Produce » Post Production » Editing and Finishing » Non-linear editing »

 Hive content management Plug-in to Adobe After Effects
 Search / query by various metadata
 Preview Hive clips
 Import clip to Premiere Project as direct access to Hive storage (by link).
 Single click to trigger Adobe media encoder rendering premiere sequence and register the rendered clip back to Hive content management via Hive Plug-in
 Save and share Adobe AE project in Hive

Produce » Post Production » Editing and Finishing » Non-linear editing »

 Hive content management plug-in to Adobe Premiere
Search / query by various metadata
Preview clips by Source Viewer
Import clip to Premiere Project as direct access to Hive storage (by link). All clip markers with metadata are inherited and displaying on premiere timeline
 Efficient editing workflow with Hive Content management Plug-in
Single click to trigger Adobe media encoder rendering premiere sequence and register the rendered clip back to Hive content management via Hive Plug-in
Register consolidated files to Hive Rundown and to Hive central storage
Save and share Premiere project in Hive for collaborative editing

Manage » Manage & Orchestrate » Content & Workflow Management » Archive and preservation management »

 Support multiple archive mediums, e.g. HDD storage and Sony ODA Library
 Flexible archiving policy to achieve variety of archiving workflow
 User can set customized archive policy based on metadata to trigger automatically archiving workflow in Hive system, e.g. archiving by clip created date, archiving by certain folders, archiving only high-res and so on
 Support manual retrieving by Web Content Management or Hive Material List
 Support auto-retrieving while rendering

Produce » Post Production » Editing and Finishing » Non-linear editing »

 Mixed editing with variety of formats
 Most of the industry’s broadcast native media support, from 4k to virtual reality to smartphone including XAVC 10bit
 Share programs with 3rd party NLE system via AAF, FCP xml
 Seamless working with MBH Material List
 Customized keyboard shortcut
 Edit efficient with great workflow
 Edit while SDI ingesting
 Edit while file importing
 Single click to register timeline to a Story
 Automatic retrieving clips while starting to render
 Variety of default effect templates
 Open to integrate with 3rd party graphics, e.g. VizRT, Ross (requires custom integration)
 Flexible to switch local rendering or background rendering

Produce » Post Production » Editing and Finishing » Non-linear editing »

 Connect In-House system via VPN
 Search and preview both In-House and Local clips
 Mixed Editing both In-House and Local clips
 Manually select to synchronize field editing sequence back to In-House
 Automatically uploading the corresponding local clips used in the
sequence back to In-House system. (Only upload the partial pieces used
in the sequence)
 Download In&Out piece of clip from In-House system to local field editor
 Transfer clips back to In-House
Support local rendering and send the rendered clip back to In-House system by FTP transferring

Connect » File Transfer » File & Object Delivery » File transfer and delivery »

 Open API for 3rd party system to integrate
 Direct importing and exporting files with 3rd party system by hot folder
 User can choose non-transcoding or transcoding for the importing / exporting policy

Produce » Post Production » Ingest » Post-production ingest »

 Support multiple professional devices, e.g. SxS / XDCAM / P2 / XDS
 All import tasks can be monitored and controlled by Task List window
 Multiple importing modes
 Import all clips on one medium to be one clip in Hive
 Import all clips on one medium to be separated clip in Hive
 Partial importing
 Multi-selection importing
 Support to preview clip(s) before importing on Import Terminal
 Synchronize NRCS planning information and use for importing metadata
 Open to integrate with 3rd party NRCS, e.g. iNews, ENPS and Open Media
(requires custom integration)
 Write NRCS planning information to XDCAM dics to be XMPilot and then all
imported clips are inherited with the XMPilot metadata

Produce » Post Production » Ingest » Post-production ingest »

 Provide virtual panel to control A/V Router on ingest terminal  VTR batch digitizing  SD / HD mixed recording  Growing file workflows end-to-end. Any feed ingest to content can be used by production editing and rundown broadcasting as quickly as possible  Generate High / Low-res simultaneously while recording  Multiple ingest modes, e.g. Crash recording, Scheduled recording, Periodic recording and Loop recording  Support to import excel file to create batch of scheduled ingest tasks  Live streaming signal monitoring  Preview recording clip by Clip Trimmer  Synchronize NRCS planning information and use for ingest task metadata  Open to integrate with 3rd party NRCS, e.g. iNews, ENPS and Open Media (requires custom integration)  User-friendly operations of Ingest Terminal

Publish » Linear Playout » Linear Playout Systems » Playout automation »

 Fast to AIR
 Playout while transferring
 Playout while ingesting
 Playout mode for Rundown
 Auto/Manual channel assignment
 Loop playback the whole Rundown
 Flexible story playback mode
 Replay story while On-Air
 Go to play any story while the rundown is On-Air
 Openness for 3rd Party NRCS
 Capability of integrating with any NRCS, e.g. ENPS, iNews, OpenMedia and
other 3rd Party NRCS ( by MOS protocol)

Publish » Internet Distribution » Internet Distribution » Internet distribution platforms (incl. social media) »

 Publish to Social Media  One clicking to transcode and publish to multiple platforms, e.g. Twitter, Facebook, Youtube and 3rd party CMS or Website (requires custom integration)  Multiple aspect ratios (1:1,9:16,16:9) and formats publishing

Support » Monitoring, Control & Communications » System Monitoring & Control » Network management, monitoring and orchestration »

Monitoring the system from metrics to insight
 Dimensional data
 Cluster (Hive core) status
 Cluster performance
 Tasks status
 Services status
 Database transactions
 File statistics
 Storage usage
 Windows server status
 Great visualization
 Simple Operation
 Precise Alerting
 Mail notification
 Infinite Expansibility
 Easy log collection

Produce » Real-Time Production » Video Production » Newsroom production management and automation systems »

Hive’s omni-media content platform takes care of the storage, management and sharing of content. Using the most appropriate tools this unified content environment is key to generating efficient, productive and streamlined workflows.

With the latest HTML5 editing tools and the ability to integrate other best of breed toolsets onto the platform, Hive delivers an unparalleled user experience to rapidly process any content for any medium and deliver it whenever, where ever and how ever it is needed.

HIVE has been built on a cloud native distributed services architecture, therefore it is quick to deploy, easy to maintain and cost-effective to provision as workloads change. HIVE can be deployed on premise, in private or public cloud, or as a hybrid mix of all three, enabling ultimate commercial flexibility in the business.

Uniquely for a broadcast production system HIVE has been architected, from the ground up, on data centre class technologies that are not yet capitalised on in the media broadcast industry.

HIVE utilises the advantages of data centre focused and open source technologies (object storage, containers, NoSQL) as opposed to traditional industry configurations of dedicated systems running resources in silos. Thanks to this HIVE leverages internet methodologies to deliver a dynamically scalable, highly scalable and highly available system which can be deployed either on premise or in off-site data centres. See figure 1 to show the architectural differences and key benefits.

Hyper Convergent Node technology enables HIVE to grow (or shrink) with the business performance required. Complex broadcast systems can, for the first time, be designed for a customer’s current level of performance, secure in the knowledge that additional storage and processing can be added at any time in the future whilst the system is live. No down time. No significant project expenditure. No investment in under-utilised assets.

Future expansion of the system into new production areas with different applications is also supported through the use of a common Platform/Toolset architecture with a highly scalable core and industry standard APIs.

With these core technologies embedded in the Network Production platform it is not difficult to see the opportunities:
• Acceleration of the Capex to Opex trends
• Outsource of commodity IT practises – data centres or on premise service
• Centralsiation of multi tenanted platforms
o Either as a SAAS model
o Or a National Broadcaster providing a platform as a service to local
broadcasters
As an omni-media network production system, HIVE, supports the fast and efficient creation of content for Internet, VoD and Broadcast applications. Key integrations with a number of market leading Newsroom Computer Systems and Graphics Platforms ensure that the journalists and operators work within the tools they are used to.

Key customer benefits include:
• Streamlined camera-to-archive production workflow
• Fully Integrated solution to support efficient planning to publish operation
• Internet/mobile first workflows that flex with digital trends
• Common content management platform with the ability to optimize the
repurposing of assets through a single system
• A recognized toolset designed for journalists/users
• Proven and future proofed ROI with tested, delivered and improved workflows
following ten years of experience
• Dynamic “pay-as-you-go” system for scaling and functionality
• Ability to flex with the business requirements - scales down as well as up
• Adaptable and Open solution that can be expanded into new production areas

Manage » Manage & Orchestrate » Content & Workflow Management » Media asset management (MAM) »

 Browser-based tool to make user access to preview contents anywhere and anytime
 Manage all materials in Hive
(Video/Audio/Image/Document/Project/etc)
 Metadata modification
 Basic operation on material(s), e.g. Cut, Copy, Paste and Delete
 Upload local files to Hive
 Powerful searching / querying function
 Boolean search
 Condition search
 Support customized metadata for different types of materials
 Clip preview and simple editing by Clip Trimmer
 Preview clips
 Trim clips
 Create and modify markers
 Easy to distribute clips to multiple platforms
 To broadcast rundown
 To 3rd party archive system
 To hot folder for sharing with 3rd party system
 To social media (Facebook, Twitter and Youtube)
 Flexible Content Access rights management
 Friendly user experience

Produce » Post Production » Editing and Finishing » Non-linear editing »

 Browser-based workflow to allow users editing anywhere and anytime
 Direct distribute videos to broadcast Rundown , and social media
 Unlimited video and audio tracks editing
 Editing while ingesting
 Voice Over recording and graphics templates e.g. Adobe After Effects integration
 Repurpose video in multiple formats including 1:1 and 9:16 video with text on video
 Timeline exchange with Hive editor, Adobe Premiere with markers and metadata

Support » Monitoring, Control & Communications » System Monitoring & Control » Broadcast system control SW and HW »

The DataMiner® NMS/OSS platform manages absolutely every aspect of your entire operational ecosystem, both on-premises and off-premises. That includes standard & legacy technology, commodity & industry-specific hardware and software, and much more. Our award-winning solution guarantees a true end-to-end integration in every single case, across any vendor and technology boundary, from service origin to destination.

DataMiner is the most advanced end-to-end multi-vendor NMS, OSS and orchestration software solutions for the broadcast, satellite, cable, telco and mobile industry. The platform offers a plethora of functions including unlimited web access, alarm monitoring, email and SMS notification, long-term trending, professional reporting, advanced automation, intelligent correlation and root cause analysis, service management, real-time SLA monitoring, user-definable key performance indicator dashboards, spectrum monitoring, mobile access, powerful CPE management, inventory and asset management, and much more. One interface to manage your entire operational ecosystem, across any vendor and technology boundaries, results in a significant reduction of operational expenses and increased quality of service. This award-winning solution is integrated with more than 5500 devices and systems from more than 600 different key industry suppliers. It enables end-to-end integration of the most complex technical ecosystems and has been deployed by leading operators around the world.

More info: www.skyline.be / www.dataminer.co

Support » Monitoring, Control & Communications » System Monitoring & Control » Network management, monitoring and orchestration »

Enable Agile and Orchestrated Services

Enhance business and operational agility across traditional and virtualized networks, modernizing your OSS with an open, multi-domain, service fulfillment, and cross-layer orchestration solution.

Support » Monitoring, Control & Communications » System Monitoring & Control » Broadcast system control SW and HW »

Capacity Management Center (CMC), manned by a team of highly trained engineers, provides dedicated 24/7 support to all the customers on Es’hailSat satellites. CMC has incorporated the latest and most advanced automated monitoring and control systems to carry out monitoring of services on the satellites in RF, baseband and transport stream levels. Additional layer of visual monitoring enables quick action to identify and resolve any potential issue on the fly and maintain the agreed SLA for the satellite services.

Support » Secure » Access »

The broadcast landscape is transforming. The influx of content, the growing audiences, and the rising consumer demands are driving the need for flexible and efficient delivery networks.

NOVELSAT FUSION, a new take on processing and delivering today’s media, innovates to provide the best experience to any device, anywhere, anytime.

NOVELSAT FUSION is a powerful end-to-end live linear platform for broadcast and broadband content connectivity and delivery. Expanding flexibility and scalability, FUSION delivers optimal video processing, delivery, and security solutions by technology innovation across the media network. Facilitating holistic delivery across broadcast and broadband platforms, FUSION addresses a wide range of use cases and deployment scenarios.

Support » Monitoring, Control & Communications » System Monitoring & Control » Network management, monitoring and orchestration »

V-Stack is the next-generation cloud management software developed by Aperi for managing the A1105 platform. V-Stack offers powerful tools to manage your chassis, SDMP microservers, and all of your apps.

As a single point of view for chassis management, V-Stack manages all of the microservers, Aperi Apps logistics, and provides dynamic information about the operation of a chassis. With V-Stack, Aperi SDMP microservers are automatically configured for use and kept track of within the software. Aperi Apps can be easily imported via V-Stack from the Aperi App Store, and then launched directly to installed microservers with just a few clicks.

V-Stack also offers an intuitive web-based user interface that adheres to standard design principles, along with a documented REST API for developers to automate their chassis management.

Support » Monitoring, Control & Communications » System Monitoring & Control » Network management, monitoring and orchestration »

Monitoring the system from metrics to insight
 Dimensional data
 Cluster (Hive core) status
 Cluster performance
 Tasks status
 Services status
 Database transactions
 File statistics
 Storage usage
 Windows server status
 Great visualization
 Simple Operation
 Precise Alerting
 Mail notification
 Infinite Expansibility
 Easy log collection

Support » Monitoring, Control & Communications » System Monitoring & Control » Broadcast system control SW and HW »



 

Comprehensive Systems Integration Support:

Early Stage Consulting

Vendor RFI and RFP Support

Budgeting and Detailed Project Planning

Vendor Selection and Solution Design

System Integration and Test Planning

End-to-End Platform Testing

Operations Transition and Training

Support » Monitoring, Control & Communications » System Monitoring & Control » Network management, monitoring and orchestration »

Elecard Boro is a multifunctional solution to monitor UDP, RTP, HTTP and HLS streams and measure a spectrum of QoS and QoE parameters with signaling on issues. A flexible software architecture concept allows integration with an already existing fault management system or creating your optimal monitoring solution tailored to your needs.

Support » Secure » Access »

The Blackmagic Design HyperDeck Studio HD Pro is an updated 1 RU file-based deck that features the same functionality and control of professional tape decks in a digital design. This model updates the previous HyperDeck Studio models with several features including 6G-SDI support, two added SD card slots, USB Type-C recording output, timecode input and output, Ref input and output, a redesigned jog/shuttle wheel, Gigabit Ethernet, and a speaker on the front.

The Studio HD Pro records uncompressed video with 10-bit 4:2:2 color using either ProRes or DNxHD codecs, as well as the H.264 compression format. With two SSD slots and two SD card slots, you can record almost endlessly as one SSD becomes full, recording automatically continues on to the other, and the SD card slots are also hot-swappable. The Studio HD features one 6G-SDI input, two 6G-SDI outputs, a loop-through SDI output, a dedicated SDI monitor output, and there's also one HDMI input and one HDMI output that can all output up to DCI 4K. The ports autodetect the signal and will adjust to the SD, HD, or 6G-SDI format input. The 3-pin XLR timecode input and output allow you to sync timecode with other devices, and it also allows you to daisy-chain with other devices to create a timecode sync chain.

The Studio HD Pro is a 1 RU rack-mountable unit, with built-in rack mount ears. It features illuminated front panel button control and a heavy jog/shuttle wheel for analog scrubbing. RS-422 control is supported for external control using the Ref input and output ports. The USB Type-C port allows you to record to external disks, and you can also use it to plug into a computer to use as a source for a web stream. An integrated LCD on the front panel allows you to monitor the video and display timecode and transport information.

Professional Broadcast Deck

The new HyperDeck Studio recorders have been totally redesigned with dozens of new features. The advanced models have new broadcast-style front panel controls and more connections on the rear panel. The LCD screen supports both light and dark modes, plus the transport control buttons are stronger with a firm professional feel. The Pro models feature a machined metal search dial with increased mass and a soft rubber surface that feels nice to the touch. Plus the search dial features an active clutch, just like a traditional broadcast dec. With dual media slots, you can change cards without interrupting recording. The advanced models even include a front headphone connection and speaker.

Mastering Recorder

All models record to H.264, ProRes, and DNx files, so are perfect for recording broadcast masters. You can even use PCM or AAC audio. You get everything you need to send shows to broadcasters and for uploading to YouTube.

ISO Recording

All models feature timecode and reference generators, with outputs to loop to other HyperDecks. This means you can build a rack of HyperDeck Studios for ISO camera recording, allowing multi-cam editing after live events. You can even sync cameras to the SDI output and the SDI input has frame sync.

Digital Signage

HyperDeck Studio is perfect for digital signage as all models have HDMI output for connecting to large screen TVs and projectors. The built-in sync generator lets you combine multiple HyperDecks for large multiscreen video walls. There's even FTP for file upload and a protocol for remote control.

Broadcast Archive

HyperDeck Studio supports all SD and HD standards so it's ideal for archiving old television shows from broadcast decks such as Digital Betacam, Betacam SP, 1", U-matic, and VHS. You can even record directly to H.264 to maximize storage. For analog decks, just add a Mini Converter Analog to SDI.

Bright Color LCD Status Display

HyperDeck Studio features traditional deck-style transport controls, including a search dial for jog, shuttle, and scroll. The compact LCD shows timecode and transport information, plus a full-color thumbnail preview of the current clip in record or playback. It also displays information about each card's recording status, along with video format, frame rate information, and audio levels, all on the same display. The LCD includes monitoring for video, plus audio level meters, selectable between technically accurate VU or PPM ballistics. The combination of familiar VTR style controls with the built-in LCD screen makes HyperDeck Studio incredibly fast to use and very easy to learn.

Traditional Broadcast Deck Controls

HyperDeck Studio includes a traditional broadcast-style control panel that's very fast to use. Simply press the record button and you instantly start recording the video input to a file. You can also change the record file format from the menu. There are transport control buttons for playback, rewind, fast forward, previous clip, next clip, and more. The Pro models have a machined metal search dial that supports shuttle, jog, and scroll so you can find clips fast. Any button pressed on the front panel is sent to the rear RS-422 remote output for looping control to multiple HyperDecks. The Plus and Pro models also include a front panel speaker and headphone socket for live audio monitoring.

Supports SD Cards, UHS-II Cards, or SSDs

All HyperDeck Studio models support recording to common SD cards and UHS-II cards so you don't need expensive custom media. However, the Pro models also add two SSD slots so you can use two different types of media. SD cards and SSDs are the perfect choices for broadcast media because they are small and very affordable. When using H.264, the files are so incredibly small you get very long recordings even on smaller low-cost cards. Plus, you can even record to external USB disks. With H.265, you can record up to 58 hours in 2160p60 Ultra HD or up to 157 hours of H.264 recording in 1080p59.94 on a 1TB card. That's over 6 days of recording in HD using a single 1TB card.

Dual Media Slots for Nonstop Recording

All HyperDeck Studio models feature dual media slots for nonstop recording. When the recording card becomes full, recording automatically continues onto the next card. That's perfect when recording long live events because you can "hot swap" a full card for an empty card while recording continues in the other slot. Each slot has a status indicator to show which card is being used, either red for record or green for playback. Plus all models now feature very long file recordings to a single file for easy file distribution. HyperDeck Studio is easily repairable with each card slot using an individual PCB assembly that can be replaced if it ever becomes worn out from heavy use.

Record to External USB Type-C Media Disks

If recording to other types of media is required, the USB Type-C expansion port lets you plug in an external flash disk for recording. USB Type-C flash disks have unlimited capacity because they can be physically larger than an SD card or SSD. Plus, it's even possible to record to a disk array you'll use for editing, so you don't need to waste time copying files before starting post-production. Just move the disk over to a computer and instantly start editing. You can even add a Blackmagic MultiDock 10G that has 4 separate SSD media slots, so you can add compatibility with SSD media to the HyperDeck Studio Mini and Plus models. There are also menus for managing external disks on the built-in LCD.

Popular ProRes, DNx, and H.264 Files

HyperDeck supports the most popular codecs in use today. All models include DNx and ProRes file formats. However, all models also include H.264 in quality levels up to full 10 bit 4:2:2 when recording in NTSC, PAL, 720p, 1080p and true 1080i interlaced formats. That means you get tight 60:1 to 285:1 compression ratios for very small files at full broadcast quality. Plus you can choose uncompressed PCM audio, or even AAC audio when uploading files to YouTube. All models support both ExFAT and HFS+ disk formats and long-duration single file recordings. The Plus and Pro models even support ProRes 4444 allowing fill and key playback.

Advanced Broadcast Connections

Depending on the model HyperDeck Studio features a wide range of video and audio connections such as 3G-SDI, 6G-SDI, or 12G-SDI. All models include HDMI for connecting to televisions and projectors. There's even a dedicated SDI monitoring output on the Pro and Plus models with on-screen status. The Pro and Plus models include two SDI outputs so you can play ProRes 4444 files, allowing simultaneous fill and key output for keying in live production switchers. The internal timecode and reference generator connections can be looped to sync multiple units for ISO recording. All models even include AC and locking DC power. Choose 3G-SDI, 6G-SDI, or 12G-SDI Models

With multi-rate SDI, you get support for the most popular video standards. The SDI and HDMI connections will automatically switch video standards, so handle SD, HD, and Ultra HD formats depending on the model. SD formats include NTSC and PAL. 720p HD standards include 720p50 and 720p59.94p. 1080i HD interlaced formats include 1080i50 and 1080i59.94. 1080p HD formats include 1080p23.98, 24, 25, 29.97, 30, 50, 59.94 and 60p. HyperDeck can even support 1080PsF formats. HyperDeck Studio also supports level A and level B when running HD video at 3G-SDI rates.

Fill and Key Outputs for Broadcast Animations

The HyperDeck Studio Plus and Pro models can play ProRes 4444 HD files to the two separate SDI fill and key outputs. That means you can use HyperDeck Studio as a graphics clip player for broadcast animation because the ProRes 4444 file's alpha channel will be automatically converted to the key SDI output for real-time keying in a live production switcher. Imagine running animated lower-third titles and stingers with key channel outputs for incredibly clean multilayered titles. Plus, switchers such as Blackmagic Design ATEM models connect to HyperDeck Studio via Ethernet to trigger playback synced to transitions.

USB Webcam Output for Video Software For compatibility with a wide range of computer software, HyperDeck Studio features webcam support using the USB connection. If you're not recording to an external USB disk, you can plug the HyperDeck USB connection directly into a computer to get live video into any video software. The computer is tricked into thinking the HyperDeck is a common webcam, but it's really a broadcast-quality video source. That guarantees full compatibility with any video software and in full resolution 1080 HD quality. HyperDeck Studio's USB webcam feature works with any video software including Zoom, Microsoft Teams, and Skype, or get live streaming with Open Broadcaster, XSplit Broadcaster, and more. Advanced HDR Support and Monitoring 3D LUTs

You'll be ready for the latest feature film workflows with support for advanced HDR standards. All HDR status information is embedded into the SDI connections so downstream equipment can detect when HDR files are played. When recording, the SDI and HDMI inputs will also automatically detect HDR video standards and then tag the files with the correct HDR information. Static metadata PQ and HLG formats are handled according to the ST2084 standard. Plus the front panel LCD has a wider color gamut for both Rec. 2020 and Rec. 709 color spaces. HyperDeck Studio Plus and Pro models even allow you to load a 3D LUT into the monitoring output to add looks or to convert film to video gamma.

Includes Professional Multi-Channel SDI Audio

HyperDeck Studio includes professional multi-channel SDI audio for recording up to 16 channels. When recording from the SDI input, you can select in the menu to record 2, 4, 8, or 16 channels of audio in real time. There's extra space on the SDI monitoring status overlay, which allows the audio meter display to show the number of channels you have enabled all at the same time, and the audio meters will show 2, 4, 8, or 16 channels simultaneously. The audio meters are designed to use the correct ballistics, and you can change between different VU and PPM meter displays in the LCD menu. HyperDeck Studio is more than just a video recorder, as it also has quality sound.

Incredibly Fast Network File Transfers

All HyperDeck models allow media files to be uploaded remotely, using simple FTP client software. For remote deck control, all models use an easy to learn text-based protocol, so you can use a simple terminal app like Telnet to test control commands. Simply log into the HyperDeck and then type "play" or "record" and it will execute the command. If you combine the control protocol and file transfers with a HyperDeck connected to a large USB Type-C disk array, you get a fantastic broadcast server for ingest, media management, and play out.

Traditional RS-422 Broadcast Deck Control

The most popular control connection used on broadcast decks since the early 1980s is the RS-422 protocol. Originally developed by Sony, RS-422 is used on almost all broadcast gear. HyperDeck Studio features wide protocol support so you can connect it directly to broadcast systems. It also supports extra commands for the Advanced Media Protocol for managing disk recorders. When designing RS-422 control solutions, you'll know you're connected to a HyperDeck Studio when you see the ID 0xF0E0 in 30/60p, 0xF1E0 in 25/50p, or 0xF2E0 in 24p. The full set of support remote commands are included in the instruction manual and you can download this from the support page of our website.

Built-In Timecode and Sync Generators

With a timecode and sync generator built into all models, you can stack multiple units for digital signage or multi-channel recording. Each HyperDeck has dedicated outputs for reference and timecode, direct from the internal sync and timecode generators. The generators "free run" unless reference or timecode is connected to the inputs, and then generators will automatically lock. This means you can loop from HyperDeck to HyperDeck to create perfectly timed array or recorders.

Blackmagic OS

The innovative Blackmagic OS has been designed for high-performance film and broadcast products and it manages all functions on HyperDeck Studio. Only Blackmagic OS provides instant power on while including powerful features such as LCD with video, timecode, and audio metering, monitoring with overlays, menus, fast networking, multi-disk media management, 3D LUTs plus localization. The onscreen LCD menus include settings to customize your HyperDeck Studio, plus the menus now support both light and dark mode.

Localized for 13 Popular Languages

HyperDeck Studio supports multiple languages so you don't need to learn a new language just to use it. You get support for English, Chinese, Japanese, Korean, Spanish, German, French, Russian, Italian, Portuguese, Turkish, Polish, and Ukrainian languages. When initially powered on for the first time, HyperDeck Studio will display a menu for selecting a language, plus you can always use the LCD menu to change the language at any time in the future. Once a language is selected, the LCD menus will change, plus the overlays on the SDI monitoring output will also change to the selected language. All this means HyperDeck Studio is perfect for doing work anywhere in the world.

Use All Video Software and Streaming Sites

HyperDeck Studio records files that are compatible with virtually all post-production software. Plus, if you record in H.264, you can upload files from HyperDeck Studio direct to streaming services such as YouTube, Facebook, Vimeo, Twitter, and more. You can use popular editing software such as DaVinci Resolve, Apple Final Cut Pro, Adobe Premiere Pro, or Avid Media Composer because HyperDeck uses the same file formats used in post-production. Even VFX software such as Fusion and Adobe After Effects work with the files. Because HyperDeck records to disks formatted on computers, you can simply mount the disk on any computer and start editing without needing to transcode or convert the files.

Built-In Redundancy Keeps You on Air

Serious broadcasters need redundancy because it increases reliability. HyperDeck Studio includes redundant features to help ensure you stay on air. With dual media slots on all models, and the Pro models having 4 media slots, you can stay on air, even if one of the slots becomes damaged. Plus with the HyperDeck Studio HD Mini model you get 3 totally independent recorders in a single rack unit, while the HyperDeck Studio HD Plus model allows 2 independent recorders in a single rack unit. All HyperDeck models include both AC and a locking DC power connection, so you use the DC connection with an external battery pack for redundant power.

Designed for Both Portable or Rackmount Use

When you need a portable broadcast solution, the HyperDeck Studio HD Mini model includes most features miniaturized into an elegant 5" wide compact design that's only one-third of a rack unit wide. That means you can fit three recorders in a single rack unit. Just use the optional Teranex Mini Rack Shelf and you can mount the three units side by side, then bolt it into a standard equipment rack. Or you can combine HyperDeck Studio Mini with other modules, such as a Teranex Mini Analog to 12G-SDI to convert the input from analog to SDI, all in the same rack which is perfect for archive work. HyperDeck Studio HD Mini looks great when it's not rack-mounted and simply used by itself on a desktop.

Compatible with Switchers, Disk Docks, and Cameras

There's a wide range of Blackmagic Design products you can use with HyperDeck including switchers, cameras, and streaming solutions. As the Mini and Plus models don't include SSD slots, you can add a Blackmagic MultiDock 10G to use regular SSDs, allowing compatibility with media from other HyperDeck models. HyperDeck Studio will manage all the disks for you and automatically record to disks in the MultiDock. You can even use the MultiDock with the HyperDeck Studio Pro models just to add extra SSDs for longer recording times. HyperDeck Studio is also a perfect mastering recorder when used with ATEM switchers, a clip player with fill and key, or looped on switcher inputs for ISO recording. Buy Blackmagic Design HyperDeck Studio HD Pro from UBMS Dubai.