Monetize » Schedule Content » Broadcast Management System » Linear and non-linear scheduling »

PlayBox Technology offers a solution for building your own ad network.With OTT Stream AVOD Solution, you can expand your advertising reach and connect with a network of successful publishers, helping your advertisers target their desired audience effectively.For publishers, OTT Stream AVOD Solution a convenient tool to manage and publish all your advertising campaigns from one central dashboard, featuring dynamic and interactive ads to enhance the user experience for your advertisers. Simplify ad management and publishing with OTT Stream AVOD Solution

Publish » Linear Playout » Linear Playout Systems » Channel branding graphics and promotion systems »

AirBox provides automated content playout for satellite channels, cable head-ends, over-the-air broadcasters and corporate TV users. It is designed to be extremely robust, in order to meet the highest reliability demands of on-air playout. Due to its unique modular architecture, it is also suitable for webcasters, hotel Pay TV channels, corporate presentations, video wall sourcing and other program distribution systems.

AirBox Multi Parallel Output allows simultaneous running of two or more SDI or IP streaming SD / HD outputs so that broadcasters can easily deliver parallel output in any combination needed to deliver the content.

AirBox supports a wide range of video / audio formats from almost every known platform for production Third-party video server files like Leitch, Seachange, etc. are supported natively.

Any modifications to the playlist can be made during the on-air session. There will be no locked videos in the playlist except the one being played at the moment. They can be changed, edited or substituted.

On-the-fly commands such as skip to next or jump can change the playback order. Such changes in order are carried out seamlessly without stopping the current session. The powerful Live Show Clipboard facilitates live productions, enabling the insertion and/or execution of different events or live streams.

AirBox enables playlist scheduling for weeks ahead for automated playout. The associated gaps and time overlaps are overcome dynamically to ensure smooth service even when timed activities interfere with each other. If content files or even entire schedules are missing and misplaced, special facilities guarantee continuous operation.

MS Windows 10 compatible.

Publish » Linear Playout » Linear Playout Systems » Edge playout/insertion devices »

AirBox Mega ICX is PlayBox Technology’s newest hybrid or cloud enabled, schedule-based playout engine. Designed from the ground up to drive playout in a modular and complete hybrid or virtual ecosystem, Mega ICX features a user-friendly control interface that allows you to effectively manage all of the components required for channel origination. With a secure web-based user interface, Mega ICX supports user operations and inputs from anywhere, at any time.

Broadcast automation is no longer exclusively focused on channel playout. It also concerns content management and delivery. The broadcasters and media companies of today must be equipped to deliver their content in a simple and effective manner, regardless of the distribution mechanism. PlayBox Technology’s Mega ICX platform is the next-level content playout workflow automation system from the #1 leading Channel in a Box manufacturer.PlayBox Technology’s broadcast automation solutions have been rigorously tried and tested across the world for over 15 years. Since 2004, the company has been designing and delivering innovative products for broadcasters of all shapes and sizes. Mega ICX is a versatile playout platform for content management and distribution, combining the benefits of virtual asset management with the efficiency of automated• SOA scalable distributed architecture• Utilizes cloud-native services (e.g. AWS or similar) to increase resilience and scalability• Control of Mega integrated audio, video, and graphics functionality• Unified, intuitive web-based user interfaces for faster functional flexibility• Hybrid IP/SDI content management and playout solution• Scalable modular solution designed to provide a tailored fit for all installations• Channel overview page provides a high-level overview of all channels• Built-in asset management and workflow tools• Easy-to-navigate clip management and channel workspaces, including advanced secondary event• Vertical timeline• Hybrid IP / SDI content management and playout solution• Geo-dispersed playout operations• Unified centralized channel management• Playout with digital asset management capabilities• Linear channel playback• Monitor by exception• Web-based applications• In-built scheduling• In-build ingest• HTML5 graphics

Produce » Post Production » Ingest » Post-production ingest »

CaptureBox allows the capturing of multiple HD and SD content channels from digital HD / SD SDI feeds, analog sources and MPEG transport streams. You can monitor and control four video sources on a single screen via a new simplified user interface. Audio levels can be tracked and modified if necessary as loudness / true-peak displays. Content ingested in CaptureBox can be played within a few seconds of capture. The CaptureBox feature set additionally provides catch-list input from third party traffic systems, including CEA-608/708 closed-captioning support and RS-422 automated VTR control with batch-capture listing.

Universal Ingest: The wide range of inputs offered–composite, component SD / HD SDI, UDP Transport Stream–makes various ingest applications possible Remote control of VTR:RS-422

VTR control by Sony protocol is used to automatically capture batches from tape. With convenient keyboard shortcuts, tape cue, playback and shuttle is quite easy.

Batch and Scheduled Capturing: You can catch video clips from various tapes in one session, sorted by tape ID and upward time code. Once the capture session is started the only operator assistance if requested is to switch the tapes. You can continuously collect content from live sources such as satellite feeds based on a schedule with a single, daily or weekly reoccurrence. Optional router control offers automated input channel transitioning when capturing different channels.

Audio Loudness/True Peak Meters: It is possible to monitor and correct audio VU / peak levels dynamically.

Use While Capturing (TDIR): Before the capture process is complete, ingested clips can be used for immediate editing or playout of AirBox. This is especially useful for sports events or applications for time delay / instant replay.

Multi-channel audio: It is possible to record up to 16 channels.

MS Windows 10 compatible.

Create » Content Acquisition and Capture » Audio Aquisition » Audio acquisition accessories »

PlayBox Technology has incorporated its most advanced playout engine which is the result of over 15 years of experience in developing playout solutions for the world's

leading broadcasters.

 

PlayBox Technology Channel-in-a-Box provides an integrated playout solution for Broadcasters and OTT service providers in a 1RU or 3RU server, regardless if you are working with IP or SDI.

The CIAB will enable you to playout an IP stream or an SDI in SD, HD or UHD. PlayBox Technology’s CIAB takes care of all your scheduling needs and uses simple, clean and engaging HTML5 for your transmission graphics needs including crawlers and rollers.

 

As you would expect from PlayBox Technology, it offers sophisticated and easy to use automation. We have designed a user friendly ingest which also gives you the ability to FTP your media straight to the Channel In A Box, saving you time.

It is available as a complete turnkey solution for single channel or multichannel HD SDI/SD. Available as both full turnkey solutions and software-only for single and multi-channel operations.

 

Channel in a Box (CIAB) is compatible with a wide range of compression types, including: MPEG-2, DV, DVCPro, DVCPro HD, AVC/H.264, HAVC/H.265, XAVC and more.

Publish » Linear Playout » Linear Playout Systems » Channel branding graphics and promotion systems »

Cosmos provides software based playout engines for Broadcasters, Over The Top service providers and Broadcast Services companies.

The distributive virtualised architecture of the playout engine from Cosmos provides a fast and trusted cloud based playout solution enabling broadcasters and service providers to spin up both OTT and traditional TV channels in a few minutes thus lowering the cost of ownership.

Channels can be hosted from data  centres or from your own Master Control Room over a private or public cloud. Cosmos also gives you the ability to playout both file based and live services .

Cosmos is an open system which enables all the features of a playout engine be implemented on a service basis. Cosmos reduces the need to invest in capital infrastructure. It removes the need to find space for technical equipment and the ongoing cost of technical maintenance.

Channel owners in worldwide gain the freedom to outsource practically all the technical equipment traditionally required for broadcasting.

Cosmos virtualises the process of channel management under control from a standard enterprise computer via a firewall-protected secure internet connection. Programme playout can be automated to any required extent while always retaining the freedom to insert live content.

Cosmos offers established broadcasters and content owners the ability to introduce new programme channels at very short notice, whether a permanent additional to an existing bouquet or a supplementary programme stream covering a temporary event. It can be matched to a wide variety of deployment models, enabling consistent operation across baseband, hybrid IP, and virtualised, cloud-based networks.

Cosmos also enables independent content producers to establish television channels without the high start-up cost usually inherent in such ventures.

Cosmos delivers unsurpassed flexibility in format handling and transcoding. It supports practically any technical standard in today's fast-evolving television industry, whether for terrestrial, satellite or online viewing, live, near-live or catch-up.

Publish » Linear Playout » Linear Playout Systems » Edge playout/insertion devices »

 

By bringing together 20 years of experience manufacturing integrated playout solutions, PlayBox Technology live streaming solutions offer a powerful addition to our range of broadcast TV and channel branding systems – enabling content streaming and building digital programs within minutes.

We provide a full-service streaming system for direct streaming via Ethernet or mobile data via 4G or 5G to YouTube, Facebook, Instagram, Twitter, LinkedIn, Twitch and many more.

Eurisco is Robust, scalable, real-time, low latency and user-friendly WebRTC server, fully customizable to quickly deploy live streams

Live Streaming Features

– Versatile video streaming

– Multiple graphic layers

– Streaming direct to social media live services (YouTube, Facebook, Instagram, Twitter, LinkedIn, Twitch, Tik Tok)

– Video up and down conversion

– Variable bit rate & format conversion

– Captions and branding

– Multi-user access

– Supports HTTP, RTSP, RTMP, UDP, HLS multicast, unicast, RTMPS, WebRTC, ONVIF, SRT, NDIs.

– Moderated Publish Mode, where items have to be marked as approved before they are published

– Instant Publish Mode, where items are published as soon as they are selected

– Output to CG engine for On Air presentation

– Real-time ultra low latency (0.5 s) WebRTC streaming

– Adaptive Bitrate real time streaming

– Auto scale WebRTC cluster

– Voice & Video Conference abilities

– Live monitoring & security surveillance

– Free WebRTC SDKs

– iOS & Android Apps

 

Monetize » Schedule Content » Broadcast Management System » Linear and non-linear scheduling »

 ListBox is an offline schedule reader that offers advanced editing facilities such as searching in text, copying / pasting clips printing schedules, etc.

 It is the program editors ' main tool which helps them to create and edit schedules days and weeks before the date.

 There is no need for special servers or hardware Even on a smart device, ListBox works flawlessly with software-based trimming and preview.

Publish » Non-Linear Publishing » Non-Linear Publishing Systems » Internet/OTT servers and systems »

PlayBox Technology’s OTT content management system (CMS) represents the most cost-effective way to develop an OTT video platform with a mixture of both live channels and on-demand media.

 

Offered as perpetual license or rental, it includes unlimited subscribers, video on demand (VOD) content listings and live channel listings. Desktop and Mobile applications are also included (Windows, Linux, iOS and Android). It is  white labelled and you have complete control over the back-end, with enhanced subscriber management and configuration options.

Configure the payment gateways of your choice or facilitate advertisements through Google Adsense and other advertisement providers.

We have developed a seamless transition process for the deployment of our OTT CMS that will allow you to onboard without stress or delay. Our dedicated internal support team will work with you to establish a specific timeline for complete deployment, and will support you throughout the transition process.

Produce » Real-Time Production » Video Production » Newsroom production management and automation systems »

Production AirBox provides content playout for News, Live shows, screens and video walls feeding, live production broadcasts and other places where video/audio content have to be displayed. It is designed to meet the high reliability requirements of broadcast playout.

Every modification to the playlist can be made during onair session for live productions! No clips become locked It is possible to trim or reposition every clip in the playlist. In fact, on - the-fly playout position can be modified with commands such as next, jump or shuttle. These changes are carried out smoothly without disrupting the running session of playout.

 For up to four individual players, one server can be installed. Each player will have separate playlist and control over the playout. It is possible to designate the four SDI interfaces as software or sample outputs. Production AirBox provides content playout for feeding news live shows, screens and video walls, live broadcasts and other places where video / audio material needs to be viewed. To improve the process, it is designed to address the high reliability criteria interfaces of the broadcast playout.

Consume » User Experience » Apps & Platforms » Consumer apps and platforms »

Easy Quality Control Checks

In a playlist directory or chosen files, QCBox analyzes the relevant media data. Basic checks include checking for correct stream length continuity (no missing or overlapping frames), frozen or empty frames, and audio tests including measurement of loudness, phase and audio quality. Test results are stored on AirBox in a metadata file that contains the media file. The metadata file is tested and, based on the software parameters, the AirBox playout can be programmed to skip the file, show an alert before playing the file or play the file. In addition QCBox's loudness control data can be used to change the audio playback settings automatically.

Cost Effective Loudness Control

Intended for ITU-R BS.1770-1, ITU-R BS.1770-3, CALM Act, ATSC A/85 and EBU R128 television channels–for audio loudness control.

 QCBox automatically checks media files for: File System Level Errors, Correct Media and/or Stream Length, Real Checks vs Specific Decoder Failures, Lost or Overlapping Frames Black and Frozen Video, Program Loudness, Loudness Spectrum and True Peak measurement* program output.

Produce » Real-Time Production » Video Production » Newsroom production management and automation systems »

TitleBox is a complex and incredibly user-friendly on-air CG and graphics manager. It allows you to make and save various static or dynamic objects like rolls, crawls, multi-layered simultaneous still images, analog and digital clocks, animated logos, etc. These can be easily used for direct broadcasting or for future use as customized templates.

TitleBox is an interactive graphics manager that generates, shows and manages captivating multi-zone screens with rolls, crawls, animations clocks, station logos, 3D objects, and many more. It is ideal for broadcasting and cable TV channels digital signage systems and public and private facilities like schools, colleges, universities, business entities, corporations, retail, shopping malls, churches, airports, hotels, holiday resorts, theme parks, etc. Furthermore, TitleBox has a Scheduler that allows you to start items at different times from previously created tasks.

TitleBox provides on-air graphics that can be interactively controlled. You can enable multi-layer simultaneous crawls, rolls, animated icons, clocks and text templates with a click of the mouse. TitleBox provides full on-air command, including text selection, running speed and transitions.

MS Windows 10 compatible

Produce » Real-Time Production » Video Production » Newsroom production management and automation systems »

GV STRATUS 6.0 from Grass Valley, a Belden Brand, is a video production and content management toolset that simplifies workflows with a combination of intelligent tools and powerful customization. GV STRATUS 6.0 enables collaboration where everyone has access to every clip on the network with the tools required to manage content. Here are some of the latest, groundbreaking features that enable creative talent to produce more content, faster in GV STRATUS 6.0: Social Media Management: Prepare and publish assets to social media platforms such as Facebook, Twitter and YouTube from within GV STRATUS 6.0. The first complete, rules-based tracking tool that allows for optimal management of breaking news, and other popular content on social media. Want to retweet stories from a particular organization? Done.
Want to delete a Facebook post if it doesn’t reach 50 likes? Got it. With social media management in GV STRATUS 6.0, the publishing team can focus on creating new content rather than managing existing assets. GVRE Transcoder: Build a loyal social media audience by always being first to publish. With growing file workflow support, Editors and producers can start working before the content has finished uploading. GV STRATUS 6.0 gets the video you need to air no matter the format within 15-20 seconds of ingest initiation. Virtualization: End-to-end virtualization allows GV STRATUS 6.0 users to phase in to virtualization on their own timeline. The new storage manager allows for a commodity-based system to allow users to utilize the feature based on their workflow, their schedule and their production requirements.

Create » Content Acquisition and Capture » Social/UGC » Content/data acquisition from public sources »

Expand your capacity and creativity with limitless video inputs and outputs, for content curation and publishing at scale.

LTN® Live Video Cloud is an intuitive routing console that streamlines and scales the management of live video, from acquisition to distribution, from any source to every destination — without additional capex.

Break through feed chaos and power innovative video experiences: organize aggregation, monetize publishing, and easily enable remote productions with virtual audience engagement.

With Live Video Cloud, you can acquire unlimited concurrent live feeds from any source, configure productions in minutes, monitor and curate live video within a continuous playback multiview, and distribute live signals simultaneously to unlimited destinations.

Live Video Cloud runs on all major cloud providers worldwide, with intuitive browser-based control accessible from anywhere.

Empower audiences to easily become part of your program, and expand your digital audience reach to earn more top-line ad revenue. Command the future of video with Live Video Cloud.

Produce » Real-Time Production » Video Production » Newsroom production management and automation systems »

Your on-air graphics control center. CAMIO Universe is a news producer-driven, template-based workflow for a unified, end-to-end content creation, production, and playout solution.

In CAMIO , artists set the visual brand for consistent and correct content, producers/journalists create stories that include broadcast graphics, weather graphics, virtual studios, and augmented graphics, and directors build, order, and control all camera, switcher, audio, virtual set, and graphic cues – all from within a single, unified tool.

 

Create » Content Acquisition and Capture » Social/UGC » Content/data acquisition from public sources »

Enrich your productions and cover more events at a fraction of the cost of traditional transmission methods.

The LU800 is the first all-in-one production-level field unit, designed for live news and dynamic sports coverage.

The LU800 combines multi-camera and superior video/audio capabilities with mission-critical transmission in a native 5G unit. Designed from the ground up to unlock 5G potential, the unit offers unparalleled quality of service and resiliency.

The LU800 enables complex remote productions (REMI), supporting up to four fully frame-synced feeds in high resolution from a single unit. Delivering the highest-quality video performance, the LU800 offers up to 4Kp60 10-bit HDR transmission for optimal color depth and richness.

The LU800 product series accommodates any customer need or production scenario with multi- and single-camera variants.

Key features include:

• Up to 8 x 5G modems with high-efficiency internal antennas


• Up to 4Kp60 10-bit HDR transmission for optimal color depth & richness


• Multi-camera with up to 4 fully synced feeds & flexible unit/station switching


• Rich remote production tools: Video Return, Tally Light, Audio Connect


• Super-fast file transfer for sending edited footage from the field


• Up to 16 audio channels for richer audio production


• 7” ultra-sensitive capacitive touch-screen for easy unit control


• Optional external antennas connections for harsh RF conditions


• Dual power input (standard power supply & external battery input)


• 2 Ethernet & 2 WiFi interfaces for more connection options

Manage » Manage & Orchestrate » Content & Workflow Management » Media asset management (MAM) »

OpenMedia NewsBoard

CGI's cross-media planning tool

OpenMedia NewsBoard enables journalists and editorial teams to organize their story production process directly from everywhere.

It features a fully customizable and open widget architecture that allows newsrooms to stay flexible to workflow adaptations at any time. It’s modern and unified web-based user interface for journalists and editorial teams dynamizes the collaboration process.

Key features include:

• Story-centric planning for full transparency


• Web-based for collaboration anywhere- Integrated agency feeds and social media for broad news access


• User-friendly interface and highly customizable board design for intuitive handling


• Seamless integration with existing OpenMedia solutions for data consistency


• Cloud-native architecture for easy scalability


• Microservice structure for high performance and easy maintenance

Find out more about OpenMedia NewsBoard

CGI offers a wide range of professional news and content delivery solutions for innovative media companies across local, national and international markets. This includes OpenMedia CGI's flagship newsroom computer system, providing maximum speed and scalability for handling complex workflows in broadcast news production.

Learn more about CGI's newsroom solutions

Produce » Real-Time Production » Video Production » Newsroom production management and automation systems »

Viz Mosart puts the story in the center of the production, removing technical complexity with a simple user interface, designed to give all necessary information to the director while giving full flexibility to operate both planned and breaking news scenarios.

Viz Mosart operators in the control room benefit from a real-time view of all upcoming events through a tight integration with all major newsroom computer systems.

The system gives the director a real-time updated version of the presenter text, and video integrated into the user interface to view of all the elements that are on program out and in preview. The user interface also contains advanced keyboard and touch screen hotkeys specially made to handle breaking news and other unscripted events.

Produce » Real-Time Production » Video Production » Newsroom production management and automation systems »

The TriCaster 2 Elite is the most complete video production platform available today, and sets a new platinum standard for how much you can achieve with a single system.

Produce » Real-Time Production » Video Production » Newsroom production management and automation systems »

Produce traditional landscape (16:9) & vertical (9:16) video from a single 4K camera with built-in streaming. The KMU-200 allows users to output multiple landscapes or portrait pictures simultaneously just by creating cutouts of a 4K input using the 14” touch screen. The HD output signal can be streamed to many mainstream live-streaming platforms and output video can be recorded on an SD card. The KMU-200 features virtual camera control, switching, audio mixing, streaming and backup recording within one compact unit, which is an ideal product for content creators who want to live stream their content to social media platforms. Video productions that are traditionally done by multiple crew members now can be done by one person using the KMU-200.

The KMU-200 is a single unit that allows users to convert a 4K input signal to a 1080 HD output signal. An auxiliary HDMI input is also available for Skype or other sources. Hardware control is available on the unit to control the created cutouts, giving control over zoom, tilt, and pan of the virtual camera with a convenient joystick. Professional illuminated buttons control the switching of a maximum of 6 shots: 4 cutouts, the full image, and the auxiliary input.

Furthermore, its 14" capacitive touch screen allows users to easily control of picture selection and camera operations. Users can control the picture selection of the KMU-200 by not only the joystick but also by gesturing and pinching directly on the touch screen. This intuitive control method is suited for inexperienced users who are used to tablets and other touch screen interfaces.

Produce » Real-Time Production » Video Production » Newsroom production management and automation systems »

Production AirBox provides content playout for News, Live shows, screens and video walls feeding, live production broadcasts and other places where video/audio content have to be displayed. It is designed to meet the high reliability requirements of broadcast playout.

Every modification to the playlist can be made during onair session for live productions! No clips become locked It is possible to trim or reposition every clip in the playlist. In fact, on - the-fly playout position can be modified with commands such as next, jump or shuttle. These changes are carried out smoothly without disrupting the running session of playout.

 For up to four individual players, one server can be installed. Each player will have separate playlist and control over the playout. It is possible to designate the four SDI interfaces as software or sample outputs. Production AirBox provides content playout for feeding news live shows, screens and video walls, live broadcasts and other places where video / audio material needs to be viewed. To improve the process, it is designed to address the high reliability criteria interfaces of the broadcast playout.

Produce » Real-Time Production » Video Production » Newsroom production management and automation systems »

Break free of the restrictions and compromises generally incurred by XR stages - VP Pro XR enables the use of traditional shooting techniques within virtual productions.

Unreal Engine editor interface

VP Pro XR further builds upon Mo-Sys’ trusted VP Pro software, which integrates directly into the Unreal Engine Editor interface. The complete suite of real-time compositing tools can also record data for camera tracking, lens focus and zoom plus camera setting data for Arri Alexa and Sony Venice cameras.

nDisplay-enabled

VP Pro XR contains the full VP Pro feature set with additional XR tools, new unique capabilities and it is also nDisplay-enabled for large LED screens. Designed to have the minimum system delay possible, typically 6-7 frames, it ensures that XR shoots requiring real talent to interact with mocap AR avatars, are possible.

The Cinematic XR Initiative

Mo-Sys will deliver Cinematic XR capabilities on VP Pro XR. The Cinematic XR initiative focusses on four key aspects of XR: to improve pixel and composite image fidelity, introduce established cinematic shooting techniques to XR, provide seamless interaction between virtual and real elements, and enable hybrid workflows combining final pixel and non-real-time compositing.

Cinematic XR Focus

The first unique capability released for VP Pro XR is the recently announced Cinematic XR Focus, a collaboration with Preston Cinema Systems, the first product to enable seamless interaction between virtual and real worlds. Mo-Sys will release additional unique features aimed at Cinematographers and Focus Pullers over the coming months.

Multi-Cam

Multi-Cam for VP Pro XR orchestrates the 5-6 frame delay between switching two or more cameras and updating the LED volume with the new camera’s correct perspective graphics. Importantly, it allows switching at full resolution up to UHD4K.

VP Pro XR feature set

The Cinematic XR Focus feature is a taste of the kind of developments from Mo-Sys’ Cinematic XR initiative, with two key software releases due in the coming months. Mo-Sys is also working alongside LED tile and processor experts, developing unique Cinematic capabilities, as well as offering a single supplier solution.

Produce » Real-Time Production » Video Production » Newsroom production management and automation systems »

TitleBox is a complex and incredibly user-friendly on-air CG and graphics manager. It allows you to make and save various static or dynamic objects like rolls, crawls, multi-layered simultaneous still images, analog and digital clocks, animated logos, etc. These can be easily used for direct broadcasting or for future use as customized templates.

TitleBox is an interactive graphics manager that generates, shows and manages captivating multi-zone screens with rolls, crawls, animations clocks, station logos, 3D objects, and many more. It is ideal for broadcasting and cable TV channels digital signage systems and public and private facilities like schools, colleges, universities, business entities, corporations, retail, shopping malls, churches, airports, hotels, holiday resorts, theme parks, etc. Furthermore, TitleBox has a Scheduler that allows you to start items at different times from previously created tasks.

TitleBox provides on-air graphics that can be interactively controlled. You can enable multi-layer simultaneous crawls, rolls, animated icons, clocks and text templates with a click of the mouse. TitleBox provides full on-air command, including text selection, running speed and transitions.

MS Windows 10 compatible

Produce » Real-Time Production » Video Production » Newsroom production management and automation systems »

ASTRA Studio 3 is Aveco’s third-generation news production automation system. It’s a synthesis of years of on air experience working with our users, listening to their needs today and their wants for tomorrow, studying the trends in the industry and understanding the economic demands facing our customers.

ASTRA Studio 3 controls all equipment in the production control room and studio, including graphics, camera robotics, video and audio mixer, video servers, lights, backdrop screens and more. It puts a show on air with maximum impact and minimum staff.

Being the only independent vendor of production automation, Aveco works with all industry manufacturers. This provides customers extreme flexibility in selecting the best-of-breed equipment for each aspect of operations. There’s no need to be tied to any single manufacturer.

ASTRA Studio 3 works with your existing equipment. Aveco has the industry largest library of interfaces, supporting essentially all studio, PCR and MCR hardware and software.

ASTRA Studio 3 is the industry’s only multi-studio production automation system. It not only excels in control of a single studio, but brings many benefits to designs of multi-studio facilities.

A single system can produce independent shows in different studios. It can manage complex multi-studio production scenarios as well as share devices across studios. When production runs long in one studio, a button click reassigns the next rundown to another studio. This moves control of all production switcher settings, graphics, virtual sets, camera robotics, video roll-ins, lighting and audio to the alternate studio.

Produce » Manage Production » Production Software » Newsroom computer systems (NRCS) »

Etere Nunzio Newsroom integrates seamlessly with Newtek NDI to deliver unlimited streams for live productions with savings of up to half the cost of a traditional SDI setup. Upgrade your newsroom to Etere to get more done for less!

With NDI integration, Nunzio Newsroom software delivers and receives unlimited broadcast quality video streams with low latency and frame accuracy. Setting up a live newsroom production for unlimited streams is easy and cost-efficient. Newstek NDI is a royalty-free standard that allows multiple video systems to identify and communicate with one another over IP. It encodes, transmits and receive multiple streams of high quality, low latency, frame-accurate video and audio in real-time. Etere is compatible with Newtek NDI technology since 2014 when it rolled out support for the IT-based Etere ETX Channel-in-a-box system.

Etere NDI Nunzio Newsroom enables the use of virtual machines to manage the complete newsroom workflow. With a virtualised environment, you have the freedom to run unlimited streams without the need to invest, operate and maintain a large number of hardware and cables. In addition, you can save up to half the hardware costs with a smaller footprint using only standard Gigabit cables. Moreover, with the use of standard IP adapters, the system is fully redundant for a fault-tolerant performance.

Etere Nunzio Newsroom is the newsroom management component of Etere Ecosystem. It enhances coordinated multi-media planning and collaboration across different production units and departments with an editorial driven workflow and flexible metadata management. Etere Nunzio Newsroom represents the future of news reporting with a host of features for the modern newsroom. Etere supports complex stories with multiple video elements including video files, live streams, graphics and secondary media files simultaneously. Even in the face of complex workflows, Etere delivers the reliability, flexibilty and speed that is critical in any fast-paced newsroom. Etere Nunzio taps on a common database to provide real-time updates across all workflows. Nunzio newsroom goes the extra mile for your workflows so that you can focus on producing better content.

Etere Nunzio Newsroom is a collaboration tool that was designed to facilitate information exchange between internal and external teams of all sizes. It supports Windows and web interfaces, giving you the flexibility to share resources, run your workflows, plan tasks, schedule news story, create and approve content from wherever you are. With a simple software download, you have access to capabilities including instant chat, E-paper support, website uploads, integration with social media platforms and a mobile interface to take your newsroom with you wherever you are. No longer confined to a single device or platform, you are equipped with the software tools to bring the stories to your audience anytime, anywhere.

Key Features ■ Unlimited creative possibilities for live production, allows multiple video systems to connect to one another over IP

■ Use of virtual machines for unlimited broadcast quality video streams

■ Eliminates the need to invest, operate and maintain hardware equipment and bulky cables

■ Cost-efficiency at its best - Save up to half the hardware and maintenance costs

■ Encodes, transmits and receives multiple streams of high quality, low latency, frame-accurate video and audio in real-time

■ Uses standard IP adapters for complete redundancy

■ Send high-quality and low latency video while simultaneously streaming and capturing it elsewhere on your network

■ Support multiple devices with web, Windows and mobile interfaces

Produce » Real-Time Production » Video Production » Newsroom production management and automation systems »

The world’s first pre-configured complete virtual studio system. All the flexibility and creativity virtual sets offer without the complexity or cost.

This state-of-the-art virtual studio system provides unlimited creative freedom to generate visually impactful digital studios for every video type.

Create all your video content with a single studio

• 3-camera 4K virtual studio system – expandable to 16 cameras.


•  Pre-confi gured system with pre-calibrated lenses.


•  1 vendor for supply, installation, training, and support.


• 1 day installation.


• No additional virtual studio compositing software required.


• Works with LED wall studios or green studios.


• 4K recorders included – shoot live to air, or record for post-production.


• Includes Mo-Sys Beam In technology – include remote guests in a virtual studio.


• Uses Unreal Engine 4 (UE4) - the market leader in photo-realistic graphics engines.


• Suitable for live broadcast/streaming, real-time film workflows, and rapid reaction social media video

Produce » Real-Time Production » Video Production » Newsroom production management and automation systems »

Mo-Sys VP Pro is the complete solution for creating virtual production content for live broadcast, film, game cinematics and architectural visualization. With a full range of creative tools directly in the engine, enhance your productions using augmented graphics and virtual sets with real-time camera tracking.

What is Mo-Sys VP Pro?

Currently utilised by a growing pool of filmmakers, high-end broadcasters and developers, Mo-Sys VP Pro streams live tracking data from all Mo-Sys robotic and tracking hardware such as StarTracker and RoboJib. Mo-Sys VP Pro features a creative AR mode, an internal keyer and data recording with timecode stamp for FBX export, as well as many more virtual production features that empower your creative processes in the Unreal Engine.

High-quality camera tracking

Developed from our patented broadcast camera tracking system, StarTracker comes the film-orientated StartTracker VP. This optical tracking system looks at “stars”; which are small, identical retro-reflective stickers which are randomly applied to the studio ceiling or on the floor. A small LED sensor, mounted on the studio camera, shines light on the stars and remembers the constellation. This then reports the position and orientation of the studio camera in real time to the rendering engine.

Unrestricted Unreal Plugin

StarTracker VP comes with a plugin for Unreal and as such is not limiting you in your workflow. It allows you to tap into the raw power of Unreal, giving full flexibility and creative freedom. StarTracker VP was specifically tailored for virtual productions and VFX heavy filming – with many features that simplify VFX shots.

Post-production

Whilst allowing on-set visualization in real-time, as well as scene blocking in virtual worlds, StarTracker neatly provides timecode synchronization and an FBX export allowing you to efficiently drop the recorded data and footage into Maya and other post-production software.

• Mo-Sys tracking data over LiveLink - Supports StarTracker, StarTracker MoCap, StarTrackerVR headsets, StarTracker ViewFinder, Handwheels, and extends to all future robotics and tracking hardware.


• Raw Mo-Sys tracking data - Blueprint nodes for use within a 'built game'


• Data transmitter - Send data out of Unreal Engine to control Mo-sys robotics


• Mo-Cap drift correction - Positional correction for use with StarTracker MoCap hardware


• nDisplay for LED Wall -Receive data via VRPN for off-axis projection


• Live video I/O - Automatic configuration of compositing pipeline


• Drag-and-drop virtual camera -  Pre-fabricated components for a variety of compositing modes


• Data recording with timecode - Synchronous multi-source tracking and lens data recording


• Video management tool - Simple interface to configure and monitor video I/O


• VP system status - See at a glance the state of the virtual production system


• VP layouts  - Custom layouts for different stages of virtual production


• FBX data export - Virtual camera export to traditional pipelines


• Internal keyer - Color difference keyer for pre-visualisation


• External hardware keyer integration - Switch presets on Blackmagic Ultimatte from Unreal blueprints


• Switcher integration - Cut cameras on Blackmagic ATEM from Unreal blueprints


• External SDI recorder integration - Fire record on Blackmagic Hyperdeck recorders automatically with timecode and metadata


• Lens distortion - Entirely automated distortion for calibrated fixed and zoom lenses


• Depth of field - Automatic focal distance from StarTracker for depth of field handling


• StarTracker configuration - Detect and configure StarTrackers from inside Unreal editor

Manage » Manage & Orchestrate » Data & Metadata Management » (Meta)data aggregation and management »

nxtedition is a complete production solution for video and audio - used by broadcasters, publishers, corporates and other industries to create video channels for broadcast and streaming, as well as audio for radio broadcasting, streaming and podcasting.nxtedition encapsulates all the following activities into a single user interface offering to be first, fast and accurate with the stories people want - be that news, sport, entertainment, or production.• Production Planning• Scriptwriting• Media Asset Management• Metadata Management• Reporting• Graphics• Subtitling• Prompter• Transcoding• Rundown Creation• Studio Automation• Ingest Recording• Channel Playout• Music Rotation• Live Streaming In And Out• Publishing To Web, App And Social Medianxtedition - innovative storytelling grounded in realism.

Produce » Real-Time Production » Video Production » Newsroom production management and automation systems »

Jigsaw24 and Gallery have a longstanding partnership. Together, we’ve delivered innovative projects covering a range of workflows, including news, soap operas and live sports.

Our expertise and experience when it comes to networking and broadcast workflows mean we can provide a complete solution from specification through to installation, including ongoing support once a workflow is in place. As part of the global network of approved Sienna Cloud systems integrators, we can provide local installation, support and maintenance to ensure always-on operation of your entire Sienna Cloud for NDI network.

If you want to see first-hand how Gallery’s solutions can improve and augment your existing workflow, get in touch with the team to arrange an integrated demo featuring a selection of solutions tailored to your environment.

Everything you need to know about NDI

Produce » Real-Time Production » Video Production » Newsroom production management and automation systems »

Mo-Sys bMR is for sports, news, or current affairs broadcasters who want to deploy (or transition to) a unified Unreal-based graphics solution for driving an LED virtual studio with integrated 2D/3D on-air graphics under MOS/NRCS control.

bMR has been designed to address multiple deployment scenarios

New studio build - where both on-air graphics system and a LED virtual studio are installed at the same time. Upgrade transition plan - where either the on-air graphics system or the LED content server are installed first, and used with the existing on-air graphics system or green screen studio until these are upgraded.

bMR LED content server system

bMR can drive any size/shape/pixel pitch LED virtual studio (equipped with sufficient render nodes), with the base system able to drive an LED studio with up to 8million pixels.

Create expansive virtual studios

Set extensions with simultaneous augmented reality (AR) are also possible, with the delay between the Unreal graphics perspective displayed on the LED wall, and the camera’s actual position, the lowest on the market today.

Multi-camera switching

The system offers multi-camera switching capability, up to UHD4K resolution, enabling multiple cameras to be used with an LED volume, where switching between cameras is orchestrated with the LED wall updating correctly.

Flexible upgrade path

bMR contains 2 Mo-Sys VP VFX virtual studio compositing licences (more can be added), for an upgrade transition scenario where a broadcaster needs to deploy bMR as initially an on-air graphics replacement to work with an existing green screen virtual studio, before upgrading this to an LED virtual studio.

bMR on-air graphics system

bMR’s on-air graphics system offers three ways of displaying templated data-fed graphics; standard 2D keyed graphics, keyed 3D graphics, or 3D ‘in-scene’ Unreal element graphics. The system conforms to MOS protocol and can be controlled by commonly available newsroom computer systems (NRCS) such as Octopus, ENPS, or other popular NRCS.

Intuitive interface with full system redundancy

bMR is based on web browser technology and uses a fully redundant server/client architecture. Importantly, it is an on-premise solution and is not cloud-based.

Local and remote preview

bMR offers local and remote preview, where remote preview is enabled via temporary agents to avoid copying, which in turn reduces remote preview latency.

Absolute control

The system uses a browser-based Mediahub to manage graphics assets, offering streamlined control of multiple graphic elements on a single production, as well as multi-studio capability. bMR offers users the ability to create simple custom interfaces for populating graphic templates, for attaching real-time data sources to graphic templates, or for manual control of graphic elements.

Create » Content Acquisition and Capture » Audio Aquisition » Audio acquisition accessories »

PlayBox Technology has incorporated its most advanced playout engine which is the result of over 15 years of experience in developing playout solutions for the world's

leading broadcasters.

 

PlayBox Technology Channel-in-a-Box provides an integrated playout solution for Broadcasters and OTT service providers in a 1RU or 3RU server, regardless if you are working with IP or SDI.

The CIAB will enable you to playout an IP stream or an SDI in SD, HD or UHD. PlayBox Technology’s CIAB takes care of all your scheduling needs and uses simple, clean and engaging HTML5 for your transmission graphics needs including crawlers and rollers.

 

As you would expect from PlayBox Technology, it offers sophisticated and easy to use automation. We have designed a user friendly ingest which also gives you the ability to FTP your media straight to the Channel In A Box, saving you time.

It is available as a complete turnkey solution for single channel or multichannel HD SDI/SD. Available as both full turnkey solutions and software-only for single and multi-channel operations.

 

Channel in a Box (CIAB) is compatible with a wide range of compression types, including: MPEG-2, DV, DVCPro, DVCPro HD, AVC/H.264, HAVC/H.265, XAVC and more.

Produce » Real-Time Production » Video Production » Newsroom production management and automation systems »

Megahertz designs, engineers and delivers turnkey systems to the world’s leading broadcasters, content owners and media service providers. As a leading systems integrator, its expert team of skilled engineers and solutions architects, drawn from both broadcast and IT backgrounds, ensures a creative, forward-thinking, independent and highly efficient approach. Megahertz provides dynamic and resilient systems for news and sport production, state-of-the-art studios and advanced file-based workflows, as well as fully equipped vehicles for outside broadcast and newsgathering. The company also provides consultancy, training and support services.

The company head office is based in Ely, Cambridgeshire where it has a 2,000 square metre engineering facility. This allows Megahertz to carry out its own coachwork for vehicles and to pre-fabricate even the largest systems.

With a reputation for excellence since 1982, Megahertz continues to deliver value-added engineering solutions worldwide.

Produce » Real-Time Production » Video Production » Newsroom production management and automation systems »

• Intuitive, graphical user interface, with video thumbnails • Customizable video edit screen with configurable screen layouts • Wide variety of input sources video and text feeds, agencies, RSS, social media feed, web sites • Intuitive, Outlook style scripting • Easy and advanced search modes • Keyword alerts customised for each user • Seamless MAM integration to browse and use archived video • Built in video player for previewing and trimming videos and voice overs • Proxy file support for network based playback » Customizable news edit screen, configurable screen layouts » Custom workspace for each new item » Organize all production materials for each programme in one space • Proxy based server side editing and rendering

 

ACQUISITION & NEWS PLANNING Journalists can quickly and easily browse for video and text, with a variety of information sources at their disposal: wire agencies, rss feeds, websites, the station’s existing media archive, or any external video file. The time and number of programmes per day, week and month, and the format or outline structure with placeholders, are imbedded into LNS system. News stories on individual rundowns are assigned to journalists who can see the tasks assigned to them from their own login.

SCRIPT AND VIDEO EDITING Journalists write their story, app and web page template cues, prompter script, camera cues and character generator text using a simple to use, multilingual Windows programme. As the story is changed and updated, all users are updated on developments. The journalist can record voice overs and undertake a simple edit in their workspace, using the inbuilt timeline editor. If extensive video editing, packaging and compositing is required, the timeline can be exported to an NLE, rendered and the file imported back into the LNS workspace. If only cut editing and voiceovers are required, then rendering of the timeline is processed by LNS. After checking, the assigned journalist marks the resulting video as the on-air copy, which notifies it’s completed. It is then marked as being ready for more senior editorial approval and placed in a pool of stories and content, ready to go into the programme running order with a simple drag and drop.

PRE-PRODUCTION RUNDOWN MANAGEMENT Using pre-prepared templates for each deadline or programme category, the completed stories and packaged content is now in a specific rundown, which shows detailed information on the readiness of each of the stories or packaged content, signaling potential issues such as video missing, prompter script not approved, cg not approved, etc. Users who have sufficient rights can then publish the rundown, for air, app and web

Produce » Manage Production » Production Software » Newsroom computer systems (NRCS) »

Bluefish444 have developed IngeSTore as a complementary multi-channel ingest tool, enabling Bluefish hardware to capture multiple independent format SDI or NDI® sources simultaneously. Capture to QuickTime, AVI and DVCPRO50/HD codecs for free.

Watch the IngeSTore product video here

IngeSTore can be used seamlessly in combination with popular NLE software such as Avid Media Composer and Adobe Premiere Pro CC to provide a simultaneous capture and output solution, with compatible Bluefish hardware and firmware modes.

IngeSTore features software licence upgrades to encode uncompressed SDI to other codecs, such as Avid-compliant OP-ATOM DNxHD 8-bit media. IngeSTore can write directly to local or shared storage, including Avid shared storage, allowing systems to access media directly from the Avid Media Database.

The BlueCodecPack licence includes DNxHD, ProRes, H.264, Sony XDCAM, and AVC-Intra 100 codecs, with JPEG 2000 also available as an optional addition to BlueCodecPack.

The perfect companion for the following workflows:

• Multi-cam studio


• ISO recording


• Archive from video tape


• Post-production


• Electronic News Gathering (ENG)


• Uncompressed capture & encode later


• Edit While Record (Growing files)


• Remote production


• Mobile production

Multiple codec options

• Uncompressed, DV, DVCProHD codecs free


• H.264, DNxHD, AVC-Intra 100, XDCAM, JPEG2000 via additional licence


• Codecs are compatible with MAM options such as eMAM and CatDV

Network Shared Storage

• Connects via 10Gb, 5Gb, 2.5Gb or 1Gb network interfaces


• Compatible with Avid Nexis shared storage devices, and storage from G-Technology, DDP, SNS Evo, ProMAX, JMR, Caldigit, MAGMA, ATTO, Fusion, Facilis Technology, Masstech, Accusys, EditShare, StorageDNA, Quantum, plus more


• Visit Bluefish's website for a full list of qualified shared storage options

Edit-While-Record

• BlueCodecPack licence allows IngeSTore to record to growing file compatible formats


• Edit live in Avid Media Composer or Adobe Premiere Pro while the recording is still underway. This is available within Premiere Pro natively in some formats, with all other formats requiring the BlueRT plug-in


• Can either be used on the same system as IngeSTore or a separate network-connected NLE workstation


• Growing file support with Adobe Creative Cloud, Assimilate SCRATCH, CasparCG, Drastic Video QC, VLC and Medialooks software

REST API

• Control IngeSTore remotely on your network


• Supports multiple servers controlled via a single interface


• Add extra functionality to IngeSTore


• Requires a REST API licence per server

Produce » Real-Time Production » Video Production » Newsroom production management and automation systems »

MAM4PRO offers an agile and cost-effective way to produce and orchestrate high-quality content, no matter where teams or resources are located.

By virtualizing the media operations such as recording, ingest, transcoding, streaming and even file transfer, MAM4PRO is simplifying equipment redundancy and network complexity, making collaborative production effortless and simpler.

Jump into the next level of production with virtualized media operations.

 

Virtualized Media Operations - Real-time Stream, Record, Ingest, Playback, Transcode and File Transfer.

Multiple Deploy Options - On-premises or on the Cloud (Private, Public and Hybrid).

Management and Control - Central Administration of all Media Operations, anywhere.

Centralized Media Ecosystem - Same platform for Production, Contribution and Distribution Video Formats

Collaborative Remote Workflows - Ideal for Remote Digital Media Production and Management.

Resources Allocation & Optimization - Shared equipment, facilities and teams across locations.

Produce » Real-Time Production » Video Production » Newsroom production management and automation systems »

Polymotion Chat is an easily deployable studio solution that allows an operator to automate up to six presenter and guest camera positions. Using limb and face detection software Polymotion Chat tracks their movements and provides stable and natural-looking content.

SIMPLY YOUR WORKFLOW

Polymotion Chat is a camera solution for small studios. Controlling up to 6 robotic heads from one operator stadium, Chat can be used as a flexible broadcast solution.

ADAPTABLE, AUTOMATED SYSTEM

Whether your requirements are traditional newsroom, standing presenter-led, or magazine format show, Polymotion Chat can help streamline this work-flow.

REPLICATE NATURAL MOVEMENT

An operator has several tools inside Polymotion Chat to replicate a natural camera movement. For example, after framing their subject, a ‘static zone’ can be set to control how far the subject can move before the camera starts to follow it. The speed of this move can also be controlled in line with the production requirements.

FLEXIBLE AND EASY TO USE

Polymotion Chat can utilise presets to help locate and frame subjects. This can include off frame positions for graphics insertions for news or sports programming or set camera positions for intros or interviews.

Additionally, for the pop-up studio, a remote production workflow can be used with the operator managing the Polymotion Chat system over IP from the main production facility.

USE YOUR EXISTING CAMERAS

Any combination of the MRMC Robotics range can be used with Polymotion Chat.

For customers who already have chosen their cameras they can simply add them to our AFC100 platform. This will turn the camera into a fully automated robotic head with pan, tilt, zoom and focus. This delivers the same consistent ‘look and feel’ in production with the added benefit of precision.

ONE OPERATOR

The Polymotion Chat solution comes in either a 1U Polymotion Server (which supports up to 3 tracking heads) or a 2U Polymotion Server (which supports up to 6). Simply use your existing cameras on one of MRMC Robotic heads and connect. The interface has been designed to work with either a touchscreen or a standard keyboard and mouse. One operator can easily control Polymotion Chat and additional operators’ consoles can be added.

SIMPLE UI

With Polymotion Chat software, automatic zones can be set per camera to ensure the subject is framed correctly and if they move beyond a set radius the camera automatically follows them. Limits can also be set so that if the subject moves out of the studio space the camera simply stops following and returns to it’s default position.

Produce » Real-Time Production » Video Production » Newsroom production management and automation systems »

Automated Production Control (APC) is now common place, delivering operational efficiencies, while taking complexity out of the production process. OverDrive is the most advanced APC system on the planet, enabling the most sophisticated productions to be executed cleanly and consistently, while delivering substantial savings in operational costs. With nearly 400 systems on-air, OverDrive is the world leader in APC. OverDrive offers unparalleled choice with integration to more than 220 different production devices. Both manual and automated control is provided to both Ross and third party devices including production switchers, routing systems, video servers, audio mixers, robotic cameras, and graphics systems.

Produce » Real-Time Production » Video Production » Newsroom production management and automation systems »

Inception Social enables you to bring text and image content from social media into graphics playout, manage moderating and approving content from social media channels, and prompt user engagement via social media polling.

Key Features:

Multi-platform publishing - Save time and increase productivity by using a unified platform to search and publish to social media and web platforms.

Feed social content to on-air graphics - Search, curate and display social media content by integrating Inception Social with broadcast graphic systems like Ross Video’s XPression.

Social Polls - Use social media polls to create content through real-time audience participation.

Geolocated Results - Use a location to produce focused results for breaking news, severe weather or live events.

User Permissions & Approval Workflows - Open up social media participation to your team while overseeing the final product before it is published.

Produce » Real-Time Production » Video Production » Newsroom production management and automation systems »

As IP continues to go mainstream for video production, producers have identified key requirements. They’re looking to move away from bulky, expensive hardware to more flexible software and cloud-based solutions as well as more lightweight field gear like bonded cellular backpacks. They need IP streaming solutions that can be incorporated easily into production workflows, with the ability to ingest non-baseband sources.  Broadcast Operations need to be able to use the entire gamut of IP-based protocols, and sometimes several of them during the same production. Likewise, they need fast, frictionless ways to transcode feeds and files into multiple video house formats for asset management and distribution. 

The concept of an IP network operations center (IP-NOC) addresses all of these requirements by bringing together the state of the art in IP-based signal acquisition and cloud-based media asset management (MAM). Driven by these enabling technologies, the IP NOC offers a paradigm shift from traditional broadcast operation centers and satellite trucks to smaller and more nimble transmission gear, cameras, and capture devices. 

Produce » Real-Time Production » Video Production » Newsroom production management and automation systems »

THERE IS A TRICASTER FOR EVERY PRODUCTION

Powerful and affordable tools. Help tell your story…beautifully. NewTek TriCaster systems put an entire suite of media production capabilities at your fingertips. You can make anything from keynote presentations and webcasts to online training and sporting events look amazing with quality, consistency and efficiency.

Produce » Real-Time Production » Video Production » Newsroom production management and automation systems »

Whether it’s a slate of games for a major sports league, a regional athletic meet, an international esports competition, a targeted enterprise announcement, or any other live or virtual event, The Switch has production services to suit every organization’s needs. Our cloud-based platform, MIMiC, is an on-demand, production-as-a-service offering that includes remote IP-video contribution, production and clipping tools, and distribution. It empowers you to cost-effectively ensure broadcast quality production to and from anywhere in the world.

MIMiC handles all aspects of the production workflow in the cloud, from editing and graphics creation to comms and talk-back. It gives content producers the choice of using their own production crew or relying on The Switch to provide a full complement of experienced operators who know how to deliver award-winning programming. For a mainstream TV sporting event, for instance, rights holders can tap our full remote production service to produce the main game, while leveraging MIMiC to produce the shoulder programming, social media streams and individualized “player-cam” feeds. Plus, it offers the perfect set-up to produce esports tournaments, either stadium-based or virtual.

MIMiC is also ideal for both live and virtual enterprise events. It offers a flexible and scalable way to run everything from customer conferences and product launches to all-hands meetings and press briefings. MIMiC allows you to produce content in any time zone, localize the feed and address specific segments individually.

In enabling true cloud-based production, MIMiC gives producers of events of every size and type unmatched agility. It enables you to streamline workflows to get the most out of each production and better engage audiences. MIMiC complements the existing remote production services The Switch helped pioneer, letting rights holders, enterprises and other content producers choose the level of service they need.

Produce » Real-Time Production » Video Production » Newsroom production management and automation systems »

Output Interfaces:

HDMI

HDMI 1.4

HDMI 2.0

Storage Interface:

SD Card (functions to be developed)

Screw Mounting Hole

¼–20 mounting hole

Network Interfaces:

10/100/1000Mbps Ethernet

IEEE 802.3af PoE

USB Interface:

USB2.0 Type B

5V/2.1A power supply

USB RNDIS/ECM

USB3.0 Type A

Support for connecting peripherals (keyboard and/or mouse) to customize the video and audio settings

HDMI Output Features:

Support for up to 4:4:4 8 bit 4096x2160 60fps HDMI output

Support for 96KHz 16bits 8-channel audio streams

Support for delivering videos at the preferred video format according to the EDID of the connected monitor

Accessories:

USB 2.0 A to B Cable

5V/2.1A power adaptor

L-bracket

Produce » Real-Time Production » Video Production » Newsroom production management and automation systems »

Output Interfaces:

HDMI

HDMI 1.4

HDMI 2.0

Storage Interface:

SD Card (functions to be developed)

Screw Mounting Hole:

¼–20 mounting hole

Network Interfaces:

10/100/1000Mbps Ethernet

IEEE 802.3af PoE

USB Interface:

USB2.0 Type B

5V/2.1A power supply

USB RNDIS/ECM

USB3.0 Type A

Support for connecting peripherals (keyboard and/or mouse) to customize the video and audio settings

HDMI Output Features:

Support for up to 4:4:4 8-bit 4096x2160 60fps output HDMI resolutions

Support for 96KHz 16bits 8-channel audio streams

Support for delivering videos at the preferred video format according to the EDID of the connected monitor

Accessories:

USB 2.0 A to B cable

5V/2.1A power adaptor

L-bracket

Produce » Real-Time Production » Video Production » Newsroom production management and automation systems »

Input Interfaces:

BNC

SD/HD/3G/6G SDI

Loop-through Interface:

BNC

SD/HD/3G/6G SDI

Storage Interface:

SD Card (functions to be developed)

PTZ + TALLY Control:

Mini-DIN–8 jack

Screw Mounting Hole:

¼–20 mounting hole

Network Interfaces:

10/100/1000Mbps Ethernet

IEEE 802.3af PoE

USB Interface:

USB2.0 Type B

5V/2.1A power supply

USB RNDIS/ECM

Input feature:

Support for up to 4096x2160 30fps input resolution

SDI Specific Features:

Integrated cable equalizer extending the cable length as follows:

up to 180m for SD-SDI signals

up to 180m for HD-SDI signals

up to 150m for 3G-SDI signals

up to 100m for 6G-SDI signals

Support for SD/HD/3Ga/3Gb/3Gb-DL/3Gb-DS/6G (SMPTE 2081) standards

Support for 2K (2048x1080) & 4K (4096x2160) mode

Support for RGB 4:4:4, YCbCr 4:4:4, YCbCr 4:2:2 color sampling

Support for 10/12-bit color depth

Support for extraction of SMPTE 352 payload identifier

Support for up to 16 (mono) audio channels

Support for extraction of audio formation information & channel status data

Limited support of 3Gb-DS: only the first stream can be captured

Limited support for capture of the first link of dual link interfaces:

YCbCr 4:2:2 10-bit 1080p 50/59.94/60: captured as 1080i 50/59.94/60

YCbCr 4:4:4 10-bit: captured as 4:2:2

RGB 4:4:4: R/B sub-sampled

NDI® Output Format:

Support for 4:2:2 8-bit output

Support for up to 4096x2160 60fps output resolution

Support for NDI 4.1

Accessories:

USB 2.0 A to B Cable

5V/2.1A power adaptor

Mini-DIN–8 (PTZ + TALLY) to RS232 (PTZ) + Mini-DIN–8 (TALLY)

L-bracket

LED matrix panel (optional)

Produce » Real-Time Production » Video Production » Newsroom production management and automation systems »

Input Interfaces:

HDMI

DVI-D 1.0

HDMI 1.4

HDMI 2.0

Loop-through Interface:

HDMI

DVI-D 1.0

HDMI 1.4

HDMI 2.0

Storage Interface:

SD Card (functions to be developed)

PTZ + TALLY Control:

Mini-DIN–8 jack

Screw Mounting Hole:

¼–20 mounting hole

Network Interfaces:

10/100/1000Mbps Ethernet

IEEE 802.3af PoE

USB Interface:

USB2.0 Type B

5V/2.1A power supply

USB RNDIS/ECM

Input feature:

Support for input video resolutions up to 4:4:4 8-bit 4096x2160 60fps

HDMI Specific Features:

600MHz HDMI receiver

Adaptive HDMI equalizer

Support for customized EDID

Support for extraction of AVI/Audio InfoFrames

Full colorimetry support

Support for up to 4096x2160 4:4:4 60fps input signals

Support for 8 channel IEC60958 audio streams

Support for extraction of audio formation information & channel status data

Support for extraction of video timing information

Support for extraction of 3D format information

Support for Side-by-Side Half, Top-and-Bottom, Frame Packing 3D mode.

NDI® Output Format:

Support for 4:2:2 8-bit output

Support for up to 4096x2160 60fps or 1920x1080 240fps

Support for NDI 4.1

Accessories:

USB 2.0 A to B Cable

5V/2.1A power adaptor

Mini-DIN–8 (PTZ + TALLY) to RS232 (PTZ) + Mini-DIN–8 (TALLY)

L-bracket

LED matrix panel (optional)

Produce » Real-Time Production » Video Production » Newsroom production management and automation systems »

Input Interfaces:

1-channel SD/HD/3G SDI

1 dual-link HD/3G, supporting 2SI mode only

1 quad-link 3G, supporting 2SI mode only

Host Interfaces:

M.2 2280 Type M (PCIe Gen2 x4)

Input features:

1 Single-link SD/HD/3G SDI mode:

Support for input video resolutions up to 2048x1080 pixels, only one stream can be captured

1 Dual-link HD/3G SDI Mode:

Support for input video resolutions up to 4096x2160 pixels

1 Quad-link 3G SDI Mode:

Support for input video resolutions up to 4096x2160 pixels

SDI Specific Features:

Integrated cable equalizer extending the cable length as follows:

up to 330m for SD-SDI signals

up to 190m for HD-SDI signals

up to 150m for 3G-SDI signals

Support for SD/HD/3Ga/3Gb/3Gb-DL/3Gb-DS/3Ga-QL/3Gb-QL standards

Support for 2K (2048x1080) and 4K (4096x2160) mode

Support for RGB 4:4:4, YCbCr 4:4:4, YCbCr 4:2:2 color sampling

Support for 10/12-bit color depth

Support for extraction of SMPTE 352 payload identifier

Support for up to 8 (mono) audio channels at 48KHz

Support for extraction of audio formation information & channel status data

Limited support of 3Gb-DS: only the first stream can be captured

Support for Closed Caption via the SDK

Video Capture Formats:

Support for capture image resolutions up to 2048x1080 pixels in single link mode

Support for capture image resolutions up to 4096x2160 pixels in dual and quad link mode

Support for capture frame rates up to 144fps

SDK:

Magewell Capture SDK for DirectShow (Windows) or V4L2 (Linux) for easy integration

Magewell Capture SDK for DirectKS (Windows) or ioctl (Linux) for maximum flexibility & performance

Accessories:

4 X MMCX to BNC cables

Produce » Real-Time Production » Video Production » Newsroom production management and automation systems »

Input Interfaces:

MMCX

SD/HD/3G/6G/12G SDI

Loop-through Interfaces:

MMCX

SD/HD/3G/6G/12G SDI

Host Interface:

M.2 2280 Type M (PCIe Gen2 x4)

Input Features:

Support for input video resolutions up to 4096x2160 pixels

SDI Specific Features:

Integrated cable equalizer extending the cable length as follows:

up to 430m for SD-SDI signals

up to 200m for HD-SDI signals

up to 110m for 3G-SDI signals

up to 50m for 6G-SDI signals

up to 30m for 12G-SDI signals

Support for SD/HD/3Ga/3Gb/3Gb-DL/3Gb-DS/6G/12G standards

Support for 4K (4096x2160) mode

Support for RGB 4:4:4, YCbCr 4:4:4, YCbCr 4:2:2 color sampling

Support for 10/12-bit color depth

Support for extraction of SMPTE 352 payload identifier

Support for up to 8 (mono) audio channels at 48KHz

Support for extraction of audio formation information & channel status data

Support for Closed Caption via SDK

Video Capture Formats:

Support for capture image resolutions up to 4096x2160 pixels

Support for capture frame rates up to 144fps

SDK:

Magewell Capture SDK for DirectShow (Windows) or V4L2 (Linux) for easy integration

Magewell Capture SDK for DirectKS (Windows) or ioctl (Linux) for maximum flexibility & performance

Accessories:

MMCX to BNC cable

Produce » Real-Time Production » Video Production » Newsroom production management and automation systems »

Input Interfaces:

JST SHD 20-Pin socket

DVI-D 1.0

HDMI 1.4

FPC 20-Pin socket

DVI-D 1.0

HDMI 1.4

Host Interfaces:

M.2 2280 Type M (PCIe Gen2 x4)

Input features:

Support for input video resolutions up to 4096x2160 pixels

HDMI Specific Features:

297MHz HDMI receiver

Adaptive HDMI equalizer

Support for customized EDID

Support for extraction of AVI/Audio/SPD/MS/VS/ACP/ISRC1/ISRC2/Gamut InfoFrames

Full colorimetry support

Support for RGB/YUV 4: 4: 4 8-bit format signals with a pixel frequency of no more than 297MHz

Support for YUV 4:2:2 12-bit format signals with a pixel frequency of no more than 297MHz

Support for RGB/YUV 4:4:4 10/12-bit format signals with a pixel frequency of no more than 170MHz

Support for up to 8-channel IEC60958/IEC61937 audio streams via SDK

Support for extraction of audio formation information & channel status data

Support for extraction of video timing information

Support for extraction of 3D format information

Support for extraction of Sony/Canon DSLR time code

Support for Side-by-Side Half, Top-and-Bottom, Frame Packing 3D mode

Video Capture Formats:

Support for capture image resolutions up to 4096x2160 pixels

Support for capture frame rates up to 144fps

SDK:

Magewell Capture SDK for DirectShow (Windows) or V4L2 (Linux) for easy integration

Magewell Capture SDK for DirectKS (Windows) or ioctl (Linux) for maximum flexibility & performance

Accessories:

SHD to HDMI type A cables

FPC ribbon cable

FPC to HDMI type A adapter

Produce » Real-Time Production » Video Production » Newsroom production management and automation systems »

Input Interfaces:

HDMI

HDMI 1.4a

3.5mm audio jack

Microphone interface

Output Interfaces:

HDMI

HDMI loop-through

USB

USB 2.0

3.5mm audio jack

Headphone interface

Network Interfaces:

Wired Ethernet

10/100/1000Mbps Ethernet

Wi-Fi

IEEE 802.11 a/b/g/n/ac

USB

USB 3G/4G Modem (not included)

Bluetooth:

Bluetooth 4.0 BLE

HDMI Specific Features:

Support for up to 4096x2160 4:4:4/4:2:2 30fps or 4096x2160 4:2:0 60fps input and loopthrough signals

Support for 8/10/12-bit color depths

Support for 60p, 60i, 50p, 50i, 30p, 25p signal formats

For 4:2:0 input signals, the horizontal and vertical resolution will be reduced to 1/2 for capturing

For 4:4:4/4:2:2 input signal at more than 170MHz, the horizontal and vertical resolution will be reduced to 1/2 for capturing.

Accessories:

AC adapter

Produce » Real-Time Production » Video Production » Newsroom production management and automation systems »

Input Interfaces:

HDMI

DVI-D 1.0

HDMI 1.4

Host Interface:

PCIe Gen2 x4

Input Features:

Support for input video resolutions up to 4096x2160 pixels

HDMI Specific Features:

297MHz HDMI receiver

Adaptive HDMI equalizer

Support for customized EDID

Support for extraction of AVI/Audio/SPD/MS/VS/ACP/ISRC1/ISRC2/Gamut InfoFrames

Full colorimetry support

Support for 8-bit signals that use RGB/YUV 4:4:4 color sampling at pixel rate no more than 297MHz

Support for 12-bit signals that use YUV 4:2:2 color sampling at pixel rate no more than 297MHz

Support for 10/12-bit signals that use RGB/YUV 4:4:4 color sampling at pixel rate no more than 170MHz

Support for extraction of audio formation information & channel status data

Support for extraction of video timing information

Support for extraction of 3D format information

Support for extraction of Sony/Canon DSLR time code

Support for Side-by-Side Half, Top-and-Bottom, Frame Packing 3D mode.

Video Capture Formats:

Support for capture image resolutions up to 4096x2160 pixels

Support for capture frame rates up to 144fps

SDK:

Magewell Capture SDK for easy integration, maximum flexibility and performance

Produce » Real-Time Production » Video Production » Newsroom production management and automation systems »

Input Interfaces:

HDMI

DVI-D 1.0

HDMI 2.0

Host Interface:

PCIe Gen2 x4

Input Features:

video resolutions up to 4096x2160 pixels

HDMI Specific Features:

594MHz HDMI receiver

Adaptive HDMI equalizer

Support for customized EDID

Support for extraction of AVI/Audio/SPD/MS/VS/ACP/ISRC1/ISRC2/Gamut/HDR/VBI InfoFrames

Full colorimetry support

Support for 8/10/12-bit color depths

Support for RGB 4:4:4, YCbCr 4:4:4, YCbCr 4:2:2 color sampling

Support for up to 8-channel IEC60958/IEC61937 audio streams via SDK

Support for extraction of audio formation information & channel status data

Support for extraction of video timing information

Support for extraction of 3D format information

Support for extraction of Sony/Canon DSLR time code

Support for Side-by-Side Half, Top-and-Bottom, Frame Packing 3D mode.

Support for HDR10

Video Capture Formats:

Support for capture image resolutions up to 4096x2160 pixels

Support for capture frame rates up to 144fps

SDK:

Magewell Capture SDK for easy integration, maximum flexibility and performance

Produce » Real-Time Production » Video Production » Newsroom production management and automation systems »

Input Interfaces:

HD-BNC x4

Two connectors are compatible with SD/HD/3G SDI

One connecter is compatible with SD/HD/3G/6G SDI

One connecter is compatible with SD/HD/3G/6G/12G SDI

Support for input of Single Link, Dual Link, Quad Link

Host Interfaces:

PCIe Gen2 x4

Input Features:

Support for input video resolutions up to 4096x2160 pixels

Auto detection of Single Link, Dual Link, Quad Link

SDI Specific Features:

Integrated cable equalizer extending the cable length as follows:

up to 330m for SD-SDI signals

up to 190m for HD-SDI signals

up to 150m for 3G-SDI signals

up to 75m for 6G-SDI signals

up to 40m for 12G-SDI signals

Support for SD/HD/3Ga/3Gb/3Gb-DL/3Gb-DS/6G/12G

Support for 2K (2048x1080) & 4K (4096x2160) mode

Support for RGB 4:4:4, YCbCr 4:4:4, YCbCr 4:2:2 color sampling

Support for 10/12-bit color depth

Support for extraction of SMPTE 352 payload identifier

Support for up to 8 (mono) audio channels at 48KHz

Support for extraction of audio formation information & channel status data

Support for Closed Caption via SDK

Video Capture Formats:

Support for capture image resolutions up to 4096x2160 pixels

Support for capture frame rates up to 144fps

SDK:

Magewell Capture SDK for easy integration, maximum flexibility and performance

Produce » Real-Time Production » Video Production » Newsroom production management and automation systems »

Input Interfaces:

DVI

DVI-D 1.0 (Single or dual link)

HDMI 1.4

Host Interface:

PCIe Gen2 x4

Input Features:

Support for input video resolutions up to 4096x2160 pixels

HDMI Specific Features:

Dual 165MHz HDMI receiver

Adaptive HDMI equalizer

Support for customized EDID

Support for extraction of AVI/Audio/SPD/MS/VS/ACP/ISRC1/ISRC2/Gamut InfoFrames

Full colorimetry support

Support for single link DVI or HDMI signals at pixel rate no more than 165MHz

Support for dual link DVI signals at pixel rate no more than 330MHz

Support for extraction of audio formation information & channel status data

Support for extraction of video timing information

Support for extraction of 3D format information

Support for extraction of Sony/Canon DSLR time code

Support for Side-by-Side Half, Top-and-Bottom, Frame Packing 3D mode.

Video Capture Formats:

Support for capture image resolutions up to 4096x2160 pixels

Support for capture frame rates up to 144fps

SDK:

Magewell Capture SDK for easy integration, maximum flexibility and performance

Produce » Real-Time Production » Video Production » Newsroom production management and automation systems »

Input Interfaces:

HDMI

DVI-D 1.0

HDMI 2.0

BNC

SD/HD/3G/6G SDI

Host Interface:

PCIe Gen2 x4

Input Features:

Auto scan of video input sources when there is no signal input to the currently selected input source

Manual selection of video input source

Auto selection of linked (embedded) audio input source when the video input source changes

Manual selection of audio input source

Support for standard crossbar based on video input source selection

Support for input video resolutions up to 4096x2160 pixels

HDMI Specific Features:

594MHz HDMI receiver

Adaptive HDMI equalizer

Support for customized EDID

Support for extraction of AVI/Audio/SPD/MS/VS/ACP/ISRC1/ISRC2/Gamut/HDR/VBI InfoFrames

Full colorimetry support

Support for 8/10/12-bit color depths

Support for RGB 4:4:4, YCbCr 4:4:4, YCbCr 4:2:2 color sampling

Support for up to 8-channel IEC60958/IEC61937 audio streams via SDK

Support for extraction of audio formation information & channel status data

Support for extraction of video timing information

Support for extraction of 3D format information

Support for extraction of Sony/Canon DSLR time code

Support for Side-by-Side Half, Top-and-Bottom, Frame Packing 3D mode.

Support for HDR10

SDI Specific Features:

Integrated cable equalizer extending the cable length as follows:

up to 330m for SD-SDI signals

up to 190m for HD-SDI signals

up to 150m for 3G-SDI signals

up to 75m for 6G-SDI signals

Support for SD/HD/3Ga/3Gb/3Gb-DL/3Gb-DS/6G (SMPTE 2081) standards

Support for 2K (2048x1080) & 4K (4096x2160) mode

Support for RGB 4:4:4, YCbCr 4:4:4, YCbCr 4:2:2 color sampling

Support for 10/12-bit color depth

Support for extraction of SMPTE 352 payload identifier

Support for up to 8 (mono) audio channels at 48KHz (channels 1–8 from the 16 available in the SDI spec)

Support for extraction of audio formation information & channel status data

Limited support of 3Gb-DS: only the first stream can be captured

Limited support for capture of the first link of dual link interfaces:

YCbCr 4:2:2 10-bit 1080p 50/59.94/60: captured as 1080i 50/59.94/60

YCbCr 4:4:4 10-bit: captured as 4:2:2

RGB 4:4:4: R/B sub-sampled

Support for Closed Caption via SDK

Video Capture Formats:

Support for capture image resolutions up to 4096x2160 pixels

Support for capture frame rates up to 144fps

SDK:

Magewell Capture SDK for easy integration, maximum flexibility and performance

Produce » Real-Time Production » Video Production » Newsroom production management and automation systems »

Input Interfaces:

HDMI

DVI-D 1.0

HDMI 1.4

BNC

SD/HD/3G/6G SDI

Host Interfaces:

PCIe Gen2 x2

Input Features:

Support for input video resolutions up to 4096x2160 pixels

HDMI Specific Features:

297MHz HDMI receiver

Adaptive HDMI equalizer

Support for customized EDID

Support for extraction of AVI/Audio/SPD/MS/VS/ACP/ISRC1/ISRC2/Gamut InfoFrames

Full colorimetry support

Support for 8-bit signals that use RGB/YUV 4:4:4 color sampling at pixel rate no more than 297MHz

Support for 12-bit signals that use YUV 4:2:2 color sampling at pixel rate no more than 297MHz

Support for 10/12-bit signals that use RGB/YUV 4:4:4 color sampling at pixel rate no more than 170MHz

Support for extraction of audio formation information & channel status data

Support for extraction of video timing information

Support for extraction of 3D format information

Support for extraction of Sony/Canon DSLR time code

Support for Side-by-Side Half, Top-and-Bottom, Frame Packing 3D mode.

SDI Specific Features:

Integrated cable equalizer extending the cable length as follows:

up to 330m for SD-SDI signals

up to 190m for HD-SDI signals

up to 150m for 3G-SDI signals

up to 75m for 6G-SDI signals

Support for SD/HD/3Ga/3Gb/3Gb-DL/3Gb-DS/6G (SMPTE 2081) standards

Support for 2K (2048x1080) & 4K (4096x2160) mode

Support for RGB 4:4:4, YCbCr 4:4:4, YCbCr 4:2:2 color sampling

Support for 10/12-bit color depth

Support for extraction of SMPTE 352 payload identifier

Support for up to 8 (mono) audio channels at 48KHz (channels 1–8 from the 16 available in the SDI spec)

Support for extraction of audio formation information & channel status data

Limited support of 3Gb-DS: only the first stream can be captured

Limited support for capture of the first link of dual link interfaces:

YCbCr 4:2:2 10-bit 1080p 50/59.94/60: captured as 1080i 50/59.94/60

YCbCr 4:4:4 10-bit: captured as 4:2:2

RGB 4:4:4: R/B sub-sampled

Support for Closed Caption via SDK

Video Capture Formats:

Support for capture image resolutions up to 4096x2160 pixels

Support for capture frame rates up to 144fps

SDK:

Magewell Capture SDK for easy integration, maximum flexibility and performance

Produce » Real-Time Production » Video Production » Newsroom production management and automation systems »

Input Interfaces:

HDMI

DVI-D 1.0

HDMI 1.4a

Host Interface:

USB 3.0

compatible with USB 2.0

compatible with USB 3.1 Gen 1

Input features:

Support for input video resolutions up to 2048x2160

HDMI Specific Features:

165MHz HDMI receiver

Adaptive HDMI equalizer support for cables lengths up to 30M

Support for customized EDID

Support for extraction of AVI/Audio/SPD/MS/VS/ACP/ISRC1/ISRC2/Gamut InfoFrames

Full colorimetry support

Support for 8/10/12-bit color depth

Support for RGB 4:4:4，YCbCr 4:4:4，YCbCr 4:2:2 color sampling

Support for 2 channel IEC60958 audio streams

Support for extraction of audio formation information & channel status data

Support for extraction of video timing information

Support for extraction of 3D format information

Support for Side-by-Side Half, Top-and-Bottom, Frame Packing 3D mode.

Video Capture format:

Support for capture resolutions up to 2048x2160

Support for capture frame rates up to 120fps

SDK:

The USB Capture SDK provide functions including signal status extraction, capture configuration and real-time audio & video capture, etc.

Accessories:

USB 3.0 cable

Produce » Real-Time Production » Video Production » Newsroom production management and automation systems »

Input Interfaces:

MCX

SD/HD/3G SDI

Host Interface:

USB 3.0

compatible with USB 2.0

compatible with USB 3.1 Gen 1

Input features:

Support for up to 2048x1080 input resolution

SDI Specific Features:

Integrated cable equalizer extending the cable length as follows:

up to 330m for SD-SDI signals

up to 190m for HD-SDI signals

up to 150m for 3G-SDI signals

Support for SD/HD/3Ga/3Gb/3Gb-DL/3Gb-DS standards

Support for 2K (2048x1080) mode

Support for RGB 4:4:4, YCbCr 4:4:4, YCbCr 4:2:2 color sampling

Support for 10/12-bit color depth

Support for extraction of SMPTE 352 payload identifier

Support for up to 2 (mono) audio channels at 48KHz

Support for extraction of audio formation information & channel status data

Limited support of 3Gb-DS: only the first stream can be captured

Limited support for capture of the first link of dual link interfaces:

YCbCr 4:2:2 10-bit 1080p 50/59.94/60: captured as 1080i 50/59.94/60

YCbCr 4:4:4 10-bit: captured as 4:2:2

RGB 4:4:4: R/B sub-sampled

Video Capture format:

Support for capture resolutions up to 2048x1080

Support for capture frame rates up to 120fps

SDK:

The USB Capture SDK provide functions including signal status extraction, capture configuration and real-time audio & video capture, etc.

Accessories:

USB 3.0 cable

MCX to SDI cable

Produce » Real-Time Production » Video Production » Newsroom production management and automation systems »

Input Interfaces:

DVI-I

DVI 1.0

HDMI 1.4a (via breakout cable)

VGA (via DVI-to-VGA convertor)

Component (via breakout cable)

DB9

YC (S-Video)

Composite video

Analog audio (L+R)

Component video

BNC

SD/HD/3G SDI

Host Interface:

USB 3.0

compatible with USB 2.0

compatible with USB 3.1 Gen 1

Input features:

Auto scan of video input sources when there is no signal input to the currently selected input source

Manual selection of video input source

Auto selection of linked (embedded) audio input source when the video input source changes

Manual selection of audio input source

Support for input video resolutions up to 2048x2160

HDMI Specific Features:

225MHz HDMI receiver

Adaptive HDMI equalizer support for cables lengths up to 30M

Support for customized EDID

Support for extraction of AVI/Audio/SPD/MS/VS/ACP/ISRC1/ISRC2/Gamut InfoFrames

Full colorimetry support

Support for 8/10/12-bit color depths

Support for RGB 4:4:4, YCbCr 4:4:4, YCbCr 4:2:2 color sampling

Support for up to 2-channel IEC60958 audio streams

Support for extraction of audio formation information & channel status data

Support for extraction of video timing information

Support for extraction of 3D format information

Support for Side-by-Side Half, Top-and-Bottom, Frame Packing 3D mode.

SDI Specific Features:

Integrated cable equalizer extending the cable length as follows:

up to 330m for SD-SDI signals

up to 190m for HD-SDI signals

up to 150m for 3G-SDI signals

Support for SD/HD/3Ga/3Gb/3Gb-DL/3Gb-DS standards

Support for 2K (2048x1080) mode

Support for RGB 4:4:4, YCbCr 4:4:4, YCbCr 4:2:2 color sampling

Support for 10/12-bit color depth

Support for extraction of SMPTE 352 payload identifier

Support for up to 2 (mono) audio channels at 48KHz

Support for extraction of audio formation information & channel status data

Limited support of 3Gb-DS: only the first stream can be captured

Limited support for capture of the first link of dual link interfaces:

YCbCr 4:2:2 10-bit 1080p 50/59.94/60: captured as 1080i 50/59.94/60

YCbCr 4:4:4 10-bit: captured as 4:2:2

RGB 4:4:4: R/B sub-sampled

Video Capture format:

Support for capture resolutions up to 2048x2160

Support for capture frame rates up to 120fps

SDK:

The USB Capture SDK provide functions including signal status extraction, capture configuration and real-time audio & video capture, etc.

Accessories:

USB 3.0 cable

DVI to VGA connector

DVI-I to HDMI + Component breakout

DB9 to YC + Composite + Analog Audio + Component breakout

Produce » Real-Time Production » Video Production » Newsroom production management and automation systems »

Input Interfaces:

HDMI

DVI-D 1.0

HDMI 1.4

HDMI 2.0

3.5mm audio jack

Microphone interface

Host Interface:

USB 3.0

compatible with USB 2.0

compatible with USB 3.1 Gen 1

Output Interface:

3.5mm audio jack

headphones interface

Loop-through Interface:

HDMI

DVI-D 1.0

HDMI 1.4

HDMI 2.0

Input feature:

Support for input video resolutions up to 4096x2160

HDMI Specific Features:

600MHz HDMI receiver

Adaptive HDMI equalizer

Support for customized EDID

Support for extraction of AVI/Audio/SPD/MS/VS/ACP/ISRC1/ISRC2/Gamut InfoFrames

Full colorimetry support

Support for up to 4096x2160 4:4:4 60fps input signals

Support for 2 channel IEC60958 audio streams

Support for extraction of audio formation information & channel status data

Support for extraction of video timing information

Support for extraction of 3D format information

Support for Side-by-Side Half, Top-and-Bottom, Frame Packing 3D mode.

Video Capture format:

Support for capture resolutions up to 4096x2160

Support for capture frame rates up to 120fps

SDK:

The USB Capture SDK provide functions including signal status extraction, capture configuration and real-time audio & video capture, etc.