Publish » Linear Playout » Linear Playout Systems » Playout automation »

Playlist preparation and scheduled playout control software module for the AutoPlay automation system. Director’s/playout operator’s workstation.

Features

• Network-based, multi-user preparation and editing of playlists containing clips, blocks, live feeds, TimeDelay cyclic files, graphics, subtitles and equipment control commands.


• Preview of playlist items (including secondary events like graphics and subtitles) in a software player from any workstation on the AutoPlay system’s network.


• Automatic propagation of changes in the on-air schedule to the playlists of 3rd party trafic/planning systems.


• Automated scheduled playout with graphics, teletext/subtitle insertion, sound level normalization, 3rd party equipment control.


• Ability to change any property of any event in the on-air schedule at any moment.


• Logging of all system and operator activity.

Publish » Linear Playout » Linear Playout Systems » Playout automation »

Air24 software module manages Azimuth video servers. It provides an independent operation of up to four (4) channels. The clients are free to use any tool to facilitate their work while on-Air. Advanced playlists architecture manages video and graphics. Air24 can be integrated into A-MAM and NewsHouse.

The module provides an optional support of a backup channel and video servers failure protection.

Automatic creation of playlists speeds up going on-Air.

A state-of-the-art Autoroll system assigns clips over the video servers channels automatically.

 

Publish » Linear Playout » Linear Playout Systems » Channel branding graphics and promotion systems »

AutoPlay is a Media Workflow Platform, an integrated playout solution, which enable you to automate the workflow environment, maximize the value of media assets efficiently and leverage technology in line with your business plans. Ingest, quality control, editing, broadcast, graphics insert, subtitles, archive – all within a single workflow.

Features

• Playout Automation


• Workflow Process Orchestration for media content movement to video servers and other file storages


• Rundown Management


• Immediate Content Access whatever it is stored


• Automatic Files Transfers to meet Users requests and Channel Schedules


• Sophisticated Quick Search


• Manual & Automatic Media Content Archiving & Extraction


• Different Access Rights for Multiuser workflow


• Proxy Files Generation


• File Transfer Bandwidth Control


• Distributed Media Storage with quick Content Search and Access


• Advanced Embeded Cut Editor for Multiuser Network Environment


• Export XML editing projects to third party NLE systems


• Production Storage Filename Translation for NLEs


• As-Run & User activity Logs for TV Traffic management system integration


• Report Export


• Facility Monitoring and Control from any workstation on the network


• Multichannel Playout configuration with full redundancy capabilities


• Media Editing and Playout while Ingest


• Clip Quick-Cut in On-Air Rundown


• “Time-Delay” Recording, Editing&Playout


• TimeDelay Server Redundancy


• DTMF/Х31/SCTE/GPI Signal Detection&Insertion


• SCTE-104 Playout Support


• VBI in TimeDelay and Pass-Through


• Advanced Subtitling/Teletext Processing with proprietary or third party devices


• A completely New Subtitle Engine


• Proprietary .asb subtitle file format with full text formatting


• Multilingual Subtitle Support in AutoPlay Playout


• Automatic Subtitle Import and Full Logging of Subtitle Operations


• Multifeed Ingest capabilities


• Media Quality Control Option


• Broadcast Graphics Creation with Azimuth Servers or External Systems


• Integration with Carrot Broadcast CG Solutions


• Customizable Graphics Layouts


• Dynamic data manipulation (temperature sensor option, images, time/date, videos, text data)


• Digital/analog Clock Insertion


• Fill+Key Out or internal graphics DSK overlay support with Azimuth servers


• Proxy Files Preview with graphics and subtitles


• Video Processing: codecs, formats, aspect ratio conversion


• Audio Processing: normalizer (LUFS), track mapping, noise reducer, compressor/limiter


• Parallel Video and Sound Processing when Importing Media Files


• Various Studio Equipment control, inc. VTR


• Modern 64 Bit Software Architecture


• User-Friendly Intuitive Interface

Manage » Manage & Orchestrate » Content & Workflow Management » Media asset management (MAM) »

AutoPlay MAM is media asset management system (MAM). It is an integral solution to playout automation, news operations, editing, storage, graphics generation, subtitling. It is the ideal platform for content control and delivery by incorporating the benefits of asset management with the efficiencies of automated operations. Media Asset Management solution’s modular, scalable architecture allows it to adapt to your evolving business requirements.

Features

• Content Browsing, Control, Edit and Playout, relying on a central database


• Customizable Condition Lists in Search Filters


• Extended Options for MAM User Rights Management


• Production Storage Quotas


• Efficient Planning and Editorial Collaboration


• Different Access Rights


• Schedule Tasks at fixed times and dates, or on a periodic basis


• Graphics Templates


• Proxy Generation


• Subtitling/Teletext Support


• Flexible content transfer from ingest to playout


• LTO Libraries and single LTO Drives Support


• Sony Petasite Optical Disc Archive System Support


• Clustered LTO Library Connections


• Reports Export


• 24/7/365

Produce » Post Production » Ingest » Post-production ingest »

Video feed and VTR software module for the AutoPlay MAM system. Ingest operator ‘s workstation.

Features

• Scheduled or crash (manual) recording with VTR transport control.


• Unlimited TimeDelay loop recording.


• Manual QC, logging and metadata fill-in during ingest.


• Processing and migration of video files while recording.


• Near-instant availability of video being recorded for proxy creation, preview, editing, playout to all AutoPlay services and users.

Manage » Manage & Orchestrate » Content & Workflow Management » Media asset management (MAM) »

Media asset management software module for the AutoPlay system. MAM operator's workspace.

Features

• Multiuser network access to basic and derived AutoPlay objects



• Clip search and preview in a software player with graphics and subtitles from any AutoPlay workstation on the network



• Editing of stock and custom AM fields and markers of multiple types



• Manual and automatic mediafile operations: import, export, copy, move, delete, QC, process audio, transcode, rewrap, archive



• EDL export to popular NLEs: Adobe Premiere, Apple FinalCut Pro, Azimuth NewsBase, GV Edius

Manage » Manage & Orchestrate » Content & Workflow Management » Media asset management (MAM) »

A specialized software module for automated watchfolder import of mediafiles into the AutoPlay system. The watchfolders can be located on any server or workstation anywhere on the the production network. Dedicated render and copy servers can be added for high performance, and the progress and error control of file operations is available in the Copy Monitor module from any workplace.

Features:

• Automated mediafile ingest into the AutoPlay enterprise media workflow system


• Parallel processing of multiple incoming/source watchfolders


• Separate mediafile processing settings for each incoming/source folder


• Comprehensive file type support: video, audio, graphics, subtitles


• Automatic creation of new AutoPlay MAM clips if none existed previously


• Additional video processing during import: re-incoding, standard conversion, aspect change with support for vertical formats


• Additional audio processing during import: level limiting, boosting or normalization, customizable equalizer, RMS, ITU R-128, track mapping


• Preview, playout and editing support for growing files during import

Publish » Linear Playout » Linear Playout Systems » Playout automation »

NewsAir is an on-Air module. It manages various studio equipment and third party equipment: prompters, video servers and graphics.

MOS protocol is applicable for automatic prompters managing,  which allows to reduce number of staff.

Advanced program time tracking tools enhance show time forecasting.

Studio playout is ensured by Azimuth servers to simplify going on-Air even for small TV studios.

Operators can send as many versions of rundowns as possible which prevents making mistakes while being on-Air.

Produce » Post Production » Editing and Finishing » Non-linear editing »

NewsBase provides state-of-the-art editing capabilities. It can be installed almost on all types of PC hardware. It is part of A-MAM and NewsHouse ecosystem.

Features

• The module is easy to use even by non-professionals


• In some cases there is no need to delegate tasks to  third party NLE systems.


• Integration with NewsHouse makes editing 45% faster


• The module can be integrated with A-MAM which facilitates the access to shared media files and video archive

Produce » Real-Time Production » Video Production » Newsroom production management and automation systems »

An end-to-end newsroom platform designed to meet all the challenges that modern newsroom workflows face. This groundbreaking solution allows journalists, editors, and producers to collaboratively plan, create and deliver news. Suitable for all newsroom types and sizes. Provides several advanced tools for planning, ingest, scripting, editing, production, playout, analysis and archive.

Features

• Independent Rundowns for On-air modeDepending on workflow, users can create On-air Rundowns in automated or manual modes.


• Two-tiered News Rundows with Blocks


• All-new HTML Print Server with Template Management


• Convenient and clear history of Rundown changesBy utilizing this newsroom computer system users can easily inspect and control any changes in Rundowns.


• Automatic VersioningUsers can save and track the history of previous versions and revert to an earlier version at any time while operating in the newsroom computer system.


• Advanced Rundown TimingUsers can customize the interface having a set of various options including timing information and duration of stories.


• Story Editing PriorityUsers with special permissions can intercept Rundown control and Story editing.


• Embedded Graphics System TitleStation MixUsers can apply various graphic templates and preview the final version of graphics.


• Sending CG Playlists to TitleStation Mix by MOS for Manual Control 


• Dynamic Caption Templates


• Advanced embedded Cut EditorUsers can make quick and easy edits in the NewsBase,  newsroom software module, which provides integration with third-party non-linear editing systems.


• News Agencies SupportNews wires are visible to users and can be immediately added to the Rundown.


• Integration with the A-MAM AutoPlay systemUsers have access to all AutoPlay features: import, export, video browsing, automation, long-term storage archive, etc. Native integration with Azimuth video servers.


• End-to-end Rundown Management: from Planning to Archiving


• Customizable Workflow for a wide range of tasks


• Floating Licenses for Client Applications


• Simultaneous Work with text, video and graphics inside a Story


• MOS Protocol Support


• User-Friendly Intuitive Interface

Produce » Manage Production » Production Software » Newsroom computer systems (NRCS) »

A powerful module which covers all the newsroom needs. It enhances routine processes from planning to going On-Air. Allows simultaneous work for more than hundred users.

Integration with Media Asset Management platform A-MAM allows  immediate access to all content, including the archived materials.

Embedded media player allows video and graphics frame accurate preview.

Media data exchange with various NLE systems simplifies editing.

Advanced auto save funtion provides disaster recovery facility in case of hardware failure.

The opportunity to managing newswires allows the users to always stay tuned.

Advanced Rundown Timing is aimed at managing duration of stories.

 

 

Manage » Manage & Orchestrate » Content & Workflow Management » Media asset management (MAM) »

A specialized software module for importing playlists from 3rd party playout automation into the AutoPlay system. Provides integration with external systems, and migration of existing content when transitioning to AutoPlay.

Features:

• Automated 3rd party playlist ingest into the AutoPlay enterprise media workflow system


• Separate import settings for each source folder


• Comprehensive playlist format support


• Automatic creation of new AutoPlay MAM objects if none existed previously


• Configurable autoupdate of existing AutoPlay playlists when importing new versions – including playlists currently set on-air

Produce » Real-Time Production » Video Production » Real-time production video servers »

Studio X is one of the advanced products for multichannel record and playback. It allows to record and playback from an unlimited number of channels with up/down conversion. Studio X is a live production and a multicamera ingest suite. It can manage an unlimited number of associated equipment. It provides functions for time-delay, edit-while-ingest, proxy generation and more.

Features

• Multifeed Ingest


• Multiple Playout


• Content Control, Edit and Playout


• Edit-while-Ingest


• Time-delay Recording


• An unlimited number of channels


• Playlist Editor to assemble the highlights of recording


• Proxy Generation


• Template Customisation


• Creating a role to users


• User-Specific Permissions


• Playout Control


• Up/Down Conversion


• File and Folder Naming Automation


• Multilanguage Support

Produce » Manage Production » Production Software » Newsroom computer systems (NRCS) »

An advanced prompter is easy to manage and set up. It can work either independently or act as a part of NewsHouse ecosystem. It does not require any special device.

MOS protocol support allows  instant visualizing of any changes in a prompter.

Additional hardware (control panel) facilitates text scrolling more accurately.

Various office types of files support reduces time for story preparation and speeds up going on air even in case there is no NRCS.

Teletext Suite is a solution which enables to create and playout teletext and subtitles. It allows to create new or edit existing subtitle files, prepare teletext.  The resulting subtitles and teletext can be used on BRAM Technologies' Azimuth server playout, or any 3rd party solutions.

Azimuth Soft Subtitle Editor software can be used to create new or edit existing subtitle files. The resulting subtitles can be used on BRAM Technologies' Azimuth server playout, or any 3rd party solutions.

Azimuth Soft Teletext Editor software allows creating teletext pages from scratch or from a set of templates and can work with separate group of pages. The resulting teletext can be played out by a BRAM Technologies' Azimuth video server.

Azimuth Soft and BRAM Technologies also offer two hardware choices for subtitle/teletext playout:

1. A mainstream Azimuth-VS video server

2. And a specialized Azimuth-TT teletext server

Publish » Linear Playout » Linear Playout Systems » Subtitling/closed captioning insertion »

Teletext Suite is a solution which enables to create and playout teletext and subtitles. It allows to create new or edit existing subtitle files, prepare teletext.  The resulting subtitles and teletext can be used on BRAM Technologies’ Azimuth server playout, or any 3rd party solutions.

Features:

              

Teletext

• Quick preparation of the main page from a template;


• Automatic creation of contents list;


• Automatic creation of both feature programs, trailers and announcements;


• Working with several page groups;


• Multilanguage support (Side-by-side dual-file view for creating and comparing translations);


• Edit text WYSIWYG in video window;


• Instant access to any page or teletext section;


• Support for multicolor accents, headers and footers;


• Multilevelundo/redo;


• Support for multiple columns, different text alignment and page breaks.

Subtitles:

• An intuitive user-friendly interface with templates and other customer specific configurations;


• Import/export of common file formats;


• Frame-accurate subtitle positioning, available for both high res and proxy video;


• Automatic spell-checking;


• Audio level monitoring;


• Choice of different operating modes;


• Customizable control panel for commonly used functions;


• Merging several projects in one;


• Undo / redo, auto save functions;


• Hotkeys.

Produce » Real-Time Production » Real-Time Production Graphics » Production graphics and CG »

TitleStaion Mix manages and playouts graphics. It could be either applied as an independent module or together with NewsAir. It playouts up to 24 independent graphics templates which are designed in TitleEditor module.

• Simultaneous work with several playlists simplifies managing sophisticated graphics.


• Graphics files of various formats support enhances graphics playout.


• Operators can edit text  graphics by removing  misprints while being on-Air.


• Automatic interconnection with NewsAir module speeds up going on-Air and prevents human-factor errors.

Produce » Post Production » Editing and Finishing » Non-linear editing »

With more creative options and real-time, no-render editing of all popular SD, HD and even 4K and HDR formats, EDIUS Pro 9 is THE most versatile and fastest nonlinear editing software available. EDIUS Pro 9 from Grass Valley, a Belden Brand, gives you real-time editing of multiple formats and frame rates all on the same timeline. That means you can edit faster… and make the time to be more creative.

Produce » Post Production » Editing and Finishing » Non-linear editing »

The XRE Transcoder 9 from Grass Valley, a Belden Brand, is a standalone conversion solution that enables broadcasters and media companies to automate the transcoding of media files, using watch folders that can be placed anywhere on a network. Transcoding is fully optimized to the host machine’s specifications and is faster than real-time in many cases. Supplied as software or a full turnkey system and connected via Ethernet, XRE Transcoder 9 gives editors in a workgroup the freedom to spend their time editing, not transcoding, and supports the extensive list of formats and codecs that has made EDIUS such a force in broadcast news production.
New in version 9 of the XRE Transcoder is an “Effect Template” feature that allows customized effects such as layered graphics, image side bar blur, speed change, HDR metadata inclusion and more, to the clip as it is being transcoded. XRE Transcoder 9 can be used with any third-party professional NLE system. A simple interface allows off-loading of transcoding jobs from the NLE system to the XRE Transcoder, and an SDK is available to facilitate integration into third-party systems and workflows. Transcoding job status can be monitored from any machine on the network. Multiple servers can be configured as nodes to share jobs.

Produce » Post Production » Editing and Finishing » Non-linear editing »

The best post production is equal parts stand-out creativity and leading-edge technology. Our teams deliver both, earning awards and a reputation for excellence with major broadcasters and studios all over the world. Based in Ireland, Norway, Germany, Finland and Belgium, we provide VFX and post production services—from full HD and 4K finishing to HDR editing—to the broadcast, film, commercial, corporate and digital markets.

FULL PICTURE POST SERVICE
Dailies, editing, grading, finishing, deliverables, DCDM, DCP
Picture post at HD, 2K, 4K
Over 300 suites worldwide offering Avid, DaVinci, Flame, FCP, Smoke, including 220 cloud editing suites

FULL SOUND POST SERVICE
Editorial, foley, ADR, mixing, deliverables
Mixing in stereo and 5/1 for broadcast and cinema
Editorial rooms and TV mixing rooms; Dolby-approved feature mixing stages

VISUAL EFFECTS (VFX)
Full production VFX and CGI service
3D Max and Adobe CC
A 120 node render farm

GRAPHIC DESIGN AND ANIMATION
Full graphic design and animation for commercials
Full title and package design for broadcast
Specialists in live and post GFX design for sports

Produce » Post Production » Editing and Finishing » Non-linear editing »

Medway makes Avid work flow
Medway enabled a complete digital workflow ensuring Edit Platforms, MAMs, Video Servers and Archive Systems can work seamlessly together.
Medway is a cloud and ground media-savvy middleware, widely used in the industry by many organisations such as Discovery, CBS, BBC, RTVE, MDR and ABS-CBN. Usually it is used to integrate network contacted and incompatible systems, such as post-production, DAM, transmission and media servers.
Intelligent media file, metadata, control and status management are key to the operation of Medway. However, with Medway the level of granularity and quality of these integrations is technically far superior to any other cloud or ground based system or service,
It is a simple concept; Medway integrates incompatible systems, It also manages incompatible media and metadata, presenting it in a way that interoperates easily between multiple systems.
However, for many applications this capability is useful, but not enough for more sophisticated workflows and use cases. In this short explanation we describe why Medway is a more useful infrastructure component and why it has more capability and why it’s a better strategic choice when considering both ground and cloud based workflows.

Produce » Post Production » Editing and Finishing » Color correction and grading »

ASUS ProArt PA148CTV is a 14-inch FHD portable monitor designed for creators. PA148CTV delivers exceptional color thanks to 100% sRGB and 100% Rec. 709 color spaces, and it is world’s 1st portable monitor that reach Calman Verified certification and factory pre-calibrated to provide a Delta E < 2 color difference. The anti-glare IPS panel features wide viewing angles with minimal color shift, even when viewed from off-center positions.

Produce » Post Production » Editing and Finishing » Non-linear editing »

It's time to raise your expectations of what a small-form-factor PC can do. Ultra-compact, powerful, and designed for creative professionals, ProArt Station D940MX packs a workstation-grade processor and graphics into a small and slim chassis. Its unconventional design features LED indicator that lets you know the current status of the PC, and houses an advanced thermal system, including hybrid system and multi-zone design, that ensures smooth and quiet operation even under full load.

Publish » Linear Playout » Linear Playout Systems » Channel branding graphics and promotion systems »

Visual Data is a global provider of award-winning digital media supply chain services to the entertainment industry with locations in Burbank, London and Bangalore. What began as a small editing facility in 1995 has since grown into one of the industry’s leading global providers of quality-driven content management, distribution, localization and media services that enable customers to deliver premium content in any format for any screen or platform, anywhere in the world.

Produce » Post Production » Editing and Finishing » Non-linear editing »

With one single licence, you can have all the functions you need to manage closed and open captions. Etere Subtitling and Closed Caption software manages production, approval and transmission.

Etere Subtitling and Closed Caption Software is a digital platform for the creation, management, burning, playout and conversion of subtitles, captions and other text services for production, post-production and live shows. It allows broadcasters to freely produce subtitles in multi-languages and for multi-platforms, search by metadata and streamline the process with real-time sharing of edits without hardware. Operators are able to insert live captions, open captions and closed captions including ARIB and Digital Video Broadcast (DVB) via ETX inserter. Etere MOS connection supports teleprompter and provides a seamless integration with newsroom. For live subtitling, Etere MOS connector connects with NCS Server to receive rundowns and import subtitles from the rundown directly with extremely fast speed and accuracy. Etere also supports FTP connection to newsroom for live news. For a complete management, Etere Subtitling and Closed Caption Software makes it easy for broadcasters to monitor and verify all captions to comply with closed captioning laws across different countries. Etere Subtitling and Closed Caption Software supports all formats, frame rates and comes equipped with Etere Media Asset Management (MAM) for an effective and efficient management of multi-language subtitling.

Key Features

■Integrated with Google Speech to Text for 120 Languages and variants

■CEA 608 and 708 Closed Captions

■DVB Subtitling and ARIB Subtitling

■Extremely fast. Captions can be inserted/edited even just before being on-air

■Web format include ad webVtt

■Automated subtitling workflows including insertion, extraction, format conversions, timing, frame rate adjustment, sub-clipping and clip assembly

■No licence or hardware is needed for insertion or preview

■Unlimited web clients supported

■Etere ETX 's time delay feature enhances live captioning

■Easy single key production and management of large files

■Live captioning management with live edits and voice recognition

■Import and export subtitles in all major standard formats

■Full support for Unicode language, TrueType fonts and spell-check for multiple languages

■Integrated MAM provides an effective management of subtitles and targeted advertising

■Open captions: Transcoder licence for file production and preview

■Integrated Etere workflow system for easy production

■Customisable subtitle fonts and size

Publish » Linear Playout » Linear Playout Systems » Channel branding graphics and promotion systems »

KRONOS K8 is Bluefish444’s fully-featured high-bandwidth 4K/UHD, 2K/HD & SD video and audio I/O card for professional video workflows on Windows, macOS and Linux operating systems.

Capable of up to 8 independent and simultaneous channels of 3G/HD/SD-SDI input or output, K8 also features Reference and LTC I/O.

Cross-platform support with Industry leading 3rd-party software

Adobe Creative Cloud | Assimilate SCRATCH | Avid | CasparCG | Dataton | Foundry Nuke | Resolume | Streamstar | Unity | Unreal Engine | vMix

All Bluefish video cards are Thunderbolt compatible, work with the free Bluefish acquisition application IngeSTore, the Bluefish cross-platform SDK, and leading 3rd party content creation tools.

Bluefish products are deployed globally throughout the broadcast graphics, post-production, live event and entertainment, immersive graphics, proAV, corporate, military, government, medical and education markets, including integration into digital intermediate, mobile production, QC and compliance, Video Over IP and video streaming workflows.

FREE multi-channel capture tool, IngeSTore

• Capture up to 4 channels of video


• Wide range of codec options


• Records direct to shared storage, including Avid shared storage


• Growing file support with Edit-While-Record in Adobe Premiere Pro and Avid Media Composer


• REST API to control remotely


• RS-422 Controller


• Encode for live production, post production, archival and streaming workflows

MAJOR FEATURES

Bi-directional I/O’s provide unrivalled flexibility

• 8 bi-directional HD-BNC video connectors supporting 3G/1.5G SDI I/O


• Multi-channel 4K UHD 60p playout or capture video Quad Link 3G-SDI


• Each BNC is completely independent

Maximum connectivity

• Reference I/O BNC


• LTC I/O


• Interlock between multiple K8 and Epoch | Neutron/4K Neutron cards

Optional connectivity

• Optional auxiliary I/O can be added to K8 via the STEM port interface and optional EX-1 and EX-2 products


• K8 with EX-1 adds LTC I/O, RS-422 control and AES audio I/O


• K8 with EX-2 adds LTC I/O, RS-422 control and Analogue audio I/O

The industry's lowest latency I/O, by design

KRONOS K8 has, by design, the world's lowest-latency providing access to captured fields or frames to on-board card memory event before the whole field or frame is complete, thereby reducing the latency to sub on field or frame. During a capture or playout, each process can occur at less than or equal to 1 field for interlaced modes, and less than 1 frame for progressive modes.

Maintaining a 12-bit processing pipeline

• 12-bit image processing is standard on all Bluefish video cards


• Allows 8, 10 & 12-bit SDI video signals to be produced from 8, 10, 12 & 16-bit pixel formats providing the highest image quality available from your source material


• 4096 discrete values of red, green & blue are maintained per pixel


• 4 times the colour precision of a traditional 10-bit processing pipeline!

Maintaining the highest quality RGB <=> YUV

• Fully programmable 4 x 4 x 33-bit colour matrix providing the highest quality colour space conversions


• Reduces colour space conversion errors and ensures the highest quality colour accuracy during capture, monitoring and mastering

Thunderbolt expansion chassis compatibility

• Compatible with Sonnet, One Stop Systems Magma, Netstor, and AKiTio Thunderbolt devices for multichannel mobile production


• Visit Bluefish's website for a full list of qualified 3rd-party chassis options

Low-latency video keyers

• 4 x Low latency hardware video keyer


• Allows video layers to be combined in hardware with microseconds of delay


• Enables animated logos, captions, tickers, and more to be keyed over live video feeds at full 12-bit precision, and with minimum input to output delay


• Can also function as an image pre-multiplier to assist in previewing images with alpha data

Manage » Manage & Orchestrate » Data & Metadata Management » (Meta)data aggregation and management »

Strawberry is an award-winning Production Asset Management Suite (PAM), designed to keep productions organized and collaboration flexible. Strawberry solves key storage and workflow management issues that plague every media production house. For a PAM to be effective, it must integrate tightly with key creative applications, accelerate production workflows, and manage the underlying production storage. Strawberry does this and more, so that you can utilize your creative talent more effectively. Its unique approach balances the needs of the technical team and creative team for producing content seamlessly. If you have tired of constantly adding storage and see that a smarter workflow is the solution, have a closer look.

Produce » Post Production » Editing and Finishing » Non-linear editing »

Blackbird is the world’s fastest, most powerful professional cloud video editing and publishing platform. Ideal for remote video production, Blackbird provides rapid access to video content for the easy creation of clips, highlights and longer form content to multiple devices and platforms.

A fully-featured editor accessed through any browser, easy to learn and needing only limited bandwidth to use, Blackbird powers significant efficiency benefits - whether you work in sports, esports, news or entertainment.

An ultra green technology, Blackbird supports the sustainability goals of the media production industry.

Produce » Post Production » Editing and Finishing » Non-linear editing »

All Your Video Workflow Tools in One Place. Transfer to Editing to Playout or Publishing.

Our professional video editor reduces the time it takes to get video to your team and viewers.

 

Work smarter in the cloud.

Whether you need a quick edit or a complex compilation, you can edit video using professional tools straight from your browser. Trim clips, rearrange scenes and add other media elements. Intuitive controls let you get exactly the look, sound, and feel you want.

• Frame by frame control


• Trim, crop, and rearrange scenes


• Insert audio, graphics or text


• Pick from a library of text fonts


• Add transitions, animations and effects


• Support for up to 8 channels of audio


• Embed SRT for captions


• Customizable graphics that are shareable with team members

 

Work, manage and edit faster in the cloud.

Eliminate the need to export, upload and download media when editing. Import and publish media straight from and to your latakoo cloud library where collaborators can easily locate your work.

Uploading content for the first time? latakoo is the fastest, easiest, most secure way to get video to the cloud from anywhere regardless of file size or Internet connection.

• Save time by working directly in the cloud


• Import videos, photos and audio from any location or device in record time


• Publish media to latakoo networks featuring unique permission sets


• Share videos via email or to your social media channels straight from your cloud library

 

Distribute media to your asset manager, automagically

Powered by a latakoo HUB, deliver media in the desired codec and wrapper right into your asset manager.

latakoo HUB is fully integrated with Avid Interplay, Grass Valley Stratus, bitcentral Core and Dalet Galaxy.

Publish » Linear Playout » Linear Playout Systems » Channel branding graphics and promotion systems »

Epoch | 4K Neutron is Bluefish444’s fully-featured 4K/UHD, 2K/HD & SD video and audio I/O card for professional video workflows on Windows, macOS and Linux operating systems.

Capable of up to 3 independent and simultaneous channels of 3G/HD/SD-SDI input or output, 4K Neutron also features 4K/UHD HDMI monitoring, AES Digital Audio IO, Analogue Audio Output, RS-422 Control, and auxiliary Reference Input. 4K Neutron is also available as a low-profile configuration compatible with compact installations or devices.

Cross-platform support with industry-leading 3rd-party software

Adobe Creative Cloud | Assimilate SCRATCH | Avid  | Avmeda  | Brainstorm  | BTi | CasparCG | ChryonHego | ClassX | Dataton | Drastic Technologies 4KScope & VideoQC | DVBControl | Etere | Foundry Nuke | Libero Systems | Marquise Technologies MIST & ICE | Masterplay | Media 5 | Media-Alliance | Medialooks | Metus | MOG | NewTek | Nverzion  | Resolume | Ross Video | Streamstar | Telestream Wirecast | Touchdesigner | Unity | Unreal Engine | Unreal Streaming Technologies | Vizrt Viz Engine & Viz Arena | vMix | VRi | Xdream Media | Zinemath zLense

All Bluefish video cards are Thunderbolt compatible, work with the free Bluefish acquisition application IngeSTore, the Bluefish cross-platform SDK, and leading 3rd party content creation tools.

Bluefish products are deployed globally throughout the broadcast graphics, post-production, live event and entertainment, immersive graphics, proAV, corporate, military, government, medical and education markets, including integration into digital intermediate, mobile production, QC and compliance, Video Over IP and video streaming workflows.

FREE multi-channel capture tool, IngeSTore

• Capture up to 3 channels of video


• Wide range of codec options


• Records direct to shared storage, including Avid shared storage


• Growing file support with Edit-While-Record in Adobe Premiere Pro and Avid Media Composer


• REST API to control remotely


• RS-422 Controller


• Encode for live production, post production, archival and streaming workflows

MAJOR FEATURES

Bi-directional I/O’s provide unrivalled flexibility

• 3 bi-directional BNC video connectors supporting 3G/1.5G SDI I/O


• Up to 4K UHD 30p playout or capture via Dual Link 3G-SDI


• Each BNC is completely independent


• Third BNC can be set to Reference input instead of standard video signal

Maximum connectivity

Included breakout cable provides:

• RS-422 machine control for control of VTRs and other serial-controlled devices


• 8 channels of AES EBU audio input and output for 7.1 surround sound monitoring. Capture and playout digital audio signals in crystal-clear quality


• 2 channels of Analogue Audio for quick and simple high quality audio monitoring


• Auxiliary Reference (Input) connector frees the 3rd BNC for 3G/HD/SD video I/O

The industry's lowest latency I/O, by design

4K Neutron has, by design, the world's lowest-latency providing access to captured fields or frames to on-board card memory event before the whole field or frame is complete, thereby reducing the latency to sub on field or frame. During a capture or playout, each process can occur at less than or equal to 1 field for interlaced modes, and less than 1 frame for progressive modes.

4K/UHD HDMI monitoring

• Cost-effective 4K/UHD monitoring via HDMI 1.4


• Simultaneous SDI and HDMI playout

Maintaining a 12-bit processing pipeline

• 12-bit image processing is standard on all Bluefish video cards


• Allows 8, 10 & 12-bit SDI video signals to be produced from 8, 10, 12 & 16-bit pixel formats providing the highest image quality available from your source material


• 4096 discrete values of red, green & blue are maintained per pixel


• 4 times the colour precision of a traditional 10-bit processing pipeline!

Maintaining the highest quality RGB <=> YUV

• Fully programmable 4 x 4 x 33-bit colour matrix providing the highest quality colour space conversions


• Reduces colour space conversion errors and ensures the highest quality colour accuracy during capture, monitoring and mastering

Thunderbolt expansion chassis compatibility

• Compatible with Sonnet, One Stop Systems Magma, Netstor, and AKiTio Thunderbolt devices for multichannel mobile production


• Visit Bluefish's website for a full list of qualified 3rd-party chassis options

Low-latency video keyer

• Low latency hardware video keyer


• Allows video layers to be combined in hardware with microseconds of delay


• Enables animated logos, captions, tickers, and more to be keyed over live video feeds at full 12-bit precision, and with minimum input to output delay


• Can also function as an image pre-multiplier to assist in previewing images with alpha data

Publish » Linear Playout » Linear Playout Systems » Channel branding graphics and promotion systems »

Epoch | Supernova CG is Bluefish444’s 2K/HD & SD video and audio I/O card for professional video workflows on Windows, macOS and Linux operating systems.

Capable of up to 4 independent and simultaneous channels of HD/SD-SDI input or output, Supernova CG features a flexible combination of multi-channel SDI I/O, and a dedicated Reference input BNC.

Cross-platform support with industry-leading 3rd-party software

Adobe Creative Cloud | Assimilate SCRATCH | Avid  | Avmeda  | Brainstorm  | BTi | CasparCG | ChryonHego | ClassX | Dataton | Drastic Technologies 4KScope & VideoQC | DVBControl | Etere | Foundry Nuke | Libero Systems | Marquise Technologies MIST & ICE | Masterplay | Media 5 | Media-Alliance | Medialooks | Metus | MOG | NewTek | Nverzion  | Resolume | Ross Video | Streamstar | Telestream Wirecast | Touchdesigner | Unity | Unreal Engine | Unreal Streaming Technologies | Vizrt Viz Engine & Viz Arena | vMix | VRi | Xdream Media | Zinemath zLense

All Bluefish video cards are Thunderbolt compatible, work with the free Bluefish acquisition application IngeSTore, the Bluefish cross-platform SDK, and leading 3rd party content creation tools.

Bluefish products are deployed globally throughout the broadcast graphics, post-production, live event and entertainment, immersive graphics, proAV, corporate, military, government, medical and education markets, including integration into digital intermediate, mobile production, QC and compliance, Video Over IP and video streaming workflows.

FREE multi-channel capture tool, IngeSTore

• Capture up to 4 channels of video


• Wide range of codec options


• Records direct to shared storage, including Avid shared storage


• Growing file support with Edit-While-Record in Adobe Premiere Pro and Avid Media Composer


• REST API to control remotely


• RS-422 Controller


• Encode for live production, post production, archival and streaming workflows

MAJOR FEATURES

Bi-directional I/O’s provide unrivalled flexibility

• 4 bi-directional BNC video connectors supporting 1.5G-SDI I/O


• Up to 2K/HD 60p playout or capture via Dual Link 1.5G-SDI


• Each BNC is completely independent

Maximum connectivity

• Dedicated Reference Input BNC

The industry's lowest latency I/O, by design

Supernova CG has, by design, the world's lowest-latency providing access to captured fields or frames to on-board card memory event before the whole field or frame is complete, thereby reducing the latency to sub on field or frame. During a capture or playout, each process can occur at less than or equal to 1 field for interlaced modes, and less than 1 frame for progressive modes.

Maintaining a 12-bit processing pipeline

• 12-bit image processing is standard on all Bluefish video cards


• Allows 8, 10 & 12-bit SDI video signals to be produced from 8, 10, 12 & 16-bit pixel formats providing the highest image quality available from your source material


• 4096 discrete values of red, green & blue are maintained per pixel


• 4 times the colour precision of a traditional 10-bit processing pipeline!

Maintaining the highest quality RGB <=> YUV

• Fully programmable 4 x 4 x 33-bit colour matrix providing the highest quality colour space conversions


• Reduces colour space conversion errors and ensures the highest quality colour accuracy during capture, monitoring and mastering

Thunderbolt expansion chassis compatibility

• Compatible with Sonnet, One Stop Systems Magma, Netstor, and AKiTio Thunderbolt devices for multichannel mobile production


• Visit Bluefish's website for a full list of qualified 3rd-party chassis options

Low-latency video keyer

• Low latency hardware video keyer


• Allows video layers to be combined in hardware with microseconds of delay


• Enables animated logos, captions, tickers, and more to be keyed over live video feeds at full 12-bit precision, and with minimum input to output delay


• Can also function as an image pre-multiplier to assist in previewing images with alpha data

Publish » Linear Playout » Linear Playout Systems » Channel branding graphics and promotion systems »

Epoch | 4K Supernova S+ is Bluefish444’s fully-featured 4K/UHD, 2K/HD & SD video and audio I/O card for professional video workflows on Windows, macOS and Linux operating systems.

Capable of up to 4 independent and simultaneous channels of 3G/HD/SD-SDI input or output, 4K Supernova S+ also features a fifth BNC for SDI monitor output and a dedicated Reference input BNC.

Cross-platform support with industry-leading 3rd-party software

Adobe Creative Cloud | Assimilate SCRATCH | Avid  | Avmeda  | Brainstorm  | BTi | CasparCG | ChryonHego | ClassX | Dataton | Drastic Technologies 4KScope & VideoQC | DVBControl | Etere | Foundry Nuke | Libero Systems | Marquise Technologies MIST & ICE | Masterplay | Media 5 | Media-Alliance | Medialooks | Metus | MOG | NewTek | Nverzion  | Resolume | Ross Video | Streamstar | Telestream Wirecast | Touchdesigner | Unity | Unreal Engine | Unreal Streaming Technologies | Vizrt Viz Engine & Viz Arena | vMix | VRi | Xdream Media | Zinemath zLense

All Bluefish video cards are Thunderbolt compatible, work with the free Bluefish acquisition application IngeSTore, the Bluefish cross-platform SDK, and leading 3rd party content creation tools.

Bluefish products are deployed globally throughout the broadcast graphics, post-production, live event and entertainment, immersive graphics, proAV, corporate, military, government, medical and education markets, including integration into digital intermediate, mobile production, QC and compliance, Video Over IP and video streaming workflows.

FREE multi-channel capture tool, IngeSTore

• Capture up to 4 channels of video


• Wide range of codec options


• Records direct to shared storage, including Avid shared storage


• Growing file support with Edit-While-Record in Adobe Premiere Pro and Avid Media Composer


• REST API to control remotely


• RS-422 Controller


• Encode for live production, post production, archival and streaming workflows

MAJOR FEATURES

Bi-directional I/O’s provide unrivalled flexibility

• 4 bi-directional BNC video connectors supporting 3G/1.5G SDI I/O


• Up to 4K UHD 30p playout or capture via Dual Link 3G-SDI


• Each BNC is completely independent

Maximum connectivity

• Additional BNC for SDI monitoring


• Dedicated Reference input BNC

The industry's lowest latency I/O, by design

4K Supernova S+ has, by design, the world's lowest-latency providing access to captured fields or frames to on-board card memory event before the whole field or frame is complete, thereby reducing the latency to sub on field or frame. During a capture or playout, each process can occur at less than or equal to 1 field for interlaced modes, and less than 1 frame for progressive modes.

Maintaining a 12-bit processing pipeline

• 12-bit image processing is standard on all Bluefish video cards


• Allows 8, 10 & 12-bit SDI video signals to be produced from 8, 10, 12 & 16-bit pixel formats providing the highest image quality available from your source material


• 4096 discrete values of red, green & blue are maintained per pixel


• 4 times the colour precision of a traditional 10-bit processing pipeline!

Maintaining the highest quality RGB <=> YUV

• Fully programmable 4 x 4 x 33-bit colour matrix providing the highest quality colour space conversions


• Reduces colour space conversion errors and ensures the highest quality colour accuracy during capture, monitoring and mastering

Thunderbolt expansion chassis compatibility

• Compatible with Sonnet, One Stop Systems Magma, Netstor, and AKiTio Thunderbolt devices for multichannel mobile production


• Visit Bluefish's website for a full list of qualified 3rd-party chassis options

Low-latency video keyer

• Low latency hardware video keyer


• Allows video layers to be combined in hardware with microseconds of delay


• Enables animated logos, captions, tickers, and more to be keyed over live video feeds at full 12-bit precision, and with minimum input to output delay


• Can also function as an image pre-multiplier to assist in previewing images with alpha data

Publish » Linear Playout » Linear Playout Systems » Channel branding graphics and promotion systems »

Welcome to the next generation of Bluefish444, with the arrival of the KRONOS range of video, audio, and data processing I/O cards. Built with multi-channel 4K UHD 60p, High Dynamic Range, High Frame Rate SDI and SMPTE 2022 & SMPTE 2110 support for Video Over IP workflows for broadcast, production and post-production, the new KRONOS range is ready for anything that you can throw at it.

The KRONOS optikós offers future-proofing connectivity with 3 SFP+ cages in addition to 2 HD BNC connectors for 3G/HD/SD-SDI I/O. These SFP+ cages provide limitless connectivity options exposing greater than 3G SDI, IP connectivity across 10Gb Ethernet, and flexibility to choose from numerous physical interfaces.

Publish » Linear Playout » Linear Playout Systems » Channel branding graphics and promotion systems »

Welcome to the next generation of Bluefish444, with the arrival of the KRONOS range of video, audio, and data processing I/O cards. Built with multi-channel 4K UHD 60p, High Dynamic Range, High Frame Rate SDI and SMPTE 2022 & SMPTE 2110 support for Video Over IP workflows for broadcast, production and post-production, the new KRONOS range is ready for anything that you can throw at it.

KRONOS will offer the choice of SDI I/O connectivity with the KRONOS ēlektron, featuring 8 high-density BNC connectors capable of 3G/HD/SD-SDI. Each HD BNC connector is fully bi-directional, enabling numerous configuration options, including 8 input, 8 output, or a mixture of SDI input and output connections.

Produce » Post Production » Post-Production Services » Creative services »

 

JPEG XS Plugin for Adobe Premiere® by intoPIX

 

Supercharge your workflow with intoPIX plugin, importing, editing and exporting JPEG XS MXF files along with up to 32 uncompressed audio channels. Full-featured and flexible, Adobe Premiere Pro is the industry-leading video editing software to create for web, TV, and feature productions.

Embedding the FastTICO-XS SDK, this plugin enables super-fast encoding and decoding in CPU or GPU, with ultra low latency video editing in HD, 4K and 8K. Among many other export options, it offers the possibility to select the desired video compression rate, the JPEG XS encoding profile, the pixel format (RGB 4:4:4, UYVY 4:2:2 or V210 4:2:2) as well as the audio channels sample depth and layout (mono, stereo, 5.1, etc.)

 

The values for your workflow

• HD, 4K, 8K editing at the speed of light with a normal laptop: You can import, play, export easily and rapidly HD, 4K & 8K videos. Thanks to JPEG XS, you preserve the topest image quality and process the content with the lowest latency.

• Proxies are part of the master in your JPEG XS MXF file, so you can (re)view HD, 4K or 8K JPEG XS files by just displaying a sub-resolution of it, which significantly reduces the bandwidth and computational load of the editing or the playback. The plugin enables you to switch instantly between full and lower resolutions.

Produce » Post Production » Editing and Finishing » Non-linear editing »

As the UK’s Avid Cloud Partner, we’re able to provide unrivalled advice and support around cloud editorial workflows. Whether you want to send editors to set or need to support remote working at short notice, we can get your editors access to the creative tools they need.

Having pioneered remote working with our Via24 cloud services, we have the experience you need to integrate Edit on Demand into your workflow quickly, securely and with minimal downtime. We offer Edit on Demand on our platform, along with our customary pre-sales advice, workflow planning and support.

Produce » Post Production » Editing and Finishing » Non-linear editing »

Have you considered migrating your editing to the cloud, but are concerned about access and cost challenges? EditShare’s system-based storage, asset management and cloud solutions make it simple, enabling communication and collaboration between media professionals around the world.

EFSv reduces costs, and improves the accessibility and efficiencies of dynamic and remote editing workflows for your whole business. Using both object and block storage in the cloud allows for savings up to 75% compared to the existing costs of cloud storage and workstations.

As the UK’s largest EditShare Certified Partner, and only EFSv provider, our certified engineers provide the best support while your solution is installed and configured, and continue to provide support once it’s in place. We’ve been helping to design, build and support media workflows for nearly 30 years, and our combination of experience and expertise means they can handle pretty much anything your facility throws at them.

Among our many accreditations, we’re also an Adobe Systems Integration Partner and DaVinci Resolve Authorised Reseller, so can integrate cloud solutions into your current media workflow. We can even provide remote demos, so can bring EditShare solutions directly to you.

Produce » Post Production » Editing and Finishing » Non-linear editing »

In nearly 30 years’ as one of the media industry’s leading suppliers and support partners, we’ve seen Premiere Pro’s popularity skyrocket, taking over the creative agencies, sport organisations, winning over ITV and even being adopted by household names like David Fincher.

The latest incarnation features Productions, a powerful new toolkit for managing multi-project workflows. Large complex workflows can be divided into manageable projects, which editors can collaborate on using shared local storage. Assets can be shared between projects within a Production, without creating duplicate files. And large scale projects can be broken into reels or episodes where multiple editors collaborate according to their preferred workflow using a shared storage network.

If you want to get started with Premiere Pro, expand your Adobe workflow or learn more about Productions, we’re the ones to ask. As an Adobe Platinum Reseller, we offer the best possible pricing on Adobe licences, and as an Adobe Systems Integration Partner, we can help you build a streamlined Premiere Pro workflow with optimised hardware and infrastructure.

Manage » Manage & Orchestrate » Content & Workflow Management » End-to-end supply chain solutions »

DejaEdit is a ground-breaking film tool that allows editors and operators to collaborate between multiple remote Avid editing platforms. It ensures that media and timelines created or imported in one connected system are shared and mirrored to the local or network storage of other connected systems. This takes place automatically, quickly and securely in the background, using an internet connection. Although it is not necessary to be online continuously.

Produce » Post Production » Editing and Finishing » Non-linear editing »

As an add-on to Primestream’s Xchange web-based media management platform, Creative Bridge allows all members of the content creation team to access any creative tool — Adobe Creative Cloud, Apple Final Cut Pro X, DaVinci Resolve, and Avid Pro Tools.

Produce » Post Production » Editing and Finishing » Non-linear editing »

NewsBase provides state-of-the-art editing capabilities. It can be installed almost on all types of PC hardware. It is part of A-MAM and NewsHouse ecosystem.

Features

• The module is easy to use even by non-professionals


• In some cases there is no need to delegate tasks to  third party NLE systems.


• Integration with NewsHouse makes editing 45% faster


• The module can be integrated with A-MAM which facilitates the access to shared media files and video archive

Produce » Post Production » Editing and Finishing » Color correction and grading »

What is Creative Cloud?

Creative Cloud is a collection of 20+ desktop and mobile apps and services for photography, design, video, web, UX and more. Now you can take your ideas to new places with Photoshop on the iPad, draw and paint with Fresco, and design for 3D and AR. Join our global creative community — and make something better together.

Produce » Post Production » Editing and Finishing » Non-linear editing »

Luma Touch’s flagship product LumaFusion has captured the hearts of mobile journalists as the “go-to product” for mobile video editing, titling, audio mixing, color correction and finishing of high-quality news segments while in the field. Whether you’re masterminding the next smartphone feature-length film, creating a three-minute music video or producing a sixty-second news segment, LumaFusion is the mobile editor that will help you cultivate and finesse your finished piece.

As the first truly professional video and effects editor for mobile, LumaFusion has also been acclaimed by independent and experimental filmmakers, music video artists and corporate producers as a trusted and easily-affordable solution for creative video editing and effects, rivaling the features and exceeding the usability and enjoy-ability of more expensive desktop editors like FCPX and Adobe Premiere.

Produce » Post Production » Editing and Finishing » Non-linear editing »

Alex Gollner develops Final Cut Pro X plugins for broadcasters for use on TV programmes, websites and social media.

These include titles, generators, effects and transitions that work in any aspect ratio. Start in one: 16:9, 1:1 or 9:16 for example, copy your timeline to any other aspect ratio and the plugins will reconfigure themselves with new layouts - including options for TV-safe areas for 16:9 and ‘social safe’ areas for 1:1 and 9:16 timelines.

Recent plugins Alex has developed have been used to make videos shown on broadcaster websites alongside broadcaster accounts on Facebook, Twitter, YouTube, Apple News, Instagram and IG TV.

Produce » Post Production » VFX & Graphics » Compositing, graphics/CGI and animation tools »

Alex4D Animation Transitions is a pack of Final Cut Pro X transitions you can use to easily animate graphics, text and clips onto and off the screen.

Add instant character to logos, text, graphic elements and even video clips by springing, bouncing, sliding and skidding them onto and off the screen.

Easy to apply, easy to make changes without having to work with keyframes.

As well as working in 16:9 for HD and 4K video, Alex4D Animation Transitions work in any aspect ratio from super-wide (48:9) to super tall (9:48). This is specially useful when making videos for social media services that require square and vertical video such as Instagram, Twitter, Apple News and IG TV.

Produce » Post Production » VFX & Graphics » Compositing, graphics/CGI and animation tools »

Alex4D 360° Effects works exclusively with Apple’s Final Cut Pro 10.4 and later. This kit of simple to use effects range from effects that stylise whole spheres of video to those that help viewers notice specific features of the 360° environment. As well as working with spheres of video, they also work with overlays such as logos, pictures and titles.

Alex4D 360° Effects includes three free plugins that can instantly save time in spherical video production.

The pack is divided into six categories: Repeat – to repeat footage and overlays around the sphere, Highlight – to attract attention to specific parts of the environment, Blur – blur parts of your footage and overlays, Stylize – to change the look of whole spheres at a time, Masks – to help overlay areas of 360° content inside other spheres and Flat – to make more of 360° footage used in flat non-spherical videos.

Final Cut Pro X is the best NLE for making 360° videos. Alex4D 360° Effects can be used to make videos destined for Facebook, YouTube and Twitter whose applications and websites can now display 360° videos automatically.

Produce » Post Production » Editing and Finishing » Non-linear editing »

Mistika VR is an affordable Virtual Reality focused software solution for optical flow stitching that achieves speeds quicker than real-time for a 4K VR media encoding and stabilizes 360º footage in just one simple click. It has truly revolutionized the way multi-camera stitching is done and reduced the time taken to correct footage from hours to minutes - all at the highest possible quality. It is built on high-end Mistika Technology that is accessible for the masses with flexible payment options, based on a pay-per-use business model. SGO has been consistently improving Mistika VR with several significant upgrades, introducing various new features and other exciting improvements, contributing to a much more efficient VR 360º post-production workflow. Importantly, many of the VR camera manufacturers have adopted Mistika VR as a first choice solution providing metadata which ensures a faster, better and more precise stitch.
Mistika VR integrates VR 360 and other immersive formats in the workflow of traditional post-production pipelines, solving all the particularities of the media while sufficiently overlapping with further stages in the production chain.
In principle, the complexity to integrate this format comes due to following facts: First, VR 360º is normally based on rigs with many cameras, so they are difficult to process with traditional post-production pipelines based on one camera per shot. Secondly, The particular problems of the format itself: Geometry alignment, stitching, Stereo3D / depth grading, color matching between the cameras, stabilization in a 360 environment. Mistika VR is focused on solving all those points, and then deliver a traditional 2D image (or one per eye) in the most common formats used for post-production.
Mistika VR is based on the following ingredients:
Low-cost business model and pay per use. VR requires high-end technology, but short productions do not justify high-end investments in permanent infrastructure (at least until the market is mature). Mistika VR is available to download for Windows and macOS with flexible payment options on a subscription basis from just $60 a month.
High performance, even with small resources. Mistika technology is 100% based on GPU and has been being optimized for more than 20 years of Mistika Technology development. In the last year, SGO has been able to squeeze the most advanced high-end optical flow engine into small computers, even laptops, which is vital for the success in these environments.
High-end quality for the masses. Many VR camera solutions provide basic stitching capabilities for VR 360 formats. But past the novelty factor, VR 360 magic demands the ultimate image quality that is required to immerse us in a virtual world. The Mistika VR mission is to take the “frameless” format to the next level and making sure it is here to stay.
A complete solution encapsulating all the multi-camera tasks. The idea to start with Mistika VR and then use traditional resources would not be possible if one or more tasks requiring multiple camera manipulation are left out of the workflow. For this reason, Mistika VR covers not only the image stitching but also all other important tasks such as color matching, stabilization, Stereo3D adjustments, Keyframe Animation, etc.
Uniquely, Mistika VR functionality is perfectly integrated into the Mistika Ultima finishing solution used by studios and high-end facilities, thus covering the entire range of potential projects. This allows enhanced collaboration between small and big players and the flexibility to grow with new companies that are evolving to create various immersive experiences.

Produce » Post Production » Editing and Finishing » Non-linear editing »

 Hive content management Plug-in to Adobe After Effects
 Search / query by various metadata
 Preview Hive clips
 Import clip to Premiere Project as direct access to Hive storage (by link).
 Single click to trigger Adobe media encoder rendering premiere sequence and register the rendered clip back to Hive content management via Hive Plug-in
 Save and share Adobe AE project in Hive

Produce » Post Production » Editing and Finishing » Non-linear editing »

 Hive content management plug-in to Adobe Premiere
Search / query by various metadata
Preview clips by Source Viewer
Import clip to Premiere Project as direct access to Hive storage (by link). All clip markers with metadata are inherited and displaying on premiere timeline
 Efficient editing workflow with Hive Content management Plug-in
Single click to trigger Adobe media encoder rendering premiere sequence and register the rendered clip back to Hive content management via Hive Plug-in
Register consolidated files to Hive Rundown and to Hive central storage
Save and share Premiere project in Hive for collaborative editing

Produce » Post Production » Editing and Finishing » Non-linear editing »

 Browser-based workflow to allow users editing anywhere and anytime
 Direct distribute videos to broadcast Rundown , and social media
 Unlimited video and audio tracks editing
 Editing while ingesting
 Voice Over recording and graphics templates e.g. Adobe After Effects integration
 Repurpose video in multiple formats including 1:1 and 9:16 video with text on video
 Timeline exchange with Hive editor, Adobe Premiere with markers and metadata

Produce » Post Production » Editing and Finishing » Non-linear editing »

 Connect In-House system via VPN
 Search and preview both In-House and Local clips
 Mixed Editing both In-House and Local clips
 Manually select to synchronize field editing sequence back to In-House
 Automatically uploading the corresponding local clips used in the
sequence back to In-House system. (Only upload the partial pieces used
in the sequence)
 Download In&Out piece of clip from In-House system to local field editor
 Transfer clips back to In-House
Support local rendering and send the rendered clip back to In-House system by FTP transferring

Produce » Post Production » Editing and Finishing » Non-linear editing »

 Mixed editing with variety of formats
 Most of the industry’s broadcast native media support, from 4k to virtual reality to smartphone including XAVC 10bit
 Share programs with 3rd party NLE system via AAF, FCP xml
 Seamless working with MBH Material List
 Customized keyboard shortcut
 Edit efficient with great workflow
 Edit while SDI ingesting
 Edit while file importing
 Single click to register timeline to a Story
 Automatic retrieving clips while starting to render
 Variety of default effect templates
 Open to integrate with 3rd party graphics, e.g. VizRT, Ross (requires custom integration)
 Flexible to switch local rendering or background rendering

Produce » Post Production » Editing and Finishing » Color correction and grading »

Please welcome the new addition to the PVM-X family: the PVM-X3200. Our new 32-inch 4K HDR TRIMASTER high grade picture monitor offers colour matching with the BVM-HX310 reference monitor which makes it ideal for on-set, studio, post-production and truck applications.

Produce » Post Production » Editing and Finishing » Color correction and grading »

PVM-X2400, a 24-inch 4K HDR TRIMASTER high grade picture monitor

Advanced information on the PVM-X2400 V2 upgrade model: 4K HDR picture monitor colour-matches with the BVM-HX310 master monitor, ideal for 4K and HD productions, TRIMASTER assures accurate colour reproduction, precise imaging and consistent picture quality, future user 3D LUT signal output support, SR live metadata, dynamic contrast drive and black detail High/Mid/Low, Inputs for 12G-SDI and Quad-Link 3G-SDI to HD-SDI as well as HDMI, Unique quad view display with User 3D LUT, Enhanced user interface and channel select button, Optimised features for field operation, and Powerful stereo sound with audio muting

Produce » Post Production » Editing and Finishing » Color correction and grading »

PVM-X1800(PVMX1800),18.4-inch 4K HDR TRIMASTER high-grade picture monitor

Advanced information on the PVM-X1800 V2 upgrade model: 4K HDR picture monitor color-matches with the BVM-HX310 master monitor, ideal for various 4K and HD productions, TRIMASTER assures accurate color reproduction, precise imaging, and consistent picture quality, Future HDR-SDR conversion support, Future User 3D look-up-table signal output support, SR Live Metadata, Dynamic Contrast Drive and Black Detail High/Mid/Low, Inputs for 12G-SDI and Quad-Link 3G-SDI to HD-SDI, as well as HDMI, Various scopes, Unique Quad View display with User 3D LUT, Enhanced user interface and Channel Select button, Optimized features for field operation, Various mount capabilities, and a Powerful stereo sound with audio muting

Produce » Post Production » Editing and Finishing » Color correction and grading »

LMD-A Series monitor is a Full HD high grade LCD monitor for studio and field use. It has as an excellent cost-performance ratio, with its WUXGA (1920 x 1200) creating a lightweight and slim body, whilst at 24-inchs being the industry’s widest viewing angle.

Other features included HDR production, 4K production, shopping channels, enhanced field application, graphics applications, latest camera-linkage, editing features, user presents and password protection, 2K format display, Dual-Link HD-SDI mode and multiple monitors firmware upgrade utility