Editready 2 - IABM Single BaM Product

Editready 2 - IABM Single BaM Product

EditReady

EditReady

bam-product-image

Since 2008, EditReady has had your back when your NLE doesn’t support your camera’s file format. And now, we’re turning it up a notch with EditReady Pro!


Crafted transcoding & color science


Transcode and re-wrap footage into high quality editable formats. Get the best results without a complicated setup. Carefully selected defaults mean you’re up and running in no time.


Widest RAW support, ever.


As well as supporting just about every MOV, MXF, MP4, and Quicktime file, EditReady lets you work with all the popular RAW formats: Sony, RED, BRAW, ProRes RAW, ARRI RAW (inc. Super 35), and Canon RAW.


Incredibly fast, incredibly precise


Built for speed and optimised for the power of both old and new Macs, EditReady works with all flavours of Apple silicon and GPU acceleration you can throw at it. From camera to your NLE, in record time.


“Obviously late to the game on this one, but absolutely love how fast EditReady is. Going to be my media transcoder of choice from here on out. D.L. Watson – Video Producer


True codec support


Using each manufacturers’ original SDK wherever possible to ensure the best quality transcodes. No unofficial frameworks and zero hacks. Every codec gets transcoded as its makers intended it to.


Review and edit metadata


EditReady lets you view and edit all of the metadata associated with your file, including location data, camera settings, and diagnostic information. Use metadata to automatically rename files, or burn data into overlays.


Dealing with RAW


With RAW, accuracy is paramount. EditReady uses each vendor’s specific RAW decoder, using the vendor preferred Log format to reflect the original shooting intent. The end result? A high quality proxy that’s easy to edit with, with all the flexibility a non-RAW format carries.


Color Awareness


When a shoot mixes camera formats, you’ll end up with a variety of color spaces, Log types, HDR formats, and LUTs. EditReady’s unique color pipeline make this a breeze, translating everything to what you need it to be, without compromises.


Play back, trim, add LUTs


And there’s more: screen your camera’s original media files before you transcode them, apply a LUT to preview your Log media with or without a specific predetermined look, check your previewed clip in ScopeBox via our integrated ScopeLink connection, and set In and Out points to avoid transcoding unwanted parts of your clips.


Overlays and burn-ins


Use the overlay editor to position graphical elements for compositing on top of your video. Import images with alpha channels to apply complex bugs or watermarks. Layout custom formatted text, including metadata values from the source media. Use the overlay tool to burn-in timecode, reel names, shoot dates, media names, and other metadata.


Additional information

Related Products:

X