“The MCU-400 is designed to control and configure up to four BC-100 cameras directly connected via Cat.5e or Cat.6 Ethernet cable. It can control shutter, iris, white balance, user memory functions and gain adjustments of the BC-100.
Designed to be able to mount in a 19” rack, the MCU-400 is great for outdoor productions. Easy operation, cost effective and major camera functions to be this wonderful solution.”
Other products from this company:
BC-100 Interchangeable Lens Camera
BC-50 IP Block Camera
HDR-1 Standalone H.264 USB Recorder /...
HDR-60 HD/SD Digital Video Recorder-Desktop
HDR-70 HD/SD Digital Video Recorder-1U Rackmountable
HRS-30 Fieldside Hand Carry Recorder
HS-1300 6-Channel HD Mobile Cast Streaming...
HS-1600T 4-Channel HDBaseT Mobile Cast Streaming...
HS-2200 HD/SD 6-Channel Portable Video Studio
HS-2850 HD/SD 8/12-Channel Portable Video Studio
ITC-300 Digital Intercom System
KMU-200 4K Multi-Channel Touch Screen Region...
MCU-400 Multi-camera Control Unit
MS-2850 HD/SD 8/12-Channel Mobile Video Studio
MS-3200 HD 12-Channel Mobile Video Studio
NVS-33 H.264 Video Streaming Server
NVS-40 4 Channel Streaming Encoder/ Recorder
OBV-2850 HD/SD 8/12-Channel OB Van Studio
OBV-3200 HD 12-Channel OB Van Studio
PTC-140T HDBaseT PTZ Camera
PTC-150 HD/SD-SDI PTZ Camera
PTC-150T HD/SD-SDI HDBaseT PTZ Camera
PTR-10 Robotic Pan Tilt Head
SE-1200MU HD 6-Channel Digital Video Switcher
SE-2200 HD/SD 6-Channel Digital Video Switcher
SE-2850 HD/SD 8/12-Channel Digital Video Switcher
SE-3200 HD 12-Channel Digital Video Switcher
SE-500HD HD/SD 4-Channel Digital Video Switcher
SE-500MU HD 4-Channel video switcher
SE-650 HD 4-Channel Digital Video Switcher
HS-3200 12-Channel HD Mobile Cast Streaming...
BC-100 Interchangeable Lens Camera
BC-100 has been developed with stunning image quality in mind. With a 4/3 CMOS large-size sensor and real-time HDR function, the noise in darker areas can be reduced to a very low level and a rich high-quality picture can be produced in a backlight environment. BC-100 uses 1080P 12-bit image processing for optimum image quality. The interchangeable lens mount is compatible with standard MFT lenses, ensuring the user of a large array of available accessories. "
BC-200 4K Block Camera
It's perfect for use in video and web studios, venues, conference rooms and theatres providing 12x optical zoom and two HDMI video output interfaces.
The BC-200 supports SONY VISCA protocol enabling the camera to be controlled via RS-422 or DVIP interface and the built-in tally light indicates when it is active."
BC-50 IP Block Camera
The video output is 3G/HD-SDI, it also supports VISCA/Pelco-D/Pelco-P protocols for control via RS-485. The BC-50 can deliver the compressed video signal H.264/H.265/MJPEG, and also RTMP streaming to facebook and youtube.
The BC-50 Block Camera is a small HD camera with sturdy and durable metal case can be used in different types of environments."
BC-80 HD Block Camera
It can be used for HD high quality shooting within a limited space and supports resolutions up to 1080p60. And provides 30x optical zoom and the image output interfaces are SDI and HDMI.
The BC-80 supports SONY VISCA protocol enabling the camera to be controlled via RS-422 or DVIP interface and the built-in tally light indicates when it is active."
HDR-1 Standalone H.264 USB Recorder / Player
Recorded files can be uploaded to YouTube or any website immediately after an event without needing to transcode, which makes it easy to share your content online. Front panel buttons make it easy to use. The record/pause feature allows users to record an event conveniently as a single file even if there is a break in proceedings.
HDR-60 HD/SD Digital Video Recorder-Desktop
The HDR-60 records from both High and Standard Definition video equipment via HD/SD-SDI. The HDR-60 comes with a removable hard drive enclosure. Additional enclosures are also available and the HDR-60 is compatible with SSD drives.
Once you have completed your recording, simply eject the hard drive enclosure and use USB 2.0 to connect to a PC or MAC based NLE system. The USB port provides power to the unit. It’s perfect for use with laptops in the field. You can work directly from the removable drive, or copy video files to your NLE’s video drives."
HDR-70 HD/SD Digital Video Recorder-1U Rackmountable
Once you have completed your recording, simply eject the hard drive enclosure and use USB 2.0 to connect to a PC or MAC based NLE system. The USB port provides power to the unit. It’s perfect for use with laptops in the field. You can work directly from the removable drive, or copy video files to your NLE’s video drives."
HRS-30 Fieldside Hand Carry Recorder
The HRS-30 records from both HD and SD video equipment via HD/SD-SDI and supports 1080i, 720p, 576i, 480i video formats, providing a choice of recording formats in MEPG-II Long-GOP or intra-frame (i-frame) with 4:2:2 colour sampling.
The recorded MXF/OP1A file format is compatible with a wide range of NLE and play out systems. Recorded files are stored to a removable caddy which is compatible with 2.5"" HDD & SSD drives."
HS-1300 6-Channel HD Mobile Cast Streaming Studio
Because of its lightweight portable design, the HS-1300 is ideal for various applications such as live concert events, seminars, sporting events, and live TV programs that need to mix a variety of video and audio sources. Other features include a 17.3-inch LCD monitor, which displays the multi-view, dual chromakey, DSK, still store, user memories, and PIP. Why lug around multiple pieces of equipment for your productions when you can have an all in one product like the HS-1300? Switch, monitor, stream, and record simultaneously with the HS-1300.
HS-1600T 4-Channel HDBaseT Mobile Cast Streaming Studio
The built-in HDBaseT technology allows receiving of 1080p signals from three PTC-150TL or PTC-140T HDBaseT PTZ cameras via CAT6 cable. It features PoE to provide power to three PTC-150TL or PTC-140T cameras, making installation fast and easy. Keeping things user friendly, you only need to push one button to stream to your preferred CDN and record to a SD card simultaneously.
Another great feature of the HS-1600T is the integrated joystick for controlling the pan, tilt, and zoom of the PTC-150TL cameras. You can also adjust focus and iris, as well as access the camera's menu. There are four preset buttons for each camera, making it easy for an operator to recall preset shots with a press of a button.
The all inclusive features of the HS-1600T make it ideal for various applications such as live events, worship, seminars, and corporate presentations.
HS-2200 HD/SD 6-Channel Portable Video Studio
The HS-2200 also feature an 8-channel intercom system complete with tally lights, belt packs and headset (supplied with four cameraman belt packs & four 20m cables included)."
HS-2850 HD/SD 8/12-Channel Portable Video Studio
As a complete AV package, the HS-2850 HD mobile studio enables users to switch seamlessly between video and audio sources and blend high-quality digital content on the fly. Advanced features include a 17.3-inch video monitor which displays multiple sources, as well as preview and program. The system is equipped with an eight-way intercom system and is supplied with four belt packs for effective communication between the whole production crew.
The HS-2850 is ideal for TV and video professionals working in outside broadcast or temporary video studios, such as theatres or conference centers. The HS-2850 is also a great value solution for the worship, education, and AV markets."
ITC-100 Intercom System
The Datavideo ITC-100 Intercom System provides 8-Way talkback and tally indicators. The director can select to talk to an individual channel or to all channels simultaneously. The ITC-100 is a standard 19"" 1U rack design, so it is easy to integrate into any rack system for using in the field or studio."
ITC-300 Digital Intercom System
The ITC-300 is a standard 19"" 1U rackmount design, so it is easy to integrate into any rack system for using in the field or in the studio. "
KMU-100
As an option, the Datavideo RMC-185 controller can be added to easily pan, tilt, and zoom to create the user-defined windows on the 4K signal. You can set up these shots in advance and save them as presets, or you can do it in real-time."
KMU-200 4K Multi-Channel Touch Screen Region of Interest Switcher
Produce traditional landscape (16:9) & vertical (9:16) video from a single 4K camera with built-in streaming. The KMU-200 allows users to output multiple landscapes or portrait pictures simultaneously just by creating cutouts of a 4K input using the 14” touch screen. The HD output signal can be streamed to many mainstream live-streaming platforms and output video can be recorded on an SD card. The KMU-200 features virtual camera control, switching, audio mixing, streaming and backup recording within one compact unit, which is an ideal product for content creators who want to live stream their content to social media platforms. Video productions that are traditionally done by multiple crew members now can be done by one person using the KMU-200.
The KMU-200 is a single unit that allows users to convert a 4K input signal to a 1080 HD output signal. An auxiliary HDMI input is also available for Skype or other sources. Hardware control is available on the unit to control the created cutouts, giving control over zoom, tilt, and pan of the virtual camera with a convenient joystick. Professional illuminated buttons control the switching of a maximum of 6 shots: 4 cutouts, the full image, and the auxiliary input.
Furthermore, its 14" capacitive touch screen allows users to easily control of picture selection and camera operations. Users can control the picture selection of the KMU-200 by not only the joystick but also by gesturing and pinching directly on the touch screen. This intuitive control method is suited for inexperienced users who are used to tablets and other touch screen interfaces.
MCU-400 Multi-camera Control Unit
Designed to be able to mount in a 19” rack, the MCU-400 is great for outdoor productions. Easy operation, cost effective and major camera functions to be this wonderful solution."
MS-2850 HD/SD 8/12-Channel Mobile Video Studio
The switcher is integrated with the essential elements required for live production including a recorder, a multi-view monitor and an intercom system."
MS-3200 HD 12-Channel Mobile Video Studio
The MS-3200 HD 12-channel Mobile Video Studio is the ideal solution for large-scale live events because they require up to 12 camera inputs. The system also includes intercom, recorder, waveform vector monitor, and power supply; ultimately allowing the MS-3200 to deliver a complete and easy production process on location. "
NVD-30 HDMI IP Video Decoder
The NVD-30 decodes all common protocols including RTP/RTSP, RTMP, UDP, TCP, HTTP, HLS and MPEG-TS and can output SD/HD video at resolutions up to 1080p60. Decodes directly from YouTube Live, UStream and most major CDNs without any 3rd party advertising.
The NVD-30 is the perfect partner to the Datavideo NVS-25/NVS-30 IP encoders allowing full HD point to point video links over Ethernet, WiFi or the Internet. When connected to a Datavideo DVS-200 Cloud Streaming Server, the NVD-30 can function as a IPTV set top box downloading a channel list of both live and pre-recorded streams automatically."
NVD-35 SDI IP Video Decoder
The NVD-35 decodes all common protocols including RTP/RTSP, RTMP, UDP, TCP, HTTP, HLS and MPEG-TS and can output SD/HD video at resolutions up to 1080p60. Decodes directly from YouTube Live, UStream and most major CDNs without any 3rd party advertising.
The NVD-35 is the perfect partner to the Datavideo NVS-25/NVS-30 IP encoders allowing full HD point to point video links over Ethernet, WiFi or the Internet. When connected to a Datavideo DVS-200 Cloud Streaming Server, the NVD-35 can function as a IPTV set top box downloading a channel list of both live and pre-recorded streams automatically."
NVS-33 H.264 Video Streaming Server
The NVS-33 is able to configure two different bitrates for recording and streaming simultaneously. It supports SDI and HDMI inputs, as well as external audio RCA unbalanced input. The NVS-33 is remotely controlled using a Windows / Apple PC or mobile device with a web browser.
The file system could be NTFS, FAT or exFAT to keep the continuous recording without file size limitation. Flexible mechanism design that is fit for a desktop application or 1U rackmount application."
NVS-40 4 Channel Streaming Encoder/ Recorder
NVS-40 uses cutting edge encoding to ensure the signal to arrive in superior quality. The encoder can downscale and de-interlace each incoming signal to meet the destination specifications. Each incoming signal is dual-encoded. This means that each signal can be distributed in two bitrates. This gives the user an enormous amount of freedom and flexibility. NVS-40 can be used with all major streaming platforms and social media channels, such as YouTube Live, Facebook, Twitch, UStream, Akamai, Wowza, Adobe Media Server and Datavideo’s own DVS-200 server.
The NVS-40 offers extensive customization options. Each input channel has its own color correction options to customize brightness, contrast and saturation. Setting up NVS-40 is easily done with a very simple browser menu. This way, NVS-40 is accessible from any device on the network.
Going live on the internet is mandatory for any video producer at the moment. NVS-40 gives you all the features and capacity to produce the way you like without giving up reliability. It can replace multiple streaming encoders and recorders. NVS-40 is a cost-effective solution for any video producer that needs to deliver his or her production to multiple servers at the same time."
OBV-2850 HD/SD 8/12-Channel OB Van Studio
Built around the latest HD/SD switcher, it supports up-to 12 channels of HD/SD-SDI, HDMI or composite video signals. The system is integrated, compact, and sturdy with a metal framework for great stability and protection yet provides room for future expansion.
With power-efficient modules, OBV-2850 can be powered by a DC 12V supply. Datavideo OBV-2850 is easy to install and a cost-effective solution for live video production. "
OBV-3200 HD 12-Channel OB Van Studio
Built around the latest Full HD switcher, it supports up to 12 channels of 1080p Full HD-SDI and HDMI video signals. The system is integrated in a sturdy rack with a new design Console Desk for great stability and protection.
The system is fully equipped with functions such as intercom, video transmission, camera control, video recording, video streaming, audio delay and Scope View monitor etc."
PTC-140 HD PTZ Camera
The PTC-140’s onboard streaming encoder can encode up to 2 simultaneous streams to any cloud service, including Datavideo’s own DVS-200. It supports H.264 /H.265 video compression and dual stream output. Advanced 2D/3D noise reduction function supports advanced digital noise reduction, even in less-than-perfect lighting conditions. The PTC-140 can use Datavideo RMC-300C and RMC-180 as the controllers for distant controlling."
PTC-140T HDBaseT PTZ Camera
The PTC-140T's on-board streaming encoder can encode up to 2 simultaneous streams to any cloud service, including Datavideo’s own DVS-200. The PTC-140T is compatible with HDBaseT portable studios such as the HS-1500T and HS-1600T, and controllers like the RMC-300 and RMC-180."
PTC-150 HD/SD-SDI PTZ Camera
The 1920x1080p60 resolution camera features wide dynamic range with backlight compensation. The camera's image mirror and image rotation functions allow you to electronically orient the image to adjust for the position in which the PTZ has been located.
50 programmable position presets including pan, tilt and zoom positions, allow the camera to quickly move between predetermined camera positions using the remote, or an available PTZ controller. For multi-camera shoots, the built-in tally light can identify when it is the active camera. The camera features a built-in IR cut filter for low light shooting. PTC-150 supports real time position reporting by per frame, providing useful information for virtual studio applications. The camera supports Sony VISCA protocol for PTZ control using RS-422 protocols over the unit's RJ-45 port."
PTC-150T HD/SD-SDI HDBaseT PTZ Camera
The camera captures HD video at 1920 x 1080 resolution and features wide dynamic range with backlight compensation. The camera features a motorized 30x optical zoom capability and its image mirror and image rotation functions allow you to electronically adjust the image and deliver a correctly orientated image. In addition to the basic camera functions, the PTC-150T also has a receiver box that allows the user to control the camera at a remote location with just one Ethernet cable.
50 programmable presets including pan, tilt, and zoom positions, allow the camera to quickly move between predetermined camera positions using the remote, or an available PTZ controller.
For multi camera shoots, the built in tally light can identify active camera. The camera features a built in IR cut filter in the image path for low light shooting and then returns for daytime shooting. Also, PTC-150T supports real time position report on a per frame basis; this is helpful in a virtual studio application. The camera supports Sony VISCA protocol for PTZ control using RS-422 interface over the unit's RJ-45 port."
PTC-200 4K PTZ Camera
For multi-camera shoots, the built-in tally light can identify active camera. The camera features a built-in IR cut filter in the image path for low light shooting, and then returns for daytime shooting. Moreover, PTC-200 supports real time position report on a per frame basis; this will be helpful to virtual studio application. The camera supports Sony VISCA protocol for PTZ control using RS-422 interface over the unit's RJ-45 port."
PTR-10 Robotic Pan Tilt Head
With a weight of 3.8 Kg, it can be placed on the tripod or mounted on the wall and ceiling which bring up a lot of flexibilities for your video production.
A sleek design fits seamlessly in your studio; with a weight of 3.8 Kg, the PTR-10 can be placed on the tripod or mounted on the wall and ceiling. The PTR-10 can be controlled by IR controller, VISCA protocol controller, Datavideo RMC-180 Camera controller, RMC-300C Multi-camera IP controller, and compatible with serial or Ethernet (DVIP)."
SE-1200MU HD 6-Channel Digital Video Switcher
Two assignable HD-SDI and two HDMI outputs for connecting an HD recorder, monitor and a streaming encoder, plus two Balanced XLR audio inputs for connecting an external audio mixers. Other features include chromakey, lumakey, DSK, PIP, still stores, audio delay, tally and RJ-45/RS-232 remote control interface."
SE-2200 HD/SD 6-Channel Digital Video Switcher
SE-2200 consists of 6 HD-SDI video inputs or with a combination of 4 HD-SDI and 2 HDMI inputs; all of the inputs are reassignable, thus it is able to adapt to your needs. One of the HDMI inputs can be used to accept video from a PC/Laptop computer to work with built-in title overlay system such as Datavideo's CG solutions, including CG-200."
SE-2850 HD/SD 8/12-Channel Digital Video Switcher
The SE-2850’s audio functionality allows it to connect an external mixer for a complete sound control. The SE-2850 also features all channel audio de-embedding and audio delay, and 4 dedicated XLR inputs. As an integrated Multimedia mixer, the SE-2850 can switch between up to 12 audio sources.
In addition to producing superb 4:2:2 10-bit broadcast quality pictures with versatile input/output configurations, the SE-2850 also has powerful, easy-to-use effects, such as dual picture in picture (PIP), downstream keyer (DSK), logo insertion and built-in title overlay system for the entry level Datavideo CG systems."
SE-3200 HD 12-Channel Digital Video Switcher
The SE-3200’s modular design allows you to install the 2U main unit on a standard 19-inch rack and place the control panel on a flat work bench, or it can be installed in an outdoor broadcast van. The SE-3200 facilitates video switching, whether indoor or outdoor.
Key Features
Supports full 1080P (3G) 4 Upstream Keys for chromakey, linear and luma keys as well as picture-in-picture 2 Downstream Keys for generating different effects 4 Broadcast Quality keyers with 50 built-in virtual sets 9 built-in Stinger transition effects
SE-500HD HD/SD 4-Channel Digital Video Switcher
Don’t let the SE-500HD fool you with its compact size and affordable price. It is loaded with features such as Lumakey for graphic overlays, split screen for side by side views of the presenters, and PIP (picture-in-picture) for PowerPoint presentations. Plug in microphones and other audio sources directly into the SE-500HD and use the built-in audio mixer to simplify your workflow and get professional sound. Dedicated buttons make it user friendly and easy for anyone to operate it like a pro. Professional features, compact all-in-one design and affordable price point makes the SE-500HD ideal for any live presentation."
SE-500MU HD 4-Channel video switcher
The SE-500MU is not merely a video switcher, it is also a PTZ camera controller. There are two available Control Applications- SE-500MU Control (for video switcher) and SE-500MU PTC Control (control up to 4 PTZ cameras). SE-500MU offers 4 HDMI inputs, a program output, and a quad preview. It supports video resolutions up to Full HD 1080p, and it can perform cut, mix, and wipe transitions, fade to black, PIP, Split Screen, and Luma Key."
SE-650 HD 4-Channel Digital Video Switcher
It offers two HD-SDI and two HDMI inputs that support video formats up-to 1080i. It features two HDMI outputs and a user assignable HD-SDI output.
The SE-650 is the perfect device for small scale video production using professional cameras and HDMI equipment. The SE-650 also features an audio mixer with microphone and unbalanced RCA audio inputs. Advanced tools include Chromakey, Luma key, PiP, wipe generator, still store and tally."
HS-3200 12-Channel HD Mobile Cast Streaming Studio
HS-3200 features easy-to-use video streaming and recording appliance for professional video producers who need to simultaneously stream a live event and record the master quality version for post-event editing.
With 12 digital inputs including 8 SDI and 4 HDMI inputs with embedded audio, 5 SDI and 4 HDMI outputs for connecting HD recorder, monitor, etc.
HS-3200 is a lightweight, portable and powerful featured mobile studio solution which is designed for live events and TV programs that need to mix a variety of video and audio sources. HS-3200 is also a great value solution for the worship, education and AV market.
The HS-3200 also has powerful, easy to use effects, including Chroma / Luma Key, DSK, PIP, DVE, Wipe Generator, Still stores, logo insertion.
Advanced features include a 17.3-inch Full HD 1080p video monitor, which displays the multi-view, the Multi-view includes all the input sources, as well as preview and program.
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MCU-400 Multi-camera Control Unit
Designed to be able to mount in a 19” rack, the MCU-400 is great for outdoor productions. Easy operation, cost effective and major camera functions to be this wonderful solution."
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HOME
HOME is a management platform for IP-based media infrastructures. It is designed to connect, manage and secure all aspects and instances of live production environments. HOME provides the tools and centralized services for swift and effective interaction of engineers with their tools.
HOME is cloud-native by design and ready to run anywhere, irrespective of the system’s size. With HOME, the cloud starts on your campus, private and locally. It turns an array of devices, setups, sites, hubs and data centers into a powerful, agile network — quickly and in a perfectly secure way.
Inside HOME, discovery of devices is automatic, while registering and admitting them to the network is only a button press away.
With the adoption of IP well underway, the focus of operators has shifted from whether to adopt IP to how to use its potential with minimal effort and maximum effect. This is where HOME shines: it addresses all pressing issues real-world operators face today and tomorrow. In one place and via a single, platform-agnostic, intuitive user interface.
Lawo’s HOME platform is based on open standards such as ST2110, NMOS, IEEE802.1x and RADIUS and has been designed and built from the ground up using LUX—the Lawo Unified Experience, a framework for conceiving, designing, and building solutions that put you first and defines the standard for user experience and design across the Lawo portfolio.
Discovery and Registration: HOME solves IP complexity with automatic plug & play discovery of IP audio and video devices, which are registered with their name, location, status and type. This applies not only to Lawo products but to third-party solutions as well via NMOS. Discovered devices are managed in a central inventory list, ready for access and configuration.
Device Management: In today’s hectic live broadcast environments, operators rely on speedy, unified device configuration routines, especially when setting generic device parameters or configuring senders and receivers. The ability to save and recall configurations is key to speed up tasks. HOME provides a centralized “mission control” for these processes, providing fast and unified access to device parameters for easy tweaking, irrespective of the end point being controlled.
Operability: With its simple, user-friendly UI, HOME allows users to organize and access processing services. With all required facilities accessible in one place, operators can set up and change stream configurations, and route them across an infrastructure without the need for a separate controller. For large infrastructures HOME works seamlessly with a broadcast controller in the same set-up and helps to speed up configuration and operation. HOME is based on LUX, a UI language common to all Lawo devices and many of their functionalities. Through HOME’s user interface, operators can access and edit device parameters quickly utilizing integral mechanisms that help get the job done efficiently. With HOME, operators quickly get right to what they’re looking for, without distractions and complications, to focus 100% on the task at hand.
Security: The content created by a production crew and transported over a network is any operation’s most valuable asset and deserves strong protection. While a robust security system needs to cover all aspects of media infrastructure and content creation, the key lies in its simplicity. HOME provides a variety of security strategies, first of which is quarantining unknown devices when they come online. Only after being deliberately approved, via an intuitive IEEE802.1X-based routine, can they begin exchanging signals with the HOME network. Secondly, HOME uses an authentication strategy based on a centralized user management system, with dedicated user roles and groups. The LDAP based service allows users to authenticate either locally – within HOME – or via their own corporate IT infrastructure, e.g. Microsoft® Active Directory. Finally comes the arbitration of devices and individual streams based on pinpointed rights management. HOME’s architecture is prepared to manage services such as transport layer security, network segmentation and other IT security mechanisms such as RADIUS.
Scalable Architecture: Home is cloud-native by design, which means that its architecture is built to run detached from hardware constraints. This does not automatically mean that services must be outsourced to an external service provider whose meter is running 24/7; with HOME, the cloud starts on your campus, private and locally, on COTS hardware. The HOME platform is designed as functional blocks that provide microservices, which are self-contained and supply functionality to operators or other services.
HOME can be expanded with additional services at any time to increase its functionality — the platform scales on demand. Should there be a need for a larger RDS, because the installation grows, additional instances of the required resources can be added anytime. One of the core principles of HOME is its focus on the utilization of open standards wherever possible, for broadest compatibility and future-proof integration. With HOME, flexibility and resource utilization in IP media infrastructure maximizes.
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VSM IP Broadcast Control and Workflow Solution
A VSM IP control system brings together all the requirements for a safe and flexible broadcast operation. The “everything under one roof” philosophy unites technical devices and operators in a most adaptable way. User panels and interfaces can be configured without limitation to meet the requirements of different workflows and applications, while the whole system is under redundant control.
With hundreds of different protocols implemented and growing by the day, VSM seamlessly integrates with the majority of the most popular broadcast equipment on the market. This includes video routers, video switchers, audio routers, audio consoles, multi-viewers, intercoms, modular equipment and many special third-party devices. By talking native protocols where possible, equipment from different manufacturers can be seamlessly “glued” together, giving unmatched recall and logic control possibilities system-wide. With a modern TCP/IP backbone, VSM utilizes standard IT hardware but enhances reliability and redundancy with sophisticated software redundancy concepts. VSM also provides interfaces to connect serially controlled devices, again freeing you to decide on the best hardware technology, no matter the format of the physical control interface. Real time feedback from every single crosspoint and parameter is available, as well as special applications such as audio metering via the protocol. All VSM user interfaces display the confirmed action from an attached device, guaranteeing maximum transparency for every operator and every control unit. Additionally, a global naming facility for mixers, UMDs, user panels and many other devices provides status information at a glance.
VSM servers are the heart of the control system. Running vsmStudio software, all administration and configuration is both programmed and saved runtime in intuitive and easy to use software. Control interfaces in the form of a wide range of hardware LCD button panels and software panel clients allow simplified operation from highly flexible and custom designed configurable GUIs. Additional VSM hardware includes GPIO interfaces, UMDs for dynamic labelling, and SmartHubs, which convert control signals to and from serial to TCP/IP. SNMP Monitoring capabilities are realized via the vSNMP editor software tool which runs on a separate server.
VSM is the ultimate control system integration solution. Applications include mobile production, in-studio production, multi-studio operation with “boxing” of complete studios for fast switching on the fly, TV and Radio master control rooms, and more. VSM solutions include vsmSOUL Seamless Orchestration & Unification Layer, vsmTally Multi-Studio Tally Management System, vsmSNMP Alarm Management System, and vsmGear control panels and interfaces.
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InSite
Facilities are generating ever more data, and although this information is readily available from individual devices, it is cumbersome to access and report on when using numerous manufacturer specific portals. Real-time data is hugely beneficial in the daily running of any facility – minimising down-time and decreasing power consumption - as long as it is accessible from a single point where it can be analysed as a whole, rather than having to access and report from individual manufacturer-specific portals.
InSite is a vendor independent solution that brings all of this information together into a single system using industry standard protocols such as SNMP and Modbus.
It can be hosted on premises or in the cloud and will work with a broad range of third party manufacturer of sensor and data centre equipment - in fact any manufacturer who produces object identifier (OID) information.
DID YOU KNOW? InSite can be configured to provide a protected whole system view for central monitoring and individual subsystem viewer for local system monitoring.
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Universal Control Panels
Able to perform powerful actions without the need to invest in a system controller, universal control systems can quickly and cost-effectively plug in to any infrastructure or workflow, allowing you to:
- Bridge systems to achieve that key bit of functionality required without performing any programming.
- Adapt and extend systems as control requirements change.
- Avoid being locked in to expensive and complex control solutions.
- Give operators the controls they need over the devices they use.
- Maintain the value of existing investments by interfacing between old and new equipment.
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MonitorIQ
Equipped with the technological power of AI, Digital Nirvana’s MonitorIQ 7.0 provides new capabilities for compliance logging and monitoring. Known as the industry’s most reliable, secure, and easy-to-use broadcast monitoring and compliance logging platform that allows operators to record, store, monitor, analyze, and repurpose content quickly and efficiently with a minimum of clicks. MonitorIQ enables broadcasters to collect and use knowledge about their broadcast content to meet a wide range of regulatory and compliance requirements. Version 7 of the Digital Nirvana platform gives broadcasters access to valuable next-generation content processing and analysis tools.
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MediaServicesIQ
Media ServicesIQ provides an easy-to-access portal to cloud-based AI/ML services through custom-developed workflows.
KEY FEATURES & CAPABILITIES
Metadata Generation
Cloud-based collection of speech-to-text and video intelligence applications automating the generation of speech and video-based metadata Provides off-the-shelf integration with the Avid system Easily interfaces with existing workflows using REST API Video intelligence metadata for face, logo, ad, number, on-screen text, object, and shot change detection Metadata with timecodes for tagging, enabling search and faster content retrieval.
Automatic Closed Caption/Subtitle Generation
Machine-generated, time-synced outputs in various sidecar formats for further processing Faster, scalable, reliable, and secure generation of preliminary outputs Easily ingest sidecar files into workflows for repurposing.
CC Quality Conformance for Multi-Platform publishing
Generate reports on non-conformance parameters within a CC sidecar file Automatically compares against predefined style guides standards from platforms such as Netflix Time coded error reports for easy navigation and correction Ability to ingest multiple sidecar formats.
Auto classify content for better value
Automatically create a classification for content Classify advertisements using various labels to automatically identify and ingest Automatic classification of high-points in a feature-length video Easily integrate and ingest labels into existing workflows.
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Flex Control Network
IP Control Buddy
Features:
- Power Over Ethernet (POE)
- Optional External Power Supply
- Mounts in a 1-RU panel, desktop, or control surface - Other mounting needs? Contact us
- One button press to turn on / off GPI Output, transmit serial command, ethernet TCP, UDP, SNMP or HTTP Command
- Turn GPI on or off state in to serial or Ethernet command
- Models with 1, 2 or 4 LCD pushbuttons, or GPI only
- Programmer-free, Browser-based setup using drop-down menus and fill-in text boxes.
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MDU12-PMi
The MDU12-PMi is a Power manager mains distribution unit, 12 way, 16 x GPIs, ethernet output monitoring and alarms – email and SNMP, individually controlled latching relays, sequential & delay power up with current sense network monitoring
Features:
- Remote Ethernet control of 12 separate outputs via secure web browser
- Overall Status page showing individual & total power consumption
- Power Factor Monitoring
- Sequential, immediate or user configured delayed output startup
- Ethernet input power failure alarm
- Internal temperature sensor with SNMP alarm
- Unit and SNMP configuration via secure web browser interface
- Front Panel LAN status LED
- Tri-colour output status LEDs
- Rounded cable tie bar
- Supplied with Powercon Input connector
- Tri-colour front panel using status LEDs for rapid failure identification
- Intuitive Graphic User Interface (GUI) for ease of set-up
- Self contained operation with all software and hardware functions
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FlexViewer
- Display of various signal inputs such as ASI, IP, SD / HD / 3G-SDI on one screen
- Supports HLS, RF (DVB, ISDBT, QAM) input with additional options
- Convert different input resolution and frame rate, display in a unified output format
- Maximum 45 CH input support for 1 enclosure
- By using multiple chassis, more than 45 CH / 1 screen display is possible
- Input signal loss, black screen, etc detected as an error, notification to the screen
- By voice signal bar, voice input of each input CH can be confirmed
- The size of each signal screen can be freely changed by setting
Application areas
- Monitoring multiple TS, SDI, OTT signals at low-cost monitor monitoring
- Construction of mobile multiviewer using notebook PC
Advanced options
- 4K resolution output
- Cascade processing, input signals of 45 channels or more, 1 screen output supported
- Video output to multiple screens
- Output video signal to other multi viewers TS TS streaming delivery
- Penalty box
- Error notification by SNMP output
- Multilingual voice input support
- Dolby voice codec input support
- Supports HEVC (H.265) input
- 4: 2: 2 Video input support
- Dynamic layout change by the user interface
- Input bit rate display function
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MDU14-CO
Our Power Management family has been designed to address the challenges faced by systems managers to effectively maintain system viability, control critical power infrastructures – over local or international networks – to meet targets and increase ROI.
Features:
- Dual input seamless auto changeover
- 14 way fused IEC outlets
- Master input setup button with dual tri colour status LEDs
- Input status monitoring GPO on rear D9 connector
- Tri-colour LED input and power indicators
- Rounded cable tie bar
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VPDU
Building on the success of our horizontal PDUs, used by major broadcasters worldwide, TSL Products introduces a range of vertical power distribution units (VDPUs).
Save Space and Money: The new vertical design utilises unique individually fused IEC Connectors to provide the highest density available, allowing you to save valuable rack space. The design also features low energy consumption for a leaner, greener and more space efficient rack room. The new VPDU has dual 32A inlets, with each inlet powering twenty individually fused C13 outlets.
Features:
- Dual 32A inlets, with each inlet powering twenty individually fused C13 outlets.
- High density means the overall unit is only 1767mm.
- Each Outlet is individually fused and has its own status LED.
- A and B Outlets are easily identfiable through the colour coding of status LEDs.
- Easy mounting from rear on sides for extra flexibility and ease of installation.
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Blackmagic Design HyperDeck Studio HD Pro
The Blackmagic Design HyperDeck Studio HD Pro is an updated 1 RU file-based deck that features the same functionality and control of professional tape decks in a digital design. This model updates the previous HyperDeck Studio models with several features including 6G-SDI support, two added SD card slots, USB Type-C recording output, timecode input and output, Ref input and output, a redesigned jog/shuttle wheel, Gigabit Ethernet, and a speaker on the front.
The Studio HD Pro records uncompressed video with 10-bit 4:2:2 color using either ProRes or DNxHD codecs, as well as the H.264 compression format. With two SSD slots and two SD card slots, you can record almost endlessly as one SSD becomes full, recording automatically continues on to the other, and the SD card slots are also hot-swappable. The Studio HD features one 6G-SDI input, two 6G-SDI outputs, a loop-through SDI output, a dedicated SDI monitor output, and there's also one HDMI input and one HDMI output that can all output up to DCI 4K. The ports autodetect the signal and will adjust to the SD, HD, or 6G-SDI format input. The 3-pin XLR timecode input and output allow you to sync timecode with other devices, and it also allows you to daisy-chain with other devices to create a timecode sync chain.
The Studio HD Pro is a 1 RU rack-mountable unit, with built-in rack mount ears. It features illuminated front panel button control and a heavy jog/shuttle wheel for analog scrubbing. RS-422 control is supported for external control using the Ref input and output ports. The USB Type-C port allows you to record to external disks, and you can also use it to plug into a computer to use as a source for a web stream. An integrated LCD on the front panel allows you to monitor the video and display timecode and transport information.
Professional Broadcast Deck
The new HyperDeck Studio recorders have been totally redesigned with dozens of new features. The advanced models have new broadcast-style front panel controls and more connections on the rear panel. The LCD screen supports both light and dark modes, plus the transport control buttons are stronger with a firm professional feel. The Pro models feature a machined metal search dial with increased mass and a soft rubber surface that feels nice to the touch. Plus the search dial features an active clutch, just like a traditional broadcast dec. With dual media slots, you can change cards without interrupting recording. The advanced models even include a front headphone connection and speaker.
Mastering Recorder
All models record to H.264, ProRes, and DNx files, so are perfect for recording broadcast masters. You can even use PCM or AAC audio. You get everything you need to send shows to broadcasters and for uploading to YouTube.
ISO Recording
All models feature timecode and reference generators, with outputs to loop to other HyperDecks. This means you can build a rack of HyperDeck Studios for ISO camera recording, allowing multi-cam editing after live events. You can even sync cameras to the SDI output and the SDI input has frame sync.
Digital Signage
HyperDeck Studio is perfect for digital signage as all models have HDMI output for connecting to large screen TVs and projectors. The built-in sync generator lets you combine multiple HyperDecks for large multiscreen video walls. There's even FTP for file upload and a protocol for remote control.
Broadcast Archive
HyperDeck Studio supports all SD and HD standards so it's ideal for archiving old television shows from broadcast decks such as Digital Betacam, Betacam SP, 1", U-matic, and VHS. You can even record directly to H.264 to maximize storage. For analog decks, just add a Mini Converter Analog to SDI.
Bright Color LCD Status Display
HyperDeck Studio features traditional deck-style transport controls, including a search dial for jog, shuttle, and scroll. The compact LCD shows timecode and transport information, plus a full-color thumbnail preview of the current clip in record or playback. It also displays information about each card's recording status, along with video format, frame rate information, and audio levels, all on the same display. The LCD includes monitoring for video, plus audio level meters, selectable between technically accurate VU or PPM ballistics. The combination of familiar VTR style controls with the built-in LCD screen makes HyperDeck Studio incredibly fast to use and very easy to learn.
Traditional Broadcast Deck Controls
HyperDeck Studio includes a traditional broadcast-style control panel that's very fast to use. Simply press the record button and you instantly start recording the video input to a file. You can also change the record file format from the menu. There are transport control buttons for playback, rewind, fast forward, previous clip, next clip, and more. The Pro models have a machined metal search dial that supports shuttle, jog, and scroll so you can find clips fast. Any button pressed on the front panel is sent to the rear RS-422 remote output for looping control to multiple HyperDecks. The Plus and Pro models also include a front panel speaker and headphone socket for live audio monitoring.
Supports SD Cards, UHS-II Cards, or SSDs
All HyperDeck Studio models support recording to common SD cards and UHS-II cards so you don't need expensive custom media. However, the Pro models also add two SSD slots so you can use two different types of media. SD cards and SSDs are the perfect choices for broadcast media because they are small and very affordable. When using H.264, the files are so incredibly small you get very long recordings even on smaller low-cost cards. Plus, you can even record to external USB disks. With H.265, you can record up to 58 hours in 2160p60 Ultra HD or up to 157 hours of H.264 recording in 1080p59.94 on a 1TB card. That's over 6 days of recording in HD using a single 1TB card.
Dual Media Slots for Nonstop Recording
All HyperDeck Studio models feature dual media slots for nonstop recording. When the recording card becomes full, recording automatically continues onto the next card. That's perfect when recording long live events because you can "hot swap" a full card for an empty card while recording continues in the other slot. Each slot has a status indicator to show which card is being used, either red for record or green for playback. Plus all models now feature very long file recordings to a single file for easy file distribution. HyperDeck Studio is easily repairable with each card slot using an individual PCB assembly that can be replaced if it ever becomes worn out from heavy use.
Record to External USB Type-C Media Disks
If recording to other types of media is required, the USB Type-C expansion port lets you plug in an external flash disk for recording. USB Type-C flash disks have unlimited capacity because they can be physically larger than an SD card or SSD. Plus, it's even possible to record to a disk array you'll use for editing, so you don't need to waste time copying files before starting post-production. Just move the disk over to a computer and instantly start editing. You can even add a Blackmagic MultiDock 10G that has 4 separate SSD media slots, so you can add compatibility with SSD media to the HyperDeck Studio Mini and Plus models. There are also menus for managing external disks on the built-in LCD.
Popular ProRes, DNx, and H.264 Files
HyperDeck supports the most popular codecs in use today. All models include DNx and ProRes file formats. However, all models also include H.264 in quality levels up to full 10 bit 4:2:2 when recording in NTSC, PAL, 720p, 1080p and true 1080i interlaced formats. That means you get tight 60:1 to 285:1 compression ratios for very small files at full broadcast quality. Plus you can choose uncompressed PCM audio, or even AAC audio when uploading files to YouTube. All models support both ExFAT and HFS+ disk formats and long-duration single file recordings. The Plus and Pro models even support ProRes 4444 allowing fill and key playback.
Advanced Broadcast Connections
Depending on the model HyperDeck Studio features a wide range of video and audio connections such as 3G-SDI, 6G-SDI, or 12G-SDI. All models include HDMI for connecting to televisions and projectors. There's even a dedicated SDI monitoring output on the Pro and Plus models with on-screen status. The Pro and Plus models include two SDI outputs so you can play ProRes 4444 files, allowing simultaneous fill and key output for keying in live production switchers. The internal timecode and reference generator connections can be looped to sync multiple units for ISO recording. All models even include AC and locking DC power. Choose 3G-SDI, 6G-SDI, or 12G-SDI Models
With multi-rate SDI, you get support for the most popular video standards. The SDI and HDMI connections will automatically switch video standards, so handle SD, HD, and Ultra HD formats depending on the model. SD formats include NTSC and PAL. 720p HD standards include 720p50 and 720p59.94p. 1080i HD interlaced formats include 1080i50 and 1080i59.94. 1080p HD formats include 1080p23.98, 24, 25, 29.97, 30, 50, 59.94 and 60p. HyperDeck can even support 1080PsF formats. HyperDeck Studio also supports level A and level B when running HD video at 3G-SDI rates.
Fill and Key Outputs for Broadcast Animations
The HyperDeck Studio Plus and Pro models can play ProRes 4444 HD files to the two separate SDI fill and key outputs. That means you can use HyperDeck Studio as a graphics clip player for broadcast animation because the ProRes 4444 file's alpha channel will be automatically converted to the key SDI output for real-time keying in a live production switcher. Imagine running animated lower-third titles and stingers with key channel outputs for incredibly clean multilayered titles. Plus, switchers such as Blackmagic Design ATEM models connect to HyperDeck Studio via Ethernet to trigger playback synced to transitions.
USB Webcam Output for Video Software For compatibility with a wide range of computer software, HyperDeck Studio features webcam support using the USB connection. If you're not recording to an external USB disk, you can plug the HyperDeck USB connection directly into a computer to get live video into any video software. The computer is tricked into thinking the HyperDeck is a common webcam, but it's really a broadcast-quality video source. That guarantees full compatibility with any video software and in full resolution 1080 HD quality. HyperDeck Studio's USB webcam feature works with any video software including Zoom, Microsoft Teams, and Skype, or get live streaming with Open Broadcaster, XSplit Broadcaster, and more. Advanced HDR Support and Monitoring 3D LUTs
You'll be ready for the latest feature film workflows with support for advanced HDR standards. All HDR status information is embedded into the SDI connections so downstream equipment can detect when HDR files are played. When recording, the SDI and HDMI inputs will also automatically detect HDR video standards and then tag the files with the correct HDR information. Static metadata PQ and HLG formats are handled according to the ST2084 standard. Plus the front panel LCD has a wider color gamut for both Rec. 2020 and Rec. 709 color spaces. HyperDeck Studio Plus and Pro models even allow you to load a 3D LUT into the monitoring output to add looks or to convert film to video gamma.
Includes Professional Multi-Channel SDI Audio
HyperDeck Studio includes professional multi-channel SDI audio for recording up to 16 channels. When recording from the SDI input, you can select in the menu to record 2, 4, 8, or 16 channels of audio in real time. There's extra space on the SDI monitoring status overlay, which allows the audio meter display to show the number of channels you have enabled all at the same time, and the audio meters will show 2, 4, 8, or 16 channels simultaneously. The audio meters are designed to use the correct ballistics, and you can change between different VU and PPM meter displays in the LCD menu. HyperDeck Studio is more than just a video recorder, as it also has quality sound.
Incredibly Fast Network File Transfers
All HyperDeck models allow media files to be uploaded remotely, using simple FTP client software. For remote deck control, all models use an easy to learn text-based protocol, so you can use a simple terminal app like Telnet to test control commands. Simply log into the HyperDeck and then type "play" or "record" and it will execute the command. If you combine the control protocol and file transfers with a HyperDeck connected to a large USB Type-C disk array, you get a fantastic broadcast server for ingest, media management, and play out.
Traditional RS-422 Broadcast Deck Control
The most popular control connection used on broadcast decks since the early 1980s is the RS-422 protocol. Originally developed by Sony, RS-422 is used on almost all broadcast gear. HyperDeck Studio features wide protocol support so you can connect it directly to broadcast systems. It also supports extra commands for the Advanced Media Protocol for managing disk recorders. When designing RS-422 control solutions, you'll know you're connected to a HyperDeck Studio when you see the ID 0xF0E0 in 30/60p, 0xF1E0 in 25/50p, or 0xF2E0 in 24p. The full set of support remote commands are included in the instruction manual and you can download this from the support page of our website.
Built-In Timecode and Sync Generators
With a timecode and sync generator built into all models, you can stack multiple units for digital signage or multi-channel recording. Each HyperDeck has dedicated outputs for reference and timecode, direct from the internal sync and timecode generators. The generators "free run" unless reference or timecode is connected to the inputs, and then generators will automatically lock. This means you can loop from HyperDeck to HyperDeck to create perfectly timed array or recorders.
Blackmagic OS
The innovative Blackmagic OS has been designed for high-performance film and broadcast products and it manages all functions on HyperDeck Studio. Only Blackmagic OS provides instant power on while including powerful features such as LCD with video, timecode, and audio metering, monitoring with overlays, menus, fast networking, multi-disk media management, 3D LUTs plus localization. The onscreen LCD menus include settings to customize your HyperDeck Studio, plus the menus now support both light and dark mode.
Localized for 13 Popular Languages
HyperDeck Studio supports multiple languages so you don't need to learn a new language just to use it. You get support for English, Chinese, Japanese, Korean, Spanish, German, French, Russian, Italian, Portuguese, Turkish, Polish, and Ukrainian languages. When initially powered on for the first time, HyperDeck Studio will display a menu for selecting a language, plus you can always use the LCD menu to change the language at any time in the future. Once a language is selected, the LCD menus will change, plus the overlays on the SDI monitoring output will also change to the selected language. All this means HyperDeck Studio is perfect for doing work anywhere in the world.
Use All Video Software and Streaming Sites
HyperDeck Studio records files that are compatible with virtually all post-production software. Plus, if you record in H.264, you can upload files from HyperDeck Studio direct to streaming services such as YouTube, Facebook, Vimeo, Twitter, and more. You can use popular editing software such as DaVinci Resolve, Apple Final Cut Pro, Adobe Premiere Pro, or Avid Media Composer because HyperDeck uses the same file formats used in post-production. Even VFX software such as Fusion and Adobe After Effects work with the files. Because HyperDeck records to disks formatted on computers, you can simply mount the disk on any computer and start editing without needing to transcode or convert the files.
Built-In Redundancy Keeps You on Air
Serious broadcasters need redundancy because it increases reliability. HyperDeck Studio includes redundant features to help ensure you stay on air. With dual media slots on all models, and the Pro models having 4 media slots, you can stay on air, even if one of the slots becomes damaged. Plus with the HyperDeck Studio HD Mini model you get 3 totally independent recorders in a single rack unit, while the HyperDeck Studio HD Plus model allows 2 independent recorders in a single rack unit. All HyperDeck models include both AC and a locking DC power connection, so you use the DC connection with an external battery pack for redundant power.
Designed for Both Portable or Rackmount Use
When you need a portable broadcast solution, the HyperDeck Studio HD Mini model includes most features miniaturized into an elegant 5" wide compact design that's only one-third of a rack unit wide. That means you can fit three recorders in a single rack unit. Just use the optional Teranex Mini Rack Shelf and you can mount the three units side by side, then bolt it into a standard equipment rack. Or you can combine HyperDeck Studio Mini with other modules, such as a Teranex Mini Analog to 12G-SDI to convert the input from analog to SDI, all in the same rack which is perfect for archive work. HyperDeck Studio HD Mini looks great when it's not rack-mounted and simply used by itself on a desktop.
Compatible with Switchers, Disk Docks, and Cameras
There's a wide range of Blackmagic Design products you can use with HyperDeck including switchers, cameras, and streaming solutions. As the Mini and Plus models don't include SSD slots, you can add a Blackmagic MultiDock 10G to use regular SSDs, allowing compatibility with media from other HyperDeck models. HyperDeck Studio will manage all the disks for you and automatically record to disks in the MultiDock. You can even use the MultiDock with the HyperDeck Studio Pro models just to add extra SSDs for longer recording times. HyperDeck Studio is also a perfect mastering recorder when used with ATEM switchers, a clip player with fill and key, or looped on switcher inputs for ISO recording. Buy Blackmagic Design HyperDeck Studio HD Pro from UBMS DUBAI.
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X-Pert Playout Control
Playout control is important. Multi-playout management is mandatory. X-Pert Playout Control is a user-friendly solution for monitoring and control of single or multiple playout channels.
Easy access for groups of playout applications
XPC software can be used via web browser in your local network or via the public Internet. As well, the user-friendly interface allows you to make customization views.
Unlimited users & access restrictions
Supports multi-user access, as well as an unlimited number of customers. Furthermore, the user controlling and monitoring actions can be limited per role or per server. Correspondingly, the roles and the access limitations guarantee correct playout management.
The roles are as follows:
- System manager
- View only
- Playlist editor
- Control operator
- File uploader
- Full access
Monitoring & controlling multiple X-Pert Playouts
You may view or control single or multiple groups of X-Pert Playout applications. The monitoring and management processes can be easily organized due to the user roles.
Adding playlist and media folders management
You may add and use playlists and folders for each X-Pert Playout server. In other words, you can organize your playout with offline playlist creation, editing, and remote file uploading.
Quick Playout Control buttons
The user-friendly interface has its playlist control bar. You may use the quick buttons for playout and playlist control, also.
Commands to X-Pert Playout
The XPC software includes various lists with commands. To put it more simply, it sends these commands directly to the X-Pert Playout applications.
Logs – a tool for better control
The application generates status log information related to the currently selected X-Pert Playout instance. Besides, the message types are in different colors. As a result, you can detect what’s happening at first sight. This is especially valuable if any actions have to be taken.
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Altus
Stylish and cost effective. They have a small footprint console and are ideally suited for use in cluttered production areas. A custom designed heavy metal jog/shuttle wheel and transport keys with status LEDs provide smooth and accurate machine control.
VTR control 4 and 8 channels
Multi channel controllers A range of Dynamic VTR Controllers. These offer direct control of 4 or 8 VTRs for jog, shuttle, cue and play operations.
Disk control panels
Dual Clip Controller, features compact control of two server ports with clip management tools to make the most of a server’s record and replay capabilities. Operators no longer have to rely on a front panel user interface to select, load and play clips in a live environment – which can be fraught with disaster.
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