapter. To know more about EOS C500 Mark II contact UBMS.
The EOS C500 Mark II features a newly developed DIGIC DV 7 image processor which enables Cinema RAW Light recording internally at 5.9K, as well as supporting recording of Canon’s XF-AVC format in 4K 4:2:2 10-bit. Simultaneous recording of the same file format is possible to the dual CFexpress card slots, with an additional SD card slot for proxy files
The EOS C500 Mark II uses a high-quality debayering algorithm when over sampling 5.9K for 4K/UHD recording. This suppresses moiré and reduces noise, resulting in a superior quality image.
User Changeable Lens Mounts which gives users freedom to use the lenses they desire
User interchangeable lens mounts and an available B4 mount adapter gives operators the freedom to make bold creative choices based on the subject matter.
The EOS C500 Mark II ships with an EF Mount that can be user swapped to an optional Locking EF (EF-C) or PL mount. Each mount swaps easily by simply removing four M3 hex screws. A shim set is provided with each mount kit in order to adjust back focus for the precision in focusing accuracy that professionals rely
Newly developed DIGIC DV 7 Image Processor, which powerfully processes high-resolution image data The EOS C500 Mark II uses a newly developed DIGIC DV 7 Image Processor that takes the extensive RAW information captured from the 5.9K imaging sensor and processes it for output. DiG!C is also the engine behind features such as high frame rate recording, Dual Pixel Auto Focus, Cinema Raw Light Recording, HDR(PQ and HLG) output, electronic image stabilization, proxy recording and oversampling 5.9K processing.
Canon Cinema RAW Light and XF-AVC Recording
Thanks to the powerful DIGIC DV 7 image processing platform, the EOS C500 Mark II can record Cinema RAW Light directly to onboard CFexpress cards, which keeps the data-rich signal captured by the 5.9K full-frame sensor intact. Cinema RAW Light offers plenty of freedom for grading in file sizes that are about 1/3 to 1/5 the size of Cinema RAW, offering a great combination in terms of codec efficiency and quality.
When recording in 5.9K Cinema RAW Light, 60 fps is available, which is an ideal range of high-quality slow-motion capture for typical human movements. In 2K (Crop) mode, frame rates up to 120fps are available allowing users to slow down the action even further, for more dramatic scenes and special effects. Two new buttons S&F(Slow and Fast Motion) and S&F FPS (Slow and Fast Motion – Frames per Second) have been added to gives quick access to desired speed settings, making it simple to utilize this creative tool quickly and spontaneously when the moment is right.
To accurately record the extensive data produced by the 5.9K imaging sensor and provide greater recording times, the EOS C500 Mark features two CFexpress recording slots. CFexpress is the future of onboard recording media providing write speeds needed for higher resolutions and frame rates. The dual card slots can be used to either create an instantaneous backup thorough simultaneous recording or extend record run times by relay recording.
Proxy Recording
Higher resolution, greater bit depths and faster frame rates provide versatility and greater image quality but come at the cost of much larger file sizes. Proxy files can greatly speed up the editorial process by providing a lower bandwidth alternative for the initial file sharing and edits.
Canon’s powerful, high-speed DIGIC DV 7 image processor makes it possible for the EOS C500 Mark II to simultaneously record 2K Proxy files. Cinema RAW Light (5.9K, 4K Crop, or 2K (Crop)) can be recorded to the internal CFexpress card while an XF-AVC 2K 4:2:0 8-bit Proxy can be recorded directly to an internal SD card.
Compatibility with EF and PL Lenses*
With optional mount kits, users can swap from EF to Locking EF-C or PL mounts on their own. PL lenses are a cinema legacy. With a wide breath of options available to cinematographers choosing a lens is an important part of the creative process. The EOS C500 Mark II’s interchangeability now makes it possible to take any PL lens and pair it with Canon’s state-of-the-art sensor to meet the needs of any project.
Using Canon’s EF still lenses offer remarkable new possibilities for cinematographers including the use of specialty lenses like the fisheye zoom, tilt-shift and super-telephotos.
The amount of viable lens options can be further increased through an optional B4 lens mount adapter. This adapter is available for the PL or EF mount allowing 2/3” lensing options to be used with the camera.
Anamorphic Lens Support
The EOS C500 Mark II offers cinematographers anamorphic lens support. Users can now achieve wide cinematic looks and oval bokeh particular to anamorphic glass. It is a distinctly cinematic palette that is within reach for your next project.
Electronic Image Stabilization
The EOS C500 Mark II is the first Canon Cinema EOS camera to feature built-in five-axis electronic IS that works with almost any lens including anamorphic.
Modular Design with three available Expansion Units allows a high level of connectivity and interoperability
A new modular design allows productions to optimize and customize the EOS C500 Mark II to specific shooting needs. Accessories and expansion units can be easily attached to provide different levels of functionality. The camera is equally at home fully rigged with a large zoom lens, FIZ unit, audio accessories and rangefinder as it is stripped down flying on a drone.
Support for Custom User LUTs
Users can upload and apply custom LUTs to the EOS C500 Mark II. LUTs can be assigned to specific output terminals and the LCD or viewfinder. Clients can be viewing one LUT, while production works from another, giving different production roles the ability to customize the look of the image to their needs.
4 Channel Audio Recording
With Expansion Unit EU-V2, the EOS C500 Mark II supports up to 4-channel audio recording. Audio input from the camera’s internal microphone, mini mic port, and XLR ports can be assigned to the 4 different audio channels. This flexibility allows a wide range of audio devices to be connected and mixed directly on the camera.
Additional information
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CANON EOS C70
The EOS C70 is a new generation RF Mount Cinema EOS System camera featuring Canon’s 4K Super 35mm DGO sensor. With 4K 120P Slow Motion, High Dynamic Range and Dual Pixel CMOS AF in a compact body, it takes the RF System into a brand-new era. EOS C70 delivers the most advanced Image Stabilisation of any Cinema EOS camera via RF lens support. Featuring EOS ITR AF X technology, the Dual Pixel AF keeps the focus on the subject you are following even when shooting at high frame rates at 4K 120P.
Discover new dimensions in filmmaking with the Canon RF-mount Cinema EOS System.
The EOS C70 ( Canon EOS C 70 ) brings our iconic Cinema EOS and EOS R systems together to create a compact, portable and professional cinema camera.
Key Features
- Capture professional 4K Cinema EOS video quality handheld, on a drone or gimbal, with the smallest body in the Canon Cinema EOS range – and the first to feature an RF Mount.
- Shoot in a variety of lighting conditions with the Dual Gain Output (DGO) Sensor to achieve professional Canon colour with rich graduation – even in environments with various levels of brightness.
- Dual Pixel CMOS AF together with a 120p high frame rate keeps the camera focused in various environments to push creative limits.
- Get the most advanced Image Stabilization of any Cinema EOS camera - the EOS C70 enables Combination IS which brings together the Optical IS in RF lenses and the Electronic IS in the camera body for outstanding stabilization performance
- Record simultaneously in different formats and resolutions or back up your footage with Dual SD card slots.
RF Mount
Featuring the RF mount system, the EOS C70 bridges DILC & Cinema Cameras.
Shoot and store
The EOS C70 has two SD Card Slots for simultaneous recording so you can backup your footage in different formats or resolutions.
Versatile
The EF-EOS R 0.71x Mount Adapter is an EF-to-RF mount adapter that can be used in combination with EF lenses. It employs optical conversion to capture the same full-frame angle of view with the Super 35mm sensor. Depth of field stays the same, and the f-number is one stop brighter.
Dual Gain Output
The EOS C70 uses Canon’s new 4K Super 35mm DGO sensor with HDR capabilities.
4K/120fps
High frame rate 4K shooting at 120fps with audio recording & DPAF.
Dual SD Card Slots
Dual UHS-II SD card slots enable simultaneous / relay recording of 4K XF-AVC / MP4 files (4:2:2 10-bit).
Dual Pixel CMOS AF
Improved Dual Pixel Auto Focus with intelligent tracking and a new touch user interface.
MOUNT ADAPTER EF-EOS R 0.71x
Compatible with the new MOUNT ADAPTER EF-EOS R 0.71x giving users access to the extensive range of Canon EF mount lenses.
The RF Mount. The future of imaging
The large diameter RF mount with its short back focus and 12-pin communication delivers a balance of optical and electronic innovation plus scintillating AF speed from Canon’s range of RF lenses.
Large Diameter Mount
This new RF mount is featured in the EOS C70, and allows filmmakers to also benefit from the amazing optics and high-performance the RF system brings.
Short Back Focus System
Having a shorter flange back distance of approx. 20mm (which is less than half of the distance on DSLR cameras), allows lenses to fit closer to the focal plane of the camera’s sensor. This short back focus not only allows the camera body design to be more compact, but also gives more freedom for the optical system to be utilised for corner-to-corner sharpness.
12-Pin Data Communication System
The RF mount communication system utilises multiple channels dedicated to specific functions; its revolutionary data system enhances lens and camera cooperation and functionality.
Smooth aperture control, broader area AF and improved focus precision, plus highly sophisticated optical correction and improved image stabilisation are the result.
Versatile. Flexible. Reliable. Your new workhorse
The EOS C70 uses design cues from other RF mount cameras from Canon, with additional controls, environmental protection and a convenient size to fit your production rig.
Compact, Lightweight and Reliable
The EOS C70 features a new design, including a multi-function grip with 3 customisable dials and multi-directional joystick. The camera is built to be a tough and lightweight workhorse, thanks to the carbon fibre polycarbonate body. The compact design also enables it to be comfortably rigged to drones, gimbals, hand-held or shoulder rigs, as well as FPV helmets and vehicles.
Built-in ND filters
The EOS C70 features a newly developed ultra-thin ND filter unit which is optimised for the shorter flange back of the RF mount.
This electronically controlled ND filter system, supports 2/4/6 and an extended 8/10 stops, making it possible to create an image with shallow depth of field, in bright shooting conditions.
Rugged Cold Shoe Mount
The EOS C70 incorporates a rugged cold shoe to mount the handle unit, or as an accessory shoe to attach a variety of accessories such as an external microphone.
Independent chamber ventilation system
The EOS C70 adopts an equivalent independent airflow system found in our higher-end Cinema EOS cameras. This independent ventilation structure is designed to separate the airflow from directly hitting the electronic components. This design also prevents foreign bodies such as water and sand from entering the electrical systems, making the EOS C70 a versatile tool for shooting on location. We can ship EOS C70 to all GCC countries (UAE, Bahrain, Kuwait, Oman, Qatar, Saudi Arabia ) & African Countries .
4K Super 35mm DGO sensor for truly impressive image quality
Equipped with a newly developed 4K Super 35mm sensor and DIGIC DV7 image processor, the EOS C70 delivers a high-resolution image with 16+ stops of Dynamic Range.
Multiple recording formats
Dual UHS-II SD card slots enable simultaneous or relay recording, in different formats. XF-AVC supports ALL-I and Long-GOP, while MP4 recording offers further flexibility.
Lens Versatility
RF lenses offer exceptional quality and speed, with performance optimised for the EOS C70 and EOS R-series cameras. Super-fast focusing and outstanding optical quality combine with unique features such as a Lens Control Ring to provide additional control over settings. EOS R System adapters offer additional creative control, enabling filmmakers to use their existing EF and EF-S lenses. The MOUNT ADAPTER EF-EOS R 0.71x is an EF to RF mount adapter for using the broad range of Full Frame Canon EF lenses, whilst maintaining the same Full Frame angle of view when used with Super 35mm format. Buy CANON EOS C70 from UBMS Dubai . EOS C70 Will be available in UBMS Dubai showroom soon.
Pioneering autofocus technology
The EOS C70 features the renowned Dual Pixel CMOS AF (DPAF). Filmmakers can now benefit from accurate and reliable autofocus with subject tracking and face detection.
Professional and practical support functions
Keep your workflow smooth when shooting with the EOS C70 thanks to useful features such as Direct Touch Control, Auto ISO, Vertical shooting, as well as electronic Image Stabilizer.
Professional I/O Interface
Stay in control with customisable buttons, pro terminals, plus sophisticated audio controls.
Mount Adapter EF-EOS R 0.71x
An EF to RF adapter designed to enable users to use the broad range of Canon EF lenses on the EOS C70 camera, whilst maintaining the same Full Frame angle of view. Ideal for film and documentary makers, it complements the EOS C70 perfectly for users of EF lenses.
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Sony PXW-Z750 Camcorder (Body Only)
Saving time and money
Delivering highest quality 4K with HD era workflows wastes time and money. The Z750’s latest generation XAVC-L422 QFHD 200 codec combined with high-speed SxS Pro media radically reduce real-world turnaround times. Premium 4K becomes deliverable on almost any project using the PXW-Z750.
Transformative cloud-based collaboration
Z750 is at the vanguard of seamlessly integrating Cloud-based production tools with familiar, easy-to-use interfaces and proven Sony reliability. Build stories fast, with secure, direct access from the studio to camcorders out in the field with XDCAM air. Distribute content for preview and editing with stakeholders across the world using Sony’s Ci Media Cloud.
3-chip 2/3-type CMOS Sensor with Global Shutter
The PXW-Z750 incorporates a newly developed 3-chip 2/3” 4K CMOS sensor optical block with a wide colour gamut provides exquisite picture quality with true-to-life colour reproduction, high sensitivity and low noise level for a wide range of shooting scenarios.
Versatile B4 lens options
The 3-chip 2/3-type size sensor block of the Z750 matches the rugged, dependable B4 lens mount system, allowing you to use a wide variety of commercially-available B4 4K/HD lenses. This flexibility supports a variety of shooting applications while reducing cost by leveraging your existing lens investments.
High Dynamic Range and wider, richer colours
PXW-Z750 can record HDR using Sony S-Log3 or Hybrid Log Gamma (HLG). The camera’s wide colour gamut supports extended Sony S-Gamut3 and S-Gamut3.Cine colour spaces, as well as the industry standard ITU-R BT.2020 colour space.
S-Log3 has a proven track record for premium applications, capturing the maximum dynamic range from the sensors, for the most creative colour grading processes.*Industry standard HLG delivers content quickly without additional colour grading, making it an ideal choice for day-to-day shooting, viewing, editing and broadcasting workflows.*QFHD only.
Superb slow motion
Ideal for sports and nature programmes, the PXW-Z750 can acquire footage in 120fps in Full HD for beautifully smooth, finely-detailed slow-motion playback.
Cache recording
Never miss a shot with advanced cache recording in 4K and Full HD modes. Pre-record up to 13-15 sec in MPEG HD 422 50 (at 50/59.94fps) – giving you plenty of time to catch the action when it happens.Representative Cache Rec. Time (@50/59.94fps)XAVC QFHD L422 200: 2-4 secXAVC-I 1920×1080P: 2-4 secMPEG HD 422 50: 13-15 sec
High quality at lower bitrates
As well as the established XAVC-I QFHD Class 300 4K and standard MPEG HD422 codecs, the PXW-Z750 also supports the latest generation XAVC-L422 QFHD 200 codec. Compressing 4K Ultra HD images with a LongGOP frame structure, this achieves significant bitrate savings over previous Intra Frame codecs while maintaining superb 4K image quality. Lower data rates increase recording times while reducing storage requirements. Uncompromised picture quality is ensured by 10-bit quantisation and 4:2:2 colour sampling, making the PXW-Z750 ideal for HDR productions. A wide range of 4K codecs provide the flexibility to select the recording format that is best suited for the requirements of the production you are working on.
Lightning-fast transfers with latest generation media
The PXW-Z750 supports latest-generation SxS Pro X media, enabling very high speed file transfers at up to 10Gbps (1250MB/s)¹ with the SBAC-T40 Thunderbolt™ 3,* SxS card reader/writer. Transfers are approximately three times faster than previous generation media/reader combinations, dramatically accelerating workflows for any application and bringing down production costs.*Based on Sony internal testing. Transfer speeds vary and are dependent on host devices, the OS version or usage conditions.
Next generation wireless workflow
Built-in wireless connectivity enables advanced workflow production features including live streaming, FTP transfer and even remote control from a smartphone or tablet* via Wi-Fi. Wireless workflow is made even more efficient using XDCAM air, Sony’s professional cloud service including dual-link cellular operation.*** Requires Content Browser Mobile and device running iOS 9.0 (or higher) or Android 4.4 (or higher)** Requires XDCAM air subscription and CBK-DL1 USB Extension Adaptor
Seamless wireless audio integration
PXW-Z750 is compatible with Sony’s DWX series of digital wireless microphone systems offering ENG and documentary teams the benefits of an all-digital audio workflow, including robust end-to-end encryption for truly secure operation.*Wireless transmitter parameters can be controlled directly from the PXW-Z750 using the Cross Remote functionTransmitter power save mode synchronises with the camera’s on/off control, and is controllable by assignable buttons to save transmitter battery lifeAudio and video are precisely synchronized, ensuring no delays or lip-sync problemsPower save status and receiver RF levels are displayed in the viewfinder*For details, please consult local sales company.
Familiar refinement, evolved
The Z750 is lighter than the previous generation PDW-700, while also being more ergonomically balanced so it’s considerably less fatiguing for longer shooting days. All the controls and interfaces are a subtle refinement of previous shoulder camcorders, ensuring that shooting with this camcorder is easy and hassle-free. From power-on, it’s a matter of seconds to be shooting highest quality footage while advanced new features are easy to learn and utilise.
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Sony Camcorder (HXR-MC2500) HD Shoulder Mount Camcorder
Sony HXR-MC2500 Shoulder Mount AVCHD Camcorder featuring 1/4 Exmor R CMOS Sensor, 26.8mm-Equivalent Wide-Angle Lens, Records SD in DV AVI File, OLED Viewfinder with 1.44 Million Dots, Flip-Up 3" LCD with 921k Dot Resolution, Wi-Fi Connectivity with NFC, Internal 32GB Flash Memory, Sony Multi Interface Hot Shoe, BNC Connector on Composite Output, SDXC/Memory Stick Card Slot.
Highly-sensitive Exmor™ R CMOS sensor and built-in LED light
The HXR-MC2500 is capable of shooting clearly even in low-light or indoor environments. Its highly-sensitive Exmor™ R CMOS sensor adopts a back-illuminated technology that enables the image sensor to utilize incidental light more efficiently (minimum illuminance of 0.7 lux*), helping the videographer to achieve rich image quality even during low-light shooting situations. Moreover, the HXR-MC2500 is also equipped with a convenient built-in LED light for valuable extra illumination. Sony HXR-MC2500 Price is very good in UBMS Duabi Showroom. Come and experience the Sony HXR-MC2500 at UBMS showroom and get the best price
* Manual setting mode: Shutter Speed - 1/12 sec, F1.8, Gain33dB
Wide angle view, high contrast 1.44 million dots OLED viewfinder and 0.92 million dots 3-inch wide LCD panel for easy framing of shooting objects
The new HXR-MC2500 is equipped with an OLED Tru-Finder™ electronic viewfinder, offering a high resolution of approximately 1.44 million dots with high contrast levels. Sony’s proprietary viewfinder technologies allow for better tonal reproduction and more detailed picture information of shooting objects. In addition, there is also the built-in 3-inch wide high resolution LCD panel (approximately 0.92 million dots) for crisp and bright views.
Wi-Fi/NFC functions for seamless connection to smartphones
The HXR-MC2500 can connect to mobile devices such as smartphones or tablets via a Wi-Fi connection, enabling monitoring and remote control functions such as start/stop recording, zoom control, iris control and touch auto focus. Furthermore, it is also NFC-capable (Near Field Communications) to allow easy, one-touch wireless connections to compatible mobile devices. To know more about HXR-MC2500 please contact UBMS .
Ideal for long event shooting achieved by embedded 32GB internal flash memory and low power consumption
A 32GB internal flash memory storage system on board of the HXR-MC2500 enables longer duration recording of more than 150 minutes. In addition, by using a combination of the internal flash memory and memory card in the MS/SD slot, recording functions such as “Relay” and “Simultaneous” for backup can be available. When Sony’s L-Series InfoLithium batteries (such as the optional NP-F970) are used, the HXR-MC2500 is capable of continuous long recording of up to 14 hours. This is a critical feature for important occasions where operators may not have the luxury to stop the camera, such as during the filming of wedding ceremonies or other live events.
More Professional Features for Event Shooting
26.8 mm Wide-Angle Lens – one of the lenses with the widest angles in this class of camera, which enables wide-angle shooting even in small places
DV Memory – in addition to AVCHD Full HD format support, SD format support includes DV memory
Multi-Interface (MI) Shoe – expands options to use accessories without cables, such as the UWP-D11 wireless microphone receiver and XLR audio input by XLR adapter
BNC Composite Terminal – enables the use of BNC cables which prevents cable disconnect during critical shooting occasions such as live recording
TC/UB Implementation – Time Code and User Bit are included for situations like multi-camera shoots
Making a professional impression
The HXR-MC2500 provides a professional look and shooting style which is ideal for weddings, corporate communications or education facilities. While light and easily portable, its full Shoulder Mount design means your clients immediately know you mean business.
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Workflow flexibility is enhanced by the ability to record directly onto a removable memory card or a 32GB internal flash memory in High Definition or Standard Definition. With this combination of the internal flash memory and memory card allows recording functions such as “Relay” and “Simultaneous” are available. When Sony’s L-Series InfoLithium battery NP-F970 (optional) is used, the HXR-MC2500 is capable of continuous long recording of up to 14 hours– perfect for those occasions where you don’t want to stop recording, such as weddings or business conferences.
The HXR-MC2500 is designed to be the ideal, entry-level match for almost any type of non-linear workflow. It’s an exceptionally cost-effective production package for DVD or Blu-ray content, one that’s flexible enough to express your creative ideas and meet your client’s requirements.
Separate PAL and NTSC models available
Depending on your region, separate models are available offering recording frame rates of 50p, 50i 25p Full HD and 50i SD (PAL model), or 60p, 60i, 30p, 25p Full HD and 60i SD (NTSC model).
Wide-angle G Lens
The HXR-MC2500 comes equipped with a sophisticated G Lens that incorporates Sony's unique optical design technology and quality control, delivering exceptional performance on a par with some of the best lenses in the industry. The HXR-MC2500 itself is optimised to perfectly complement the G Lens with an advanced image sensor and Sony’s famous image processing technology. This improves picture performance whether zooming in on the action, or getting a perspective on the big picture with a 26.8mm* lens offering the widest angles in this class of camera, which enables wide-angle shooting even in tight spaces.*35mm or equivalent.
Highly-sensitive Exmor™ R CMOS sensor and built-in LED light
The HXR-MC2500 is capable of shooting clearly even in low-light or indoor environments. Its highly-sensitive Exmor™ R CMOS sensor adopts a back-illuminated technology that enables the image sensor to utilize incidental light more efficiently, helping the videographer to achieve rich image quality even during low-light shooting situations. Moreover, the HXR-MC2500 is also equipped with a convenient built-in LED light for valuable extra illumination when needed.
Optical SteadyShot with Active Mode
This feature ensures smooth movement while recording footage in many challenging shooting situations. In addition, Sony’s innovative 3-Way Shake-Cancelling technology adds electronic roll stability for even smoother video capture. This latest version of image stabilisation technology realizes images that are up to 10x steadier for wide angle shooting than conventional Optical SteadyShot images. As the user zooms in, an intelligent digital image stabiliser starts to blend in and work together with its optical counterpart to effectively reduce camera shake. This technology also reduces shake in the rolling direction that commonly occurs when shooting while walking.
Wide angle view, high contrast OLED viewfinder and 3-inch wide LCD panel
The HXR-MC2500 is equipped with an OLED Tru-Finder™ electronic viewfinder, offering a high resolution of approximately 1.44 million dots with high contrast levels. Sony’s proprietary viewfinder technologies allow for better tonal reproduction and more detailed picture information when shooting. In addition, there is also the built-in 3-inch wide high resolution LCD panel (approximately 0.92 million dots) for crisp and bright views.
Wi-Fi/NFC functions for seamless connection to smartphones
The HXR-MC2500 can connect to mobile devices such as smartphones or tablets via a Wi-Fi connection, enabling monitoring and remote control functions such as start/stop recording, zoom control, iris control and touch auto focus. Furthermore, it is also NFC-capable (Near Field Communications) to allow easy, one-touch wireless connections to compatible mobile devices.
Multi-Interface (MI) Shoe
The MI Shoe expands your options to use accessories without cables, such as the UWP-D11 wireless microphone receiver and XLR audio input by XLR adapter.
Manual Lens Ring with Assignable Parameters
Using the assignable lens ring, users can manually adjust key parameters like Focus, White Balance, Exposure, AE Shift, Iris priority and Shutter Speed priority. Users can control the G Lens iris to create an out-of-focus effect in the foreground or background. Shutter-speed can also be controlled to create special effects, such as the flowing motion of a waterfall or bird wings in flight etc.
Ideal for long event shooting with 32GB internal flash memory and low power consumption
A 32GB internal flash memory enables longer duration recording of more than 150 minutes. In addition, by using a combination of the internal flash memory and memory card in the MS/SD slot, recording functions such as “Relay” and “Simultaneous” for backup can be available. When Sony’s L-Series InfoLithium battery NP-F970 (optional) is used, the HXR-MC2500 is capable of continuous long recording of up to 14 hours. This is a critical feature for important occasions where operators may not have the luxury to stop the camera, such as during the filming of wedding ceremonies or other live events.
Ergonomic Handle & Controls
The ergonomically designed handle contains a convenient record button and zoom control, essential for low position shooting. There are also cold shoes on the front and rear of the handle, which allow for the attachment of two different types of accessories.
AVCHD – Ideal for Memory Recording
AVCHD is a highly efficient data compression format which greatly reduces memory requirements, maximizing the benefits of file-based recording with high image quality in a small file size. This is made possible by the exceptionally efficient MPEG4 AVC/H.264 codec at 50/60p@28mbps. Many consumer electronic devices already support AVCHD playback, and more are on the way. Numerous major NLE software programs feature AVCHD input and editing. The HXR-MC2500’s Standard Definition recording format is in DV memory format.
Additional professional features
A BNC Composite Terminal enables use of BNC cables for a professional secure connection, which prevents cable disconnect during critical shooting occasions such as live recording.
TC/UB Implementation: Time Code and User Bit are included for situations like multi-camera shoots.
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Sony PXW-FS7 4K Compact XDCAM Camcorder
Sony PXW-FS7 II 4K XDCAM Super 35 Camcorder Kit with 18-110mm Zoom Lens from Sony provides you with a camera and lens system ready for today's Super 35mm 4K single-camera productions. Well suited to cinema, documentaries, news magazines, or as the base of a kit to build upon for commercial production. A sturdy locking E-mount, which can support cinema-style zoom lenses, and an electronic variable ND filter highlight some of the camera's features. The camera supports recording of HD, UHD 4K, and DCI 4K to integrated XQD media card slots.The included Sony 18-110mm power zoom lens covers the Super 35mm format and supports 4K resolution. It features a Sony E-mount, which allows it to mount directly on the camera without requiring an adapter. The power zoom incorporates a mechanically linked zoom ring for precise control with no motor lag, and it features separate geared focus, zoom, and iris rings for manual image control.
PXW-FS7 II XDCAM Super 35 Camera SystemExpanding on the original FS7, Sony's PXW-FS7 II XDCAM Super 35 Camera System is a flexible 4K camera system. Designed as a camera that is at home on productions as diverse as "Cinéma Vérité"-style documentaries, reality TV, commercial, and corporate applications It features a Super 35mm sized sensor that allows you to capture images with cinematic depth of field. The camera incorporates a stronger locking E-mount that is fully compatible with E-Mount lenses, and supports all electronic connections. The locking mount reduces lens play, and allows you to use most 35mm lenses including PL, EF, Leica, and Nikon via optional adapters. This stronger E-mount is ideal for using heavier-long cine-zooms without the need for additional lens support.
Just behind the lens mount sits an electronic variable ND system that provides a clear filter and 3 user definable presets. The variable ND can be adjusted to provide between 2 and 7 stops of ND. The camera can capture footage to optional on-board XQD media cards in either DCI 4K (4096 x 2160) or UHD 4K (3840 x 2160) at up to 59.94 fps or HD at up to 180 fps.
The camera records in your choice of XAVC-I, XAVC-L, or MPEG-2. However, MPEG-2 recording does not support the high data rates the camera is capable of generating when shooting in UHD, and is limited to recording HD video only. The camera incorporates Dual XQD media card slots that support simultaneous or relay recording. An ergonomically designed handgrip provides control of many of the camera's functions and features an adjustable length support arm.
SensorThe 4K Super 35 EXMOR sensor features 14 Stops of latitude and a wide color gamut. It offers a choice of XAVC or MPEG-2 codecs. The XAVC codec can be used for 4K and HD recording, while MPEG-2 is limited to HD recording. XAVC comes in two flavors, XAVC INTRA, and XAVC Long, allowing you to encode from HD to UHD using Intra-Frame or Long GOP compression with 10-bit 4:2:2 for HD and the choice of 10-bit 4:2:2 or 8-bit 4:2:0 for UHD. XAVC intra compression is very efficient, recording at modest bit rates and XAVC Long also substantially extends the recording time while attaining very high quality and low noise.
Signal ProcessingThe Camera supports two signal processing modes; Cine-EI and Custom. Cine-EI offers three color grading spaces for electronic cinematography production. The Custom mode supports Rec-709 and Rec BT-2020 at UHD 3840 x 2160 with Y, Cb, Cr color subsampling. You can set the PXW-FS7 II to record onboard and monitor on a BT 2020 compliant monitors via HDMI 10-bit 4:2:2 or SDI at 10-bit 4:2:2 with a 709 monitor LUT applied.
Locking E-MountThe PXW-FS7 II is equipped with a locking E-Mount that provides improved stability and strength compared to a standard E-Mount. It features a safety interlock system that helps prevent accidental disengagement of your lens from the camera body. The locking mount also reduces lens play compared to a standard E-Mount and the locking mount is strong enough to support long cine and ENG zooms that normally require a lens support.
It accepts optional E-Mount lenses from Sony, Zeiss and other manufacturers. The shallow flange distance of the E-Mount allows you to mount most 35mm lens types such as PL, Canon EF, Leica, Nikon, as well as many others with simple mechanical adapters.
Electronic Variable NDBehind the lens mount sits a retractable clear filter. When you engage the internal ND filters, the clear filter retracts and a stepless electronic ND filter drops into place maintaining the proper flange focal distance. You can program the electronic ND filter to act as three individual filters and rotating the filter knob will step between these presets.
Additionally, you can manually adjust the density of the filter from 2 to 7 stops. One of the advantages of the electronically variable ND filter is that you can use the iris on your lens to set your depth of field, and then make exposure adjustments with the ND, as it does not introduce any color shift as the strength of the ND changes.
Magnesium ConstructionThe camera body is made from magnesium, which is lighter and stronger than aluminum. This allows the camera body to weigh only four pounds. It also incorporates a shoulder pad and is designed to sit on the operator's shoulder by extending the support arm of the SmartGrip, which allows the camera to be held in front of the operator without requiring a support rig.
SmartGripThe camera includes an ergonomic handgrip that Sony calls a SmartGrip, which features Zoom, Start/Stop, and Assign controls. The SmartGrip facilitates camera operation with the right hand, leaving the left hand free to operate the lens. Both the arm and handgrip can be positioned at different angles permitting great flexibility, and it has been re-designed for additional extension adjustment.
Redesigned Viewfinder and Mic Holder MountWith the FS7 II the viewfinder and mic holder mount has been repositioned. The viewfinder and mic holder now attach to a replaceable 15mm rod. This allows you to swap out the included rod with a longer rod (not included), allowing you to move the position of the viewfinder or mic holder relative to the camera. You can adjust the position of the viewfinder so a left-eye shooter can use their left eye, while the camera is resting on their right shoulder.
In addition, the viewfinder itself now rides on a square mounting rod that ensures level operation.
Internal RecordingThe FS7 II records internally in both DCI 4K and UHD 4K at up to 59.94 fps, and in HD up to 180 fps using XAVC-I or up to 120 fps with XAVC-L. DCI 4K (4096 x 2160) can be recorded internally without the need of an external recorder.
Media Card SlotsThe camera features two XQD media slots that support simultaneous or relay recording. The XQD card slots are shallower on the FS7 II compared to the FS7, making inserting and removing media cards easier.
Genlock and TimecodeGenlock and timecode breakout is available with an optional XDCA-FS7, this also allows for raw and ProRes recording with optional recorders.E PZ 18-110mm f/4 G OSS LensWith a wide focal-length range and a constant f/4 aperture in a compact form factor, the Sony E PZ 18-110mm f/4 G OSS Lens offers videographers and cinematographers a versatile lens choice for lightweight operations. While the lens may seem small, it has professional features to back it up. The 18-110m focal-length range covers moderately wide to narrow angles-of-view. Sony's built-in Smooth Motion Optics leverage the internal mechanics of the lens to minimize focus breathing, focus shifting, and other anomalies that would otherwise be noticeable when adjusting the lens during recording.The body of the lens sports separate focus, zoom, and iris rings for complete manual control. Just pull the focus ring back and full-time manual focus is engaged. The focus ring itself has built-in cinema-standard gearing for follow-focus compatibility. Zoom functionality can be operated both manually and electronically. The zoom ring is connected to the lens mechanically, so crash-zooms can be achieved without lag. Iris operation can be done automatically, or by rotating the iris ring. By disengaging the iris click switch, manual iris adjustments can be made smoothly.For smaller, less robust cameras, a quick-release tripod foot is included. The foot secures towards the rear of the lens for tripod use. Alternatively, a conventional lens support can be attached near front of the lens for compatibility with rod-based lens supports. The filter thread will accept 95mm-diameter round filters and the included lens cap. A lens hood is also included for minimizing flare. The hood's shuttered design can be closed when the camera is not in use.
Smooth Motion OpticsSony's SMO (Smooth Motion Optics) design and construction minimizes optical shifts that can have a negative impact on image quality. Focus breathing is minimized by an internal focus mechanism, focus shift while zooming is eliminated by precise focus tracking adjustment, and axial shift is minimized by a constant-length design.
Versatile Zoom ControlIn addition to a smooth servo zoom, mechanical manual zoom ensures precise control with an immediate response. The desired angle of view can be accurately reached by preventing over or undershoot due to lag. Zoom ring direction can be easily switched as required, smooth, slow powered zoom is supported, and an inner zoom mechanism means that the length of the lens remains constant, regardless of focal length.
Professional Focusing FeaturesThe focus ring slides back to quickly engage manual focusing. Cinema-standard MOD 0.8 gear teeth are built into the focus ring, enabling use of standard follow focuses without requiring cumbersome focus gear accessories.
Compact DesignThe lightweight form-factor of this lens contributes to the kind of mobility that active movie shooting demands. Small size and low weight can be advantageous when using gimbals and other types of support as well.
Optical SteadyShotBuilt-in Optical SteadyShot (OSS) image stabilization helps to keep recorded images stable and free of excess blur in a wide range of handheld or locked-down shooting conditions involving camera movement.
Weather ResistanceA dust and moisture-resistant design provides extra protection and ensures reliable operation in challenging environments and inclement weather. Shoot with confidence in light rain or windy conditions.
Teleconverter SupportThis lens is fully compatible with Sony's separately available SEL14TC 1.4x and SEL20TC 2x teleconverters, providing extended reach while maintaining sharp images and reliable autofocus.
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Sony HXR-NX5R NXCAM Professional Camcorder with Built-In LED Light
Trust in this multi-purpose workhorse for everything from corporate video to education, live events to weddings. Stunning pictures made easy Designed to get the job done quickly and efficiently, the NX5R’s advanced three 1/2.8-type Full HD Exmor CMOS system can be relied upon to deliver sharp, cleanly focused imagery in almost any shooting scenario. Recorded images are remarkably lifelike in texture and detail, while shooting is fast and hassle-free with all the NX5R’s key functions right at your fingertips. Direct Menu options display on-screen, so shooting parameters can be changed quickly and conveniently without taking your eyes off the action.
Extending the NXCAM line of solid-state camcorders, Sony's HXR-NX5R offers improved network functionality over previous cameras in the line, and it allows you to select from XAVC-S 50 Mb/s to AVCHD/DV recording. Suitable for documentaries, corporate, weddings, events, nature, sports, and journalism, the NX5R shoots at NTSC broadcast frame rates from 59.94 to 23.98. The built-in Wi-Fi and FTP wireless connections enable you to send footage to your editor from the camera while on location, instead of having to send the media cards to the editor. The legacy codec support allows you to shoot and subsequently edit your footage into older projects shot on AVCHD or even DV formats. However, just because the NX5R supports older codecs doesn't make it any less capable. It incorporates a 3G-SDI output that supports Full HD 1920 x 1080p video at 59.94 fps, as well as 1080i, 720p, and the previously mentioned 720 x 480i.
Three 1/2.8" CMOS Exmor sensors and a 20x optical zoom Sony G lens with 40x Clear Image Zoom provide sharp and clear images. And if you need more illumination there is a built-in LED light above the lens. Professional audio is not forgotten with two XLR inputs that support Line, mic, and mic +48 (phantom power). The Slow & Quick Motion function enables 1080p recording at selectable frame rates. The camera features two media card slots that support recording on Memory Stick PRO Duo or SDHC/SDXC media cards.
Built-In LED LightMounted above the lens and just below the built-in mic, the LED light features a roughly 90° beam angle, outputting a color temperature of about 5500K. It has an integrated dimmer and includes a snap-on diffuser to soften the output.Wi-Fi and FTPBuilt-in Wi-Fi, NFC, and FTP allow you to send your footage to your editor while you are still shooting, so post-production doesn't have to wait on the data cards being sent from the shoot.XAVC SThe NX5R can record 1920 x 1080p footage at 59.94 fps using the XAVC S codec.AVCHD FormatThe AVCHD format utilizes the MPEG-4, AVC/H.264 video codec, allowing users to record HD video footage onto random-access media, such as Memory Stick PRO Duo and SDHC memory cards. The NX5R supports AVCHD and AVCHD 2.0G Lens"G Lens", the lens featured in other successful Sony camcorders, already enjoys an excellent industry reputation. In the HXR-NX5R, this sophisticated lens is optimized to complement the camcorder's advanced image sensor and image processing technology.Built-In ND filtersThe HXR-NX5R is equipped with three built-in ND (Neutral Density) filters—1/4, 1/16, 1/64—which help vary the depth of field with iris control.Relay Record with Dual Memory SlotsAnother new feature is continuous recording between two memory card slots. The new HXR-NX5R camcorder automatically cycles between the dual memory slots. When using two 32GB memory cards, six hours of continuous HD footage can be recorded.Buy Sony HXR-NX5R NXCAM Professional Camcorder with Built-In LED Light From UBMS.
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Sony HXR-NX80 Full HD XDCAM with HDR & Fast Hybrid AF
The HXR-NX80 allows you to record a wide range of 4K (QFHD) and HD formats for maximum flexibility from this stunning palm-sized camcorder. The NX80 supports XAVC S 4K 100/60 Mbps recordings at 30p/25p/24p, XAVC S and AVCHD.
The HXR-NX80 Full HD XDCAM camcorder from Sony offers phase-detection Autofocus (AF) and HDR capabilities in a compact, palm-style body. Suitable for corporate events, broadcast news, and television production, the HXR-NX80 camcorder features a stacked 1" Exmor RS CMOS sensor with 14.2MP, a 12x Zeiss optical zoom, an OLED viewfinder, and 3.5" touchscreen LCD monitor. This camcorder records 4K in XAVC S 4K, streams via 2.4/5 GHz frequency bands, and includes S-Log3/S-Gamut3 functions for additional image control. Looking for Sony HXR-NX80 price ? . Please contact UBMS .
The HXR-NX80's Fast Hybrid AF uses high-density placement of autofocus points and a newly developed AF algorithm to offer highly accurate focusing and tracking, especially useful for individual operators. In movie recording mode, use the appearance of phase-detection AF frames to monitor your subject's focus. The HXR-NX80's 3.5" touchscreen is used to quickly switch focus among subjects. AF Drive Speed, Tracking Depth Range, and Subject Switching Sensitivity can each be configured to suit different subjects and content styles. Sony HXR-NX80 Price is very good in UBMS Dubai Showroom. Come and experience the Sony HXR-NX80 camera at UBMS showroom and get the best price. We can ship Sony NX80 to all GCC countries (Bahrain, Kuwait, Oman, Qatar, Saudi Arabia ) & African Countries .
Hybrid Log-Gamma (HLG) enables you to future-proof your output by smoothly integrating your recordings into an HDR workflow without the need for color grading during post-production. Capture images with high-quality contrast and resolution using the HXR-NX80's 12x optical Zeiss zoom, and 18x 4K digital zoom (24x in HD). An integrated ND filter function enables greater exposure and depth-of-field control. Looking for Sony HXR-NX80 avilability ? . Please contact UBMS
The HXR-NX80 camera supports Sony's Slow & Quick Motion for shooting HD video at variable frame rates, including 120 fps. Footage is recorded to via two SD memory card slots, either simultaneously to both cards, or in relay mode to create a backup.
Additional features include built-in 2.4 GHz for multiple streaming and FTP options. The HXR-NX80's audio features include two 3-pin XLR audio inputs that support line, mic, and mic + 48V (phantom power) for using external microphones; you can also use the HXR-NX80's built-in microphone to record audio when shooting. For multicamera productions, the HXR-NX80 integrates seamlessly with Sony's MCX-500 live switcher (available separately). Looking for Sony HXR-NX80 dealer ? . Please contact UBMS
1" EXMOR RS CMOS SENSOR
1.0"-type Exmor RS CMOS sensor with approximately 14.2 million effective pixels provides optimal image quality
FAST HYBRID AUTO FOCUS
Offers highly accurate focusing and tracking, especially useful when shooting sharp UHD 4K footage
ZEISS T* LENS WITH 12X OPTICAL ZOOM
Fixed 12x optical wide-angle zoom with 18x Clear Image Zoom technology in UHD 4K (24x in HD)
FRAME RATE FLEXIBILITY
Record up to XAVC S 4K video
SUPER SLOW MOTION
Offers slow-motion recording up to 960 fps
SLOW & QUICK RECORDING
Uses Sony's Slow & Quick Motion for recording 1080p/i60 HD video at 1, 2, 4, 8, 15, 30, 60, and 120 fps
MULTIPLE CODEC CHOICE
XAVC S recording up to 100 Mbps in 4K mode, and Full HD recording
IMAGE CONTROL OPTIONS
S-Gamut3/S-Log3 recording captures wide range of colors, highlights, and shadows
BUILT-IN ND FILTERS
Incorporated ND filter function with Clear, 1/4, 1/16, and 1/64 ND for optimal exposure and depth-of-field control
MEDIA SLOTS
Dual memory card slots, one for SDHC/SDXC cards only, and one compatible with SDHC/SDXC and Memory Stick PRO Duo (Mark 2) / Memory Stick
PRO-HG DUO CARDS
Wi-Fi/NFC
Built-in capability to send FTP files directly from the camcorder or live stream over 2.4 GHz Wi-Fi.
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Sony HXR-NX100 Handled Camcorder
1.0-type Exmor R™ CMOS Sensor NXCAM camcorder with maximum 48x zoom lens and 3 independent manual lens rings recording XAVC S, AVCHD and DV
The HXR-NX100 is an affordable, compact Full-HD camera capable of stunning results with a no-compromise big 1.0-type sensor, and a familiar, proven set of manual controls, including three independent manual lens rings, alongside smart fully auto options. Buy HXR-NX100 from UBMS Dubai . We can offer best price for HXR-NX100 . You can shop HXR-NX100 from our Dubai Showroom or order online .
Sony HXR-NX100 NXCAM handheld professional camcorder comes with Sony’s unique 20 mega pixel 1.0-type Exmor R back-illuminated CMOS sensor that delivers high resolution and fantastic low light performance, as well as offering more depth of field control as demanded by today’s diverse shooting requirements. Three independent manual lens rings provide excellent creative control. A fixed Sony G series lens achieves 12x optical zoom, which can be doubled to 24x with Clear Image Zoom making use of the 1.0 type sensor to still deliver a native resolution 1920x1080 image. You can also double the zoom again using a sophisticated Digital Extender for a maximum 48x zoom. There is also a ND Filter function, allowing you to choose four conventional mechanical ND filter positions that will enhance your ability to work in any shooting scenario. Additional advanced features include dual media slots, “SIMUL” or “RELAY” recording, and independent record control. The HXR-NX100 also has the ability to record AVCHD
High sensitivity and high resolution
Thanks to the 1.0-type Exmor R CMOS sensor, the HXR-NX100 has much higher sensitivity than camcorders in its category. The 1.0 sensor is brighter, has higher resolution and offers more bokeh with a shallow depth of field than any other camcorder in its price range, allowing you to create beautiful, cinematic images that will amaze you and your clients. NX100 offers a step-change in imaging performance while support for multiple recording format capabilities, including XAVC-S 50 Mbps, AVCHD and DV file-based recording, delivers exceptional flexibility for all of today’s Full HD workflows.
Get close with a 48 x zoom
Sony developed a high quality, 29-mm wide-angle G Lens specifically for the NX100 to capture even the most expansive scenes with superb clarity. A 12x optical zoom is dramatically enhanced with Sony’s unique By Pixel Super Resolution Technology – which can enlarge the image by additional 24x while still preserving image quality. Zoom performance can also be doubled at any point with digital extender offering a maximum zoom capability of 48 x.
Packed with adaptable professional functions
Professional features such as advanced manual controls, including three independent manual lens rings, built-in 4-step ND filters and class-leading Full-HD performance make the HXR-NX100 an ideal purchase for expert users looking for their first professional camcorder from Sony, who want to step-up from consumer models and low-end shoulder models or simply wish to make the move from tape media to high-speed solid state recording. The NX100 is the perfect, affordable but high-performance choice for a wide range of shoots, including events and corporate videos.
Stunning quality from a large 1.0 type sensor
The HXR-NX100’s single 20 megapixel* 1.0 type Exmor R CMOS sensor is approximately the same size as a 16-mm film frame and seven times larger than three 1/4.7-type sensors combined. The key benefit of this large size is low noise and less blur because more light reaches the sensor, offering clear and steady pictures even in a dark scene with minimum illumination 1.7 lux**. The large sensor size also enables beautiful background defocussing (bokeh) to enable you to focus on what you want to show and defocus the rest of the image.
Sony G Lens with maximum 48x zoom
A fixed 29-mm wide-angle lens with 12x optical zoom makes it easy to capture even the most expansive landscape scenes while also offering superb clarity and sharpness – maximizing the performance of the NX100’s large 1.0-type sensor. The G Lens is Sony’s own camera lens family, designed and manufactured to the high standards of optical performance. In addition, your ability to get in close with the most distant scenes is aided by Sony’s advanced Clear Image Zoom feature. Once you’ve zoomed in at maximum 12x optical magnification, By Pixel Super Resolution Technology can enlarge the image by an additional 200% while still preserving image quality. In addition, zoom performance can be doubled at any point with a digital extender by up to 48x.
Manual operability in professional handy design
The HXR-NX100 is ergonomically designed to provide a lightweight and easy-to-use shooting experience. Three manual, independent lens rings enable smooth, natural adjustment of focusing, zooming and iris control. It can also be used in full-auto mode or completely manual for maximum creative control. Manual dial and buttons on the side of the body allow swift and easy adjustment of IRIS (aperture), GAIN and shutter speed. The white balance is simple to adjust by color temperature in convenient 100 K steps.
Built-in ND Filters
A built-in Neutral Density (ND) filter wheel includes positions for clear, 1/4 (2 stops), 1/16 (4 stops), and 1/64 (6 stops). This makes it easier to get all the advantages of shallow depth of field even in exterior day shoots, with no need to worry about bringing along and fitting a separate filter.
Multi-format recording with DV, AVCHD and 50 Mbps XAVC S
The HXR-NX100 is designed to provide the absolute best performance for Full-HD productions, recording in AVCHD and DV to support proven legacy workflows, as well as the newer, more advanced XAVC S at 50 Mbps. XAVC S offers stunning picture quality, but also workflow flexibility and storage efficiency. In XAVC S, the HXR-NX100 uses the MP4 file format, sampling at 50 Mbps, and is already supported by all the major non-linear editors (NLEs). Compared to AVCHD, XAVC S 50 Mbps captures more details and less noise thanks to the higher bitrate. Depending on your region, separate models are available offering recording frame rates of 50 p, 50 i, 25 p Full HD and 50 i SD (PAL model), or 60 p, 60 i, 30 p, 24 p Full HD and 60 i SD (NTSC model).
Dual media slots for recording flexibility
To extend recording time and workflow flexibility, the NX100 is equipped with two memory card slots and is compatible with SDXC and SDHC cards as well as Memory Stick PRO Duo (Mark 2) and Memory Stick PRO-HG Duo. RELAY mode automatically switches recording from the first to the second memory card when the first is full, while SIMUL mode permits simultaneous recording to two memory cards (for example to create an immediate back-up version). The NX100’s two Start/Stop buttons on the handle grip, and camcorder body, can independently start and stop recording on different memory cards while recording in SIMUL mode.
High-resolution LCD and EVF
The NX100 has a 0.24-type Electronic Viewfinder (EVF) and an easily adjustable, flip out 3.5-type LCD. Both offer 1550 K dots high resolution for precise monitoring and low latency however you choose to shoot
Multi-Interface (MI) Shoe
The HXR-NX100 takes advantage of Sony’s flexible Multi-Interface (MI) Shoe, which provides power, signal connections and coordinated on/off switching to compatible Sony accessories. For example, you can connect and control Sony wireless microphone systems such as the UWP-D11 or UWP-D12 or attach the HVL-LBPC light*.
Wide choice of connections
There’s no need to worry about adapters as the NX100 provides a wide variety of built-in connectivity options including HDMI, Multi/Micro USB, professional audio XLR terminals, REMOTE and Composite (BNC).
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Sony HXR-NX200 NXCAM 4K Camcorder
HXR-NX200 is an affordable, compact camcorder with a big 1.0-type sensor and new colour reproduction for superb 4K or Full-HD image quality. It offers all the professional features you need with refined manual controls including three independent manual lens rings, smart fully auto options and more. Buy Sony HXR-NX200 Camcorder from UBMS Dubai . We can provide best price for sony camcorders . You can either shop form our Dubai Showroom or order online .
4K or HD : Simply superb image qualityA large, 20 megapixel* 1.0 type sensor delivers stunning image quality in 4K (3840×2160) or Full-HD at 50Mbps. Its 1.0 sensor is brighter, has higher resolution and offers more bokeh with a shallow depth of field. NX200 gives you the flexibility to work the way you want to.Well-balanced colour reproductionNatural skin colours and rich mid-range colours deliver vivid, yet true-to-life imagery regardless of exposure setting. It’s perfect for capturing live events such as seminars, weddings and houses of worship. NX200’s newly developed gamma curve provides a vibrant look ready to share as soon as you export.The professional’s choiceThere’s no need to choose between professional features and superb 4K imaging at an entry level price-point. Advanced manual controls, including three independent manual lens rings, built-in 4-step ND filters and class-leading 4K and Full-HD performance make NX200 a choice you can rely upon for live events, corporate, education and wedding videography.Optimised for PAL 50HzHXR-NX200 is currently only available as a PAL 50Hz product with sales exclusive to countries with a PAL infrastructure. For customers who require NTSC support, PXW-Z150 and HXR-NX100 are recommended alternatives.Stunning quality from a large 1.0 type sensorThe HXR-NX200’s single 20 megapixel* 1.0 type Exmor R CMOS sensor is approximately the same size as a 16mm film frame and seven times larger than three 1/4.7 type sensors combined. The key benefit of this large size is low noise and less blur because more light reaches the sensor, offering clear and steady pictures even in a dark scene with minimum illumination 1.7 lux**. The large sensor size also enables beautiful background defocussing (bokeh) to enable you to focus on what you want to show and defocus the rest of the image.*14.2 million effective pixels.**LOW LUX mode.Picture Profiles with New Gamma CurveThe default look for NX200 uses an all-new gamma curve specifically developed to accurately realize brilliant and deep colors, with true-to-life skin tones. Tuned in consultation with leading videographers, it avoids oversaturation of brightly lit subjects and provides a more natural look. The NX200 has six Picture Profile settings to choose from, each of which can be individually customised to your requirements.Sony G Lens with 24x Clear Image Zoom (FHD)A fixed 29mm wide-angle lens with 12x optical zoom makes it easy to capture even the most expansive landscape scenes while also offering superb clarity and sharpness – maximising the performance of the NX200’s large 1.0 type sensor.The G Lens is Sony’s own camera lens family, designed and manufactured to the high standards of optical performance.In addition, your ability to get into close with the most distant scenes is aided by Sony’s advanced Clear Image Zoom feature. Once you’ve zoomed in at maximum 12x optical magnification, By Pixel Super Resolution Technology can enlarge the image by an additional 150% in 4K and 200% in HD while still preserving image quality. In addition, zoom performance can be doubled at any point with a digital extender by up to 24x.Manual operability in professional handy designThe HXR-NX200 is ergonomically designed to provide a lightweight and easy-to-use shooting experience. Three manual, independent lens rings enables smooth, natural adjustment of focussing, zooming and iris control. It can also be used in full-auto mode or completely manual for maximum creative control. Manual dial and buttons on the side of the body allow swift and easy adjustment of IRIS (aperture), GAIN and shutter speed. The white balance is simple to adjust by colour temperature in convenient 100K steps.Built-in ND FiltersA built-in Neutral Density (ND) filter wheel includes positions for clear, 1/4 (2 stops), 1/16 (4 stops), and 1/64 (6 stops). This makes it easier to get all the advantages of shallow depth of field even in exterior day shoots, with no need to worry about bringing along and fitting a separate filter.Multi-format recording with 100Mbps XAVC S 4K, HD and DVThe HXR-NX200 offers superb all-round performance whatever your workflow.For 4K or Full-HD production, XAVC S offers stunning picture quality, but also workflow flexibility and storage efficiency. Compared to AVCHD, XAVC S captures more details and less noise thanks to the higher bitrate, while also being supported by all the major non-linear editors.NX200 also offers the option to record HD in AVCHD or DV, making it easy to integrate your content into existing workflows. NX200 offers PAL-only recording frame rates of 25p 4K:QFHD 3840×2160 50p, 50i, 25p Full HD and 50i SD.Dual media slots for recording flexibilityTo extend recording time and workflow flexibility, the NX200 is equipped with two memory card slots and is compatible with SDXC and SDHC cards.RELAY mode automatically switches recording from the first to the second memory card when the first is full, while SIMUL mode permits simultaneous recording to two memory cards (for example to create an immediate back-up version). The NX200’s two Start/Stop buttons on the handle grip, and camcorder body, can independently start and stop recording on different memory cards while recording in SIMUL mode.Simple live solutionThe HXR-NX200 is designed to work seamlessly with Sony’s MCX-500 Multi Camera Live Producer, a robust and cost-effective switcher that makes it easy for one person to run a multi-camera live event shoot. When used with the MCX-500 and Remote Commander RM-30BP, a tally indicator will automatically appear on each HXR-NX200’s LCD panel and viewfinder – a red icon indicates when the shot is live (PGM) while green indicates preview mode (PVW). The MCX-500 supports up to nine video inputs, five channel stereo inputs, five channel stereo inputs including XLR with both internal recording and live streaming via Facebook Live and YouTube Live.
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Sony Alpha a7S III Mirrorless Digital Camera
Designed for professionals, the α7S III builds on the strengths of the S series such as high sensitivity and wide dynamic range while providing pro features like enhanced AF, optical image stabilisation and 4K 120p recording. Incorporating a powerful new engine in its compact body, the camera delivers a wide range of visual experiences.
Main Features
- Newly developed 12.1-megapixel back-illuminated Exmor RTM CMOS image sensor
- Newly developed BIONZ XR image processing engine with up to 8x the processing performance
- Movie-making with 4K 120p, 10-bit 4:2:2 recording capability
- Fast Hybrid AF with 759 phase-detection AF points and enhanced Real-time Eye AF
- Body-integrated 5-axis optical image stabilisation, Active Mode for movies
α7S III - Imagination in Motion
Taking the S series to a whole new level of full-frame movie expression, spectacular new speed combines with supreme sensitivity and ultra-low noise to put previously impossible 4K movie shoots on the menu, with high dynamic range, breathtaking focusing, and extra-strong image stabilisation. Your new creative potential awaits.
For visual trailblazers
With extreme full-frame movie performance including high sensitivity (expanded ISO up to 409600), 15-stop wide dynamic range, 4K 120p, fast and dependable autofocusing, and extra-strong image stabilisation, the α7S III again raises the bar for movie makers.
Large pixels deliver high sensitivity and low noise
The new full-frame 12.1-megapixel back-illuminated Exmor RTM CMOS image sensor packs major innovations in light gathering, wiring and output optimisation. These deliver blazing doubled readout speeds, superb image quality throughout the whole sensitivity range, 15-stop wide dynamic range, and reduced rolling shutter, with the sensor also providing focal-plane phase-detection AF. Order Sony Alpha camera from UBMS Dubai.
Up to 8x more powerful BIONZ XRTM image processor
Along with the new sensor and its unprecedented speed, the BIONZ XR image processing engine has also been newly developed and packs up to 8x more processing power. With a future-oriented architecture, it delivers high quality images faster for superlative still and video expression, as well as dramatically improved camera interface responsiveness.
Stunning AF performance even at 4K 120p
The new Exmor R full-frame image sensor and revolutionary BIONZ XR image processing engine deliver always-active pinpoint AF for astonishing detail in both space and time, and stunning 4K movies even at 120 frames per second or in slow motion. With the resolution and depth of field only possible from a full-frame sensor, the results are spectacular. For know more about all sony alpha camera please visit UBMS Dubai showroom.
10-bit 4:2:2 recording
Record right on the camera with the amazing richness of 10-bit depth and 4:2:2 colour sampling, for far greater flexibility in image grading, post-processing and compositing.
All-Intra encoding available
As well as Long GOP, All-Intra encoding is now provided. This encodes every frame independently at bitrates up to 600Mbps, to capture complex motions more accurately for recording on either internal or external media, and allow more efficient editing workflows.
Superior quality and smaller files with XAVC HS
The new XAVC HS recording format uses HEVC/H.265 encoding to achieve twice the compression efficiency of AVC/H.264 encoding, for superior image quality and smaller file sizes
Sony's renowned sensitivity delivers expanded ISO 409600
The renowned sensitivity of the series scales new heights, with an expanded ISO range for movies from 80 to a remarkable 409600 (standard range 80 - 102400). With advanced light-gathering and output optimisation, the 12.1-megapixel2 full-frame sensor achieves low noise throughout the sensitivity range, and can capture usable images in near total darkness.
S-Log3 gamma, S-Gamut3.Cine gamut as on pro camcorders
The S-Log3 gamma curve and S-Gamut3.Cine colour gamut, shared with pro camcorders, provide wider dynamic range and easier colour matching for smoother post-production workflows.
HLG (Hybrid Log-Gamma)
HLG (Hybrid Log Gamma) simplifies HDR production, producing footage for HLG-compatible BRAVIA TVs on the camera with no complex post-production, and smooth gradations from the 10-bit colour depth.
Image quality improvements
The new BIONZ XR image processing engine delivers improvements in colour reproduction, stability against different light sources, natural tonal gradation and roll-off, and reduced rolling shutter.
16-bit RAW HDMI output
For demanding post-production workflows, 16-bit RAW output is available via HDMI connection to compatible external recorders while XAVC HS 4K, XAVC S 4K, or XAVC S-I 4K, and proxy files are simultaneously captured in-camera.
Efficient editing through proxy recording
While recording high-bitrate 4K movies, HD proxies (in 8 or 10-bit depth) can be generated in-camera. Editing the smaller proxy files reduces computer load and speeds up workflow prior to final 4K delivery.
Fast Hybrid AF for accuracy and tenacity
The wide-area AF uses intelligent tracking and on-sensor phase-detection covering most of the frame. The result is that every bit of supremely accurate and tenacious AF performance is extracted in combination with high-quality E-mount lenses, even when shooting moving subjects at shallow depths-of-field in 4K and at 120p frame rates.
Powerful focus control for solo shooters
With AF Transition Speed selectable over 7 levels, and AF Subject Shift Sensitivity over 5 levels, you can better convey your creative intentions when switching subjects or, for example, rack focusing. A simple touch can temporarily activate AF even during manual focus operation.
Real-time Eye AF for movies
Real-time Eye AF uses AI to ensure pinpoint focusing precision for eyes, with performance now improved by 30% on profile or partially-obscured faces. Tenacious eye tracking lets you concentrate on composition even with a shallow focus depth.
Real-time Tracking with intuitive touch operation
Real-time Tracking analyses subject colour, pattern, depth, and face information to track the subject. Touch Tracking intuitively and automatically tracks a subject touched on the LCD screen.
In-body 5-axis image stabilisation
A highly accurate image stabilisation unit and gyro-sensor are provided, delivering 5-axis optical image stabilisation.
Active Mode for hand-held shooting
The new Active Mode provides increased stabilisation for movie shooting. To preserve image quality, the BIONZ XR processor accurately measures camera shake and compensates optically. This makes stable video possible even when shooting hand-held where space restraints prevent gimbal use, while walking, and at 4K resolution
Digital audio interface for clear sound recording
A digital audio interface added to the Multi Interface (MI) Shoe allows direct 24-bit input. Available settings are 48kHz/16-bit 2-ch, and by using the optional XLR-K3M adaptor kit, 48kHz/24-bit 2-ch and 48kHz/24-bit 4-ch.
Unique heat dissipation, for dependable recording
A unique Sony Σ (sigma) shaped graphite heatsink is built into the image stabilisation unit. This dissipates heat 5x more effectively for extended recording time, without interfering with image stabilisation
Movie-shooting comfort
Responding to feedback from professional users, the MOVIE button has been moved to the top face for improved operability in any shooting position. Mode dial ordering and speed of switching have also been improved.
High ISO sensitivity
With an amazingly wide standard ISO range of 80-102400 (expandable to 40-409600 for stills), the α7S III offers incredible creative opportunities. The newly-developed image sensor and image processing algorithms produce even cleaner images and more natural textures than the previous α7S II model, even when shooting in near total darkness.
Fast Hybrid AF for stills
The Fast Hybrid AF system combines speed and precision. With 759 focal plane phase-detection sensors and 425 contrast-detection points distributed across most of the image area, the α7S III quickly finds and tracks your subject throughout the frame.
Outstanding continuous shooting performance
Use your choice of mechanical or electronic shutter for continuous burst shooting, with AF/AE tracking, at up to 10fps. Capture decisive moments with over 1000 frames of continuous uncompressed RAW shooting possible.
Highly-sensitive AF for low-light focusing
AF algorithm advances have allowed the α7S III to achieve autofocus in lighting conditions as dim as EV-6, where subjects are barely even visible with the naked eye.
Still-image quality advances through new sensor and engine
The newly-developed image sensor and image processing engine deliver improvements in colour reproduction, particularly of skin tones, and texture depiction in still images.
New HEIF format and HLG image capture modes
The HEIF image file format is supported, offering better image quality and greater compression efficiency than JPEG, plus 10-bit colour. High Dynamic Range still images can also be captured in HLG mode for viewing on compatible TVs.
Two CFexpress Type A-compatible media slots
Both card slots support both ultra-fast CFexpress Type A cards, allowing high-bitrate recording and fast buffer clearance, and SDXC UHS-II cards. Parallel and Relay recording are also available
Vari-angle LCD monitor for comfortable movie shooting
The variable-angle 1.44 million-dot 3.0-type touch screen features a side-open design, for flexible positioning and improved visibility when mounting on gimbals or rigs.
9.44 million-dot high-definition electronic viewfinder
The new EVF offers resolution, contrast and colour unlike anything in its class. It also offers world-leading 0.9x finder magnification, a 41° diagonal field of view, and a 25mm high eyepoint.
Advanced operability
The menu structure has been redesigned to reflect feedback from both pro photographers and videographers. Camera settings are now more intuitive and the camera is more responsive to setting changes.
Intuitive touch operation
The menu screen can be operated by touch, while the playback screen features swiping, and pinch-to-zoom. Operability of the touch functions when shooting has also been improved.
5GHz Wi-Fi compatible
As well as 2.4GHz, 5GHz Wi-Fi® connectivity is provided for remote operation, wireless preview, and faster and more stable data transfer of both still images and video.
Wired LAN connectivity
For complex, interference-prone environments, or higher bandwidth needs, 1000BASE-T wired LAN connectivity is available by connecting a compatible USB-Ethernet adaptor cable to the camera’s USB Type C® port.
Remote preview and shooting
Either wired or wireless remote shooting is available from a PC, or from a mobile device with Imaging Edge MobileTM installed, for more efficient workflows and shooting in challenging environments.
Imaging Edge DesktopTM
Elevate your photography with Imaging Edge Desktop applications. Use "Remote" to control and monitor shooting live on your PC screen; "Viewer" to quickly preview, rate, and select photos from large image libraries; and "Edit" to develop RAW data into high-quality photos for delivery. Get the best from Sony RAW files, and manage your productions more efficiently.
Capture One for Sony
Capture One Express (for Sony) is free award-winning editing software that provides RAW development, easy management and powerful editing tools. Capture One Pro (for Sony) is also available for even more editing tools and tethered shooting capability.
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SONY PXW-FX9 6K FULL-FRAME CAMERA with 28-135mm f/4 G OSS
6K Full-Frame “Exmor R” sensor for stunning picture quality.
The camera’s full-frame 6K sensor provides superb recording in DCI 4K*, Ultra HD and HD resolutions. Powerful image processing with debayering and oversampling ensures image quality beyond the limits of conventional Super 35mm sensors. The back-illuminated CMOS image sensor also uses Sony’s Exmor R technology for improved sensitivity and noise reduction. Compared to a 4K Super 35mm sensor, the FX9’s 6K sensor has over twice the surface area while providing a wider angle of view and shallower depth of field. Sony Fx9 (PXW-FX9TK) Price is very good in UBMS Dubai Showroom. Come and experience the Sony PXW-FX9TK camera at UBMS showroom and get the best price. We can ship Sony Fx9 to all GCC countries (Bahrain, Kuwait, Oman, Qatar, Saudi Arabia ) & African Countries .*DCI 4K (4096 x 2160 at 17:9 recording) will be available with future firmware release.
With the release of the FX9, a new video look “S-Cinetone” is introduced. Installed in the FX9 “S-Cinetone” expresses the cinematic look cultivated from the Color Science in VENICE but tailored for the video world. Whereas VENICE and s709 provides images close to the film color found in movie and drama productions, “S-Cinetone” provides images with a more cinematic look in tone and color for the video world. As a result, you can create richer content compared to conventional processing.
Full-frame creativity
Realize beautiful 4K imagery with the creative freedom made possible by oversampling a huge high resolution full-frame sensor. Capture every detail from the scene with shallow depth of field and stunning bokeh for a truly cinematic look. 15+ stops of dynamic range and Dual Base ISO enable you to capture every nuance, from subtle shadow detail to specular highlights, with an immaculate color palette. To know more about sony FX9 camera contact UBMS.
Capturing the impossible
Using the FX9 you can make sure your story’s always clear with enhanced Fast Hybrid AF that tracks your subject with unprecedented speed, smoothness, and precision. Its impact is transformative for premium documentary, commercial, and event applications. Your ability to precisely capture your subject’s expression is further enhanced with Sony’s unique Eye AF.**Ver2.0 is required.
Shoot in comfort, expand your horizons
The FX9 revolutionizes full-frame cinematography with peerless ergonomics and advanced technology for on-the-go shooting. The world’s first full-frame electronic variable ND filter* transforms possibilities for shooting in variable lighting conditions. Built-in Wi-Fi and 12G-SDI support advanced workflows while the optional XDCA-FX9 extension unit further expands the operational possibilities of the PXW-FX9. Ver.2.0 firmware adds HLG, User 3D LUTs, and more with yet more advanced features still to come. Shop sony FX9 camera from UBMS Dubai.
6K Full-Frame "Exmor R" sensor for stunning picture quality
The FX9camera’s full-frame 6K sensor provides superb recording in DCI 4K*, Ultra HD, and HD resolutions. Powerful image processing with debayering and oversampling ensures image quality beyond the limits of conventional Super 35-mm sensors. The back-illuminated CMOS image sensor also uses Sony’s Exmor R technology for improved sensitivity and noise reduction. Compared to a 4K Super 35-mm sensor, the FX9’s 6K sensor has over twice the surface area while providing a wider angle of view and shallower depth of field.*DCI 4K (4096 x 2160 at 17:9 recording) requires Ver.2.0 or higher firmware.
Phenomenal 15+ stops dynamic range for limitless expression
The FX9 offers an exceptional 15+ stops of dynamic range—beyond the normal range of human perception—allowing for unprecedented creative freedom in color grading and post. Camera operators can concentrate on framing the scene they want while relying upon the FX9 to capture every nuance and detail using either 4K 4:2:2 10-bit internal recording or 16-bit RAW external recording.* In grading, colorists can find color and detail beyond the normal viewing abilities of the camera operator to create a final image that exactly portrays the mood of the scene. To know more about the FX9 please contact UBMS Dubai.
Dual Base ISO for stunning images in any light
The FX9 features a base sensitivity of ISO 800, providing the optimal dynamic range for typical documentary applications such as shooting outside or in brightly lit interiors. A secondary High Base sensitivity of ISO 4000 excels in low-light conditions such as early morning and evening shoots while maintaining superb image quality. ISO 4000 is also ideal when using slow lenses. Combining Dual Base ISO with the camera’s electronic variable ND Filter provides superb creative control in almost any shooting environment, with truly next-generation responsiveness to changing conditions. The FX9 can be purchased from UBMS Dubai Showroom .
Cinematic color science with S-Cinetone™
S-Cinetone is the default look of FX9 that’s tuned to meet the requirements of today’s content creators with rich mid-range colors, alluring facial tones and a softer tonal look—developed with the same expertise as Sony’s world-leading VENICE digital cinematography camera. S-Cinetone means your content looks fresh and vivid straight out of the camera, with subjects that really stand out while retaining plenty of latitude in post-production thanks to the high-performance full-frame image sensor.
Accelerate your workflow with User 3D Luts and HLG*
User Created 3D LUTs make it easy to customize FX9’s look to your preferences. It is possible to import LUTs files from an SD card and store up to 16 files on the FX9’s internal memory and switch between them as needed. This is particularly useful for shooting in S-Log3, allowing you to preview on camera whatever custom look you create.FX9 can record HDR using S-Log3 or Hybrid Log Gamma (HLG)*.•S-Log3 is optimized for premium applications, capturing the maximum dynamic range from a sensor and providing ultimate creative freedom when color grading.•HLG* delivers content quickly without additional color grading making it an ideal choice for day-to-day shooting, viewing, and editing workflows.
Selectable Frame Rates in Both Full-Frame & Super 35
Choose your desired frame rate from 1fps up to 180fps* for impressive quick- and slow-motion footage. FX9 creates an immersive image with a wide-angle look and shallower depth of field provided by its full-frame sensor in combination with quick and slow motion. Engage your audience with this new creative look. FX9 also offers a Quality priority setting** that maximizes full HD image quality using full-frame 6K scan mode or Super 35 4K scan mode with advanced oversampling technology.
Super 35 2K imager scan mode prioritizes frame rates, so image quality may be reduced depending on the shooting environment. In this instance, the settings below are recommended.
Capture the action with enhanced Fast Hybrid AF
Effortlessly track fast-moving subjects with pin-sharp focus, even when using wide-lens aperture settings to maintain a shallow depth of field with the camera’s full-frame sensor. Developed by Sony’s α camera engineers, enhanced Fast Hybrid AF combines phase detection AF for fast, accurate subject tracking with contrast AF for exceptional focus accuracy. In addition, Face Detection intelligently recognizes and locks on to human faces.
The dedicated 561-point phase detection AF sensor covers approximately 94% of the whole image area width and 96% of height, allowing consistently accurate, responsive AF tracking, even with fast-moving subjects.
Eye AF & Focus Touch Control*
FX9 is the world’s first professional camcorder with Sony’s world-leading eye-tracking technology**. High-speed, high-precision image processing maintains a pin-sharp focus. During an interview or portraiture shoot, you can rely upon Eye AF to capture your subject’s most subtle expressions while you concentrate on the interview and framing.
Focus Touch Control allows you to precisely set the camera’s specific focus area by simply touching the LCD viewfinder. It’s fast and intuitive—ensuring your full creative control of FX9’s powerful AF technology.
Customizable AF settings
The FX9’s comprehensive autofocus settings provide the creative flexibility to integrate with any project.
7-level AF transition speeds from Fast—switching between subjects as quickly as possible—to Slow, where speed is reduced to fit a more measured shooting style, such as a historical TV drama.
5-level AF subject-shift sensitivity ranges from Locked-on—ignoring other moving subjects in the frame—to Responsive, which switches focus from one subject to another, ideal for snapping between race cars as they speed by.
Autofocus with Sony E-mount lenses
Experience smooth, responsive autofocus with every Sony E-mount lens, including Sony’s new Cinema Lens Series with premium optical performance and operability for demanding cinematography applications. Advanced E-mount lever-lock operation allows quick, easy lens exchange in the field, plus added stability and security with large lenses.
The world's first electronic variable ND filter for full-frame sensors*
Realize even greater creative control with Sony’s unique built-in electronic variable neutral density (ND) filter—a world first* for professional full-frame camcorders. Set to Auto, or adjust filter density manually in smooth increments from 1/4 to 1/128 as you shoot, for perfectly exposed images without affecting depth of field as lighting conditions change. Use higher-density settings with a slower shutter speed for breathtaking artistic effects.
Proven ergonomics & accessory compatibility
FX9 chassis is the latest refinement of the revolutionary FS7 design, so you can be sure it will feel great to shoot with from almost any position, while also offering compatibility with a large proportion of the countless FS7 accessories, including U-series batteries, chargers, E-mount lenses, plus arms and lens adapters.*
The control arm is easily adjusted without tools, so FX9 adapts effortlessly to your physique and preferred shooting style—handheld, at waist level, or shoulder-mounted. The smart grip also features an updated design, more compact than before while still holding all the key shooting controls, allowing you to concentrate on the scene without distractions. The FX9 also introduces a micro USB interface for improved responsiveness and support for a wrist strap.
To withstand the rigors of real-world shooting, FX9 has a robust magnesium chassis which is almost one third lighter than aluminum equivalent, while offering high impact resistance. FX9’s buttons, dials, and other parts are sealed to prevent dust and water spray from entering for even greater operational reliability.***BP-U30 and XDCA-FS7 are not compatible with the FX9.**Dust- and water-resistance does not guarantee that damage will not occur if this camera is subjected to direct contact with dust and water.
Quick menu control with touch operation*
The FX9’s LCD Viewfinder has a quick access control menu for commonly accessed features. With a single touch, you can press to change key settings including:• Codec, Imager Scan mode, Picture Size and frequency.• Base ISO/Sensitivity• Shooting Mode• Audio LevelsIntroduced with V2 firmware, the FX9’s quick access control menu uses a similar UI to Sony’s acclaimed VENICE digital cinematography camera.
Stable, shake-free handheld footage
Advanced image stabilization information means even handheld footage can be transformed with Sony Catalyst Browse/Catalyst Prepare software* in post-production to look as smooth as if it were shot with a gimbal. Unlike in-camera or lens stabilization, metadata combining FX9’s built-in gyro and lens information allows you to creatively choose the balance between the level of shake-compensation and the resolution of trimmed 4K imagery. This feature requires Sony E-mount lens and allows for far faster processing than conventional NLE stabilization workflows
Beautifully matched shooting partners
Optimized for professional cinematography applications, the light and compact SELP28135G-powered zoom lens is an ideal complement for the full-frame imaging possibilities of the FX9.• Circular aperture with full-frame image circle format• Motorized servo zoom for smooth, precise zoom moves• Three independent rings for focus, zoom and iris with smooth, silent driveYou have the choice of purchasing the FX9 on its own (PXW-FX9) or with the SELP28135G lens (PXW-FX9K).
Networked for high mobility
The FX9 features internal 5 GHz* and 2.4 GHz Wi-Fi capability as standard. Just switch on and log onto your preferred network to enable a host of advanced wireless production features:
• Content Browser Mobile™** allows the PXW-FX9 to be controlled remotely from a smartphone or tablet computer via a Wi-Fi connection. Adjust the exposure level, zoom, Record/Stop and more via your mobile device—it’s ideal for single-operator shoots. One-touch authentication is also possible with smartphones offering NFC connectivity.• FTP Transfer allows content files to be sent over the Internet for remote storage on an FTP server even while shooting. In the case of signal interruption, the system will automatically resume as soon as connection is restored.• Trimming allows you to set start and end points in a clip, eliminating time-wasting transfers of unneeded content.• XDCAM air can upload proxy footage to the cloud from multiple camera operators in the field, so editing can start immediately. Uploaded content can be accessed securely from any location. News teams can even start logging clips while shooting is still going on, saving even more valuable time when a story is breaking.• A wired LAN port with the optional XDCA-FX9 allows the FX9 to connect to the Internet with a standard Ethernet cable, enabling files to be streamed or transferred by FTP.• Dual Link Cellular is enabled with the optional XDCA-FX9 and uses two cellular networks in combination to provide an even more reliable network connection. The FX9 is compatible with standard USB cellular dongles from most networks. (Please check for the most appropriate service provider for your region. Standard network fees will apply.)• High quality Sony QoS Streaming to Network RX Station (optional) and XDCAM air by Sony allows images to be streamed live for viewing at a remote location.
Buy SONY PXW-FX9 6K FULL-FRAME CAMERA with 28-135mm f/4 G OSS From UBMS DUBAI.
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Camera Shop in Dubai
UBMS Dubai is the best destination to shop camera & accessories in UAE . Either you can buy online or you can shop from our Dubai Showroom . We are located in Showroom 1, Dubai Airport Road, next to Flora Hotel, Al-Gharhoud, Dubai . We are providing Brand New, Fast Shipping, Lowest Prices . Shipping charges are free inside UAE & we shipped our products to all over the world . More than a camera store we are proving all equipment related to photography & videography .UBMS is selling digital cameras, camcorders, audio and video electronics & we have a service center with technical expertise.
If you are looking for a online camera store in Dubai then UBMS is the best choice . We can provide best price and fast delivery for the most of the camera . UBMS is listed as official partner / authorized dealer & resellers of top most brands like Sony, Arri, Dji, Zeiss, Sachtler, Sennheiser, Edit Share, lkegami, LiveU, Autocue, Blackmagic Design, Libec, Fujinon, Canon and many others. In their official websites they mentioned UBMS name as the top online / showroom destination to purchase all kind of camera equipment in Dubai, UAE.
We have best & Competitive prices and huge product range including DSLR, mirrorless, compact cameras. UBMS is one among the top camera & accessories shop in Dubai . For more details you can call to +971 42827171, 8008267 (call free UAE) .
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Sony FX6 Full Frame 4K
Sony FX6 is full-frame 4k E-mount camcorder & it will be smallest member of Sony cinema line family that include FX9 & Sony Venice . Sony PXW-FX6 is the successor to the popular Sony PXW-FS5 (handheld camcorder with Super 35 Exmor® sensor, lightweight and robust). FX6 will be launched on end of the year . For Sony FX6 Price or availability you can contact UBMS. UBMS is the authorized dealer for Sony Professional & Cinema line cameras
Sony FX6 overview
FX6 Combines the Best of Sony’s Industry-leading Digital Cinema Technology with Advanced Imaging Features from Alpha™ Mirrorless Cameras
- 4K 10.2 megapixel full-frame back-illuminated CMOS Exmor R™ sensor
- Compact and lightweight body design for on-the-go shooting
- Ultra-high sensitivity with ISO expandable up to 409,600 for very low light conditions
- 15+ stops of dynamic range
- S-CinetoneTM look profile, also used in FX9 and inspired by VENICE colorimetry
- BIONZ XR™ image processing engine, first used in Alpha 7S III
- Fast Hybrid Auto Focus, also used in Alpha cameras and FX9
- Recording up to 4K 120p / HD 240p, 10-bit 4:2:2 color depth in full-frame
- Support for up to 12G-SDI and 4K at up to 60p 16-bit SDI RAW output
- Compatible with more than 50 native E-mount lenses
Full-frame Cinematic Image Quality
The new camera features a 10.2 MP full-frame back-illuminated Exmor R™ CMOS sensor that delivers a 15+ stop wide dynamic range with high sensitivity and low noise. FX6’s base sensitivity is ISO 800 with an enhanced sensitivity setting of ISO 12,800- expandable up to 409,600[iv] - for shooting in low and very low light conditions. It is capable of recording in XAVC All Intra 4:2:2 10-bit depth with stunning image quality in DCI 4K (4096 x 2160 – up to 60p), QFHD 4K (3840 x 2160 – up to 120p[v]) and FHD (1920x1080 – up to 240p) for incredibly detailed slow motion. When more convenient file sizes are needed, FX6 can record in XAVC Long GOP 4:2:0 8-bit QFHD 4K (3840 x 2160 – up to 120pvii) and 4:2:2 10-bit FHD (1920x1080 – up to 240p). FX6 also includes a BIONZ XR™ image processing engine, first used in the new Sony Alpha 7S III camera, providing up to four times faster processing performance compared to the FS5 II.
Developed with the same expertise as Sony’s world-leading VENICE cinema camera, FX6 offers advanced cinematic color science including S-CinetoneTM for richer tonal reproduction right out of the box as well as S-Log3, S-Gamut3 and S-Gamut3.Cine for post-production flexibility. FX6’s cinematic color science is optimized for premium applications by capturing the maximum dynamic range from the sensor and providing creative freedom. Leveraging the color science of VENICE, FX6 also allows productions to easily match footage with other cameras in the Cinema Line.
Advanced Video Features
Pulling from Sony Alpha’s impressive AF features, FX6 offers Fast Hybrid AF by combining 627-point[vi] focal plane phase-detection AF with advanced Face Detection and Real-time Eye AF in high frame rates with continuous AF, allowing camera operators to effortlessly and precisely track fast-moving subjects in slow motion without losing focus. Fast Hybrid AF works with over 50 native E-mount lenses. The camera can also capture up to five times slow-motion with 4K (QFHD) 120fps.
The new FX6 also offers internal electronic variable ND filters for easy and seamless control of the camera’s filter density. Users can set variable ND to auto or adjust the filter density manually in smooth increments from 1/4 to 1/128 for perfectly exposed images without affecting the depth of field or shutter angle, even during changing lighting conditions. Combined with the camera’s ultra-high sensitivity, the electronic variable ND filter provides users with outstanding creative control in almost any shooting environment.
Made for Content Creators on the Go
Outstanding Mobility and Operability
Built with a durable magnesium alloy chassis, measuring just 4.6 inches x 6 inches x 4.5 inches (116 millimeters x 153 millimeters x 114 millimeters) and weighing just 1.96 pounds (0.89 kilograms), FX6 has a compact and lightweight design making it easy for users to grab and shoot at any time. The new camera includes a heat dissipating structure to keep the camera’s components within their normal operating ranges to prevent overheating, even during extended recording times. FX6 also features a modular design allowing users to easily pair accessories, such as grips and viewfinders, or attach the camera to other mechanisms, such as gimbals and drones.
FX6’s 3.5-inch LCD Viewfinder can be attached on multiple locations of the camera body for added freedom and easy menu control with touch operation. Using a quick access control menu for commonly accessed features, camera operators can change key settings with a single touch - including Codec, Imager Scan Mode, Picture Size and Frequency, Base ISO and Sensitivity, Shooting Mode and Audio Levels.
Professional-level Reliability
In line with professional workflows, FX6 includes a 12G-SDI output that also supports 16-bit RAW, HDMI output, timecode in/out, built-in Wi-Fi and four channel audio recording (via XLR Interface, Multi-Interface Shoe and built-in Stereo Mic). The new camera also features two media slots compatible with CFexpress Type A cards for higher overall capacity and faster read and write speeds in addition to SDXC UHS-II/UHS-I cards.
Additionally, Sony’s Catalyst Browse/Prepare[ii] software facilitates fast and easy editing. Users can import FX6’s image stabilization metadata into Catalyst Browse/Prepare to transform handheld footage into incredibly smooth and stable visuals. FX6 also has a dedicated Clip Flag button to easily filter and locate preferred takes using Catalyst Browse/Prepare. This software also reflects metadata indicating when FX6 is rotated or in its normal position, eliminating the need to rotate footage beforehand. FX6 is also compatible with Sony’s Content Browser Mobile App to easily monitor and control focus, iris, and zoom remotely
FX6 other details
The FX6 Full-Frame Camera from Sony was developed to offer versatile, cine-style imaging in a truly compact form. With the ability to capture up to 15+ stops of dynamic range, Sony's S-Cinetone gamma for filmlike skin tones, and up to 10-bit, 4:2:2 XAVC-I recording, the FX6 is poised to both supplement your FX9 or VENICE capture and to nimbly take on documentary, gimbal, and drone shoots on its own. The FX6 camera combines a 4K full-frame Exmor R sensor with a BIONX XR engine for extremely sensitive capture in a range of settings using a base ISO of 800 as well as an ISO 12800 high-sensitivity mode for nuanced low-light scenes.
Weighing just under 2 lb, the FX6 body is a full 2 lb lighter than the FX9 and measuring 6 x 4.6", it packs a full-frame sensor into a body comparable to the S35-sensor Sony FS5. While the FX6 fits seamlessly into a pro-cine on-set workflow, it also offers several features that are a boon for a single-operator user. These include fast and accurate phase-detection autofocus with both Face Detection and real-time Eye autofocus, both auto and manual ND filter settings for quick exposure compensation, and a 3.5" LCD monitor that boasts timesaving touchscreen access to key menu settings and versatile positioning for comfortable operating.
Fx6 Main Features
- 4K 10.2 megapixel full-frame back-illuminated CMOS Exmor R™ sensor , 15+ stop dynamic range, ISO expandable to 409,600 for low light conditions
- 627 points phase-detection AF, Real-time Eye AF
- 4K (QFHD) high-frame-rate 120fps recording
- XAVC-I 4:2:2 10-bit class 300 internal recording, DCI 4K/QFHD 16bit RAW output with 12G-SDI
- BIONZ XR™ image processing engine optimised for mobile movie shooting style
- S-Log3/S-Gamut3, S-Gamut3.Cine for post production flexibility
- Built-in electronic Variable ND Filter controlled from 1/4ND to 1/128ND linearly, or set to auto
- Magnesium body and frame for high durability with light weight
- The Sony Cinematic Look: Full-frame 4K recording at up to 120p with S-CINETONE picture profile
- Outstanding 4K Expression: 4K 120p, 10-bit 4:2:2 recording, up to 15+ stops dynamic range, Variable ND filter, LUTs input
- Fast, Precise and Customisable Autofocus System: Fast Hybrid AutoFocus , Real-time Eye AF, Touch tracking Autofocus, Customisable Autofocus sensitivy
- Designed for Professional Workflow: 890g compact and light weight modular body gives you outstanding mobility, reliability and expandability
- High Connectivity: 16bit RAW output, 12G SDI, HDMI, USB-C, WiFi, LANC, 2x XLR, Mi-Shoe, E mount
FX6 & FX9 Similarities
- It matches the FX9's video capture up to DCI 4K60
- Has the same S-Cinetone, S-Log3, and HLG gamma choices
- Outputs 16-bit raw like the FX9
- Sony E lens mount
- Offers the same 1/4 to 1/128 ND options
- Also provides 2-channel XLR audio inputs
FX6 & FX9 Difference
- 4K capture vs 6K
- Has a single 12G/6G/3G-SDI BNC port, trimming the FX9's additional 3G-SDI port
- Incorporates a timecode port but lacks the FX9's genlock connector
Existing products in the Sony range forming part of the Cinema Line include VENICE andFX9. VENICE has become a first choice for digital movie production, and the FX9 has an outstanding track record in documentary production. The next step is a new model that will appeal to a wide spectrum of visual creators. Sony will be releasing and shipping this next addition to the range, the FX6 camera by the end of 2020. Sony FX6 is released in 17th November 2020 .
Sony Cinema Line
Sony's wide range of camera line from high-end cinema cameras to affordable professional cameras, including VENICE, FX9, FX6, etc. Cinema Line will deliver not only the coveted cinematographic look cultivated through extensive experience in digital cinema production, but also the enhanced operability and reliability that meet discerning creators’ various needs. The new series will extend beyond basic cinema camera and professional camcorder form factors
Buy Sony FX6 from UBMS Duabi.
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Sony FX6 Full Frame 4K Cinema camera with FE PZ 28-135mm f/4 G OSS Lens
Sony FX6 is a full-frame 4k E-mount camcorder & it will be the smallest member of the Sony cinema line family that includes FX9 & Sony Venice. Sony PXW-FX6 is the successor to the popular Sony PXW-FS5 (handheld camcorder with Super 35 Exmor® sensor, lightweight and robust). FX6 will be launched at end of the year. For Sony FX6 Price or availability you can contact UBMS. UBMS is the authorized dealer for Sony Professional & Cinema line cameras
Sony FX6 overview
FX6 Combines the Best of Sony’s Industry-leading Digital Cinema Technology with Advanced Imaging Features from Alpha™ Mirrorless Cameras
- 4K 10.2 megapixel full-frame back-illuminated CMOS Exmor R™ sensor
- Compact and lightweight body design for on-the-go shooting
- Ultra-high sensitivity with ISO expandable up to 409,600 for very low light conditions
- 15+ stops of dynamic range
- S-CinetoneTM look profile, also used in FX9 and inspired by VENICE colorimetry
- BIONZ XR™ image processing engine, first used in Alpha 7S III
- Fast Hybrid Auto Focus, also used in Alpha cameras and FX9
- Recording up to 4K 120p / HD 240p, 10-bit 4:2:2 color depth in full-frame
- Support for up to 12G-SDI and 4K at up to 60p 16-bit SDI RAW output
- Compatible with more than 50 native E-mount lenses
Full-frame Cinematic Image Quality
The new camera features a 10.2 MP full-frame back-illuminated Exmor R™ CMOS sensor that delivers a 15+ stop wide dynamic range with high sensitivity and low noise. FX6’s base sensitivity is ISO 800 with an enhanced sensitivity setting of ISO 12,800- expandable up to 409,600[iv] - for shooting in low and very low light conditions. It is capable of recording in XAVC All Intra 4:2:2 10-bit depth with stunning image quality in DCI 4K (4096 x 2160 – up to 60p), QFHD 4K (3840 x 2160 – up to 120p[v]) and FHD (1920x1080 – up to 240p) for incredibly detailed slow motion. When more convenient file sizes are needed, FX6 can record in XAVC Long GOP 4:2:0 8-bit QFHD 4K (3840 x 2160 – up to 120pvii) and 4:2:2 10-bit FHD (1920x1080 – up to 240p). FX6 also includes a BIONZ XR™ image processing engine, first used in the new Sony Alpha 7S III camera, providing up to four times faster processing performance compared to the FS5 II.
Developed with the same expertise as Sony’s world-leading VENICE cinema camera, FX6 offers advanced cinematic color science including S-CinetoneTM for richer tonal reproduction right out of the box as well as S-Log3, S-Gamut3, and S-Gamut3.Cine for post-production flexibility. FX6’s cinematic color science is optimized for premium applications by capturing the maximum dynamic range from the sensor and providing creative freedom. Leveraging the color science of VENICE, FX6 also allows productions to easily match footage with other cameras in the Cinema Line.
Advanced Video Features
Pulling from Sony Alpha’s impressive AF features, FX6 offers Fast Hybrid AF by combining 627-point[vi] focal-plane phase-detection AF with advanced Face Detection and Real-time Eye AF in high frame rates with continuous AF, allowing camera operators to effortlessly and precisely track fast-moving subjects in slow motion without losing focus. Fast Hybrid AF works with over 50 native E-mount lenses. The camera can also capture up to five times slow-motion with 4K (QFHD) 120fps.
The new FX6 also offers internal electronic variable ND filters for easy and seamless control of the camera’s filter density. Users can set variable ND to auto or adjust the filter density manually in smooth increments from 1/4 to 1/128 for perfectly exposed images without affecting the depth of field or shutter angle, even during changing lighting conditions. Combined with the camera’s ultra-high sensitivity, the electronic variable ND filter provides users with outstanding creative control in almost any shooting environment.
Made for Content Creators on the Go
Outstanding Mobility and Operability
Built with a durable magnesium alloy chassis, measuring just 4.6 inches x 6 inches x 4.5 inches (116 millimeters x 153 millimeters x 114 millimeters) and weighing just 1.96 pounds (0.89 kilograms), FX6 has a compact and lightweight design making it easy for users to grab and shoot at any time. The new camera includes a heat-dissipating structure to keep the camera’s components within their normal operating ranges to prevent overheating, even during extended recording times. FX6 also features a modular design allowing users to easily pair accessories, such as grips and viewfinders, or attach the camera to other mechanisms, such as gimbals and drones.
FX6’s 3.5-inch LCD Viewfinder can be attached to multiple locations of the camera body for added freedom and easy menu control with touch operation. Using a quick-access control menu for commonly accessed features, camera operators can change key settings with a single touch - including Codec, Imager Scan Mode, Picture Size and Frequency, Base ISO and Sensitivity, Shooting Mode, and Audio Levels.
Professional-level Reliability
In line with professional workflows, FX6 includes a 12G-SDI output that also supports 16-bit RAW, HDMI output, timecode in/out, built-in Wi-Fi, and four channel audio recording (via XLR Interface, Multi-Interface Shoe, and built-in Stereo Mic). The new camera also features two media slots compatible with CFexpress Type A cards for higher overall capacity and faster read and write speeds in addition to SDXC UHS-II/UHS-I cards.
Additionally, Sony’s Catalyst Browse/Prepare[ii] software facilitates fast and easy editing. Users can import FX6’s image stabilization metadata into Catalyst Browse/Prepare to transform handheld footage into incredibly smooth and stable visuals. FX6 also has a dedicated Clip Flag button to easily filter and locate preferred takes using Catalyst Browse/Prepare. This software also reflects metadata indicating when FX6 is rotated or in its normal position, eliminating the need to rotate footage beforehand. FX6 is also compatible with Sony’s Content Browser Mobile App to easily monitor and control focus, iris, and zoom remotely
FX6 other details
The FX6 Full-Frame Camera from Sony was developed to offer versatile, cine-style imaging in a truly compact form. With the ability to capture up to 15+ stops of dynamic range, Sony's S-Cinetone gamma for filmlike skin tones, and up to 10-bit, 4:2:2 XAVC-I recording, the FX6 is poised to both supplement your FX9 or VENICE capture and to nimbly take on the documentary, gimbal, and drone shoots on its own. The FX6 camera combines a 4K full-frame Exmor R sensor with a BIONX XR engine for extremely sensitive capture in a range of settings using a base ISO of 800 as well as an ISO 12800 high-sensitivity mode for nuanced low-light scenes.
Weighing just under 2 lb, the FX6 body is a full 2 lb lighter than the FX9 and measuring 6 x 4.6", it packs a full-frame sensor into a body comparable to the S35-sensor Sony FS5. While the FX6 fits seamlessly into a pro-cine on-set workflow, it also offers several features that are a boon for a single-operator user. These include fast and accurate phase-detection autofocus with both Face Detection and real-time Eye autofocus, both auto and manual ND filter settings for quick exposure compensation, and a 3.5" LCD monitor that boasts timesaving touchscreen access to key menu settings and versatile positioning for comfortable operating.
Fx6 Main Features
- 4K 10.2 megapixel full-frame back-illuminated CMOS Exmor R™ sensor, 15+ stops dynamic range, ISO expandable to 409,600 for low light conditions
- 627 points phase-detection AF, Real-time Eye AF
- 4K (QFHD) high-frame-rate 120fps recording
- XAVC-I 4:2:2 10-bit class 300 internal recording, DCI 4K/QFHD 16bit RAW output with 12G-SDI
- BIONZ XR™ image processing engine optimized for mobile movie shooting style
- S-Log3/S-Gamut3, S-Gamut3.Cine for post-production flexibility
- Built-in electronic Variable ND Filter controlled from 1/4ND to 1/128ND linearly or set to auto
- Magnesium body and frame for high durability with lightweight
- The Sony Cinematic Look: Full-frame 4K recording at up to 120p with S-CINETONE picture profile
- Outstanding 4K Expression: 4K 120p, 10-bit 4:2:2 recording, up to 15+ stops dynamic range, Variable ND filter, LUTs input
- Fast, Precise and Customisable Autofocus System: Fast Hybrid AutoFocus, Real-time Eye AF, Touch tracking Autofocus, Customisable Autofocus sensitive
- Designed for Professional Workflow: 890g compact and lightweight modular body gives you outstanding mobility, reliability, and expandability
- High Connectivity: 16bit RAW output, 12G SDI, HDMI, USB-C, WiFi, LANC, 2x XLR, Mi-Shoe, E mount
FX6 & FX9 Similarities
- It matches the FX9's video capture up to DCI 4K60
- Has the same S-Cinetone, S-Log3, and HLG gamma choices
- Outputs 16-bit raw like the FX9
- Sony E lens mount
- Offers the same 1/4 to 1/128 ND options
- Also provides 2-channel XLR audio inputs
FX6 & FX9 Difference
- 4K capture vs 6K
- Has a single 12G/6G/3G-SDI BNC port, trimming the FX9's additional 3G-SDI port
- Incorporates a timecode port but lacks the FX9's genlock connector
Existing products in the Sony range forming part of the Cinema Line include VENICE andFX9. VENICE has become the first choice for digital movie production, and the FX9 has an outstanding track record in documentary production. The next step is a new model that will appeal to a wide spectrum of visual creators. Sony will be releasing and shipping this next addition to the range, the FX6 camera by the end of 2020. Sony FX6 is released on 17th November 2020.
Sony Cinema Line
Sony's wide range of camera lines from high-end cinema cameras to affordable professional cameras, including VENICE, FX9, FX6, etc. Cinema Line will deliver not only the coveted cinematographic look cultivated through extensive experience in digital cinema production but also the enhanced operability and reliability that meet discerning creators’ various needs. The new series will extend beyond basic cinema camera and professional camcorder form factors.
- Sony Venice
- Sony FX9
- Sony FX6
Buy Sony FX6 Full Frame 4K Cinema camera with FE PZ 28-135mm f/4 G OSS Lens From UBMS Dubai.
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SONY ALPHA 1 MIRRORLESS DIGITAL CAMERA (BODY ONLY)
α1 - The One
Sony continues to challenge the limits of conventional imaging tools with innovative technology that delivers an unprecedented combination of resolution and speed plus intuitive operation. The α1 offers new dimensions of imaging performance as well as efficient workflow, giving the user new creative freedom. The α mission is to give creators the power to realize their dreams. The α1 is its most potent expression to date.
The Alpha 1 offers an extraordinary combination of high resolution and blazing speed. Ultra-fast readout from the 50.1 MP sensor allows continuous bursts at up to 30 fps with AF and AE tracking using the electronic shutter. Perfect for any situation where the critical action is over in an instant.
50.1 megapixel Exmor RS™ image sensor
The α1 features a full-frame stacked back-illuminated CMOS Exmor RS™ sensor with 50.1 effective megapixels and integrated memory. In addition to delivering outstanding image quality, this allows the α1 to shoot continuously at up 30 frames per second while offering fast, precise phase-detection AF and top-quality 8K movies with full-frame 8.6K oversampling for the first time in the α series. Unprecedented performance for a new era of image making. Looking for to buy Sony Alpha 1 contact UBMS Dubai. We can give best price and fast delivery for all sony professional products . Buy new ILCE-1 from UBMS .
Advanced BIONZ XR engine boosts speed by up to 8x
The α1 features a revised system architecture with greatly enhanced processing performance from image capture through all signal processing stages. Processing latency is minimised while image processing power is dramatically increased for extraordinary image quality. User interface, network, and file management processing is distributed so that fast, stress-free control response is maintained regardless of real-time processing load. Looking for Sony Alpha store in Dubai ? UBMS have the largest collection of Alpha cameras in UAE.
Continuous shooting at up to 30 fps
High speed readout from the 50.1-megapixel image sensor and a large buffer memory make it possible to shoot up to approximately 165 full-frame JPEG images or 155 full-frame compressed RAW images at up to 30 frames per second with the electronic shutter while maintaining full AF and AE tracking performance. This can be a huge confidence-booster when timing is critical for sports and other moving subjects.
Silent, vibration-free electronic shutter
The electronic shutter operates silently, without mechanical noise that can be disruptive when shooting sports or events in a quiet environment. The electronic shutter is also vibration-free, minimising the likelihood of vibration-induced blur and further contributing to superior image quality. And since it has no moving components the electronic shutter is much more durable than any mechanical counterpart.
Anti-flicker shooting with electronic shutter
High-speed readout from the new image sensor has made it possible to provide Anti-flicker Shooting with an electronic shutter for the first time. This enables blackout-free shooting, up to 120 AF/AE tracking calculations per second, up to 30 fps continuous shooting, silent shooting, and other advantages of the electronic shutter without flicker issues when shooting under fluorescent, LED or other flicker-prone types of artificial light. Anti-flicker [1] ON [2] OFF
Blackout-free shooting
The α1 viewfinder does not black out when an exposure is made, so you have an uninterrupted view that allows smooth, seamless framing and tracking even during continuous shooting. High readout speed from the new image sensor makes it possible to refresh the live-view EVF display 240 times per second while shooting continuous bursts, overcoming the distracting time lag that is usually associated with EVF viewing. (A) Blackout-free Shooting (B) Shooting with blackouts . ILCE1 will available in UBMS Dubai Showroom Soon .
High resolution and sensitivity with 15-stop dynamic range
The α1 employs highly efficient noise reduction processing to deliver extraordinary resolution from its 50.1 effective megapixel image sensor. That resolution is complemented by high sensitivity with low noise, plus approximately 15 stops of dynamic range at lower sensitivities for smooth, natural gradations from shadows to highlights.
Wide sensitivity range
Even with this sensor’s high pixel count, its back-illuminated structure, gapless on-chip lenses, AR-coated seal glass and other original imaging technologies work with the new BIONZ XR image processing engine to deliver high resolution and low noise throughout a wide sensitivity range: ISO100~32000 standard, expandable to ISO50~102400
Electronic shutter flash sync + high-speed mechanical sync
For the first time in an α camera, electronic shutter flash sync is possible thanks to high readout speed from the stacked CMOS sensor. All electronic shutter advantages are available at up to 1/200 sec. If you need even more speed a new mechanical shutter system allows flash sync up to 1/400 sec. (1/500 sec. APS-C), making it easier to capture dynamic action and opening the door to new creative possibilities.
Body Design
- An impressive QXGA OLED Tru-Finder EVF features a high 9.44m-dot resolution and 0.9x magnification for exceptionally bright, clear, and detailed eye-level viewing. This viewfinder has a dedicated 240 fps High Quality+ setting for smooth motion rendering and the finder's physical design has a long 25mm eye point, 41° field of view, and features a fluorine coating on the outermost viewfinder element to benefit cleaning.
- A 3.0" 1.44m-dot tilting screen benefits working from high and low angles. This LCD is a touchscreen, too, for intuitive shooting control and menu navigation.
- Dual memory card slots both accept either CFexpress Type A or SD-type memory cards. The dual slot design allows for flexible file saving and handling and can be configured to partition file types or can be used for overflow recording. Additionally, both of the card slots are rated to support UHS-II memory cards for faster transfer speeds.
- Updated menu structure is more intuitive and complements having different workflows and settings selections for movie recording and stills shooting. The menu system also works in conjunction with the touchscreen design of the rear LCD.
- Magnesium alloy chassis assures rigidity, durability, and stability while remaining lightweight. The lens mount has also been improved to better support heavy lenses, and the grip rigidity has been improved for more comfortable hand-holding.
- Extensive weather-sealing, including enhanced sealing around the battery cover, terminal cover, and chassis joints, has been employed to resist dust and moisture for reliable operation in harsh weather conditions.
- Accepts the high-capacity NP-FZ100 rechargeable lithium-ion battery, which provides approximately 430 shots/90 minutes of recording per charge when using the viewfinder or 530 shots/95 minutes of recording per charge when using the rear LCD.
- Full-size HDMI A port offers a more reliable connection when working with external recorders.
- A USB 3.2 Gen 1 Type-C port has been added, in addition to a micro-USB port, for faster, more reliable tethering support. The USB Type-C connection allows the camera to be charged or powered from the host power source while connected.
- PC sync terminal for wired flash sync with strobe packs or wireless radio remotes.
- Both 3.5mm headphone and external microphone ports facilitate greater control over audio recording.
- Multi Interface Shoe supports working with the optional ECM-B1M Shotgun Microphone or XLR-K3M XLR Adapter Kit, which provide improved, clear audio recording sound by sending a digital audio signal to the camera, opposed to an analog signal.
- Built-in Wi-Fi enables the remote camera control and instant sharing of imagery to mobile devices for direct sharing online, and support for both 2.4 and 5 GHz bands also enables wireless tethered shooting support. This connectivity also provides remote camera control
- USB Type-C port can be paired with an optional Ethernet wired LAN adapter to provide 1000BASE-T connectivity, wired remote shooting, or FTP transferring.
Connectivity
- Built-in Wi-Fi enables the a1 to instantly share imagery to mobile devices for direct sharing online, and support for both 2.4 and 5.0 GHz bands also enables wireless tethered shooting support. Also, the 5.0 GHz band supports 2x2 MIMO for fast communication speeds and dual antennas ensure a reliable connection.
- NFC (Near Field Communication) allows for one-touch connection between the camera and compatible mobile devices; no complex set-up is required. Once connected, the linked mobile device can also display a live view image on its screen and remotely control the camera's shutter.
- Bluetooth connectivity allows for location data acquisition.
- Ethernet port offers up to 1000BASE-T speeds for quick wired LAN sharing and remote operation.
- When working over a wired LAN, the Remote Camera Tool 2.1 app now has been enhanced for a reduced release time lag and live view delays as well as support for remote SD card formatting, FTP server switching, and changes to the still image storage destination. Wired or wireless LAN transfers can also occur in the background, while continuing to shoot.
- Imaging Edge Remote for desktop supports PC Remote shooting via the Wi-Fi connection or tethered by the wired USB Type-C port. An updated data transfer control also makes it possible to transfer files from an SD card over Wi-Fi using the Imaging Edge Mobile app even when the camera is powered off.
- Transfer & Tagging add-on app can send FTP setting parameters from your mobile device to the camera, offers automatic data upload to an FTP server with attached metadata, and can perform automatic voice-to-text conversion.
Buy SONY ALPHA 1 MIRRORLESS DIGITAL CAMERA (BODY ONLY) from UBMS Dubai.
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Blackmagic Pocket Cinema Camera 6K Pro
The Blackmagic Pocket Cinema Camera 6K Pro is an advanced technology, handheld 6K digital film camera with 6144 x 3456 Super 35 high resolution HDR sensor, dual native ISO, EF lens mount and direct recording to USB‑C disks! This powerful model adds an adjustable HDR touchscreen, built in ND filters, and a larger battery for longer run time. You can even add an optional OLED viewfinder! Buy Blackmagic Pocket Cinema Camera 6K Pro BMPCC6KPRO (CINECAMPOCHDEF06P) From UBMS Dubai.
This new model includes a brighter 1,500 nit adjustable HDR touchscreen screen, built in ND filters, larger battery, plus support for an optional electronic viewfinder. This model also includes latest generation 5 color science, Super 35 HDR image sensor with 13 stops of dynamic range, dual native ISO of 25,600 and a popular EF lens mount.
Blackmagic Pocket Cinema Camera 6K Pro, 6K and 4K models have similar appearances. These cameras produce incredible, wide dynamic range images and share the same chassis. The control buttons and software menus are laid out the same way, and operating the cameras is essentially the same.
Blackmagic Pocket Cinema Camera 6K Pro and 6K feature a Super 35mm sized sensor and an EF lens mount, and has a 6K icon above the lens mount. Blackmagic Pocket Cinema Camera 4K features a Micro Four Thirds sized sensor and a Micro Four Thirds lens mount.
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TICO-RAW
TICO-RAW delivers the most beautiful pixels and most perfect colors, with the most brillant brights and the deepest darks ...with the world\'s best efficiency. Designed by intoPIX, it unleashes image sensor and traditional RAW data-flows thanks to an innovative processing and coding. The full power of the image sensor is preserved while reducing the bandwidth and storage needs. It offers high image quality and the capability to manage high resolution, high frame rate and high dynamic range workflows. TICO-RAW is the world’s first RAW codec that can offer compression efficiency with such low complexity on Bayer or Bayer-like Color Filter Arrays (CFA) patterns.
Gain in Efficiency, improve your imaging workflows
- Reduce bandwidth and power consumption to process more pixels from the sensor.
- Handle higher resolution, high frame rate and high dynamic range easily : to capture to record, to transmit, to edit, to analyze.
- Reduce the bandwidth of memory during the ISP process and RAW data analysis.
- Get the lowest latency (\"pixel-line\") to transmit RAW data over your network, infrastructures, interfaces.
- Efficiently decrease the stored RAW image data on the storage media (TICO-RAW is the new RAW at the size of a regular JPEG file).
- Increase the editing, rendering, analytics speed and while retaining the sensor data needed for a complete control of the RAW processing pipeline.
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BOSMA B1
博冠8K全幅画帧B1采用35mm全画幅CMOS传感器，有效像素4700万，配备PL-Mount镜头卡口，支持4路12G-SDI基带信号无压缩传输，动态范围多达14档，支持8K、6K、 4K、2K录制分辨率，支持最高240fps、最低25fps帧率，可集成或搭配外置CCU通道控制系统，支持广播级标准BT2020广色域及HLG曲线。
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BOSMA G1 Pro
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Canon EOS C500 Mark II 5.9K Full-Frame Camera Body (EF Mount)
Impressive usability and imaging power combine in the EOS C500 Mark II, the customizable full frame cinema camera that’s built for creative freedom. Discover Canon EOS C500 Mark II, the new generation cinema EOS system euipped with a 5.9K full frame sensor. Visit UBMS Dubai showroom to get the best price.
The lightweight body comes equipped with Canon's 5.9K full-frame CMOS sensor capable of over 15 stops of dynamic range. The newly developed DIGIC DV 7 Image Processor expands functionality and flexibility by enabling features such as 5.9K recording, internal recording of Canon Cinema Raw Light and Dual Pixel Autofocus.
Canon Cinema EOS C500 Mark II Manual
The Cinema EOS C500 Mark II is the perfect expression of form and function, exceptionally adaptable to virtually any production with its modular design. Three expansion units and user changeable lens mounts enable operators to build their ideal cinema system.
5.9K Full Frame CMOS Sensor, with support for Super 35mm and Super 16mm crop modes
The Cinema EOS C500 Mark II features Canon’s high-resolution 5.9K (38.1 x 20.1mm) Full Frame CMOS sensor, which offers exceptional low noise and a broad range of tonality with over 15 stops of dynamic range. The sensor’s expansive native cinema gamut goes beyond that of current standards, including ITU-R BT.2020 and DCI-P3, helping the EOS C500 Mark II achieve more natural skin tones and allowing for greater freedom in color grading in both SDR and HDR productions. Buy Cinema EOS C500 Mark II from UBMS Dubai. Canon EOS C500 Mark II Price is very good in UBMS Showroom. Come and experience the Canon EOS C500 Mark II camera at UBMS showroom and get the best price. We can ship Canon EOS C500 Mark II to all GCC countries (Bahrain, Kuwait, Oman, Qatar, Saudi Arabia ) & African Countries .
The Full Frame sensor is capable of capturing footage in a wide variety of aspect formats, including DCI-4K, UHD and Anamorphic Widescreen. The Cinema EOS C500 sensor supports both anamorphic and spherical lenses. In addition to full-frame, the sensor can also be paired with conventional Super 35mm and Super 16mm lenses using appropriate sensor crop modes, lens mount and adapter. To know more about EOS C500 Mark II contact UBMS.
The EOS C500 Mark II features a newly developed DIGIC DV 7 image processor which enables Cinema RAW Light recording internally at 5.9K, as well as supporting recording of Canon’s XF-AVC format in 4K 4:2:2 10-bit. Simultaneous recording of the same file format is possible to the dual CFexpress card slots, with an additional SD card slot for proxy files
The EOS C500 Mark II uses a high-quality debayering algorithm when over sampling 5.9K for 4K/UHD recording. This suppresses moiré and reduces noise, resulting in a superior quality image.
User Changeable Lens Mounts which gives users freedom to use the lenses they desire
User interchangeable lens mounts and an available B4 mount adapter gives operators the freedom to make bold creative choices based on the subject matter.
The EOS C500 Mark II ships with an EF Mount that can be user swapped to an optional Locking EF (EF-C) or PL mount. Each mount swaps easily by simply removing four M3 hex screws. A shim set is provided with each mount kit in order to adjust back focus for the precision in focusing accuracy that professionals rely
Newly developed DIGIC DV 7 Image Processor, which powerfully processes high-resolution image data The EOS C500 Mark II uses a newly developed DIGIC DV 7 Image Processor that takes the extensive RAW information captured from the 5.9K imaging sensor and processes it for output. DiG!C is also the engine behind features such as high frame rate recording, Dual Pixel Auto Focus, Cinema Raw Light Recording, HDR(PQ and HLG) output, electronic image stabilization, proxy recording and oversampling 5.9K processing.
Canon Cinema RAW Light and XF-AVC Recording
Thanks to the powerful DIGIC DV 7 image processing platform, the EOS C500 Mark II can record Cinema RAW Light directly to onboard CFexpress cards, which keeps the data-rich signal captured by the 5.9K full-frame sensor intact. Cinema RAW Light offers plenty of freedom for grading in file sizes that are about 1/3 to 1/5 the size of Cinema RAW, offering a great combination in terms of codec efficiency and quality.
When recording in 5.9K Cinema RAW Light, 60 fps is available, which is an ideal range of high-quality slow-motion capture for typical human movements. In 2K (Crop) mode, frame rates up to 120fps are available allowing users to slow down the action even further, for more dramatic scenes and special effects. Two new buttons S&F(Slow and Fast Motion) and S&F FPS (Slow and Fast Motion – Frames per Second) have been added to gives quick access to desired speed settings, making it simple to utilize this creative tool quickly and spontaneously when the moment is right.
To accurately record the extensive data produced by the 5.9K imaging sensor and provide greater recording times, the EOS C500 Mark features two CFexpress recording slots. CFexpress is the future of onboard recording media providing write speeds needed for higher resolutions and frame rates. The dual card slots can be used to either create an instantaneous backup thorough simultaneous recording or extend record run times by relay recording.
Proxy Recording
Higher resolution, greater bit depths and faster frame rates provide versatility and greater image quality but come at the cost of much larger file sizes. Proxy files can greatly speed up the editorial process by providing a lower bandwidth alternative for the initial file sharing and edits.
Canon’s powerful, high-speed DIGIC DV 7 image processor makes it possible for the EOS C500 Mark II to simultaneously record 2K Proxy files. Cinema RAW Light (5.9K, 4K Crop, or 2K (Crop)) can be recorded to the internal CFexpress card while an XF-AVC 2K 4:2:0 8-bit Proxy can be recorded directly to an internal SD card.
Compatibility with EF and PL Lenses*
With optional mount kits, users can swap from EF to Locking EF-C or PL mounts on their own. PL lenses are a cinema legacy. With a wide breath of options available to cinematographers choosing a lens is an important part of the creative process. The EOS C500 Mark II’s interchangeability now makes it possible to take any PL lens and pair it with Canon’s state-of-the-art sensor to meet the needs of any project.
Using Canon’s EF still lenses offer remarkable new possibilities for cinematographers including the use of specialty lenses like the fisheye zoom, tilt-shift and super-telephotos.
The amount of viable lens options can be further increased through an optional B4 lens mount adapter. This adapter is available for the PL or EF mount allowing 2/3” lensing options to be used with the camera.
Anamorphic Lens Support
The EOS C500 Mark II offers cinematographers anamorphic lens support. Users can now achieve wide cinematic looks and oval bokeh particular to anamorphic glass. It is a distinctly cinematic palette that is within reach for your next project.
Electronic Image Stabilization
The EOS C500 Mark II is the first Canon Cinema EOS camera to feature built-in five-axis electronic IS that works with almost any lens including anamorphic.
Modular Design with three available Expansion Units allows a high level of connectivity and interoperability
A new modular design allows productions to optimize and customize the EOS C500 Mark II to specific shooting needs. Accessories and expansion units can be easily attached to provide different levels of functionality. The camera is equally at home fully rigged with a large zoom lens, FIZ unit, audio accessories and rangefinder as it is stripped down flying on a drone.
Support for Custom User LUTs
Users can upload and apply custom LUTs to the EOS C500 Mark II. LUTs can be assigned to specific output terminals and the LCD or viewfinder. Clients can be viewing one LUT, while production works from another, giving different production roles the ability to customize the look of the image to their needs.
4 Channel Audio Recording
With Expansion Unit EU-V2, the EOS C500 Mark II supports up to 4-channel audio recording. Audio input from the camera’s internal microphone, mini mic port, and XLR ports can be assigned to the 4 different audio channels. This flexibility allows a wide range of audio devices to be connected and mixed directly on the camera.
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Sony PXW-FS7M2 4K XDCAM Super 35 Camcorder Kit with 18-110mm Zoom Lens
This pairing of a PXW-FS7M2 4K XDCAM Super 35 Camcorder Kit with an 18-110mm Zoom Lens from Sony provides you with a camera and lens system ready for today's Super 35mm 4K single-camera productions. Well suited to cinema, documentaries, news magazines, or as the base of a kit to build upon for commercial production. A sturdy locking E-mount, which can support cinema-style zoom lenses, and an electronic variable ND filter highlight some of the camera's features. The camera supports recording of HD, UHD 4K, and DCI 4K to integrated XQD media card slots.
The included Sony 18-110mm power zoom lens covers the Super 35mm format and supports 4K resolution. It features a Sony E-mount, which allows it to mount directly on the camera without requiring an adapter. The power zoom incorporates a mechanically linked zoom ring for precise control with no motor lag, and it features separate geared focus, zoom, and iris rings for manual image control.
PXW-FS7M2 XDCAM Super 35 Camera System
Expanding on the original FS7, Sony's PXW-FS7M2 XDCAM Super 35 Camera System is a flexible 4K camera system. Designed as a camera that is at home on productions as diverse as "Cinéma Vérité"-style documentaries, reality TV, commercial, and corporate applications It features a Super 35mm sized sensor that allows you to capture images with cinematic depth of field. The camera incorporates a stronger locking E-mount that is fully compatible with E-Mount lenses, and supports all electronic connections. The locking mount reduces lens play, and allows you to use most 35mm lenses including PL, EF, Leica, and Nikon via optional adapters. This stronger E-mount is ideal for using heavier-long cine-zooms without the need for additional lens support.
Just behind the lens mount sits an electronic variable ND system that provides a clear filter and 3 user definable presets. The variable ND can be adjusted to provide between 2 and 7 stops of ND. The camera can capture footage to optional on-board XQD media cards in either DCI 4K (4096 x 2160) or UHD 4K (3840 x 2160) at up to 59.94 fps or HD at up to 180 fps.
Sensor
The 4K Super 35 EXMOR sensor features 14 Stops of latitude and a wide color gamut. It offers a choice of XAVC or MPEG-2 codecs. The XAVC codec can be used for 4K and HD recording, while MPEG-2 is limited to HD recording. XAVC comes in two flavors, XAVC INTRA, and XAVC Long, allowing you to encode from HD to UHD using Intra-Frame or Long GOP compression with 10-bit 4:2:2 for HD and the choice of 10-bit 4:2:2 or 8-bit 4:2:0 for UHD. XAVC intra compression is very efficient, recording at modest bit rates and XAVC Long also substantially extends the recording time while attaining very high quality and low noise.
Signal Processing
The Camera supports two signal processing modes; Cine-EI and Custom. Cine-EI offers three color grading spaces for electronic cinematography production. The Custom mode supports Rec-709 and Rec BT-2020 at UHD 3840 x 2160 with Y, Cb, Cr color subsampling. You can set the PXW-FS7M2 to record onboard and monitor on a BT 2020 compliant monitors via HDMI 10-bit 4:2:2 or SDI at 10-bit 4:2:2 with a 709 monitor LUT applied.
Locking E-Mount
The PXW-FS7M2 is equipped with a locking E-Mount that provides improved stability and strength compared to a standard E-Mount. It features a safety interlock system that helps prevent accidental disengagement of your lens from the camera body. The locking mount also reduces lens play compared to a standard E-Mount and the locking mount is strong enough to support long cine and ENG zooms that normally require a lens support.
It accepts optional E-Mount lenses from Sony, Zeiss and other manufacturers. The shallow flange distance of the E-Mount allows you to mount most 35mm lens types such as PL, Canon EF, Leica, Nikon, as well as many others with simple mechanical adapters.
Electronic Variable ND
Behind the lens mount sits a retractable clear filter. When you engage the internal ND filters, the clear filter retracts and a stepless electronic ND filter drops into place maintaining the proper flange focal distance. You can program the electronic ND filter to act as three individual filters and rotating the filter knob will step between these presets.
Magnesium Construction
The camera body is made from magnesium, which is lighter and stronger than aluminum. This allows the camera body to weigh only four pounds. It also incorporates a shoulder pad and is designed to sit on the operator's shoulder by extending the support arm of the SmartGrip, which allows the camera to be held in front of the operator without requiring a support rig.
SmartGrip
The camera includes an ergonomic handgrip that Sony calls a SmartGrip, which features Zoom, Start/Stop, and Assign controls. The SmartGrip facilitates camera operation with the right hand, leaving the left hand free to operate the lens. Both the arm and handgrip can be positioned at different angles permitting great flexibility, and it has been re-designed for additional extension adjustment.
Redesigned Viewfinder and Mic Holder Mount
With the PXW-FS7M2 the viewfinder and mic holder mount has been repositioned. The viewfinder and mic holder now attach to a replaceable 15mm rod. This allows you to swap out the included rod with a longer rod (not included), allowing you to move the position of the viewfinder or mic holder relative to the camera. You can adjust the position of the viewfinder so a left-eye shooter can use their left eye, while the camera is resting on their right shoulder.
In addition, the viewfinder itself now rides on a square mounting rod that ensures level operation.
Internal Recording
The PXW-FS7M2 records internally in both DCI 4K and UHD 4K at up to 59.94 fps, and in HD up to 180 fps using XAVC-I or up to 120 fps with XAVC-L. DCI 4K (4096 x 2160) can be recorded internally without the need of an external recorder.
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Sony PXW-FS5K XDCAM Super 35 Camera System with Zoom Lens
Key Features:
- Super 35-Sized CMOS Sensor
- Sony E-Mount
- UHD at 24/30 FPS, HD Up to 240 FPS
- XAVC Long, AVCHD Recording Codecs
- 2 x SD Media Card Slots
- HD/3G-SDI & HDMI Output
- Includes 18 to 105mm Zoom Lens
- Supports Wi-Fi and NFC
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Sony PXW-Z450 4K UHD Shoulder Camcorder (Body Only)
The PXW-Z450 4K UHD Shoulder Camcorder from Sony features a single Exmor R CMOS sensor with 3840 x 2160 resolution. The PXW-Z450 camcorder supports the Sony XAVC codec up to 4K UHD, 1080/59.94p and 50p recording, in addition to MPEG and DVCAM formats. In combination with the optional PWS-100RX1 Network RX Station, this camcorder enables simple yet high-quality wireless ENG workflow, providing QoS (Quality of Service)-based live streaming that will save considerable time.Key Features:
- Single 2/3" 4K Exmor R Sensor
- B4 Lens Mount
- 4K UHD/FHD up to 59.94p
- Simultaneous Recording to Both SxS Slots
- 4 x 3G-SDI Outputs
- HD-SDI Input for News Pool Sharing
- Genlock & Timecode
- Built-In Network Protocols
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ARRI ALEXA LF Basic Camera Set
Built around a large-format 4K version of the original ALEXA sensor, the ARRI ALEXA LF (LPL) camera in this Basic Camera Set offers native 4K recording in three sensor modes, with ARRIRAW or ProRes recording in LF Open Gate, LF 16:9, or LF 2.39:1 modes. The ALEXA LF combines large-format resolution with an optimal pixel size for excellent image quality, producing vivid, nuanced images with natural skin tones and smooth bokeh. The ALEXA LF is designed with ARRI's LPL lens mount that has been optimized for large-format capture, and is compatible with all PL-mount lenses with the use of a PL-to-LPL adapter. A wider diameter, and shorter flange focal depth than the original ARRI PL mount, enable LPL-mount lenses to be smaller and lighter than earlier large-format optics.
The ALEXA SXT LF offers an array of recording format choices in ARRIRAW and ProRes, recording to 1 or 2TB SXR capture drives, or SxS PRO+ 256GB cards. With a base sensitivity of EI 800, 16-bit processing, and a dynamic range of 14-plus stops, your footage is effectively future-proofed for compatibility with HDR displays. Frame rates up to 150 fps produce smooth slow motion and enable capture for higher-clarity HFR (High Frame Rate) projects.
The wireless connectivity of the ALEXA SXT W is built into the ALEXA LF, providing Wi-Fi and compatibility with ARRI ECS lens/camera control systems. One WVR-1 receiver is included in this basic kit, offering wireless video transmission in a range up to 2000'. An internal filter holder can be used to insert one of eight Large Format Full Spectrum Neutral Density (LF FSND) filters (available separately). Additional ALEXA LF features include compatibility with existing ARRI Look files and workflow, clip playback in both ARRIRAW or ProRes, and 2-channel, 5-pin XLR audio input. This basic ALEXA LF set also includes SXR and SxS media adapters, the EVF-1 electronic viewfinder with a VMB-3 mounting bracket and cable, the CCH-1 center carrying handle, and an SD card for storing/loading LUTs, SUPs, etc.
Large Full-Frame Sensor with Three Operating Modes
Like the entire ALEXA line, the ALEXA LF combines high-resolution with an optimal pixel size for excellent image quality. The ALEXA LF offers a choice of recording in 4448 x 3096 Open Gate, 3840 x 2160 16:9, and 4448 x 1856 2.39:1 anamorphic.
Native 4K Recording with ALEXA Image Quality
The ALEXA LF records vivid, nuanced images with natural-looking skin tones in native 4K. Its colorimetry is compatible with HDR (High Dynamic Range) and WCG (Wide Color Gamut) workflows, providing a subtle, immersive look.
Array of Recording Choices
Recording rates (using SXR capture drives) range from 90 fps ARRIRAW to 40 fps ProRes 4444 XQ in LF Open Gate, 90 fps ARRIRAW to 60 fps ProRes 4444 XQ in LF 16:9, and 150 fps ARRIRAW to 60 fps ProRes 4444 XQ in LF 2.39:1 anamorphic. ARRIRAW and ProRes 444 XQ/4444/422 HQ/422 options are available in all three sensor modes.
Wide Exposure Latitude
A base sensitivity of ASA 800, reduced noise, and a dynamic range of 14+ dovetails with HDR workflows.
New LPL Lens Mount
The new LPL lens mount, designed specifically for large-format sensors, is integrated into the ALEXA LF. With its wider diameter and shorter flange focal depth than the original ARRI PL mount, LPL-mount lenses can be designed smaller and lighter than earlier large-format optics.
ARRI Signature Primes
ARRI now offers a range of 16 large-format, LPL-mount Signature Prime lenses, ranging from 12 to 280mm. These separately available lenses display natural skin tones, smooth bokeh, and an organically pleasing look. The Signature Primes feature ARRI's quick and comprehensive LDS-2 lens metadata system, and are constructed with machined magnesium for durability and lighter weights.
Compatible with PL Lenses, ALEXA Accessories & Workflow Tools
The ALEXA LF camera works with existing ALEXA-compatible lenses, accessories, and workflows. Use your favorite existing ARRI Look files and software tools with the ALEXA LF. A separately available PL-to-LPL mount adapter attaches to any PL-mount lens, both Super 35 or full-frame. The ALEXA LF transmits data from LDS-2, LDS-1, or /i (Cooke) lens data systems.
Same Wireless Connectivity as the ALEXA SXT W
The ALEXA LF features the same integrated Wi-Fi and wireless video transmitter as the ALEXA SXT W, providing quick compatibility with the included WVR-1 wireless video receiver, as well as ARRI's various ECS (electronic lens/camera control system) components. This built-in wireless system saves build time on set, reduces cable spaghetti, and saves weight on your camera rig.
Image Processing
Internal: 16-bit linear processing in full ALEXA Wide Gamut/Log C color spaceTarget Output: Log C, Rec 709, or Rec 2 color spacesSupports ARRI Look File (ALF-2) with CDL values and a 3D LUT3D LUTs available for SDR, HDR PQ, and HDR HLG
Internal ND Filter
One of eight available Large-Format Full-Spectrum Neutral Density (LF FSND) filters can be manually inserted in front of the ALEXA LF sensor (ND 0.3 to ND 2.4).
Playback
Play back your ARRIRAW or ProRes clips from the ALEXA LF.
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ARRI Amira
ARRI proudly introduces AMIRA – (most economical), a versatile documentary-style camera that combines exceptional image quality and affordable CFast 2.0 workflows with an ergonomic design optimized for single-operator use and extended shoulder-mounted operation. Ready to pick up and shoot straight out of the camera bag, AMIRA is hardy enough to take anywhere and features in-camera grading with preloaded 3D LUTs, as well as 100 fps slow motion. It is suitable for a great variety of production types, from reportage and corporate films to TV drama and low-budget movies, so wherever you are headed and whatever you need to shoot, let AMIRA be your companion.
EXCEPTIONAL IMAGE QUALITY
Same 35 mm sensor as ALEXA4K UHD 3840x2160 (with license), HD 1920x1080;Rec 709ProRes recording up to 422 on CFast 2.0 cardsDynamic range of 14+ stopsNatural colors and skin tonesUp to 100 fps – full sensor area
AMIRA features the same sensor and exceptional image quality as the ARRI ALEXA, recording superior HD 1080 pictures that are suitable for any distribution format. With a dynamic range of more than 14 stops, low noise levels, subtle highlight handling, natural color rendering, breathtaking skin tones and speeds of up to 100 fps, AMIRA will deliver beautiful, life-like images in any situation.
SINGLE-USER ERGONOMICS
Quick start-up – ready to shootOptimized for the single operatorSliding dovetails – perfect shoulder balanceInternal ND filters (0.6/1.2/2.1)OLED eyepiece and fold-away LCD monitorMulti-channel audio – easy-access controls
AMIRA boots up quickly and can be used straight out of the bag by a single user, with no setting up, no rigging and no delays. Sliding dovetails allow the camera to be perfectly shoulder-balanced for comfortable handheld shooting, while the innovative multi-viewfinder combines a high resolution OLED eyepiece with a fold-away LCD monitor that provides both a live view and full access to camera functions.
COST-EFFICIENT IN-CAMERA GRADING
Preloaded looksAdjustable looks – total color control on setHigh creativity, low postproduction costsUniquely, AMIRA comes with a number of 3D LUT-based looks that can be applied while filming.
The pre-loaded LUT feature essentially amounts to in-camera grading; it allows cinematographers to craft a consistent, identifiable visual approach, even on small- scale productions that cannot afford to pay them to attend the grade. Documentaries, dramas and commercials often involve a number of contrasting looks for different narrative or thematic elements. With AMIRA these looks can be either ‘burned in’ to the recorded footage or used purely for monitor imaging. Either way, they give cinematographers and directors a greater degree of creative control on fast-moving productions, while keeping costs down for producers.
SAFE, FUTURE-PROOF INVESTMENT
Rugged and reliable ARRI build qualityUpgradeable hardware and softwareSolid lens mounts (PL/B4 2/3”/EF)Sealed electronics and efficient cooling
With a solid internal skeleton that guarantees camera and lens stability, AMIRA is a highly durable product constructed of the strongest possible materials. Sealed and capsulated electronics provide top level protection against humidity and dust, while an integrated thermal core results in an exceptionally efficient cooling system. All of this means that productions can take AMIRA anywhere, from jungles and deserts to snow-capped mountain tops, in the sure knowledge that it will not let them down. Whether on a Hollywood sound stage or a r emote documentary location, technical delays cost money – money that could be saved by working with AMIRA.
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ARRI Alexa Mini
Compact, lightweight and self-contained, the ARRI ALEXA Mini is a versatile additional tool in the ALEXA camera range. Crews will find that the ALEXA Mini perfectly complements their ALEXA shooting kit, eliminating the complications of working with third-party cameras for specialized shots and keeping everything within a single system that is trusted all over the world.
Key Features:
Versatile additional tool in the ALEXA camera rangeExciting variety of application areasSuper-lightweight carbon bodyExchangeable lens mountsALEXA sensor and image quality with internal 4:3 & ARRIRAW recordingIntegrated lens motor control and ND filtersPerfect for gimbals and multicoptersFuture-proof technology with 4K UHD, HDR & HFR recording
Complementing the ALEXA range
Compact, lightweight and self-contained, the ARRI ALEXA Mini is a versatile additional tool in the ALEXA camera range. Crews will find that the ALEXA Mini perfectly complements their ALEXA shooting kit, eliminating the complications of working with third-party cameras for specialized shots and keeping everything within a single system that is trusted all over the world.
Strength and agility through state-of-the-art materials
To maintain ARRI’s famously rugged build quality in a small and lightweight camera, a number of unique design solutions have been incorporated. These include highly integrated and sealed electronics, a lightweight carbon housing and a solid titanium PL mount that connects directly with the new internal sensor mount – also made of titanium – to ensure a super-stable flange focal distance, even when using large lenses. Nimble in use and hardy on set, the ALEXA Mini is a go-anywhere tool, easy to transport in backpacks or as carry-on luggage.
Versatile mounting and shooting options
The ALEXA Mini can be operated in a number of ways: by wireless remote control, as a normal camera with the ARRI MVF-1 multi viewfinder attached, or with an on-board monitor and controlled via the user button interface on the camera body. Light enough to be comfortably held at arm’s length in a hand rig, its compact size and extremely quiet operation also make it ideal for tight shooting conditions.
Uncompromised image quality for specialized shots
The overwhelming advantage of the ALEXA Mini is that it marries such a compact and lightweight form factor with the same unparalleled image quality that has made the ARRI ALEXA system a gold standard for the industry. Combine the Mini with any other ALEXA camera and you will have perfectly matched images, even on anamorphic productions – thanks to the 4:3 sensor and automatic de‑squeeze function. Workflows will also be identical, with options to record ProRes or uncompressed ARRIRAW either in-camera to CFast 2.0 cards or to a specially-designed external Codex recorder.
Cost-saving camera and lens metadata
Integrated ARRI Lens Data System (LDS) technology brings the added value of frame‑accurate metadata about focus, iris and zoom settings. With these lens settings and exact depth‑of‑field displayed live on wireless hand units, precise adjustments can be made during a shot. The data also allows lens mapping to pre‑marked focus rings and reduces the time and expense involved in achieving complex visual effects in post.
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Sony a7C Compact Full- Frame Camera (Body Only)
Compact Size, Full-frame Power
In combination with an FE 28-60mm F4-5.6 lens, the α7C achieves uncompromising full-frame quality with the world's smallest and lightest camera and lens system. Compact in size but meeting high expectations for image quality, AF and speed, it's truly an all-round performer, ready to enhance your creativity wherever you go.
Express yourself to the fullest degreePowerful performance and extraordinary image quality
Despite the compact size of the camera body, which is the world's smallest and lightest, the α7C delivers the spectacular image quality for both stills and movies that you'd expect from a full-frame camera. Fast, wide and steadfast AF, rapid-fire continuous shooting and a handy vari-angle LCD monitor help capture the action whenever it happens. Buy Sony Sony a7C Compact Full- Frame Camera from UBMS Dubai.
Full-frame imaging in a compact body (Sony Alpaha 7c)Superior light collection means high-quality, low-noise images
Bigger sensors create better images, and the α7C's (alpha 7 c) full-frame sensor is much larger than the sensors in smartphones, compact digital cameras and similar-sized APS-C interchangeable-lens cameras. The resulting increased light collection allows for professional-quality images with reduced noise, and more retained detail in both shadows and highlights.
Make a difference with a larger sensor
With a full-frame sensor it’s possible to take shots and achieve impressive images that are unique to this format. The α7C’s (Alpaha 7c) sensor is more than twice the size of the sensors found in APS-C cameras of similar body size, and up to 30 times larger than a smartphone sensor, for stunning images with greater depth and detail.
Compact size, easy operation
The α7C was fashioned to be compact, lightweight and portable without compromising genuine full-frame camera performance. This goal was accomplished by developing new mechanical components, such as a space-saving shutter and optical stabilisation unit, along with layout and structural enhancements. UBMS can provide best price for Sony alpha cameras .
Enjoy the full-frame advantage
The α7C's full-frame sensor does more than just capture more light. Enhanced image depth, dynamic range and detail are all possible thanks to the large sensor and pixel size.
Capture all the beauty of the world
The 24.2MP10 Exmor R™ CMOS sensor works with Sony's BIONZ X™ engine to deliver superb colour reproduction along with a wide 15-stop dynamic range, and it helps capture details and smooth transitions across all lighting conditions in both stills and movies.
Stunning images, even at fast shutter speeds and in dim light
The alpha 7 c have the larger pixel sizes on the sensor allow for an increased signal-to-noise ratio, for beautiful images with more detail in textures and shadow areas. Noise reduction is particularly effective at the medium- and high-ISO sensitivities required for fast-moving or poorly lit subjects. Standard ISO100-51200 is extendable to ISO50-204800
Lenses to match your stylevast E-mount lens line-up, from wide to telephoto, video and specialised
Whether you're an amateur or a professional, a photographer or a movie creator, a diverse range of over 50 E-mount lenses is available to elevate your creativity. Compact full-frame lenses provide exceptional low-distortion images, even at wide focal lengths, and allow for beautiful image depth and bokeh. Visit UBMS Dubai Showroom to get more details about Sony alpaha cameras
Expand your movie-making options
Achieve truly artistic movie-making with the superb control, image quality and dimensionality of full-frame.
4K recording for beautiful movie imagery
Shallow depth of field enables bokeh effects, one of the strengths of full-frame cameras. Full-pixel readout without pixel binning allows oversampling equivalent to 6K recording, for clean images with less moiré and jaggies.
Widen your expression with S-Log, HLG15 and Picture Profile options
S-Log3 support captures a wide dynamic range of 14 stops, revealing fine detail in both shadows and highlights in post-production. HLG (Hybrid Log-Gamma)15 facilitates direct HDR playback and workflow, and Picture Profile provides various settings options for capturing images. UBMS is one of the best Sony camera store in Dubai, UAE.
Capture the action as it happens, in beautiful detail
State-of-the-art AF and speedy continuous shooting capability help ensure you won't miss that important split-second shot. The α7C's optical image stabilisation unit keeps it steady and blur-free whether you're shooting stills or movies.
Super-accurate AF finds the subject quickly and keeps it in steady focus
The α7C takes advantage of the same AF advancements as our acclaimed α9, with unique 4D FOCUS for fast subject acquisition and steadfast tracking over a wide area. A total of 693 phase-detection AF points cover approx. 93% of the image area.
Never miss a moment, even with fast-moving subjects
To better capture subjects in motion, the α7C shoots in continuous bursts at up to 10fps16 with AF/AE tracking, and up to 8fps in live-view mode. It also supports silent shooting at up to 10fps with AF/AE tracking.
Depend on persistent subject trackingSony's smart AI-based Real-time Tracking18 and Real-time Eye AF
Reliable subject tracking translates into more successful portraits. As with previous models, you can aim at the subject and half-press the preconfigured shutter button to start Real-time Eye AF. The α7C also has a new feature that lets you press the AF-ON button to activate Real-time Tracking even when not in AF-C mode, allowing you to use Real-time Tracking immediately. Focus is maintained even when the face is partially obstructed or when the subject is wearing glasses. UBMS can provide best price for Sony Alpha a7C Mirrorless Digital Camera & can ship Sony a7C to all GCC countries (Bahrain, Kuwait, Oman, Qatar, Saudi Arabia ) & African Countries .
Animal portraits in perfect focusReal-time Eye AF for Animals19 tracks and focuses on animals' eyes
Taking successful still shots of pets and other animals is much easier with Sony's cutting-edge algorithm-based AF. Fast, precise automatic detection and tracking of an animal's eyes, rather than the tip of the nose or the whiskers, keeps everything in clear focus – simply leave it up to the camera. It works dependably even when an obstacle comes into view or when the camera's horizontal/vertical orientation changes.
Reliable handheld still shots and moviesZoom in, grab close-ups and capture night scenes with greater clarity
The α7C's optical 5-axis image stabilisation unit compensates for five types of camera shake with no loss of image quality, even when shooting without a gimbal or when shooting in the dark. These are [1, 2] angular shake (pitch and yaw) that tends to occur with a telephoto lens, [3, 4] shift shake (X and Y axes), noticeable as magnification increases, and [5] rotational shake (roll on Z axis), which affects nighttime shots and video
Full-frame image quality for movie creators
The α7C's side-opening vari-angle monitor can be easily viewed, for example, even when a mic is attached, a gimbal is used, or when shooting from various positions. In addition, headphone and mic jacks allow you to use your favourite equipment. Plus, the large-capacity battery allows for extended shoots. All in all, the α7C is perfectly suited for vloggers and other creators.
Movie production made easyCompact, lightweight and portable even with optional grip accessories
The side-opening LCD monitor makes self-vlogging easy, an optional grip and mic combination21 is perfect for cable-free vlogging, and digital mic support provides extra-clear sound. Popular vertical-format video is also supported, using metadata to allow vertically recorded footage to be replayed and edited in the vertical position without needing to rotate it first.
Grip accessories for a quick, high-level vlog setup
The optional GP-VPT2BT Bluetooth® grip controls recording and zoom operations, and doubles as a tripod for hands-free shooting. A customisable button and easy camera angle adjustment make it perfect for efficient shooting.
Clear 2x zoom for flexible shooting options
Sony's Clear Image Zoom maintains subject resolution with almost no deterioration of image quality. Even single-focus lenses can be used as zoom lenses, with up to 2x zoom magnification.
Digital audio interface for clear sound recording
When using Sony's ECM-B1M Shotgun Microphone or XLR-K3M Adaptor Kit via the MI (Multi Interface) shoe, audio is transmitted as a digital signal, for high-quality sound recording without deterioration or extra audio cables.
Fine-tune AF Subject Shift Sensitivity to maintain steady focus or allow focus shift
AF sensitivity is adjustable for situations with multiple subjects in motion. Levels range from "1. Persistent" to maintain stable focus on the original subject, to "5. Sensitive" to switch easily to other subjects.
Use AF Transition Speed to control how fast the focus shifts
When autofocus does shift from one subject to another, you can specify the speed of the transition. Seven levels are available, from smooth, leisurely transitions to fast shifts in focus.
Slow-motion and fast-motion shootingIn-camera recording up to 5x slower or 60x faster than real time
Varying the pace of footage is an extra creative element you can add to movies, and the α7C's S&Q mode24 makes it easy. It supports high-speed full HD recording at 120fps, and both slow-motion and fast-motion effects are possible in camera, with frame rates ranging from 1-120fps . The resulting footage is up to 5x slower or 60x faster than real-time action.
Easy visual effects for movies
Picture Effect, Creative Style and Picture Profile features are a simple way to widen your creative expression when shooting movies. They provide a wide variety of visual effects and settings, from entry-level to professional. Picture Effect and Creative Style let you leave things to the camera, so there's no need for post-production grading.
Side-opening LCD monitor for flexible operation
The 921-thousand-dot 3.0-type touch panel rotates 176° horizontally and 270° vertically. Use Touch Focus to shift focus instantly, or Touch Shutter to focus and capture still images with a single touch to the screen.
Easy battery charging even when shooting
The large-capacity Z battery tucked into the α7C's compact body can take advantage of a USB power supply. A USB Type-C® cable is all you need for charging, and you can shoot while you're charging.
Sturdy dust- and moisture-resistant construction
Lightweight, high-rigidity magnesium alloy is used for the camera's top, front and rear covers, and sealing is provided throughout the body to minimise dust and moisture entry.
Remote shooting from mobile devices and PCs
The α7C's Wi-Fi® capability makes it easy to set up remote shooting. Set up your camera at a distance and take selfies or vlog footage, using a PC, smartphone or tablet to preview, adjust settings, and operate the shutter.
Quick data transfer to mobile devices for social-media sharing
Photos and videos can be transferred directly to smartphones and tablets on the spot, for easy viewing, sharing and storage via 2.4 or 5GHz Wi-Fi®. One-touch transfer is possible for certain devices, with QR-code connections for others.
Imaging Edge Desktop
Elevate your photography with Imaging Edge Desktop applications. Use the "Edit" function to develop RAW data into high-quality photos for delivery. Get the best from Sony RAW files, and manage your productions more efficiently
Imaging Edge Mobile™ app and Movie Edit add-on for more convenient movie-making
Using the α7C's built-in Wi-Fi®, shutter release and movie recording can be controlled from a smartphone or tablet, and image data can be transferred wirelessly. The Movie Edit add-on corrects camera shake after shooting
Buy Sony a7C Compact Full- Frame Camera (Body Only) From UBMS Dubai.
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ALEXA SXT W Basic Camera Set
In a move that will increase efficiency on set, ARRI has integrated a high-quality and low-latency HD video transmitter and WiFi into the new ALEXA SXT W model ("W" for Wireless). Based on the popular ALEXA SXT Plus, the SXT W will replace the SXT Plus and Studio models. As always, there are attractive upgrade options for existing owners of ALEXA SXT EV and ALEXA SXT Plus cameras.
The new hardware will be accompanied by software upgrade SXT SUP 2.0, which adds improved HDR monitoring, support for current SxS PRO+ and CFast 2.0 cards, quicker frame grabs, various WCU-4 and lens motor features, and other refinements.
Having a video transmitter built into the ALEXA SXT W makes the camera smaller and lighter than it would be with an external transmitter. It also means fewer cables around the camera and fewer associated problems, since cable failure is by far the most common technical hitch on set. Camera setup and power-up will be quicker, and productions will be able to move faster. Interference between different radio frequencies can be a time-consuming issue for camera crews. The ARRI Wireless Video System eliminates this issue because it works harmoniously with ALEXA SXT W’s other radio-based offerings: the WiFi and the ECS, ARRI’s proprietary camera and lens control system.
In addition, the integrated WiFi radio opens up a whole range of options, starting with wireless look control on set and continuing with wireless camera remote control using the ALEXA Web Remote. Other exciting WiFi options are currently under development. The introduction of a built-in wireless video transmitter is a significant upgrade for the ALEXA SXT and reflects ARRI’s commitment to continually improve the SXT platform with additional functionality.
A fully wireless camera
Integrated wireless videoIntegrated WiFiIntegrated ARRI ECS wireless camera/lens controlInterference-free operation between video, WiFi and ECS radios
Replaces SXT Plus and SXT Studio
SXT W is based on popular ALEXA SXT Plus"W" stands for Wireless
Integrated wireless video
Smaller & lighter than with external transmitterNo cable problemsFaster setup
Integrated WiFi
Wireless look controlWireless camera controlMore features in development
ARRI is committed to the SXT platform
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Versal™ HBM Series FPGAs
With the integration of HBM2e DRAM, the Versal HBM series delivers up to 6X more bandwidth at 65% lower power per bit vs. the Versal Premium series. Built on a production-proven Versal Premium adaptive SoC foundation, the Versal HBM series integrates an extensive set of networked, multi-terabit, power-optimized connectivity cores, and 112 Gb/s PAM4 transceivers to adapt to emerging network protocols and modules. While doubling the transceiver speed, the Versal HBM series secures every layer of the network infrastructure with built-in encryption engines. With the programmable network on chip (NoC), up to 2.2 Tb/s of on-chip connectivity alleviates routing congestion among architectural components. In addition, the Versal HBM series offers twice the logic density of the previous generation HBM solution to maximize performance for constantly evolving algorithms and protocols.
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RED, ARRI, CANON, BOLIN, BIRDDOG
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RouteMaster Lite
RouteMaster Lite brings familiar video routing capabilities to Newtek’s NDI® video. Based on our proven RouteMaster system, it gives operators a range of familiar control interfaces for controlling video switching.
Switching is suitable for all live, on-air applications, making RouteMaster Lite ideal for fast manual intervention.
No video streams are passed through the router system, instead traffic is redirected at the network level. This means only minimal bandwidth and processor requirements are needed, regardless of the number of video streams and resolution. There’s also no additional video delay through the system. Additionally, RouteMaster Lite does not become a central point of failure: If the router system fails for any reason, video continues to flow from sources to destinations uninterrupted.
RouteMaster Lite is ideal for OB and production environments, supporting up to 20 sources and 20 destinations. For larger systems with more complex requirements, the same NDI switching technology is available in the full-featured RouteMaster system.
The built-in GUI is ideal for preset and take switching, showing resizeable video previews and audio metering of the current video and the chosen source.
External Control
While control from the built-in GUI is fast and easy, it’s not ideal for all situations. Therefore RouteMaster lite supports external control from:
- Web Panels served by the integrated web server
- Familiar hardware panels like Blackmagic Design Smart Control
- Or, third-party software which uses the Blackmagic VideoHub protocol
You can use all these control methods simultaneously, with router status immediately visible to all users.
Video Player00:0000:15
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RouteMaster
RouteMaster uses Rascular’s proven router control and emulation technology to form a powerful yet flexible router control system. Built on tried and tested software modules, RouteMaster can be used with a wide range of video and audio routers from all major manufacturers.
It’s equally suitable for new router installations or increasing the capabilities – and lifetime – of existing systems. You can add third-party hardware panels to existing systems, add IP connectivity to older serial routers, or simply increase the number of control ports available.
The integrated web server means operators can control routers from any web browser, using custom control panels built with Helm Designer. And because it’s built on HTML5 standards, there’s no need for browser plugins.
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VictoremTM 262G41-CX camera
With a maximum image resolution of 5120 x 5120, this model has the highest resolution in the VictoremTM family. The camera's dual CXP-6 interface delivers a maximum frame rate of 41fps at full resolution.
The GMAX0505 sensor is designed with the world's smallest 2.5μm charge domain global shutter pixel, offering the highest resolution square imaging format possible within a 1.1" optical size. Using the latest light-pipe technology, more than 65% peak QE is achieved, and with optimized tungsten light shielding applied to the memory node, the sensor's shutter efficiency is more than 80dB. Low noise of <3e- allows for dynamic range of >65dB.
The Victorem™ CoaXPress series is a broad range of compact industrial video cameras featuring high performance CMOS image sensors. The small size of the Victorem cameras, used with compact C-mount optics, enables high-resolution imaging within a smaller footprint, as well as lower weight and lower power consumption.
The VictoremTM 262G41-CX supports single or dual-link CoaXPress video output for high-speed video transmission at up to 12.5Gbps. High-resolution video can be rapidly sent to real-time image processing systems or uncompressed video recorders such as the DVR Express® Core 2 series from IO Industries. Low-cost and flexible coaxial video cabling is used with long cable lengths possible (up to 40m for full-speed applications, over 100m in reduced-speed cases). A single coaxial cable can, in addition to transmitting video from the camera, supply power and synchronization triggers and allow configuration of all camera parameters.
Highlights of the VictoremTM 262G41-CX camera include:
- 1.1" format CMOS sensor w. 5120 x 5120 resolution
- 2.5µm square pixels with charge domain global shutter technology
- Up to 41 fps output at full resolution with 8/10/12-bit format
- Monochrome and color models available
- CoaXPress 1.1 video interface with single/dual -link configurations up to 2x 6.25Gbps
- C-mount or optional Active EF-mount with remote focus and iris control
- Compact size: 33.0 x 44.0 x 53.7 mm (WxHxD), 140g (without lens
- Fanless design with <4W power consumption
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RED RANGER MONSTRO 8K VV Kit (V-Lock)
RED RANGER MONSTRO 8K VV Kit (V-Lock). Built around the MONSTRO 8K VV 35.4MP CMOS sensor, this kit features a shimmed PL mount, a V-mount battery plate, integrated I/O ports including 24V out, additional SDI and AUX power outputs, built-in XLR audio input, and improved thermal performance.
Advancing beyond the RED DRAGON 8K VV sensor, the MONSTRO 8K VV offers a wide dynamic range of 17 stops and improved image quality with greater shadow detail. Use full-frame lenses to capture cinematic images at rates up to 60 fps in 8192 x 4320 8K, 75 fps in the 2.4:1 aspect ratio, 120 fps in 4K, and up to 240 fps in 2K.
Record full-frame video in REDCODE RAW (R3D) and ProRes or DNxHR/HD simultaneously, or capture minutely detailed 35.4MP still images. With up to 4x greater resolution than 4K capture and over 17x more than HD, the WEAPON MONSTRO 8K VV provides the detail that enables cropping, re-centering, and additional tweaking during post while maintaining vivid, crisp imagery. Data rates of up to 300 MB/s can be reached when using 480 or 960GB MINI-MAGs, or up to 225 MB/s with 120 or 240GB MINI-MAGs (available separately).
In addition to the PL-mount RED RANGER BRAIN, this kit includes a BRAIN case, the Production Top Handle, two 15mm LWS rod brackets, the 7.0" RED PRO Touch monitor with cable and adapters, a 24V AC adapter and power cable, and compatible hex and Torx tools.
Key Features:
- 35.4MP, 40.96 x 21.60mm full-frame CMOS sensor for up to 8K-resolution images
- 17-stop dynamic range, with improved image quality and greater shadow detail
- Multiple capture rates including up to 60 fps 8K, 120 fps in 4K, and 240 fps in 2K full format
- Versatile workflow options with REDCODE RAW, ProRes, and DNx recording
- Durable aluminum body
- Up to 300 MB/s data rates with 480 or 960GB, or 225 MB/s with 120 or 240GB MINI-MAGs
- Integrated XLR audio input
Kit Items:PL lens mount with shimsProduction top handleTwo 15mm LWS rod brackets7" RED PRO Touch with 9" ARM24V AC adapter with cableHex and Torx toolsBRAIN case
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Hasselblad X1D II 50C Mirrorless Medium Format Digital Camera
X1D II 50C
COMPACT. POWERFUL. ENHANCED.
Packed into the award-winning design of the first generation, the X1D II 50C continues to keep medium format photography portable with its compact build. Its upgraded electronic platform includes an enlarged 3.6-inch touch display and an enhanced EVF, a faster live view refresh rate, and an intuitive and even quicker user interface control. Connection via USB-C or Wi-Fi to Hasselblad’s Phocus Mobile 2 allows for the ultimate, on-the-go workflow from camera to iPad Pro and 2019 iPad Air models. And with a huge range of high-quality optics to shoot with, including XCD, HC/HCD, XPan and V System Lenses, the creative possibilities are endless.
THE POWER OF PORTABLE
Lightweight and portable, the X1D II 50C lets you take the power of medium format in a footprint smaller than most full frame 35mm cameras. Individually calibrated for optimal performance, its large 50-megapixel medium format CMOS sensor (43.8 x 32.9 mm) features outstanding colour depth and a huge dynamic range of 14 stops. Hasselblad Natural Colour Solution technology is integrated into the camera’s system, delivering superb, true-to-life tones that match what the human eye sees. Blending form and function in its ergonomic design adopted from the award-winning first generation, the X1D II 50C continues to provide creatives with incredible Hasselblad image quality, with 16-bit RAW images and now full resolution JPEGs, in a compact, lightweight design.
INTUITIVE USER EXPERIENCE
The X1D II 50C’s brilliant 3.6-inch 2.36-million-dot touch rear display and enhanced 3.69-million-dot OLED EVF are updated with higher resolution, enabling a more accurate post capture evaluation of images. With an improved magnification of 0.87x, the X1D II 50C’s EVF is now larger, letting you see the bigger picture. In addition, the menu system is now accessible when looking in the EVF, providing greater usability in the sunniest conditions. Building upon the previous generation’s intuitive user interface with pinch-to-zoom and swipe image browsing, the X1D II 50C is refined with a quicker overall response when navigating through its menu system. Further additions to the rear display include autofocus point drag and drop placement and autofocus point size changes with pinch/spread finger movement. With a quicker startup time, a live view with a faster refresh rate of 60 fps, and the shutter lag and black out time between frames reduced, the X1D II 50C creates an even smoother user experience.
UPGRADED ELECTRONICS
The X1D II 50C’s updated electronic platform allows for a more responsive camera experience, including faster image previewing, enabling quicker post capture evaluation. In addition, a higher frame rate of 60 fps makes live view smoother in both the EVF and the rear display. The much higher resolution of the rear display screen (1024x768) gives a more vivid, true to life image viewing experience. In addition, the X1D II 50C now enables full resolution high quality in-camera JPEG images with Hasselblad’s signature colours. Dual SD card slots, now supporting the faster UHS-II standard, ensure optimal storage space or the option to back up images to a second card when shooting.
TOTAL CONNECTIVITY
Built-in Wi-Fi and USB-C connectivity create a portable photographic workflow with wireless or tethered image export and tethered shooting using Phocus Mobile 2. Tethered shooting is also applicable with Phocus’ desktop version, available for both Mac and PC. An internal GPS module enables optional automatic geotagging of images. Dual SD card slots ensure optimal storage space or the option to back up images to a second card when shooting. The X1D II 50C enables in-camera battery charging via USB through a computer, charger or power bank.
PORTABLE WORKFLOW WITH PHOCUS MOBILE 2
Expanding the possibilities of the Hasselblad workflow, Phocus Mobile 2 takes the image editing process to a new, portable level. Compatible with the X1D II 50C via either USB-C or Wi-Fi, Phocus Mobile 2 is supported on iPad Pro and 2019 iPad Air models, enabling the traveling photographer to have a quicker, more seamless workflow. With Phocus Mobile 2, users can import, edit and rate RAW images and import and rate full quality JPEG images directly on their device. In addition, Phocus Mobile 2 supports full quality image export, tethered shooting, and direct camera control.
DESIGNED WITH THE PHOTOGRAPHER IN MIND
Adopting the award-winning design of the first generation, the X1D II 50C continues with Hasselblad’s heritage of blending form and function seamlessly for a smooth handling experience. Milled from high-quality, solid aluminum and designed with a clean surface with only the most crucial buttons, all other commands are easily located in the rear touch display. With the shutter built into Hasselblad lenses instead of the camera body, the weight and size of the X1D II 50C is minimized, enabling a very compact form.
SMOOTH HANDLING
The X1D II 50C’s deep grip allows for a firm hold, enabling easy and comfortable shooting. Built into the grip is an internal battery slot. Simply clicking it into place, the battery is smoothly ejected by sliding the release catch and then pressing the battery once more.
HIGH-CLASS OPTICS FROM 21MM TO 500MM
Shooting with the X1D II 50C gives access to Hasselblad’s full range of high-quality medium format optics, including the 9 XCD Lenses, 12 HC/HCD Lenses (and Converter H 1.7x) with the XH Adapter in addition to other H System accessories, XPan Lenses via the XPan Adapter, and V System Lenses using the XV Adapter. All XCD and HC/HCD Lenses feature central lens shutters that deliver full flash sync, including up to 1/2000th of a second in all X System Lenses. Crafted from durable metal components, Hasselblad optics are rigorously tested to ensure optimal performance and superb image quality.
XCD 3,5-4,5/35-75 ZOOM LENS FOR X1D II 50C
The ninth addition to the X System lens range is the XCD 3,5-4,5/35-75 Zoom Lens. Delivering the same superb image quality from edge-to-edge as the XCD prime lenses, this extremely high performance, compact mid-range zoom covers moderate wide angle to short telephoto focal lengths. Its internal focusing keeps the lens’ dimensions constant, delivers quick autofocus and additionally keeps the overall weight down. Ideal for shooting anything from wide angle landscapes to portrait images, this lens is perfect for photographers who are looking to keep the amount of equipment they carry when travelling to a minimum but don’t want to compromise on image quality. Like the rest of the XCD lens range, the XCD 35-75 features an integral central lens shutter, offering exposure times from 68 minutes to 1/2000th of a second with full flash synchronisation throughout.
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RED DSMC2 Monstro 8K VV
MONSTRO 8K VV
RED’s premier sensor provides cinematic Full Frame lens coverage and delivers 17+ stops of dynamic range.
- 35.4 Megapixel CMOS Sensor
- 40.96 mm x 21.60 mm (Diag: 46.31 mm)
Included:
- DSMC2 BRAIN w/ selected sensor
- DSMC2 BRAIN Case
- DSMC VV Al PL MOUNT 2.0 (MONSTRO Only)
- DSMC2 Standard OLPF w/ case
Highlights
- 8K Full-Frame CMOS Sensor
- 8192 x 4320 Recording up to 60 fps
- REDCODE RAW, ProRes, and DNx Recording
- High-Speed Recording up to 300 fps in 2K
- Records to RED MINI-MAG Media
- Uses DSMC2 Accessories
- Interchangeable Lens Mounts
- Includes PL Lens Mount
- Aluminum Alloy Construction
- 12/24/25/30/48/50/60 fps and Higher
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RED DSMC2 Gemini 5K S35
GEMINI 5K S35
Featuring Dual Sensitivity Modes, GEMINI™ is RED’s highest-sensitivity sensor to date and delivers exceptional low-light performance allowing for cleaner imagery with less noise and better shadow detail.
- 15.4 Megapixel Dual Sensitivity CMOS Sensor
- 30.72 mm x 18 mm (Diag: 35.61 mm)
Included:
- DSMC2 BRAIN w/ selected sensor
- DSMC2 BRAIN Case
- DSMC VV Al PL MOUNT 2.0 (MONSTRO Only)
- DSMC2 Standard OLPF w/ case
Highlights
- 5K Super 35mm CMOS Sensor
- 5120 x 3000 Recording up to 75 fps
- REDCODE RAW, ProRes, and DNx Recording
- High-Speed Recording up to 300 fps in 2K
- Records to RED MINI-MAG Media
- Uses DSMC2 Accessories
- Interchangeable Lens Mounts
- Aluminum Alloy Construction
- 12/24/25/30/48/50/60 fps and Higher
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Sony Venice
VENICE will also include a Dual Base ISO mode, supporting an additional High Base ISO of 2500. This feature takes full advantage of the sensor's unique design for exceptional low light performance and dynamic range (from 6 stops over to 9 stops under 18% middle gray). This new capability represents an increase in exposure indexes at higher ISOs for night exteriors, dark interiors, slower lenses, or where content needs to be graded in High Dynamic Range, while maintaining maximum shadow detail
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Mo-Sys L40
Extremely strong drive unit
Extremely strong and backlash-free drive units gives the operator instant and delay-free control. The precise gear drive enables flawless operation even with the biggest zoom lenses, unlike worm gear drives which can cause judder. The hole through the center of the gear boxes for cable pass-through removes the need for slip-rings and makes it future proof for high bandwidth digital video. This also allows for tangle free direct cabling.
Back-pan option
The L40 sets a new standard with the digital back-pan gyro option, making it a preferred choice for telescopic and standard crane work. It allows the operator to concentrate on the framing while the head takes care of the compensation of the crane movement.
Incredible payload
The L40 boasts a payload of incredible 40kg while only weighing 18kg. It is one of the lightest heads on the market with that strength.
Fast set-up
The L40, like all Mo-Sys heads, is lightning quick to set up utilising a daisy-chain system of identical “Mo-Sys bus” cables, providing simplicity and redundancy of spares. The head features a quick release camera plate to enable fast camera installation. All head frame size adjustments are by quick release levers for quickness and ease of balancing and nodal point positioning.
Intuitive control
The L40 can be operated with a variety of input devices such as hand-wheels, pan-bar or joystick. The Button-Console interface provides controls for pan/tilt velocity adjustment, input smoothing and direction, user defined position limits with feathering and axes zeroing. It simplifies the operation of the head in remote-mode making it ideal for tech-less operation. Our intuitive touch screen console gives access to the extended extra features like back-pan.
Data for post production
With built in high-resolution encoders the L40 is ready for a full VFX workflow, outputting accurate pan and tilt data and also connects to Mo-Sys VR modules to track cranes, dollies and cameras. The data can be recorded for post-production with the Mo-Sys MotionLogger or in Unreal using our Tracking Plugin. The L40 also interfaces to most virtual set softwares using our own protocol.
Roll-axis
A two-axis head can be effortlessly upgraded to a three-axis model with a 360˚ roll axis.
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VENICE
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HDC Studio Cameras Family
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