
Lawo’s new V__matrix IP broadcast video core infrastructure product will change your idea of what a broadcast facility looks like from legacy to future, quickly transforming any broadcast installation into a flexible, future-proof production facility, addressing a wide range of workflows and supporting your transition to a totally IP-based environment.
V__matrix is the first of its kind. Free from the restrictions of legacy hardware platforms, it offers a completely virtualized real-time routing and processing infrastructure. Instead of connecting single purpose modular products in elaborate production chains, V__matrix employs data center principles of flexibility, fabric computing and COTS economics and makes these available to any live production broadcast environment. Whether an OB truck, a TV studio or a broadcast operation center, V__matrix creates a fully virtualized facility infrastructure. The V__matrix ecosystem is based on generic high capacity FPGA-based processing blades upon which Virtual Modules (VM) are loaded to create the functionality required. Multiple cores are connected through redundant 40GE (or 4x 10GE) Ethernet interfaces to an IP network to form a distributed IP routing and processing matrix that provides frame-accurate, clean switching just like a legacy baseband matrix.
The V__matrix ecosystem scales linearly from tens to thousands of I/O and processing functions which make it ideal for any size live broadcast facility, small or large. Capabilities easily scale as well. An entire production workflow can be remapped in minutes when requirements change from production to production. The functionality of any processing blade can be exchanged, enabling system capabilities to easily be modified or upgraded to address your constantly changing business requirements. The V__matrix pool of generic processing blades provides ultimate flexibility; with software-defined functionality they can be configured and called upon to handle the peaks and troughs of seasonal production demands and with Lawo’s innovative licensing model, Virtual Modules can be assigned to a particular processing blade or be stored in an on-site license server allowing for unprecedented flexibility.
The V__matrix ecosystem can be divided into two parts: physical and virtual. The physical consists of the C100 processing blade and associated hardware which provides the compute and processing capacity of the platform; the more compute power you have the more functions you can run. Since V__matrix is a fully IP-based platform, the C100 processing blade can be placed anywhere there is an IP network. It can be decentralized and spread over one or more facilities or centralized in a core facility or OB truck. A hybrid approach is also possible where some core equipment is kept on-site while a pool of processing power is kept in a remote data center. This decentralized approach allows the technical operation center to be situated in a purpose-built data center outside of town where space, power and cooling is inexpensive, while talent and studios can be in another area.
The virtual world is centered around the software which defines the functionality of the platform. The software packages are called Virtual Modules (VM) and in the V__matrix they allow the function-agnostic core processing hardware to build complex workflows by simply running the appropriate VM. Combining VMs allows the creation of complete production chains fulfilling all broadcast requirements in a fully virtualized environment. As all functions of the V__matrix ecosystem are software-defined it is the ultimate future-proof platform. Changing the functionality of your broadcast plant is as easy as changing the software modules loaded onto the processing blades. By cascading multiple VMs together, the V__matrix scales linearly up to thousands of SDI I/O and audio/video processing functions for unparalleled scalability, flexibility, versatility and cost-efficiency. The current line-up of V__matrix Virtual Modules include:
- vm_streaming – SDI-to-IP Gateway
- vm_udx 4K/HDR Format Converter – IP Up/Down/Cross and Color Space Converter
- vm_mv16-4, vm_mv18-4 & vm_mv24-4 — 4K Multiviewers
- vm_dmv – World’s first expandable distributed 4K IP Multiviewer
V__matrix multiviewer VMs are controlled by Lawo’s groundbreaking touch operated configuration system “theWALL”. This unique HTML5 based GUI makes mosaic configuration with borders, colors, UMDs, tally etc. a simple case of drag and drop.
LET US CONNECT YOU TO
Other products from this company:

A__line WAN-Capable Audio-over-IP Nodes

A__UHD CORE

HOME

mc²36 Audio Production Console

mc²96 Grand Production Console

Power Coreᴿᴾ IP Audio I/O &...

RƎLAY Virtual Radio Software

ruby Radio Mixing Console

smartDASH & smartSCOPE

V__matrix

V__matrix vm_avp SDI-to-IP Gateway

V__matrix vm_udx 4K/HDR Format Converter

V__remote 4

vm_dmv Distributed 4K IP Multiviewer

VSM IP Broadcast Control and Workflow...
A__line WAN-Capable Audio-over-IP Nodes
Lawo A__line nodes are designed to serve as IP audio stageboxes for mc² consoles, audio extensions for the V__matrix ecosystem, or as stand-alone IP audio gateways.
A__line devices provide distributed audio connectivity that makes it easy to scale audio I/O capacity in a networked system — temporarily or permanently. SMPTE ST2110-compliant, A__line offers a granular audio format selection similar to the flexibility found in baseband modular I/O systems, but eliminates system design limitations like maximum channel count per frame, fixed channel capacity per device interconnect, or fixed overall system size. Audio endpoints connected to A__line nodes can be seamlessly shared on LAN or WAN, and thanks to their fully standardized streaming technology, can interconnect to a wide variety of IP-enabled broadcast devices — A__line nodes are brand-agnostic.
A__line devices boast exceptional audio quality. Discrete, Class-A microphone preamplifiers deliver a superb dynamic range of 119dB(A), ultra low noise at all gain levels and a perfectly flat frequency response. Versatile analog I/O accommodates levels as high as +24dBu before clipping. Insertable, precise sample rate conversion is available on each AES3 input. For multichannel baseband interfacing, A__line features bi-directional MADI access via SFP. All devices employ the ST2110-30/31 and AES67 standards to transport uncompressed audio in real-time on Layer-3 IP networks, with ST2022-7 Seamless Protection Switching with dual-redundant network interfaces and ample receive buffer capacity to meet ST2022-7 class C specs for LAN and WAN deployment. Two redundant power inlets complete the package, along with PPM metering for all Analog and AES3 interfaces and PTP/Wordclock sync and conversion.
The A__line family includes:
- A__stage48 – 32x mic/line in, 16x line out, 8x AES3 in, 8x AES3 out, 1x MADI, 8/8 GPI, 3RU
- A__stage64 – 32x mic/line in, 16x line out, 8x AES3 in, 8x AES3 out, 1x MADI, 8/8 GPI, 4RU
- A__stage80 – 32x mic/line in, 32x line out, 8x AES3 in, 8x AES3 out, 1x MADI, 8/8 GPI, 3RU
- A__mic8 – 8x mic/line in, 4x line out, 8/8 GPI, 1RU
- A__digital8 –8x AES3 in, 4x AES3 out, 8/8 GPI, 1RU
- A__digital64 – 32x AES3 in with SRC, 32x AES3 out, 1x MADI, 8/8 GPI, 3RU
- A__madi6 – 6x MADI, 1RU
When controlled with Lawo’s VSM broadcast control system, A__line stageboxes provide an advanced set of networking options; VSM manages A__line’s AoIP connections, I/O settings, its non-blocking internal routing matrix, and GPIO signals for smooth integration into an overarching operational workflow.
A__UHD CORE
Plenty of reliability features are built-in. A__UHD Core features four independent IP audio streaming engines, each with a redundant pair of 10*/1 GbE network ports (SFP). The device is fully based on open standards and supports Audio-over-IP I/O via ST2110-30/-31, AES67 and RAVENNA. Each network interface supports up to 512 Rx & Tx streams with stream sizes from 1 to 128 audio channels. Redundant hot-swappable PSUs are standard, as well as network interface redundancy for all streaming and management ports, allowing redundant IP network paths using ST2022-7 Seamless Protection Switching and adheres to the Class C specification for deployment within LAN or WAN environments, allowing redundant A__UHD Core units to be housed just about anywhere on the planet—and still take over instantly if the need arises.
Finally, a flexible licensing model makes A__UHD Core ideal for both mobile applications and facility use. For mobile, the scalable DSP performance with temporary licenses is a great way to turn CAPEX into OPEX, whilst in facility applications, the possibility of resource pooling and flexible allocation of DSP resources to multiple physical and GUI-based mixing surfaces maximizes ROI for your audio infrastructure. This flexible software licensing offers fixed and temporary licenses to provide exactly what you need, when you need it. Licenses are stored on USB dongles and can be conveniently downloaded, allowing for seamless transfers from unit to unit.
Best of all, A__UHD Core’s functionally is defined by its software, making it a future-proof investment with a feature-set that is designed to expand.
HOME
HOME is a management platform for IP-based media infrastructures. It is designed to connect, manage and secure all aspects and instances of live production environments. HOME provides the tools and centralized services for swift and effective interaction of engineers with their tools.
HOME is cloud-native by design and ready to run anywhere, irrespective of the system’s size. With HOME, the cloud starts on your campus, private and locally. It turns an array of devices, setups, sites, hubs and data centers into a powerful, agile network — quickly and in a perfectly secure way.
Inside HOME, discovery of devices is automatic, while registering and admitting them to the network is only a button press away.
With the adoption of IP well underway, the focus of operators has shifted from whether to adopt IP to how to use its potential with minimal effort and maximum effect. This is where HOME shines: it addresses all pressing issues real-world operators face today and tomorrow. In one place and via a single, platform-agnostic, intuitive user interface.
Lawo’s HOME platform is based on open standards such as ST2110, NMOS, IEEE802.1x and RADIUS and has been designed and built from the ground up using LUX—the Lawo Unified Experience, a framework for conceiving, designing, and building solutions that put you first and defines the standard for user experience and design across the Lawo portfolio.
Discovery and Registration: HOME solves IP complexity with automatic plug & play discovery of IP audio and video devices, which are registered with their name, location, status and type. This applies not only to Lawo products but to third-party solutions as well via NMOS. Discovered devices are managed in a central inventory list, ready for access and configuration.
Device Management: In today’s hectic live broadcast environments, operators rely on speedy, unified device configuration routines, especially when setting generic device parameters or configuring senders and receivers. The ability to save and recall configurations is key to speed up tasks. HOME provides a centralized “mission control” for these processes, providing fast and unified access to device parameters for easy tweaking, irrespective of the end point being controlled.
Operability: With its simple, user-friendly UI, HOME allows users to organize and access processing services. With all required facilities accessible in one place, operators can set up and change stream configurations, and route them across an infrastructure without the need for a separate controller. For large infrastructures HOME works seamlessly with a broadcast controller in the same set-up and helps to speed up configuration and operation. HOME is based on LUX, a UI language common to all Lawo devices and many of their functionalities. Through HOME’s user interface, operators can access and edit device parameters quickly utilizing integral mechanisms that help get the job done efficiently. With HOME, operators quickly get right to what they’re looking for, without distractions and complications, to focus 100% on the task at hand.
Security: The content created by a production crew and transported over a network is any operation’s most valuable asset and deserves strong protection. While a robust security system needs to cover all aspects of media infrastructure and content creation, the key lies in its simplicity. HOME provides a variety of security strategies, first of which is quarantining unknown devices when they come online. Only after being deliberately approved, via an intuitive IEEE802.1X-based routine, can they begin exchanging signals with the HOME network. Secondly, HOME uses an authentication strategy based on a centralized user management system, with dedicated user roles and groups. The LDAP based service allows users to authenticate either locally – within HOME – or via their own corporate IT infrastructure, e.g. Microsoft® Active Directory. Finally comes the arbitration of devices and individual streams based on pinpointed rights management. HOME’s architecture is prepared to manage services such as transport layer security, network segmentation and other IT security mechanisms such as RADIUS.
Scalable Architecture: Home is cloud-native by design, which means that its architecture is built to run detached from hardware constraints. This does not automatically mean that services must be outsourced to an external service provider whose meter is running 24/7; with HOME, the cloud starts on your campus, private and locally, on COTS hardware. The HOME platform is designed as functional blocks that provide microservices, which are self-contained and supply functionality to operators or other services.
HOME can be expanded with additional services at any time to increase its functionality — the platform scales on demand. Should there be a need for a larger RDS, because the installation grows, additional instances of the required resources can be added anytime. One of the core principles of HOME is its focus on the utilization of open standards wherever possible, for broadest compatibility and future-proof integration. With HOME, flexibility and resource utilization in IP media infrastructure maximizes.
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mc²36 Audio Production Console
Big performance in a compact size: that’s Lawo’s new second-generation mc²36 audio production console, an incredibly powerful yet compact mixer, now even more capable with a new dual-fader operating bay that allows 48 faders in the same space as a 32-fader board. This makes the new mc²36 even more of an all-rounder for theater, houses of worship, corporate, live and broadcast audio applications – wherever ultra-high audio performance in close quarters is demanded.
With DSP more than doubled from its predecessor, the new mc²36 with built-in A__UHD Core functionality offers 256 processing channels, available at both 48 and 96 kHz, and natively supports ST2110, AES67, RAVENNA, and Ember+. It provides an I/O capacity of 864 channels, with local connections that include 3 redundant IP network interfaces, 16 Lawo-grade mic/line inputs, 16 line outputs, 8 AES3 inputs and outputs, 8 GPIO connections, and an SFP MADI port.
Operating and visualizing features include Button-Glow and touch-sensitive rotary controls, color TFT fader-strip displays, LiveView™ video thumbnails, and super-precise 21.5” full HD touchscreen controls. Its built-in full loudness control is compliant with the ITU 1770 (EBU/R128 or ATSC/A85) standard, featuring peak and loudness metering which can measure individual channels as well as summing busses.
The new mc²36 offers seamless integration of third-party solutions like recording systems, effects engines, and other systems running on external PCs, into its user interface. Applications display right in the console’s screen, while console keyboard, touchpad and touchscreen provide control.
Last but not least: mc²36 offers best-in-class integration of Waves SuperRack SoundGrid, providing operators with access to Waves’ extensive plug-in selection of real-time signal processing alongside the console’s internal processing engine — no additional screens or control devices required.
Moving the mc²36 to the A__UHD Core means that all developments in the future will happen on a single, unified platform, and Lawo continues to provide production file compatibility between all mc² consoles. For instance, a production file from an mc²36 can be used on an mc²96 for post-production — opening the door to a whole new level of performance.
The new mc²36 is based on Lawo’s A__UHD technology and includes Lawo’s innovative new IP Easy functionality that makes IP setup as simple as analog. IP Easy, based on Lawo’s innovative HOME management platform for IP-based media infrastructures, makes connecting IP audio and I/O devices as easy as if they were baseband – the console automatically detects new devices and makes them available at the touch of a button. IP Easy even manages IP addresses, multicast ranges, and VLANs, and includes security features like access control and quarantining of unknown devices to protect your network. HOME is natively built on a cloud-ready microservices architecture, enabling users to connect, manage and secure networked production setups from the ground up. Furthermore, it provides centralized access and control for all Lawo gear within a setup. HOME helps broadcast professionals address some of the most demanding requirements of modern IP infrastructures, including automated discovery and registration of devices, connection management, flow control, software & firmware management, scalability and security.
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mc²96 Grand Production Console
- Frames from 24 to 200 faders (with Dual Fader option).
- Remote stand-alone frames of 16 faders.
- 6 banks each with 2 layers.
- TFT metering: mono, stereo or up to 7.1 including bus assignment, gain reduction for dynamics, Audio-follow-Video status, VCA assignment, Mix-Minus, Signal Patching, Meter selection, Automix state.
- GUI page output, e.g. metering, on an external monitor.
- 40-bit floating point signal processing with 1,024 DSP channels (768 inputs and 256 summing buses).
- Up to 768 inputs with A/B input, up to 128 aux buses, up to 96 groups, up to 96 main sums, 32 Automix groups.
- Up to 32 surround channels, 128 VCA groups with metering, 256 GP channels.
- Surround formats: DTS & Dolby ® Digital 5.1, Dolby ® Pro-logic 4.0, DTS ES & Dolby ® EX 6.1, SDDS 7.1, DTS-HD 7.1, diverse panning characteristics, surround aux bus.
- Loudness Metering according to EBU R128, ATSC A/85 and ARIB, momentary or short term in every channel, integrated measurement on summing channels with display of integrated LUFS value in headline.
- Waves SuperRack SoundGrid ® integration.
- Interfaces include Mic / Line, Line Out, AES3, 3G SDI, HD-SDI, MADI, GPIO, Serial, MIDI, ST2110 / AES67 / RAVENNA / DANTE ® Audio-over-IP.
Power Coreᴿᴾ IP Audio I/O & DSP Node for Remote Production
Lawo’s Power Coreᴿᴾ is a full-featured remote production solution for mc² audio consoles, providing integrated modular I/O, DSP and IP streaming capabilities, all in a compact 1RU device. It accomodates 64 channels of MADI audio via its front-panel port, and I/O count can easily be expanded using the eight rear-panel slots which can be loaded with Mic, Line, AES3 and GPIO cards, in any combination, for a total I/O capacity of up to 128 channels.
Designed for mission-critical applications, Power Coreᴿᴾ includes ST2022-7 compliance for network redundancy and Class C jitter / network latency robustness to eliminate the need for dedicated WAN gateways and minimizing the complexity of remote productions while reducing single points of failure. Its IP interface complies with ST2110-30/-31, AES67 and RAVENNA networking standards to deliver maximum interoperability within your production suite. To accommodate the most sophisticated workflows, Power Coreᴿᴾ features comprehensive audio connectivity via two redundant 1GbE SFP ports for Audio-over-IP, one MADI port (with a 2nd port for interface redundancy), and eight modular I/O slots that can accommodate mix of Mic, Line and AES3 cards. A unique studio card with Mic/Line inputs & outputs plus two headphone amplifiers is available as well.
Power Coreᴿᴾ DSP capabilities include 64 fully-featured processing channels and provide low-latency on-site monitor and IFB mixing. mc2 consoles at home have full control of all relevant channel parameters (gain, fader, mute, EQ, dynamics, Aux Send Level, etc.) of the DSP node at its remote location.
All I/O parameters of the Power Coreᴿᴾ can be remote controlled from an mc² console’s channel strips; in addition, mc² consoles can control the DSP channels inside Power CoreRP to offer control capabilities for up to 64 input channels and 16 stereo Aux busses. Remote channels can be mapped to the host console’s surface just like any other source and offer parameter control for Fader, Mute, EQ+Filters, Dynamics, Delay plus the analog and digital input section. Remote inputs and Auxes of Power Coreᴿᴾ can even be linked to local DSP channels of the host console to ensure continuous linking of parameter values.
In addition to the control integration from an mc² console, Power Coreᴿᴾ features a touch-screen optimized control GUI based on the Lawo VisTool screen design solution. This provides on-site as well as remote access to all parameters of Power Coreᴿᴾ, which is convenient for setting up prior to connecting the host console. Power Coreᴿᴾ ‘s unique remote-control possibilities include continuous and dynamic fader control as well as fader start-type commands, which are essential for latency-critical WAN connections and to avoid speech truncation on air. The GUI’s feature set also includes sophisticated test mode and lineup patterns, as well as controllable DIM levels to the talents’ ear-pieces for talkback from the director. The graphical interface also allows monitoring the control connection to the host console, the on-air status, and Sync. You can also monitor Listen and PFL, as well as the local talkback system.
RƎLAY Virtual Radio Software
RƎLAY virtual radio software from Lawo brings professional radio production to your PC. Mixing, streaming, dynamics processing, routing and even AoIP signal monitoring, using standard RAVENNA / AES67 networking via Lawo’s virtual sound-card software for Windows. Mix and route any audio produced by PC applications, streams from your AES67 network, or any audio signal your PC can ingest. All this power at your fingertips, using touch-screen GUIs so intuitive that talent can learn them in minutes. No exotic hardware needed: just install RƎLAY software on your PC or laptop, and go to work. Perfect for production, live studios, newsrooms — even remotes and OB work.
There are four RƎLAY Virtual Radio apps:
- VRX Virtual Radio Mixer, a powerful mixing console that runs in a virtualized environment. No racks of gear to devour space and money – RƎLAY VRX runs on standard PCs and laptops, with an intuitive, multitouch-enabled interface that’s easy to learn and use. Available in 8-fader and 4-fader versions.
- VPB Virtual Patch Bay, a cross-point patch bay on your PC. RƎLAY VPB gives you unrestricted control over the routing and mixing of audio signals on your computer. Patch inputs to outputs, combine multiple channels, even apply processing using the included Lawo Processing Suite, or your favorite VST plug-ins.
- RƎLAY Virtual Sound Card, an 8×8 AoIP driver (with up to 64 bi-directional channels of stereo I/O) for Windows. RƎLAY VSC turns PC audio into clean, pristine AES67 streams to interface with your studio’s RAVENNA / AES67 network — without the expense of traditional sound cards.
- AoIP Stream Monitor keeps you informed of the state of your critical program streams with real-time confidence metering, LUFS meters, silence sense, audio level alerts, etc., displaying realtime informatics for up to 16 AES67-compatible audio streams. Average and peak bargraph meters for each channel are onscreen constantly, accompanied by a level readout in Loudness Units, and visual alarms for under-level, over-level and error states, plus multiple info tabs with stream health, performance history, and detailed SDP information. Perfect for Master Control displays, stream diagnostics, audio level checks, and much more.
ruby Radio Mixing Console
ruby, from Lawo, is the mixing console that truly meets the demands of modern radio by blending the hands-on immediacy of physical faders with the context-sensitive efficiency of multi-touch controls. ruby frees your talent to create easily, naturally, effortlessly — in the way that suits them best. ruby is intuitive, uncluttered, powerful; but beneath its svelte surface lie color-programmable visual cues, context-sensitive displays and custom workflow options to help ensure that your hands always find the control you need, first time — every time. The mixing surface has a sleek, modern look that’s both functional and beautiful, designed for fast, accurate operation. From the high-resolution OLEDs that display sources and settings to the programmable function buttons and big, tactile ON/OFF and PFL keys with LED backlighting, ruby looks and feels great. Built in Germany to exacting Lawo standards, ruby features all-metal construction, premium 100 mm faders with built-in dust shield, ergonomic wrist-rest and ultra-reliable switches and rotary controls. There are smart tools like AutoMix, an intelligent algorithm that automatically maintains the balance of multi-mic productions so that creative staff and focus on what they do best — create. Desktop or flush-mount versions in 4, 8, 12 and 16 fader frame sizes, plus standalone 4 and 8 fader and Master Control extenders, allow combining multiple frames to build systems as large as 60 faders.
Today’s board operators interact as much (or more) with screens and displays as they do with the mixing console, so we’ve integrated mixing tools and other console controls into ruby’s multi-touch enabled display (powered by Lawo’s VisTool GUI-building software). No hunting for buried options: multi-touch on-screen controls instantly give what’s needed to control studio devices, apply dynamics, adjust virtual faders, and display true loudness metering. The optional VisTool Unlimited software upgrade even enables you to design context-sensitive screens customized to your station’s unique operating style, using your own custom-built graphics and control layouts.
ruby controls Lawo’s Power Core, perhaps the most powerful mixing engine ever built for radio, with redundant IP networking and redundant power capabilities. At just 1RU, Power Core‘s compact form belies the immense capabilities inside. On the front panel, a high-resolution color OLED gives status and setup information. I/O includes dual AES67 Ethernet ports with SFP, capable of 128 bi-directional AoIP streams, and 4 ports for high-density MADI signals (128 total channels of audio) — perfect for native MADI-to-AES67 AoIP conversion. It complies with the ST2110-30 standard too, ensuring seamless operation in combined radio / TV broadcast plants. ST2022-7 Seamless Protection Switching enables simultaneous dual-redundant network links, if you choose. Clock sync connections and 8 GPI / GPO contact closures complete the scene. Auto-switching dual-redundant power is standard, with Power Core’s internal auto-ranging AC power supply complemented by an inlet which accommodates an external 12VDC backup power supply.
There are also 8 rear-panel expansion slots, which accept a variety of optional IO expansion cards, including MADI, mic/line inputs, line inputs and outputs, AES3 inputs and outputs, and even a Dante interface. And Power Core’s raw audio processing horsepower puts other mix engines to shame, with the ability to handle thousands of simultaneous signals, a routing matrix of up to 1,920 x 1,920 crosspoints, and up to 96 channels of DSP input processing usable for EQ, de-essing, dynamics, etc. tucked into just 1RU. Multiple tiered license options make it easy to choose the combination of price and power that’s just right for you.
smartDASH & smartSCOPE
Lawo’s System Monitoring And Realtime Telemetry Dashboard (aka smartDASH) is a vendor-agnostic enterprise software suite designed to provide full network and media visibility across an all-IP, all-SDI or hybrid WAN/LAN broadcast infrastructure. Based on a LINUX OS, this software-defined networking solution incorporates a powerful and robust database to document and rapidly search any aspect of the operation—from a simple cable ID number to seeking the journey of a multicast across a transnational multi-hop WAN.
By leveraging a vast library of software communication protocols, the smartDASH automatically interrogates live and dormant path connections to create the most intuitive and data rich presentation layers of a COTS-hybrid infrastructure, deriving media network data and documenting the network and supporting infrastructure. With its award-winning network micro-services, smartDASH supports a wide range of network protocols to build up rich graphic representations of the network infrastructure. These automated processes dynamically document the interconnected network design in real-time. SmartDASH users have a zero-footprint installation: SMART can be deployed on-prem, in a private or public cloud, and is accessible from a browser and/or mobile device.
smartDASH supports monitoring and decoding for media formats from low-bit-rate OTT/ABR streams to uncompressed ST2110 studio production flows, in addition to characterizing packet pacing off the delivery network. Unifying network telemetry and mixed media flow brings deep operational visibility into a single glass view. smartDASH even tracks device inventory spares and accounts for CAPEX and OPEX KPIs to manage cost of ownership.
V__matrix
Lawo’s new V__matrix IP broadcast video core infrastructure product will change your idea of what a broadcast facility looks like from legacy to future, quickly transforming any broadcast installation into a flexible, future-proof production facility, addressing a wide range of workflows and supporting your transition to a totally IP-based environment.
V__matrix is the first of its kind. Free from the restrictions of legacy hardware platforms, it offers a completely virtualized real-time routing and processing infrastructure. Instead of connecting single purpose modular products in elaborate production chains, V__matrix employs data center principles of flexibility, fabric computing and COTS economics and makes these available to any live production broadcast environment. Whether an OB truck, a TV studio or a broadcast operation center, V__matrix creates a fully virtualized facility infrastructure. The V__matrix ecosystem is based on generic high capacity FPGA-based processing blades upon which Virtual Modules (VM) are loaded to create the functionality required. Multiple cores are connected through redundant 40GE (or 4x 10GE) Ethernet interfaces to an IP network to form a distributed IP routing and processing matrix that provides frame-accurate, clean switching just like a legacy baseband matrix.
The V__matrix ecosystem scales linearly from tens to thousands of I/O and processing functions which make it ideal for any size live broadcast facility, small or large. Capabilities easily scale as well. An entire production workflow can be remapped in minutes when requirements change from production to production. The functionality of any processing blade can be exchanged, enabling system capabilities to easily be modified or upgraded to address your constantly changing business requirements. The V__matrix pool of generic processing blades provides ultimate flexibility; with software-defined functionality they can be configured and called upon to handle the peaks and troughs of seasonal production demands and with Lawo’s innovative licensing model, Virtual Modules can be assigned to a particular processing blade or be stored in an on-site license server allowing for unprecedented flexibility.
The V__matrix ecosystem can be divided into two parts: physical and virtual. The physical consists of the C100 processing blade and associated hardware which provides the compute and processing capacity of the platform; the more compute power you have the more functions you can run. Since V__matrix is a fully IP-based platform, the C100 processing blade can be placed anywhere there is an IP network. It can be decentralized and spread over one or more facilities or centralized in a core facility or OB truck. A hybrid approach is also possible where some core equipment is kept on-site while a pool of processing power is kept in a remote data center. This decentralized approach allows the technical operation center to be situated in a purpose-built data center outside of town where space, power and cooling is inexpensive, while talent and studios can be in another area.
The virtual world is centered around the software which defines the functionality of the platform. The software packages are called Virtual Modules (VM) and in the V__matrix they allow the function-agnostic core processing hardware to build complex workflows by simply running the appropriate VM. Combining VMs allows the creation of complete production chains fulfilling all broadcast requirements in a fully virtualized environment. As all functions of the V__matrix ecosystem are software-defined it is the ultimate future-proof platform. Changing the functionality of your broadcast plant is as easy as changing the software modules loaded onto the processing blades. By cascading multiple VMs together, the V__matrix scales linearly up to thousands of SDI I/O and audio/video processing functions for unparalleled scalability, flexibility, versatility and cost-efficiency. The current line-up of V__matrix Virtual Modules include:
- vm_streaming – SDI-to-IP Gateway
- vm_udx 4K/HDR Format Converter – IP Up/Down/Cross and Color Space Converter
- vm_mv16-4, vm_mv18-4 & vm_mv24-4 — 4K Multiviewers
- vm_dmv – World’s first expandable distributed 4K IP Multiviewer
V__matrix multiviewer VMs are controlled by Lawo’s groundbreaking touch operated configuration system “theWALL”. This unique HTML5 based GUI makes mosaic configuration with borders, colors, UMDs, tally etc. a simple case of drag and drop.
V__matrix vm_avp SDI-to-IP Gateway
In base form, vm_avp provides encapsulation and de-encapsulation of 3G, HD and SD-SDI (ST2022-6/7 only) to IP ST2022-6 and ST2110-20/21/30/31/40, making vm_avp is the logical choice for both gateway and purely IP-based A/V processing, providing up to 160 SDIIP conversions in 3RU. ST2022-7 seamless protection switching is standard, with IP stream format conversion and frame accurate video switching using destination-timed clean and quiet switching (MBB & BBM) with audio V-fade during switching.
To further expand the usefulness of vm_avp, several optional add-on licenses are available:
- +audio – adds embedding/de-embedding and shuffling of audio from both IP and baseband I/O with sample rate conversion. 40 TX and RX instances of RAVENNA/AES67/ST2110-30/-31 streaming and an audio crossbar of 512 x 512.
- +audio_matrix – an additional upgrade to the +audio option, the +audio_matrix option provides a total of 88RX and 128TX instances of RAVENNA/AES67/ST2110-30/-31 streaming and an increased audio crossbar of up to 5,312 x 5,312.
- +madi – enables use of V__matrix BNC inputs and outputs to interface with MADI signals (AES10, 48kHz, 64 channels).
- +fs – adds framesync, frame phaser, sample rate conversion and audio/video delay functionality for both IP and baseband video inputs; also provides Dolby-E® auto-alignment functionality.
- +vc2 – adds visually lossless VC2/DiracPro ultra-low latency encoding and decoding; ST2042 low-delay profile.
- +proc_cc – adds YUV & RGB color correction, test pattern generator/inserter, and test tone generator.
- +12g – Adds support for 12 Gbps video standards and provides cross conversion capabilities between UHDTV1 Single-Link and Quad-Link.
V__matrix vm_udx 4K/HDR Format Converter
The vm_udx app provides a format conversion engine capable of processing four SD, HD, 3G or one UHD path for IP and/or SDI signals. Each path provides audio embedding/de-embedding/shuffling functionality. Audio gain, delay and sample rate conversion can be accessed through independent processing blocks, which can be inserted at any point of the processing chain. Eight instances of broadcast quality RGB and YUV color correction and video proc are also available as processing blocks for use by any video source, whether SDI or IP, and available both pre- and post-format conversion.
For even more functionality, add the +HDR option to enable four instances of SDRHDR color space conversion using 3D lookup tables. A large selection of LUTs especially developed for live production are included, and custom LUTs can also be uploaded too. The included LUTs allow for conversion between SDR and HDR in HLG and PQ.
V__remote 4
Lawo's V__remote 4 is designed to provide a one-box solution for all the requirements of video and audio signal transport and processing in WAN-based remote productions. It includes everything from Video-over-IP coding to various monitoring and processing tools. All designed for one purpose: to provide a tool that increases the flexibility of any broadcast application, while saving valuable rack-space, set-up time and production costs. With its virtual cabling capability, V__remote 4 leverages IP infrastructure advantages and cost savings to provide an unparalleled degree of flexibility and scalability.
In remote live production, IP is becoming a fundamental requirement, and getting reliable, low latency and high-quality video from venues back to studios at reasonable cost is an absolute necessity. The Lawo V__remote 4 achieves this by combining a bi-directional, four-channel Video-over-IP interface, four local SDI inputs and outputs, and all the processing tools usually needed when contributing video and audio via WAN or LAN to a broadcast production, into a compact 1RU devices.
V__remote 4 provides four 3G / HD/ SD SDI inputs and four 3G / HD / SD SDI outputs for interfacing to external video equipment, and converts these signals into IP streams (and vice-versa). These streams can be transported via standard Layer 3 IP LANs or WANs. V__remote 4 provides parallel encoding in multiple streaming formats, making the same signal available to different applications – e.g. RAW for local production, JPEG2000 for remote sites, MJPEG and H.264 for monitoring applications, and H.264 for internet distribution. The IP-based approach allows easy signal routing via Lawo’s VSM control and monitoring system or other external master control systems. No rewiring is needed as long as all devices are connected to the network. Since the device is based on real network technology with multicast capability, it allows easy transmission of signals to multiple outputs within the network.
The V__remote4’s coding engines are designed to meet the highest demands for video quality and signal transport reliability. The extremely robust J2K codec (with a special protection algorithm for signal transport even on unreliable WAN connections) and ST2022-7 port redundancy ensure signal availability and quality. Lawo’s EPS technology for enhanced protection switching goes even further, enabling system designs with true hardware and network redundancy. Format and quality of the IP video streams can be configured individually to provide the optimum balance of picture quality, latency and bandwidth. Its 6 Ethernet ports are connected to an internal switch allowing “tunneling” of IP traffic such as camera control, RAVENNA streams or even office and Internet IP, through the 10GBit interface.
vm_dmv Distributed 4K IP Multiviewer
vm_dmv is a true revolution in multiviewer technology. Leveraging the power of IP using Lawo’s advanced V__matrix IP video routing & processing platform, vm_dmv lets you build a true 4k UHD multiviewer that can easily grow and adapt to suit your unique requirements. Build a system as small as 24 inputs and 4 control heads, or as large as 768 inputs with 128 heads – and beyond.
The secret lies in the pairing of Lawo’s unique LiveView™ technology and V__matrix architecture. vm_dmv “virtual module” apps run on C100 blades inside a Lawo V__matrix rack unit, which accepts SDI and 40GbE connections. Combining LiveView™ with the ability to “cluster” C100 processing blades keeps bandwidth requirements low, while enabling incredible scalability. Need more inputs or more control heads? Simply load another vm_dmv module to increase system capacity.
vm_dmv takes full advantage of modern network design. It utilizes a distributed architecture, with multiple software modules running on C100 blades within V__matrix frames connected via IP. Individual modules can be hosted in the same frame, or located in different frames within your facility — even in an entirely different location altogether. Which means you can also have multiviewer heads wherever you need them: Master Control, remote production facilities, even OB vans. No other multiviewer system can give you this kind of flexibility.
Traditional multiviewers require massive amounts of bandwidth because they generate control head PiPs using incoming video signals at full-scale. vm_dmv solves the bandwidth problem with cutting-edge LiveView™ MIP-mapping technology. Each incoming signal is optimized and downscaled, then served as four simultaneous streams of differing sizes. These streams become the PiPs used in each multiviewer head; once a source is present, it can be displayed by any (or every) head in the system. LiveView™, coupled with V__matrix’s 40GbE IP backbone, provides true bandwidth efficiency, ultra-low latency, and one-to-many source distribution.
vm_dmv is space-efficient, too. Each V__matrix rack frame accommodates two C100 blades, making it possible to deploy a 48-8 vm_dmv multiviewer system using only 1RU of space. And because the system is built on a true-IP backbone utilizing the ST2110 and ST2022 standards, you can build a distributed architecture, with V__matrix frames placed adjacent to source inputs and connected via Ethernet —instead of running cable bundles to the central rack room.
A groundbreaking multiviewer deserves an equally groundbreaking control and configuration system. vm_DMV is controlled with Lawo’s “theWALL”, a unique HTML5-based GUI that makes mosaic configuration with borders, colors, UMDs, tallies and more a simple case of drag-and-drop. Configure any monitor wall, route signals, change mosaic layouts, save and load user presets. theWALL does all this and more, with a smart, intuitive touch interface that’s a snap to use. Ideal for EICs, line producers and operators, theWALL gives every member of your production team the power to change their monitor wall layouts on-the-fly in seconds flat.
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VSM IP Broadcast Control and Workflow Solution
A VSM IP control system brings together all the requirements for a safe and flexible broadcast operation. The “everything under one roof” philosophy unites technical devices and operators in a most adaptable way. User panels and interfaces can be configured without limitation to meet the requirements of different workflows and applications, while the whole system is under redundant control.
With hundreds of different protocols implemented and growing by the day, VSM seamlessly integrates with the majority of the most popular broadcast equipment on the market. This includes video routers, video switchers, audio routers, audio consoles, multi-viewers, intercoms, modular equipment and many special third-party devices. By talking native protocols where possible, equipment from different manufacturers can be seamlessly “glued” together, giving unmatched recall and logic control possibilities system-wide. With a modern TCP/IP backbone, VSM utilizes standard IT hardware but enhances reliability and redundancy with sophisticated software redundancy concepts. VSM also provides interfaces to connect serially controlled devices, again freeing you to decide on the best hardware technology, no matter the format of the physical control interface. Real time feedback from every single crosspoint and parameter is available, as well as special applications such as audio metering via the protocol. All VSM user interfaces display the confirmed action from an attached device, guaranteeing maximum transparency for every operator and every control unit. Additionally, a global naming facility for mixers, UMDs, user panels and many other devices provides status information at a glance.
VSM servers are the heart of the control system. Running vsmStudio software, all administration and configuration is both programmed and saved runtime in intuitive and easy to use software. Control interfaces in the form of a wide range of hardware LCD button panels and software panel clients allow simplified operation from highly flexible and custom designed configurable GUIs. Additional VSM hardware includes GPIO interfaces, UMDs for dynamic labelling, and SmartHubs, which convert control signals to and from serial to TCP/IP. SNMP Monitoring capabilities are realized via the vSNMP editor software tool which runs on a separate server.
VSM is the ultimate control system integration solution. Applications include mobile production, in-studio production, multi-studio operation with “boxing” of complete studios for fast switching on the fly, TV and Radio master control rooms, and more. VSM solutions include vsmSOUL Seamless Orchestration & Unification Layer, vsmTally Multi-Studio Tally Management System, vsmSNMP Alarm Management System, and vsmGear control panels and interfaces.
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KAIROS

Kahuna
The Kahuna 4800, Kahuna 6400 and Kahuna 9600 offer more firepower and flexibility in the Kahuna family than ever before, including 4K UHD and HDR capabilities across all Kahuna switchers.
Together with Kahuna Maverik — Grass Valley’s Kahuna family switcher control surface — the Kahuna family provides a large feature set, including more power for M/E functionality and enhanced DVE resize engines.
The three switchers in the Kahuna family provide more power and flexibility than ever before.
Kahuna 9600
Up to 24 M/Es
48 keyers
The most powerful switcher in the Kahuna family, the Kahuna 9600 is an enterprise-class switcher offering an unmatched feature set to meet the needs of the highest caliber of productions.
Kahuna 6400
Up to 12 M/Es
24 keyers
The Kahuna 6400 delivers huge power and flexibility to the widest range of applications including regional news, sports production, houses of worship and magazine programs.
Kahuna 4800
Up to 4 M/Es
16 keyers
Offering superb value for money, the Kahuna 4800 is an immensely capable and well-engineered mid-level production switcher.
GV Korona V-series Vison Mixer
KMU-100
As an option, the Datavideo RMC-185 controller can be added to easily pan, tilt, and zoom to create the user-defined windows on the 4K signal. You can set up these shots in advance and save them as presets, or you can do it in real-time."
HS-2850 HD/SD 8/12-Channel Portable Video Studio
As a complete AV package, the HS-2850 HD mobile studio enables users to switch seamlessly between video and audio sources and blend high-quality digital content on the fly. Advanced features include a 17.3-inch video monitor which displays multiple sources, as well as preview and program. The system is equipped with an eight-way intercom system and is supplied with four belt packs for effective communication between the whole production crew.
The HS-2850 is ideal for TV and video professionals working in outside broadcast or temporary video studios, such as theatres or conference centers. The HS-2850 is also a great value solution for the worship, education, and AV markets."
HS-2200 HD/SD 6-Channel Portable Video Studio
The HS-2200 also feature an 8-channel intercom system complete with tally lights, belt packs and headset (supplied with four cameraman belt packs & four 20m cables included)."
SE-2850 HD/SD 8/12-Channel Digital Video Switcher
The SE-2850’s audio functionality allows it to connect an external mixer for a complete sound control. The SE-2850 also features all channel audio de-embedding and audio delay, and 4 dedicated XLR inputs. As an integrated Multimedia mixer, the SE-2850 can switch between up to 12 audio sources.
In addition to producing superb 4:2:2 10-bit broadcast quality pictures with versatile input/output configurations, the SE-2850 also has powerful, easy-to-use effects, such as dual picture in picture (PIP), downstream keyer (DSK), logo insertion and built-in title overlay system for the entry level Datavideo CG systems."
SE-2200 HD/SD 6-Channel Digital Video Switcher
SE-2200 consists of 6 HD-SDI video inputs or with a combination of 4 HD-SDI and 2 HDMI inputs; all of the inputs are reassignable, thus it is able to adapt to your needs. One of the HDMI inputs can be used to accept video from a PC/Laptop computer to work with built-in title overlay system such as Datavideo's CG solutions, including CG-200."
SE-1200MU HD 6-Channel Digital Video Switcher
Two assignable HD-SDI and two HDMI outputs for connecting an HD recorder, monitor and a streaming encoder, plus two Balanced XLR audio inputs for connecting an external audio mixers. Other features include chromakey, lumakey, DSK, PIP, still stores, audio delay, tally and RJ-45/RS-232 remote control interface."
SE-650 HD 4-Channel Digital Video Switcher
It offers two HD-SDI and two HDMI inputs that support video formats up-to 1080i. It features two HDMI outputs and a user assignable HD-SDI output.
The SE-650 is the perfect device for small scale video production using professional cameras and HDMI equipment. The SE-650 also features an audio mixer with microphone and unbalanced RCA audio inputs. Advanced tools include Chromakey, Luma key, PiP, wipe generator, still store and tally."
SE-500HD HD/SD 4-Channel Digital Video Switcher
Don’t let the SE-500HD fool you with its compact size and affordable price. It is loaded with features such as Lumakey for graphic overlays, split screen for side by side views of the presenters, and PIP (picture-in-picture) for PowerPoint presentations. Plug in microphones and other audio sources directly into the SE-500HD and use the built-in audio mixer to simplify your workflow and get professional sound. Dedicated buttons make it user friendly and easy for anyone to operate it like a pro. Professional features, compact all-in-one design and affordable price point makes the SE-500HD ideal for any live presentation."
SE-500MU HD 4-Channel video switcher
The SE-500MU is not merely a video switcher, it is also a PTZ camera controller. There are two available Control Applications- SE-500MU Control (for video switcher) and SE-500MU PTC Control (control up to 4 PTZ cameras). SE-500MU offers 4 HDMI inputs, a program output, and a quad preview. It supports video resolutions up to Full HD 1080p, and it can perform cut, mix, and wipe transitions, fade to black, PIP, Split Screen, and Luma Key."
KMU-200 4K Multi-Channel Touch Screen Region of Interest Switcher
Produce traditional landscape (16:9) & vertical (9:16) video from a single 4K camera with built-in streaming. The KMU-200 allows users to output multiple landscapes or portrait pictures simultaneously just by creating cutouts of a 4K input using the 14” touch screen. The HD output signal can be streamed to many mainstream live-streaming platforms and output video can be recorded on an SD card. The KMU-200 features virtual camera control, switching, audio mixing, streaming and backup recording within one compact unit, which is an ideal product for content creators who want to live stream their content to social media platforms. Video productions that are traditionally done by multiple crew members now can be done by one person using the KMU-200.
The KMU-200 is a single unit that allows users to convert a 4K input signal to a 1080 HD output signal. An auxiliary HDMI input is also available for Skype or other sources. Hardware control is available on the unit to control the created cutouts, giving control over zoom, tilt, and pan of the virtual camera with a convenient joystick. Professional illuminated buttons control the switching of a maximum of 6 shots: 4 cutouts, the full image, and the auxiliary input.
Furthermore, its 14" capacitive touch screen allows users to easily control of picture selection and camera operations. Users can control the picture selection of the KMU-200 by not only the joystick but also by gesturing and pinching directly on the touch screen. This intuitive control method is suited for inexperienced users who are used to tablets and other touch screen interfaces.
HS-1300 6-Channel HD Mobile Cast Streaming Studio
Because of its lightweight portable design, the HS-1300 is ideal for various applications such as live concert events, seminars, sporting events, and live TV programs that need to mix a variety of video and audio sources. Other features include a 17.3-inch LCD monitor, which displays the multi-view, dual chromakey, DSK, still store, user memories, and PIP. Why lug around multiple pieces of equipment for your productions when you can have an all in one product like the HS-1300? Switch, monitor, stream, and record simultaneously with the HS-1300.
X-One
NewTek TriCaster® 2 Elite
The TriCaster 2 Elite is the most complete video production platform available today, and sets a new platinum standard for how much you can achieve with a single system.
Live Compositor
Live Compositor is a an intuitive software solution for live multi-camera production. Video switching and audio mixing, a powerful video effects engine, multi-channel graphics – including LyricX, multiple clip players, and robotic camera control are built-in and packaged in an easy to use all-in one solution.
Live Compositor is the ideal tool for news and current affairs producers, and also a perfect fit for small and medium sized remote OB sports productions.
Ross Ultrix Acuity Hyper Converged Production Platform
Ross Ultrix Carbonite Hyper-Converged Production Platform
Ross Graphite PPC (Portable Production Centre)
Graphite PPC offers customers a remarkable amount of production horsepower – up to two MEs (and four MiniMEs), four DVEs, six frame syncs, four media stores and two MultiViewers. Capable of handling up to thirteen inputs and up to eight outputs, Graphite PPC also includes the same RAVE audio engine (with sample rate converters) that comes with the larger Graphite solution, as well as the same XPression graphics and clips package also found in its elder sibling. Graphite PPC is incredibly light – it weighs only 42 lbs / 19kg including its dedicated soft-shell carrying case equipped with a pull-out handle and wheels. It’s also extremely quiet – ultra-quiet fan cooling means the system can easily be used in the same space as the talent with microphones. Graphite PPC is simple to set-up and requires just a single operator, so you can now deliver a high impact, high efficiency production even more easily.
MS-3200 HD 12-Channel Mobile Video Studio
The MS-3200 HD 12-channel Mobile Video Studio is the ideal solution for large-scale live events because they require up to 12 camera inputs. The system also includes intercom, recorder, waveform vector monitor, and power supply; ultimately allowing the MS-3200 to deliver a complete and easy production process on location. "
OBV-2850 HD/SD 8/12-Channel OB Van Studio
Built around the latest HD/SD switcher, it supports up-to 12 channels of HD/SD-SDI, HDMI or composite video signals. The system is integrated, compact, and sturdy with a metal framework for great stability and protection yet provides room for future expansion.
With power-efficient modules, OBV-2850 can be powered by a DC 12V supply. Datavideo OBV-2850 is easy to install and a cost-effective solution for live video production. "
OBV-3200 HD 12-Channel OB Van Studio
Built around the latest Full HD switcher, it supports up to 12 channels of 1080p Full HD-SDI and HDMI video signals. The system is integrated in a sturdy rack with a new design Console Desk for great stability and protection.
The system is fully equipped with functions such as intercom, video transmission, camera control, video recording, video streaming, audio delay and Scope View monitor etc."
SE-3200 HD 12-Channel Digital Video Switcher
The SE-3200’s modular design allows you to install the 2U main unit on a standard 19-inch rack and place the control panel on a flat work bench, or it can be installed in an outdoor broadcast van. The SE-3200 facilitates video switching, whether indoor or outdoor.
Key Features
Supports full 1080P (3G) 4 Upstream Keys for chromakey, linear and luma keys as well as picture-in-picture 2 Downstream Keys for generating different effects 4 Broadcast Quality keyers with 50 built-in virtual sets 9 built-in Stinger transition effects
HS-1600T 4-Channel HDBaseT Mobile Cast Streaming Studio
The built-in HDBaseT technology allows receiving of 1080p signals from three PTC-150TL or PTC-140T HDBaseT PTZ cameras via CAT6 cable. It features PoE to provide power to three PTC-150TL or PTC-140T cameras, making installation fast and easy. Keeping things user friendly, you only need to push one button to stream to your preferred CDN and record to a SD card simultaneously.
Another great feature of the HS-1600T is the integrated joystick for controlling the pan, tilt, and zoom of the PTC-150TL cameras. You can also adjust focus and iris, as well as access the camera's menu. There are four preset buttons for each camera, making it easy for an operator to recall preset shots with a press of a button.
The all inclusive features of the HS-1600T make it ideal for various applications such as live events, worship, seminars, and corporate presentations.
V__matrix
Lawo’s new V__matrix IP broadcast video core infrastructure product will change your idea of what a broadcast facility looks like from legacy to future, quickly transforming any broadcast installation into a flexible, future-proof production facility, addressing a wide range of workflows and supporting your transition to a totally IP-based environment.
V__matrix is the first of its kind. Free from the restrictions of legacy hardware platforms, it offers a completely virtualized real-time routing and processing infrastructure. Instead of connecting single purpose modular products in elaborate production chains, V__matrix employs data center principles of flexibility, fabric computing and COTS economics and makes these available to any live production broadcast environment. Whether an OB truck, a TV studio or a broadcast operation center, V__matrix creates a fully virtualized facility infrastructure. The V__matrix ecosystem is based on generic high capacity FPGA-based processing blades upon which Virtual Modules (VM) are loaded to create the functionality required. Multiple cores are connected through redundant 40GE (or 4x 10GE) Ethernet interfaces to an IP network to form a distributed IP routing and processing matrix that provides frame-accurate, clean switching just like a legacy baseband matrix.
The V__matrix ecosystem scales linearly from tens to thousands of I/O and processing functions which make it ideal for any size live broadcast facility, small or large. Capabilities easily scale as well. An entire production workflow can be remapped in minutes when requirements change from production to production. The functionality of any processing blade can be exchanged, enabling system capabilities to easily be modified or upgraded to address your constantly changing business requirements. The V__matrix pool of generic processing blades provides ultimate flexibility; with software-defined functionality they can be configured and called upon to handle the peaks and troughs of seasonal production demands and with Lawo’s innovative licensing model, Virtual Modules can be assigned to a particular processing blade or be stored in an on-site license server allowing for unprecedented flexibility.
The V__matrix ecosystem can be divided into two parts: physical and virtual. The physical consists of the C100 processing blade and associated hardware which provides the compute and processing capacity of the platform; the more compute power you have the more functions you can run. Since V__matrix is a fully IP-based platform, the C100 processing blade can be placed anywhere there is an IP network. It can be decentralized and spread over one or more facilities or centralized in a core facility or OB truck. A hybrid approach is also possible where some core equipment is kept on-site while a pool of processing power is kept in a remote data center. This decentralized approach allows the technical operation center to be situated in a purpose-built data center outside of town where space, power and cooling is inexpensive, while talent and studios can be in another area.
The virtual world is centered around the software which defines the functionality of the platform. The software packages are called Virtual Modules (VM) and in the V__matrix they allow the function-agnostic core processing hardware to build complex workflows by simply running the appropriate VM. Combining VMs allows the creation of complete production chains fulfilling all broadcast requirements in a fully virtualized environment. As all functions of the V__matrix ecosystem are software-defined it is the ultimate future-proof platform. Changing the functionality of your broadcast plant is as easy as changing the software modules loaded onto the processing blades. By cascading multiple VMs together, the V__matrix scales linearly up to thousands of SDI I/O and audio/video processing functions for unparalleled scalability, flexibility, versatility and cost-efficiency. The current line-up of V__matrix Virtual Modules include:
- vm_streaming – SDI-to-IP Gateway
- vm_udx 4K/HDR Format Converter – IP Up/Down/Cross and Color Space Converter
- vm_mv16-4, vm_mv18-4 & vm_mv24-4 — 4K Multiviewers
- vm_dmv – World’s first expandable distributed 4K IP Multiviewer
V__matrix multiviewer VMs are controlled by Lawo’s groundbreaking touch operated configuration system “theWALL”. This unique HTML5 based GUI makes mosaic configuration with borders, colors, UMDs, tally etc. a simple case of drag and drop.
DYVI
MS-2850 HD/SD 8/12-Channel Mobile Video Studio
The switcher is integrated with the essential elements required for live production including a recorder, a multi-view monitor and an intercom system."
StreamingPix
The Ideal Solution for Today’s Live Streaming World StreamingPix is a complete yet easy to use live production and streaming solution that provides a powerful tool set enabling users to create engaging video content with a polished, professional look.
Ideal for companies from Aquariums to Zoo’s; Churches, Corporations, Events, Schools, Universities, and all users who want to take streaming to the next level, StreamingPix is an affordable turnkey solution that is easy to set up and ready to go right out of the box. It comes with a remotely controlled RoboPix PTZ camera, a Lenovo Tiny server, a high-quality LAV microphone, SDI, HDMI, IP and NDI™ inputs and an IP switch.
StreamingPix also makes it easy to start creating compelling content, with a ready-to-use video clip library, extensive graphic templates, pre-built automated macros to simplify common tasks and a plug and play approach to integrating PowerPoint, videoconferencing systems and social media feeds through integration with the CASTUS Stream platform, which avoids complex Firewall Configurations or Port Forwarding.
With simultaneous streaming and recording capabilities, StreamingPix can stream to popular streaming and video conferencing services, such as Facebook Live, YouTube Live, IBM Cloud, Livestream, Zoom, Skype, GoToMeeting and more. Utilizing native integration to Switchboards’ Cloud platform, live video content can be streamed to up to five destinations at once after a quick and easy one-time set up.
StreamingPix provides a simple, extremely accessible and easily automated solution to event, meeting, lecture, and worship streaming - enabling non-technologists to create professional looking content quickly and easily. Start producing and streaming more compelling live content with StreamingPix - THE turnkey streaming solution for today's live streaming world.
ChurchPix
ChurchPix is the all-in-one video production solution that enables any church to easily stream its worship services online. Designed with volunteer operators in mind, the ChurchPix system is easy to set-up and simple to use. It provides an affordable turnkey solution for churches and comes complete with dedicated content and easy-to-use controls.
Ready to go, right out of the box, the ChurchPix systems come complete with:
- Two RoboPix PTZ IP cameras with 20x optical zoom, integrated remote control and mounting brackets
- PC hardware and IP switch
- Royalty free library of suitable clips, stills and graphic templates
- Instant streaming and recording
- Audio inputs that support any Windows Audio Device including NDI™, Dante and external USB convertors from the house sound system
- Easy to use software control interface that automates many common production tasks
Discover how you can easily produce and share your worship message online with a Broadcast Pix ChurchPix system. To learn more, or to request a free online demo, click here.
Iphrame Flyaway
In the age of video on demand, content providers need to be aware of viewers’ tastes and the huge variety they crave, and live event coverage is a great way of attracting audiences.
Traditionally, live coverage has been limited to higher profile events due to the many staff and equipment required to be onsite. One option to reduce costs is to pass back all feeds and perform mixing in-house but the connectivity required typically pushes the costs back up and isn’t achievable at all locations.
Iphrame Flyaway changes the cost model by reducing connectivity bandwidth and staff required. The added functionality of talkback means a new generation of operators can be efficiently utilised by working at a fixed location, allowing for reduced expenditure and increased productivity, while features such as slow-mo playback help you provide a richer viewing experience.
So, to offer subscribers great live content without stretching budgets, do it from anywhere with Iphrame Flyaway.
Etere ETX
The most advanced IT-based solution, cost-efficient video management system on the market that is a complete channel in a box with full IP/NDI/SDI in and out capabilities.
Etere ETX is the most advanced, tightly integrated and cost-efficient video management system on the market, completely based on IT technology. It is 4K ready and a complete channel in a box with full IP/NDI/SDI (in and out) for multiple frames rates. It is able to drive the most popular HD/SD digital video/audio/graphics platforms without using middle-ware/proprietary hardware. ETX is a fully digital ingest/playout engine that gives you professional video technology with support for all major essences and wrappers in the broadcast industry. It is capable of SDI output, multiple layers of graphics. Additionally, HEVC/ H.265 encoding is also available on Etere ETX. With ETX inserter, operators are able to create closed captions including CEA 608 and CEA 708. In addition, ETX is capable of live subtitling with the ETX inserter and time delay. ETX is also integrated with a countdown timer that displays the time remaining until the next program. As part of the Etere Ecosystem framework, Etere ETX has a distributed architecture that enables it to take advantage of ultimate storage and video hardware to create a high-performance digital media solution that can be used to capture/playout servers, NLE systems, graphics/production servers, automation and master control units. To receive an NDI source stream, use live source object and initialize the "NDI Receiver" device just like any other capture card. The distribution of contents from the different ETX engines is controlled by Etere Data Mover, the application that delivers the correct video to the correct place at the correct time. In addition, Etere ETX video file transfer capability is one of the fastest in the market.
Key features
■ Multiple graphics and webGL graphics overlays
■ Capture web pages as live multimedia sources
■ 4K, HD, and SD with Up and Down conversion
■ RTMP input and integrated time delay
■ Serves as a RTMP sender or RTSP receiver
■ Full IP support for both HD and SD videos, supports NewTek NDI
■ Supports multiple layers of graphics
■ Fully compliant DVB (Digital Video Broadcasting) stream
■ Supports Microsoft ReFS File System, cloud-ready
■ Included graphics engine allows overlay of static/animated logos and crawlers on 8 layers
■ Able to perform IP in and IP out, with multiple frame rates and independent IP out services
■ Integrated IT-based master control with multichannel ingest/playout
■ Easy insertion of closed captions including CEA 608 and CEA 708 with ETX inserter
■ Create live subtitling seamlessly with ETX inserter and time delay
■ SDI output with support for selected cards (SDI or IP) including Blackmagic, Matrox
■ File formats includes LXF, MOV, MXF, GXF, ASF, MPG-TS, MPG-PS, AVI, DV and MKV
■ Video codecs includes DVCPRO, MPG1, MPG2, MPG4, H.264, HEVC/ H.265, DNxHD, ProRes
■ Audio codecs includes AAC, MP2, MP3, Flac
■ Graphics files includes TGA, AVI, MOV, SWF, PNG, JPEG, GIF
■ Plays files from 5 secs
Blackmagic ATEM Mini Pro ISO
This model adds recording of 5 streams including all input as clean feeds for editing, plus a DaVinci project file for fast edit turnaround and Blackmagic RAW file relinking for finishing in Ultra HD. Able to reverse the USB-C and HDMI out functions.
ATEM Mini Pro ISO Features
- Features miniaturized control panel based design.
- Built in support for recording each input as a separate ISO file.
- Saves DaVinci Resolve project file for 1 click editing of live production.
- Supports connecting up to 4 cameras or computers.
- Live streaming via Ethernet supported on ATEM Mini Pro.
- USB output operates as a webcam and supports all video software.
- Automatically standards converts and re-syncs all HDMI inputs.
- Includes free ATEM Software Control for Mac and Windows.
- Internal media for 20 RGBA graphics for titles, opening plates and logos.
- Includes ATEM Advanced Chroma Key for green/blue screen work.
- Multiview allows monitoring of all cameras on ATEM Mini Pro.
- Audio mixer supports limiter, compressor, 6 band EQ and more!
The new model of ATEM Mini ( ATEM Mini Pro ISO ) is a true innovation in workflow. For the first time, live production has been fully integrated into a post production editing workflow. Not only that, but with Blackmagic RAW integration, we can use the ISO files recorded in the switcher, or the files recorded in the camera." said Grant Petty, Blackmagic Design CEO. "That's a RAW film workflow, a post production workflow and a live production workflow all fully integrated for the first time! Imagine doing an Ultra HD fully color graded master all from a tiny low cost HD switcher. It's really exciting and it's going to generate a whole new workflow for the television industry!
The ATEM Mini Pro ISO HDMI Live Stream Switcher from Blackmagic Design is a four-input live production switcher with an integrated control panel designed for multicamera live streaming up to HD video to the internet via Ethernet output. It features a USB output that allows you to record the program output as well as record the individual HDMI inputs to an external USB drive (not included). In addition to recording the program stream and individual inputs, the ATEM Mini Pro ISO also records the embedded audio and analog audio inputs, generating a DaVinci Resolve project file of your live stream. This allows you to take your live production into DaVinci Resolve to make tweaks or adjustments using the source material that is already on your USB drive.
The ATEM Mini Pro ISO retains the same size, button layout, and rear panel interface connections as the ATEM Mini Pro, with new electronics that allow for the ISO recording and generation of the DaVinci project file. The ATEM Mini Pro ISO supports all the same features as the ATEM Mini Pro including upstream and downstream keyers, an advanced chroma keyer, two linear/luma keyers, a DVE transition keyer, a pattern generator, and color generators. There is also media player support for fill and key images, which supports up to 20 stills in PNG, TGA, BMP, JPEG, and TIFF formats. The ATEM Software Control Panel is used for control and configuration, and it allows you to monitor the data rate, audio meters, configuration, and status of your live feed. And you can use the panel to set up streaming to an optional Blackmagic Design Streaming Bridge anywhere in the world, as long as it is connected to the internet.
General
- Connecting a USB drive to the ATEM Mini Pro ISO's USB port enables capturing the switched program stream, as well as up to four isolated (ISO) recordings of input video, as well as embedded audio, analog input audio, graphics, and a DaVinci Resolve project file of your switched program
- The device has the same footprint, layout, and connections of the ATEM Mini Pro
- Stream video up to 1080p HD
- Quick stream, on-air, and record buttons
- Hardware encoder so there's no need for additional streaming software
- Control and configure timecode, stream status
- Full support and control features for BMPCC 6K/4K cameras
- Simultaneous USB recording
- Integration with MultiDock for live hard drive switching
- Customize advanced settings with XML files
- Software multiview with program previews, graphics, record status, on-air status, and audio meters
- Program preview input and output buttons
- Tally light control for BMPCC 6K/4K cameras
- Automatic timecode sync for all cameras
Transitions
Available transitions include:
- Cut: When you press the cut button, ATEM instantly changes from your current program source to the preview source. Cuts can be performed by directly selecting sources or by pressing the cut button to switch to the next source.
- Mix: The mix, or dissolve, gradually transitions from one source to the next by creating a smooth blend. You can set custom timings to manually blend the transition.
- Dip: Just like mix transitions, a dip transition is a gradual blend that includes either a solid color, graphic, or another clip between the two video sources. Dips to black or white between sources are the most popular, or you can use logos or sponsor graphics.
- Wipe: Built-in wipe patterns include circles, diamonds, squares, and more. Shapes and patterns can be inverted or softened and can even have customized colored borders.
- DVE: With the powerful built-in digital video effects processor, or DVE, you can push, spin, squeeze, or swoosh your live video from one camera to the next with incredible built-in transitions. DVE transitions can be flip-flopped and reversed, giving you even more transition options.
Upstream Keyer
Layer live video over other video sources or graphics with the upstream keyer. You can use the luma key, linear key, pattern key, or shoot against a green screen and use chroma key to instantly composite the video over virtual sets.
- Luma key: Luma keys work best with high-contrast images, like white elements on a black background, so you can use the contrast to cut the black background and replace it with live video or graphics.
- Linear key: Get clean, high-quality results with linear keying by using two separate sources for the fill and the key to create one video image. The fill signal contains the video to be stacked over the background, while the key signal contains a gray scale mask to cut out, or mask, the area to be filled.
- Chroma key: Used every day for TV weather forecasts, chroma keys are a powerful way of combining live images in real time. The presenter typically stands in front of a green or blue background and the chroma keyer will remove only that color and combine it with another image, such as a video or graphic.
- Pattern key: Combine live images with any of the built-in wipe patterns to combine live images or graphics with geometric shapes. You get full control over softness, symmetry, size, and position to create unique picture-in-picture effects that can be transitioned to as easily as any live source.
Downstream Keyers
The ATEM Mini switcher includes one downstream keyer, so you can add high-quality graphics like logos, bugs, and titles from the built-in media player over the live stream program output. Downstream keyers are the last layers of keying, so they overlay all video switched to the main program output.
Audio Mixer
The built-in audio mixer lets you control both camera and external audio with precision level and balance adjustments on all six available audio inputs and two channels. The mixer features selectable on/off and audio-follow-video per channel, plus it has separate gain control per channel, level and peak metering, and new Fairlight audio enhancements such as compressor, gate, limiter, six bands of parametric EQ, and master gain control.
Monitor Output
The HDMI monitor output allows you to see your sources, graphics, preview, and program output on a single screen.
Media Player
Eliminate external character generators by storing up to 20 broadcast-quality RGBA graphic files in the media pool. The one media player appears as input sources to your switcher. You can transition to graphics as full-frame video, or feed them to the keyers for overlaying video. Popular image formats such as PNG, TGA, BMP, GIF, JPEG, and TIFF are supported.
Sony MCS-8M Compact Audio Video Mixing Switcher
The Sony MCS-8M is a multi-format switcher with a built-in audio mixer and frame synchronizer. Inside a compact body, the MCS-8M packs excellent cost efficiency and affordability along with a great range of features. This user-friendly, multi-format switcher has many preset DME wipe patterns, a built-in Multi-viewer, one-channel frame memory output, an Input Freeze function for each source, the ability to import still images via USB port, a 3D Mode function, a six-channel audio mixer, and more. In addition, the MCS-8M Multi-format Compact Switcher is designed to be intuitive and simple to operate – an ideal content creation tool for live event programming. Affordable and powerful, it can handle wedding functions, product promotions, event and live staging, music clip creation, and all types of business activity including conferences and seminars. • 8 Inputs: Multi-format Capability - HD Mode: (4 x HD-SDI, 3 x HDMI, 1x DVI-I) with Frame Synchronizer function - SD Mode: (4 x SD-SDI, 3 x Analog Composite, 1 x DVI-I) with Frame Synchronizer function • 4 Inputs: Multi-format Capability - HD Mode: PGM (HD-SDI), AUX1 (HD-SDI), AUX2 (HD-SDI and DVI-D), Multi-viewer (DVI-D and HD-SDI) - SD Mode: PGM (SD-SDI), AUX1 (SD-SDI), AUX2 (SD-SDI and Analog Composite), Multi-viewer (DVI-D and SD-SDI) • Multi-viewing function This function splits the screen into ten or four windows to show multiple images on a single monitor. • 1 Keyer Self, Split, Auto Select, Linear, Pattern, Auto Chromakey, Border (Flat Colour) • Keyer Transition Cut, Mix, Standard Wipe patterns, Transition rate settings • 3D Mode (L/R Link Cut, Mix, Side-By-Side Output) • Background Transition Cut, Mix, Standard Wipe patterns, DME Wipe patterns, Transition rate settings • Additional Features - 1M/E + 1 Key + Aux Mix - 1-ch Frame Memory Output - Input Freeze function for each source - Import Still Image function via USB port - 6-ch Audio Mixer function with audio delay
Sony MVS-3000A
Graphite
HS-3200 12-Channel HD Mobile Cast Streaming Studio
HS-3200 features easy-to-use video streaming and recording appliance for professional video producers who need to simultaneously stream a live event and record the master quality version for post-event editing.
With 12 digital inputs including 8 SDI and 4 HDMI inputs with embedded audio, 5 SDI and 4 HDMI outputs for connecting HD recorder, monitor, etc.
HS-3200 is a lightweight, portable and powerful featured mobile studio solution which is designed for live events and TV programs that need to mix a variety of video and audio sources. HS-3200 is also a great value solution for the worship, education and AV market.
The HS-3200 also has powerful, easy to use effects, including Chroma / Luma Key, DSK, PIP, DVE, Wipe Generator, Still stores, logo insertion.
Advanced features include a 17.3-inch Full HD 1080p video monitor, which displays the multi-view, the Multi-view includes all the input sources, as well as preview and program.
Carbonite Mosaic Video-Image Processor
Large-screen displays have grown to massive scale in both size and resolution. Carbonite Mosaic gets the highest quality images on displays of over 20 million pixels.
A complete set of video processing resources guarantees a uniform look across your display. For ultra-high-quality imagery, Carbonite Mosaic supports 10bit HDR formats.
Powered by 10 independently-controlled tile outputs, it’s easy to weave a massive single display or feed multiple displays throughout your venue – the choice is yours.
Carbonite Mosaic and XPression Tessera team up for high-quality upscaled video and beautiful pixel-accurate graphics on your display. Live has never looked this good.
Like all Ross products, Carbonite Mosaic is part of the DashBoard Control Ecosystem. DashBoard makes it easy to control your display layouts or even your entire venue, from a single interface.
Carbonite Black Solo
Carbonite Black Solo provides the compact form and affordability of a small switcher, while offering the big switcher feature-set of the Carbonite Black series.
If your productions are on the go, at different facilities and events, you want to make it easy to plug-in and get the show rolling. Carbonite Black Solo is built with internal video processing and MultiViewer resources, so no external gear is required.
XPression LiveCG complements your show with high quality still graphics. Graphics are fed directly into the switcher media channels over Ethernet for a truly simple workflow.
Smaller switchers generally feature base-level custom controls and memories, but not Carbonite Black Solo. This switcher features fully-customizable macros and a memory system with unique smart recall and effect recall functionality.
Acuity
Features include:
- Powerful Production Engines
- Output Transitions
- Facility-Grade MultiViewers
- MultiFeed Split MEs
- MultiFeed Configurable Outputs
- Tremendous DVE Resources
NewTek TC2 Elite Tricaster
TriCaster 2 Elite is a comprehensive digital media production system with IP connectivity through NDI®. TriCaster 2 Elite moves beyond being only a live video production system to an all-encompassing digital media environment to create content for Internet, mobile, and television distribution. The agile software driven operation, IP native technology, and production functionality of TriCaster 2 Elite provides extensive capabilities, connectivity, and control.
With flexible implementation, integration of standard network infrastructures, a more complete set of capabilities, and a unique capacity for distributed production, TriCaster 2 Elite removes the traditional boundaries of media formats, I/O, channels, and delivery.
NewTek TriCaster®
THERE IS A TRICASTER FOR EVERY PRODUCTION
Powerful and affordable tools. Help tell your story…beautifully. NewTek TriCaster systems put an entire suite of media production capabilities at your fingertips. You can make anything from keynote presentations and webcasts to online training and sporting events look amazing with quality, consistency and efficiency.
RouteMaster Lite
RouteMaster Lite brings familiar video routing capabilities to Newtek’s NDI® video. Based on our proven RouteMaster system, it gives operators a range of familiar control interfaces for controlling video switching.
Switching is suitable for all live, on-air applications, making RouteMaster Lite ideal for fast manual intervention.
No video streams are passed through the router system, instead traffic is redirected at the network level. This means only minimal bandwidth and processor requirements are needed, regardless of the number of video streams and resolution. There’s also no additional video delay through the system. Additionally, RouteMaster Lite does not become a central point of failure: If the router system fails for any reason, video continues to flow from sources to destinations uninterrupted.
RouteMaster Lite is ideal for OB and production environments, supporting up to 20 sources and 20 destinations. For larger systems with more complex requirements, the same NDI switching technology is available in the full-featured RouteMaster system.
The built-in GUI is ideal for preset and take switching, showing resizeable video previews and audio metering of the current video and the chosen source.
External Control
While control from the built-in GUI is fast and easy, it’s not ideal for all situations. Therefore RouteMaster lite supports external control from:
- Web Panels served by the integrated web server
- Familiar hardware panels like Blackmagic Design Smart Control
- Or, third-party software which uses the Blackmagic VideoHub protocol
You can use all these control methods simultaneously, with router status immediately visible to all users.
Video Player00:0000:15
Simplylive ViBox All-In-One Production
RouteMaster
RouteMaster uses Rascular’s proven router control and emulation technology to form a powerful yet flexible router control system. Built on tried and tested software modules, RouteMaster can be used with a wide range of video and audio routers from all major manufacturers.
It’s equally suitable for new router installations or increasing the capabilities – and lifetime – of existing systems. You can add third-party hardware panels to existing systems, add IP connectivity to older serial routers, or simply increase the number of control ports available.
The integrated web server means operators can control routers from any web browser, using custom control panels built with Helm Designer. And because it’s built on HTML5 standards, there’s no need for browser plugins.
Pearl Mini
Pearl Mini is small in size and big on pro features, capable of recording, streaming, and switching up to three HD inputs at once at 30 fps. This hardware encoder features a unique, built-in touch screen for live confidence monitoring, switching, and control. With the intuitive touch-screen interface, it’s easy for anyone to quickly understand how to use Pearl to produce professional-quality recordings and livestreams.
Pearl systems directly integrate with Panopto and Kaltura video platforms, offering a robust solution for recording and streaming with multiple video and professional audio sources. Plus, the Pearl Crestron Control Module simplifies the process of adding Pearl into Crestron AV systems as a secure and feature-rich video capture device.
Versatile and reliable, you can count on Pearl Mini for any video capture, streaming, or recording application – from multi-camera live events and webinars to lectures and training sessions.
Pearl-2
Epiphan Video’s Pearl-2 all-in-one video production system can simultaneously switch, stream, and record six HD programs (from any combination of up to six sources) at 30 fps or one 4K program at 30 fps. This hardware encoder features a unique, built-in touch screen for live confidence monitoring, switching, and control. With the intuitive touch-screen interface, it’s easy for anyone to quickly understand how to use Pearl to produce professional-quality recordings and livestreams.
Pearl systems directly integrate with Panopto and Kaltura video platforms, offering a robust solution for recording and streaming with multiple video and professional audio sources. Plus, the Pearl Crestron Control Module simplifies the process of adding Pearl into Crestron AV systems as a secure and feature-rich video capture device.
Versatile and reliable, you can count on Pearl-2 for any video capture, streaming, or recording application – from multi-camera live events and webinars to lectures and training sessions.