Create » Content Acquisition and Capture » Camera Accessories » Camera lenses »

 

 

Angenieux EZ-1 30-90mm T2 - PL is a fast zoom for 3-perf Super 35mm sized sensors that has been designed from the ground up to utilize interchangeable rear optical assemblies. This allows you to use the same lens to cover Super 35 or Full-Frame/VistaVision-sized sensors by swapping out the rear optical assembly. In addition, the rear assemblies allow you to swap the lens mount from PL to Sony E or Canon EF.

 

The version of the lens ships with a PL mount and the Super 35 rear optical assembly. Set up as such it features a T2.0 aperture and focuses down to 2' in front of the image plane, while weighing in at only 4.7 pounds. The 114mm front diameter of the lens is a common diameter compatible with cinema-style matte boxes. The lens features independent focus, iris, and zoom control rings with cinema standard gear teeth. A removable support foot can be repositioned for when you need to rotate your lens off of a standard mounting orientation.

 

Interchangeable Rear Optical Assembly

 

The EZ-1 30-90mm is designed with swappable rear optical elements so you can easily convert the lens from covering 3-perf Super 35 to full-frame/VistaVision. This design has many advantages over adding additional optical elements such as 2x extenders, as swapping the rear assembly allows the lens to maintain the same physical size and minimum operating distance, while losing only slightly more than a stop when going from Super 35 to full-frame coverage. Additionally, as the optics are designed to be part of the lens, and not just additional elements that blow up the image resolved by the lens, they match the optical quality of the lens and your image does not suffer from having to go through additional glass/air surfaces, which can degrade your image.

 

Interchangeable Lens Mounts

 

This lens ships with a PL mount; however, that mount can be swapped with available (not included) E or EF lens mounts.

 

Losing only 1/10 of a stop within the lens, the EZ-2 is extremely efficient. The fast T2.0 maximum aperture in Super 35mm matches the maximum aperture of many standard prime lenses for Super 35mm. This allows you to light to a lower illumination level than would normally be required for many zooms, making for more consistent images as you may not have to relight the scene as is often the case when moving from primes to slower zoom lenses.

 

Manual Lens Control Rings

 

Featuring independent manual control rings for focus, iris, and zoom. Each control ring incorporates industry standard 0.8 lens gear teeth.

 

114mm Front Diameter

 

The EZ-1 shares the same 114mm front common to the Angenieux OPTIMO lens series, allowing you to easily share matte boxes between the EZ-1 and the OPTIMO lenses.

Create » Content Acquisition and Capture » Lighting » Lighting systems »

The Astera FP1 Titan Tube Set was custom designed for Broadcasting, Cinema, and Film industries. The Astera Titan Tube is optimized for an ultra-high TLCI (Television Lighting Consistency Index), a very high CRI (Color Rendering Index) and peak brightness, colors as well as Hue, Saturation and Intensity can be set directly on the Astera TitanTube. The Astera Titan Tube also now accepts wired DMX via a special power/data combination cable.

HIGHLIGHTS

• Includes:


• 8x Astera FP1 Titan Tube


• 16x Eyebolts (Astera AX1-EBLT)


• 16x Aluminum Holders (Astera AX1-H)


• 16x Cotter pin


• 16x Spigots


• 8x Stand (Astera AX1-STD)


• 1 x Astera TITAN-CHRCSE Titan Tube Charging Case

Create » Content Acquisition and Capture » Camera Accessories » Camera support and grip »

 

 

 

 

Atomos Shogun 7 HDR Pro Monitor/Recorder/Switcher. This versatile pro on-camera recording monitor offers up to DCI 4K raw recording, HDMI and 12/6/3G-SDI inputs/outputs, and ISO recording of up to four HD-SDI camera streams. Output your content for director or client-viewing in Dolby Vision HDR using the Shogun 7, AtomOS10 platform, and a compatible display.

 

This monitor supports resolutions up to DCI 4K (4096 x 2160) at 60p and up to 2K at 240p for slow-motion effects. Record to 2.5" SSDs using Apple ProRes Raw, ProRes, CinemaDMG (up to 30p), and Avid DNxHD codecs. Record all your event's action with live multicamera monitoring, recording, and switching between program and up to four 1080p60 SDI ISO camera streams.

 

The Shogun 7's 10-bit (8+2 FRC) panel features 360-zone backlight, 1500 cd/m² brightness, and a 1,000,000:1 contrast ratio. Its native AtomHDR (log) display enables you to more accurately monitor your log gamma footage without having to view flat, washed-out images or use a LUT to compress the dynamic range and color space. Built-in presets accurately translate popular log formats from ARRI, Canon, Fujifilm, JVC, Nikon, Panasonic, RED, and Sony cameras.

 

Save editing time by tagging your footage on-the-fly and recording directly to Final Cut Pro x, Adobe Premiere, or Avid Media Composer formats (third-party plug-ins may be required for tagging).

 

Power the Shogun Inferno with a single Sony L-series battery; dual battery plates support hot swapping, enabling longer uninterrupted runtimes. For audio recording, the monitor supports balanced XLR inputs with +48V phantom power via a separately available audio breakout cable. Additional Shogun 7 features include genlock input, SDI/HDMI cross conversion, and a variety of on-screen exposure analysis, framing, focus assist, and other display tools.

 

Monitor

 

• 1920 x 1280 resolution

 

• 7" LCD screen with 360-zone backlight

 

• 10-bit (8+2 FRC) monitoring processing

 

• 1500 cd/m² brightness

 

• 1,000,000:1 contrast ratio (with zone backlight on)

 

• Output using Dolby Vision HDR

 

• AtomHDR technology displays native HDR (log) display footage

 

• Log gamma viewing presets for ARRI, Canon, Fujifilm, JVC, Nikon, Panasonic, RED, and Sony cameras

 

• Custom 3D LUT support (.cube format)

 

• Anamorphic de-squeeze: 2x, 1.5x, 1.33x

 

• UHD 4K downscale for HD monitoring

 

Input/Output

 

• 4K HDMI and 12G-SDI inputs/outputs

 

• Four 6G/3G-SDI or dual 12G-SDI inputs

 

• SDI/HDMI cross conversion

 

• Genlock input

 

• Separately available audio breakout cable for XLR audio input

 

Recording and Switching

 

• Up to DCI 4K60 recording in ProRes Raw, ProRes, CinemaDMG (4K30), or DNxHD

 

• Capture and switch between up to four ISO camera feeds

 

• Slow-motion recording up to 1080p at 240 fps

 

• Record to 2.5" SSD/HDD media using the included Master Caddy II

 

• Pre-roll record (8 seconds in HD, 2 seconds in 4K)

 

• Ten metadata fields

 

Additional Features

 

• Dual Sony L-series battery slots support hot swapping for continuous power

 

• Record 4K30p up to 2.2 hours with 2 x 7.4V, 7800mAh batteries

 

• Record 4K30p up to 1.5 hours with 2 x 7.4V, 5200mAh batteries

 

• Top and bottom 1/4"-20 mounting threads

 

• 3.5mm headphone output port

Create » Content Acquisition and Capture » Camera Accessories » Camera support and grip »

Cartoni Master 30 Flat Base Fluid Head covers the needs of video shooters using cameras weighing from 7 to 66 lb. With a low center of gravity configuration such as with teleprompter, the Master 30 can hold cameras as heavy as 88 lb. The fluid module, in both pan and tilt modes, ensures smooth movements. With accurate starts and stops, the drag system allows a wide variety from almost freewheeling in fast action movements to maximum resistance for long focal shoots.

HIGHLIGHTS

• 
  
  
  
  • Counterbalance performs perfect balance at any angle from 0 to ±90°
  
  
  • Operating knobs and levers are conveniently located and easy to reach with a special care for ergonomics
  
  
  • Head comes equipped with dual telescopic pan bars, illuminated spirit level and digital readouts for drag control and counterbalance settings
  
  
  
  

Create » Content Acquisition and Capture » Camera Accessories » Camera support and grip »

Cartoni Master 30 Flat Base Fluid Head covers the needs of video shooters using cameras weighing from 7 to 66 lb. With a low center of gravity configuration such as with teleprompter, the Master 30 can hold cameras as heavy as 88 lb. The fluid module, in both pan and tilt modes, ensures smooth movements. With accurate starts and stops, the drag system allows a wide variety from almost freewheeling in fast action movements to maximum resistance for long focal shoots.

HIGHLIGHTS

• 
  
  
  
  • Counterbalance performs perfect balance at any angle from 0 to ±90°
  
  
  • Operating knobs and levers are conveniently located and easy to reach with a special care for ergonomics
  
  
  • Head comes equipped with dual telescopic pan bars, illuminated spirit level and digital readouts for drag control and counterbalance settings
  
  
  
  

Create » Content Acquisition and Capture » Cameras » Digital Cinema Cameras »

 

X1D II 50C

 

COMPACT. POWERFUL. ENHANCED.

 

Packed into the award-winning design of the first generation, the X1D II 50C continues to keep medium format photography portable with its compact build. Its upgraded electronic platform includes an enlarged 3.6-inch touch display and an enhanced EVF, a faster live view refresh rate, and an intuitive and even quicker user interface control. Connection via USB-C or Wi-Fi to Hasselblad’s Phocus Mobile 2 allows for the ultimate, on-the-go workflow from camera to iPad Pro and 2019 iPad Air models. And with a huge range of high-quality optics to shoot with, including XCD, HC/HCD, XPan and V System Lenses, the creative possibilities are endless.

 

THE POWER OF PORTABLE

 

Lightweight and portable, the X1D II 50C lets you take the power of medium format in a footprint smaller than most full frame 35mm cameras. Individually calibrated for optimal performance, its large 50-megapixel medium format CMOS sensor (43.8 x 32.9 mm) features outstanding colour depth and a huge dynamic range of 14 stops. Hasselblad Natural Colour Solution technology is integrated into the camera’s system, delivering superb, true-to-life tones that match what the human eye sees. Blending form and function in its ergonomic design adopted from the award-winning first generation, the X1D II 50C continues to provide creatives with incredible Hasselblad image quality, with 16-bit RAW images and now full resolution JPEGs, in a compact, lightweight design.

 

 

 

INTUITIVE USER EXPERIENCE

 

The X1D II 50C’s brilliant 3.6-inch 2.36-million-dot touch rear display and enhanced 3.69-million-dot OLED EVF are updated with higher resolution, enabling a more accurate post capture evaluation of images. With an improved magnification of 0.87x, the X1D II 50C’s EVF is now larger, letting you see the bigger picture. In addition, the menu system is now accessible when looking in the EVF, providing greater usability in the sunniest conditions. Building upon the previous generation’s intuitive user interface with pinch-to-zoom and swipe image browsing, the X1D II 50C is refined with a quicker overall response when navigating through its menu system. Further additions to the rear display include autofocus point drag and drop placement and autofocus point size changes with pinch/spread finger movement. With a quicker startup time, a live view with a faster refresh rate of 60 fps, and the shutter lag and black out time between frames reduced, the X1D II 50C creates an even smoother user experience.

 

 

 

UPGRADED ELECTRONICS

 

The X1D II 50C’s updated electronic platform allows for a more responsive camera experience, including faster image previewing, enabling quicker post capture evaluation. In addition, a higher frame rate of 60 fps makes live view smoother in both the EVF and the rear display. The much higher resolution of the rear display screen (1024x768) gives a more vivid, true to life image viewing experience. In addition, the X1D II 50C now enables full resolution high quality in-camera JPEG images with Hasselblad’s signature colours. Dual SD card slots, now supporting the faster UHS-II standard, ensure optimal storage space or the option to back up images to a second card when shooting.

 

 

 

TOTAL CONNECTIVITY

 

Built-in Wi-Fi and USB-C connectivity create a portable photographic workflow with wireless or tethered image export and tethered shooting using Phocus Mobile 2. Tethered shooting is also applicable with Phocus’ desktop version, available for both Mac and PC. An internal GPS module enables optional automatic geotagging of images. Dual SD card slots ensure optimal storage space or the option to back up images to a second card when shooting. The X1D II 50C enables in-camera battery charging via USB through a computer, charger or power bank.

 

 

 

PORTABLE WORKFLOW WITH PHOCUS MOBILE 2

 

Expanding the possibilities of the Hasselblad workflow, Phocus Mobile 2 takes the image editing process to a new, portable level. Compatible with the X1D II 50C via either USB-C or Wi-Fi, Phocus Mobile 2 is supported on iPad Pro and 2019 iPad Air models, enabling the traveling photographer to have a quicker, more seamless workflow. With Phocus Mobile 2, users can import, edit and rate RAW images and import and rate full quality JPEG images directly on their device. In addition, Phocus Mobile 2 supports full quality image export, tethered shooting, and direct camera control.

 

 

 

DESIGNED WITH THE PHOTOGRAPHER IN MIND

 

Adopting the award-winning design of the first generation, the X1D II 50C continues with Hasselblad’s heritage of blending form and function seamlessly for a smooth handling experience. Milled from high-quality, solid aluminum and designed with a clean surface with only the most crucial buttons, all other commands are easily located in the rear touch display. With the shutter built into Hasselblad lenses instead of the camera body, the weight and size of the X1D II 50C is minimized, enabling a very compact form.

 

 

 

SMOOTH HANDLING

 

The X1D II 50C’s deep grip allows for a firm hold, enabling easy and comfortable shooting. Built into the grip is an internal battery slot. Simply clicking it into place, the battery is smoothly ejected by sliding the release catch and then pressing the battery once more.

 

 

 

HIGH-CLASS OPTICS FROM 21MM TO 500MM

 

Shooting with the X1D II 50C gives access to Hasselblad’s full range of high-quality medium format optics, including the 9 XCD Lenses, 12 HC/HCD Lenses (and Converter H 1.7x) with the XH Adapter in addition to other H System accessories, XPan Lenses via the XPan Adapter, and V System Lenses using the XV Adapter. All XCD and HC/HCD Lenses feature central lens shutters that deliver full flash sync, including up to 1/2000th of a second in all X System Lenses. Crafted from durable metal components, Hasselblad optics are rigorously tested to ensure optimal performance and superb image quality.

 

 

 

XCD 3,5-4,5/35-75 ZOOM LENS FOR X1D II 50C

 

The ninth addition to the X System lens range is the XCD 3,5-4,5/35-75 Zoom Lens. Delivering the same superb image quality from edge-to-edge as the XCD prime lenses, this extremely high performance, compact mid-range zoom covers moderate wide angle to short telephoto focal lengths. Its internal focusing keeps the lens’ dimensions constant, delivers quick autofocus and additionally keeps the overall weight down. Ideal for shooting anything from wide angle landscapes to portrait images, this lens is perfect for photographers who are looking to keep the amount of equipment they carry when travelling to a minimum but don’t want to compromise on image quality. Like the rest of the XCD lens range, the XCD 35-75 features an integral central lens shutter, offering exposure times from 68 minutes to 1/2000th of a second with full flash synchronisation throughout.

 

 

Create » Content Acquisition and Capture » Social/UGC » Content/data acquisition from public sources »

 

AirBox Neo provides automated content playout for satellite channels, cable head-ends, over-the-air broadcasters and corporate TV users. Itis designed to be extremely robust, in order to meet the highest reliability demands of on-air playout. Due to its unique modular architecture itis also suitable for webcasters, hotel Pay TV channels, corporate presentations, video wall sourcing and other program distribution systems.At a fraction of the price of any digital videotape player, a single AirBox server offers the same visual quality at its single or multi-channel SDIoutputs, multi-language audio, graphics and subtitle insertion, last-minute playlist changes and clip editing.

 

 

 

AirBox Neo supports MPEG1/2/H.264, HDV and DV streams from virtually every known production platform providing AVI, MPEG, WMV,Quick Time or MXF content. Files from third-party servers such as Leitch or Seachange are natively supported.

 

 

 

For live productions, any changes to the playlist during on-air session are possible! There are no qued or locked clips. Every clip in theplaylist, except the one which is currently playing, can be trimmed, edited or repositioned. Moreover, playlist order can be changed on-the-flywith commands like skip to next or jump. Such order changes are performed seamlessly without stopping current playout session. Liveproductions are facilitated by the powerful Live Show Clipboard which allows insertion and/or execution of various events or live streams.

 

 

 

For automated playout AirBox Neo allows fixed-time scheduling for weeks ahead. Resulting gaps or time overlaps are automatically resolvedin order to ensure continuous operation even when conflicting timed events are present. Special facilities ensure uninterrupted operation ifcontent files or even entire schedules are missing or misplaced.

 

 

 

Playout sessions are being logged for monitoring and control purposes. The log can be later used for extracting actual playout sequencewith exact timings or identifying user intervention into the playout session. The logging and recovery options allow completely unattended remote operation.

Create » Content Acquisition and Capture » Cameras » Film Cameras »

4K Super 35mm Exmor CMOS sensor XDCAM camera with Variable ND Filter, E-Mount (Lever Lock), 4K/2K RAW and XAVC recording.
Handheld, long form, perfection redefined
Built-in electronic variable ND Filters
High Frame Rates up to 180fps
RAW recording, Apple ProRes 422 and multi-cam with Sony's extension unit
Superbly rugged
Support for four-channel audio input and recording

Create » Content Acquisition and Capture » Cameras » Digital Cinema Cameras »

 

GEMINI 5K S35

 

Featuring Dual Sensitivity Modes, GEMINI™ is RED’s highest-sensitivity sensor to date and delivers exceptional low-light performance allowing for cleaner imagery with less noise and better shadow detail.

 

• 15.4 Megapixel Dual Sensitivity CMOS Sensor

 

• 30.72 mm x 18 mm (Diag: 35.61 mm)

 

Included:

 

• DSMC2 BRAIN w/ selected sensor

 

• DSMC2 BRAIN Case

 

• DSMC VV Al PL MOUNT 2.0 (MONSTRO Only)


• DSMC2 Standard OLPF w/ case

 

Highlights

 

• 5K Super 35mm CMOS Sensor

 

• 5120 x 3000 Recording up to 75 fps

 

• REDCODE RAW, ProRes, and DNx Recording

 

• High-Speed Recording up to 300 fps in 2K

 

• Records to RED MINI-MAG Media

 

• Uses DSMC2 Accessories

 

• Interchangeable Lens Mounts

 

• Aluminum Alloy Construction

 

• 12/24/25/30/48/50/60 fps and Higher

Create » Content Acquisition and Capture » Cameras » Digital Cinema Cameras »

 

 

 

MONSTRO 8K VV

 

 

 

RED’s premier sensor provides cinematic Full Frame lens coverage and delivers 17+ stops of dynamic range.

 

• 35.4 Megapixel CMOS Sensor


• 40.96 mm x 21.60 mm (Diag: 46.31 mm)

 

Included:

 

• DSMC2 BRAIN w/ selected sensor

 

• DSMC2 BRAIN Case

 

• DSMC VV Al PL MOUNT 2.0 (MONSTRO Only)

 

• DSMC2 Standard OLPF w/ case

 

Highlights

 

• 8K Full-Frame CMOS Sensor

 

• 8192 x 4320 Recording up to 60 fps

 

• REDCODE RAW, ProRes, and DNx Recording

 

• High-Speed Recording up to 300 fps in 2K

 

• Records to RED MINI-MAG Media

 

• Uses DSMC2 Accessories

 

• Interchangeable Lens Mounts

 

• Includes PL Lens Mount

 

• Aluminum Alloy Construction

 

• 12/24/25/30/48/50/60 fps and Higher

Create » Content Acquisition and Capture » Cameras » Digital Cinema Cameras »

RED RANGER MONSTRO 8K VV Kit (V-Lock). Built around the MONSTRO 8K VV 35.4MP CMOS sensor, this kit features a shimmed PL mount, a V-mount battery plate, integrated I/O ports including 24V out, additional SDI and AUX power outputs, built-in XLR audio input, and improved thermal performance.

Advancing beyond the RED DRAGON 8K VV sensor, the MONSTRO 8K VV offers a wide dynamic range of 17 stops and improved image quality with greater shadow detail. Use full-frame lenses to capture cinematic images at rates up to 60 fps in 8192 x 4320 8K, 75 fps in the 2.4:1 aspect ratio, 120 fps in 4K, and up to 240 fps in 2K.

Record full-frame video in REDCODE RAW (R3D) and ProRes or DNxHR/HD simultaneously, or capture minutely detailed 35.4MP still images. With up to 4x greater resolution than 4K capture and over 17x more than HD, the WEAPON MONSTRO 8K VV provides the detail that enables cropping, re-centering, and additional tweaking during post while maintaining vivid, crisp imagery. Data rates of up to 300 MB/s can be reached when using 480 or 960GB MINI-MAGs, or up to 225 MB/s with 120 or 240GB MINI-MAGs (available separately).

In addition to the PL-mount RED RANGER BRAIN, this kit includes a BRAIN case, the Production Top Handle, two 15mm LWS rod brackets, the 7.0" RED PRO Touch monitor with cable and adapters, a 24V AC adapter and power cable, and compatible hex and Torx tools.

Key Features:

• 35.4MP, 40.96 x 21.60mm full-frame CMOS sensor for up to 8K-resolution images


• 17-stop dynamic range, with improved image quality and greater shadow detail


• Multiple capture rates including up to 60 fps 8K, 120 fps in 4K, and 240 fps in 2K full format


• Versatile workflow options with REDCODE RAW, ProRes, and DNx recording


• Durable aluminum body


• Up to 300 MB/s data rates with 480 or 960GB, or 225 MB/s with 120 or 240GB MINI-MAGs


• Integrated XLR audio input

Kit Items:PL lens mount with shimsProduction top handleTwo 15mm LWS rod brackets7" RED PRO Touch with 9" ARM24V AC adapter with cableHex and Torx toolsBRAIN case

Create » Content Acquisition and Capture » Camera Accessories » Camera support and grip »

SmallHD FOCUS 7" Full HD Touchscreen Monitor, 1000 nits of Brightness with Teradek Bolt 500 RX integrates Teradek's Bolt 500 wireless receiver with the FOCUS 7 daylight-viewable on-camera monitor. Using the built-in receiver, the FOCUS 7 can receive up to 1080p60 video from Teradek's Bolt 500, Bolt 500 LT or Bolt 500 XT transmitters, or from a SmallHD's FOCUS Bolt 500 TX, with a line-of-sight transmission distance of up to 500'.

 

The included rubberized handgrips and neck strap enable you to comfortably carry the combo unit around the set. An L-series type battery kit, cable clips, matte and glossy screen protectors, and cleaning cloth are also included. Designed with professional monitoring tools, the SmallHD FOCUS 7" On-Camera Monitor is bright, lightweight, and features a sharp 323 ppi display. The 1000 cd/m² bright touchscreen 1920 x 1200 IPS LCD panel is daylight-viewable and supports up to UHD 4K video via its micro-HDMI input. Using the intuitive Swipe OS, you can turn on and save pages of various monitoring tools and focusing aids with a tap.

 

At the rear of the monitor, a dual NP-F battery bay enables you to hot-swap L-series batteries with only one required to power the unit. A 3.5mm barrel DC output can power select cameras with a separately available DC coupler, enabling you to extend your DSLR or mirrorless camera's runtime. A tilt arm is included for mounting the monitor via your camera's accessory shoe or on a 1/4"-20 screw.

 

Features:

 

Daylight viewable, 7" touchscreen on-camera monitor with 1000 cd/m² brightness

 

The integrated Teradek Bolt 500 receiver supports up to 1080p60 video; a full-size HDMI input supports up to UHD 4K

 

Compatible with Bolt 500/500 LT/ 500 XT or Bolt 500 TX transmitter

 

Up to 500' line-of-sight transmission

 

Lightweight, compact design, 10-bit IPS LCD panel

 

Uses SmallHD Swipe OS3 to organize and save customized function and settings pages

 

Included support arm tilts up to 180° and mounts to either a 1/4"-20 screw or a cold shoe

 

The dual-battery plate enables you to hot-swap two L-series type batteries for continuous operation

 

 

 

Display Tools:

 

Pixel Zoom: 2x and 4x with pinch zoom

 

Aspect Ratios: Preset and customizable

 

DSLR Scale: Canon 5D Mk II and Canon 7D

 

Custom Scale: Underscan only

 

Anamorphic De-Squeeze: 1.33x, 1.5x, 1.66x, 2.0x

 

Image Flip: Auto and manual

 

Image Rotation: Auto and manual

 

Color Focus Assist: Adjustable style and intensity

 

Peaking: Adjustable intensity

 

False Color: Spectrum, ARRI-style and customizable

 

Dual Zebra: Customizable

 

Waveform: Luma and RGB, customizable with region of interest highlighting

 

Vectorscope: Yes

 

Picture-in-Picture: No

 

RGB Parade: Customizable

 

Histogram: Luma and RGB

 

Horizon Indicator: No

 

Image Capture: With dedicated button and image gallery

 

Custom LUTs: Load as looks on pages or as system-wide calibration via the settings menu

 

LUT Import: Via SD card or USB storage device

 

Image Overlay: Opacity slider and blink setting

 

Blue Only: No

 

Audio Meters: Up to 8 channels

Create » Content Acquisition and Capture » Cameras » Film Cameras »

 

Sony PXW-FX9 XDCAM 6K Full-Frame Camera System (Body Only) The PXW-FX9 features a full-frame, oversampled 6K Exmor R CMOS sensor that allows you to capture 4K images with cinematic depth of field. The camera's E-mount is machined from stainless steel and allows you to use E-mount lenses.

 

The PXW-FX9 input and output features include 12G-SDI and HDMI outputs for 4K, a 3G-SDI output for HD, and genlock and timecode when using a multicamera setup. The Fast Hybrid AF autofocus system allows for accurate focus and even allows facial detection to automatically detect human form with 561 points of detection. Advanced image stabilization is achieved using the PXW-FX9's internal gyroscope for shots so smooth it'll look like you used a gimbal. Its 4-channel audio recording allows you to use external microphones and record ambient sound with the internal mics simultaneously.

 

The camera features a 15-stop dynamic range and records 10-bit 4:2:2 to dual XQD media card slots that support simultaneous and relay recording, as well as multiple backup recording modes that utilize proxy files. The camera can record UHD (3840 x 2160) and HD (1920 x 1080) internally at a selectable frame rate from 1 fps up to 60 fps in XAVC-I, XAVC-Long, and MPEG HD formats. And with a future firmware update, it will be able to record HD at up to 180 fps and output 16-bit raw 4K/2K footage up to 120 fps. In addition to its wide dynamic range, its enhanced color and light features include a dual base ISO of 800/4000, which is helpful when in low-light situations or using a slower lens. Its 7-stop electronic variable HD filter can perform in auto or manual mode, smoothly adjusting from 1/4 to 1/128 density. The camera's default S-Cinetone color look offers the same soft, vivid tone as with Sony's VENICE camera.

 

The FX9 includes an integrated Multi-Interface (MI) shoe and comes with a BP-U35 battery, BC-U1A battery charger, AC adapter with two power cords, body cap, viewfinder, eyepiece, remote control, and USB cable. The PXW-FX9 is also compatible with the separately available XDCA-FX9 extension unit which provides ENG shoulder-style support, networking features, and a slot for an optional wireless audio receiver.

 

6K CMOS Exmor R Sensor

 

The PXW-FX9's oversampled full-frame 6K sensor provides recording in DCI 4K, UHD, and HD resolutions. Powerful image processing with debayering and down-sampling ensures image quality beyond the limits of conventional Super 35mm sensors. The back-illuminated CMOS image sensor also uses Sony's Exmor R technology for improved sensitivity and noise reduction. Compared to a 4K Super 35mm sensor, the FX9's 6K sensor has over twice the surface area while providing a wider angle of view and shallower depth of field.

 

15 Stops of Dynamic Range

 

The FX9 offers an exceptional 15+ stops of dynamic range, allowing for creative freedom in color grading and post. Camera operators can concentrate on framing the scene they want while relying upon the FX9 to capture every nuance and detail using 4K 4:2:2 10-bit internal recording.

 

ISO Control

 

The FX9 features a base sensitivity of ISO 800, providing the optimal dynamic range for typical documentary applications such as shooting outside or in brightly lit interiors. A secondary high base sensitivity of ISO 4000 excels in low-light conditions such as early morning and evening shoots while maintaining superb image quality. ISO 4000 is also ideal whenever you're using slow lenses.

 

Electronic ND Filter

 

Sony's built-in electronic variable neutral density (ND) filter can be set to auto, or adjust filter density manually in smooth increments from 1/4 to 1/128 as you shoot, for perfectly exposed images without affecting depth of field as lighting conditions change. Use higher-density settings with a slower shutter speed for artistic effects.

 

Recording Formats

 

Depending on the project, the FX9 has a selection of recording formats. XAVC-I with 422 10-bit quality at a highest 600 Mb/s in 60p. XAVC-Long for more longer recording time in smaller file size. The traditional MPEG HD codec is also available. All files will be recorded onto XQD media cards.

 

Adjustable Frame Rates

 

Choose your desired frame rate from 1 up to 60 fps for quick- and slow-motion footage. The FX9 creates an immersive image with a wide-angle look and shallower depth of field provided by its full-frame sensor in combination with quick and slow motion. It also offers a quality priority setting that maximizes Full HD slow-motion image quality with advanced oversampling technology.

 

S-Cinetone Look

 

S-Cinetone is the default look of FX9 that's tuned to meet the requirements of today's content creators with rich midrange colors, alluring facial tones, and a softer tonal look developed with the same expertise as Sony's world-leading VENICE digital cinematography camera. S-Cinetone means that straight out of the camera your content looks fresh and vivid, with subjects that really stand out while retaining plenty of latitude in post-production, thanks to the high-performance full-frame image sensor.

 

Fast Hybrid AF

 

Effortlessly track fast-moving subjects with pin-sharp focus, even when using wide-lens aperture settings to maintain a shallow depth of field with the camera's full-frame sensor. Enhanced Fast Hybrid AF combines phase detection AF for fast, accurate subject tracking with contrast AF for exceptional focus accuracy. In addition, Face Detection intelligently recognizes and locks on to human faces. The dedicated 561-point phase detection AF sensor covers approximately 94% of the whole image area width and 96% of height, allowing for consistently accurate, responsive AF tracking, even with fast-moving subjects.

 

Seven-level AF transition speeds from fast-switching between subjects as quickly as possible to slow, where speed is reduced to fit a more measured shooting style, such as a historical TV drama.

 

Five-level AF subject shift sensitivity ranges from locked-on, ignoring other moving subjects in the frame, to responsive that switches focus from one subject to another—ideal for snapping between race cars as they speed by.

 

Advanced Image Stabilization

 

Advanced image stabilization information means even handheld footage can be transformed with Sony Catalyst Browse/Catalyst Prepare software in post-production to look as smooth as if it were shot with a gimbal. Unlike in-camera or lens stabilization, metadata generated by the FX9's built-in gyro allows you to creatively choose the balance between the level of shake compensation and the resolution of trimmed 4K imagery. This feature is also compatible with any E-mount lens and allows for far faster processing than conventional NLE stabilization workflows.

 

4-Channel Audio Recording

 

The FX9 offers audio capabilities with independent control dials for each channel. In applications such as an interview, 4-channel audio recording enables simultaneous use of an external microphone for recording ambient sounds, and the built-in microphone for ambient sound and voice memos by the operator.

 

Inputs and Outputs

 

The FX9 is equipped with various outputs including a 12G-SDI and an HDMI for 4K output. Also, it has a 3G-SDI for HD output to expand its monitoring flexibility. For multicamera operation, Genlock and TC In/Out terminals are available.

 

Recording Modes

 

The FX9 has a selection of backup recording modes that will help ensure the recording is safe. Simul Rec will enable simultaneous HD recording onto two media cards. The 4K/HD Sub Rec mode will allow 4K recording on one card and MPEG HD recording on another card. XAVC Proxy Rec is also available, offering a 9 Mb/s small size proxy file which will be easily sent via network. Also, a maximum 28-second Cache Rec is available to prevent missing any shot.

 

Multi-Interface (MI) Shoe

 

Sony's flexible Multi-Interface (MI) shoe provides power, signal connections, and coordinated on/off switching with compatible Sony accessories.

 

Optional Extension Unit

 

Further extend the capabilities of the FX9 with the optional XDCA-FX9 extension unit that optimizes camera weight distribution and ergonomics for comfortable shoulder-style shooting—ideal for ENG and documentary applications. The extension unit also adds advanced networking for streaming/file transfers and a slot-in for a wireless audio receiver.

Create » Content Acquisition and Capture » Cameras » Digital Cinema Cameras »

The new flagship of Sony's CineAlta family, the Sony VENICE CineAlta 6K Digital Cinema Camera (6K with 6048x4032*), offers an interchangeable PL or E-Mount*, integrated ND filters in 8-stages, 15+ stops of exposure latitude, a wide color gamut and improved color management system.
VENICE will also include a Dual Base ISO mode, supporting an additional High Base ISO of 2500. This feature takes full advantage of the sensor's unique design for exceptional low light performance and dynamic range (from 6 stops over to 9 stops under 18% middle gray). This new capability represents an increase in exposure indexes at higher ISOs for night exteriors, dark interiors, slower lenses, or where content needs to be graded in High Dynamic Range, while maintaining maximum shadow detail

Create » Content Acquisition and Capture » Camera Accessories » Camera power and batteries »

 

Highlights

 

• Square shape design for Cine-cameras

 

• Max 100W, 8A load

 

• 2× D-tap output sockets (Max 100W/8A in total)

 

• 1× USB 5V/2A power output sockets

 

• LCD display accurate remaining run time

 

• Display power info in both SONY & RED

 

• Multiple circuit protections

Create » Content Acquisition and Capture » Camera Accessories » Camera support and grip »

 

Teradek Bolt 4K 1500 12G-SDI/HDMI Wireless TX/RX / Set

 

Next Generation Wireless Technology

 

Bolt 4K defines a revolutionary new category of wireless video technology, delivering uncompressed 2160p60 HDR video transmission with zero delay.

 

 

 

Mission Critical Reliability

 

Bolt 4K’s exclusive technology offers 8x the signal performance and 50% more range than existing systems, making it the most robust wireless system we’ve ever designed.

 

8X The signal performance

 

50% More range than existing systems

 

Unrivaled Video Quality

 

Our patented RF technology greatly improves image quality across all resolutions and framerates, giving you finer detail and better color reproduction, even if you’re at the system’s maximum wireless range.

 

High Dynamic Range

 

Monitor every shot in stunning 10-bit 2160p with 4:2:2 chroma subsampling. For cutting-edge HDR workflows, Bolt 4K supports HLG, PQ, and HDR-10 standards.

 

Unhackable Image Transmission

 

Bolt 4K offers the industry’s best protection against prying eyes with AES-256 encryption and RSA 1024 key pairing. Combined, these two technologies ensure nobody can decrypt your wireless feed or connect another receiver to your system without explicit authorization.

 

Universal Compatibility & Expanded Versatility

 

All Bolt 4K systems are compatible with one another and are multicast-capable to up to 6 receivers, even if they’re from different model ranges.

 

Bolt for iOS

 

Manage every parameter of the Bolt 4K from the convenience of your smartphone.

Create » Content Acquisition and Capture » Camera Accessories » Camera support and grip »

Teradek Bolt 500 XT 3G-SDI/HDMI Wireless Transmitter and Receiver Set

Highlights;

• Supports up to 1080p60 Resolution


• Backwards Compatible with Select Systems


• 3G-SDI & HDMI Inputs/Outputs


• Cross Conversion


• Zero Delay


• 2.4 & 5.8 GHz Noise Rejection


• AES128 Encryption

 

Create » Content Acquisition and Capture » Camera Accessories » Camera lenses »

ZEISS Supreme Prime 6 Lens Kit of 25, 29, 35, 50, 85, 100mm (Meters, PL Mount)

HIGHLIGHTS

• 
  
  
  
  • Prime Lenses for PL-Mount Cameras
  
  
  • 6 x Focal Length Prime Lens Set
  
  
  • T1.5 Maximum Aperture
  
  
  • Each Lens Has a 16-Blade Iris
  
  
  • Similar Physical Dimensions
  
  
  • Designed for 4K Resolution
  
  
  • Excellent Low Light Capability
  
  
  
  

Create » Content Acquisition and Capture » Lighting » Lighting systems »

Gemini - The creative lighting choice.

Accurate, agile and easy to use.  Gemini from Litepanels is the industry’s most versatile 2x1 soft panel.  Ready to work straight out of the box with no steep learning curve or parts to assemble, lighter to handle and quick to rig with no external ballast and fewer cables, Gemini is ready to start work immediately.

Four ways to get creative with light.

• CCT Mode:  Create the perfect soft white light with color-accurate, full spectrum true daylight and tungsten output.


• HSI Mode:  Be bold with color with instant hue, saturation and intensity control to create any color in the 360° color wheel and at any intensity from 0-100%.


• Effects Mode:  Create dazzling lighting effects such as fire, lightning, emergency services or paparazzi with full creative control.


• Gel Mode:  Replicate the industry’s most popular gel sets with a daylight or tungsten source at the touch or a button for quick scene changes.

Take your creativity anywhere.

Powerful lighting can now be anywhere, the energy-efficient Gemini can deliver 100% intensity when powered by a battery with no additional modules required and with a low power-draw it can work longer on location.

Full creative control wherever you are.

At the light, on the set or in the gallery, full creative control of Gemini is available via intuitive on-board controls, DMX, Wireless DMX or Bluetooth meaning easy integration and light changes in an instant.

The light weight, rapid to rig and mobile friendly Gemini with its wide array of lighting and control options is the perfect solution for cinematographers and lighting professionals and the creative choice.

Discover the Gemini effect for yourself with a live demonstration at IBC 2018 – Stand 12.E65.

Create » Content Acquisition and Capture » Lighting » Lighting systems »

This kit contains 3 each lighting fixtures, stands, barn doors along with wheeled carry case. Lighting fixtures are available in 2700K-5700K, 3200K and 5600K color temperatures.  Electronic dimmer inbuilt. Fixture body made of aluminum die casting and powder coated. Battery backup available as option. 60W LED ENG KIT replaces 300W Halogen ENG kit, used at present.

Create » Content Acquisition and Capture » Lighting » Lighting systems »

Canara Lighting has launched world’s best LED digital lighting fixture JAGLE PANEL. This digital luminaire provides solution for all possible lighting applications in TV and film studios. Unbeatable features are colour temperature 2700K to 12000K, RGBW microprocessor colour mixer for customised colour wash and millions of shades, RGBW colours with HSI control,  green magenta colour correction, colour correction mechanism compatible for all camera makes, adjustable system settings, on board firmware upgradation, multiple DMX mode, CRI>95, TLCI>90 and CE certified.

Create » Content Acquisition and Capture » Lighting » Lighting systems »

Canara Lighting has launched LED JEET Series. It is possible to replace old technology fixtures by LED. Models are 1000W and 300W. 1000W Jeet replaces 4000W HMI light and 3o0W JEET replaces 1200W HMI light. Colour temperature 3200K or 5600K.

Main features include 75% power saving; no radiated heat; used as soft and hard light; five times brighter than traditional light; less weight and operator friendly; no external ballast required; environmental friendly; no UV, IR or mercury; suitable for both indoor and outdoor applications. CE certified. It is supplied with carrycase for easy and damage-free transportation.

An innovative choice for cinematographers and DOP’s.

Create » Content Acquisition and Capture » Lighting » Lighting systems »

Canara Lighting introduces Colour Tunable LED Fresnel lighting fixture. This Color Fresnel uses advanced LED featuring 4 color mixing to deliver high precision CCT from 2,700K to 10,000K with high CRI.  Other features are RGBW colours with HSI control,  green magenta colour correction, colour correction mechanism compatible for all camera makes, adjustable system settings, USB support and on board firmware upgradation, multiple DMX mode, strobe effects and special effects, 50 fixed colour presents, low fan noise and CE certified. This lighting fixture is available with 100W and 200W models.

Create » Content Acquisition and Capture » Lighting » Lighting systems »

Canara Lighting has launched LED JEET Series. It is possible to replace old technology fixtures by LED. There are different models from 1000W to 60W. For example, 1000W Jeet replaces 4000W light. Colour temperature 3200K or 5600K.

Main features include 75% power saving; no radiated heat; used as soft and hard light; five times brighter than traditional light; less weight and operator friendly; no external ballast required; environmental friendly; no UV, IR or mercury; suitable for both indoor and outdoor applications. CE certified. It is supplied with carrycase for easy and damage-free transportation.

An innovative choice for cinematographers and DOP’s.

Create » Content Acquisition and Capture » Lighting » Lighting systems »

400W LED Panel is one of the best digital lighting fixture. It is a hi-tech LED digital soft light luminaire by Canara Lighting. This digital luminaire provides solution for all possible lighting applications in TV and film studios. Unbeatable features are colour temperature 2700K to 12000K, RGBW microprocessor colour mixer for customised colour wash and millions of shades, RGBW colours with HSI control,  green magenta colour correction, colour correction mechanism compatible for all camera makes, adjustable system settings, on board firmware upgradation, multiple DMX mode, CRI>95, TLCI>90 and CE certified.

Create » Content Acquisition and Capture » Lighting » Lighting systems »

Canara Lighting has launched 200W CCT tunable LED Fresnel. It is possible to tune colour temperature from 2700K to 6500K. LUX level at 2 m from 28,900 to 31,000. CRI is above 95, TLCI is above 95. It can be controlled through manual and DMX 512 control. Silent operation, fan noise less than 20dB. Available in both manual and pole operated yoke. 0 to 100% flicker free dimming. This LED fixture is most suitable for the modern television studios.

Create » Content Acquisition and Capture » Lighting » Lighting systems »

A member of the ARRI M-Series, the M40 is a lens-less system that unifies the advantages of Fresnel and PAR fixtures. The unit is open face and thus very bright: around 30 % brighter than an AS40 in spot. Due to its unique, patented MAX Technology reflector, it is also focussable over a range of 18 to 52° Half Peak Angle. The M40 gives a remarkably even beam spread that casts crisp shadows over the whole focus range. The reflector characteristics is optimised for 4,000 W lamps, but can also be used with 2,500 W lamps.

The lamphead is equipped with a CCL module (Compensation of Cable Losses). When operated with the ARRI EB 2.5/4 kW High Speed AutoScan with CCL, full power is maintained all the way to the lamp even when very long cables are used. This means uniformly high light output indepent from cable length.

Key Features:

• Lens-less MAX Technology: Easy to use


• Around 30 % brighter than AS 40


• Compensation for Cable Losses (CCL)


• Tubular steel yoke


• Two disk brakes with steel handles


• Cross-Cooling allows safe operation at extreme tilt angles


• Suitable for high frame rate images


• IP Rating IP23

Create » Content Acquisition and Capture » Lighting » Lighting systems »

The bantam fixture has a white light range of 2000 to 10,000K to blend in seamlessly in any ambient light situation, match other fixtures, or exercise creative expression. The light's high CRI/TLCI rating of 95/96 is a testament to its advanced accuracy in color reproduction. Another color control feature is its RGB mode with hue, saturation, and intensity adjustment that gives image makers access to millions of colors. And the light is dimmable from 0 to 100%.

MORE PRACTICAL

The Accent B7c is a battery-operated 7W RGBWW color-mixing LED light bulb, and the first product in Aputure’s Accent family of “practical” LED lights built for filmmakers, with a unique combination of features no other light has. Buy Aputure B7c from UBMS Dubai . We have stock for B7c.

YOUR FAVORITE LAMP

The B7c features a standard E26/27 lamp socket screw connector making it compatible with a wide variety of lamps anywhere in the world. Its light bulb form factor allows users to more naturally integrate programmable, color-mixing, practical lighting into any scene. Buy Aputure Bulb from UBMS Dubai Showrrom or order online .

MATCH ANY LIGHT

The Accent B7c matches the color temperature range of the Nova P300c, Aputure’s most advanced color mixing light, producing a wide color temperature range of 2,000K-10,000K. And when combined with Sidus Link’s SourceMatch feature, it can match nearly any white light source.

PRISTINE QUALITY YOU CAN TRUST

Unlike typical household LED bulbs, the Accent B7c uses cinema-grade LEDs to reproduce immaculate skin tones -- with impeccable CRI and TLCI values of 95+, and a tungsten SSI score of 85, outpacing industry-standard lights.

COLOR TUNABILITY

Utilizing Aputure’s unique RGBWW LED configuration, the B7c bulb is able to produce over 90% of the saturated colors in the Rec.2020 color space, putting it on par with industry-standard lighting instruments.

FLICKER-FREE FILMMAKING

The Accent B7c like all Aputure products is made with filmmakers in mind. Unlike consumer LED smart bulbs, the B7c features 20KHz stepless dimming that remains completely flicker-free up to at least 1,000fps with no color shift.

BUILT-IN BATTERY

The B7c is also the first bulb designed for filmmakers to have a built-in battery, powering the B7c for over 70 minutes at full power, and over 20 hours as it approaches minimum brightness.

AC/DC MODE

The B7c’s unique internal battery allows the B7c to have multiple power supply modes: AC & Battery (DC). In AC power mode the B7c retains its last settings and turns on and off like a traditional light bulb, allowing for natural interactions with actors.

PREMIUM CONSTRUCTION

Using an aluminum metal structure and a unique toroidal diffusion design, the B7c spreads lights evenly while also maintaining absolute stealth on-camera.

ON-BOARD CONTROLS

The Accent B7c is the only LED smart bulb to feature on-board buttons for both brightness and CCT control, allowing users to adjust intensity and CCT presets in a few simple clicks, without even connecting it to the Sidus Link app.

SIDUS LINK

Using built-in Sidus Mesh technology, the B7c can also be controlled wirelessly via a smartphone or iPad using the Sidus Link app, allowing filmmakers to fine-tune CCT, brightness, color, and FX, as well as use SourceMatch and ColorPicker modes to match nearly any color.

SIDUSPRO FX

Through Sidus Link, the Accent B7c has access to built-in lighting FX, as well as SidusProTM FX such as PickerFX, Manual FX, and Magic Program, producing an ecosystem that allows creatives to design a myriad of unique programmable FX.

CHARGING CASE

The Accent B7c is also [soon to be] available in an 8-Light Charging Kit, made for indie-filmmakers, owner-operators, and rental houses, featuring a durable hard shell case with the capacity to store, protect, and simultaneously charge up to eight B7c bulbs.

Benefits

• 7W RGBWW LED smart bulb


• Standard E26/E27 light bulb socket


• Built-in lithium polymer battery (70+ minutes at max)


• Fully tunable CCT from 2000 to 10,000K


• Average CRI 95+; TLCI 96+


• SSI (Tungsten): 85; SSI (D55): 74


• RGB color tunability with hue, saturation, and intensity adjustability


• Covers >90% of the colors within Rec.2020 color space


• Stepless dimming from 0 to 100% with no color shift


• Nine built-in lighting effects: Paparazzi, Fireworks, Faulty Bulb, Lightning, TV, Party, Pulsing, Cop Car, and Fire


• Smart bulb with onboard button controls


• Sidus Link app compatible; firmware upgradeable


• Wireless Bluetooth control up to 164'


• Two power supply modes: Standard/AC and Battery/DC


• Passively cooled aluminum alloy heatsink

Buy Aputure Accent B7C LED RGBWW Light from UBMS Dubai

Create » Content Acquisition and Capture » Lighting » Lighting systems »

Proper lighting has the potential to focus attention, to create atmosphere, to support and facilitate the basic working processes.  A work station, with its monitors and display terminals whether is a TV production, post production or OB, demands well designed lighting.  Lighting that illuminates the working area and clearly shows what needs to be seen while avoiding obtrusive glare and disturbing reflections in the monitor screens.

Direct spot lighting contributes to tiredness, eye-strain and declining efficiency. The heat and power consumption are factors often overlooked. Maintenance is important.  Lighting components should be easily accessed without the need of tools.

PTS control lights  have been designed to meet all these requirements.  Lighting conditions can be matched to the of each individual site by individually  adjusting the optimum combination of beam angle and width by means of shutters.  In fact, these luminaires cut off the light so precisely that, when viewed from outside the beam angle, actually appear dark to the viewer.  Available in 650mm and 1250mm.  Fitted with electronic starter for longer tube life and instant start and wide spectrum 6500K tube.  Electrostatically black painted.

Designed for fast, simple installation as well as easy readjustment of Lightning area. Aesthetic durable construction.

Create » Content Acquisition and Capture » Lighting » Lighting systems »

Orbiter's new six-color light engine delivers a wide-color gamut and outstanding color rendition across all color temperatures along with industry-leading, smooth dimming from 100 to 0%. With its changeable optics, Orbiter can transform into many different types of lampheads including projection (profile), open face, soft light, and other future possibilities. Orbiter is the most advanced luminaire ever created with exciting new technology packed into every fixture. Features such as a fast processor, ample memory, expanded connectivity, built-in array of sensors, weatherproof housing, and many more make Orbiter a formidable machine. Orbiter's state-of-the-art technology and versatile design makes it an optimal lamphead for today and for the future with endless possibilities for updates, configurations, and enhancements. Arri Orbiter Price is very good in UBMS Showroom. Come and experience the Arri Orbiter at UBMS showroom and get the best price. We can ship Arri Orbiter to all GCC countries (Bahrain, Kuwait, Oman, Qatar, Saudi Arabia ) & African Countries.

six-color Light Engine

Including a red, green, blue, amber, cyan, and lime LED, the ARRI Spectra six-color light engine translates into a wider color gamut, more accurate colors, and most importantly, higher color rendition across the entire CCT range.

compact Light Engine

Cutting-edge LEDs that have never been used before in a luminaire and their arrangement creates a homogeneous color beam field with amazing brightness.

Wide gamut

Hues are precisely reproduced and the increased gamut allows for 15% more color possibilities when compared to previous ARRI light engines.

Color Sensor Mode

The new Color Sensor Mode in Orbiter will read the ambient color surrounding the fixture and reproduce the color with great accuracy.

Ultra High Color Rendering

Orbiter has a larger CCT range of 2,000 to 20,000 K with ultra-high color rendition across all color temperatures. Skin tones look amazing and natural.

Buy ARRI Orbiter LED fixture from UBMS

 

Create » Content Acquisition and Capture » Camera Accessories » Bags, cases, protection »

The AS-1 series is a zoom remote controller designed to make high-quality video production by making comfortable zoom operations essential for camera shooting work at events and studios.The zoom lever is designed with a smooth operation and a thorough pursuit of a comfortable operating feel in all other mechanisms.AS-1 / 1P supports not only shoulder-mounted cameras but also small commercial camcorders, and is equipped with a REC operation button for camcorders.

Two cameras can be adjusted with one AS-1 remote control

In combination with the Protech HDF viewfinder,the return video confirmation function is very convenient for multi-camera recording.This function can be realized without relying on the functions of the camera body.For example, even in one-man multi-camera recording with two professional camcorders,you can operate the other camera while checking and controlling the fixed-point camera image. It becomes possible to do.

Create » Content Acquisition and Capture » Lighting » Lighting systems »

The M18 is an 1,800 W open face lamphead, combining the Academy Scientific and Engineering Award-winning lens-less optical technology of the ARRIMAX with the innovative True Blue design. The result is an extremely powerful lamphead, as small as a 1,200W PAR but with a 70 % higher light output. The M-Series M18 fixture is adjustable from 20° to 60° without requiring spreader lenses.

Features:

• Lens-less MAX Technology: Easy to use


• New 1800 W lamp


• Virtually the same size as a 1200 W lamphead but more than 70 % brighter


• Runs from most domestic sockets world-wide


• Uses existing 575/1200/1800 W cables


• Can also be used with 1200 W lamps and ballasts


• Cross Cooling allows safe operation at any tilt angle


• Protection class IP 23


• TRUE BLUE tilt lock holds even heavy Chimeras


• Easy maintenance

Create » Content Acquisition and Capture » Lighting » Lighting systems »

The Arri L5 / LoCaster LED Kit I features three lights and accessories for a multiple-light shoot. This includes a LoCaster A2 LED panels with a two-leaf barndoor, filter frame, stirrup, 10' extension cable, power supply, and baby pin with 3/8" threaded stud as well as two L5-C Color Controllable 5" LED Fresnels each with a four-leaf barndoor and filter frame. Other accessories include three AS-01 light stands, a ceiling scissor clamp, and a heavy duty case.

Key Features

• LoCaster A2 LED Panel


• Two-Leaf Barndoor & Filter Frame


• Stirrup & 10' Extension Cable


• Power Supply


• Baby Pin with 3/8" Threaded Stud


• Two L5-C 5" LED Fresnels


• Two Four-Leaf Barndoors & Filter Frames


• Three AS-01 Stands


• Ceiling Scissor Clamp


• Heavy Duty Case

LoCaster LED Panel (35W/11-36V)The ARRI CASTER Series offers an LED array with a unique optical design which yields high output combined with outstanding control options at an affordable price.

This Arri LoCaster LED Panel is designed for location use in video, film or TV production scenarios. Dimming function (0-100%) and color temperature control from 2800-6500K can be controlled independently with simple knobs on the body of the LED panel itself.

A 3/8" (9.5 mm) female thread permits mounting the luminaire to grip equipment such as the Arri Caster Stirrup which provides swiveling movement and a 5/8" (16mm) receiver in a yoke-like construction. Safety features include Auto Power Off to protect LEDs from heat due to overvoltage. Accessories include a 2-leaf barndoor, gel frame and a light intensifier that doubles the luminous output of the panel.

The LoCaster Power Supply (sold separately) accepts input voltages from 100-240VAC, 50/60Hz and outputs 24VDC. Extremely small and lightweight, it powers a single LoCaster panel. An optional NiMH Battery Pack is also available, providing 2 hours of DC power for a single LoCaster panel.

• Tunable white light from tungsten to daylight from 2800K-6500K.


• CRI (Color Rendering Index) of 90 renders colors more vivid on film or digital media.


• Absolute color temperature and intensity stability due to Arri True Match LED Technology.


• 0-100% dimming as well as color temperature is controllable on the panel via simple knobs.


• Small size (8.7 x 3.75 x 2.75") and light weight (2.11 lbs) make for easy portability and handling.

Stirrup for LED BroadCaster/LoCaster/BatteryThe Arri Stirrup provides a convenient mount for both BroadCaster and LoCaster LED Panels as well as the LoCaster Battery Pack.

The panels, which mount to the stirrup via their 3/8" (9.5 mm) female thread, gain the advantage of swiveling movement and a 5/8" (16mm) receiver in a yoke-like construction for stand mounting.

T-pins are built into the stirrup which snap into channels in the NiMH Battery Pack for quick mounting. The battery is released by pulling the knob on top of it.

2 Leaf Barndoor for LoCaster/BroadCasterThis is the Arri 2 Leaf Barndoor for the LoCaster/BroadCaster lights.These lights are part of the LED Caster Series offers continuous dimming, choice of color temperature and superior digital rendition.. LoCaster the location model while the BroadCaster is designed for more control is in-studio.

Gel Frame for LoCaster and BroadCasterThe ARRI Gel Frame for LoCaster and BroadCaster allows use of cut-to-size filters with these LED fixtures. The frame is not inserted into the flute in the fixture's housing. It can only be used in combination with either the 2-leaf barndoor or the intensifier. It snaps into place in the space between the LED panel and either of these accessories.

Power Supply for LoCaster (100-240V)The Arri LoCaster Power Supply accepts input voltages from 100-240VAC, 50/60Hz and outputs 24VDC, with a maximum of 2.5A. Extremely small and lightweight, it powers a single LoCaster panel via a 4-pin connection.

• AC power supply accepts 100-240VAC input and powers a single LoCaster head.


• Weighs only 0.6 lbs (0.3 kg) and is only 4.7" (12 cm) long.

PowerDMX Extension Cable XLR 4-Pin for BroadCaster (10')This ARRI PowerDMX Extension Cable XLR 4-Pin for BroadCaster (10') allows remote control of the ARRI BroadCaster 50W dimmable LED light panel, including independent control of intensity, color temperature and +/- green attributes. This cable is 10' (3 m) long.

• Designed for the ARRI BroadCaster LED Light Panel

Baby Pin (5/8") with 3/8" Thread for LoCasterThis Baby Pin (5/8") with 3/8" Thread for LoCaster is a 5/8" (16 mm) male stud adapter with 3/8" thread for using the LoCaster LED light with telescoping hangers.

L5-C 5" LED Fresnel (Silver/Blue, Stand Mount)ARRI continues to expand its L-Series with the introduction of the L5-C 5" LED Fresnel The key characteristic of any Fresnel is flood to spot capability and the L5-C offers an impressive beam angle adjustment of 14-50°.The 100-0% dimmable L5-C is a "fully tunable" white light source, allowing you to match existing fixtures with color temperatures from 2,800K to 10,000K. The on-board controller allows full minus green to plus green adjustment as well as RGB+W color gamut color mixing with hue and saturation control, enabling matching of specific shades and skin tones. All functions can be controlled via DMX, an ideal feature for broadcast studios, while RDM permits monitoring of the light's status.The L5-C produces the equivalent of a 450W tungsten light while drawing only 115W for a savings of up to 75% over traditional fixtures. And low draw and heat means lower HVAC costs in the studio and a quick return on investment. You can run about fifteen L5-Cs from a 20A, 120V outlet as opposed to three or four 500W tungsten fixtures. Power options include the L5-C's 90 - 250 VAC on-board power supply or 22-36 VDC battery options. This version of the L5-C has a silver/blue finish.

       Variable Beam Angle: 14 to 50 DegreeA key element of the versatility of traditional Fresnels is the ability to spot and flood the beam as needed. Whether it's a flood field for a pullback shot or a tight spot for a bright highlight, the continuous focus-ability of the L-Series performs lives up to your expectations. And, unlike traditional Fresnels, which have significant light waste in spot focus, the efficient L-Series optical system maintains the same field lumens in all focus positions.

      True Fresnel Lens Light CharacteristicsWhether shaping the beam to isolate talent and set elements or cutting the field to eliminate spill light, controllability is crucial to lighting. L-Series Fresnels provide the same ability to cut and shape with barndoors and flags that we have come to expect from conventional Fresnels.

      Even Light FieldClear, defined shadows traditionally have been solely a trait of single source tungsten and daylight fixtures. ARRI L-Series Fresnels provide the same single shadow properties lighting designers expect, delivering natural results.

      Vibrant, Full-spectrum LightingWith the L5-C, fully tunable white light can be adjusted for different skin tones, camera sensors and mixed-light environments, while specific color shades can be matched through full gamut color mixing. Unlike other LED fixtures, this level of color control does not involve compromising the quality of the light field. The L-Series is unique in combining uniform light and single shadow rendition with full control of color attributes.

      Focus KnobsTrue Blue-style focus knobs provide the precise adjustment and rapid flood-to-spot that users enjoy from manual, mechanical control. Knobs on both sides of the fixture ensure easy access from all positions, eliminating the need for awkward reaching around the fixture. Full flood-to-spot can be achieved in only three turns.

      Sliding StirrupsThe ARRI sliding stirrup design enables precise adjustment of the fixture's center of gravity, to compensate for front-end accessories. It also gives the option of pulling the fixture back and reducing its hanging height.

       Tilt-LockThe strong tilt-lock provides extremely secure locking, eliminating movement and slippage and ensuring that the fixtures will stay where you put them.

       DMX ControlFor broadcast studios, remote fixture control is of paramount importance, and all functions of the L5-C are controllable through DMX. The L5-C is also RDM compatible, providing bi-directional feedback and reporting of system status, hours on the light engine, calibration data from the internal color sensor and current DMX address with the ability to remotely assign and address all fixtures in a DMX network.

       On-board ControlThe on-board controller has manual intensity adjustment and additional controls for color temperature as well as plus/minus green to adjust hue and saturation at the touch of a button.

        Energy SavingsL-Series fixtures reduce electricity usage by 75% and their LED light engines last 200 times longer than normal bulbs, when compared to conventional tungsten Fresnels. These and other cost-saving attributes will combine to affect a rapid return on your investment.

        Location ApplicationsLighting teams working on location will love the versatility they can achieve in small to medium-size packages. Several ARRI L5 Fresnels can be run off a single 20A, 120V outlet, as opposed to only two or three 500W tungsten Fresnels.       Upgradeable TechnologyThe L5-C is an expandable platform designed to adapt with the latest enhancements in LED chip performance. The firmware is upgradeable through the USB port on the rear of each unit, accommodating future control protocols such as ACN and incorporating other system enhancements that may become available in due course. 4 Leaf Barndoor Set for 650W Fresnel, 200W HMI, 400W Pocket PARThis is an Arri Four Leaf Barndoor Set for the 650W Fresnel, 200W HMI, 400W Pocket PAR & Pocket Lite. Barndoors attach to the front of a light and are used to restrict light from areas of a set. They have either four or eight leaves that can be adjusted. Arri barndoors are heat resistant and rotatable.

Filter Frame for 650W Fresnel, 200W HMI FresnelArri Filter Frames are circular and heat resistant. Filters can be cut and sandwiched into them, and they slide into lamphead accessory holders. Sizes are a little bit larger than the fresnels.

AS-01 Lightweight Light Stand 8.5'The 8.5' ARRI Lightweight Light Stand is designed to hold small light fixtures like the ARRI Fresnel 150. It packs easily for location work.Three riser sections.

Ceiling Scissor Clamp with 5/8" StudThis scissor clamp is for mounting small light fixtures from a drop ceiling frame. It features a standard 5/8" (baby) mounting stud.

Heavy Duty Case for ArrisoftThis is a hard shell, aluminum reinforced case designed to hold the Arrisoft 1000 Head, or any other light head with dimensions of 5.5 x 13 x 12.5 inches or less. A section is provided for storage of cables.

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ARRI L5 / LoCaster LED Kit I

The Arri L5 / LoCaster LED Kit I features three lights and accessories for a multiple-light shoot. This includes two LoCaster 2 Plus LED panels each with a two-leaf barndoor, filter frame, stirrup, 10' extension cable, power supply, and baby pin with 3/8" threaded stud as well as an L5-C Color Controllable 5" LED Fresnel with a four-leaf barndoor and filter frame. Other accessories include three AS-01 light stands, a ceiling scissor clamp, and a heavy duty case.

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L5 LED Kit III (Schuko)

The best kit for your application depends on your production needs and artistic preferences. Ideally the kit should offer flexibility to work in many different situations. You'll want to consider fixture types, total wattage and the size and weight of the kit. The first step is to determine what light source best suits your needs. ARRI LED kits offer versatile and durable solutions for mobile, low energy lighting. The ARRI L5 Kit III contains two of ARRI’s L5 LED Fresnels, which allow color tuneability and excellent beam quality.

• ARRI Lighting kit


• Offer flexibility to work in many different situations


• L5 Kit III with Schuko Connector


• 2 x L5-C


• 2 x Mains cable, 3m, powerCON TRUE1/Schuko, with line switch


• 2 x 4-leaf barndoor (168mm/6.6")


• 2 x Filter Frame (168mm/6.6")


• 2 x Compact ARRI Kit Stand LS.01 (050MKA)


• 1 x Heavy Duty Case L5/Caster Kit


• L5 Kit III with Edison Connector/US Version


• 2 x L5-C


• 2 x Mains cable, 7m, powerCON TRUE1/Edison, with line switch


• 2 x 4-leaf barndoor (168mm/6.6")


• 2 x Filter Frame (168mm/6.6")


• 2 x Compact ARRI Kit Stand AS-01


• 1 x Heavy Duty Case L5/Caster Kit

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ARRI blue/silver SkyPanel S30-C LED Softlight  supported by a manual aluminum yoke, the panel's surface area measures 14 x 11.8", making it an ideal portable, on-the-go light source for mobile applications. Output is controlled via interchangeable thermoplastic diffusers that range from Standard to Lite to Heavy to soften the light and wrap its output around your subject and the SkyPanel S30-C outputs the equivalent of a 1,000W tungsten soft light while drawing a maximum of only 240W.

S30-C, Manual, Blue/Silver, 3m DC Cable, Schuko powerCON.

Key Features:

• Fully Tuneable from 2,800 K - 10,000 K


• Plus/Minusgreen correction


• Vibrant Color Selection (RGB+W Color Gamut)


• Hue and Saturation Control


• High Color Rendering


• Low Power Consumption (200 W Nominal)


• Tremendous Output - Brighter than 1kW Tungsten Soft Light


• Fully Dimmable from 0 - 100%


• Lightweight and Compact


• Beautiful Soft Beam of Light


• Interchangeable Diffusion Panels


• Wide Range of Accessories Available


• Thin Profile


• On-Board Battery Connection (23 - 36V DC)


• Onboard Simple Control Panel


• Onboard DMX In and Out


• RDM Implementation


• USB-A Connection for Firmware Updates


• EtherCon port for network connectivity


• Available in Blue/Silver and Black


• Fan Mode Selection


• External Lightweight PSU


• powerCON TRUE1 Power Connector

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The L5-TT Pole Operated (Blue/Silver) tungsten tuneable allows for fine-tuning of the tungsten color temperature from 2,600 K to 3,600 K with increased brightness over the L7-C, and is particularly suited to applications requiring precise matching to conventional tungsten lampheads. Available in both Hybrid and Active Cooling.

The ARRI L-Series is an LED Fresnel fixture which is so close to its conventional counterpart in function and performance that it creates a previously unattainable opportunity, like-for-like replacement of traditional Fresnels with LED-based units. The L5 serries compact size and low weight allow the L5 to be rigged in tight places and hung from low ceilings. The L5 is also ideal for cramped location shoots and interview setups. Low heat allows safer and more comfortable shooting conditions.

The L5 is approximately 45% brighter than a 300 watt tungsten Fresnel, but only consumes 115 watts. When compared to the L7, the L5 is half the weight and size.

POLE-OPERATED

versions include the following base configuration: Pole Operation for Pan, Tilt and Focus, 16 mm / 28 mm Combo Pin (Baby 5/8 inch / Junior 1-1/8 inch Combo Pin), 1.5 m (5 ft) Cable with Bare Ends, Integrated 5-Pin DMX In and Thru.

Key Features:

· Fully Tuneable from 2,600 K - 3,600 K

· Plus/Minusgreen correction

· More than 25% brighter than L5-C at 3,200 K

· Perfect for color matching to conventional tungsten lamps

· High Color Rendering

· Low Power Consumption (115 W Nominal)

· Fully Dimmable

· Lightweight and Compact

· True Fresnel Lens Light Characteristics

· On-Board Battery Connection (22 - 36V DC)

· Onboard DMX In and Out

· RDM Implementation

· USB Mini Connection for Firmware Updates

· Available in Blue/Silver and Black

· Fan Mode Selection

· powerCON TRUE1 Power Connector

 

Note: Barndoors are not included with L5 and have to be ordered separately.

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ARRI continues to literally broaden their LED line with the introduction of the wide-format SkyPanel S120-C LED Softlight. Supported by an aluminum yoke, the panel surface area measures 50.8 x 11.8" and employs interchangeable thermoplastic diffusers that range from Lite to Heavy to soften the light and wrap its output around your subject. A Standard medium diffuser is included with the light. The SkyPanel outputs the approximate equivalent of a 2000W tungsten soft light while drawing a maximum of only 430W.

 

Using technology originally designed for the L7-C Fresnel, the SkyPanel S120-C is fully color tuneable, allowing output of a warm 2800K to icy blue 10,000K light and also uses the full RGB+W color gamut with hue and saturation control for fine adjustments. Full minusgreen to full plusgreen is also possible, so if you're lighting for blue or greenscreen, you can simply dial your chosen color in. This wide degree of control is responsible for a very high CRI of 95 and a rating of 90 with the newer TLCI standard. All of these functions as well as 0-100% dimming can be adjusted locally with the SkyPanel's onboard controller or remotely via DMX or an LAN. Besides inputs and outputs appropriate to these functions, the light also has a USB-A port for downloading firmware upgrades from a thumb drive, PC or Mac.

The SkyPanel S120-C can be used worldwide, thanks to its included 100-240 VAC power supply, but it can also use optional 23-36 VDC batteries when mains power is unavailable. Besides the power supply, the light comes with a Junior (1-1/8") pin and a standard diffuser. This version of the light has a Center Mount Yoke and comes with an Edison power cord.

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ARRI continues to broaden their LED line and reaffirm their commitment to accurate color rendering with the introduction of the SkyPanel S60-C LED Softlight. Supported by a steel yoke, the panel surface area measures 25.4 x 11.8" and employs interchangeable thermoplastic diffusers that range from Lite to Heavy to soften the light and wrap its output around your subject. The SkyPort outputs the equivalent of a 2,000W tungsten soft light while drawing a maximum of only 450W.

Using technology originally designed for the L7-C Fresnel, the SkyPanel S60-C is fully color "tuneable" allowing output of a warm 2,800K to icy blue 10,000K light and also uses the full RGB+W color gamut with hue and saturation control for fine adjustments. Full Minusgreen to Full Plusgreen is also possible, so if you're lighting for blue or greenscreen, you can simply dial your color chosen in. This wide degree of control is responsible for a very high CRI of 95 and a rating of 90 with the newer TLCI standard. All of these functions as well as 0-100% dimming can be adjusted locally with the SkyPanel's onboard controller or remotely via DMX or a LAN. Besides inputs and outputs appropriate to these functions, the light also has a USB-A port for downloading firmware upgrades from a thumb drive, PC or Mac.

The SkyPanel S60-C can be used worldwide, thanks to its included 90-250 VAC power supply but it can also use optional 23-36 VDC batteries when mains power is unavailable. Besides the power supply, the light comes with a Junior (1-1/8") pin and a standard diffuser. This version of the light has a manual yoke and comes with an Edison power cord.

Fully Tuneable, Precise Color Rendering

Incorporating features of ARRI's successful L-Series LED Fresnels, the SkyPanel is one of the most versatile soft lights on the market, as well as one of the brightest. Like the L-Series, SkyPanel "C" (Color) versions are fully tuneable, meaning that correlated color temperature is adjustable between 2,800K and 10,000K, with accurate color rendition over the entire range. Full plus and minus green correction can be achieved with the simple turn of a knob, and in addition to CCT control, vivid color selection and saturation adjustment is also possible. Applications for this controllability range from quickly adjusting the CCT to set the mood of a scene, to selecting the chroma green output for green screen color keying. Each LED light engine is computer calibrated in order to ensure unit-to-unit and batch-to-batch consistency, as well as accurate color temperatures

True Soft Light Beam Quality

Soft lights are known for their smooth quality of light and even, uniform beam field. SkyPanel's combination of a precise selection of diffusion panels, LED mixing chamber and large surface area allow for the light output to wrap around objects, eliminating sharp shadows and making for an ideal beauty light. The beam field is homogeneous in both color and intensity

Natural Shadow Rendition

Mixing some 2,000 calibrated red, green, blue and white LEDs into one homogeneous beam of soft light, the SkyPanel produces not just impressive light quality, but excellent shadow rendering as well. The soft shadows cut cleanly without exhibiting multiple edges or color fringing

Versatility Built-In

While the SkyPanel was designed to be used primarily as a soft light to illuminate people, various built-in features make it extremely adaptable to other uses. The diffuser panels on the front of the lamp head are interchangeable, so going from the Heavy to the Lite diffusion panel can be done in a matter of seconds. With the onboard battery input, SkyPanel can be run off industry-standard batteries. The S60 can be operated at up to 50% of its total power on battery power The SkyPanel also makes an effective space light outputting a large downward-directed pool of color controllable soft light through an optional silk cylinder

Built to Last

Made in Germany to ARRI standards, the SkyPanel is constructed from resilient materials and assembled by hand. The combination of an aluminum core with fiberglass-reinforced thermoplastics results in a solid fixture that can withstand heavy daily use on busy film sets. The easily-serviced electronics have been designed to last beyond a minimum of 25,000, up to a maximum of 50,000 hours while the LED light engine even allows for recalibration

Highly Controllable

The SkyPanel user interface is designed for ease of use with a wide range of controls available to the user. Three simple knobs adjust the color temperature, green/magenta balance, light intensity and hue and saturation instantly. In addition to the on-board controls, all functions can be remotely adjusted via DMX or LAN network connections

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ARRI continues to enlarge their LED line with the introduction of the massive SkyPanel S360-C LED Softlight. Supported by a weight-reducing carbon fiber yoke, the panel surface area measures 34.4 x 50.4". It employs interchangeable thermoplastic diffusers that range from Lite to Heavy to soften the light and wrap its output around your subject. There's also an Intensifier that boosts the output for long-throw use. A Standard medium diffuser is included with the light. The SkyPanel outputs the approximate equivalent of an 8000W tungsten soft light while drawing a maximum of only 1500W.

Key Features:

• Light Aperture: 50.4 x 34.4"


• 4kW Tungsten Softlight Equivalent


• Full Gamut RGB+W Color Control


• Color Temperature: 2800-10000K


• Hue and Saturation Control


• Beam Angle: 105°


• Built-In LumenRadio CRMX Wireless DMX


• Wired & Wireless DMX with RDM Support


• Advanced Dynamic Effects and Programming


• Universal 90-250 VAC Power Supply Unit

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The Rotolight AEOS is one of the thinnest LED panels ever designed at just one inch thick for maximum portability. The lightweight design weighs in at under 1.5kg (3lb) and, with integrated aluminium handles, AEOS allows you to easily follow a moving subject to ensure they are well lit - perfectly suited for shooting on location.

AEOS offers a limited suite of Rotolight’s industry-first suite of built-in, CineSFX™ for cinematographers; a customisable collection of FX (Fire, Lightning, TV, etc.) designed in conjunction with visual FX veteran, Stefan Lange (Batman, James Bond ‘Skyfall’, Tomb Raider) which eliminates the need for time consuming ‘flicker-box’ workflows on set.

• Flicker-free LED with added High Speed Sync flash (1/8000th) all-in-one
• Adjustable colour temperature (3150-6300K) and brightness
• Lightweight design weighing less than 1.5kg
• Pro ball head allows for 360-degree rotation mounted on a stand
• Powerful, soft light output: 5750 lux at 3ft
• AccuColour™ technology provides excellent colour rendering (CRI 96, TLCI 91).
• Designer Fade™ for custom fade up/ fade down effects
• Includes four-piece filter kit, V lock battery plate (battery not included) professional ball head.

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The LiteTile product line is a blend of LiteMat LED engines in an engineered textile housing. This unique form factor allows a user to install thin, soft, Hybrid light into previously inaccessible areas. The LiteTile uses the new CineMitter LED which has 95+ CRI and an extended CCT range from 2600K to 6000K. Each individual LiteTile (2‘x4‘ or 2‘x8‘) is finished with hook and loop Velcro® and can attach, or “tile,” together to form any number of shapes and sizes. LiteTile can easily rig into existing grip or butterfly frames, or as an alternative, they can be used separately to attach to anything like a drop-ceiling or directly to a set wall. The unique shape of LiteTile allows the fixture to fold like a paper map into the size of a LiteMat 1. This unique folding method makes storage and transportation a breeze. LiteTile+ Plus uses the new LiteDimmer+ Plus all-in-one power supply and dimmer.

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The LiteMat+ Plus series of LED light fixtures is the ideal luminaire for set lighting and rental company inventories. LiteMat+ Plus incorporates everything you love about LiteMat, features the new CineMitter, and adds some distinctly new features. The most notable change is the PL7 locking connection system, which happens to be the same for every size of LiteMat+ Plus and the new LiteDimmer+ Plus series of dimmers with built-in camera battery mounts. Available in 5 sizes, LiteMat remains one of the most affordable, professional cinema lighting fixtures available today.

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The Redback from Hudson Spider is an everyday lighting workhorse that produces incredibly soft, powerful and controlled light with unprecedented ease.

A 37” (94cm) octagon with the natural beauty of a parabolic fixture, the bi-colour LED Redback produces flattering controlled soft light, without the necessity for flags or diffusion.

Made of aluminium, the unit weighs only 8lbs, therefore making it very easy to rig and fixed to handled booms.

Opened to its full potential, the Redback has a diameter of 94cm and folds down to a compact size of 20.5 x 30.5cm. Because of this, it makes it an ideal all round LED light to transport from location to location. Furthermore, in kit format, the fixture comes in a sturdy, wheeled case with the power, cables and diffusions.

In addition, the fixture is powered by the LiteGear LiteDimmer Plus 400AC DMX.

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Since 1992, K5600 Lighting produces compact, lightweight and versatile HMIs for location. On small video crew or multi million Box Office features, the Jokers has been present on every list. They are work horses and offer various accessories to cover most situations. They can be mounted on the back of a Source 4 to deliver 4 times the output of tungsten and produce razor sharp shadows and precise control. They can become a long Softube to achieves shadowless soft light. Punch is achievede with the parabolic reflector. Ideal in any lightbank of any size and shape the Joker² range is timeless.

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LiteGear LiteRibbon is available as Cinema Series, Studio Series, Chroma and VHO Pro.

The new LiteGear Cinema Series of LED LiteRibbon is the single best applied phosphor LED product available in the industry.  With staggering CRI and full-spectrum output, the Cinema Series is 40% brighter than the previous VHO Pro LiteRibbon.  This all-new LiteRibbon proudly joins the LiteGear Cinema family of unified colour-space products including LiteMat S2, LiteMat+ Plus, and LiteTile+ Plus.

 

Chroma Single is the perfect choice when a pop of colour is just what’s needed and is available in four individual colours: Red, Green, Blue, or Amber/Yellow. Not sure what colour to choose? Then Chroma RGB will allow you to paint the town red . . . or pink or teal.  This LiteRibbon is a 3-in-1 emitter with red, green, and blue on a single chip. If that’s not enough colour for you, then Chroma RGBA (Red, Green, Blue, Amber) will expand your pallet. Chroma-Correct is a proprietary LiteRibbon designed specifically for those with an eye on blending colour with high-CRI white light.

 

The new LiteGear Studio Series of LED LiteRibbon, is an affordable, colour-correct, studio-grade material designed for high volume installations across multiple departments.  This globally available LED lighting solution guarantees a matching colour space and rock-solid reliability from the brand you can trust.

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The Astera FP1 Titan Tube Set was custom designed for Broadcasting, Cinema, and Film industries. The Astera Titan Tube is optimized for an ultra-high TLCI (Television Lighting Consistency Index), a very high CRI (Color Rendering Index) and peak brightness, colors as well as Hue, Saturation and Intensity can be set directly on the Astera TitanTube. The Astera Titan Tube also now accepts wired DMX via a special power/data combination cable.

HIGHLIGHTS

• Includes:


• 8x Astera FP1 Titan Tube


• 16x Eyebolts (Astera AX1-EBLT)


• 16x Aluminum Holders (Astera AX1-H)


• 16x Cotter pin


• 16x Spigots


• 8x Stand (Astera AX1-STD)


• 1 x Astera TITAN-CHRCSE Titan Tube Charging Case

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Anova PRO 2 redefines the standard for professional lighting. Providing 70% more power output than its predecessor at an incredible 10,700 lux at 3 feet, the Rotolight Anova PRO 2 also delivers best in class power consumption at a mere 72W; reducing studio operating costs.

Rotolight LEDs offer an industry-first suite of built-in CineSFX™ for cinematographers; a customisable collection of FX (Fire, Lightning, TV, etc.) which eliminates the need for time-consuming ‘flicker-box’ workflows on set. Designed in conjunction with visual FX veteran, Stefan Lange (Batman, James Bond ‘Skyfall’, Tomb Raider), the CineSFX™ suite now includes the Chase functionality which allows users to simulate the effect of motion on static sets.

• Flicker-free LED with added High Speed Sync flash (1/8000th) all-in-one
• Outstanding colour accuracy (CRI 96, TLCI 91)
• Unrivalled battery performance on location and industry leading power consumption of 72W
• Adjustable colour temperature (3150-6300K) and brightness in both continuous and flash modes
• Best in class light output: 10,700 lux at 3ft
• Variety of studio control options: DMX, Rotolight wDMX, Skyport, RJ45 and local
• Full suite of customisable CineSFX™ for cinematographers (Fire, Lightning, Neon etc.)
• Includes four-piece filter kit, PSU, regional mains cable and yoke
• Designer Fade™ for custom fade up/ fade down effects.

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The new Chroma-Q® Studio Force T 12 Phosphor™ is a 3,200K CCT, tungsten white fixture which utilises innovative LED technologies found in the Studio Force™ range to provide an equivalent soft edge output to a fluorescent fixture - up to 8,120 lumens - developed specifically for use in TV, film and broadcast studio environments. Other features include an extremely smooth uniform wash, extra soft beam, theatrical grade dimming, laboratory calibration to match Black Body Locus. Designed for practicality, the unit is equipped with a manual control mode, colour touch screen interface, fanless, studio & full modes for maximum control of the units and a range of optional accessories.

Key Features

• 3,200K CCT tungsten white


• Extreme output – up to 8,120 lumens


• Extra soft beam – very wide output


• Extremely smooth, uniform wash


• Theatrical grade dimming


• Ideal for film and studio applications


• Factory calibrated to match Black Body Locus


• 335mm / 13.2" length ideal for floor, wall or truss mounting


• Camera friendly


• PowerCon input and output for easy daisy-chaining of fixtures


• Broad range of accessories available, including barn door and spigot adaptor


• Fanless, studio & full control modes


• Intuitive colour touch screen interface


• Flat end plates for seamless wall-washing


• Built-in power supply


• Hidden quick release fixings


• Rugged extruded aluminium body


• Also available as a DC battery-powered version

Extreme OutputWith an extreme output of up to 8,120 lumens, the Studio Force T 12 Phosphor™ packs an impressive punch for its size.

Multi-purposeThe Studio Force T 12 Phosphor™ is specifically designed for film and studio soft lighting applications. Optional accessories include a spigot adaptor, egg crate louver, top hat, half top hat and barn door.

ColourThe Studio Force Phosphor™ range includes ColorSure™ technology for enhanced consistency across each light engine and when using multiple fixtures.

Optics & DimmingThe Studio Force Phosphor™ range's camera friendly custom optical design provides a smooth, uniform output, matched by theatrical grade dimming.

Practical & MechanicalOn the outside, the Studio Force T 12 Phosphor™ has been designed to provide maximum versatility and ease of use. The fixture features a colour touch screen interface for easy operation and a full manual control mode.

The built-in power supply, hidden quick release fixings requiring no tools, and PowerCon and 5-pin DMX connections in and out provide fast deployment and simple cable management.

The Studio Force Phosphor™ range also features fanless, studio & full modes for maximum control of the units, flat end plates for seamless wall-washing and a rugged extruded aluminium body.

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The Chroma-Q® Studio Force V 12 Phosphor™ is a 3,200 - 5,600K CCT, variable white fixture which utilises innovative LED technologies found in the Studio Force™ range to provide an equivalent soft edge output to a fluorescent fixture - up to 4,200 lumens - developed specifically for use in TV, film and broadcast studio environments. Other features include fine-tuning of the green & magenta tints and frequency for camera, an extremely smooth uniform wash, extra soft beam, theatrical grade dimming and laboratory calibration to match Black Body Locus. Designed for practicality, the unit is equipped with a manual control mode, colour touch screen interface, fanless, studio and full modes for maximum control of the units and a range of optional accessories.

Key Features

• 3,200 - 5,600K CCT variable white


• Variable frequency


• Extreme output – up to 4,200 lumens


• Extra soft beam – very wide output


• Extremely smooth, uniform wash


• Theatrical grade dimming


• Ideal for film and studio applications


• Factory calibrated to match Black Body Locus


• 335mm / 13.2" length ideal for floor, wall or truss mounting


• Camera friendly


• PowerCon input and output for easy daisy chaining of fixtures


• Broad range of accessories available, including barn door and spigot adaptor


• Fanless, studio & full control modes


• Intuitive colour touch screen interface


• Flat end plates for seamless wall-washing


• Built-in power supply


• Hidden quick release fixings


• Rugged extruded aluminium body


• Also available as a DC battery-powered version

Extreme OutputWith an extreme output of up to 4,200 lumens, the Studio Force V 12 Phosphor™ packs an impressive punch for its size.

Multi-purposeThe Studio Force V 12 Phosphor™ is specifically designed for film and studio soft lighting applications. Optional accessories include a spigot adaptor, egg crate louver, top hat, half top hat and barn door.

ColourThe Studio Force Phosphor™ range includes ColorSure™ technology for enhanced consistency across each light engine and when using multiple fixtures.

Optics & DimmingThe Studio Force Phosphor™ range's camera friendly custom optical design provides a smooth, uniform output, matched by theatrical grade dimming.

Practical & MechanicalOn the outside, the Studio Force V 12 Phosphor™ has been designed to provide maximum versatility and ease of use. The fixture features a colour touch screen interface for easy operation and a full manual control mode. The built-in power supply, hidden quick release fixings requiring no tools, and PowerCon and 5-pin DMX connections in and out provide fast deployment and simple cable management.

The Studio Force Phosphor™ range also features fanless, studio & full modes for maximum control of the units, flat end plates for seamless wall-washing and a rugged extruded aluminium body.

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Chroma-Q® Studio One 100™ LED PAR is designed to deliver the highest quality of white light from an LED-based fixture, for the most demanding applications.

Utilising core LED technology from the Chroma-Q® premium performance lighting range, the multi-purpose fixture is ideal for a wide range of environments and provides a powerful, creative lighting tool.

This fixture is also available as a RGBA version.

Key Features

• Extreme white outputs


• Choice of daylight, variable, and tungsten white CCTs


• Extremely uniform wash


• Fully homogenised beam


• Superior build quality


• Defined 18° beam


• High CRI


• Camera friendly ---Flicker-free operation


• Floor, truss or wall mountable


• Convection cooled for silent running


• Theatrical grade dimming

Smooth, Homogenised OpticsThe Studio One 100™ custom optical design and fully homogenised output provides a smooth, uniform, and defined 18° beam.

Theatrical Grade DimmingTheatrical grade dimming emulates the extremely smooth dimming curve of tungsten fixtures.

Flicker-Free OperationThe Studio One 100™ offers adjustable dimming frequencies to ensure flicker-free operation on cameras.

Multi-Purpose Workhorse FixtureWith the advanced feature set also including convection cooling for silent operation and a versatile mounting yoke, the Studio One 100™ is suitable for numerous TV, film, studio, exhibition & entertainment lighting applications - complementing the popular Chroma-Q® Studio Force™ and Studio Force Phosphor™ LED fixtures ranges.

Convenient Remote-Controlled OperationWith a simple to use Infra-Red remote control included with each fixture, you can be up and running within minutes without the requirement of a lighting console - saving time and labour with instant access to pre-set colour temperatures, on/off, dimming and effects.

Compatible With Industry-Standard AccessoriesTo enable maximum flexibility with users' existing production inventory, the Studio One 100™ accepts industry-standard 6.25" accessories such as egg crates, barndoors, and top hats.

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The next generation of the Chroma-Q® Color One family is here: the Color One 100X™ LED PAR! This must-see luminaire features the same innovative homogenised beam as the Color One 100™, only with nearly 60% more output. The 100X's custom optical design and fully homogenised output delivers a powerful, smooth, uniform and defined 19° beam, with outstanding colour blending across the spectrum and no unsightly colour separation shadows. RGBA emitters deliver outstanding colours across the spectrum - including deep-cold blues, red-hot lava looks and super-soft pastels, as well as a complete range of whites ---all from ONE source.

Utilising core LED technology from the Chroma-Q® premium performance lighting range, the multi-purpose fixture is ideal for a wide range of applications and provides a powerful, creative lighting tool.

Key Features

• Nearly 60% brighter than its predecessor


• Fully homogenised beam


• RGBA colour-mixing palette


• Extremely uniform wash


• Defined 19° beam


• Bold saturates and subtle pastels from ONE source


• High CRI of 93


• Floor, truss or wall mountable


• Quiet, convection cooled, no fans


• Theatrical grade dimming


• Chroma-Q calibration provides exceptional fixture-to-fixture consistency

Smooth, Homogenised OpticsThe Color One's custom optical design and fully homogenised output provides a smooth, uniform and defined 19° beam, with outstanding colour blend across the spectrum and no unsightly colour separation shadows.

This makes the Color One ideal for use as a front and backlight with clean shadows, and an uplighter with a smooth, even beam - all from ONE source.

Power Across The SpectrumThe Color One's huge RGBA colour-mixing palette delivers outstanding colour blend across the spectrum - including deep-cold blues, red-hot lava looks and super-soft pastels - as well as a complete range of whites - all from ONE source.

High CRIWith RGBA colour mixing providing a high CRI of 93, the fixture can achieve extremely accurate colour matching.

Theatrical Grade DimmingTheatrical grade dimming emulates the extremely smooth dimming curve of tungsten fixtures.

Multi-Purpose Workhorse FixtureWith the advanced feature set also including convection cooling for quiet operation, a versatile mounting yoke and a choice of IP20 / IP65* models, the Color One 100™ is suitable for numerous entertainment lighting applications - complementing the popular Chroma-Q® Color Force™ and Inspire™ LED fixtures ranges.

Convenient Remote-Controlled OperationWith a simple to use Infra-Red remote control included with each fixture, you can be up and running within minutes without the requirement of a lighting console - saving time and labour with instant access to preset colours, on/off, dimming and effects.

Compatible With Industry-Standard AccessoriesTo enable maximum flexibility with users' existing production inventory, the Color One accepts industry-standard 6.25" accessories such as egg crates, barndoors, and top hats.

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The Chroma-Q® Studio Force D 12 Phosphor™ is a 5,600K CCT, daylight white fixture which utilises innovative LED technologies found in the Studio Force™ range to provide an equivalent soft edge output to a fluorescent fixture - up to 8,210 lumens - developed specifically for use in TV, film and broadcast studio environments. Other features include an extremely smooth uniform wash, extra soft beam, theatrical grade dimming, laboratory calibration to match Black Body Locus. Designed for practicality, the unit is equipped with a manual control mode, colour touch screen interface, fanless, studio & full modes for maximum control of the units and a range of optional accessories.

Key Features

• 5,600K CCT daylight white


• Extreme output – up to 8,210 lumens


• Extra soft beam – very wide output


• Extremely smooth, uniform wash


• Theatrical grade dimming


• Ideal for film and studio applications


• Factory calibrated to match Black Body Locus


• 335mm / 13.2" length ideal for floor, wall or truss mounting


• Camera friendly


• PowerCon input and output for easy daisy chaining of fixtures


• Broad range of accessories available, including barn door and spigot adaptor


• Fanless, studio & full control modes


• Intuitive colour touch screen interface


• Flat end plates for seamless wall-washing


• Built-in power supply


• Hidden quick release fixings


• Rugged extruded aluminium body


• Also available as a DC battery-powered version

Extreme OutputWith an extreme output of up to 8,210 lumens, the Studio Force D 12 Phosphor™ packs an impressive punch for its size.

Multi-purposeThe Studio Force D 12 Phosphor™ is specifically designed for film and studio soft lighting applications. Optional accessories include a spigot adaptor, egg crate louver, top hat, half top hat and barn door.

ColourThe Studio Force Phosphor™ range includes ColorSure™ technology for enhanced consistency across each light engine and when using multiple fixtures.

Optics & DimmingThe Studio Force Phosphor™ range's camera friendly custom optical design provides a smooth, uniform output, matched by theatrical grade dimming.

Practical & MechanicalOn the outside, the Studio Force D 12 Phosphor™ has been designed to provide maximum versatility and ease of use. The fixture features a colour touch screen interface for easy operation and a full manual control mode.

The built-in power supply, hidden quick release fixings requiring no tools, and PowerCon and 5-pin DMX connections in and out provide fast deployment and simple cable management.

The Studio Force Phosphor™ range also features fanless, studio & full modes for maximum control of the units, flat end plates for seamless wall-washing, and a rugged extruded aluminium body.

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Brute Force has been designed to ensure optimal functionality across a variety of applications*.

Robustly designed and fully dimmable, the Brute Force utilizes multiple Chroma-Q Studio Force II™ 1.2m / 48” length tuneable white battens with an extended CCT range between 2,000K and 10,000K.

Each unit features mappable pixel control with RDM, DMX, and optional wireless operation.

With the Studio Force II Cine-Q mode, it is possible to control Brute Force as a variable CCT and an RGB-W mode at the same time and even crossfade from a white point to a saturated color.

Brute Force is available in 6-lamp (Brute Force 6) and 4-lamp (Brute Force 4) options. Brute Force 6 has on-board multi-point fixings to allow easy rigging and the option to combine units to form larger arrays - such as combining four units to create comparable output to a full Wendy light. Brute Force 4 is supplied with a yoke and standard TV spigot for conventional rigging.

In addition, the Studio Force II 48™ fixtures can be removed from the Brute Force mounting frames and used for other film wash and effects lighting applications.

Key Features

• Realistic LED alternative to the traditional quarter 'Wendy' light


• Significantly reduced energy consumption - draws just 15 amps @ 240V


• No downtime due to lamp failures


• Produces tuneable whites, as well as pastel and saturated colours (2,800K - 6,500K / 2,000K - 10,000K extended CCT)


• Pixel mapping to generate 'effects' - e.g. fire & lightning


• Full creative control from a lighting desk or media server

OPTIONAL WEATHER COVER ACCESSORY

*To provide an additional level of protection when using Brute Force outdoors or in studio-simulated weather conditions, the fixture must be fitted with the Weather Cover optional accessory and used in accordance with the operation instructions provided. Always consult the product manual for full details. Additional precautions should be taken to protect the fixture when operated in severe weather conditions.

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The Chroma-Q® Space Force twobyfour™ is a cost-effective, bright, high-quality variable white LED soft light panel that is a modern replacement for traditional soft sources used in TV studios, live broadcast, film, green screen, backdrop, and photographic applications.

Key Features

• High quality, pure, diffused soft lighting


• Variable white - 2,800K - 6,000K


• Smooth, soft uniform beam


• Up to 55,000 lumens


• 8 individually control zones


• Convection cooling for quiet operation


• Lightweight (21.4kg / 47lbs) with built-in power & dimming


• Standard 24.6” x 48.5” size, 1:2 ratio (fits in a drop ceiling tile)


• Variable PWM flicker-free operation


• Wireless DMX (optional) / RDM


• Chroma-Q’s proven LED performance

The panel's 2x4 ratio and compact dimensions enable it to be mounted side-by-side, overhead or on a wall, to create a huge volume of light in a standard room ceiling height studio or a small space. A dual sliding slots system allows for various beam control options to be mounted on the fixture.

Highly efficient and natively single-source, the twobyfour is CCT variable between 2,800K and 6,000K, with an output of up to 55,000 lumens. The fixture provides high colour rendering indexes, which are requirements for light sources used in the film and TV industry to ensure accurate colour rendering.

The twobyfour allows for individual control of 2, 4 or 8 sections’ intensity and CCT – creating various shades and effects.

Convection cooling provides quiet operation for studios, and its low consumption provides a cooler working environment, reducing air conditioning needs to further boost energy savings.

With manual & remotely controllable LED frequency up to 96,000Hz, the twobyfour ensures flicker-free operation. Extensive DMX / RDM functionality is provided through wired, or the optional LumenRadio CRMX, connections.

The fixture's built-in power & control electronics make it quick and easy to set up. Built to last, the twobyfour requires minimal maintenance and retains colour consistency between units owing to our LED emitter inspection and proprietary ColorSure™ LED calibration system.

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The Chroma-Q® Space Force onebytwo™ is a cost-effective, bright, high-quality variable white LED soft light panel that is a modern replacement for traditional soft sources used in TV studio, live broadcast, vlog, film, video conferencing rooms, conference rooms, and photographic applications.

Key Features

• High quality, pure, diffused soft lighting


• Variable white - 2,800K - 6,000K


• Smooth, soft uniform beam


• Up to 13,800 lumens


• Convection cooling for quiet operation


• Lightweight (8.5kg / 19lbs) with built-in power & dimming


• Standard 12” x 25” size, 1:2 ratio fits small spaces


• Variable PWM flicker-free operation


• Wireless DMX (optional) / RDM


• Chroma-Q’s proven LED performance

Featuring 15 years of LED innovation and our award-winning Space Force™ LED space / soft light’s technologies, the onebytwo is the ideal fit for standard room ceiling height studios and small spaces.

The panel’s 1x2 ratio and compact dimensions enable it to be mounted side-by-side in either ratio, overhead or on a wall, to create a huge volume of light in a small space.

Highly efficient and natively single-source, the onebytwo is CCT variable between 2,800K and 6,000K, and has an output of up to 13,800 lumens. The fixture provides high colour rendering indexes, which are requirements for light sources used in the film and TV industry to ensure accurate colour rendering.

Convection cooling provides quiet operation for studios and a cooler working environment, as well as reducing air conditioning needs to further boost your energy savings.

With manual & remotely controllable LED frequency up to 96,000Hz, the onebytwo ensures flicker-free operation. Extensive RDM functionality is provided through wired, or the optional LumenRadio CRMX, connections.

The lightweight design only 6.5 kg /14.3 lb (Without Yoke); 8.5kg / 19lbs (With Yoke) incorporates all power & control electronics, making it quick and easy to set up. Built to last, the onebytwo requires minimal maintenance and retains colour consistency between units owing to our LED emitter inspection and proprietary ColorSure™ LED calibration system.

Optional accessories include a hanging offset bracket, 4-way bridle, and a full range of beam control accessories.

Create » Content Acquisition and Capture » Lighting » Lighting systems »

The Chroma-Q® Space Force™ LED fixture - the next frontier in space lighting. The Space Force™ is a cutting-edge variable white LED Space Light that is a modern replacement for conventional space lights or soft light sources commonly used in film and TV studios around the world. The Space Force™ benefits from cool running, energy efficiency, lightweight design, and minimum maintenance. CCT tuneable between 2,800K and 6,000K, and natively single source, the diffuse nature of its output negates the need for silks or skirts. Extensive RDM functionality is provided through wired, or the optional LumenRadio CRMX, connections.

Hanging options include a standard bridle, optional yoke, and a low-profile hanging bracket.

Key Features

• Comparable to a traditional 6kW fixture


• Up to 26,700 lumens


• Variable white – 2,800K to 6,000K


• Only 8kg / 17.6lb


• No fans, no noise


• Smooth, soft uniform beam


• Variable PWM flicker-free operation


• Multiple hanging options


• Wireless DMX / RDM


• Superior unit-to-unit consistency


• Chroma-Q's proven LED performance